DOCSLIB.ORG

Home Chat Feb 2004 A3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Home Chat Feb 2004 A3 WHAT’S ON? Is your production or event shown here...? If you want an item to be included here or on our website then please send details to: The Noël Coward Society, 29, Waldemar Avenue, Hellesdon, Norwich, NR6 6TB or email: whatson@noël coward.net Tel: +44 (0)1603 486188 Fax: +44 (0)1603 400683 Professional companies are shown in blue * denotes Premiere, TBC = To be confirmed In North America 25 to 30 Oct - Manifest Theatre Group, Manifest Theatre, Blithe Spirit: Manningtree, Essex September 24 to October 23, 2004 Utah Shakespearean Festival 8 to 13 Nov - Nailsea Theatre Club, The Workshop, Nailsea, Cedar City, Utah North Somerset JUDY CAMPBELL 12 to 20 Nov - Elora Ontario 24 to 26 Sep - Drama Workshop of Waltham Forest, The JUDY CAMPBELL the actress and our Honorary Vice-President died on Forest Community Centre, Walthamstow, London Sunday June 6th at the age of 88. The beautiful dark-haired, husky-voiced Fallen Angels April to November 2005 (in repertory) Stratford 29 Sep to 2 Oct - Redditch ATS, The Palce heatre, Redditch, star of Noel Coward’s Present Laughter (Joanna), This Happy Breed, Festival Theatre - Stratford, Ontario - Canada Worcs. (Ethel) and memorably his Elvira in Blithe Spirit also accompanied Noel 11 to 11 Jan 2005 - Southampton University Players, The in twice-nightly concerts for the troops. She attended several NCS events Private Lives Nuffield Theatre, Southampton, Hampshire from the inception of the Society in 1999 until late 2003 when she became 12 to 15 May 2005 Stage 43 Theatrical Society, Port 10 to 13 Nov - Broughton & District Drama Club, The increasingly unwell and frail. Her candour about her times with Noel were Coquitlam, BC Concert Hall, Broughton, Lancs refreshingly honest and always of interest. She will forever be associated with the Eric Maschwitz song that made her name in the 1940 revue New Hands Across the Sea Private Lives Faces at the Comedy Theatre. when following the loss of a scripted item 24 to 28 Aug Connaught Productions, Frinton Summer was given A Nightingale Sang In Barclay Square, and, singing for the first Fallen Angels Theatre, Essex time in public croaked her way through the song rendering it and her a hit! 23 Sep to 9 Oct Stage Centre Productions, Scarborough, 26 Aug to 18 Sep Byre Theatre, St. Andrews “I just know,” she said in 1997, “ that all the obituaries will talk about Ontario 24 to to 28 Aug - Connaught Productions, Frinton Summer nothing but that blooming nightingale.” As a result of seeing her perform 1 Jan to 5 Feb 2005 Dundas Little Theatre, Dundas Ontario. Theatre, Essex the song, Noel took her to supper at the Savoy Grill where she sang, at his 26 Aug to 18 Sep - Brye Theatre, St Andrews insistence, the same song again for the other diners. “It takes talent to put Europe 23 & 24 Oct St John’s Wood Players, St. John’s Hall, St. over a song when you haven’t got a voice,” he told her. “One day we’ll Blithe Spirit John’s Wood. London act together.” He kept his word! With the exception in 1984 of a musical 10 to 20 Nov - Zurich Comedy Club, The Seefeld Theater, 13 to 18 Jun 2005 - The Pump House Theatre Company, The version of The Importance of Being Earnest she did not sing again until Zurich, Switzerland Pump House Theatre, Watford, Herts 1983 when she gave an inimitable rendition of This Is My Lovely Day in a 9 to 18 Sep - Wokingham Theatre, Wokingham, Berkshire In the United Kingdom revival of Vivian Ellis’s Bless This Bride. She was still performing in her one-woman show in 2003 when, accompanied by the singer-accompanist Nude With Violin Relative Values Stefan Bednarczyk she performed at the Jermyn Street theatre. Born in 26 & 27 Sep Sherbourne School, Sherbourne, Dorset 27 Jan to 19 Feb 2005 Salisbury Playhouse Grantham to the actor-playwright J A Campbell who ran the Theatre Roal, Grantham and the town’s first cinema she made her first appearance on Hay Fever Red Peppers stage at the Theatre Royal as a guest in Lonsdale’s Last of Mrs. Cheyney. 