DOCSLIB.ORG

The Land Report 2009

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Land Report 2009 WWW.LANDREPORT.COM | FALL 2009 THE MAGAZINE OF THE AMERICAN LANDOWNER $15 No. 21 SPECIAL REPORT La Escalera Ranch Pecos County, TX LARGEST USA LANDOWNERS PLUS: PINEYWOODS MITIGATION BANK | COASTAL PROPERTIES | IMPROVING ACCESS Vein Mountain McDowell County, NC Mayfield Seagle McDowell & Rutherford Counties, NC 5,350.00 acres $31,538,250 7,600.00 acres $16,000,000 1,645.00 acres $4,750,000 Joe Kelleher -RH.HOOHKHU#DPIRUHPEL] Jake Almond -DNH$OPRQG#DPIRUHPEL] Charlie Shaw &KDUOLH6KDZ#DPIRUHPEL] FHOO 865.481.3696 (office) FHOO [ RIILFH FHOO 1E Liberty County, TX Lynches River Chesterfield County, SC Pate Marlboro County, SC 929.68 acres $2,997,000 800.00 acres $2,100,000 519.87 acres $1,175,185 John Heath [email protected] David Nagel 'DYLG1DJHO#DPIRUHPEL] Fred Beck [email protected] 903.534.9541 RIILFH 936.223.1968 FHOO RIILFH FHOO 843.454.0015 (office) Big Cedar Creek Jones County, GA Big McQueen 1 & 2 Robeson County, NC Eubanks & Lancaster Counties, SC 261.00 acres $4,215/acre 274 / 771 acres $496,000 / $886,300 178.00 acres $600,705 Nathan Greer [email protected] Curtis M. Spencer [email protected] Curtis M. Spencer [email protected] RIILFH FHOO RIILFH FHOO RIILFH FHOO Lake Superior Frontage Bucklevel Farm Road Greenwood County, SC Chipola River Retreat County, FL Big Traverse Bay Houghton County, MI 52.00 acres $570,000 92.00 acres $450,800 10.62 - 26.87 acres $120,000- $130,500 William Seader :LOOLDP6HDGHU#DPIRUHPEL] Tony Mitchell 7RQ\0LWFKHOO#DPIRUHPEL] Trina Anderson [email protected] RIILFH FHOO FHOO 906.483.0820 x.10 RIILFH FHOO Hunting tracts, plantation properties, timberland - AFM Real Estate can help you stake your claim to that special piece of property that you’ve been looking for. If you are in the market to sell, our highly trained professionals will guide you through every step of the process so the maximum value of your property is obtained. Visit us today at afmrealestate.com to learn about our brokerage services. *Available acres as of 8/24/09. Photo of Laurelwood Richland County, South Carolina 180.50 acres $661,800 Curtis M. Spencer &XUWLV6SHQFHU#DPIRUHPEL] RIILFH FHOO With more than 42 offices in 16 states, AFM has been helping landowners acquire, improve, manage and enjoy millions of acres of land in the best parts of America. Since 1966, that’s been our only business. 