9551-Pax Musica Newslett#20C56B

Total Page:16

File Type:pdf, Size:1020Kb

9551-Pax Musica Newslett#20C56B Classical Movements, Inc. PAXPAX MUSICAMUSICA Volume Two • Number One • March 2007 3330 PAX moved in 2006 In the travel business we refer Finale of the Gergiev Festival to our passengers as PAX Yale Festival Chorus Shines with Rotterdam Philharmonic Orchestra A formidable and select chorus combining forc- Valery Gergiev es from the Yale Alumni Chorus, Yale Schola Conducts Cantorum, Yale Camerata and the Cambridge University Musical Society came together for the fi nale ofValery Gergiev’s Freedom Festi- val September 2006 at de Doelen in A Rotterdam. The program included Schoenberg’s A Survivor from War- saw with Maximilian Schell, narrator, Gergiev Festival at de Doelen in Rotterdam the male chorus and the Rotterdam The tour was the culmination of a week Philharmonic. It ended with a glorious long tour of the Netherlands that included visits Beethoven 9th with the entire chorus, Yale’s Jeffrey Douma and William to Amsterdam, Rotterdam, The Hague and the Holding Present Maestro Gergiev prepared by Jeffrey Douma. enchanting town of Leiden. with a Silver Tray Continued on page 11 Celebrated Baritone Dmitri Hvorostovsky’s US Tour with Philharmonia of Russia and Constantine Orbelian Featuring Several Classical Movements’ Choral Clients A tour organized by renowned UK management “You are a sensa- company Askonas Holt featured Siberian opera tional team and bring multiple star Dmitri Hvorostovsky in a program of talents, not only Russian arias and War Songs with Constantine the most excellent Orbelian and the Philharmonia of Russia. tour planning and Cities on the tour included Moscow, New York, logistical support AWashington DC, San Francisco, Los Angeles, but also providing us with excellent Miami, and London. choral partners Classical Movements was instrumental throughout.” in bringing together the Russian performers Neeta Helms, Dmitri Hvorostovsky, Constantine CONSTANTINE ORBELIAN with several choruses, including the Grammy MUSIC DIRECTOR Orbelian and Jeen Fedelich MOSCOW CHAMBER Award winning Pacifi c BoyChoir for perfor- ORCHESTRA Continued on page 11 Classical Movements, Inc. www.ClassicalMovements.com 1 Kent Nagano and St. Matthew Passion in Brazil The Little Chorus That Could An amalgamated chorus, together with a fan- Fox of the Pacifi c BoyChoir Academy which The Youth tastic youth orchestra, delighted audiences in only weeks before toured Brazil with Classical Orchestra of the Brazil with a wonderful rendition of Bach’s St. Movements. Without hesitation Kevin Fox be- Americas follow their successful Matthew Passion in August 2006. gan pulling together singers to save the project. Europe tour with Audiences at Sala São Paulo and The offer was simple; come to Brazil and we’ll a tour to Brazil Teatro Municipal Rio de Janeiro greeted the pay your way. On little more than a moment’s two weeksA later performances, conducted by Kent Nagano, notice, less than two weeks before the scheduled with standing ovations. In retrospect it is amaz- departure to Brazil, people began to respond. R ing to think that the concerts, which were nearly One of Kevin’s fi rst phone calls was to derailed at the last min- Marika Kuzma, Choir Director at the Univer- ute, ever happened at all. sity of California, Berkeley. Marika Kuzma, Kent Nagano was whose extensive network of friends and former to conduct the concerts students spans the world, played a signifi cant as a collaboration with part in compiling the chorus. It was as though the Youth Orchestra Kevin and Marika stopped being conductors of of the Americas (YOA) their respective choirs for just a moment and and a chorus from Ger- became magicians, for it seemed as though they many which had recently put together a choir equal to the task out of thin Kent Nagano, Marika worked with YOA. When fl ight complications air. Kuzma and Kevin Fox prevented the German chorus from participat- And it was not easy task. Many would ing, the entire project appeared to be doomed. say it takes a minimum of 3-6 months of intense That was when YOA, a Classical Movements rehearsal together before any ensemble can client, called Classical Movements for help. perform such a work at St. Matthew Passion. Neeta Helms, the Executive Vice Presi- From the time they hit the ground in Brazil, the dent of Classical Movements, contacted Kevin group had three days (yes, three) to prepare. Under the direction of Kent Nagano, three days was all they needed! In the face of adversity this “Little Cho- rus That Could”, led by Kevin Fox and Marika Kuzma, teamed with the Youth Orchestra of the T Americas to save the project and bring one of Bach’s fi nest works to Brazil for the fi rst time in many years! Many thanks to Kevin Fox, Marika Kuzma, and the members of Pacifi c BoyChoir Academy, the California Festival Camerata, and the University of California Chamber Chorus for their extraordinary efforts in bring- ing this project together. Without