2004 West Yorkshire Playhouse, The Quarry 30 Sep to 9 Oct The Matrix Theatre, Newbury, Berks She played rep. at Grantham, Coventry and Brighton, before a time at the 25 Feb to 5 Mar 2005 - Heald Green theatre Co Ltd., Heald People’s Palace, east London, and a season at the Festival Theatre, Green Theatre, Heald Green, Cheshire Fallen Angels staged. One of her two daughters is Jane 22 Jan to 5 Feb 2005 Eye Theatre, Suffolk Cambridge, in Shakespeare and Shaw. A Whatnot, and in tragedy, O’Neill’s tour with the comedian Vic Oliver in Mourning Becomes Electra. She took Birkin of Je T’Aime fame and her son Blithe Spirit 14 to 16 Oct, 15, 16 Nov Malford Players, The Village Hall, Robert Sherwood’s Idiot’s Delight led to over Celia Johnson’s role in Aykbourn’s Andrew Birkin is a writer and film- 8 Jun to 21 Aug Ian Dickens ProductionsBlackpool / Darlington Christian Malford, Wiltshire a season of leads at Liverpool Playhouse. Relatively Speaking at the Duke of York maker. For us she was one of Noel’s / Swansea 26 to 30 Oct - Taunton Thespians, The Brewhouse Theatre, It was during New Faces in the War in 1967. In the 70s she found satisfying greatest leading ladies and an active sup- 18 Aug to 4 Sep (TBC) Triumph Entertainment, Theatre Royal Taunton, Somerset Years when audiences often preferred to roles in the provinces with Hay Fever, porter of the Society and its work. Bath, UK Tour 9 to 16 Oct - Lewes Theatre Club, The Little Theatre, Lewes, remain in their seats during an air raid Wycherley’s Double Dealer. At the 17 to 20 Nov Woodley Players Theatre Group, Hatherlow East Sussex that, after a sip of port to calm her fears Oxford Playhouse she showed ‘unexpect- Our thanks to The Daily Telegraph for mate- Church Hall, Romley, Stockport, Cheshire of singing rather than being bombed, her ed emotional power’ as the long-suffering rial for this obituary. 17 Sep Limelight Theatre, Aylesbury, Buckinghamshire Still Life unexpected and witty handling of the Mother in Miller’s Death of a Salesman. 25 Nov to 4 Dec - The Sewell Barn Theatre Company, Sewell 9 to 27 Nov - My Pet Dragon Productions, The Burton Taylor song that was to bring her fame, held the At the 1983 Chichester festival she Sheridan Morley has written a full obituary Barn Theatre, Norwich Theatre, Oxford for Judy Campbell in ‘The Oldie’ His audience spellbound. In Noel’s Relative played the ‘grandest of grand duchesses 14 & 15th Oct Betchworth Operatic & Dramatic Society, The recording of Judy Campbell singing 'A Values she was credited for bringing an in Rattigan’s Sleeping Prince. She made Village Hall, Betchworth, Surrey Present Laughter Nightingale Sang in Berkley Square' is uninspiring colonial comedy to last- numerous television appearances the 14 to 16 Oct Lane End Players, The Village Hall, Lane End, 17 to 20 Nov - Beaconsfielf Theatre Group, Beacon theatre available on CD. There is other material of minute life. Her other appearances most recent being in Granada Buckinghamshire Centre, Beaconsfield Buckinghamshire interest in the BBC archives but it has only included Shaw’s Heartbreak House and Television’s version of The Forsyth Saga. been recorded on cylinders and thus remains 15 to 19 Mar - Windsor Theatre Guild, The Guildhall, Windsor, Never Can Tell. Aykebourn’s Mr. She wrote three plays two of which were inaccessible at present. Berkshire Semi-Monde 6 to 11 Sep - Whitehaven Theatre Group, The Rosehill Theatre, 3 to 20 Nov - Mountview Academy of Theatre Arts, The Judi Whitehaven, Cumbria Dench theatre, London CALLING ALL UK MEMBERS! ... Following our recent database dispatch to UK members, can we 5 to 8 Oct - Whitchurch Little Theatre Group, The Civic remind you that we need ALL UK members updated details, whether it be confirmation of Standing Order date-changes, renewal Centre, Whitchurch, Shropshire fees or resignations! Many thanks to all those who have responded so far - if you haven’t had time to reply yet, please do dig out Unless stated otherwise all text and images are copyright to the Noël Coward Estate. All correspondence to: The Noël Coward those pens, use the email or phone Celia Cologne with your latest information - as soon as possible. Celia can be reached at: Society, 29, Waldemar Avenue, Hellesdon, Norwich, NR6 6TB UK Tel: +44 (0)1603 486 188 email: [email protected] 3, Somerville Road, Poulner, Ringwood, BH24 1XJ Tel: 01425 478760 email: [email protected] Page 12 grew up in the Thames Valley area, and warmth. some of the notes in the romantic bal- JUDY CAMPBELL BIRKIN