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Unit 31 Social Significance of Religious Festivals
UNIT 31 SOCIAL SIGNIFICANCE OF RELIGIOUS FESTIVALS structure 3 1.0 Objectives 3 1.1 Introduction 31.2 Scope of the Unit 32.2.1 What is a Religious Festival 32.2.2 Meaning of Social Significance 3 1.3 Some Religious Festivals 31.3.1 Sajhi 31.3.2 Kanva Chauth 31.3.3 Ravidar Jayanti 3 I .4 Social Significance : A Discussion 31.4.1 Adjustment Between Man, Nature and Society ' 3 1.4.2 Emotional Social Security of Individual 3 1.4.3 Identity, Solidarity, Differentiation and Conflict 3 1.4.4 Social Stratification 31.4.5 Ritual Art 31.4.6 Unity in Diversity 31.5 Let Us Sum Up 31.6 Key Words 3 1.7 Further Reading 3 1.8 Answers to Check Your Progress , 31.0 OBJECTIVES This unit seeks to help you to comprehend, sociologically, the phenomenon of religious festivals analyse its relation with individual, society and culture in general and in India in particular delineate its social significance, both positive and negative . enrich your overall understanding of the relation between Society and Religion. In this block we have so far covered three previous units on life cycle ritual (birth and marriage; and death) and a unit on pilgrimage. These units indicate that the social significance of religion pervades every aspect of our living right from birth onwards to marriage and death. It also pervades our ejforts at a better lge dtmd an attempt to come in contact with the sacred. This unit shows us a colourfi~lside of the significance of rituals. -
Select Bibliography I I I I
SELECT BIBLIOGRAPHY PRIMARY SOURCES: Books Gandhi M. K., Constructive Programme: Its Meaning and Place, I Ahmedabad, Navajivan, 1941. Gandhi, M. K., An Autobiography or the Story of MJ Experiments with Truth, Ahmedabad, Navajivan Publishing HoJse, 1927. I I Gandhi, M. K., Hind Swaraj or Indian Home Rule, Rev. ed. I Ahmedabad, Navajivan, 1939. I Gandhi, M. K., Satyagraha in South Africa, Ahmedabad, Navajivan, 1938. I Gandhi, M. K., Satyagraha Ashram Ka Itihas (In I Hindi), Translated from the Original in Gujarati by Ramna!rayan Chaudhuri, Ahmedabad, Navajivan, 1948. ! I Gandhi, M. K., Collected Works OF MAHATJ11A GANDHI, THE I PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND I BROADCASTING GOVERNMENT OF INIDA\ 100 Vols. Delhi, 1958-1994. I I Gandhi, M. K., Delhi Diary, Prayer speeches from :10.9.47 to 30.1.48, Ahmedabad, Navajivan, 1948. Gandhi, M. K., From Yeravda Mandir: Ashtam Observances, Translated from the original Gujarati by ValjJ Govindji Desai, 3rd ed. Ahmedabad, Navajivan, 1945. ! ' I Gandhi, M. K., Gandhi's Health Guide, California, The Crossian Press, 2000. Gandhi, M. K., India's Case for Swaraj: Being Select Speeches, Writings, Interviews etc. of Mahatma Gandhi in England and India, September, 1931 to January 1932,!2nd ed., edited by Waman P. Kabodi, Bombay, Yeshanand, 1932. I Gandhi, M. K., Key to Health, Translated byi Sushila Nayyar, Ahmedabad, Vavajivan, 1948. I Gandhi, M. K., Mahatma Gandhi the essential writings Oxford World's Classics, J.; M. Brown, Oxford University PreJs, 2008. I I Gandhi, M. K., Non-violence in Peace and ;.var, Ahmedabad, Navajivan, 1942. Gandhi, M. K., Teaching of Mahatma Gandhi, Edited by Jag Parvesh Chander, Lahore, The Indian Printing Works, /1945. -
Ultranationalism: a Proposal for a Quiet Withdrawal
