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Mommie Dearest
lopsided shape of the picture. It's so bulky Film and ravenous that it may have elbowed charcters out of the script and shouldered a dozen scenes out of the final cut. It's the kind of performance to which an actress's Mommie ego is obviously committed, where she puts everything she has on the line and dares the critics to hate her. The least you can say of Dearest Dunaway is that she totally inhabits the character. Her eyes appear unfocused and psychotic even in the rare moments when the character is in repose. As for "doing" Crawford, I found her expressions and mannerisms more arresting than the "un- canny" physical resemblance I was led to expect. Both actresses were endowed with Hal Crowther great cheekbones, but that's the extent of it. Drawing hr Gregory Vigrass Miss Dunaway is a beautiful woman and Beaten black and blue by her mother for dropping, no glamorous walk-ons, no Miss Crawford was a beautiful woman, but storing an expensive dress on a wire hanger, gratuitous Filmland lore. With the necessary when you put Crawford's makeup on the nine-year-old blond moppet surveys the exception of Louis B. Mayer—done to a Dunaway you've combined two beauties to wreckage of her beautiful room left in turn by Howard Da Silva—there's no create one hag. Dunaway has seldom looked Mommie's wake and voices the only possible attempt to cash in on any film legend besides less attractive. reaction: "Jesus Christ!" Miss Crawford's. For all the acting, the energy, and the The line was a calculated (and success- What he gives us is such a tight, narrow internal integrity of Dunaway's big scenes— ful) audience-pleaser, but it just about sums focus on Crawford and her daughter that the and "big" has an extended, Gotter- up my critical response to Mommie Dearest. -
Considerations for Use of Microcomputers in Developing Countrystatistical Offices
Considerations for Use of Microcomputers in Developing CountryStatistical Offices Final Report Prepared by International Statistical Programs Center Bureau of the Census U.S. Department of Commerce Funded by Office of the Science Advisor (c Agency for International Development issued October 1983 IV U.S. Department of Commerce Malcolm Baldrige, Secretary Clarence J. Brown, Deputy Secretary BUREAU OF THE CENSUS C.L. Kincannon, Deputy Director ACKNOWLEDGE ME NT S This study was conducted by the International Statistical Programs Center (ISPC) of the U.S. Bureau of the Census under Participating Agency Services Agreement (PASA) #STB 5543-P-CA-1100-O0, "Strengthening Scientific and Technological Capacity: Low Cost Microcomputer Technology," with the U.S. Agency for International Development (AID). Funding fcr this project was provided as a research grant from the Office of the Science Advisor of AID. The views and opinions expressed in this report, however, are those of the authors, and do not necessarily reflect those of the sponsor. Project implementation was performed under general management of Robert 0. Bartram, Assistant Director for International Programs, and Karl K. Kindel, Chief ISPC. Winston Toby Riley III provided input as an independent consultant. Study activities and report preparation were accomplished by: Robert R. Bair -- Principal Investigator Barbara N. Diskin -- Project Leader/Principal Author Lawrence I. Iskow -- Author William K. Stuart -- Author Rodney E. Butler -- Clerical Assistant Jerry W. Richards -- Clerical Assistant ISPC would like to acknowledge the many microcomputer vendors, software developers, users, the United Nations Statistical Office, and AID staff and contractors that contributed to the knowledge and experiences of the study team. -
Copy 106 of DOC016
