Prisoner Intake Systems: Assessing Needs and Classifying Prisoners
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Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
Welsh Government
Detailed Responses to the recommendations of the report, Voting Rights for Prisoners, are set out below: Recommendation 1 The Committee recommends that: The Welsh Government and National Assembly for Wales Commission introduce legislation to give all those Welsh prisoners who are serving custodial sentences of less than four years the right to vote in devolved Welsh elections. Mohammad Asghar and Mark Isherwood do not agree with this recommendation. Response: Accept The Welsh Government believes that enabling at least some prisoners to vote will send very strong and positive messages to prisoners that they still have a stake in society and, in turn, that they have responsibilities towards society as a whole. Enfranchisement based on sentence length will strike a reasonable balance; we agree that a custodial sentence of four years is an appropriate threshold, which acknowledges the nature, gravity and circumstances of the offending. Accordingly, the Welsh Government will work to introduce legislation in this Assembly to enable prisoners from Wales serving a custodial sentence of less than four years to vote in devolved local government elections. We shall work closely with the UK Government and partners to implement such legislation. We estimate that some 1,900 prisoners out of a total of about 4,800 prisoners from Wales would be enfranchised. The recommendation concerning Assembly elections is directed to the Llywydd and it would be for her, in the first instance, to respond in the context of the Senedd and Elections (Wales) Bill. Financial Implications – The financial implications of providing for prisoner voting will be addressed as part of the negotiations which will take place with the UK Government. -
GDC Inmate Handbook
NOTICE This handbook does not replace the official Rules and Regulations of the Georgia Department of Corrections. Information from the Rules and Regulations of the Department has been included to help you understand what is required of you, but this information is to be used in conjunction with the Rules and Regulations. In any case, where there is a conflict between information in the Rules and Regulations and information in this handbook, the Rules and Regulations are to be followed. 1 INTRODUCTION Treat your time in a Correctional Facility as an opportunity to correct mistakes, to learn how to return to society as a contributing member. While you are here, treat others as you would like to be treated, observe rules and regulations, and participate actively in available programs, and you will be closer to that goal. If you are entering a State Prison for the first time you will be interested in what is expected of you, as well as what will be provided to you, by the Georgia Department of Corrections. This booklet will answer some of your questions. It outlines the rules and regulations of the Department, as well as the disciplinary and grievance procedures that will apply to you during your incarceration. You will also learn about the programs offered through your institution. There are rules and regulations, which you will be expected to observe while in prison as you prepare for your release from prison. You will be treated humanely and you will be allowed to earn opportunities to change the life habits that helped put you in prison. -
The Prisoner (1967) Screening and Panel a Revolution in Sixties British Television Design
THE PRISONER (1967) SCREENING AND PANEL A REVOLUTION IN SIXTIES BRITISH TELEVISION DESIGN PRESENTED BY THE ART DIRECTORS GUILD FILM SOCIETY AND THE AMERICAN CINEMATHEQUE Sunday, April 27 at 5:30 P.M. at the Egyptian Theatre in Hollywood Sponsored by The Hollywood Reporter LOS ANGELES, April 15, 2014 - The Art Directors Guild (ADG) Film Society and American Cinematheque kick off the 2014 ADG Film Series with a special screening of the celebrated British psychological thriller The Prisoner (1967), designed by Jack Shampan, on Sunday, April 27 at 5:30 P.M. at the Egyptian Theatre, sponsored by The Hollywood Reporter. It was in 1967 that Patrick McGoohan produced his masterpiece – The Prisoner. He