704.527.6780 | americanforestmanagement.com !∀#∃%&∋(#∃∋)∗∀#+∀+,−#∋.∋)/∗∀&0,∋1−/#+23∋450∀#&∀&!∀#∃%&∋(#∃∋)∗∀#+∀+,,−#∋.∋)/∗∀&0,∋1−/#+23∋450∀#&&∀& 678∋9−&:−;∋)∗∀#+∀+,−#∋.∋<8==85&−#∋1−/#+23∋450∀#&∀&678∋9−&:−;;∋)∗∀#+∀+,−#∋.∋<8==85&−#∋1−/#+/#+23∋450∀#&∀& !∀#!∀## ∃%&∋(∀&)∗+#∃%&∋(∀&)∗+ , ,−./)∀0#−./)∀0# 12∃∀&∃&)−∀+#12∃∀&∃&)−∀+# 2 2−∗∃&(3#−∗∃&(3##) )∀#∀ & &∋(#∋( #44( 4(.&)2(#(.&)2(# ! !./∃∀5∃5#./∃∀5∃5# ?∋(#Ο−5∗−,#Π2∃∀∃&)−∀#)5#∃#:−3(.∀+#∃0.)∗%2&%.∃2#−1(.∃&)−∀#)∀#&∋(#4(.&)2(#?∋(#Ο−5∗−,#Π2∃∀∃&)−∀#)5#∃#:−3(.∀+#∃0.)∗%2&%%.∃2#−1(.∃&)−∀#)∀#&∋(#4(.&)2(# 6(2&∃+#7%5&#89#:)∀%&(5#4.−:#&∋(#;)&&2(#<−∗/#=∀&(.∀∃&)−∀∃2#!).1−.&>#6(2&∃+# 7%5&##89 :)∀%&(5# 44..−:##&∋( ;)&&2(# <−∗/# =∀&(.∀∃&)−∀∃2# !).1−.&># !./∃∀5∃5#6(2&∃>#?∋)5#∋)0∋Φ1.−3%∗&)−∀+#12∃∀&∃&)−∀#1.−3%∗(5#.)∗(+#∗−&&−∀+#!./∃∀5∃5#6(22&∃> ?∋)5#∋)0∋Φ1.−3%∗&)−∀+ 12∃∀&∃∃&)−∀#1.−3%∗(5#.)∗(+#∗−&&−∀+ ?∋(#12∃∀&∃&)−∀#∗−∀5)5&5#−4##≅+ΑΒΑ?∋(##12∃∀&∃&)−∀ ∗−∀5)5&5#−4 ##≅+ΑΒΑ###Χ∆ΦΓ#Χ∆ΦΓ ∃∗.(5#∃∀3#−1(.∃&(5#∃5#∃#0.∃)∀+#∃∗.(5##∃∀3 −1(.∃&(5#∃5 ##∃ 0.∃)∀+# ∗−.∀+#,∋(∃&+#∃∀3#5−ϑΙ(∃∀5#∃∀3#−44(.5#∃∀#(Θ∗(22(∀&#)∀Η(5&:(∀&#−11−.&%Φ∗−.∀+#,∋(∃&+ ∃∀3#5−ϑΙ(∃∀5#∃∀3 −44(.5#∃∀#(Θ∗(22(∀(22(∀&#)∀Η(5&:(∀&#−11−.&%Φ .−,#.−,## ∗.−1+#∗.−1+ ∃∀3#∃∀3# Η(0(&∃Ι2(#Η(0(&∃Ι2(# 44∃ 4∃.:>#∃.:># ? ?∋(#∋(# 1 1.−1(.&ϑ#.−1(.&ϑ#∋ ∋∃5#∃5 ##∃ ∃#Ι Ι(∃%&)4%2#(∃%&)44%%2# 1 1(∗∃∀#(∗∃∀# ∀)&ϑ>#?∋(#1.−1(.&ϑ#)5#Ν+≅ΝΡ∀)&ϑ>#?∋(#1.−−1(.&ϑ#)5#Ν+≅ΝΡ#Χ∆ΦΓ#Χ∆ΦΓ#∃∗.(5+#∋∃5#12(∀&ϑ#−4#,∃&(.+#0.∃)∀#∋∃∀32)∀0##∃∗.(5+ ∋∃5#12(∀∀&ϑ#−4#,∃&(.+#0.∃)∀#∋∃∀32)∀0# −.∗∋∃.3#∃∀3#−∀(#−4#&∋(#:−5&#5∗(∀)∗#3.)Η(5#)∀#Κ(∀&.∃2#!./∃∀5∃5>#?∋(#.∗∋∃.3#∃∀3 #−∀( ##−4 &∋( #:−5&#5∗(∀)∗#3.)Η(5##)∀ Κ(∀&.∃2#!./∃∀5∃5>#?∋( 5ϑ5&(:5+#∃#4∃.:#∋(∃3Σ%∃.&(.5+#()0∋&#.(5)3(∀&)∃2#3,(22)∀05+#∃∀3#)5#∗2−5(#5ϑ5&(:5+ ∃#4∃∃.:#∋(∃3Σ%∃.&(.5+#()0∋&#.(5)3(∀&)&)∃2#3,(22)∀05+#∃∀3#)5#∗2−5(# 12∃∀&∃&)−∀#∋∃5#Ι((∀#−,∀(3#Ιϑ#&∋(#5∃:(#4∃:)2ϑ#4−.#−Η(.#≅89#ϑ(∃.5>#12∃∀&∃&)−∀##∋∃5 Ι((∀# −,∀(3##Ιϑ &∋( #5∃:(# 44∃∃:)2ϑ##44−−. −Η(.##≅89 ϑ(∃.5># &−#:∃7−.