TURFR H1-13 by Gavin Claypool week--primarily on the ground. final period, a Morris pass was Gary Stormo carried the ball to early. With third down and 13 on Sports Editor Bisset carried fifteen times for 44 intercepted by Riverside on their the 43, and then Morris passed to the CIT 37, Edwards hit Jones with Down by four with seven minutes yards and a TD. Morton made 21. One second down, quaterback Steubs for the winning score. a pass for the six-pointer. Tormey's left, the Caltech Beavers rallied to several first downs in gaining 43 Jon Edwards found Davery Jones Three in a Row? kick was wide, leaving the score 6-0. defeat the U.c. Riverside Frosh, yards, including runs of 19 and 11 open for 37 yards to the Tech 35. The last time the Beavers won Later in the quarter, Frank 16--13, Saturday afternoon. yards that set up the field goal Two plays later, Jimmy Ardiss three in a row was in 1957, the last Hobbs recovered a Riverside fumble With 2:36 remaining in the attempt at the end of the first half. broke through the right side for the above .500 season for Tech. After deep in their territory to set up the fourth quarter, Lee Morris con Unlike the La Berne game, the go-ahead score. Mike Tormey's kick defeating U.C. Riverside (!) in the Beavers' score. Morris carried the nected with John Steubs for 43 Beavers did not lead in any made it 13-9. opener, the Techers proceeded to ball to the nine, and then hit Greg yards and the final touchdown. -
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v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
Celebrating Gregg Allman: Storytelling and Special Performances, Featuring Eric Church
FOR IMMEDIATE RELEASE: July 27, 2015 Media Contacts: Laura B. Cohen, LC Media PR for Skirball Cultural Center, (310) 867-3897, [email protected] Hannah Berryman, GRAMMY Foundation, (310) 392-3777, [email protected] Christina Cassidy, GRAMMY Foundation, (310) 392-3777, [email protected] Christian T. Potts, Iron Mountain Incorporated, (617) 535-8721, [email protected] Skirball Cultural Center and GRAMMY Foundation® announce CELEBRATING GREGG ALLMAN: STORYTELLING AND SPECIAL PERFORMANCES, FEATURING ERIC CHURCH Two musical superstars take the stage at the Skirball in celebration of the popular exhibition Bill Graham and the Rock & Roll Revolution Presented as part of the GRAMMY Foundation’s Living Histories program Thursday, September 24, 2015, 8:00 p.m. $35 General | $30 Skirball Members Dress code: business casual This program will take place at the Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles, CA 90049 FREE parking Tickets available on site, online at skirball.org/allman-church, or by phone at (877) SCC-4TIX LOS ANGELES, CA—The Skirball Cultural Center and the GRAMMY Foundation® announce GRAMMY®-winning legend Gregg Allman, renowned founding member of the Allman Brothers Band, in conversation with GRAMMY-nominated country star Eric Church on Thursday, September 24, 2015, at 8:00 p.m. The program will take place at the Skirball Cultural Center. Moderated by Scott Goldman, Vice President of the GRAMMY Foundation and MusiCares®, the evening will conclude with live acoustic performances by both Allman and Church, which will be recorded and archived as part of the GRAMMY Foundation Living Histories program. The Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound. -
ED369393.Pdf
DOCUMENT RESUME ED 369 393 IR 054 782 TITLE EPIEgram: The Newsletterof Systemic Change, 1992-1993. INSTITUTION Educational Products InformationExchange Inst., Hampton Bays, NY. PUB DATE 93 NOTE 146p.; For the 1991-1992 issue,see ED 353 959. AVAILABLE FROMSterling Harbor Press, P.O. Box28, Greenport, NY 11944 ($65.00/year). PUB TYPE Collected Works Serials(022) Book/Product Reviews (072) JOURNAL GIT EPIEgram: The Newsletterof Systemic Change; v19n1-9 1992-93 EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Computer Networks; Computer Software Evaluation; *Courseware; Educational Change; Educational Innovation; Educational Resources; '*Educational Technology; Elementary Secondary Education; Ethics; Hypermedia; Information Networks; Multimedia Instruction; Research and Development IDENTIFIERS Information Age; Information Infrastructure ABSTRACT The EPIEgram newsletter contains information about educational materials and technology for elementary secondary education. In addition to the continuing feature, "The Educational Software Selector" (TESS), the nine issues contain articles on evaluating educational technology; school reform; publishing; multimedia; hypermedia; the information superhighway; the national information infrastructure; educational ethics; and computer networks. (JLB) Reproductions supplied by EDRS are the best that can be made * from the original document. * ******************;.