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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Sex Offender Notification Celtics Make 10-Year, $25M Social Justice Commitment by CARL by MICHAEL P
Search for The Westfield News Westfield350.comTheThe Westfield WestfieldNews News Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75 cents $1.00 FRIDAY, SEPTEMBER 11, 2020 VOL. 89 NO. 219 Mandated flu vaccine added to Westfield school immunization policy By AMY PORTER nale behind it, but I know there Staff Writer are a lot of people who are going WESTFIELD – The Westfield to be upset about it, so I just Public Schools immunization want to make sure everybody policy was amended during a understands our hands are tied. special Westfield School We can’t vote to not do it because Committee meeting Sept. 8 to it’s law, or policy, or regulation add a required flu vaccine for all — whatever it is – that comes students per Gov. Charlie down, that is in the purview of Westfield Board of Health nurse Debra Mulvenna applies a band-aid to a Baker’s recent mandate. The the governor.” senior citizen during a past flu shot clinic at the Westfield Council on Aging. policy will now go to a regular Diaz said there are pending (THE WESTFIELD NEWS PHOTO) School Committee meeting for a cases in the courts against the vote. required flu immunization The new influenza require- already. ment. which is one dose vaccine Mayhew said Baker may over- Flu clinics good practice for the current flu season, must turn the mandate. “There’s be received annually by Dec. -
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A. Langley Searles Lee Becker, T. G. Cockcroft, 7 East 235th St. Sam Moskowitz, Lincoln Bronx, N. Y. 10470 Van Rose, George T. Wetzel Vol. IV, No. 4 -- oOo--- Winter 1982 Articles Needle in a Haystack Joseph Wrzos 195 Voyagers Through Infinity - II Sam Moskowitz 207 Lucky Me Stephen Fabian 218 Edward Lucas White - III George T. Wetzel 229 'Plus Ultra' - III A. Langley Searles 240 Nicholls: Comments and Errata T. G. Cockcroft and 246 Graham Stone Verse It's the Same Everywhere! Lee Becker 205 (illustrated by Melissa Snowind) Ten Sonnets Stanton A. Coblentz 214 Standing in the Shadows B. Leilah Wendell 228 Alien Lee Becker 239 Driftwood B. Leilah Wendell 252 Regular Features Book Reviews: Dahl's "My Uncle Oswald” Joseph Wrzos 221 Joshi's "H. P. L. : 4 Decades of Criticism" Lincoln Van Rose 223 Wetzel's "Lovecraft Collectors Library" A. Langley Searles 227 Moskowitz's "S F in Old San Francisco" A. Langley Searles 242 Nicholls' "Science Fiction Encyclopedia" Edward Wood 245 Hoban's "Riddley Walker" A. Langley Searles 250 A Few Thorns Lincoln Van Rose 200 Tips on Tales staff 253 Open House Our Readers 255 Indexes to volume IV 266 This is the thirty-second number of Fantasy Commentator^ a non-profit periodical of limited circulation devoted to articles, book reviews and verse in the area of sci ence - fiction and fantasy, published annually. Subscription rate: $3 a copy, three issues for $8. All opinions expressed herein are the contributors' own, and do not necessarily reflect those of the editor or the staff. -
The Satanic Rituals Anton Szandor Lavey
The Rites of Lucifer On the altar of the Devil up is down, pleasure is pain, darkness is light, slavery is freedom, and madness is sanity. The Satanic ritual cham- ber is die ideal setting for the entertainment of unspoken thoughts or a veritable palace of perversity. Now one of the Devil's most devoted disciples gives a detailed account of all the traditional Satanic rituals. Here are the actual texts of such forbidden rites as the Black Mass and Satanic Baptisms for both adults and children. The Satanic Rituals Anton Szandor LaVey The ultimate effect of shielding men from the effects of folly is to fill the world with fools. -Herbert Spencer - CONTENTS - INTRODUCTION 11 CONCERNING THE RITUALS 15 THE ORIGINAL PSYCHODRAMA-Le Messe Noir 31 L'AIR EPAIS-The Ceremony of the Stifling Air 54 THE SEVENTH SATANIC STATEMENT- Das Tierdrama 76 THE LAW OF THE TRAPEZOID-Die elektrischen Vorspiele 106 NIGHT ON BALD MOUNTAIN-Homage to Tchort 131 PILGRIMS OF THE AGE OF FIRE- The Statement of Shaitan 151 THE METAPHYSICS OF LOVECRAFT- The Ceremony of the Nine Angles and The Call to Cthulhu 173 THE SATANIC BAPTISMS-Adult Rite and Children's Ceremony 203 THE UNKNOWN KNOWN 219 The Satanic Rituals INTRODUCTION The rituals contained herein represent a degree of candor not usually found in a magical curriculum. They all have one thing in common-homage to the elements truly representative of the other side. The Devil and his works have long assumed many forms. Until recently, to Catholics, Protestants were devils. To Protes- tants, Catholics were devils. -
