Farmers Markets in the Berkshire Grown Region
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American Jukebox® 287, June 8, 2019, "Some Rare
Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 2:43 Jackie DeShannon When You Walk In The Room Jackie DeShannon Hard to Find Jukebox Classics 1960-64:Stereo Hit Parade/Eric 1964 99 (Yes, #99. This is not a mistake.) RKV Hard to Find 0:14 28 2016 6/4/16 9/9/17 6/8/19 02 2:20 Bob Hamilton/Freddy Gorman (Just Like) Romeo & Juliet The Reflections Hard To Find 45s On CD: Vol. 6, More Sixties ERIC 1964 6 Filed with Time-Life YOUR HIT PARADE series Series Hard To Find 0:05 10 2001 5/15/10 1/30/16 6/8/19 Classics 03 2:43 Tom Springfield I'll Never Find Another You The Seekers Hard To Find Jukebox Classics 1963-64: 29 Hit Parade/ERIC 1965 4 Series Hard to Find 0:12 3 2019 6/8/19 Amazing Stereo Hits 04 3:18 John Lee Hooker Boom Boom The Animals The Best Of The Animals ABKCO/iTunes 1965 43 Eric Burdon born 5/11/1941 RKG Animals 0:17 7 1990 6/8/19 Download 05 2:46 Lori Burton/Pam Sawyer I Ain't Gonna Eat My Heart Out The Young Rascals The Very Best Of The Rascals Rhino/Atlantic 1966 52 peaked in 1966 RKG Rascals 0:04 1 1993 6/8/19 Eddie Brigati (vocals), Felix Cavaliere (keyboard, vocals), Gene Cornish 06 2:08 M Steiner/M Discant TAhneymeo rFerom A Summer Place The Lettermen Capitol Collector Series: The Lettermen Capitol 1965 16 CD GrHts [2 CD's inc Capitol Collector's Series] trio from LA: Tony Butala b.1940,Jim RKG Lettermen 0:07 9 7/16/16 6/8/19 Pike b 1938, Bob Engemann b. -
1CCEE6 24 (REV) INSTRUCTION CF HIGH Sum STUCENTS in REACING for DIFFERENT PLRPOSE: SMITH, HELEN K
NCEC-63( ERIC REPORT RESUME EC C1C C6C 1CCEE6 24 (REV) INSTRUCTION CF HIGH sum STUCENTS IN REACING FOR DIFFERENT PLRPOSE: SMITH, HELEN K. * ANCRESEN, CLIVER S. C1YCS354 LNIVERSITY CF CHICAGC CRF-1714 EEPS PRICE MF$C.63 HC$17.84 446P. *REACING, REACING IHSTnLCTICK, REACING PROGRAMS, *PROGRAM EVALLATION, *INSTRICTICNAL MATERIALS, *SECONDARY ECUCATION, NILES TOWNSHIP HIGH sueu WEST, CHICAGO, ILLINOIS POTENTIAL BENEFITS TO EE DERIVED FRCP PLANNEC PURPOSEFUL READING INSTRICTION WERE STUCIED. TWELVE PURPOSES WERE THEN SELECTED FCR PIRPOSEFLL REACING AT THE NINTHGRACE NIGH SCHOOL LEVEL. STUDENTS IN TEE EXPERIMENTAL GROLP AND COINTROL GROUP WERE THEN SELECTED ON THE BASIS CF NEED FOR PURPOSEFLL READING INSTRUCTION. INDIVIDUALS IN THE CCNTROL AND EXPERIMENTAL GROUPS WERE MATCHED ON THE BASIS OF READING INVENTORY SCORES AND I.C. PLANNED PURPOSEFUL READING INSTRUCTION WAS TEEN GIVEN 'IC THE EXFERII"ENTAL GRCLP AND EVALUATED. THE EXPERIMENTAL EVALLATICh WAS CCMPAREC WITH AN EVALUATION OF CONTROL GROUP INSTRUCTION. INSTRUCTION IN BCTH GROUPS WAS OBSERVED EY A READING RESEARCH ASSOCIATE TC ASCERTAIN PROCECCRES ANC METHODS ISEC EY TEACHERS. EFFECTIVENESS CF THE INSTRUCTIONAL TECHNIQUES USED WAS CCMPAREC. ANALYSIS OF CCVARIANCE WAS USED TO ADJUST FOR DIFFERENCES IN I.Q. CR PLRFCSEFUL READING PRETEST SCORES. EXPERIMENTAL SUBJECTS CID NOT READ SIGNIFICANTLY BETTER THAN THE CCNTRCL GROUP FOR THE 12 STUN' PURPOSES SELECTED. HOWEVER, THE RESULTS INDICATE THAT THE PERCENTAGE OF STLDEN1S SCORING ABOVE ONE STANDARD DEVIATION WAS HIGHER IN THE EXPERIMENTAL GIMP. IT WAS CONCLUDED THAT THE MATERIALS CEVELOPED FOR INSTRUCTION ANC TESTING HAD BEEN USED SLCCESSFILLY ANC THAT PLAKNEC PURPOSEFUL READING INSTRUCTION WAS SIPERICR TC INCIDENTAL INSTRUCTION. IWO WELFAlia 1-lf_N_IH,CDUCATION AND U. -
Corporate Sponsorship Packet 2020.Indd