********************************************** U.S. DEPARTMENT OF EDUCATION Office of Educationar Researcn and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI C TOM document has been reproduced as received I rom tne person or organization originating it C Minor changes nave peen made to improve reCor0OUCLOO Qualify Points of view or opirnons stated in thi5d0Co men) CO not necessarity represent official OEM position or O0r.cy EPIEgram: The Newsletter of Systemic Change, 1992-1993 (Nc "PERMISSION TO REPRODUCE THIS r.11; P.Pr1"1 MT1 MATERIAL HAS BEEN GRANTED BY J. -
Recommended East Asian Core Collections for Children's, High
DOCUMENT RESUME ED lfb 021 IR002289 AUTHOF. Scott, William H.p 0., Ed,. TITLE s Recommended EastALsian Core Collections for Children's, High School, Public, CommunityCollege .,. and tndergraduate College Libraries. INSTITUTION East Asian Bibliographic Group. PUB DATE 74 L, NOTE 19615 EDPS PRICE t6-$0.76 HC-$9.51 Hips POSTAGE DESCRIPTORS *Audiovisual Aids; *BibliogFaphies; Books; College Libraries;'Films; Filmstrips;. Fine Arts; Junior College Libraries; *Library Collections;Library Material Selection; Periodicals; PublicLibrries; School libraries; University Libraries IDENT:FIERS China; *East Asia; Japan; Korea; Mongolia ABSTRACT A basic buying list forlibraries seeking to develop their Far East holdings is given in thisbibliography. Over 1700 items include published material up to1973--books, periodicals, films, filmstrips, tapes, and phonographrecotds"pertaining to China, Formosa, Japan, Korea, Mongoliaand Tibet. 'The items are 'arranged geographically with topicalsubdivisions. (Author/DS) *********************************************************************** unpublished *' * Documents acquired by ERIC include many informal * materials not available fromother sources. ERIC makes everyeffort * * to obtain the best copyavailable. nevertheless, items of marginal * * 'reproducibility are ofte encountered and this affects the quality * * of the microfiche and haIicopy reproductions EPIC makesavailable * * via the EPIC DocumentReproduction Service (EDRS). EDRS'is not * * responsible for the qualityof the originAl document. Reproductions* -
Introduction 1 the Good Mother
Notes Introduction 1. By ‘motherhood’ I am referring to the character of the mother and the practice of motherhood on screen. By the ‘maternal’ I am referring to the characteristics and symbolism which evoke motherhood. 2. This is not to suggest that the figure of the mother is entirely absent from pre-1960s cinema, rather that a range of socio-economic factors led to a development in the horror genre. For the purposes of clarity I wish to focus on post-Classical horror cinema. 3. This is not to suggest that no debates about motherhood existed prior to this, rather that discussions of the mother in film increased greatly after these years. 4. The woman’s film centres on a female protagonist, deals with specifically ‘female’ issues (such as motherhood or domesticity) and is aimed at a female audience. For Doane, the maternal melodrama is a sub-category of the woman’s film. While the maternal melodrama is more readily asso- ciated with films of the Classical Hollywood period, it remains a popular sub-genre of modern mainstream cinema. The maternal melodrama, as the name suggests, deals with the figure of the mother and the impact of motherhood on her life or that of the child. 5. This is not to suggest that discussion of the mother/maternal is limited to these genres, simply that they seem to have provoked the most interest. 6. For example, see Alien and the various studies by Creed, Bundtzen or Rosemary’s Baby as discussed by Fischer or Kuhn. 7. See Mulvey (2000); De Lauretis, Teresa, Alice Doesn’t: Feminism, Semiotics, Cinema, Bloomington: Indiana University Press, 1984. -
Studying Film with André Bazin
BLANDINE JORET FILM THEORY IN MEDIA HISTORY STUDYING FILM WITH ANDRÉ BAZIN BLANDINE JORET STUDYING FILM WITH ANDRÉ BAZIN ANDRÉ WITH FILM STUDYING Studying Film with André Bazin Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship. Combining the book form with open access online publishing the series reaches the broadest possible audience of scholars, students, and other readers with a passion for film and theory. Series editors: Prof. Dr. Vinzenz Hediger (Goethe University Frankfurt, Germany), Weihong Bao (University of California, Berkeley, United States), Dr. Trond Lundemo (Stockholm University, Sweden). Editorial Board Members: Dudley Andrew, Yale University, United States Raymond Bellour, CNRS Paris, France Chris Berry, Goldsmiths, University of London, United Kingdom Francesco Casetti, Yale University, United States Thomas Elsaesser, University of Amsterdam, the Netherlands Jane Gaines, Columbia University, United States Andre Gaudreault, University of Montreal, Canada Gertrud Koch, Free University of Berlin, Germany John MacKay, Yale University, United States Markus Nornes, University of Michigan, United States Patricia Pisters, University of Amsterdam, the Netherlands Leonardo Quaresima, University of Udine, Italy David Rodowick, University of Chicago, United States Philip Rosen, Brown University, United States Petr Szczepanik, Masaryk University Brno, Czech Republic Brian Winston, Lincoln University, United Kingdom Film Theory in Media History is published in cooperation with the Permanent Seminar for the History of Film Theories. -
Washington Apple Pi Journal, June 1984
$2 Wa/hinglon Apple Pi The Journal of WGashington Apple Pi, ltd Volumct6 June 1984 number 6 HiQhliahtl - LOGO VIRUS PART II mAC I n T 0, S1-1 AnD 1-1 ISS 1STER S APPLEWORI<S: A Review RULES FOR An EHPERT SYSTEm In This Issuct. v Officers & Staff, Editori al 3 I Am What I Am John A. Love I II 32 President's Corner • David Morganstein 4 Letter to the Editor • 35 Event Queue, WAP Elections, SIGNews • 5 A Catalog Poker. • C. Swift, Prop. 36 Minutes, General Information, Classifieds • 6 The Cheapest Re-inker Walton Francis 37 Telecomm SIG News • Dave Harvey 7 S-C Macro Assembler: The Author Replies 38 WAP Hotline. 8 Apple Donates ProDOS Manuals . Thomas S. Warrick 39 Q & A • Bruce F. Field 10 Apple Tracks: ProDOS Prose • Richard Langston II 40 LOGOSIG News Nancy C. Strange 12 Don't Be an IF Junkie . Gary M. Mugford 43 Logo Virus: Part II Ron Murray 14 1001 Binary Tales: Architecture • Raymond Hobbs 44 Dealer's Corner . • 15 Suggestion for Program Doc. Joan Bixby Dunham 46 DisabledSIG News Jay M. Thal 16 Rules for an Expert System Frederick E. Naef 47 ED SI G News Peter Combes 17 Pascal Tutorials Robert C. Platt 50 A Page From the Stack Robert C. Platt 18 The Forth Column Bruce F. Fi eld 52 SI G Mac News Ellen l. Bouwkamp 19 Bylaws Amemdment • Robert C. Platt 54 Design the WAP Logo. • 19 VisiCalc Data Entry Tips Merle Block 54 Macintosh and His Sisters Loftus E. Becker Jr 20 The Show Must Go On Richard Langston II 54 Apple Owners Guide to the I lc . -
Modernism As Institution Hans Hayden
Modernism as Institution On the Establishment of an Aesthetic and Historiographic Paradigm Hans Hayden Modernism as Institution On the Establishment of an Aesthetic and Historiographic Paradigm Hans Hayden Translated by Frank Perry Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Hans Hayden 2018 License CC-BY ORCID: Hans Hayden ORCID: orcid.org/0000-0002-0487-0666 Affiliation: Stockholm University Supporting Agency (funding): Riksbankens Jubileumsfond (The Swedish Foundation for Humanities and Social Sciences) and STINT (Swedish Foundation for International Cooperation in Research and Higher education) First published 2018 Cover Illustration: Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room Cover License: By Anonymous photographer. Shot 100 years ago. [Public domain], via Wikimedia Commons Cover Design: Karl Edqvist, SUP Translator: Frank Perry (from Swedish to English) Original version in Swedish: Hayden, Hans, Modernismen som institution. Om etableringen av ett estetiskt och historiografiskt paradigm, Östlings bokförlag Symposion, Eslöv 2006. Stockholm Studies in Culture and Aesthetics ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-071-3 ISBN (PDF): 978-91-7635-068-3 ISBN (EPUB): 978-91-7635-069-0 ISBN (MOBI): 978-91-7635-070-6 DOI: https://doi.org/10.16993/bar This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated.