Teaching Tolerance in Preschool and the Early Grades
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Morphological Clues to the Relationships of Japanese and Korean
Morphological clues to the relationships of Japanese and Korean Samuel E. Martin 0. The striking similarities in structure of the Turkic, Mongolian, and Tungusic languages have led scholars to embrace the perennially premature hypothesis of a genetic relationship as the "Altaic" family, and some have extended the hypothesis to include Korean (K) and Japanese (J). Many of the structural similarities that have been noticed, however, are widespread in languages of the world and characterize any well-behaved language of the agglutinative type in which object precedes verb and all modifiers precede what is mod- ified. Proof of the relationships, if any, among these languages is sought by comparing words which may exemplify putative phono- logical correspondences that point back to earlier systems through a series of well-motivated changes through time. The recent work of John Whitman on Korean and Japanese is an excellent example of productive research in this area. The derivative morphology, the means by which the stems of many verbs and nouns were created, appears to be largely a matter of developments in the individual languages, though certain formants have been proposed as putative cognates for two or more of these languages. Because of the relative shortness of the elements involved and the difficulty of pinning down their semantic functions (if any), we do well to approach the study of comparative morphology with caution, reconstructing in depth the earliest forms of the vocabulary of each language before indulging in freewheeling comparisons outside that domain. To a lesser extent, that is true also of the grammatical morphology, the affixes or particles that mark words as participants in the phrases, sentences (either overt clauses or obviously underlying proposi- tions), discourse blocks, and situational frames of reference that constitute the creative units of language use. -
JOHN ASHBERY Arquivo
SELECTED POEMS ALSO BY JOHN ASHBERY Poetry SOME TREES THE TENNIS COURT OATH RIVERS AND MOUNTAINS THE DOUBLE DREAM OF SPRING THREE POEMS THE VERMONT NOTEBOOK SELF-PORTRAIT IN A CONVEX MIRROR HOUSEBOAT DAYS AS WE KNOW SHADOW TRAIN A WAVE Fiction A NEST OF NINNIES (with James Schuyler) Plays THREE PLAYS SELECTED POEMS JOHN ASHBERY ELISABt'Tlf SIFTON BOOKS VIKING ELISABETH SIYrON BOOKS . VIKING Viking Penguin Inc., 40 West 23rd Street, New York, New York 10010, U.S.A. Penguin Books Ltd, Harmondsworth, Middlesex, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Limited, 2801 John Street, Markham, Ontario, Canada UR IB4 Penguin Books (N.Z.) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand Copyright © John Ashbery, 1985 All rights reserved First published in 1985 by Viking Penguin Inc. Published simultaneously in Canada Page 349 constitutes an extension ofthis copyright page. LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Ashbery, John. Selected poems. "Elisabeth Sifton books." Includes index. I. Title. PS350l.S475M 1985 811'.54 85-40549 ISBN 0-670-80917-9 Printed in the United States of America by R. R. Donnelley & Sons Company, Ilarrisonburg, Virginia Set in Janson Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means· (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission ofboth the copyright owner and the above publisher of this book. CONTENTS From SOME TREES Two Scenes 3 Popular Songs 4 The Instruction Manual 5 The Grapevine 9 A Boy 10 ( ;Iazunoviana II The Picture of Little J. -
100 Most Popular Picture Book Authors and Illustrators
Page i 100 Most Popular Picture Book Authors and Illustrators Page ii POPULAR AUTHORS SERIES The 100 Most Popular Young Adult Authors: Biographical Sketches and Bibliographies. Revised First Edition. By Bernard A. Drew. Popular Nonfiction Authors for Children: A Biographical and Thematic Guide. By Flora R. Wyatt, Margaret Coggins, and Jane Hunter Imber. 100 Most Popular Children's Authors: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. 100 Most Popular Picture Book Authors and Illustrators: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. Page iii 100 Most Popular Picture Book Authors and Illustrators Biographical Sketches and Bibliographies Sharron L. McElmeel Page iv Copyright © 2000 Sharron L. McElmeel All Rights Reserved Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Libraries Unlimited, Inc. P.O. Box 6633 Englewood, CO 801556633 18002376124 www.lu.com Library of Congress CataloginginPublication Data McElmeel, Sharron L. 100 most popular picture book authors and illustrators : biographical sketches and bibliographies / Sharron L. McElmeel. p. cm. — (Popular authors series) Includes index. ISBN 1563086476 (cloth : hardbound) 1. Children's literature, American—Biobibliography—Dictionaries. 2. Authors, American—20th century—Biography—Dictionaries. 3. Illustrators—United States—Biography—Dictionaries. 4. Illustration of books—Biobibliography—Dictionaries. 5. Illustrated children's books—Bibliography. 6. Picture books for children—Bibliography. I. Title: One hundred most popular picture book authors and illustrators. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Download Just Choose the Ones I Can Afford and Take to Have Some Grasp of Whereabouts in the and Own – Any Big Finish Production