2020 Corporate Sponsorship Opportunities REACH YOUR AUDIENCE AND SUPPORT OUR MISSION Sponsorship Levels Boscobel House and Gardens is famous for preserving and sharing the matchless beauty of our iconic Hudson River site, BUSINESS historic house, and museum collection. Each year Boscobel serves more than 26,000 neighbors and guests with guided MEMBERSHIP tours, community events, and fun and educational programs for families and schools. INCLUDES: Listing on Boscobel’s website plus A major contributor to the local economy, Boscobel welcomes 81,000 visitors annually, employs a seasonal staff of 40, business membership card granting prioritizes local vendors, and highlights local products in its Design Shop. In addition, the museum hosts hundreds of admission for the bearer plus up to local vendors and employees of its non-profi t tenant/partners, the Hudson Valley Shakespeare Festival and Cold Spring three guests of any age to include a Farmers’ Market. guided tour of the Historic House Corporate sponsors are key partners in Boscobel’s mission to engage diverse audiences in the Hudson Valley’s ongoing, Museum, access to the grounds dynamic exchange between design, history, and nature. Your sponsorship support helps make Boscobel everyone’s and seasonal exhibitions, and a 10% home on the Hudson, and connects our growing audience to your business. discount in the Design Shop for all guests in the passholder’s party. One-time use of Boscobel’s private meeting room $500 space (Based on availability, capacity 70) Print ad in local papers Print -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Fund-Raising Texas Chef Gets a Taste of New Mexico Print | Email This Story
Last Update Search All Contact Us | Register/Login | Site Map Tue Jun 14, 2005 11:44 am Subscribe Print or eNewMexican | NM Jobs | Real Estate - Virtual Tours | Display Ads | Directory | Classifieds | Advertise | Archives News: Santa Fe / NM, Communities 26 page replica of the daily Fund-raising Texas chef gets a taste of New Mexico print | email this story MICHELLE PENTZ GLAVE | The New Mexican October 27, 2004 Like a true Texas cowpoke, Tim Love rode into the Española Farmers' Market on Columbus Day to the cheers and waves of the 20-some farmers huddled under plastic-wrapped booths. And despite the relentless downpour of frigid rain, one called out, "Welcome to - New Mexico!" Most Read News Kids swarmed the posse of horses, Recent Comments Death Notices showing off their oversized, gnarled sugar Crime / Police Notes beets, carrots, apples and squash entered Editorial in the day's "biggest and oddest vegetable" Letters to Editor Columns contest. Weather Topic List You'd think the heroes of the day were Love --an award-winning chef hailing from the Fort Worth Stockyards -- and his sidekick, Santa Fe's world-famous Visitors Guide author of Southwestern cuisine, the Coyote Café's Mark Miller. But once the Hotel Search Food Network cameras started rolling and the unassuming Love got started New Mexican Guides Residents Guide chatting with each grower, asking questions, chomping on chicos and chiles, Supplements listening to descriptions of the area's specialty produce and how to prepare each, it Spirituality / Support became clear: The stars of the day were the local farmers. Restaurants Sure, Love had come to Española on this October "trail ride" as part of his eight- Reader Photos day quest to raise money for Spoons Across America, a James Beard Foundation- Submit a Photo Our Week in Pictures supported program that educates kids on healthy eating, nutritious cooking and the Special Projects back-to-basics idea of using the dinner table for family time. -
The Apple Farm!
