Home Chat January 2003 Booklet
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Education at the Races
News GLOBE TO OPEN SAM WANAMAKER PLAYHOUSE NICHOLAS HYTNER WITH NON-SHAKESPEARE PERFORMANCES TO LEAVE NATIONAL Curriculum THEATRE IN 2015 focus with Patrice Baldwin Sir Nicholas Hytner is to step down as artistic director at the National Theatre after more than a decade at the helm. Announcing his Education at ‘the races’ departure, Hytner said: ‘It’s been a joy and a privilege to lead the At the education race course, tension is mounting. The subject horses National Theatre for ten years and I’m looking forward to the next two. that have been allowed to compete will all be running very soon. Some ‘I have the most exciting and most fulfilling job in the English- have the usual head start, some are kept lame and may not be allowed speaking theatre; and after 12 years it will be time to give someone to enter the main race at all. What happens behind the scenes in various else a turn to enjoy the company of my stupendous colleagues, who stables is already determining the subject and GCSE winners, and the together make the National what it is.’ odds are low on drama being allowed to compete fairly in the race. Hytner came to the National Theatre as the successor of Sir Trevor Drama continues to be held back. Michael Gove is apparently Nunn in 2003. He has since headed up some of the National’s most avoiding having to get an act of parliament passed, which is needed commercially successful work to date, including The History Boys, were he to change the basic structure of the current national curriculum One Man, Two Guvnors and War Horse. -
What Ever Happened to In-Yer-Face Theatre?
What Ever Happened to in-yer-face theatre? Aleks SIERZ (Theatre Critic and Visiting Research Fellow, Rose Bruford College) “I have one ambition – to write a book that will hold good for ten years afterwards.” Cyril Connolly, Enemies of Promise • Tuesday, 23 February 1999; Brixton, south London; morning. A Victorian terraced house in a road with no trees. Inside, a cloud of acrid dust rises from the ground floor. Two workmen are demolishing the wall that separates the dining room from the living room. They sweat; they curse; they sing; they laugh. The floor is covered in plaster, wooden slats, torn paper and lots of dust. Dust hangs in the air. Upstairs, Aleks is hiding from the disruption. He is sitting at his desk. His partner Lia is on a train, travelling across the city to deliver a lecture at the University of East London. Suddenly, the phone rings. It’s her. And she tells him that Sarah Kane is dead. She’s just seen the playwright’s photograph in the newspaper and read the story, straining to see over someone’s shoulder. Aleks immediately runs out, buys a newspaper, then phones playwright Mark Ravenhill, a friend of Kane’s. He gets in touch with Mel Kenyon, her agent. Yes, it’s true: Kane, who suffered from depression for much of her life, has committed suicide. She is just twenty-eight years old. Her celebrity status, her central role in the history of contemporary British theatre, is attested by the obituaries published by all the major newspapers. Aleks returns to his desk. -
Newsletter 04/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 04/14 DIGITAL EDITION Nr. 339 - Mai 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/14 (Nr. 339) Mai 2014 editorial Hallo Laserdisc- und DVD-Fans, ben, sondern auch den aufwändigen liebe Filmfreunde! Proben beizuwohnen und uns ausführ- lich mit Don Davis zu unterhalten. Das Wenn Sie sich in den letzten Wochen gesamte Bild- und Tonmaterial, das gefragt haben, warum wir nur sehr ein- dabei entstanden ist, hat eine Größe geschränkt telefonisch erreichbar wa- von über 100 Gbyte und wird in den ren, dann finden Sie die Antwort auf nächsten Wochen in ein Video umgear- dieser Seite. Nicht nur hielt uns die beitet, das nach Fertigstellung natür- jährlich stattfindende FMX in Atem, lich auf unserem Youtube-Kanal abruf- sondern auch noch ein Filmmusik-Kon- bar sein wird. zert der besonderen Art. Und da aller guten Dinge bekanntlich Doch zunächst zur FMX. Hierbei han- drei sind, haben wir die Gelegenheit delt es sich um einen Branchentreff der genutzt, den deutschen Kameramann Visual Effects Industrie, der jedes Jahr Alexander Sass bei seinem Kurzbesuch Oben: Hollywood-Produzent Jon Landau Unten: Hollywood-Produzent Chris DeFaria renommierte VFX-Spezialisten in die in Stuttgart vor unsere Kamera zu ho- schwäbische Hauptstadt holt. Diese len. Was er uns erzählte und auch den Spezialisten präsentieren dort im Haus Zuschauern bei der Sondervorführung der Wirtschaft ihre neuesten Arbeiten seines neuesten Films FASCINATING und geben damit tiefe Einblicke in die INDIA 3D, können Sie demnächst auf Welt der visuellen Effekte. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Leighton Buzzard Theatre Brochure
leighton buzzard library theatre Nov-Dec-Jan 2013/14 0 8 300 30 125 ce 0 f i O ox Central Bedforordshiredshire Council B 300 8125 0 e 030 e c Of x Bo Welcome How to book As we celebrate our joint working partnership we have changed our name to reflect our elationshipr with the library to: Leighton Buzzard Library Theatre Watch out for some exciting changes coming up in the future. This season is packed with family entertainment; make sure you get your tickets for Wind in the Willows and The Nutcracker as well as our fantastic panto! The Bolshoi Ballet will return to the big screen with a new live cinema season. Featuring six exceptional ballets, this spectacular season is not to be missed. There is also an eclectic mix of films, live screenings and the fabulous Barnstormers, making sure we have something for everyone. How to book The Theatre is accessible to Payments Booking Opens disabled and wheelchair patrons When purchasing tickets, Tuesday 8th October 2013 – please ask the Box Office for please inform us if you have further details of all facilities. any concessionary entitlements Tickets can be booked in person Movies for the and be prepared to show any on: 0300 300 8125 More Mature relevant ID when collecting emailed requests can be made at: Our regular afternoon film tickets or attending the performance. lbtboxofce@ club supported and promoted by Leighton Linslade Town A surcharge of 50p will apply centralbedfordshire.gov.uk. Council. MMM is open, via free to all card transactions. Box Ofce Opening times: membership, to all residents Refunds Tuesday, Wednesday, Thursday of Leighton Linslade aged We are unable to issue a and Saturday 55 or above. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Home Chat 29/07/2010 12:13 Page 1
Aug2010_Home Chat 29/07/2010 12:13 Page 1 THE NEWSLETTER OF THE NOËL COWARD SOCIETY President: HRH The Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Tammy Grimes • Penelope Keith CBE AUGUST 2010 t was with surprise and sadness that the NCS committee Barbara Longford greeted Barbara Longford’s announcement that she wished Ito stand down as its chairman. For all of us Barbara’s name has become synonymous with Brief Encounter the Society and with the enormous programme of activity and events that has marked her hugely successful period as Design For Living Chairman. She has decided to move on to pursue her desire to support the work of the Soldiers, Sailors, Airmen and Coward Celebrations Families Association (SSAFA). We wish her well with her new role and commitments and celebrate her contribution to the work of the Society in our centre pages recalling the highlights of her time with us. Warmest thanks from all of us for all the fun, the style and the passion of her contribution to our hero - to: ‘The Mistress’ from all of the lovers of ‘The Master.’ BRIEF ENCOUNTER RETURNS TO BROADWAY A NOËL COWARD SOCIETY EVENING he Roundabout Theatre Company in association with David Pugh & Dafydd Rogers and Cineworld presents T Kneehigh Theatre’s production of Noël Coward’s Brief Encounter adapted by Emma Rice. The production opens at Studio 54 in New York for previews on September 10, 2010. Stephen Greenman and Barbara Longford at Sardi’s in December Following opening on September 28th there will be a limited 2005. -
