Lot 501 a D'argental Cameo Glass Vase, Designed by Paul Nicolas

Total Page:16

File Type:pdf, Size:1020Kb

Lot 501 a D'argental Cameo Glass Vase, Designed by Paul Nicolas Batemans of Stamford - Fine Art, Antiques and Collectables to include Militaria, Books & Printed Ephemera, and the Private Lincolnshire Estate of a Danish Ambassador. - Starts 13 Jan 2018 Lot 501 A D'Argental cameo glass vase, designed by Paul Nicolas, circa 1925, of shouldered tapering cylindrical form, with a design of fruiting vines in magenta over deep golden amber with green hues, signed 'd'argental' in cameo, a/f chips to base, 10 by 20cm. Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family. Estimate: 200 - 300 Fees: Lot 502 A pair of Royal Doulton vases painted by Harry Allen, of lobed form, each decorated with a mother and child gathering bluebells amongst silver birch trees, signed H. Allen, with gilded rims and feet, green printed mark to the base and incised 1303, 19cm high. (2) Estimate: 300 - 500 Fees: Lot 503 A group of five Royal Doulton figurines, comprising 'Shore Leave' HN2254, 18cm, 'The Jovial Monk', HN2144, 19cm, 'The Professor', HN2281, 18cm, 'The Boatman', HN2417, 16.5cm, and 'Falstaff', HN2054, 17.5cm. (5) Estimate: 100 - 150 Fees: Lot 504 A Staffordshire ceramic figure of a King Charles spaniel, standing with bocage at feet, 13cm, together with two further figures of King Charles spaniels, each seated, 7cm and 10cm. (3) Estimate: 100 - 150 Fees: Lot 505 A 19th century pot lid, The Village Wakes, T. Jackson, depicting a bear being paraded through a Village Street, No.232, 7.5cm. Estimate: 100 - 150 Fees: Lot 506 A Continental 19th century part tea set, comprising nine cups, 11 by 7cm, twelve saucers, 14cm, and bowl, 20.5 by 9.5cm, all painted with floral sprays, puce rims and gilt detailing, applied scrolling handles, the bowl also painted with butterflies, together with an associated set of five similarly floral painted plates, 20.5cm. (27) Estimate: 80 - 120 Fees: Lot 507 A collection of Victorian and later glassware, comprising two coloured glass bottles with silver and silver plated stoppers, an additional stopper, a set of ten champagne coupes, 12cm, a set of five matching sherry glasses, 12.5cm, ten assorted sundae / custard glasses, most with cut pontils, each approx 15cm, four short trumpet shaped liqueur glasses, 10cm, a moulded glass vase with frilled edge, 11.5 by 8.5cm, and two small cut glass vases in the form of thistles, 5 by 6.5cm. (35) Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family. Estimate: 50 - 80 Fees: Lot 508 A Noritake trio with a handpainted scene, 15.5 by 7cm, a pair of Kinjo Japanese export ware vases, 30cm, a small pair of vases with angular handles, 12.5cm, and a larger vase with a hand painted landscape in the reserve, 18cm. (8) Estimate: 60 - 80 Fees: Lot 509 A studio pottery coffee set, comprising a lidded coffee pot, 14 by 19cm, with six mugs, 9.5 by 11.5cm, all with matching turquoise and brown glaze, unsigned. (7) Estimate: 40 - 60 Fees: Lot 510 A pair of Crown Ducal Art Nouveau lustre vases, each decorated with vibrant red, yellow and blue butterflies, blue lustre to mouths, marked Crown Ducal No. 