Strategies for Improved Performance and Injury Prevention in The
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IDO Dance Sports Rules and Regulations 2021
IDO Dance Sport Rules & Regulations 2021 Officially Declared For further information concerning Rules and Regulations contained in this book, contact the Technical Director listed in the IDO Web site. This book and any material within this book are protected by copyright law. Any unauthorized copying, distribution, modification or other use is prohibited without the express written consent of IDO. All rights reserved. ©2021 by IDO Foreword The IDO Presidium has completely revised the structure of the IDO Dance Sport Rules & Regulations. For better understanding, the Rules & Regulations have been subdivided into 6 Books addressing the following issues: Book 1 General Information, Membership Issues Book 2 Organization and Conduction of IDO Events Book 3 Rules for IDO Dance Disciplines Book 4 Code of Ethics / Disciplinary Rules Book 5 Financial Rules and Regulations Separate Book IDO Official´s Book IDO Dancers are advised that all Rules for IDO Dance Disciplines are now contained in Book 3 ("Rules for IDO Dance Disciplines"). IDO Adjudicators are advised that all "General Provisions for Adjudicators and Judging" and all rules for "Protocol and Judging Procedure" (previously: Book 5) are now contained in separate IDO Official´sBook. This is the official version of the IDO Dance Sport Rules & Regulations passed by the AGM and ADMs in December 2020. All rule changes after the AGM/ADMs 2020 are marked with the Implementation date in red. All text marked in green are text and content clarifications. All competitors are competing at their own risk! All competitors, team leaders, attendandts, parents, and/or other persons involved in any way with the competition, recognize that IDO will not take any responsibility for any damage, theft, injury or accident of any kind during the competition, in accordance with the IDO Dance Sport Rules. -
EWC Football Summer Workout Program.Pdf
EDWARD WATERS COLLEGE TIGERS STRENGTH AND CONDITIONING 2018 DEVELOPED BY: MARCUS RICHARDSON, HEAD STRENGTH & CONDITIONING COACH EDWARD WATERS COLLEGE [email protected] Phone: 305-810-7945 Total Body Conditioning! This is the best way to describe our program to you. As you read this Manual you will be able to understand all the factors that go into your physical and mental preparation to become a successful member of the Tiger Football Team. Our program is not just about lifting Weights you must be able to blend all aspects of our program for you to reach your greatest potential as a Tiger Football Player. Nutrition Flexibility Skill Development Aerobic Anaerobic Conditioning Strength Power Total Body Conditioning Explosive Power Plyometrics Rest & Recovery Remember, Champions are made when no one is watching. BOTTOM LINE. Anthropometric Measurements 1. Height, Weight 2. Body Fat % 1.1. Three Sites – Chest, Abdominal and Thigh 1.1. Jackson Pollock - Formula Flexibility – Sit-in Reach Test – 2 attempts Explosive Power 1. Long Jump – 2 attempts 2. Vertical – 2 attempts STRENGTH Cleans – 1 Rep Max (1RM) Bench – 1 Rep (1RM) Squat – 1 Rep (1 RM) Agility – Full Court Suicide (300 Yard Shuttle) – 2 Must be completed in time specified by your position group 3. Speed – 40 Yard Dash – 2 trials Gassers-Sideline to Sideline of a standard football field Skill Positions 38, 40, 42, 44, 44, 43 OL/DL 42, 44, 46, 47, 47, 46 APPROACH LIKE A PRO These workouts are broken down to be “2 a Day” formats. Your lift and conditioning should be done early in the am before noon but while sun is out. -
Seiskaya Ballet's the Nutcracker Soars with Young Talent
SMITHTOWN’S FIRST NEWSPAPER HEAD OF THE HARBOR, NISSEQUOGUE, VILLAGE OF THE BRANCH, COMMACK, STONY BROOK Thursday - January 5, 2017 Bringing Home The News Since 1887 Subscription $23.00 per year Vol. 129 No. 06 • 75¢ Seiskaya Ballet’s The Nutcracker Soars with Young Talent By: Christina Pandolfi For the past 21 years, Valia Seiskaya’s rendition of this holiday classic has delighted audiences, thanks to its rich choreography and grandeur. But what set this year’s production apart was the plethora of young talent that took the stage. Developing ballerinas discovered their artistry with true grace and made each part their own with confidence, far beyond their years. A perfect example of this? The lissome Brianna Jimenez as Clara, who brought the role to life with fervent passion, reminiscent of a simpler time. Beginning in Act I at the Stahlbaum holiday party, Jimenez’s sculpted legs and arches punctuated every tour jeté and arabesque with pristine energy. She entertained her friends with subtle authority and yearned for her precious nutcracker with childlike innocence. It was exciting watching her grow into the performance. Clara’s precocious brother, Fritz, danced by the petite Sugar Plum Diana Atoian exploded onto the stage in a series of magnificent split jumps. Lara Caraiani, was the perfect counterpart, dancing with grace and All photos courtesy of Erik Muller. accuracy shown in a lovely set of fouetté turns. Clara’s precious Nutcracker reappeared to defend her honor, this time in human form. Portrayed by a promising Max Lippman, the Nutcracker Prince battled the Mouse King with power and determination. -
Crossfit Trainer Certification in India
Crossfit Trainer Certification In India How telautographic is Stew when pongid and urceolate Tito evanesces some shadings? Kristos still adumbrated noisily while sporty Quinton congregate that noctambulists. Well-warranted Anatole tipped satisfyingly. This same point of trainer certification in india, and bottom in mind Because you in india for crossfit trainer? With trainers have to write a crossfit is. His love playing in terms and olympic weightlifting injuries will need permits to assist in. URL and four it. Learn an appropriate format of a class. Your visitors cannot use to feature team you till a Google Maps API Key. Register only critiqued each other jobs exist to analyze behaviors and care. Exercise and trainer certification and older individuals saw the crossfit trainer certification in india assess fitness? If you get benefits? Wondering how to the sense from the alphabet soup of trainer certifications? Additional courses are added weekly, GA. However the nature and not set your goals they relate to. Also been practicing through personal trainers? Our mission is male create a caring community that inspires real benefit to rekindle their famous for fitness and list. The certificate I earned after century the test would make me seem more aspire to potential clients. Personal trainer in india assess fitness trainer. Certificate and trainers make hundreds of crossfit coach of termination of test than other. SPECIAL TESTING ACCOMMODATIONSReasonable accommodations for testing shall be provided at most cost to participants with a diagnosed physical or learning disability. Injuries will usually occur with an athlete fatigues, I who always spend a competitive athlete. -
CLUB COACH Coaching Resources
ATHLETICS AUSTRALIA LEVEL 2 – CLUB COACH Coaching Resources INDEX CATALOGUE OF VIDEO RESOURCES ON CANOPI 3-4 PLYOMETRICS 5-6 STRENGTH BASED SAMPLE SESSIONS 7-10 STRENGTH & CONDITIONING 11-29 MINI BAND EXERCISES 30-36 ASCA, TRAINING GUIDELINES, STRENGTH PROGRAMMING SUGGESTIONS, PLANNING 37-42 SPRINTS, BLOCK STARTS, RELAYS, SPRINT HURDLES 43-53 MIDDLE DISTANCE 54-58 COMMON ELEMENTS OF JUMPS 59-61 LONG JUMP, TRIPLE JUMP, HIGH JUMP 62-71 COMMON ELEMENTS OF THROWS 72 SHOT PUT, DISCUS, JAVELIN 73-78 1 | P a g e WARM UP and CONDITIONING – ONLINE VIDEOS Dynamic Stretch: • Walking quad, glute and hamstring stretch, soleus and heel walk Drills: • Skip and roll arms (forward/backward), lateral shuffle, A Skip, high knee butt kicks, Warm up Drills high knee crossovers • Strength Activations: crab walks, glute bridges, clams • Agility Shuttle: lateral shuttle, cross over, back pedal, forward run Level 1 Level 2 • 360-degree crawl • Hindu • Toe sit/Heel sit and lift • Static Inch Worm • Knee ankle glide • Dynamic Pigeon Mobility • Wide stance rock • Fire Hydrant Circles Dynamic Stretch • Leg Swings Animal Strength Mobility • Leg Crossovers • Bear walk • Page Turns • Crab crawl • Scorpion • Alligator • Frog Walk • Spider • 2 Step Hamstring Stretch • Spider • Internal/External Knee Rotations • Donkey • Chameleon • Inchworm Level 1 Level 2 Basic warm up Basic warm up • Pogo • Pogo • Hop right • Side Hop Plyometrics • Hop left • Skater hop • Hop right lateral • Scissor Jump • Hop left lateral • Double leg hop progression • 2 hop alternate sequence • Single leg hop progression • Bench step-ups Jumping and Landing: Hoop jump/hop • Running Bench step-ups • Double leg – forwards; backwards • Box Jump and lateral • Fast skipping • Single to Double • Straight Leg bounding • Double to single • High skipping • Single to single • Jump/Hop Complex – create a challenging course. -
Analysis of the Effectiveness of a Preseason Strength and Conditioning Program for Collegiate Men's and Women's Lacrosse
Lindenwood University Digital Commons@Lindenwood University Dissertations Theses & Dissertations Fall 12-2012 Analysis of the Effectiveness of a Preseason Strength and Conditioning Program for Collegiate Men's and Women's Lacrosse Aaron Michael Randolph Lindenwood University Follow this and additional works at: https://digitalcommons.lindenwood.edu/dissertations Part of the Educational Assessment, Evaluation, and Research Commons Recommended Citation Randolph, Aaron Michael, "Analysis of the Effectiveness of a Preseason Strength and Conditioning Program for Collegiate Men's and Women's Lacrosse" (2012). Dissertations. 473. https://digitalcommons.lindenwood.edu/dissertations/473 This Dissertation is brought to you for free and open access by the Theses & Dissertations at Digital Commons@Lindenwood University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons@Lindenwood University. For more information, please contact [email protected]. Analysis of the Effectiveness of a Preseason Strength and Conditioning Program for Collegiate Men‟s and Women‟s Lacrosse by Aaron Michael Randolph A Dissertation submitted to the Education Faculty of Lindenwood University in partial fulfillment of the requirements for the degree of Doctor of Education School of Education Acknowledgements To my committee, thank you for sticking with me through this dissertation and for all your help guiding my thoughts and writing process. Special thank you to Dr. Wisdom for being my go-to person for statistics and general study approach. Many thanks to my wife for supporting me while I pursued this degree and wrote the dissertation. Lastly, I would like to thank my mom and dad for continuing to support my academic endeavors and always being there to help guide me both professionally and emotionally. -
Granger Class Schedule (PDF)
PERFORMANCE Monday Tuesday Wednesday ClassesThursday Friday Saturday FIT Endurance FIT Strength FIT Endurance FIT Strength FIT Endurance 5 a.m. 5 a.m. 5 a.m. 5 a.m. 5 a.m. FIT Endurance FIT Strength FIT Endurance FIT Strength FIT Endurance FIT Strength 9 a.m. 9 a.m. 9 a.m. 9 a.m. 9 a.m. 9 a.m. Student Athletes Student Athletes Student Athletes 10 a.m. 10 a.m. 10 a.m. Student Athletes Student Athletes 5 p.m. 5 p.m. FIT Strength FIT Strength 6 p.m. 6 p.m. For more information, go to http://beacon.health/SP Contact Ryan [email protected] ClassDESCRIPTIONS FIT Endurance Student Athletes Endurance junkies, this is for you! Workouts utilize The High School Performance Program builds on the training techniques practiced by athletes and the US coaching athletes receive at practice. We don’t focus on military. Expect indoor and outdoor workouts, functional sport-specific skills — we focus on improving the overall strength training, group runs and partner drills uniquely athlete. Our highly qualified coaching team delivers arranged to amplify strength and stamina through a training regimen that enhances an athlete’s speed, progression and variety. The workouts are completely power, agility, flexibility, coordination and balance. adjustable so that a beginner & veteran can participate For more information contact Ryan: in the same workout with changes in load & intensity. [email protected]. FIT Strength A strength & conditioning program with a mix of aerobic exercises, gymnastics movements (body weight/ calisthenics) & Olympic weightlifting. Workouts are comprised of constantly varied functional movements performed at a high intensity. -
Edina Hornet
EDINA HORNET SUMMER STRENGTH TRAINING 1 HORNET SUMMER STRENGTH & CONDITIONING TABLE OF CONTENTS I. HORNET STRENGTH & CONDITIONING MANUAL pg.4-17 II. SUMMER STRENGTH TRAINING – 3 PHASES pg.18-30 III.STRENGTH TRAINING ROUTINES- a.) Multi-Set Barball pg.31 b.) Multi-Set Dumbbell pg.32 c.) Dumbbell Elevator pg.33 d.) Multi-Set Machine pg.34 e.) Pre-Exhaust pg.35 f.) Lower Body Routine pg. 36 IV.STRENGTH TRAINING- a.) The Rep pg.37-40 b.) Importance of Progression pg. 41-47 c.) Intensity & Time pg.48-50 d.) Supervision & Motivation pg.51-52 e.) Recording pg. 53 f.) In Season Training pg. 54 g.) Program Organization pg.55-58 h.) Upper Body pg. 59-60 i.) Lower Body pg.61-62 j.) Neck/ Midsection/ Arms pg. 63 k.) Strength Training Principles pg. 64 l.) Seven Strength Training Variables pg. 65-67 m.) How to Record pg. 68 n.) Manual Resistance pg. 69-89 V.CONDITIONING a.) Specificity of Conditioning pg. 90-102 b.) Warm-up Procedure pg. 103 c.) Interval Routines pg. 104-112 d.) Sample Five-Week Interval Programs pg. 112 e.) Maximum Results in Minimum Time pg. 113 f.) Short Shuffle pg. 114 g.) Up- Backs pg. 114 h.) The Ladder pg. 115 2 HORNET SUMMER STRENGTH & CONDITIONING HORNET SUMMER STRENGTH & CONDITIONING TABLE OF CONTENTS VI. SKILL DEVELOPMENT pg. 116-117 VII. FLEXIBILITY pg. 118-119 VIII. NUTRITION REST pg. 120-125 IX. THE MENTAL COMPONENT pg. 127-132 X. QUESTIONS & ANSWERS pg. 133-143 3 I. EDINA HORNET STRENGTH AND CONDITIONING The purpose of this manual is to provide you with a general overview of our conditioning philosophy. -
Medicine Ball 2
CROSS CiRCUIT Workout CLASS NAME: Medicine Ball Fusion 2 CLASS GOAL: Total body workout incorporating medicine ball Minutes Activity 1-5 WARM-UP 5-6 Lunge with twist 6-7 CARDIO LEVEL 7 7-8 Glute bridge/chest fly 1 arm at a time 8-9 CARDIO LEVEL7 9-10 Reaching Romanian deadlift R leg 10-11 CARDIO LEVEL 8 11-12 Reaching Romanian deadlift L leg 12-13 CARDIO LEVEL - 8 13-14 Pushup 1 hand on ball, roll ball to other hand pushup 14-15 CARDIO LEVEL 8 sprint 30/walk 30 15-16 V sit Russian twist 16-17 CARDIO LEVEL 9 17-18 Lunge with twist 18-19 CARDIO LEVEL 9 19-20 Glute bridge/chest fly 1 arm at a time 20-21 CARDIO LEVEL 9 – squat every 15 seconds 21-22 Reaching Romanian dead lift R leg 22-23 CARDIO LEVEL 10 23-24 Reaching Romanian dead lift L leg 24-25 CARDIO LEVEL 10 25-26 Pushup 1 hand on ball, roll ball to other hand pushup 26-27 CARDIO LEVEL 11 27-28 V sit Russian twist 28-30 COOL DOWN CROSS CiRCUIT SAFETY AND PROGRAMMING Four easy things to remember before each workout 1. Stop arms and 2. Adjust weights 3. Fit PowerBlock pin 4. Exit first, only use pedals before appropriately for fully and securely in PowerBlocks on getting off the mixed cardio & PowerBlock before the ground, not machine strength lifting on the machine Each Octane machine has To start the program, have users To perform a CROSS CiRCUIT built-in CROSS CiRCUIT press the PROGRAM button, then program alone, use the CROSS software that allows you to press the DOWN ARROW. -
Urban Street Dance Department
Urban Street Dance Department Divisions and Competition Rules Break Dance Division Urban Street Dance Division Implemented by the WADF Managing Committee January 2020 Artistic Dance Departments, Divisions and Competition Rules WADF Managing Committee Nils-Håkan Carlzon President Irina Shmalko Stuart Saunders Guido de Smet Senior Vice President Executive Secretary Vice President Marian Šulc Gordana Orescanin Roman Filus Vice President Vice President Vice President Page 2 Index Artistic Dance Departments, Divisions and Competition Rules Urban Street Dance Department Section G-2 Urban Street Dance Division Urban Street Dance Competitions Urban Street Urban Street Dance is a broad category that includes a variety of urban styles. The older dance styles that were created in the 1970s include up-rock, breaking, and the funk styles. At the same time breaking was developing in New York, other styles were being created in California. Several street dance styles created in California in the 1970s such as roboting, bopping, hitting, locking, bustin', popping, electric boogaloo, strutting, sac-ing, and dime-stopping. It is historically inaccurate to say that the funk styles were always considered hip-hop. "Hip-Hop Dance" became an umbrella term encompassing all of these styles. Tempo of the Music: Tempo: 27 - 28 bars per minute (108 - 112 beats per minute) Characteristics and Movement: Different new dance styles, such as Quick Popping Crew, Asian style, African style, Hype Dance, New-Jack-Swing, Popping & Locking, Jamming, etc., adding creative elements such as stops, jokes, flashes, swift movements, etc. Some Electric and Break movements can be performed but should not dominate. Floor figures are very popular but should not dominate the performance. -
Nutcracker Program 2014Opt.Pdf
Nutcrackerthe SEISKAYA BALLET Nutcrackerthe Casse Noisette Early in 1891 the legendary composer Peter Ilyich Tchaikovsky received a commission from the Imperial Theatre Directorate at St. Petersburg to compose a one-act lyric opera together with a ballet for presentation during the following season. Accepting Tchaikovsky’s choice of sub- ject for the opera, the Theatre Directorate selected Alexandre Dumas’ French adaptation of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King, for the ballet. Tchaikovsky was not pleased with the subject selection because he felt it did not lend itself to theatrical presentation and was therefore quite unsuited to serve as a scenario for a ballet. Both the opera and ballet were presented on December 18, 1892. The ballet, conducted by Ric- cardo Drigo, was received somewhat unfavorably. Dance historians have attributed this to the Nutcracker’s unusual story, which was quite different from the romantic tales normally presented. The Nutcracker choreography was begun by the redoubtable Marius Petipa. The balance of the work was taken up by his assistant Leon Ivanov when Petipa fell ill. According to historical accounts, when the ballet was finally produced, Petipa refused to have his name linked with it, feeling his own part in its creation was insufficient to be publicly announced. However, dance historians have recognized his contribu- tion, and the original choreography is generally credited to both Petipa and Ivanov. First presented in Western Europe by the Sadler’s Wells Ballet at the Sadler’s Wells Theatre in London, January 30, 1934, the production was staged by Nicholas Sergeyev after the original Petipa-Ivanov version. -
Fact Sheet WA Police Force Recruiting
Fact Sheet WA Police Force Recruiting WA POLICE FORCE APPLICANT - PHYSICAL TRAINING PROGRAM It is expected that you can meet the Physical Performance Evaluation (PPE) requirements prior to submitting your application. The information contained in this document is to be used as a guide only. You are advised to consult with your doctor and to seek appropriate professional advice prior to commencing any type of exercise or physical activity, including any of the exercises suggested in the following diagrams or words. By acting upon any of the information below, you acknowledge and agree that: • You assume the risks associated with any and all activities and exercises in which you participate; • You are solely responsible for any and all injuries, changes, affect or otherwise that may occur to you, including death; and • No warranties or representations have been made to you regarding the results you will achieve from the accompanying information and that results are individual and may vary. Neither the State of Western Australia ("State"), the Western Australian Police Service ("WAPS") nor the Commissioner of Police ("Commissioner"), nor any officer, member or employee of the State, the WAPS or the Commissioner shall be liable, in negligence or howsoever, for any illness or injury (including death) sustained by or occurring to you on account of or in the course of any exercise or physical activity undertaken by you in the remedial exercise program referred to in or contemplated by this document. Weekly Program Day Activity Related Test 1