where Judy was also living, and where A long spray of lovely flowers, including Your Invitation to... lads. She gets by in the more difficult 31st May, 1916 – 6th June, 2004 their parents and relatives were all the Dolce Vita rose, were sent from the vocal passages but it is as a character acquainted. Society, with the card saying:- The Theatre Museum, Covent Garden, actress that she is obviously far more One evening after a performance at the “To our Honorary Vice President, with comfortable. Darling it’s Noel opens with Jermyn St. Theatre, Judy had looked love and thanks from all the Members of for our Annual General Meeting the famous balcony scene from Private rather tired and Sheridan had said “you the Noël Coward Society, throughout the Saturday 11th December, 2004. Lives - the one in which divorced lovers don’t have to do this Judy, take a rest for world”.
Load more

Recommended publications
  • Noël Coward on TV: Tears in Champagne
    Noël Coward on TV: Tears in Champagne With onstage appearances from Dame Penelope Keith, Alistair McGowan, Barry Day, Keith Barron, Maria Aitken, John Gorrie and Kit Hesketh-Harvey Monday 30 March 2015, London. Throughout May 2015 BFI Southbank will celebrate the television work of the ground-breaking playwright, musician and cabaret performer Noël Coward. Coward was a playwright way ahead of his time. Hiding behind glamour and sophistication, his plays were radical and often morally ambiguous, from the shocking representation of drug addiction in The Vortex (Granada TV, 1964) to the hedonistic ménage-a-trois in Design for Living (BBC, 1979). Highlights of the season will include a illustrated talk from Coward expert Barry Day, a panel discussion featuring Dame Penelope Keith and Alistair McGowan, and very rare screenings of Jazz Age: Post Mortem (BBC, 1968), unseen since 1968, and a US production of Blithe Spirit (CBS, 1956) starring Coward himself opposite Lauren Bacall and Claudette Colbert. It has been said that Noël Coward fell out of fashion with the arrival of the new breed of ‘angry’ radical playwrights that emerged in the late 50s. While these new plays came to dominate theatre, TV broadcasters continued to see the value in Coward’s work, resulting in a string of fine TV productions which will screen in the season, including Private Lives (BBC, 1976), Fallen Angels (Anglia TV, 1974) and The Kindness of Mrs Radcliffe (BBC, 1981). Coward’s unique blend of high- octane wit and sophistication translated easily to the small screen, and provided glamorous roles for big-name TV stars including Penelope Keith, Susannah York and Joan Collins.
    [Show full text]
  • Interfaith Scroll 7 9-25-18 Print
    Bill Ford, Executive Chairman Jim Hackett, CEO Ford Motor Company, Dear Mr. Ford, and Mr. Hackett, In 2011, Ford Motor Company was part of a historic breakthrough in cooperation on climate solutions when the company supported the Clean Car Standards, which would raise fuel eciency standards to an average of 54.5 miles per gallon by 2025. As people of faith who care for Earth and all of its inhabitants, we cheered this progress. Then, under the current Administration, Ford began lobbying for a review of the standards, asking for “additional exibility” in meeting them. Despite the debt Ford owes to the American taxpayers for billions of dollars to invest in advanced vehicle manufacturing, you now seem ready to go back on your commitment to cleaner cars for American drivers. This is unconscionable. We call on you to stand by the Clean Car Standards. The Ford name carries a legacy of innovative technological advancements for the good of society. The Clean Car Standards gave Ford an opportunity to continue this legacy of innovation and bolster its stated commitment to sustainability. We hoped that Ford would look to the future and compete with China and Europe on the clean cars of tomorrow, while cleaning up our air at home and saving families money at the pump. Today, the transportation sector is the single largest and fastest growing source of carbon pollution in the U.S. Cars and pickup trucks account for 47 percent of oil used in the United States and nearly one third of our greenhouse gas emissions. This trend makes the Clean Car Standards we adopted seven years ago even more prescient and important.
    [Show full text]
  • Resource Pack.Indd
    Noël Coward’s Private Lives Lesson Resource Pack Director Lucy Bailey Designer Katrina Lindsay Lighting Designer Oliver Fenwick Music Errollyn Wallen Image: Noël Coward photographed by Horst P Horst in 1933. Horst Estate/Courtesy Staley-Wise Gallery, New York Contents Introduction & Cast List ……………………… 3 Information for Teachers................................ 4 Noël Coward by Sheriden Morley…………… 5 In Conversation with Lucy Bailey................... 7 Private Lives by John Knowles....…..……. 9 Synopsis …………..…………………………… 11 Social Class................................................... 12 Noël Coward: In his own words….…….…….. 13 Noël Coward visits Hampstead Theatre......... 14 Texts for Comparison with Private Lives…… 15 Performance Evaluation…..………..….....….. 16 Set Design by Katrina Lindsay....................... 17 Language of Private Lives.............................. 18 Lesson Activities - Worksheet one………………………………… 20 Worksheet two………………………………… 21 Worksheet three………………………………. 22 Worksheet four………………………………… 23 Worksheet fi ve…………………………………. 24 Script Extract……….………………………….. 25 Further reading………………………………… 29 Introduction Amanda and Elyot can’t live together and they can’t live apart. When they discover they are honey- mooning in the same hotel with their new spouses, they not only fall in love all over again, they learn to hate each other all over again. A comedy with a dark underside, fi reworks fl y as each character yearns desperately for love. Full of wit and razor sharp dialogue, Private Lives remains one of the most successful and popular comedies ever written. Written in 1929, Private Lives was brilliantly revived at Hampstead in 1962, bringing about a ‘renaissance’ in Coward’s career and establishing Hampstead as a prominent new theatre for London. Private Lives was a runaway hit when it debuted in 1930, and the play has remained popular in revivals ever since.
    [Show full text]
  • From Pleasure to Menace: Noel Coward, Harold Pinter, and Critical Narratives
    Fall 2009 41 From Pleasure to Menace: Noel Coward, Harold Pinter, and Critical Narratives Jackson F. Ayres For many, if not most, scholars of twentieth century British drama, the playwrights Noel Coward and Harold Pinter belong in entirely separate categories: Coward, a traditional, “drawing room dramatist,” and Pinter, an angry revolutionary redefining British theatre. In short, Coward is often used to describe what Pinter is not. Yet, this strict differentiation is curious when one considers how the two playwrights viewed each other’s work. Coward frequently praised Pinter, going so far as to christen him as his successor in the use of language on the British stage. Likewise, Pinter has publicly stated his admiration of Coward, even directing a 1976 production of Coward’s Blithe Spirit (1941). Still, regardless of their mutual respect, the placement of Coward and Pinter within a shared theatrical lineage is, at the very least, uncommon in the current critical status quo. Resistance may reside in their lack of overt similarities, but likely also in the seemingly impenetrable dividing line created by the premiere of John Osborne’s Look Back in Anger on May 8, 1956. In his book, 1956 and All That (1999), Dan Rebellato convincingly argues that Osborne’s play created such a critical sensation that eventually “1956 becomes year zero, and time seems to flow both forward and backward from it,” giving the impression that “modern British theatre divides into two eras.”1 Coward contributed to this partially generational divide by frequently railing against so-called New Movement authors, particularly Samuel Beckett and Eugene Ionesco, for being self-important and tedious.
    [Show full text]
  • Home Chat Feb 2004 A3
    In the UK... Fallen Angels July 2006 1 Sep to 31 Dec - Bill Kenwright Ltd, UK Tour FREE TO Hay Fever - 6 Apr to 5 Aug - Starring Judi Dench November and December 2006 MEMBERS OF Theatre Royal, Haymarket. Private Lives THE SOCIETY The Noël Coward Theatre - Avenue Q 26 May to 4 Nov - Theatre by the Lake, Keswick Price £3 ($5) Blithe Spirit Blithe Spirit 20 Jul to 13 Aug - Incisor Productions, St Anns 16 to 25 Nov - Stonegate Amateur dranatic Society, Village CHAT Well Gardens, Brighton Hall, Stonegate, East Sussex home Private Lives Fallen Angels 26 May to 4 Nov - Theatre by the Lake, Keswick 1 Sep to 31 Dec - Bill Kenwright Ltd, UK Tour Tonight At 8.30 2007 Chichester Festival Theatre's summer season. In The Vortex - Will Young - The Royal Exchange Theatre from the Minerva Theatre, playing in two triple bills the 17th January to March 10th 2007. Tickets are available on n a balmy day in the church of St. Paul’s, from 13th July - 2nd Sep. 0161 615 6815 or 0161 833 9833 Covent Garden, The Actors’ Church, on Friday Part 1 The Astonished Heart (Family Album, Red Private Lives 30th June 2006, a congregation drawn from the Peppers, The Astonished Heart) 19 to 27 Feb 2007 - The Bancroft Players, The Queen Mother Oworld of theatre, its audiences and those who loved, Part 2 Shadow Play (Hands Across the Sea, Theatre, Hitchin, Hertfordshire knew and admired him gathered to celebrate Graham Shadow Play, Fumed Oak) BO:01243 781312 or Blithe Spirit Payn’s life.
    [Show full text]
  • Michael Shelden Cv
    MICHAEL SHELDEN Address: Department of English, Indiana State University, Terre Haute, IN 47809 Email: [email protected] Website: www.michaelshelden.com Education: Indiana University, Ph.D., 1979 Indiana University, M.A., 1975 University of Nebraska, B.A., 1973 Employment: Assistant Professor of English, Indiana State University, 1979-1984 Associate Professor of English, Indiana State University, 1984-1989 Professor of English, Indiana State University, 1989-present Visiting Professor of English, Indiana University, 1990 Features Writer, Daily Telegraph of London, 1995-2007 Fiction Critic, Baltimore Sun, 1996-2006 Consultant, British Broadcasting Corporation, 1991-1992, BBC 2 film series on the life and art of English novelist Graham Greene Consultant and Broadcast Commentator, French Television Channel 3 documentary on the life of Graham Greene, 1995 1 BOOKS (author and contributor): "Walter Bagehot." Victorian Prose Writers Before 1867. Ed. William Thesing. Detroit: Gale Research Press, 1987. Friends of Promise: Cyril Connolly and the World of Horizon (New York: Harper Collins, 1989; London: Hamish Hamilton, 1989.) Current edition available from Faber & Faber. Orwell: The Authorized Biography (New York: Harper Collins, 1991; London: Heinemann, 1991). Current edition available from Methuen. Excerpt in The Arlington Reader. Ed. Lynn Z. Bloom (Boston and New York; Bedford/St. Martin’s Press, 2004.) Graham Greene: The Man Within (London: Heinemann, 1994). Graham Greene: The Enemy Within (U.S. Edition; New York: Random House, 1995). “Postscript: An Exchange of Letters between David Lodge and Michael Shelden.” David Lodge, The Practice of Writing. New York and London: Penguin Books, 1996. “Behind the Feminist Mystique.” Interview with Betty Friedan. Betty Friedan, Ed.
    [Show full text]
  • Equity Annual Report 2007
    EQUITY ANNUAL REPORT 2007 The seventy-seventh annual report Adopted by the Council at its meeting held on April 27, 2008 for submission the Annual Representative Conference 18&19 May, 2008 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 0207 379 6000 Fax: 0207 379 7001 E-mail: [email protected] Website: www.equity.org.uk ANNUAL REPORT 2007 1. GENERAL....................................................................... 1 A. Annual Representative Conference............................................................ 1 B. Ballots ........................................................................................................... 1 C. Diversity Conference ................................................................................... 1 D. Lobbying Activities...................................................................................... 1 E. Marketing and membership services ......................................................... 3 F. Clarence Derwent Awards 2005 .................................................................. 5 G. Rules Working Party.................................................................................... 5 2. THEATRE, VARIETY & CIRCUS ................................... 6 A. General.......................................................................................................... 7 B. London Theatre............................................................................................ 7 C. Commercial and Subsidised
    [Show full text]
  • Matt Wolf Meets a Hollywood Superstar
    August 1997 Issue 11 £2.50 Matt Wolf meets a Hollywood Superstar The thinking man's actor Prolific, precocious, provocative Making his mark Also in this issue... 08 9771364763009 i EDITOR'S LETTER n the very first imre of Applause , Matt Wolf wrote a piece in which he com/Jared the 'softne ss' of London's theatre critics to their more bmtal New York cmm ter/Jam. As CI gro up (or 'scathe ', if yo u like ) of critics , our tolerance ratio, Wolf maintained, WdS felr highe r than Broadway's bwchers who, at the risk of reducing the number of Brnw:ltuF siln us, m any seas on, to single figure s, would blast to oblivion the equivalent of the maJ1\ h<' luw-par /nodlfctions that find their way into the Wes t End. Well, if the last re i< mrdlths are an),thing to go by, London's reviewers wmrld a/Jpear to hal'e taken \CU/,;"5oh'C'T!'llt/ons to heart. The majority of them gave the thumbs down to Terrence ,'vfc.'\'alh s mmrd-lvinninf,; Mas[er C lass, Neil Simon's The Goodbye Girl, and to the 10hn Dem p,c\-I)ana Rowe musical The Fi x - all American in ori?;in, incidentally. Marlene also hl1d 11 rOI/!;h ride from some of the more disceminf,; reviewers bw, ~mlike the first two, it has manl1!;.;:,j 0 hong in on the strength of Sian Phillips' marve llous central performance. Blood has also recentl)' bee n drawn from Always, whose critical reception was the jO/tnwlistic eqHit>aient of Rese n'Olr Dogs.
    [Show full text]
  • King and Country.: Remembering a Chthonic Tragedy at Passchendaele, 1917 Shane A. Emplaincourt
    King and Country.: Remembering a Chthonic Tragedy at Passchendaele, 1917 Shane A. Emplaincourt Squire nagged and bullied till I went to fight, / (Under Lord Derby’s Scheme). I died in hell— / (They called it Passchendaele).1 —Siegfried Sassoon Prologue: British Commemorations of the Great War in the 1960s n Awake in the Dark, Roger Ebert makes a case to include the Seventh Art as part of the Pulitzer Prize awards: “It’s time for America’s most important honor in the arts to be I extended to America’s most important contribution to the arts.”2 The dawn of that contribution began during the First World War, and subsequently a large number of films about the war were produced in the ensuing years. However, after 1945, not only did the number of Great War films wither, but also directors “[…] became almost obsessed with the Second World War—the nation’s last great triumph. 1914-1918, often seen as the beginning of national decline, was painful to recall and, thus, ignored by British cinema.”3 In August 1963, for the occasion of the upcoming 50th commemoration of the First World War, the BBC decided to produce a massive twenty-six episode series, The Great War, each one lasting forty minutes. In The Great War on the Small Screen: Representing the First World War in Contemporary Britain, Emma Hanna writes that, starting with the first episode 1 The first verses of his poem, “Memorial Tablet (Great War),” written in 1918 and published in his collection, Picture-Show (New York: E.P. Dutton & Co., 1920), 12.