'No. 16' to bases, each 13 by 22cm. (2) Estimate: 40 - 60 Fees: Lot 511 A 19th century pot lid, depicting a bear pit, No 6, 8cm. Estimate: 100 - 200 Fees: *These fees include buyers premiums and internet surcharges. page 1 of 46 Batemans of Stamford - Fine Art, Antiques and Collectables to include Militaria, Books & Printed Ephemera, and the Private Lincolnshire Estate of a Danish Ambassador. - Starts 13 Jan 2018 Lot 512 A group of English ceramics, 19th century and later, comprising a pair of Staffordshire fireside dogs, modelled as Pekinese, 31.5cm, a Staffordshire figure of a girl holding a feather, 17cm, and two Edwardian comport dishes, made by George Jones and Sons for T. Goode, pattern number 9465, 20.5 by 20.5cm, and other 16.5 by 24cm. (5) Estimate: 50 - 80 Fees: Lot 513 A set of twelve Copeland Spode plates, for Ovington Brothers, each decorated with a band of fish scale in cobalt blue, surrounded by Indianische Blumen under a scrolled border, printed and impressed marks, 23cm. (12) Estimate: 60 - 80 Fees: Lot 514 A KPM Berlin porcelain tureen, cover and stand, both painted with bands of trailing ivy, gilt rims, with three heavily gilded paw feet, marked to bases, tureen 13 by 14cm, plate 21cm. (2) Estimate: 40 - 60 Fees: Lot 515 A collection of ceramics, comprising a Paragon cabinet teacup and saucer, 13.5 by 6cm, a 'Hammersley & Co.' teacup, 4250/17 mark to base, 11.5 by 7cm, a 'Tuscan' saucer and cake plate, 17.5cm and smaller, a 'Dresden-China' pill box, 7 by 6 by 23.5cm, together with two Royal Doulton mid 20th century figurines, 'Irene' HN 1621, 16.5cm, and 'Day Dreams' HN 1731, 13.5cm. (8) Estimate: 50 - 80 Fees: Lot 516 A 19th century pot lid, 'Tria Juncta in Uno', No.164, with a Robert Feast stamp to the underside, the reverse inscribed in black beneath the glaze with letters and figures, 13.5cm diameter. Estimate: 60 - 80 Fees: Lot 517 A late 19th century Wedgwood part tea service, circa 1880, painted in the Havelock pattern, number X2192, RD number 154623, decorated with flowers with gilded highlights, comprising twelve side plates, 20cm, eleven cups, 10 by 5.5cm, eleven saucers, 13.5cm, and a cream jug, 7 by 12.5 by 9cm, printed Wedgwood England marks below urn. (35) Estimate: 60 - 80 Fees: Lot 518 A Royal Worcester part dinner and tea service, decorated in Evesham pattern, comprising lidded tureen, six large bowls, 23cm, six small plates, 21cm, four larger plates, 23.5cm, six mugs, 9cm, in mostly unused condition, together with a Royal Worcester commemorative bowl, to celebrated the Millennium 2000 AD, 23 by 9cm, boxed, and plate and square dish in similar pattern, plate 21cm, square dish 15cm, both boxed. (26) Estimate: 100 - 150 Fees: Lot 519 A group of ceramic figurines, comprising a Lladro figurine modelled as a seated ballet dancer, 12 by 16 by 13cm, an oriental cherub, a/f without bow, 16cm, a Nao kneeling girl with a dove, 18 by 16.5cm, a standing girl with a dove, 24.5cm, a boy with a dog, 23cm, together with a group of Miguel Requina S.A figurines, comprising 'Ana', 24cm, woman with flowers and wearing a scarf over her head, 24.5cm, and another girl with flowers with her hair in a pony tail, 24cm, some with damage. (8) Estimate: 60 - 80 Fees: Lot 520 A group of china, comprising a Royal Crown Derby vase with two handles, with cobalt blue background and gilding, 7408/1330 mark to base, 13 by 13cm, together with a pair of Wedgwood vases with two handles and covers, decorated with blue and white gilded stripes and floral reserves, 8 by 19.5cm. (2) Estimate: 80 - 120 Fees: Lot 521 A pair of 19th century pot lids, one depicting a portrait of Sir Robert Peel, 'Rt Honbl Sir Robt Peel', signature to the right 'Jal Sc', 11.5cm, encased in a wheatear border in a mahogany frame, 15.5cm, and the other depicting 'Drayton Manor. The residence of the late Sir Robert Peel Bart', 12.5cm, encased in a mahogany frame, 16.5cm. (2) Estimate: 60 - 80 Fees: *These fees include buyers premiums and internet surcharges. page 