Famine and Foreigners: Ethiopia Since Live Aid This Page Intentionally Left Blank Famine and Foreigners: Ethiopia Since Live Aid
‘Th ank God for great journalism. Th is book is a much needed, ex- haustively researched and eff ortlessly well written recent history of Ethiopia. A book that strips away the cant and rumour, the pros and antis and thoroughly explains the people, politics and economics of that most beautiful nation. A superb and vital piece of work by some- one who clearly loves the country of which he writes.’ Bob Geldof ‘Th e great Ethiopian famine changed everything and nothing. It fun- damentally altered the rich world’s sense of its responsibility to the hungry and the poor, but didn’t solve anything. A quarter of a century on, we’re still arguing about the roots of the problem, let alone the so- lution, and—though there has been progress—Ethiopia’s food inse- curity gets worse, not better. Peter Gill was one of the most thorough and eff ective television journalists of his generation. He was there in 1984 and his work at the time added up to the most sensible, balanced and comprehensive explanation of what had happened. Twenty-fi ve years later, he’s gone back to test decades of aspiration against the re- alities on the ground. It’s a book that bridges journalism and history, judicious analysis with a strong, and often gripping, narrative. Always readable, but never glib, this is a must for all those who think there is a simple answer to the famine, still waiting in the wings. ’ Michael Buerk ‘No outsider understands Ethiopia better than Peter Gill. He com- bines compassion with a clinical commitment to the truth. -
Human Rights of Women Wearing the Veil in Western Europe
Human Rights of Women Wearing the Veil in Western Europe Research Paper I. Introduction The present paper analyses legislation, policies, and case-law surrounding religious attire in a number of countries in Western Europe and how they affect the human rights of women and girls who wear the veil in Western Europe. It also more broadly analyses discrimination and violence experienced by women wearing the veil in Europe learning from their own voice. Throughout the paper, the terminology ‘veil’ is used to refer to a variety of religious attire worn mostly, but not exclusively, by Muslim women. There are different types of clothing that cover the body. This research is focused on manifestations of veils that are the subject of regulation in several Western European Countries. They include the hijab (a piece of clothing that covers the head and neck, but not the face), niqab (a piece of clothing that covers the face, where only the eyes are visible), burqa (a piece of clothing that covers both the face and eyes), jilbab (a loose piece of clothing that covers the body from head to toe), or abaya, kaftan, kebaya (a loose, often black, full body cover overcoat). The head and body covers are often combined. In several countries, some of these clothing are based on traditional costumes rather than religion and are often worn by rural communities in the countries of origins. The paper also uses the terminology ‘full-face veil’ or ‘face-covering veil’ to refer to both niqab and burqa. Furthermore, it refers to burkini, a swimsuit that covers the body from head to ankles, completed by a dress. -
Faith in Equality: Religion & Belief in Europe
The Equinet Report ‘Faith in Equality: Religion and Belief in Europe’ highlights recent legal developments that have taken place in the field of discrimination based on religion and belief. LEGAL FRAMEWORK EU protection against discrimination on the grounds of religion and belief is incomplete. EU law specifically prohibits differential treatment based on religion only in the area of employment (including vocational training). This gap would be covered by adopting the Horizontal Directive, proposed in 2008. EMPLOYMENT Discrimination cases have been identified in areas such as recruitment and selection; headgear and religious symbols; religious harassment in the workplace; justified occupational requirement; opting out of certain work tasks; work patterns; and conflicts of rights. EDUCATION Consistent with the trend shown in our 2011 report, a majority of the cases reported to equality bodies across the EU which deal with religious freedom in education are connected to the Muslim religion, particularly with Muslim women’s dress. GOODS & SERVICES In relation to religious discrimination in the provision of goods and services, justifications for discriminatory behaviour towards certain religious groups have to be examined thoroughly, be they health and safety concerns, the need to maintain security or the aim of enhancing integration. MANIFESTING RELIGION & BELIEF IN PUBLIC Although the full-face veil and the burkini are not comparable, they are both the subject of the will of politicians to legislate against forms of religious garments. Our report finds that the European Court of Human Rights' ‘living together’ argument for a blanket ban on the full-face veil does not sufficiently delineate what it means in respect of restricting fundamental rights, including the right to freedom of religion. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
English in Red Ink and Also Make a Note About It on the CD to Call Vienna Office’S Attention to the Special Close on the Contract
INTERVIEWERCENTROPA WITNESS TO A JEWISH CENTURY 3 . 0 THE DIGITAL MEMORY PROJECT ’ S WORKBOOK “ YOU ARE THE FOURTH GROUP WHO HAS COME TO OUR COMMUNITY TO INTERVIEW US . BUT YOU ARE THE FIRST TO ASK HOW WE LIVED , NOT JUST HOW WE DIED .” SUSANA HACKER , NOVI SAD . FAMILY NAME: LANDESMAN, CITY: VIENNA, COUNTRY: AUSTRIA WHO WE ARE VIENNA: Edward Serotta Director ([email protected]) Dejan Petrovic IT Director ([email protected]) BUDAPEST: Eszter Andor Co-director/Witness project ([email protected]) Dora Sardi Co-director/Witness project ([email protected]) WHERE WE ARE Pfeilgasse 8/15 Edison utca 10 A-1080 Vienna H-1142 Budapest Austria Hungary Tel. +431 409 0971 Tel. +361 215 3069 Fax +431 409 09714 Fax +361 215 3888 e-mail: e-mail: [email protected] [email protected] 4 OUR SUPPORTERS Founders’ Circle: the Rosalinde and Arthur Gilbert Foundation, the Austrian Federal Ministry of Science, Education and Culture, the National Fund for Victims of National Socialism, Harry and Jeanette Weinberg Foundation, the Austrian National Bank’s Jubilee Fund, the Conference of Jewish Material Claims Against Germany, the Rebecca Meyerhoff Memorial Trust. Patrons: the Endowment Fund of the Chicago Jewish Federation, the Ronald S. Lauder Foundation, the Postsparkasse Bank of Austria, the Lewis Norry Family Foundation, the Ira J. and Nicki Harris Foundation, the Open Society Institute of the Soros Foundation, Richard L. Shenk, Peter B. Lewis, Alexander M. and June L. Maisin Foundation, the San Francisco Jewish Federation Endowment Fund, the Hungarian Ministry of Culture, the Hungarian Ministry of Science, the Hungarian Ministry of Education, the Stanley Chais Family Foundation, the American Jewish Joint Distribution Committee, the Hanadiv Foundation, the Goethe Institut. -
Generic Transformation in the Superhero Film Genre by Noah Goodman
GENERIC TRANSFORMATION IN THE SUPERHERO FILM GENRE BY NOAH GOODMAN Reaffirmation of Myth: Humorous Burlesque: • Questions the • Pokes fun at the traditional heroic overused tropes of the values of the genre genre • Lighter, comedic tone • Reaffirms traditional • Graphic violence as heroic values as comedy being true • Non-heroic protagonist • Enforces the idea of • Satirizes interconnection (i.e. interconnected the MCU) superhero films INTRODUCTION: According to film genre theorist, John G. Cawelti, there are four modes at which a film genre can undergo generic transformation. Cawelti states these modes are “humorous burlesque, evocation of nostalgia, demythologization of generic myth, and the affirmation of myth as myth” (Cawelti 295). Despite it being a relatively new film genre, the superhero genre has already had a multitude of films to already fit these four modes declared by Cawelti. However, no other films express these four modes as greatly as Tim Miller’s Deadpool (2016), Patty Jenkin’s Wonder Woman (2017), James Mangold’s Logan (2017), and Joe and Anthony Russo’s Captain America: The Winter Soldier (2014), respectively. DEFINITION OFTERMS: • Humorous Burlesque: tropes used in the genre are situated in a way to invoke laughter and are satirized • Evocation of Nostalgia: uses genre conventions to recreate aura of the past while establishing a relationship to the present • Demythologization: invokes the traditional genre conventions and demonstrates them as inadequate and destructive • Reaffirmation of Myth: questions genre conventions and ultimately reaffirmed at least partially Demythologization: Evocation of • More realistic tone Nostalgia: • Reference to myth as • Repisodic nostalgia being inadequate and based around pop false culture • Disillusioned • Traditional, heroic protagonist protagonist with • Shows the violence of unwavering beliefs super heroic actions • Thematic mending of • Darker promotional past and present material societal issues. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Turcicum Imperium, Carolus Allard Exc. Stock#: 49424 Map Maker: Allard Date: 1680 circa Place: Amsterdam Color: Hand Colored Condition: VG Size: 22 x 18 inches Price: SOLD Description: Rare Carel Allard Map of the Turkish Empire. A fine depiction of the Ottoman Empire on the eve of the Great Turkish War (1683-1699), which marked a turning point in the fortunes of the empire and that of Europe. Up to the 1680s, the European Christian powers of Habsburg, Austria, Russia, Poland-Lithuania and the Republic of Venice, had separately fought the Ottoman Empire in numerous wars over the last century only to arrive at a stalemate. The Turks had largely kept the great gains they had made during the reign of Suleiman the Magnificent (ruled 1520-66), in spite of innumerable attempts by the Christian powers to dislodge them. The line of control generally ran through Croatia, the middle of Hungary and northern Romania, to what is now Moldova, with the Ottoman lands being to the south of the line. In 1683, an Ottoman army broke out of Hungary to besiege Vienna, the Habsburg capital. This sent a shockwave throughout Europe, and only the intervention of Poland's King Jan Sobieski saved the city. In 1684, the region's main Christian powers formed the Holy League, marking the first time that they all joined forces to fight the Ottomans. This quickly turned the tables, as the Allies inflicted a series of severe defeats on the Turks. -
Islamic Gunpowder Empires : Ottomans, Safavids, and Mughals / Douglas E
“Douglas Streusand has contributed a masterful comparative analysis and an up-to- S date reinterpretation of the significance of the early modern Islamic empires. This T book makes profound scholarly insights readily accessible to undergraduate stu- R dents and will be useful in world history surveys as well as more advanced courses.” —Hope Benne, Salem State College E U “Streusand creatively reexamines the military and political history and structures of the SAN Ottoman, Safavid, and Mughal empires. He breaks down the process of transformation and makes their divergent outcomes comprehensible, not only to an audience of special- ists, but also to undergraduates and general readers. Appropriate for courses in world, early modern, or Middle Eastern history as well as the political sociology of empires.” D —Linda T. Darling, University of Arizona “Streusand is to be commended for navigating these hearty and substantial historiogra- phies to pull together an analytical textbook which will be both informative and thought provoking for the undergraduate university audience.” GUNPOWDER EMPIRES —Colin Mitchell, Dalhousie University Islamic Gunpowder Empires provides an illuminating history of Islamic civilization in the early modern world through a comparative examination of Islam’s three greatest empires: the Otto- IS mans (centered in what is now Turkey), the Safavids (in modern Iran), and the Mughals (ruling the Indian subcontinent). Author Douglas Streusand explains the origins of the three empires; compares the ideological, institutional, military, and economic contributors to their success; and L analyzes the causes of their rise, expansion, and ultimate transformation and decline. Streusand depicts the three empires as a part of an integrated international system extending from the At- lantic to the Straits of Malacca, emphasizing both the connections and the conflicts within that AMIC system.