I developed an early suspicion of any form of nationalism courtesy of a geography teacher and an imaginary cricket game. As the only student of Chinese origin in a high school in Bangalore, I was asked by my teacher in a benign voice who I would support if India and China played a match. Aside from the ridiculousness of the question 01/05 (China does not even play cricket), the dubious intent behind it was rather clear, even to a teenager. Still, I dutifully replied, “Sir, I will support India,” for which I received a gratified smile and a pat on the head. I was offended less by the crude attempt by someone in power to force a kid to prove his patriotism, than by the outright silliness of the game. If all it took to Lawrence Liang establish the euphoric security of nationalism was that simple answer, I figured there must be something drastically wrong with the question. I Ultranationalism: was left, however, with an uneasy feeling (one that has persisted through the years), not A Proposal for a because I had given a false answer but because I had been forced to answer a false question. The Quiet answer made pragmatic sense in a schoolboy way (you don’t want to piss off someone who is going to be marking your papers), and I hadn’t Withdrawal read King Lear yet to know that the only appropriate response to the question should have been silence. If Cordelia refuses to participate in Lear’s competition of affective intimacy, it is not just the truth, but also the distasteful aesthetics of her sister’s excessive declarations of love, that motivates her withdrawal into silence. -
1/3/2018 31/3/2018 Hoshiarpur District Social Security Office
District Social Security Office Hoshiarpur MUKERIAN ABDULAPUR ABDULLAPUR Beneficiary Wise Sanction Report 1/3/2018 T o 31/3/2018 --------------------------------------------------------------------------------------------------------- Sr.N PLA No. Beneficiary Name Father/Husband Name Amount --------------------------------------------------------------------------------------------------------- District Social Security Office Hoshiarpur MUKERIAN ABDULAPUR ABDULLAPUR Beneficiary Wise Sanction Report 1/3/2018 T o 31/3/2018 --------------------------------------------------------------------------------------------------------- Sr.N PLA No. Beneficiary Name Father/Husband Name Amount --------------------------------------------------------------------------------------------------------- Block/Panchayat/Village Name MUKERIAN ABDULAPUR ABDULLAPUR Scheme Name FADC 1 hsp/2017/r VEENA DEVI RAJINDER KUMAR 1,500 2 hsp/2017/r PREM LATA BALDEV SINGH 750 3 13630 BHOLI KARTAR SINGH 1,500 4 13629 PREM LATA VIJAY KUMAR 750 Scheme Name FADP 5 16605 HARJIT KAUR PREM LAL 750 6 9288 LISWA TARSEM MASIH 750 7 9507 RAMESH SINGH(CHANDNI) SANT SINGH 750 8 9496 RAKESH KUMAR BACHITER RAM 750 9 9505 KULDIP SINGH KIRPA RAM 750 10 9506 JIT KUMAR KAPOOR CHAND 750 11 2354 PREM LAL MANU 750 12 1749 SHAKTI KUMAR BASANTA RAM 750 Scheme Name FAWD 13 20473 PUSHPA DEVI SOHAN LAL 750 14 20475 RAM PIARI BALWARPAR SINGH 750 15 20471 RESHMA GULZAR 750 16 20472 SATYA DEVI JANAK RAJ 750 17 20743 KUSAM CHIB KIRSAN SINGH 750 18 20736 KAILASH DEVI AMAR SINGH 750 19 6447 PUSHPA DEVI -
Showcases India's Rich Culture, Diversity
Monday, January 20, 2020 19 For events and press releases email [email protected] or Santhosh Chandran Indian Experience Santhosh Chandran call (974) 4000 2222 Santhosh Chandran Radio Malayalam 98.6 FM event marks Big Brother launch TRIBUNE NEWS NETWORK DOHA NDIAN filmmaker and one of If humour were to run out, the trendsetters in the comedy genre of Malayalam cinema, there wouldn’t have been Siddique, has chosen serious any comede creations after drama over humour in his lat- Charlie Chaplin’s, but Iest outing and cites his “ageing” for slipping out of the familiar groove. there have been. Nothing His latest film, Big Brother,an leads to the end of action-thriller starring celebrated Malayalam actor Mohanlal, re- anything. Whatsapp jokes leased in Qatar on Friday. and the memes and trolls The director and his name- sake, actor Siddique — who plays a on social media point to prominent character in the film — the growth of humour in were in Doha for the Qatar launch Malayalam cinema of the film organised by Radio Ma- layalam 98.6 FM, the Truth Group Siddique, the director of and Lal Cares & Mohanlal Fans Big Brother Online Unit-Qatar. At a meet-the-press held at Zai- who acts as the saviour of his (From left) Lal Cares & Mohanlal Fans Online Unit-Qatar, Radio Malayalam 98.6 FM MD and CEO Anwar Hussain, director Siddique, actor Siddique, Truth Group MD toon Restaurant in Doha as part of family. It is treated with the seri- Abdul Samad and Radio Malayalam 98.6 FM Marketing Manager Noufal Abdul Rahman address the media at the Zaitoon Restaurant & Grills in Doha ahead of the the movie launch, Siddique, the di- ousness the subject demands but Big Brother movie launch, in Qatar on Friday. -
Pros and Cons of Migration in Punjab
www.ijird.com March, 2015 Vol 4 Issue 3 ISSN 2278 – 0211 (Online) Pros and Cons of Migration in Punjab Kamaljit Rai Assistant Professor, Department of English, Mata Ganga Khalsa College for Girls, Manji Sahib, Kottan, Ludhiana, Punjab, India Abstract: In this paper I have discussed the pros and cons of migration from other states to Punjab. The problems faced by them, their rootlessness and the changing economic status of poor families in their hometowns are discussed with reference to the state of Punjab. The migrants go through teething troubles after coming to a new place, face a lot of sociological and psychological dilemmas which sometimes breaks them and sometimes saves them. The economic help which they send to their home state is used by them for development of their homes and families but the state in which they have migrated faces more crime, more illiteracy, more population and more problems of employment. The local population loses the job opportunities while the migrants grab the opportunity with both hands and are exploited by the rich landowners and industrialists and given low wages. They are subjected to inhuman and unhygienic conditions and are exploited physically, mentally, psychologically as well as sexually. 1. Introduction As defined by Lee, "Migration is permanent or semi-permanent change of residence". Migration has been the key word in modern history. Man has migrated from one place to another since ancient time. We too, as Aryans have migrated from far-off places to the fertile lands of Punjab. When a person changes a place of his residence it brings about lots of changes in his life. -
Sri Aurobindo: a Postmodern Sublime Poet Dr
Sri Aurobindo: A Postmodern Sublime Poet Dr. Atal Kumar Among all the leading poets of the early twentieth century Indian English poets Sri Aurobindo is vibrant with the contemporary literary ethos–modernism vis-a-vis postmodernism. His modernism was not haunted by what T.S. Eliot and Ezra Pound found during the First World War rather pressed by his inner urge of Sublime. Sri Aurobindo's Muse was drenched in the showers of Sublime. He had been a great Indian religious, philosophical and social thinker as well as postmodern sublime poet. The great spiritual master was born on 15 August 1872 in an aristocratic and anglicised family in Calcutta. Sri Krishnandan Ghose, his father, was among them who first went to England for his medical education and returned with anglophilic blood in his veins. Certainly, the early life of that mystic poet was moulded under the parasol of his father's anglicised habits, ideas and ideals. His father's anglophilic disposition induced him to keep his children away from the Indian ways of life. On the contrary Sri Aurobindo's mother Swarnlata Devi belonged to the clan of great Indian Renaissance man of the nineteenth century, Rishi Rajnarayan Bose. She was the adviser of the new composite culture of Indian soil. Dr. Krishnandan Ghose's inner temperament forced him to nurture him in English atmosphere and not from native ways and native language. As a result of that Sri Aurobindo along with his elder brothers Sri Manmohan Ghose and Sri Benoy Bhushan Ghose were admitted to Loreto Convent School at Darjeeling. -