#.)Η(.#1−.&5+#(2(Η∃&−.5+#∃∀3#3.ϑ(.5>#Τ,∀(3#∃∀3#4∃.:(3#Ιϑ#&∋(#&−#:∃7−.#.)Η((.#1−.&5+#(2(Η∃&−.5+ ∃∀3#3.ϑ(.5> ΤΤ,∀(3#∃∀3 4∃.:(3#Ιϑ#&∋(# ΛΜ+ΑΝΜ+999>99#Χ1.)∗(#.(3%∗(3ΓΛΜ+ΑΝΜ+999>99##Χ1.)∗( .(3%∗(3Γ 5∃:(#4∃:)2ϑ#5)∀∗(#≅ΒΜΜ>#Λ≅≅+Ρ99+999>995∃:(#4∃:)2ϑ#5)∀∗(#≅ΒΜΜ>#Λ≅≅+Ρ99+999>99 !∀1−++&%∋Γ/:0∋/#+85%&∋)∀5∀∃,&8∋.∋450∀#&∀&∋1−/#+23∋450∀#&∀&!∀1−++&%∋∋Γ/:0 /#+85%&∋)∀5∀∃,&8∋∋. 450∀#&∀&∋1−/#+23∋45500∀#&∀& Β,Χ∋Α∗∀&7∋>∀5?∋∆∋/#+∋1∗/Φ∋.∋9−#5−8∋1−/#+23∋450∀#&∀&Β,Χ∋Α∗∀&7∋>Χ∋ ∋>∀5?∋∆∋/#+∋1∗/Φ∋.∋9−#5−8∋1∋1−/#+23∋450∀#&∀&23 8Ψ9##Χ∆ΦΓΧ∆ΦΓ))&∗+%!)+%!,/∋7)∀∋),3%)4&.∀8!)/00)Φ&#∀8()≅3/∗3)∀44%+!)Γ∀∀−%−()&∗+%!)+%!,/∋7)∀∀∋),3%)4&.∀8!)4&.∀ !)/00) ΦΦ&#∀8()≅3/∗∗3)∀44%+!)Γ∀∀−%−() !#&%.∀#/(ϑ#∋%∀&)∀0#∗2%Ι+#∃∀3#,−./)∀0#0.∃)∀#∃∀3#.−,#∗.−1#−1(.∃&)−∀#2−Φ!#&%.∀ /(ϑ#∋%%∀&)∀0#∗2%Ι+#∃∀3 ,−./)∀0 0.∃)∀#∃∃∀3 .−,#∗.−1#−1(.∃&)−∀#2−Φ 3&+−≅∀∀−(),/.∃%+)Γ&,!)4∀+).&00&+−)−8∗Β)38∋,/∋71)Η∀∗&,%−):8!,)<=)./0%!)3&+−≅∀∀−( ,/.∃%+)Γ&,!)!)4∀+ .&00. 0&+−) −)−8∗− ∗Β)38∋,/∋71 Η∀∗&&,%−):8!,)<=)./0%!) ∗∃&(3#(∃5&#−4#Ζ&%&&0∃.&+#!./∃∀5∃5#∀(∃.#&∋(#Ξ∋)&(#<)Η(.#[Ξ<>#?∋(#1.−1Φ∗∃&(3#(∃5&#−4#Ζ&%&&0∃.&+#!./∃∀5∃5 ∀(∃.#&∋(#Ξ∋∋)&(#<)Η(.#[Ξ<>#?∋(#1.−1Φ 5−%&∋(∃5&#−4# Ζ&%&&0∃.& Ζ&%&&0∃.&+#&+#+# !./! !./∃∀5∃5+# /∃∀ ∀5∃5+# 5 &∋) &∋)5#∋)5# 4∃:−%5# ∋%∀&)∀ ∋%∀&)∀0#∀0# ∗2%Ι# )5# ,∋(.(# (.&ϑ#∗−∀5)5&5#−4#Ν+≅Ν≅#(.&ϑ#∗−∀5)5&5#−4#Ν+≅Ν≅#Χ∆ΦΓ##∃∗.(5#Χ∃22#∋)0∋Φ4(∀∗(3Γ∴#∃#∗2∃55)∗+#2−0#2−30(∴#−∀Φ∃∗.(5#Χ∃22#∋)0∋Φ4(∀∗(3Γ∴(3Γ∴#∃#∗2∃55)∗+ 2−0#2−30(∴#−∀Φ Ι&!3)Φ8∗Β/∋73&.)&∋−)?−7&+)ϑ8%%∋#)∃%7&∋),3%/+)3/!,∀+#)∀4)Α+Β&∋!&!)Ι&!3)Φ8∗Β/∋73&.)&∋−)∋−)−)?−7&+)?− ϑϑ8%%∋#)∃%7&∋),3%/+ 3/!,,∀+#)∀4)Α+Β&∋!&!) !/,%)∗&+%,&Β%+Χ)&00)∋%∗%!!&+#)%∆8/9.%∋,Χ)6!3/∋7)0&Β%Χ).&∋&7%−),+∀93#)!/,%)∗&+%,&Β%%+Χ)&00)∋%∗%!!&+#)%∆8/9.%∋,Χ)6!33/∋7)0&Β%Χ).&∋&7%− ,+∀93#) 3%∗/#∋%∀&)∀0>#Τ,∀(3#Ιϑ#&∋(#;∃Κ−&&5#4∃:)2ϑ#4−.#−Η(.#Α9#ϑ(∃.5#∃∀3#∀(Η(.#3%∗/#∋%∀&)∀0>#Τ,∀(3#ΙΙϑ#&∋&∋(#;∃∃Κ−&&5#4∃:)2ϑ#4−.#−Η(.#Α99#ϑ(∃.5#∃∀3 ∀(Η(.# −%%+)3%+−Χ)&∋−).&∋&7%−)+/∗%)6%0−!()!0∀873!()&∋−),/.∃%+)∀44%+/∋7)7+%&,)−%%+ 3%+−Χ &∋∋−).&∋&7%−)+/∗%)6%0−!()!0∀873!(()&∋− ,/.∃%+ ∀44%+/∋7)7+%&,) Ι(4−.(#−44(.(3#4−.#5∃2(>#!#Η(.ϑ#.∃.(#−11−.&%∀)&ϑ#&−#−,∀#−∀(#−4#&∋(#:−5&#Ι(4−.(#−44(.(3#4−.#5∃2(>>#!#Η(.ϑ#.∃.(#−11−.&%∀)&ϑ#&−#−,∀∀#−∀(#−4#&∋(#:−5&# 3%∗/+#&%./(ϑ+#∃∀3#3−Η(#∋%∀&)∀0>#?∋(#1.−1(.