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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Order Book--7-3-13A.Xlsx
ASHLAND SPECIALTY CO. Product Listing (In alpha order by major category) Item No. Description (100-178) CIGARETTES 295642 24/7 GOLD 100 BOX 295667 24/7 GOLD KING BOX 295709 24/7 MENTHOL 100 BOX 330555 24/7 MENTHOL GOLD 100 BOX 295683 24/7 MENTHOL KING BOX 295626 24/7 RED 100 BOX 295600 24/7 RED KING BOX 295725 24/7 SILVER 100 BOX 279430 AMERICAN SPIRIT BALANCED BOX 272146 AMERICAN SPIRIT FULL BODIED BX 277483 AMERICAN SPIRIT FULL BODIED SP 272229 AMERICAN SPIRIT MELLOW BOX 272187 AMERICAN SPIRIT MELLOW SOFT 277525 AMERICAN SPIRIT MENT MELLOW BX 275743 AMERICAN SPIRIT MENTHOL BOX 277566 AMERICAN SPIRIT NON FILTER BX 293241 AMERICAN SPIRIT ORGANIC FULL 290940 AMERICAN SPIRIT ORGNIC MELLOW 295147 AMERICAN SPIRIT PERIQUE BOX 272260 AMERICAN SPIRIT SMOOTH MELLOW 333773 AMERICAN SPIRIT USGROWN MELLOW 251819 B & H 100 BOX 251777 B & H 100 SOFT 251959 B & H DELUXE MENTHOL 100 BOX 251975 B & H KING BOX 251892 B & H LUXURY 100 BOX 251850 B & H LUXURY 100 SOFT 251918 B & H LUXURY MENTHOL 100 BOX 251876 B & H LUXURY MENTHOL 100 SOFT 251835 B & H MENTHOL 100 BOX 251793 B & H MENTHOL 100 SOFT"PREM" 249417 BAILEY BLUE 100 249318 BAILEY BLUE KING 249516 BAILEY BLUE KING BOX 249391 BAILEY FILTER 100 249292 BAILEY FILTER KING 249490 BAILEY FILTER KING BOX 249458 BAILEY GREEN FIELD MENT 100 249359 BAILEY GREEN FIELD MENT KG 249433 BAILEY MENTHOL 100 249334 BAILEY MENTHOL KING 1 of 170 ASHLAND SPECIALTY CO. Product Listing (In alpha order by major category) Item No. Description 249532 BAILEY MENTHOL KING BOX 249474 BAILEY SKY BLUE 100 249375 BAILEY SKY BLUE -
Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Working the Math and the Magic
Bob Pittman WORKING THE MATH AND THE MAGIC rom his days of programming the nation’s #1 radio station in his early 20s to reinventing the nation’s #1 broadcasting company into today’s premier media company, Bob Pittman has had a spectacular career,” says Republic chieftain Monte Lipman. “Bob’s motivation and fearless- ness to always sail into uncharted waters is unprecedented.” Monte makes a valid point—and that includes piloting his jet to the Burning Man festival every year. From his wunderkind days holding court at the NBC commissary to his current reign atop iHeartMedia, the Mississippi native has always been zooming forward. Name a game-changing media moment during the last 35 years, and chances are Bob Pittman’s fingerprints were all over it. After getting his start in radio, he moved to television as a founder of MTV, which became the first profitable cable network as well as reenergizing the record business. Pittman was on hand when Warner Bros. merged with Time Inc., and after serving as CEO of Six Flags and Century 21, he became COO of AOL and held the same post following the 2000 mega- Fmerger that created AOL Tim Warner. Since 2010, Pittman has become “ 143 ever more deeply involved with iHeart- national cable networks, I’ve been an the iHeartRadio Fest in 2011. Radio Media, which bore the Clear Channel advertiser,” Pittman told CNN in 2013. Ink magazine named him the Most nameplate when he arrived. His duties as “[Late Time Warner boss] Steve Ross Powerful Man in Radio in 2011; he has Chairman/CEO have notably included taught me to take chances—don’t ever yet to relinquish the title. -
I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Suburban Over Crossfire Bryant Caught
".-.--...------------------- .....---......-----....;---.-_--'----~-_.....---- - ~. -- Section rosse Point.e / ews A 30e Pe, Copy Pliblished a. SeCoftd CI.... MaUe, .. t the $U Per Ye ... 44 Pages-Three Sections-Section A VOL. 42-NO. 24 Po.t OWce 01 Detroll, Mlchigon GROSSE POINTE, MICHIG,AN, THURSDAY, JUNE II, 1981 ----------- ------- -- - ----------------_ ...~-- -- • Bryant caught In crossfire over suburban tax Bryant outlines his views on the to put the burden on Detroit and the stable and reasonable people in the backing of the govnnor and legi,la. By Wilbur Elston tive leader~, including Bryant him. controversial issue in a brieC signed Detroit metropolitan area, including whole slate." article which appears else~ here in commuters who work in Detroit. self, went down to a resounding de- Rep. William Bryant believes f{'at al the polls. It was at this point he has emerged unscatched from today's issue oC the Grosse Pointe Eventually Ihey prevailed, with the Asked if his vote would change his News but was asked to elaborate on ,upport oCthe Detroit representatives, relations with Gov. Milliken, Bryant that the Detroit tax probi.::'n reached a legislative crossfire that found crisi, proportions, So, in Bryant's some of his comments in a discussion in the plan to be put to Detroit voters said he always listens to the gover- flr;n;nn thnr('ll'" h(',...n l;t~~~ hr"'')~ni!'g him being criticized last week Jt:!lC 23. ~~:- ~~:! hJ5 g:~.1t rc.:p..:-ct !o: h;:r: by some members of both poli- but on this issue the Secrest commit. space all session. tical parties for his opposition But Bryant al,o disagreed wilh his lee had offered Ihe Legislature and The representative. -
The Commodification of the Other and Mtvâ•Žs Construction of the Â
Democratic Communiqué Volume 22 Issue 1 Article 2 3-1-2008 Bollyville, U.S.A: The Commodification of the Other and TM V’s Construction of the “Ideal Type” Desi Murali Balaji Follow this and additional works at: https://scholarworks.umass.edu/democratic-communique Recommended Citation Balaji, Murali (2008) "Bollyville, U.S.A: The Commodification of the Other and TM V’s Construction of the “Ideal Type” Desi," Democratic Communiqué: Vol. 22 : Iss. 1 , Article 2. Available at: https://scholarworks.umass.edu/democratic-communique/vol22/iss1/2 This Research Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Democratic Communiqué by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Balaji: Bollyville, U.S.A: The Commodification of the Other and MTV’s Con Bollyville, U.S.A: The Commodification of the Other and MTV’s Construction of the “Ideal Type” Desi Murali Balaji When the Music Television Network launched MTV Desi in 2005, it promised to bridge the divide between South Asian Americans and their counterparts in the Indian subcontinent.1 This study looks at how MTV Desi tried to create an “ideal type” South Asian American through its programming, presenting an image of South Asian Americans as loving “Bhangra but also Shakira… MTV but also Bollywood.” The author seeks to articulate the political economy of identity by describing MTV’s attempts to define and commodify “Desi-ness.” The author also attempts to explain why MTV Desi ultimately failed and how marginalized audiences can resist commodification by rejecting corporate- defined identity. -
8-2-21 Javed, Faraz Resume
Faraz Javed Represented by The NWT Group [email protected] 817-987-3600 https://NWTgroup.com/client/farazjaved EXPERIENCE 12+ years of digital and broadcast WXYZ, Detroit, MI Reporter experience as a TV producer, anchor, 2021 — Present and reporter / multimedia journalist. Created and developed hundreds of Dubai One (Dubai Media Incorporated), Dubai, UAE 2010 — 2021 news stories related to local politics, • The largest English-language broadcast network in the UAE community-related issues, and economic 2014 — 2021 Senior Producer, Anchor and Reporter development. Produced hundreds of Core Responsibilities hours of programming reaching diverse • Producer for Emirates News - 2x weekly audiences worldwide. Takes ownership of • Exercised final editorial control over what is broadcast on this nightly 30m newscast launching new television channels, • Assigned story coverage to a 10-person broadcast and digital-news team building, and synergizing production • Oversaw all on-air graphics and edits teams as well as leading large crews of • Managed a 10-person editorial and production team newsroom staff. Puts forward a broad • Monitored wires and other news sources for breaking news and story developments and dynamic experience producing a • Reviewed all scripts and provided final approval prior to broadcasting myriad of genres, including News, • Provided information to talent while directing control room staff and on-air products Entertainment, Lifestyle, Sports, and • Directed digital news team on content strategy for online platforms Travel -
Channel Directory Channel Directory
Name Number Package Name Number Package Name Number Package EWTN 562 EWTN n l u i s National Geographic Channel 265 NGC n l u i s PREMIUM SUBSCRIPTIONS / A LA CARTE Hartford - New Haven FamilyNet 566 FAMNET n l u i s NFL Network ** 630 NFLNet u i s Fine Living 456 FINE u i s Nick2 315 NICK2 n l u i s @MAX 840 ATMAX s Fit TV 466 FIT TV n i s Nickelodeon 314 NICK n l u i s 5StarMAX 837 5STAR s Food Network 452 FOOD n l u i s Nickelodeon Games & Sports 322 GAS n u i s WMAX 838 WMAX s Channel Directory n l u i s Nicktoons 316 NKTN n u i s s Food Network - West 453 FOOD-W ActionMAX 835 ACTMAX BY CHANNEL NAME Fox College Sports - Atlantic ** 647 FCSA s v Noggin 320 NOG n l u i s Cinemax 832 MAX s Fox College Sports - Central ** 648 FCSC s v Oxygen 368 OXGN u i s Cinemax - West 833 MAX-W s Fox College Sports - Pacific ** 649 FCSP s v PBS KIDS Sprout 337 SPROUT n i s Encore 932 ENC i s Name Number Package Fox Movie Channel 792 FMC u i s QVC 197 QVC n l u i s Encore - West 933 ENC-W i s Fox News Channel 210 FNC l u i s QVC 420 QVC n l u i s Encore Action 936 ENCACT i s Fox Reality Channel 130 REAL u i s Recorded TV Channel 9999 DVR n l u i s Encore Drama 938 ENCDRA i s LOCAL LISTINGS Fox Soccer Channel ** 654 FSC i s Sci Fi Channel 151 SCIFI l u i s Encore Love 934 ENCLOV i s Fox Sports en Español ** 655 FSE s v Sci Fi Channel - West 152 SCFI-W l u i s Encore Mystery 935 ENCMYS i s HSN 7 HSN n l u i s FSN Arizona ** 762 FSAZ s v Science Channel 258 SCI n u i s Encore Wam 939 WAM i s WCTX-59 (MY NETWORK TV) 9 WCTX n l u i s FSN Detroit ** 737 FSD