Psyphil Celebrity Blog Covering All Uncovered Things..!! Vijay Tamil Movies List New Films List Latest Tamil Movie List Filmography
Psyphil Celebrity Blog covering all uncovered things..!! Vijay Tamil Movies list new films list latest Tamil movie list filmography Name: Vijay Date of Birth: June 22, 1974 Height: 5’7″ First movie: Naalaya Theerpu, 1992 Vijay all Tamil Movies list Movie Y Movie Name Movie Director Movies Cast e ar Naalaya 1992 S.A.Chandrasekar Vijay, Sridevi, Keerthana Theerpu Vijay, Vijaykanth, 1993 Sendhoorapandi S.A.Chandrasekar Manorama, Yuvarani Vijay, Swathi, Sivakumar, 1994 Deva S. A. Chandrasekhar Manivannan, Manorama Vijay, Vijayakumar, - Rasigan S.A.Chandrasekhar Sanghavi Rajavin 1995 Janaki Soundar Vijay, Ajith, Indraja Parvaiyile - Vishnu S.A.Chandrasekar Vijay, Sanghavi - Chandralekha Nambirajan Vijay, Vanitha Vijaykumar Coimbatore 1996 C.Ranganathan Vijay, Sanghavi Maaple Poove - Vikraman Vijay, Sangeetha Unakkaga - Vasantha Vaasal M.R Vijay, Swathi Maanbumigu - S.A.Chandrasekar Vijay, Keerthana Maanavan - Selva A. Venkatesan Vijay, Swathi Kaalamellam Vijay, Dimple, R. 1997 R. Sundarrajan Kaathiruppen Sundarrajan Vijay, Raghuvaran, - Love Today Balasekaran Suvalakshmi, Manthra Joseph Vijay, Sivaji - Once More S. A. Chandrasekhar Ganesan,Simran Bagga, Manivannan Vijay, Simran, Surya, Kausalya, - Nerrukku Ner Vasanth Raghuvaran, Vivek, Prakash Raj Kadhalukku Vijay, Shalini, Sivakumar, - Fazil Mariyadhai Manivannan, Dhamu Ninaithen Vijay, Devayani, Rambha, 1998 K.Selva Bharathy Vandhai Manivannan, Charlie - Priyamudan - Vijay, Kausalya - Nilaave Vaa A.Venkatesan Vijay, Suvalakshmi Thulladha Vijay 1999 Manamum Ezhil Simran Thullum Endrendrum - Manoj Bhatnagar Vijay, Rambha Kadhal - Nenjinile S.A.Chandrasekaran Vijay, Ishaa Koppikar Vijay, Rambha, Monicka, - Minsara Kanna K.S. Ravikumar Khushboo Vijay, Dhamu, Charlie, Kannukkul 2000 Fazil Raghuvaran, Shalini, Nilavu Srividhya Vijay, Jyothika, Nizhalgal - Khushi SJ Suryah Ravi, Vivek - Priyamaanavale K.Selvabharathy Vijay, Simran Vijay, Devayani, Surya, 2001 Friends Siddique Abhinyashree, Ramesh Khanna Vijay, Bhumika Chawla, - Badri P.A. -
Reconsidering Solidarity with Leela Gandhi and Judith Butler
Europe’s Crisis: Reconsidering Solidarity with Leela Gandhi and Judith Butler Giovanna Covi for William V. Spanos, who has shown the way The idea called Europe is important. It deserves loving and nourishing care to grow well and to return its promise. It is a visionary idea shared by winners and losers of World War II, by survivors of the Nazi-Fascist regimes and the Shoah, by large and small countries. It is still little more than just an idea: so far, it has only yielded the suspension of inner wars among the states that became members of the European Union. It is only a germ. Yet, its achievement is outstanding: in the face of the incessant proliferation of wars around the globe, it has secured lasting peace to an increasing number of nations since the 1950s. The idea called Europe is also vague. It has pursued its aim of ending the frequent and bloody wars between neighbours mainly through economic ties, as the Treaty of Maastricht’s failure to promote shared policies underscores. For over half a century, its common policies have been manifestly insufficient and inadequate. It is indeed still only a germ. And its limitations are tremendous: in the face of the rising threats to its own idea of peaceful cohabitation, of the internal rise of violent and hateful forces of sovereignty, of policies of domination, discrimination and exclusion, it is incapable of keeping Europe’s own promise. Such limitations are tangible in the debate about Grexit and the decision regarding Brexit, as well as in the political turn towards totalitarianisms in multiple states. -