2 of 46 Batemans of Stamford - Fine Art, Antiques and Collectables to include Militaria, Books & Printed Ephemera, and the Private Lincolnshire Estate of a Danish Ambassador. - Starts 13 Jan 2018 Lot 522 Two Chinese famille rose porcelain vases and covers, Qing Dynasty 19th century, each painted with central reserves of domestic courtly scenes, one within a border of chrysanthemums and fruit, the other within a border of flowers and butterflies, with moulded and painted dogs of Fo to the covers, 26 and 23cm high respectively. (2) Estimate: 80 - 120 Fees: Lot 523 An unusual 1930s Japanese ceramic cruet set, in the form of three kangaroos, the two to either side are salt and pepper pots, the central kangaroo a mustard pot, the terminal of the mustard spoon peeking out of a pouch and modelled as the head of a joey, handle formed from kangaroo's tail, on black base, unmarked, 12 by 11cm. Notes: One identical example can be found in the National Museum of Australia, accession no. 1999.0017.0152.001, and a second similar example is held by Western Australia Museum, accession no. H2007.124.1-5. Estimate: 40 - 60 Fees: Lot 524 A group of hand painted pottery, comprising a Poole Pottery ovoid form jug, with three curvilinear bands above foliage body, impressed stamp, 303, 20 by 19cm high, a 1930's Seville Phoenix Art Deco jug, with incised design, 17 by 20.5cm high, and an unmarked vase, with a piped iris design, 9.5 by 18cm. (3) Estimate: 60 - 80 Fees: Lot 525 A Royal Crown Derby Imari ware saucier and cover, pattern number 1128, of twin handled oval form, 19 by 8.5 by 14cm, together with a matching side plate, 16cm diameter. (2) Estimate: 80 - 120 Fees: Lot 526 A 19th century pot lid, circa 1850, decorated with a view of the Crystal Palace, inscribed 'The Grand International Building of 1851 For the Exhibition of Art and Industry of all Nations', No.134, 13cm diameter, together with a rectangular pot lid with a convex sided base, depicting The Great Exhibition, Alexandra Palace, No.200, 14 by 8.2 by 5cm high.
Recommended publications
  • Malton Antique Sale
    Boulton & Cooper MALTON ANTIQUE SALE WEDNESDAY 13th MARCH AT 10.00am At The Milton Rooms, Market Place, Malton, North Yorkshire. YO17 7LX VIEWING: Tuesday 12th March 10.00 am – 8.00 pm & on morning of sale from 9.00 am China & Glassware 1 - 73 Metalware 74 - 84 Books 85 - 114 Platedware & Silver 115 - 177 Jewellery 178 - 230 Stamps & Collector’s Items 231 - 322 Pictures & Prints 323 - 381 Clocks 382 - 387 Carpets & Rugs 388 - 400 Furniture 401 - 472 REQUESTS FOR FURTHER INFORMATION TO BE RECEIVED BY 1PM ON THE DAY BEFORE THE SALE CHINA & GLASSWARE 1. A pair of late 19th Century Imari baluster Vases decorated with panels of flowers in orange and blue. 6 1/2" (16cms) high. £30-50 2. A Japanese Imari Plate decorated with flowers in orange and blue, 8 1/2" (22cms) diameter, another (repaired), a small ginger jar on a wooden stand and a Continental bowl decorated with Japanese flowers etc. (cracked). £20-30 3. A Coalport Cottage Ornament "The Red House", another "Village Church" and another "The Gate House". £30-50 4. A pair of early 19th Century Davenport stone china Plates decorated with birds and flowers, 8" (20cms) diameter, three 19th Century tea cups and saucers and a pair of Royal Doulton soup plates. £30-40 5. A 19th Century stone china Jug decorated with the Amherst Japan pattern, 7" (18cms) high, gaudy Welsh pattern jug and a Staffordshire floral decorated jug. £20-30 6. A Jack Field type pottery Cow Creamer decorated in black and gilt and two others. (horns damaged). £30-40 7.