&ϑ#∋∃5#∗∃∀#Ι(#512)&#)∀&−#&,−#3%∗/+#&%./(ϑ+#∃∀3 3−Η(#∋%∀&)∀0>#?∋(#1.−1(.&&ϑ#∋∃5#∗∃∀#Ι(#512)&#)∀&−#&,−# 4∃:−%5#3%∗/#∋−2(5#)∀#!./∃∀5∃5>4∃:−%5#3%∗/#∋−2(5#)∀#!!./∃∀5∃5> 5(1∃.∃&(#&.∃∗&5>#Λ≅≅+999+999>995(1∃.∃&(#&.∃∗∗&5>#Λ≅≅+999+999>99 678∋!8;,&∋>∀?,∗2∋>∀5?∋.∋)/∗∀&0,∋1−/#+23∋450∀#&∀&678∋!8;,&∋>∀?,∗2∋>∋>∀5?∋.∋)/∗∀&0,∋1−/#+23∋450∀##&∀& 678∋>∀≅85∋>∀5?∋Α−/+7∋.∋)/∗∀&0,∋1−/#+23∋450∀#&∀&678∋∋>∀≅85 >∀5?∋Α−/+7∋∋. )/∗∀&0,∋1−/#+23∋450∀#&∀& ?∋)5#)5#∃#1.(:)%:#4∃.:#∗−∀5)5&)∀0#−4#8+Β99#?∋)5#)5#∃#1.(:)%:#4∃.:#:#∗−∀5)5&)∀0#−4#8+Β99# Χ∆ΦΓ#∃∗.(5+#1.−3%∗)∀0#.)∗(+##∃∗.(5+#1.−3%∗)∀0#.)∗(+# !#Ν+9ΑΨ#!# Ν+9ΑΨ##Χ∆ΦΓ#∃∗.(#∃0.)∗%2&%.∃2#−1(.∃&)−∀#∗−∀5)5&)∀0#−4#0.∃)∀#∃∀3#.−,#∃∗.(# ∃0.)∗%2&%.∃2# −1(.∃&)−∀# ∗−∀5)5&)∀0##−4 0.∃)∀# ∃∀3# .−,# !∀#∃%&∋!()∗∀+∋()∗∀,,∀∋()&∋−)./0∀1)23%)4&+.)/!)5%+#)−/5%+!/6%−)3&5/∋7)!∀#∃%&∋!()∗∀+∋()∗∀,,∀∋∋()&∋− ./0∀1)23%)4&+.)/!)5%+#)−/5%+!/6%− 3&5/∋7) ∗.−1#2∃∀3+#&):Ι(.+#∃∀3#Ξ(&2∃∀3#<(5(.Η(#Π.−0.∃:#2∃∀35>#?∋(#1.−1(.&ϑ#∗.−1##2∃∀3+ &):Ι(.+##∃∀3 Ξ(&2∃∀3#<(5(.Η(#Π.−0.∃:#2∃∀35>##?∋( 1.−1(.&ϑ# .−,#∗.−1#2−∃:ϑ#5−)25#12%5#∗2∃ϑ#5−)25#&∋∃&#∃.(#1∃.&)∗%2∃.2ϑ#5%)&(3#4−.#0.−,Φ.−,#∗.−1#2−∃:ϑ#5−)25#122%5#∗2∃ϑ#5−)25#&∋∃&#∃.( 1∃.&)∗%2∃.2ϑ#ϑ#5%)&(3#4−. 0.−,Φ )5#2−∗∃&(3#5−%&∋#−4#&∋(#∋)5&−.)∗+#12∃∀&∃&)−∀#∗−::%∀)&ϑ#−4#Ζ∗−&&+#!./∃∀Φ)5##2−∗∃&(3 5−%&∋##−4 &∋( #∋)5&−.)∗+#12∃∀&∃&)−∀#∗−::%∀)&ϑ##−4 Ζ∗−&&+#!./∃∀Φ )∀0#.)∗(>#Υ.(∃&#3%∗/#∋%∀&)∀0#(Θ)5&5#−∀#&∋(#8≅9Φ∃∗.(#.(5(.Η−).#∃∀3#−∀#&∋(#)∀0 .)∗(>#Υ.(∃&#3%∗/ ∋%%∀&)∀0#(Θ)5&5#−∀ &∋(#8≅9Φ∃∗.( .(5((.Η−).#∃∀3 −∀ &∋(# 5∃5#∃2−∀0#&∋(#!./∃∀5∃5#<)Η(.#∃∀3#−44(.5#(Θ∗(1&)−∀∃2#3((.+#3%∗/+#∃∀3#5∃5#∃2−∀0##&∋( !./∃∀5∃5#<)Η(.##∃∀3 −44444((.5#(Θ∗(1&)−∀∃2#3((.+#3%∗/+#∃∀3# !8++∀8∋−/∋7)7+&/∋)6%0−!1)23%)9+∀9%+,#):∀/∋!),3%);<(===>&∗+%)?∋70&∋−)!8++∀8∋−/∋7)7+&/∋)6%0−−!1 23%)9+∀9%+,#):∀/∋! ,3%);<(====>&∗+%)?∋70&∋−) −∀5%)38∋,/∋7()&0∀∋7)≅/,3)6!3/∋71)Α)9%+4%∗,0#)!8/,%−)9+∀9%+,#)4∀+),3%)−∀5%))38∋,/∋7( &0∀∋7)≅/,3)6!3/∋71))Α 9%+44%%∗,0#)!8/,%−)9+∀9%+,#))4∀+ ,3%) ς−)∀&#Ω(∀&%.(#Ξ<Π#1.−7(∗&+#,∋)∗∋#,)&∋#:∃&%.)&ϑ#5∋−%23#(∀∋∃∀∗(#&∋(#ς−)∀& Ω(∀&%.(#Ξ<Π#1..−7(∗&+ ,∋)∗∋#,)&∋#:∃&%.)&ϑ#5∋−−%23#(∀∋∃∀∗(#&∋(# 3(Η(2−1:(∀&#−4#∃#∗−%∀&.ϑ#.(&.(∃&#∃∀3#,)232)4(#5∃∀∗&%∃.ϑ#4−.#0(∀(.∃Φ3(Η(2−1:(∀&#−4 ##∃ ∗−%∀&.ϑ#.(&.(∃&#∃∀3#,)232)4(#5∃∀∗&%∃.ϑ##44−−. 0(∀(.∃Φ .(∗.(∃&)−∀∃2#∃55(&5>#ΛΑ+8ΜΜ+999.