them it never Chorus Members with Marika Kuzma and Kent Nagano at would have happened. Sala São Paulo in Brazil 2 Classical Movements, Inc. www.ClassicalMovements.com Classical Movements, Inc. www.ClassicalMovements.com 3 Philadelphia Orchestra Visits European Festivals “The Philadelphia Orchestra is unquestionably one of the world’s greats…” Financial Times (London, September 6, 2006) Rave reviews such as this one followed the the smoke cleared in time for the Orchestra to Philadelphia Orchestra throughout Europe perform their fi nal tour concert, which was also 2006 Europe Festival Tour this past summer, where the orchestra under the broadcast on BBC 4. follows a March direction of Music Director Christoph Eschen- Despite the demands of a sometimes 2006 tour to bach performed at some of the most prestigious grueling tour schedule, the Philadelphia musi- Florida and the music festivals in the world. The tour opened in cians are always consummate professionals both Casals Festival RFrankfurt at the Alte Oper, followed by three onstage and off. Con- performances at the Lucerne Festival in the certmaster David Kim glorious Kultur und Kongresszentrum which best described the attitude looks out on Lake Lucerne. Returning to Ger- of the orchestra in one many, the orchestra played for sold-out houses of his tour blogs, say- in Hamburg, Essen, Bonn, and Berlin. ing, “What a privilege to In London, two performances for represent our fair city in the BBC Proms were planned at the vener- concert halls around the able Royal Albert Hall, but a small backstage globe!” Classical Move- The Philadelphia kitchen fi re caused the hall to cancel one of the ments in turn says, “What a privilege to arrange Orchestra at the BBC Proms in London concerts, the fi rst time a full Proms concert had tours for this world class orchestra!” (Courtesy of Katherine been called off since the Blitz. Fortunately, Blodgett) Spirit of America Band Wins World Championship in South Korea Wind Opera Presented at Major Opera Houses The Spirit of America band represented the and the USO Yongsan United States at the World Association of U.S. Military Base in Marching Show Bands competition in Jeju Seoul. with their brilliant music-in-motion fi eld show The Wind Op- “Honor”. They captured 1st place, compet- era “Quest for Honor” ing against 24 bands from Japan, China, Italy, was presented as a gift TGermany, Canada, Korea, Taiwan, Thailand, to the Korean people Hong Kong, and the United States. They also at the Daegu Opera performed at the LG Twins Baseball Game House, Daejeon Cul- ture and Arts Center, Spirit of America Chungmu Art Hall and the USO Yongsan Band at the LG Twin U.S. Military Base in South Korea. The Baseball Game in Seoul unique three-act instrumental opera was enacted on stage by an ensemble of 70 musicians who portray characters in a mythical story. Blending instruments, choreography, dance, costumes, and artistically painted sets, the wind opera was Spirit of America Band at the Olympic Gymnasium for Rehearsal in Seoul a sweepingly colorful musical presentation. 2 Classical Movements, Inc. www.ClassicalMovements.com Classical Movements, Inc. www.ClassicalMovements.com 3 Saint Louis Symphony Orchestra under Conductor David Robertson 4 tours and 7 concerts at Carnegie Hall in 24 months between April 2005 and March 2007 The Saint Louis Symphony Orchestra has “The nation’s offered a wide range of programs during their second oldest and one of its recent visits to Carnegie Hall showcasing the most honored depth of their talent and the mastery of their orchestras is conductor and music director David Robertson. exploding with The programs have included Copland’s energy,T verve and Lincoln Portrait with Paul Newman, an all De- T talent…” bussy program of Prelude to the Afternoon of a ASSOCIATED PRESS Faun and Jeux and several Ives pieces including The Unanswered Question and Symphony No. 2. Saint Louis Symphony Orchestra at the Powell They have programmed many works by Symphony Hall in Saint Louis John Adams including Century Rolls with pianist Souls with the Saint Louis Symphony Chorus Orli Shaham, and On the Transmigration of and the Saint Louis Children’s Concert Choir. Continued on page 10 Italy, Our Most Popular Destination! Join Classical Movements on a Concert Tour to Italy. Perhaps no country on this planet has given the “Thank you so much for a magnifi - world more cultural icons, including fi ne auto- cent tour. I know that the kids and mobiles, architectural styles, fashions, operas, I will never forget it all of our lives painting, sculptures, tenors, and we certainly – this tour will be hard to beat. It can’t forget food and world-championship soc- was a most moving and special tour cer teams. for us. Thank you for al your hard P work and everything you did for us.” CATHERINE GLASER-CLIMIE FOUNDER/ARTISTIC DIRECTOR CANTARÉ CHILDREN’S CHOIR “Classical Movements is a class act from the planning stages through the execution of the trip on site to the post trip follow up.
Recommended publications
  • Christian Badea Conductor
    CHRISTIAN BADEA CONDUCTOR The Romanian Foundation for Excellence in Music Christian Badea - President www.frem.ro Christian Badea has received exceptional acclaim throughout his career, which encompasses prestigious engagements in the foremost concert halls and opera houses of Europe, North America, Asia and Australia. Equally dividing his time between symphony and opera conducting, Christian Badea has appeared as a frequent guest in the major opera houses of the world. At the Metropolitan Opera in New York he conducted 167 performances in a wide variety of repertoire, including many of the MET international broadcasts. Among the opera houses where Christian Badea has guest conducted, are the Vienna State Opera, the Royal Opera House of Covent Garden in London, the Bayerische Staatsoper in München, the Staatsoper in Hamburg, the Deutsche Oper am Rhein in Düsseldorf, the Grand Théâtre de Genève, the Théâtre Royal de la Monnaie in Brussels, the Netherlands Opera in Amsterdam, the Royal Opera theaters in Copenhagen and Stockholm, the Oslo Opera, the Teatro Regio in Torino and the Teatro 1 Christian Badea at the Metropolitan Opera - New York Comunale in Bologna, the Opera National de Lyon and in North America - the opera companies of Houston, Dallas, Toronto, Montreal and Detroit. In recent years, Christian Badea has received great acclaim for his work at the Budapest State Opera (Tannhäuser, Der fliegende Holländer and Parsifal) , the Sydney Opera with new productions of Tosca, La bohème, Die tote Stadt, Otello and Falstaff, Oslo Opera – a new production of Tannhäuser, collaborating with stage director Stefan Herheim and Goteborg Opera – a new Don Carlo and Turandot.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • In Santa Cruz This Summer for Special Summer Encore Productions
    Contact: Peter Koht (831) 420-5154 [email protected] Release Date: Immediate “THE MET: LIVE IN HD” IN SANTA CRUZ THIS SUMMER FOR SPECIAL SUMMER ENCORE PRODUCTIONS New York and Centennial, Colo. – July 1, 2010 – The Metropolitan Opera and NCM Fathom present a series of four encore performances from the historic archives of the Peabody Award- winning The Met: Live in HD series in select movie theaters nationwide, including the Cinema 9 in Downtown Santa Cruz. Since 2006, NCM Fathom and The Metropolitan Opera have partnered to bring classic operatic performances to movie screens across America live with The Met: Live in HD series. The first Live in HD event was seen in 56 theaters in December 2006. Fathom has since expanded its participating theater footprint which now reaches more than 500 movie theaters in the United States. We’re thrilled to see these world class performances offered right here in downtown Santa Cruz,” said councilmember Cynthia Mathews. “We know there’s a dedicated base of local opera fans and a strong regional audience for these broadcasts. Now, thanks to contemporary technology and a creative partnership, the Metropolitan Opera performances will become a valuable addition to our already stellar lineup of visual and performing arts.” Tickets for The Met: Live in HD 2010 Summer Encores, shown in theaters on Wednesday evenings at 6:30 p.m. in all time zones and select Thursday matinees, are available at www.FathomEvents.com or by visiting the Regal Cinema’s box office. This summer’s series will feature: . Eugene Onegin – Wednesday, July 7 and Thursday, July 8– Soprano Renée Fleming and baritone Dmitri Hvorostovsky star in Tchaikovsky’s lushly romantic masterpiece about mistimed love.
    [Show full text]
  • Learning from the Netherlands to Improve Outcomes for New Zealand's Children
    1000 Days to get it right for every child The Netherlands Study Learning from the Netherlands to improve outcomes for New Zealand’s children A report prepared by Rowe Davies Research for Every Child Counts He Mana tō ia Tamati - Every Child Counts He Mana tō ia Tamati - Every Child Counts, formed in 2004, is and coalition of organisations and individuals; led by Barnardos, Plunket, Save the Children, Unicef and Te Kahui Mana Ririki. We believe that a positive, economically sustainable future for New Zealand is only possible if: Children are placed at the centre of government policy and planning Child poverty is eradicated Child maltreatment is reduced Every child is given a good start in their early years The status of children and of the child-rearing roles of fami- lies, whānau, hapū and iwi are increased. 1000 days to get it right for every child The first 1000 days of a child’s life are critical to their long term de- velopment. One thousand days is also approximately the duration of one term of parliament. So we have about 1000 days to get it right. Getting it right in those first 1000 days means today’s young chil- dren are given every opportunity to develop their full potential as healthy, emotionally mature, socially engaged and well-educated, productive adults. Low and ineffective public investment in the early years of child- hood costs us dearly – approximately 3 per cent of GDP. Things need to change. That’s why we are campaigning to make it a priority issue through the 1000 days of this term of parliament.
    [Show full text]
  • Victorian Historical Journal
    VICTORIAN HISTORICAL JOURNAL VOLUME 89, NUMBER 2, DECEMBER 2018 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Royal Historical Society of Victoria is a community organisation comprising people from many fields committed to collecting, researching and sharing an understanding of the history of Victoria. The Victorian Historical Journal is a fully refereed journal dedicated to Australian, and especially Victorian, history produced twice yearly by the Publications Committee, Royal Historical Society of Victoria. PUBLICATIONS COMMITTEE Judith Smart and Richard Broome (Editors, Victorian Historical Journal) Jill Barnard Rozzi Bazzani Sharon Betridge (Co-editor, History News) Marilyn Bowler Richard Broome (Convenor) (Co-Editor, History News) Marie Clark Jonathan Craig (Review Editor) Don Garden (President, RHSV) John Rickard Judith Smart Lee Sulkowska Carole Woods BECOME A MEMBER Membership of the Royal Historical Society of Victoria is open. All those with an interest in history are welcome to join. Subscriptions can be purchased at: Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Email: [email protected] www.historyvictoria.org.au Journals are also available for purchase online: www.historyvictoria.org.au/publications/victorian-historical-journal VICTORIAN HISTORICAL JOURNAL ISSUE 290 VOLUME 89, NUMBER 2 DECEMBER 2018 Royal Historical Society of Victoria Victorian Historical Journal Published by the Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Fax: 03 9326 9477 Email: [email protected] www.historyvictoria.org.au Copyright © the authors and the Royal Historical Society of Victoria 2018 All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author.
    [Show full text]
  • A Genealogy of Top Level Cycling Teams 1984-2016
    This is a work in progress. Any feedback or corrections A GENEALOGY OF TOP LEVEL CYCLING TEAMS 1984-2016 Contact me on twitter @dimspace or email [email protected] This graphic attempts to trace the lineage of top level cycling teams that have competed in a Grand Tour since 1985. Teams are grouped by country, and then linked Based on movement of sponsors or team management. Will also include non-gt teams where they are “related” to GT participants. Note: Due to the large amount of conflicting information their will be errors. If you can contribute in any way, please contact me. Notes: 1986 saw a Polish National, and Soviet National team in the Vuelta Espana, and 1985 a Soviet Team in the Vuelta Graphics by DIM @dimspace Web, Updates and Sources: Velorooms.com/index.php?page=cyclinggenealogy REV 2.1.7 1984 added. Fagor (Spain) Mercier (France) Samoanotta Campagnolo (Italy) 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 Le Groupement Formed in January 1995, the team folded before the Tour de France, Their spot being given to AKI. Mosoca Agrigel-La Creuse-Fenioux Agrigel only existed for one season riding the 1996 Tour de France Eurocar ITAS Gilles Mas and several of the riders including Jacky Durant went to Casino Chazal Raider Mosoca Ag2r-La Mondiale Eurocar Chazal-Vetta-MBK Petit Casino Casino-AG2R Ag2r Vincent Lavenu created the Chazal team.
    [Show full text]
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
    [Show full text]
  • Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940
    lieven ameel Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Lieven Ameel Helsinki in Early Twentieth- Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Finnish Literature Society · SKS · Helsinki Studia Fennica Litteraria 8 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant.
    [Show full text]
  • Vision on the Charging Infrastructure for Electric Transport Policy Agenda Looking Ahead to 2020 for Smart and Clean Transport
    Vision on the charging infrastructure for electric transport Policy agenda looking ahead to 2020 For smart and clean transport I | Vision on the charging infrastructure for electric transport looking ahead to 2035 Contents Summary 3 1 Introduction 5 1.1 Green Deal 5 1.2 Scenario study 5 1.3 Definitions 5 2 Ambitions and relevant policy areas 6 2.1 Energy Agreement 2035 6 2.2 European objectives in the area of transport and CO2 for 2030 and 2050 6 2.3 EU ambitions regarding health and air quality 6 2.4 Economic aspects of accessibility and mobility 6 2.5 Traffic safety and safety in public spaces 7 2.6 A coherent vision 7 3 Picture of the present situation 8 3.1 Result of the policy of recent years 8 3.2 The Netherlands as an international frontrunner 8 3.3 The number of electric cars in the Netherlands is rising steadily 8 3.4 The charging infrastructure in the Netherlands is keeping pace 8 3.5 Active municipalities, regions and provinces 9 3.6 Advent of fast charging 9 3.7 Charging points according to type and figures 9 3.8 Basic principles of the Dutch policy for infrastructure for charging 10 3.8.1 Charging tree 10 3.8.2 Market model 10 3.9 Target figures 11 3.10 The charging station business case 11 3.11 The central government’s role 11 3.11.1 The Facilities policy 11 3.12 The role of municipalities 12 3.12.1 Policy rules 12 3.12.2 Local support 12 4 Trends and developments looking ahead to 2035 13 4.1 Electric cars are increasing in popularity 13 4.1.1 Partly because battery costs are falling rapidly 13 4.2 Total Cost of Ownership
    [Show full text]
  • The Philharmonia Orchestra of Yale New Music New Haven
    The Yale School of Music Thomas C. Duffy, Acting Dean The Philharmonia Orchestra of Yale Shinik Hahm, music director New Music New Haven Martin Bresnick, director Friday, March 31, 2006 8:00 p.m., Woolsey Hall aaron jay kernis New Era Dance (1992) ryan vigil [ untitled ] (2006) melissa mazzioli These Worlds In Us (2006) jennifer graham Endurance (2003-06) INTERMISSION martin bresnick Grace (2000): Concerto in 3 movements for two marimbas and orchestra I. Pendula and the Center of Gravity (The Puppet Theatre) II. Of the Heaviness of Matter (only a god is a match for matter) III. Grace Will Return (most purely in a puppet or a god) Robert Van Sice and Eduardo Leandro, marimbas robinson mcclellan Gone Today (2006) jacob cooper Odradek (2006) PHILHARMONIA ORCHESTRA OF YALE Program Notes Aaron Jay Kernis: New Era Dance (1992) Commissioned for the 150th anniversary of the New York Philharmonic, Aaron Jay Kernis’s NEW ERA DANCE is a multilayered, virtuosic work for orchestra, with a sampling of electric bass and collage of sound effects. Seeking to write, as he says, a ‘larger than life’ work, the composer drew upon the pulsing, rhythmic music that blares on the streets of his neighborhood, the Washington Heights section of New York City: Latin salsa, crackmobile rap, gypsy-camp folk. Disco and 50s jazz were also added to the tumultuous mix. The title is taken from a World War 1 ragtime dance, but also suggests Kernis’s response to events taking place around the time he wrote NEW ERA DANCE: the summer of 1992. The LA riots had recently ended, the presidential election of Bill Clinton was approaching, and in the middle distance was the millennium.
    [Show full text]
  • School of Music 2016–2017
    BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.
    [Show full text]
  • Ford Targets 2021 for Autonomous Vehicles
    NEWS OEMs need centralised platforms for adas Automotive OEMs will eye, who all have an - erage between eight and for in-vehicle network - need to adopt new plat - nounced centralised au - twelve teraflops, orders ing. Ethernet-based prod - forms based on cen - tonomous platforms. of magnitude beyond the ucts from the likes of tralised processors and While each is in a dif - typical smart sensor de - Marvell Semiconductor high-speed low-latency ferent stage of develop - ployed in adas. and Valens are well posi - networking on the route ment, all have common Physical separation of tioned to meet the needs The monthly magazine for automotive electronics engineers to autonomous vehicles, themes, particularly in re - dumb sensors and cen - of high bandwidth and says ABI Research. lation to processing tralised processing will automotive requirements Issue 33 As vehicles become in - power. The platforms av - also open opportunities at a low cost. Ford targets 2021 for September 2016 dependent and begin to drive and react to traffic From connected cars to connected bikes IN THIS on their own, autonomous autonomous vehicles ISSUE systems will aggregate and process data from a Ford plans to have a high- president and CEO. “We have a strategic ad - Page 2: Centralised variety of on-board sen - volume, fully au - The four start-ups are vantage because of our platforms for adas sors and connected infra - tonomous SAE level- lidar sensor company ability to combine the structure. This forces the four-capable vehicle in Velodyne, Israel-based software and sensing Page 3: Nissan fits industry to hit a hard reset commercial operation in computer vision and ma - technology with sophisti - 200 cars in case on adas architectures, 2021 in a ride-hailing or chine learning company cated engineering,” said currently dominated by ride-sharing service.
    [Show full text]