    [Show full text]
  • Vol. XIV, No. 4 April, 2007
    View from the Fringe Newsletter of the New England Rug Society Vol. XIV, No. 4 April 2007 www.ne-rugsociety.org April Meeting: Tom Hannaher on Budget Collecting On April 13, NERS members are invited to attend a joint meeting of the Armenian Library and Museum of April Meeting Details America and the New England Rug Society at which Date: Friday, April 13 textile collector and NERS member Tom Hannaher will Time: 7:30PM present a talk on how to collect esthetically-significant textiles and rugs on a limited budget. Place: Armenian Library and Museum, A self-employed entrepreneurial veteran of New 65 Main Street, Watertown England’s high-tech audio business, Tom has for years Directions: been a collector of ethnographic textiles. Describing Go to Watertown Square (out-of-towners, get off the how he became interested in the field, he said, “At first I Mass Pike at exit 17 and follow the signs.) Take was fascinated with oriental rugs but quickly realized I Main Street (Rte. 20) westbound (left turn if coming could not afford the high prices that the best pieces were from the Pike). The first light is Church Street, and bringing in the marketplace. So I started looking a bit the Museum is on the righthand corner. farther and discovered that there were wide-ranging Parking: opportunities to purchase important ethnographic textile Go right on Church Street and into the municipal lot art at much lower prices simply because their categories on the right. Most meters are free after 6PM, but hadn’t been ‘discovered’ yet.” check to make sure! Tom’s present collecting efforts are concentrated in the category of pre-Columbian textiles of the Andean talk.
    [Show full text]
  • Fine Art Antiques
    BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART AND AN TIQUES AUCTION 895 • JUNE 2020 895_antik_omslag.indd 1 14/05/2020 17.57 MALERIER + ANTIKVITETER Traditionel Auktion 895 AUKTION 9. - 11. juni 2020 EFTERSYN Torsdag 4. juni kl. 11 - 17 Fredag 5. juni Grundlovsdag lukket Lørdag 6. juni kl. 11 - 16 Søndag 7. juni kl. 11 - 16 Mandag 8. juni kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.dk 895_antik_s001-015_start.indd 1 14/05/2020 18.48 Vigtig information om auktionen og eftersynet På et kort øjeblik blev verden forandret som følge af COVID-19. Danmark kan heldigvis som flere andre lande nu åbne mere og mere op for samfundet igen. Hos Bruun Rasmussen følger vi myndighedernes retningslinjer og afholder den Traditionelle Auktion og det indledende eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller ringe til en af vores eksperter, der kan fortælle dig mere om specifikke kunstgenstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionsalen. Du har følgende muligheder for at byde med hjemmefra: • Live-bidding: Byd med via direkte videotransmission fra auktionssalen på hjemmesiden. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret.