created, directed and starred in the unique story of a spy who resigns, but is too dangerous to be set free – Ian Fleming meets Franz Kafka. The Prisoner demanded a very special world, much of it found in the otherworldly Portmeirion, a private city built of architectural relics on the coast of Wales. “It all began in 1960, with British TV's Dangerman – 30 minutes of gritty film noir,” said Production Designer John Muto, Founder and Co-chair of the ADG Film Series. “More detective than spy adventure, the program starred Patrick McGoohan, the charismatic actor who's said to have passed on the role of James Bond.” Dangerman, (re-titled Secret Agent in America), ran most of the decade. Meanwhile the first Bond feature, Dr. No, revolutionized the look of the spy film – in chic high style – inspiring shows from The Avengers to The Man From Uncle. -
CBS NEWS POLL IRAQ, the BUSH ADMINISTRATION and the PRISONER ABUSE REPORTS May 11, 2004 Q1 Do You Approve Or Disapprove of the Way George W
CBS NEWS POLL IRAQ, THE BUSH ADMINISTRATION AND THE PRISONER ABUSE REPORTS May 11, 2004 q1 Do you approve or disapprove of the way George W. Bush is handling his job as President? ** TOTAL RESPONDENTS ** *** Party ID *** Total Rep Dem Ind Apr04d % % % % % Approve 44 82 16 42 46 Disapprove 49 16 80 46 47 DK/NA 7 2 4 12 7 q2 How about the economy? Do you approve or disapprove of the way George W. Bush is handling the economy? Approve 34 71 7 30 39 Disapprove 60 21 89 62 54 DK/NA 6 8 4 8 7 q3 Do you approve or disapprove of the way George W. Bush is handling the situation with Iraq? Approve 39 74 13 37 41 Disapprove 58 24 84 60 52 DK/NA 3 2 4 3 7 q4 Do you approve or disapprove of the way George W. Bush is handling the campaign against terrorism? Approve 51 82 22 56 60 Disapprove 39 13 65 34 32 DK/NA 10 5 13 10 8 q5 Do you approve or disapprove of the way Donald Rumsfeld is handling his job as Secretary of Defense? Approve 43 69 24 40 Disapprove 45 22 67 42 DK/NA 12 9 9 18 q6 How do you think the war with Iraq is affecting the United States' image in the Arab world? Is the war making the U.S. image in the Arab world better, making it worse, or is the war having no effect on the U.S. image in the Arab world? Better 6 15 1 4 10 Worse 73 53 87 74 71 No effect 14 19 9 15 10 DK/NA 7 13 3 7 9 CBS News Poll: Iraq, The Bush Administration, and The Prisoner Abuse Reports May 11, 2004 2 q7 Do you think the result of the war with Iraq was worth the loss of American life and other costs of attacking Iraq, or not worth it? ** TOTAL RESPONDENTS ** *** Party ID *** Total Rep Dem Ind Apr04d % % % % % Worth it 29 57 12 23 33 Not worth it 64 34 82 69 58 DK/NA 7 9 5 8 9 q8 Looking back, do you think the United States did the right thing in taking military action against Iraq, or should the U.S. -
Rethinking the Psychology of Tyranny: the BBC Prison Study
Copyright © The British Psychological Society Reproduction in any form (including the internet) is prohibited without prior permission from the Society 47 The British Psychological British Journal of Social Psychology (2006), 45, 47–53 Society q 2006 The British Psychological Society www.bpsjournals.co.uk Commentary On rethinking the psychology of tyranny: The BBC prison study Philip G. Zimbardo* Stanford University, USA This commentary offers a critical evaluation of the scientific legitimacy of research generated by television programming interests. It challenges the validity of claims advanced by these researchers regarding the Stanford Prison Experiment (SPE) and highlights the biases, fallacies and distortions in this study conducted for BBC-TV that attempted a partial replication of my earlier experiment. I have reluctantly accepted the editor’s invitation to prepare this commentary on my evaluation of Rethinking the psychology of tyranny: The BBC Prison Study, following my reviewer’s judgment of it as not acceptable for publication in any scientific journal. It is rarely productive to engage in such public debate without undermining the integrity of our discipline in the process. However, across their many publications, these authors have insisted on using the Stanford Prison Experiment (SPE) as their ‘straw situation’ to give visibility and conceptual legitimacy to their scientifically irresponsible ‘made-for-TV-study’. Thereby, they have forced me to counter their allegations in the BJSP, less to defend my research than to publicly -
Flavor Fare Tent W
Sponsored by Presented to you by GENEVA CHAMBER OF COMMERCE 630.232.6060 ⚫ 1geneva chamber.com As regulations are updated, this festival may have modifications. 2 Tickets: $1 each. Cash and credit accepted. Food will cost 2-12 tickets. No refunds. Ticket Booth Hours: Fri 4:00 - 9:30 pm; Sat 12:00 - 9:30 pm; Sun 12:00 - 4:00 pm. (Ticket sales end 1/2 hour prior to closing) Tickets may be purchased in advance at https://www.genevachamber.com/festivals-events/festival-of-the-vine/ Tickets sponsored by Fagans Inc. Flavor Fare Tent W. State & N. Fourth streets Sample the specialties of Geneva’s finest restaurants. Fri 4:00 - 10:00 pm; Sat: 12:00 - 10:00 pm; Sun: 12:00 - 4:30 pm Dining Tent sponsored by Geneva Bank & Trust Altiro Latin Fusion: Ala Papa Brava-6 Guacamole-6 Grilled Steak Tacos-8 Cookie Dough Bliss: Baked Cookies-3 Scoops of Cookie Dough (multiple flavors)-6 Cookie Dough Sandwich-8 Del Barrio: Roasted Mexican Corn-6 Pork Pastor Tacos-8 Grilled Chicken Tacos-8 Distillery Channel Coffee, LLC 3 tickets for cup; 8 tickets for 4 oz bag Wine Infused Coffee (hot or cold)-3 or 8 Banana’s Foster Coffee Mocha Infused-3 or 8 Cherry Pie Coffee Moonshine Infused-3 or 8 Geneva Ale House: Filet Medallion Slider-6 Carnitas Tacos (2)-10 6 PC Chicken Wings-10 Inglenook Pantry, Inc.: Apple Cobbler w/Maple Ice Cream-7 Swedish Meatballs-8 Lobster Mac & Cheese-10 Kernel’s Gourmet Popcorn & More: Popcorn-4 Assorted Candy-4 Kilwins of Geneva: Gummy Bears-5 Ice Cream in a Homemade Waffle Cone-6 Chocolate Drenched Peanuts-7 3 Masterpiece Bread: Whiskey & Rye Chocolate Chunk Cookie-3 Foccacia-3 Double Chocolate Sourdough Roll-3 Nobel House: Walking BBQ Taco-8 BBQ Sundae-10 Burnt Ends-12 Nothing Bundt Cakes: Assorted Bundtinis-2 (six flavors offered) Papa Saverio’s: Dough Nuggets-4 Fried Pickles-4 Pizza Slices-6 Stockholm’s: Bruschetta-4 Pulled Pork-6 Dijon Salmon-8 Tacatz Tacos: Tacos (steak or chicken)-3 Quesadilla (steak, chicken or cheese)-6 Fajita Wrap (steak or chicken)-8 4 Tickets: $1 each. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Thetidesoftime
The Oxford University Doctor Who Society Mag azine TThhee TTiiddeess ooff TTiimmee Issue 29 Easter Vacation 2004 BUFFY AND THE BRITISH Star Trek The Prisoner The career of Brian Clemens … …and something called Doctor Who , apparently. The Tides of Time 29 • 36 • Easter Vacation 2004 The Tides of Time 29 • 1 • Easter Vacation 2004 the difference between people and objects. The Tides of Time Shorelines When Lamia presents Grendel with her android copy of Romana, a primitive device More shorelines IIIIIIIssssssssuuueee 222999 EEEaaasssstttteeerrrr VVVaaaccccaaattttiiiiiiiooonnn 222000000444 By the Editor Well, that’s about it for now. Thank you to everyone intended to kill the Doctor, Grendel exclaims that it is a killing machine, and that he would for getting this far; unless you have started at this Editor Matthew Kilburn end of the magazine, in which case, welcome to Turn of the Tide? marry it. In doing so he discloses his [email protected]@history.oxford.ac.ukoxford.ac.uk This issue of The Tides of Time is being issue 29 of The Tides of Time ! I said a few years ago, published within a few weeks of the understanding of power, that it comprises the when I cancelled my own zine, The Troglodyte , after SubSubSub-Sub ---EditorEditor Alexandra Cameron cancellation of Angel by the WB ability to kill people. Grendel is a powerful one issue, that having got a job as an editor I didn’t Executive Editor Matthew Peacock network in the USA. The situation may man, in his own society, and at least recognises think that editing in my spare time would have much Production Associate Linda Tyrrell have moved on by the time that you the Doctor as another man of power; but the appeal. -
Studio Way Leaflet Final Web Ready