“Part of the secret of success in life is to eat what you like and let the food fight it out inside.” -Mark Twain SEPTEMBER - OCTOBER 2013 INSIDE THIS ISSUE Greetings from the GM ............2 The Apple Farm! ........................3 Words on Wellness ...................4 Words on Wine ..........................5 Autumn on Your Plate ..........6-7 Upcoming Events ......................8 Staff Updates .............................9 Member-Owner Give-Away ...10 Kids Classes .............................10 Owner-to-Owner ......................11 New Sale Signage ...................11 Co-op Calendar ....................... 12 he Apple Farm in Philo is a staple in our produce department at Ukiah Natural Foods. We are Tgrateful every fall for the twenty-plus varieties that are provided during the peak of apple sea- son for our customers’ enjoyment! It was the cold wet winter of 1984 when Tim Bates and Karen Schmitt began taming the wild property that is now their apple farm. Today, more than 3 genera- tions join together to care for The Apple Farm and this family affair is one that is enjoyed by all! “Our years of working the farm led us from conventional practices, through transi- tion, and on to many years of being certified organic. We want to continue to evolve and have chosen biodynamic farming as a framework in which we can further de- velop our relationship with our farm. It is an endlessly fascinating endeavor and we are all energized by the new and old ideas that we unearth.” - from www.philoapplefarm.com Tim, Karen and family produce a wide variety of products beyond their apples. The delicious, delec- table apples that they grow later become apple syrup, apple cider vinegar and hard apple cider, to name a few. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Epic-Wine-Menu-08.20.21-Docx.Pdf
I n d e x P r e f a c e Specialty Cocktails & Beer ....................... 3 C h a p t e r I Champagne & Sparkling By T h e G l a s s .......... 4 C h a p t e r II Champagne & Sparkling By T h e B o t t l e ......... 6 Chapter III Half Bottles Of Wine ............................. 7 C h a p t e r I V White Wines By T h e G l a s s ....................... 8 C h a p t e r V R e d W i n e s By T h e G l a s s .......................... 9 C h a p t e r V I S a k e ................................................ 10 Chapter VII White Wines By T h e B o t t l e ..................... 1 2 Chapter VIII R e d W i n e s By T h e B o t t l e ........................ 1 7 C h a p t e r I X Dessert Wines ..................................... 2 4 C h a p t e r X Bourbon, Scotch .................................. 2 6 C h a p t e r X I V o d k a , R u m & T e q u i l a ........................... 2 7 Chapter XII B l e n d e d W h i s k e y ’ s , Gin, Cognac & Armagnac ... 2 8 1 “Come quickly, I am drinking the stars!” {DOM PÉRIGNON} UPON TASTING THE FIRST SPARKLING CHAMPAGNE 2 c o c k t a i l s & b E E R PREFACE SPECIALTY COCKTAILS & BEER S ea sona l C oc kt a il s IPA’s “A WRINKLE IN TIME” ....................................................... -
First Night First Night
what to do • where to go • what to see December 19,2005–January 1,2006 ThTheeeOfO Offficficiaiaiall GuidGuideeetot too BOSTBOSTONON Boston’s 9 Best Bets for Ringing in the New YYearear Including: Our Guide to First Night PLUS: >What’s New in the New YearYear >Q&A with the Boston Pops’ Keith Lockhart www.panoramamagazine.com Now in our 2nd d Breaking Year!!! contents Recor COVER STORY 15 Countdown 2006 From First Night to rockin’ parties, our guide to the best places to ring in the New Year ® FEATURE 18 The Hub It Is A-Changin’ The Hilarious Celebration of Women and The Change! Panorama takes a look at what’s new in Boston in 2006 in 2006 DEPDEPARTMENTSARTMENTS 6 around the hub 6 news & notes 12 nightlife 10 on exhibit 13 dining Men 11 kids corcornerner 14 style Love It Too!!! 22 the hub directory 23 currentcurrent events TIP TOP: TheThe TopTop ofof thethe HubHub 31 clubs & bars atat thethe PrudentialPrudential CenterCenter,, where LauraLaura enjoysenjoys champagne,champagne, is is oneone 33 museums & galleries ofof manymany ggreatreat locationslocations toto 38 maps celebratecelebrate 20062006 asas thethe clockclock “YOU’LL LOVE IT. IT’S 43 sightseeing strikesstrikes midnight.midnight. Refer to story, pagepage 15.15. 