Playing House with Coward's “Hay Fever”
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-17-2011 Playing House with Coward’s “Hay Fever” Sarah M. Klocke University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation Klocke, Sarah M., "Playing House with Coward’s “Hay Fever”" (2011). University of New Orleans Theses and Dissertations. 1383. https://scholarworks.uno.edu/td/1383 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Playing House with Coward’s “Hay Fever” A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre, and Communication Arts Theatre Performance: Directing by Sarah Marie Klocke B.A. Arkansas Tech University December 2011 Acknowledgements Thank you cast and crew of Hay Fever. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Home Chat Feb 2004 A3
WHAT’S ON? Is your production or event shown here...? If you want an item to be included here or on our website then please send details to: The Noël Coward Society, 29, Waldemar Avenue, Hellesdon, Norwich, NR6 6TB or email: whatson@noël coward.net Tel: +44 (0)1603 486188 Fax: +44 (0)1603 400683 Professional companies are shown in blue * denotes Premiere, TBC = To be confirmed In North America 25 to 30 Oct - Manifest Theatre Group, Manifest Theatre, Blithe Spirit: Manningtree, Essex September 24 to October 23, 2004 Utah Shakespearean Festival 8 to 13 Nov - Nailsea Theatre Club, The Workshop, Nailsea, Cedar City, Utah North Somerset JUDY CAMPBELL 12 to 20 Nov - Elora Ontario 24 to 26 Sep - Drama Workshop of Waltham Forest, The JUDY CAMPBELL the actress and our Honorary Vice-President died on Forest Community Centre, Walthamstow, London Sunday June 6th at the age of 88. The beautiful dark-haired, husky-voiced Fallen Angels April to November 2005 (in repertory) Stratford 29 Sep to 2 Oct - Redditch ATS, The Palce heatre, Redditch, star of Noel Coward’s Present Laughter (Joanna), This Happy Breed, Festival Theatre - Stratford, Ontario - Canada Worcs. (Ethel) and memorably his Elvira in Blithe Spirit also accompanied Noel 11 to 11 Jan 2005 - Southampton University Players, The in twice-nightly concerts for the troops. She attended several NCS events Private Lives Nuffield Theatre, Southampton, Hampshire from the inception of the Society in 1999 until late 2003 when she became 12 to 15 May 2005 Stage 43 Theatrical Society, Port 10 to 13 Nov - Broughton & District Drama Club, The increasingly unwell and frail. -
Brief Encounter
NOËL COWARD’S BRIEF ENCOUNTER STUDY PACK “I’m not very keen on Hollywood…I’d rather have a nice cup of cocoa really” - Noël Coward Highlights Of A Life And Career 1899 16 December, Noël Peirce Coward born in Teddington, Middlesex, eldest surviving son of Arthur Coward, piano salesman and Violet. His early circumstances were of refined suburban poverty. 1907 First public appearances in school and community concerts. 1908 Family moved to Battersea and took in lodgers. 1911 First professional appearance as Prince Mussel in The Goldfish, produced by Lila Field at the Little Theatre and revived in same year at Crystal Palace and Royal Court Theatre. Cannard, the page-boy, in The Great Name at the Prince of Wales Theatre and William in Where the Rainbow Ends with Charles Hawtrey’s Company at the Savoy Theatre. 1912 Directed The Daisy Chain and stage-managed The Prince’s Bride at Savoy in series of matinees featuring the work of the children of the Rainbow cast. Mushroom in An Autumn Idyll ballet, Savoy. 1913 An angel (Gertrude Lawrence was another) in Basil Dean’s production of Hannele. Slightly in Peter Pan, Duke of York’s. 1914 Toured in Peter Pan. Collaborated with fellow performer Esmé Wynne on songs, sketches, and short stories. Coward as a teenager 1915 Admitted to sanatorium for tuberculosis. 1916 Five-month tour as Charley in Charley’s Aunt. Walk-on in The Best of Luck, Drury Lane. Wrote first full-length song, ‘Forbidden Fruit’. Basil Pycroft in The Light Blues, produced by Robert Courtneidge, with daughter Cicely also in cast, Shaftesbury.