M25 How to get there Elstree S h Lo e n n l d e o y n R ottom R s B o er o t a rot d a T d B Speckled 5 37 Wood 8 ne La Studio Way Woodland ley w Studio Way and Potterswood Park Ro Mature T Oak h e o b a l d Woodland and S A1 t r e e stree t El Way Borehamwood Potterswood Park R A411 o w le Studio Way Woodland is an y La attractive belt of natural Hilfield Park ne Elstree & Borehamwood habitats. The woodlands are a A41 Railway Station Aldenham Woodland, wildlife and film heritage Country Park A411 A411 mix of mature oak trees with atfo d B M1 W r d Roa a rn Elstree et of Borehamwood Roa d remnants of old hedgerows Bushy A411 running through them. The M1 A409 JunctionBy 4 road: undergrowth of hawthorn, Stanmore Common A41Studio Way Woodland and Potterswood Park is located in blackthorn and bramble To Edware Borehamwood, close to the A1(M). The main site entrance is creates a perfect home for on Denham Way off Studio Way, accessed from Elstree Way small mammals and birds. A5135, Shenley Road B5378 and Rowley Lane. The flowering plants provide By public transport: a rich source of nectar for The site is 1 ½ mile (30 minute) walk from Elstree and butterflies and bees. Small Borehamwood Railway Station. There are bus stops along patches of bluebells can be Denham Way. found in the more mature For travel details visit www.intalink.org.uk areas of the woodland. -
Hollywood Bulldogs.Pdf
Harrison Ford & Vic Armstrong DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 HOLLYWOOD BULLDOGS CONTENTS 4 Synopsis 5 Director 6 Director’s Vision 7 Narrator ( Ray Winstone) 8 | 14 Cast 15 | 16 Vintage Photo’s and History 17 Producer 18 | 19 Executive Producers 21 Equity 22 Perks & Benefits HOLLYWOOD BULLDOGS 3 SYNOPSIS ollywood Bulldogs, tells the quid, the next generation went on They crashed cars, jumped from rough-and-tumble story of the to turn stunt work into a legitimate burning buildings, shot, stabbed, Hsmall community of British stunt profession. kicked and punched their way into performers who went on to dominate cinema history and all before the Hollywood in the 1970s and 80s. Partying and drinking their way arrival of CGI. through death and tragedy, they Growing out of the ragtag community created and performed the iconic Bulldogs is the first feature length of bouncers, gangsters and de- action sequences of 007, Indiana documentary to unite this legendary mobbed soldiers who were prepared Jones, Superman, Rambo, Star Wars, community in telling their story and to take a punch or chuck themselves Conan, the Alien films and pretty as you’ll see, there’s life in the old down a flight of stairs for a few much everything since. -
Repressive Dynamics and Political Subjectivities: the Case of Peniche Prison1
Repressive Dynamics and Political Subjectivities: the Case of Peniche Prison1 Miguel Cardina2 Abstract This paper analyzes the experience of political prisoners in the final stages of the Estado Novo dictatorship. It uses the Peniche Fort prison as a case study, exploring the way in which political identities were defined, and even reinforced, throughout the struggle against coercive dynamics. Physical confinement, rules, isolation, surveillance, and punishment laid the foundations for a punitive structure that aimed to produce “docile bodies.” On the other hand, prisoners built up resistance strategies intended not only to escape the objective reality of incarceration, but also to assert their militant subjectivity. The article explores how ideological splits led to distinct cultures of protest and ways of experiencing everyday life inside the prison, whilst also revealing how prison life interacted with broader political dynamics. Keywords Power, subjectivity, prison, Estado Novo, political opposition Resumo Este artigo analisa a experiência dos presos políticos no troço final do Estado Novo. Tomando a cadeia do Forte de Peniche como ponto de observação, explora- se o modo como as identidades políticas foram definidas, e até reforçadas, através do conflito com as dinâmicas coercivas emanadas da prisão. O confinamento, as regras, o isolamento, a vigilância e a punicão construíram uma teia punitiva destinada à produção de “corpos dóceis”. Diante disso, os presos contrapuseram estratégias de resistência que não só buscavam elidir a realidade objectiva da clausura como reafirmar a sua subjectividade militante. O artigo explora o papel das clivagens ideológicas entre os presos na operacionalização de distintas culturas de reivindicação e modos de vivenciar o quotidiano do cárcere, mostrando ao mesmo tempo como a vida prisional interagia com dinâmicas políticas mais amplas.