    [Show full text]
  • Home Chat January 2003 Booklet
    WHAT’S ON? ACROSS THE GLOBE (* denotes Premiere, TBC = To be confirmed) Professional companies are shown in red - amateur companies in black. JANUARY America & Canada 2003 Blithe Spirit 24 Apr to 10 May Whitby Courthouse Theatre, Whitby, Ontario Hay Fever 7 to 19 Jun The New Harmony Theatre Opening, New Harmony Indiana. 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. www.bard.org. Private Lives 5 to 15 Feb Player’s Theatre, McGill university Montreal, Quebec 7 to 23 Apr Gimli Theatre Association, Gimli, Manitoba 8 to 17 May Gateway Theatre Guild, North Bay, Ontario Relative Values 7 Jun to 5 Jul The Metropolitan Cooperative Theatre Society, Vancouver BC Waiting for Coward May 5th A play by Elizabeth Sharland at the Algonquin, NYC ELAINE AT DRURY LANE Europe Nude With Violin Entity Theatre Workshop 23 Jan to 1 Feb The Aula Theatre, Munich, Germany RECALLS THE MASTER 15 Feb Black Box Theatre, Gasteig, Germany The Society completed its Blithe Spirit 31 Mar to 2 Apr Zurich International School, Kilchberg, Switzerland third celebration of The Australasia Master’s Birthday at Drury We Were Dancing/Shadow Play/Red peppers 2 Lane on 14th December 2002 7 to 26 Jul Queensland Theatre Co. Optus Playhouse, Brisbane (Press Night 10 Jul) with real style. Our guests Blithe Spirit 28 to 31 Aug Tropic Line TheatreTownsville, Queensland, Australia provided a feast for both 15 Nov to 20 Dec Melbourne Theatre Co Victoria then national tour 2003 (Press Night 19 Nov) members and media. Theatre Suite in Two Keys 11 Mar Effie Crump Theatre stars for this occasion were The Rest of the World Private Lives Current Pieter Toerien Productions, Cape Town, Grahamstown, Jo’burg, South Africa our own Vice-President Judy United Kingdom Campbell who reflected on Hay Fever TBC New West End production starring Penelope Wilton the life and career of Graham 31 Jan to 8 Feb The Angles Theatre, Wisbech, Cambridgeshire Payn, and the inimitable 18 to 22 Feb Swansea Little Theatre Co.
    [Show full text]
  • BLITHE SPIRIT: Know-The-Show Guide
    The Shakespeare Theatre of New Jersey BLITHE SPIRIT: Know-the-Show Guide Blithe Spirit By Noël Coward Know-the-Show Audience Guide Researched and written by the Education Department of The Shakespeare Theatre of New Jersey Cover art by Scott McKowen. The Shakespeare Theatre of New Jersey BLITHE SPIRIT: Know-the-Show Guide In This Guide – The Life of Noël Coward ...................................................................................... 2 – A Man with Style ................................................................................................. 4 – Séances and Spiritualism in Coward’s Day ........................................................... 5 – Blithe Spirit: A Synopsis ....................................................................................... 7 – Who’s Who in Blithe Spirit ................................................................................... 8 – Explore Online: Links .......................................................................................... 9 – Commentary and Criticism ................................................................................ 10 – In This Production .............................................................................................. 11 – The Music of Noël Coward ................................................................................ 12 – Sources and Further Reading ............................................................................. 13 1 The Shakespeare Theatre of New Jersey BLITHE SPIRIT: Know-the-Show Guide spending
    [Show full text]
  • 1 'Believe ME OR Not'
    1 ‘Believe me or not’ Actresses, female performers, autobiography and the scripting of professional practice Maggie B. Gale Confessing the professional Borrowed for the title of my chapter, Believe Me or Not! was the first of two autobiographies written by the Gaiety Girl, stage and screen performer, writer and celebrity raconteur Ruby Miller (1889–1976). Published in 1933, after the early death of her husband, the pianist Max Darewski, the book takes the reader on a chronological journey through Miller’s career, from objectified ‘stage beauty’ to silent film star and society celebrity – with an uncanny onscreen resemblance to the film ‘vamp’ Pola Negri (Darewski [Miller], 1933: 178; Miller, 1962: 111–12). Miller’s intense autho- rial voice shifts in register between a woman concerned to assert her professional achievements and one still grieving for a love lost too soon. Her second autobiography, Champagne from My Slipper (Miller, 1962), repeats numerous anecdotes from the 1933 autobiography, but covers an additional thirty years of professional activity: it speaks to an altered market and an ageing, differently nuanced readership. Both autobiogra- phies articulate a professional presence in an industry transformed from one end of the century to another – by war, the emancipation of women, the development of the film industry and its impact on live theatre, by class conflict and shifts in the relationship between class and leisure, and by changed understandings of the social and cultural function of theatre. Miller challenges us to ‘believe her or not’ – and questions, up front, the precarious and fluid relationship between fact and fiction, through time and within the frame of autobiographical writing.
    [Show full text]