48 frfreedomeedom trail PPHOTOHOTO BY HILARIOUS. GO SEE IT!” 50 shopping JOHNSAVONEJOHNSAVONE..COM - Joy Behar, The View 54 mind & body 55 rrestaurantsestaurants on the cover: 68 NEIGHBORHOODS “FRESH, FUNNY & SIMPLY Model Ashley of Maggie Inc. 78 5 questions with… gets ready for a rrollickingollicking New Year’s Eve at Top of the Hub. TERRIFIC!” Boston Pops maestro Photo: johnsavone.com KEITH LOCKHARTLOCKHART Photo: johnsavone.com - LA Times Hair: Rogue, Salon Marc Harris Great Rates For Groups! To reserve call (617) 426-4499 ext. -
Everything Old Is New Again: Dickens to Digital
Loyola of Los Angeles Law Review Volume 38 Number 1 Symposium—Intellectual Property at a Crossroads: The Use of the Past in Intellectual Article 2 Property Jurisprudence 9-1-2004 Everything Old Is New Again: Dickens to Digital Joseph J. Beard Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Joseph J. Beard, Everything Old Is New Again: Dickens to Digital, 38 Loy. L.A. L. Rev. 19 (2004). Available at: https://digitalcommons.lmu.edu/llr/vol38/iss1/2 This Symposium is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. EVERYTHING OLD IS NEW AGAIN:' DICKENS TO DIGITAL Joseph J.Beard* I. INTRODUCTION A newspaper article dated January 29th predicted that a new technological discovery, "[i]f introduced into this or any other country [would bring] an end to copyrights."'2 Was this new discovery some super-descrambler, an untraceable peer-to-peer system? No, it was "a new and extraordinary discovery made in Prussia by which printed works of any kind [could] be copied with perfect accuracy, and copies multiplied with no further expense than the cost of paper and press-work.",3 The January 29th in question was that of-1842! This incident demonstrates that when one contemplates contemporary technology/copyright issues, indeed "everything old is new again", and that perhaps there are lessons to be learned from days long gone. -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
1 Voicing Passion the Emotional Economy of Songwriting by Prof
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by BCU Open Access Voicing Passion The Emotional Economy of Songwriting By Prof. Paul Long and Dr. Simon Barber Abstract This article examines articulations of the role of passion in accounts of the life and work of the songwriter. It draws upon a range of interviews with successful artists captured in the Sodajerker On Songwriting podcast. It is suggested that these interviews capture the ‘voicing’ (Toynbee, 2003) of the conventions of creativity in popular music, exploring a context in which passionate motivation, expression and understanding of the (potentially) affective responses to songs are paramount to the labour of the songwriter. The article explores how the core of this labour deals in emotion, attempting to articulate feelings in recognizable, tradable form. This is a process that is both instrumentally rationalized but often felt to be a deeply authentic process, understood (and believed) to spring from the individual’s emotional experience, so conferring identity in a generic field. In light of current debates about the nature of creative work and emotional labour, the accounts drawn upon here can be seen to epitomise many of the qualities of what constitutes ‘good work’ through a mode of self-actualisation. Keywords: songwriting; songwriter; music industries; passion; creativity; voicing; affect; emotional labour. 1 Introduction A normative and perhaps dominant characteristic of how music is framed is in terms of its emotional qualities and the affective responses it elicits (Hunter and Schellenberg, 2010; Juslin and Sloboda, 2011). Emotion is understood to be a quality of the sound and shape of music itself, while passionate responses and attachments determine the conditions of its consumption in terms of meaning, assessment and taste as well as the acquisition of artefacts in the form of recordings and associated ephemera.