(∗.(∃&)−∀∃2#∃55(&5>#ΛΑ++8ΜΜ+999 &)−∀5#&−#∗−:(>&)−∀5#&−#∗−::(> ! " # $ % ! ! ! 7 Contents FALL 2009 Features The Perfect Pedestal Clocks 34 or Lamp Posts Land Report 100 Our landmark study of America’s 100 largest private landowners offers an in-depth look at the Class of 2009. by THE EDITORS Departments 6 Editor’s Note Bigger Is Better! by ERIC O’KEEFE 10 Market Watch National News Roundup ֻ֠־־ֻ)ַ ∗)∀ ∗∃ by STEPHEN O’KEEFE, CFA ֡%∀ֻ(%∗& 13 Front Gate Pineywoods Mitigation Bank | Coastal Property | English Cocker Spaniel | Access | Chinook Salmon | Spread | 26 Vistas The editors showcase some #ֳֵֶ!ֵֵָֿ֠#ֳֵ֠∃ִ־!ֱֲֳֵֽֿ֠֠ of the top listings on the #ֶֹ֠־#֠#∀־ֲֻּֿֿ֠֠!־ֳֺ֠־ֲֳֻֻ֠#∀ִֵֵֿ .market today ֠!־ֵ֠!∃#ֳֵ#ֳָֹ!ֲֳֳֵֶֹֹֿ֠∀֠!∃־∈ ָֹֿ֠∀ֲֺּֽ!־&֠∈#ֲֹֻ∃ ֠!∃ֵ֣֯֠#ֹ∀ Land Report 100 64 ֠!ֵּ־#∀∃ֳַֹֽ֠!ֵ#ֲֶֻֽ∃ֲִֽ֠ J.R.
Load more

Recommended publications
  • Winter 2014-2015 PDF Version
    imagesBOULDER COUNTY PARKS AND OPEN SPACE news properties nature history events winter 2014-15 Images Artist-in-Residence at volume 36, number 4 Th e mission of the Boulder County Parks Caribou Ranch and Open Space Department is to conserve natural, cultural and agricultural resources and provide public uses that refl ect sound Caribou Ranch was, at one time, home to an artistic endeavor: the Caribou Ranch resource management and community values. recording studio. Th is studio once hosted hundreds of musicians in the 70s and 80s COVER ART: Walker Ranch Homestead, before a fi re damaged the structure in 1985. Michael Jackson, Carol King, Elton John, photo by Barry Shook U2 and the Beach Boys are just some of the artists who drew inspiration from living PHOTOGRAPHS & ILLUSTRATIONS and recording in the mountains in Boulder County. With a similar concept in mind, the Volunteer . Artist-in-Residence (AiR) Program of Caribou Ranch is now a way for artists of many Elizabeth Etzel and Fletcher Jacobs genres to fi nd inspiration in Boulder County’s natural beauty. South Boulder Creek . Kristen Turner Elk Herd . .Cathy Bryarly Th e AiR Program gives county residents a tangible connection to today’s artists— Level 3 Partners . .Craig Sommers not only musicians, but painters, illustrators, photographers, visual/fi lm artists, sculp- Frosty Spiderweb . Elizabeth Etzel tors, performers, poets, writers, composers Owl . .Janis Whisman and craft s/artisans, too. Junior Rangers . Graham Fowler Th e program also gives artists an NATURE DETECTIVES opportunity to experience open space in a Katherine Young and Deborah Price setting tailored to the artist’s needs.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • " Q Car . C7' (1) P-E Zzl
    " Stotler Broheis '21 NO 0 cf. 0 el Z; " Q Car . C7' (1) p-e Zzl 2 PO CD 0 (D t- a>. '1 tn o 1- c+ o .21 e'S 0 e< 0 i re. www.americanradiohistory.com M r 111 r., GET IT NOW. Produced by MI<E CHAPMAN 1 It co;C Q'j 1979 O CAPITOL RECORDS. INC www.americanradiohistory.com VOLUME XLI - NUMBER 5 - June 16, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher The Other Side Of The Coin MEL ALBERT EDITORIAL Vice President and General Manager On a week -to -week basis, the music industry certs or appearances on telethons by major artists CHUCK MEYER receives an enormous amount of press - unfor- vividly illustrate this generosity. Director of Marketing tunately, most of it is negative. But, what the In particular, the UNICEF Year of the Child televi- DAVE FULTON American public doesn't realize is that and of Editor In Chief our artists sion show upcoming album reflect the efforts and executives alike not only devote an untold num- some of the biggest names in the music industry, J.B. CARMICLE General Manager. East Coast ber of tours toward charitable causes, but also who unselfishly donated considerable sums of JIM SHARP millions of dollars. money to this worthy cause through royalties from Director, Nashville Recent fundraising events for the City of Hope, their works. East Coast Editorial T.J. Martell Foundation for leukemia research and Year after year. executives in the industry quietly KEN TERRY. East Coast Editor CHARLES PAIKERT the Easter Seals program reflect an overwhelming raise huge amounts of money behind the glittery LEO SACKS AARON FUCHS commitment by the industry to benefit those who are stage of show business.
    [Show full text]
  • Source Water Master Plan Volume 2 – Detailed Plan
    City of Boulder Source Water Master Plan Volume 2 – Detailed Plan Table of Contents 1 | INTRODUCTION ..................................................................................................................... 1-1 1.1 | Source Water System Overview......................................................................................................... 1-1 1.2 | Source Water Master Plan Contents.................................................................................................. 1-1 2 | PURPOSE AND SCOPE ...........................................................................................................2-1 2.1 | Purpose of the Source Water Master Plan....................................................................................... 2-1 2.2 | Previous Raw Water Master Plan....................................................................................................... 2-1 2.3 | Scope of the Source Water Master Plan .......................................................................................... 2-4 3 | MANAGEMENT OF BOULDER’S WATER SUPPLY ................................................................... 3-1 3.1 | Management of Boulder’s Raw Water System................................................................................ 3-1 3.2 | Historical Factors Affecting Water Management............................................................................ 3-2 3.2.1 | History of Colorado Water Development .......................................................................... 3-2
    [Show full text]
  • 2009 TV Land Awards' on Sunday, April 19Th
    Legendary Medical Drama 'ER' to Receive the Icon Award at the '2009 TV Land Awards' on Sunday, April 19th Cast Members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman Among the Stars to Accept Award LOS ANGELES, April 8 -- Medical drama "ER" has been added as an honoree at the "2009 TV Land Awards," it was announced today. The two-hour show, hosted by Neil Patrick Harris ("How I Met Your Mother," Harold and Kumar Go To White Castle and Assassins), will tape on Sunday, April 19th at the Gibson Amphitheatre in Universal City and will air on TV Land during a special presentation of TV Land PRIME on Sunday, April 26th at 8PM ET/PT. "ER," one of television's longest running dramas, will be presented with the Icon Award for the way that it changed television with its fast-paced steadi-cam shots as well as for its amazing and gritty storylines. The Icon Award is presented to a television program with immeasurable fame and longevity. The show transcends generations and is recognized by peers and fans around the world. As one poignant quiet moment flowed to a heart-stopping rescue and back, "ER" continued to thrill its audiences through the finale on April 2, which bowed with a record number 16 million viewers. Cast members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman will all be in attendance to accept the award.
    [Show full text]
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith
    [Show full text]
  • Pacific Ocean Blue Bambu
    Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it.
    [Show full text]
  • Newsletter 09/13 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne.
    [Show full text]
  • 1 PHILIP LOBEL. Born 1956. TRANSCRIPT of OH 2055V This
    PHILIP LOBEL. Born 1956. TRANSCRIPT of OH 2055V This interview was recorded on September 20, 2015, for the Maria Rogers Oral History Program. The interviewer and videographer is Sue Boorman. The interview was transcribed by Susan Becker. ABSTRACT: This interview is part of a series about three football games known as the Hairy Bacon Bowl, which occurred during the early 1970s. Participants included University of Colorado students who identified with hippie culture and/or anti-war sentiment, versus campus and Boulder police officers. The games were seen as a way to address tensions between the two groups. The idea for the games originated with the Program Council office at CU. Phil Lobel became involved with Program Council in 1973 and then led the program from 1976 to 1979. He touches on the concept of the Hairy Bacon Bowl, but by the time he was Program Council director, the days of the Hairy Bacon Bowl competitions were almost over—he describes the change in culture at that time from the tense, seriousness of anti-war protests to a light-hearted one exemplified by the practice of streaking. Much of the interview focuses on the transformation of Program Council into one of the most successful student organizations of its kind in the country (culminating in Program Council winning the 1978 Billboard Magazine College Talent Buyer of the Year Award) and how Mr. Lobel’s work for Program Council paved the way to his long career in entertainment public relations. He provides a fascinating window into the workings of Program Council and into the music scene of the 1970s.
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Eat. Drink. Talk. Zur Funktion von fictional bars in US-amerikanischen Fernsehserien.“ Verfasserin Sabine Baumgartner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Dr. Ulrich Meurer, M.A. Sabine Baumgartner – 2 – Sabine Baumgartner Ein großes DDaannkke,e …euch allen, die ihr stets für mich da wart und mich auf meinem Weg durch das Studium und vor allem durch den Prozess dieser Diplomarbeit begleitet haben! …vor allem Herrn Professor Meurer, für seine Unterstützung, Anregungen und die engagierte Betreuung. …meiner lieben Familie, die mich geistig, emotional – und zeitweise sogar räumlich - unterstützt hat, ohne euch wäre ich heute nicht hier! ….Maxi Ratzkowski für den geistigen Austausch und die zahlreichen Gespräche. …Steffi, dass du immer an mich geglaubt und mir die nötige Kraft gegeben hast! – 3 – Sabine Baumgartner – 4 – Sabine Baumgartner 1. Einleitung .............................................................................................................. 7 2. Räume .................................................................................................................. 8 3. Sozialer Raum ...................................................................................................... 9 3.1 Raumsoziologie (nach Löw)
    [Show full text]
  • Line of Duty Ep.2 Post Production Script
    Line of Duty – Ep.2 LINE OF DUTY EP.2 POST PRODUCTION SCRIPT 1 Line of Duty – Ep.2 MUSIC IN 2M1 10:00:00 CAPTION: PREVIOUSLY (OVER BLACK) 10:00:03 GATES running over to the mugging. CHIEF CONSTABLE (V.O.) Officer of the year ... CUT TO: 10:00:04 GATES punching the MUGGER. CHIEF CONSTABLE (CONT – V.O.) ... Detective Chief... CUT TO: 10:00:06 GATES receiving his award. CHIEF INSPECTOR (CONT – V.O.) ... Inspector Anthony Gates. 10:00:08 CREDIT OVER BLACK: LENNIE JAMES ARNOTT (V.O.) Flat... CUT TO: 10:00:11 ARNOTT talking into the radio. ARNOTT (CONT) ...56 CUT TO: 10:00:11 An explosion coming from within the flat. CUT TO: 10:00:12 AMIR lying dead on the ground, the BABY crying still strapped to him. Screaming can be heard. CUT TO: 10:00:14 ARNOTT looks on in shock. Screaming / crying continues. CUT TO: 10:00:15 ARNOTT adjusts the number 6 on the front door to number 9. Screaming / crying continues. CUT TO: 10:00:15 HASTINGS shows ARNOTT around. HASTINGS Welcome to Anticorruption. ARNOTT This will be good for me. 2 Line of Duty – Ep.2 HASTINGS It wasn’t your fault son. 10:00:19 CREDIT OVER BLACK: MARTIN COMPSTON VICKY McCLURE FLEMING (V.O.) Hit-and-run? CUT TO: 10:00:22 FLEMING (CONT) Why us? FLEMING and JANSON look at a photograph of the victim of the hit and run. JANSON Because we've got a big sign over our heads saying "CID -- dump your crap here".
    [Show full text]
  • Caribou Ranch Open Space Management Plan
    CARIBOU RANCH OPEN SPACE MANAGEMENT PLAN Boulder County Parks and Open Space Department Approved by the Board of County Commissioners October 15, 2002 Caribou Ranch Management Plan Page i TABLE OF CONTENTS Page LIST OF FIGURES ...................................................................................................................... iii EXECUTIVE SUMMARY ........................................................................................................... iv SUMMARY OF RESOURCE EVALUATION..............................................................................1 1.0 INTRODUCTION ..................................................................................................1 1.1 General Description of Property .................................................................1 1.2 Physical Characteristics and Landscape Setting .........................................1 2.0 VEGETATION RESOURCES ...............................................................................4 2.1 General Description ....................................................................................4 2.2 Significant Resources ..................................................................................5 3.0 WILDLIFE RESOURCES ......................................................................................7 3.1 General Description ....................................................................................7 3.2 Significant Resources ..................................................................................8
    [Show full text]