The Futility of Violence I. Gandhi's Critique of Violence for Gandhi, Political
CHAPTER ONE The Futility of Violence I. Gandhi’s Critique of Violence For Gandhi, political life was, in a profound and fundamental sense, closely bound to the problem of violence. At the same time, his understanding and critique of violence was multiform and layered; violence’s sources and consequences were at once ontological, moral and ethical, as well as distinctly political. Gandhi held a metaphysical account of the world – one broadly drawn from Hindu, Jain, and Buddhist philosophy – that accepted himsa or violence to be an ever-present and unavoidable fact of human existence. The world, he noted, was “bound in a chain of destruction;” the basic mechanisms for the reproduction of biological and social life necessarily involved continuous injury to living matter. But modern civilization – its economic and political institutions as well as the habits it promoted and legitimated – posed the problem of violence in new and insistent terms. Gandhi famously declared the modern state to represent “violence in a concentrated and organized form;” it was a “soulless machine” that – like industrial capitalism – was premised upon and generated coercive forms of centralization and hierarchy.1 These institutions enforced obedience through the threat of violence, they forced people to labor unequally, they oriented desires towards competitive material pursuits. In his view, civilization was rendering persons increasingly weak, passive, and servile; in impinging upon moral personality, modern life degraded and deformed it. This was the structural violence of modernity, a violence that threatened bodily integrity but also human dignity, individuality, and autonomy. In this respect, Gandhi’s deepest ethical objection to violence was closely tied to a worldview that took violence to inhere in modern modes of politics and modern ways of living. -
National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 Enews NGMA’S Newsletter Editorial Team From
Newsletter JAN 2012 National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 enews NGMA’s Newsletter Editorial Team FroM Ella Datta the DIrector’s Tagore National Fellow for Cultural Research Desk Pranamita Borgohain Deputy Curator (Exhibition) Vintee Sain Update on the year’s activities Assistant Curator (Documentation) The NGMA, New Delhi has been awhirl with activities since the beginning of the year 2011. Kanika Kuthiala We decided to launch a quarterly newsletter to track the events for the friends of NGMA, Assistant Curator New Delhi, our well-wishers and patrons. The first issue however, will give an update of all the major events that took place over the year 2011. The year began with a bang with the th Monika Khanna Gulati, Sky Blue Design huge success of renowned sculptor Anish Kapoor’s exhibition. The 150 Birth Anniversary of Design Rabindranath Tagore, an outstanding creative genius, has acted as a trigger in accelerating our pace. NGMA is coordinating a major exhibition of close to hundred paintings and drawings Our very special thanks to Prof. Rajeev from the collection of NGMA as well as works from Kala Bhavana and Rabindra Bhavana of Lochan, Director NGMA without whose Visva Bharati in Santiniketan, West Bengal. The Exhibition ‘The Last Harvest: Rabindranath generous support this Newsletter would not Tagore’ is the first time that such a major exhibition of Rabindranath’s works is travelling to have been possible. Our Grateful thanks to all so many art centers in Europe and the USA as well as Seoul, Korea. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions.