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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Invaders Sample.Pdf
Mark McDermott 4937 Stanley Ave. Downers Grove, IL 60515 [email protected] These excerpts are intended as “writing samples” for the author of the articles presented. They are not intended for reuse or re-publication without the consent of the publisher or the copyright holder. ©2009 Robert G. Weiner. All rights reserved McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Mark McDermott 4937 Stanley Ave. Downers Grove, IL 60515 [email protected] The Invaders and the All-Star Squadron Roy Thomas Revisits the Golden Age Mark R. McDermott Introduction By the mid-1970’s, many fans of the “Golden Age” of comic books had grown up to become writers and ultimately editors for the comics publishers, sometimes setting the nar- rative histories for their favorite childhood characters themselves. Many of these fans-turned- pro produced comics series that attempted to recapture the Golden Age’s excitement, patriotic fervor and whiz-bang attitude. The most successful of these titles were produced by Roy Thomas, who fashioned a coherent history of costumed heroes during World War II, and rec- onciled the wildly inconsistent stories of the 1940’s with tightly patrolled continuity initiated with the “Silver Age” of the 1960’s. With The Invaders (1975-1979), Thomas focused on the hitherto unrevealed wartime exploits of Marvel Comics’ early mainstays Captain America, the Human Torch, and Prince Namor, the Sub-Mariner. In 1980, he moved to DC Comics and launched All-Star Squadron, which juggled the histories of the Justice Society of Amer- ica and nearly a hundred secondary characters. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Roy Thomas Roy Thomas
Edited by RROOYY TTHHOOMMAASS Celebrating 100 issues— and 50 years— of the legendary comics fanzine Characters TM & ©2011 DC Comics Centennial Edited by ROY THOMAS TwoMorrows Publishing - Raleigh, North Carolina ALTER EG O: CENTENNIAL THE 100TH ISSUE OF ALTER EGO, VOLUME 3 Published by: TwoMorrows Publishing 10407 Bedfordtown Drive Raleigh, North Carolina 27614 www.twomorrows.com • e-mail: [email protected] No part of this book may be reproduced in any form without written permission from the publisher. First Printing: March 2011 All Rights Reserved • Printed in Canada Softcover ISBN: 978-1-60549-031-1 UPC: 1-82658-27763-5 03 Trademarks & Copyrights: All illustrations contained herein are copyrighted by their respective copyright holders and are reproduced for historical reference and research purposes. All characters featured on the cover are TM and ©2011 DC Comics. All rights reserved. DC Comics does not endorse or confirm the accuracy of the views expressed in this book. Editorial package ©2011 Roy Thomas & TwoMorrows Publishing. Individual contributions ©2011 their creators, unless otherwise noted. Editorial Offices: 32 Bluebird Trail, St. Matthews, SC 29135 • e-mail: [email protected] Eight-issue subscriptions $60 U.S., $85 Canada, $107 elsewhere (in U.S. funds) Send subscription funds to TwoMorrows, NOT to editorial offices. Alter Ego is a TM of Roy & Dann Thomas This issue is dedicated to the memory of Mike Esposito and Dr. Jerry G. Bails, founder of A/E Special Thanks to: Christian Voltar Alcala, Heidi Amash, Michael Ambrose, Ger Apeldoorn, Mark Arnold, Michael Aushenker, Dick Ayers, Rodrigo Baeza, Bob Bailey, Jean Bails, Pat Bastienne, Alberto Becattini, Allen Bellman, John Benson, Gil Kane panel above from The Ring Doc Boucher, Dwight Boyd, Jerry K. -
Working the Margins: Women in the Comic Book Industry Wesley Chenault
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-5-2007 Working the Margins: Women in the Comic Book Industry Wesley Chenault Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Chenault, Wesley, "Working the Margins: Women in the Comic Book Industry." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/wsi_theses/10 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WORKING THE MARGINS: WOMEN IN THE COMIC BOOK INDUSTRY by WESLEY CHENAULT Under the Direction of Marian Meyers ABSTRACT Women have been involved in the writing, illustrating, and production of comic books at almost every step of the genre’s development. The years between the late 1960s and the late 1990s were tumultuous for the comic book industry. At the societal level, these years were saturated with changes that challenged normative ideas of sex roles and gender. The goal of this study is two-fold: it documents the specific contributions to the comic book industry made by the women interviewed, and it addresses research questions that focus on gender, change, and comic books. -
Alter Ego #78 Trial Cover
Roy Tho mas ’ Earth-Two Comics Fan zine No.93 JUSTICE May 2010 ON TWO $ 7.95 WORLDS! In the USA WE’RE COMING! WE’RE t r a o COMING! n & r i e t h n M t a . T o f h n s ; s I s e a c o e i r m n e i m A h o m r C m A a i L J C C J D & 0 & 1 0 0 A 1 2 S 0 J 2 © © QUICK, WHY DON’T GARDNER! YOU JUST EDIT WRITE US OUT US OUT OF IT, OF THIS JULIE? CRISIS! PPLLUUSS:: 05 1 82658 27763 5 & GEORGE KASHDAN Vol. 3, No. 93 / May 2010 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert WITH Editorial Honor Roll NOW Jerry G. Bails (founder) 16 PAGES Ronn Foss, Biljo White ! Mike Friedrich OF COLOR Cover Artist Carmine Infantino & Jim Amash Cover Colorist Tom Ziuko With Special Thanks to: Jack Adams Wendy Hunt Heidi Amash Carmine Infantino Dave Armstrong Terence Kean Mark Arnold Jim Kingman Contents Bob Bailey Paul Kupperberg Kevin Barber Bruce Mason Writer/Editorial: All In Color For A Crime . 2 Jerry Beck Kevin McConnell Earth-Two: A Mini-History . 3 Jon Berk Clifford Meth Kurt Mitchell shines the spotlight on every true comics fan’s second-favorite planet. Dominic Bongo Kurt Mitchell Rich Buckler Sheldon Moldoff Justice on Two Worlds . 6 Mike Burkey Brian K. -
Women in the Comic Book Industry
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-5-2007 Working the Margins: Women in the Comic Book Industry Wesley Chenault Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Chenault, Wesley, "Working the Margins: Women in the Comic Book Industry." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/wsi_theses/10 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WORKING THE MARGINS: WOMEN IN THE COMIC BOOK INDUSTRY by WESLEY CHENAULT Under the Direction of Marian Meyers ABSTRACT Women have been involved in the writing, illustrating, and production of comic books at almost every step of the genre’s development. The years between the late 1960s and the late 1990s were tumultuous for the comic book industry. At the societal level, these years were saturated with changes that challenged normative ideas of sex roles and gender. The goal of this study is two-fold: it documents the specific contributions to the comic book industry made by the women interviewed, and it addresses research questions that focus on gender, change, and comic books. This project asks: What was the role and status of women in the comic book industry between the early 1970s and late 1990s? By utilizing moderately scheduled, in- depth interviews with women working in the comic book industry during this period, this study explores their experiences and treatment while working in an insular, male- dominated field. -
By JIMI BERNATH
BARDO FILMS CINEMA OF THE AFTERLIFE by JIMI BERNATH 2 TABLE OF CONTENTS Introduction “Carnival of Souls” : Familiar Nightmares …………………………………………………..………...43 Bardo Blockbusters : “American Beauty” & “The Sixth Sense” ……………….……...…..85 “Jacob’s Ladder” : Search for a Guide ……………………………………………………..………….102 “Enter the Void” : Escape Velocity …………………………………………………………..…………. 49 The Dharma of Lynch: “Mulholland Drive” & “Inland Empire” ……………….……….108 “Vera” : The Underworld ………………………………………………………………………..…...……….106 Escape from Hell : “Diamonds of the Night” …………………………………………….………. 26 “Le Quattro Volte” : Elemental Change ……………………………………………………..…………..7 “Beetlejuice” : Guide as Huckster …………………………………………………………….…………..78 “Defending Your Life” : Purgatory as Shtick …………………………………………….…………90 “Ink” : Remembering Who You Were …………………………………………………………….…….59 “The Bothersome Man” : Not Bad As Purgatories Go …………………………….………….64 “The Lovely Bones” : Avenging Angel …………………………………………………………….….55 Following Robin : “Being Human” & “What Dreams May Come” …………………...22 Following Downey : “Chances Are” & “Hearts and Souls” ………………………………..46 Death at an Early Age : “Donnie Darko” & “Wristcutters a Love Story” ………….94 “Samaritan Girl” : Saint or Sinner ……………………………………………………………………..126 “The Life Before Her Eyes” : Headline Bardo ……………………………………………….…….75 Dia de Muertos : “Macario” “The Book of Life” & “Coco” …………………………..……..9 “Waking Life” : All Our Guides …………………………………………………………………….……...68 Japanese Ghost Stories : “Pitfall” & “Kuroneko” ……………………….…………….………..29 Crossing the Big -
Representations of Hiv/Aids in Popular American Comic Books, 1981- 1996
REPRESENTATIONS OF HIV/AIDS IN POPULAR AMERICAN COMIC BOOKS, 1981- 1996 William Richard Avila A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 Committee: Jeffrey Brown, Advisor Michael Decker Graduate Faculty Representative William Albertini Timothy Messer-Kruse © 2021 William Richard Avila All Rights Reserved iii ABSTRACT Jeffery Brown, Advisor From 1981-1996, the United States experienced an epidemic of human immunodeficiency virus/acquired immunodeficiency syndrome (HIV/AIDS) that held profound implications for issues ranging from civil rights, public education, and sexual mores, to government accountability, public health, and expressions of heterosexism. Popular comic books that broached the subject of HIV/AIDS during the U.S. epidemic elucidate how America’s discourse on the disease evolved in an era when elected officials, religious leaders, legal professionals, medical specialists, and average citizens all struggled to negotiate their way through a period of national crisis. The manner whereby comic book authors, illustrators, and publishers engaged the topic of HIV/AIDS changed over time but, because comic books are an item of popular culture primarily produced for a heterosexual male audience, such changes habitually mirrored the evolution of the nation’s mainstream, heteronormative debates regarding the epidemic and its sociocultural and political implications. Through studying depictions of the HIV/AIDS epidemic in popular comic books, alterations in the heterocentric, national discourse emerge revealing how homophobic dismissals of the “gay plague” in the early 1980s gave way to heterosexual panic in the mid-1980s, followed by the epidemic’s reinterpretation as a national tragedy in the late-1980s. -
Alter Ego #78 Trial Cover
Roy Thomas’ Most-Wanted Com ics Fan zine GOLDEN/SILVER AGE ACE INKER MIKE ESPO SITO ON ROSS ANDRU , SPIDER-MAN, WONDER WOMAN , & MORE! $ EXTRA: In6th.e9U5SA ROBERT KANIGHER No. 54 November ON CREATING THE METAL MEN 2005 & SGT. ROCK! Great Hera! Is This The End Of Andru & Esposito and Wonder Woman? PPLLUUSS:: [Art ©2005 Mike Esposito; Wonder Woman TM & ©2005 DC Comics.] Vol. 3, No. 54 /November 2005 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder), Ronn Foss, Biljo White, Mike Friedrich Contents Production Assistant Eric Nolen-Weathington Writer/Editorial: “The Triple Pillar Of The World” . 2 Cover Artist Mike Esposito Mike Esposito: The DC & Marvel Years . 3 Part II of a tintinnabulatin’ talk about Andru, Kanigher, Lee—and Up Your Nose! (after Andru & Esposito) Cover Colorist “It Wasn’t My Turn To Do Another Showcase ”. 41 Tom Ziuko Lynn Woolley and Robert Kanigher on the creation of the Metal Men. And Special Thanks to: Who Created Sgt. Rock? . 47 Heidi Amash Don Mangus Robert Kanigher, Bob Haney, Joe Kubert, & Robin Snyder take the Easy (Co.) way out. Bob Bailey Joe & Nadia Pat Bastienne Mannarino Allen & Roz Don Markstein Comic Crypt: Focus On John Stanley – Part II . 55 Bellman David Massengill Michael T. Gilbert takes a second look at the brilliant writer of Little Lulu . John Benson Matt Moring Daniel Best Frank Motler Al Bigley Mark Muller “Paint With Your Pencil” . 61 Dominic Bongo Paty Alex Toth with advice for aspiring—and professional—artists.