    [Show full text]
  • Persian Rugs: Analysis of Selected Designs
    PERSIAN RUGS: ANALYSIS OF SELECTED DESIGNS By PARVIN GHAZIZADEH-TEHRANI ~ Bachelor Pars College Tehran, Iran 1976 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE December, 1979 PERSIAN RUGS: ANALYSIS OF SELECTED DESIGNS 1.0423~)8 ;; TABLE OF CONTENTS Chapter Page I. INTRODUCTION. 1 Purpose. 2 Method . 2 I I. HISTORY . 5 III. TECHNICAL INFORMATION . 10 Production, Structure, and Material .. 14 The Knotting. • . ..• 19 Fibers . 23 Woo 1 • • • • • • • • • • • • 23 Si 1k. • . 23 Cotton. 25 Dyes . • . 25 The So-Called Aniline Dyes .. 26 Synthetic Chrome Dyes ... 29 The Natural Dyestuffs of Persia . 29 IV. DESIGN OF PERSIAN RUGS .....•.... 35 The Two Orders of Persian Carpet Design ..... 35 Convention in Persian Carpet Design ... 38 Persian Carpet Patterns ........ 39 The Herati Pattern ......... 39 The So-Called Pine Pattern and its Variations ..•..... 43 The Lechek Torunj Design .. 44 The Mina Khani Design .•.• 48 The Shah Abbasi Design ... 50 The Bid Majnun Design ••. 52 The Harshang or Crab Design . 55 The Gol Henai Pattern . • . 57 The Joshaqani Design ..•. 58 Hadji Abbas Karbassion •.........• 60 The First Assistant to Hadji Karbassian . 61 The Second Assistant to Hadji Karbassian. 62 iii Chapter Page Symbolic Patterns .•...•..•• 62 Prayer Rugs . • • . 62 Carpet with Medallion Pattern . 64 Vase Carpets .•. 64 Animal Carpets .. 64 Patterns and Locations 65 Senneh. • • . 65 Shiraz. .......... 65 Kerman. • • . 67 Tabri z. 69 Hamadan . • . 69 Bakhtiari . 72 Yomud .• 74 Isfahan . 74 Patterns and Locations 77 Design Summary 77 V. SUMMARY 84 BIBLIOGRAPHY • 85 iv LIST OF FIGURES Figure Page 1. Knot Samples ll 2.
    [Show full text]
  • Ethnically Divided Trade in Hamburg and the World Economy-The Case of Global Persian Carpet Trade Through Ethnic Networks
    American Journal of Economics and Business Administration 1 (2) 79-96, 2009 ISSN 1945-5488 © 2009 Science Publications The Marginalization of Globally-Born Businesses: Ethnically Divided Trade in Hamburg and the World Economy-The Case of Global Persian Carpet Trade through Ethnic Networks Shahamak Rezaei Department of Society and Globalisation, Roskilde University, Denmark Abstract: Problem statement: Persian carpets have long been a major commodity in the world market, controlled by the Tehran Carpet Bazaar and the Hamburg Free Harbor. Today about 200 private traders in the Hamburg Free Harbor area export their carpets to about 10,000 private carpet traders throughout the world, these being mainly of Iranian origin. The case of Persian Carpet represents one of the most magnificent and powerful examples of ethnic enclave economy in contemporary world. Approach: This study brought about some in depth knowledge, qualitative as well as quantitative, of how such an ethnic enclave economy of scale operates, how it reproduced itself and how it met the challenges, be it political, demographical or others. Results: The study showed, that in spite of major political turbulence in Iran since 1979, the spreading of state controlled trading companies inside and outside of Iran and increasing international market pressure due to the growth of copying production of Persian carpets in other countries, the Tehran-Hamburg axis remains the core of this trade-with private Iranian traders occupying the dominant position on both sides of the transaction line. Taking a closer look it became obvious that in particular, it is Iranian traders of Azarbaidjan descent who speak “Azari”, a language similar to Turkish, who control the trade in both cities.
    [Show full text]
  • Fine Art, Antiques and Collectables. Saturday 05 November 2011 10:30
    Fine Art, Antiques and Collectables. Saturday 05 November 2011 10:30 Batemans Auctioneers The Saleroom Ryhall Road Stamford PE9 1XF Batemans Auctioneers (Fine Art, Antiques and Collectables.) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 13 A late 1960's Cheltenham vintage caravan. A cast iron fire grate with two cast iron and brass fire dogs, 59 Estimate: £300.00 - £500.00 by 35cm. Estimate: £50.00 - £80.00 Lot: 2 A WWII ministry of aircraft production time clock. Lot: 14 Estimate: £50.00 - £80.00 An electrolier/chandelier with six cast silvered white metal arms, three now detached, with the heads of a bearded gentleman, and a pair of spelter figurines of poets on round base, 40cm Lot: 3 high. (q) A modern Jaques croquet set, London, in wooden case. Estimate: £30.00 - £50.00 Estimate: £20.00 - £40.00 Lot: 15 Lot: 4 Ten F H Ayers, Feather Association Badminton shuttlecocks, A modern black plush rocking horse with brown leatherette three leather suitcases, Gladstone bag and two wicker baskets. seat. (7) Estimate: £40.00 - £60.00 Estimate: £40.00 - £60.00 Lot: 5 Lot: 16 A vintage Wrigley gum machine. A demi lune oak framed stained window with seven gothic arch Estimate: £20.00 - £40.00 panels, circa 1880, 92 by 188cm, together with sill. Estimate: £150.00 - £230.00 Lot: 6 A Solex American pool table, 214 by 120 by 80cm. Lot: 17 Estimate: £200.00 - £300.00 Two cabin trunks stickered Union Castle Tourist and Cunard Cabin Hold, each 110 by 50 by 53cm. Estimate: £40.00 - £60.00 Lot: 7 A vintage pram with blue fabric cover & foldover hood, painted dark blue with cream stripe, on black rubber wheels.
    [Show full text]
  • Carpet a Carpet Is a Textile Floor Covering Consisting of an Upper
    ... Carpet A carpet is a textile floor covering consisting of an upper layer of "pile" attached to a backing. The pile is generally either made from wool or a man made fibre such aspolypropylene, nylon or polyester and usually consists of twisted tufts which are often heat- treated to maintain their structure. Etymology and usage The widespread popularity of carpets has inspired stories of the magic carpet, a legendary carpet that can be used to transport people who are on it instantaneously or quickly to their destination. The term carpet comes from Old French carpite, from Ol d Italian carpita, "carpire" meaning to pluck.[1][2] The term "carpet" is often used interchangeably with the term "rug". ... Some define a carpet as stretching from wall to wall.[3] Another definition treats rugs as of lower quality or of smaller size, with carpets quite often having finished ends. A third common definition is that a carpet is permanently fixed in place while a rug is simply laid out on the floor. Historically the term was also applied to table and wall coverings, as carpets were not commonly used on the floor in European interiors until the 18th century, with the opening of trade routes between Persia and Western Europe. Carpet types Swatches of carpet of tufted construction Drying carpets in a village factory (Ourika Valley, Morocco) Woven The carpet is produced on a loom quite similar to woven fabric. The pile can be plush or Berber. Plush carpet is a cut pile and Berber carpet is a loop pile. There are new styles of carpet combining the two styles called cut and loop carpeting.
    [Show full text]
  • Textiles, Costume & Fashion
    Textiles, Costume & Fashion with Important Groups of Books on Central Asian & Indian Textile Traditions The Research Library of Dr. Louise Mackie Former Curator of Textiles, the Cleveland Museum of Art 1,185 titles in over 1,250 volumes The Library of Dr. Louise Mackie The Mackie Library consists of some 1,250 volumes covering all aspects of the study of textiles, of all periods and on an international basis, including weavings, embroideries and needlework, lace, printed fabrics, velvets, brocades, batik, ikat and other categories, as well as costume & fashion, carpets & rugs, and tapestry. Aside from its representation of the history of Western textiles, the library also has exceptional depth in its holdings on the textiles of Central Asia and India. Dr. Louise Mackie recently retired as curator of the Department of Textiles and Costume, Cleveland Museum of Art. Previously, she was the department head and curator of the Textile and Costume Department at the Royal Ontario Museum in Toronto, Canada (1981-98). She was Curator of the Eastern Hemisphere Collections Textile Museum in Washington, DC (1971-80) where she trained in textiles and carpets under Irene Emery and Charles Grant Ellis. Louise Mackie Louise Mackie’s leadership as a founding director and past President of TSA (1996-1998), along with her curatorial work in the subject of Islamic textiles has contributed enormously to the textile field. Her research directives, field work, curatorial focus on the details of textile making and meaning from a broad perspective has brought new insight, documentation and understanding of the intricacies, beauty and power of textiles from the Islamic world.
    [Show full text]
  • Middle East Studies: a Catalogue of Middle East Studies Resources in Or Near Connecticut
    DOCUMENT RESUME ED 216 953 SO 014 064 AUTHOR Stone, Frank A., Comp. TITLE Middle East Studies: A Catalogue of Middle East Studies Resources In or Near Connecticut. Area Studies Resource Guides, Number Two. INSTITUTION Connecticut Univ., Storrs. Thut (I.N.) World Education Center. PUB DATE 81 NOTE 77p.; Contains some pages of small, broken type. Best copy available. AVAILABLE FROM I.N. Thut World Education Center, Box U-32, University of Connecticut, Storrs, CT 06268 ($3.50, plus $0.70 postage). EDRS PRICE MFO1 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Arabs; Arts Centers; Dining Facilities; Elementary Secondary Education; Higher Education; Islamic Culture; Jews; Middle Eastern History; *Middle Eastern Studies; Museums; Professional Associations; Resource Materials; Units of Study IDENTIFIERS Connecticut; Holidays ABSTRACT This directory of Middle Eastern resource materials in or near Connecticut is designed for use by educators, librarians, media specialists, and the general public. The Middle East is defined as the part of the world known as SouthwestAsia/North Africa (SWANA). The information is organized under ten major categories: associations and organizations; college courses and centers; curriculum materials and published information sources including materials for teaching about Iran, Afghanistan, and Turkey, two study units entitled "People and Places," and "Water in the Middle East," and a seminar outline on "Culture and Education in the Middle East;" films, filmstrips, slide sets, and artifact kits; national holidays in Middle Eastern countries; museums and art galleries; religious institutions that have Middle Eastern roots; representatives of Middle Eastern governments; restaurants and food shops; and specialty shops. The directory concludes with two articles--"The Lebanese Community in Hartford," and "Correcting Stereotypes about Middle Eastern Peoples." (RM) *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document.
    [Show full text]
  • Rug" by Being Fixed to the Floor Surface and Extending Wall to Wall
    Background Carpet is a textile floor covering that is distinguished from the more general t erm "rug" by being fixed to the floor surface and extending wall to wall. The ea rliest peoples covered the floors of their dwellings with animal skins, grass, o r, later, woven reed mats. When people learned how to spin cotton and wool, wove n mats of these materials largely replaced earlier coverings. Around 3000 B.C. E gyptians sewed brightly colored pieces of woolen cloth onto linen and placed it on their floors. The first carpets of note were woven by nomads. The thick carpets were easy to t ransport and were placed over the sand floor of tent dwellings. Early looms were similarly easy to transport. Two forked branches were joined by a crosspiece ho lding the suspended warp, and a wooden bar was used to flatten binding weft thre ads, while the loose warp ends formed the carpet's pile. The Pazyryk carpet has been documented as the earliest hand loom carpet, dating back from 500 B.C. and discovered in a tomb located in the Alti Mountains in Central Asia. From these early beginnings, carpet weaving rose to its highest art form in Turk ey, Iran, India, and China. Using cotton, linen, or hemp as the foundation, and wool or silk as the luxurious pile, weavers would make a knot out of the pile th read, then form a row of knots that was tightly beaten down. The process was tim e-consuming: some of the finest handmade carpets have as many as 2,400 knots per square inch (372 knots per sq cm).
    [Show full text]