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES REUNITING THE REBELS IN WARSHIP WHAT’S IN STORE IN GALLIFREY V ISSUE 48 • FEBRUARY 2013 ANIMATING THE REIGN OF TERROR PLUS CHASE MASTERSON DISCUSSES VIENNA VORTEX MAGAZINE | PAGE 1 VORTEX MAGAZINE | PAGE 2 SNEAK PREVIEWS EDITORIAL AND WHISPERS ello! You were expecting Nick Briggs weren’t you? I’m H afraid he’s in a booth at the minute, hissing and growling. This is not a condition brought on by overwork… Oh no, he’s back in the armour of an Ice Warrior, acting away for the recording of Doctor Who – The Lost Stories: Lords of the Red Planet. The six-part story, which was originally devised by Brian Hayles for TV back in 1968, will be out on audio in November – and form another part of Big Finish’s massive fiftieth anniversary celebrations. And what celebrations they will be! As I write, we’re well into recording our multi-Doctor special The Light at the End, and it’s been a blast. Admittedly it’s been strange to DOCTOR WHO: THE LIGHT AT THE END see the Doctors in the studio at the same time. We’re so used to them being in separately, and suddenly they’re ‘We want something special from Big Finish for here together! But there’s been a real sense of this being the fiftieth anniversary,’ they said. a massive party – the green room chatter has been really We like a challenge, so we went to town jolly and vibrant. It’s so nice to see that all these actors love with this one – eight Doctors (yes, incarnations Doctor Who just as much as we do. -
Nana Visitor/Chase Masterson Interviews JARRAH
Episode 14: Nana Visitor/Chase Masterson Interviews JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. Today we have with us the rest of our crew. Sue SUE: Hi everybody JARRAH: Andi. ANDI: Hey everyone. JARRAH: And Grace. GRACE: Hey y'all. JARRAH: And before we get started into the main bulk of our show, which is interviews that I did at Star Trek Las Vegas with Chase Masterson and Nana Visitor from Deep Space Nine, we wanted to take a minute to pay tribute to a awesome Star Trek guest star that passed away recently: Yvonne Craig. So Andi, do you want to start with that? ANDI: Sure. I mean, I know a lot of people know her from Batgirl. I sadly never got to see her as Batgirl and wasn't really familiar with her from that. So my first experience with her as an actress was from Whom Gods Destroy, which is a third season Star Trek the original series episode. And I think it's a really cool episode. And the main reason I like it is because of her character Marta, who is awesome, and funny, and dangerous, and just really really cool. I mean she dances, and she stabs Kirk, and she quotes Shakespeare but pretends she wrote it. I mean how do you get such a cool character all in one place like that? It was really awesome and that's one of my favorite characters they ever did. -
The Languages of Japan and Korea. London: Routledge 2 The
To appear in: Tranter, David N (ed.) The Languages of Japan and Korea. London: Routledge 2 The relationship between Japanese and Korean John Whitman 1. Introduction This chapter reviews the current state of Japanese-Ryukyuan and Korean internal reconstruction and applies the results of this research to the historical comparison of both families. Reconstruction within the families shows proto-Japanese-Ryukyuan (pJR) and proto-Korean (pK) to have had very similar phonological inventories, with no laryngeal contrast among consonants and a system of six or seven vowels. The main challenges for the comparativist are working through the consequences of major changes in root structure in both languages, revealed or hinted at by internal reconstruction. These include loss of coda consonants in Japanese, and processes of syncope and medial consonant lenition in Korean. The chapter then reviews a small number (50) of pJR/pK lexical comparisons in a number of lexical domains, including pronouns, numerals, and body parts. These expand on the lexical comparisons proposed by Martin (1966) and Whitman (1985), in some cases responding to the criticisms of Vovin (2010). It identifies a small set of cognates between pJR and pK, including approximately 13 items on the standard Swadesh 100 word list: „I‟, „we‟, „that‟, „one‟, „two‟, „big‟, „long‟, „bird‟, „tall/high‟, „belly‟, „moon‟, „fire‟, „white‟ (previous research identifies several more cognates on this list). The paper then concludes by introducing a set of cognate inflectional morphemes, including the root suffixes *-i „infinitive/converb‟, *-a „infinitive/irrealis‟, *-or „adnominal/nonpast‟, and *-ko „gerund.‟ In terms of numbers of speakers, Japanese-Ryukyuan and Korean are the largest language isolates in the world. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
The Brain That Changes Itself
The Brain That Changes Itself Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. For Eugene L. Goldberg, M.D., because you said you might like to read it Contents 1 A Woman Perpetually Falling . Rescued by the Man Who Discovered the Plasticity of Our Senses 2 Building Herself a Better Brain A Woman Labeled "Retarded" Discovers How to Heal Herself 3 Redesigning the Brain A Scientist Changes Brains to Sharpen Perception and Memory, Increase Speed of Thought, and Heal Learning Problems 4 Acquiring Tastes and Loves What Neuroplasticity Teaches Us About Sexual Attraction and Love 5 Midnight Resurrections Stroke Victims Learn to Move and Speak Again 6 Brain Lock Unlocked Using Plasticity to Stop Worries, OPsessions, Compulsions, and Bad Habits 7 Pain The Dark Side of Plasticity 8 Imagination How Thinking Makes It So 9 Turning Our Ghosts into Ancestors Psychoanalysis as a Neuroplastic Therapy 10 Rejuvenation The Discovery of the Neuronal Stem Cell and Lessons for Preserving Our Brains 11 More than the Sum of Her Parts A Woman Shows Us How Radically Plastic the Brain Can Be Appendix 1 The Culturally Modified Brain Appendix 2 Plasticity and the Idea of Progress Note to the Reader All the names of people who have undergone neuroplastic transformations are real, except in the few places indicated, and in the cases of children and their families. The Notes and References section at the end of the book includes comments on both the chapters and the appendices. Preface This book is about the revolutionary discovery that the human brain can change itself, as told through the stories of the scientists, doctors, and patients who have together brought about these astonishing transformations. -
Ubuntu 6.10 January 2007
LINUX MAGA ubuntu 6.10 On this DVD: Linux kernel 2.6.17 16.11.2006 20:58:56 Uhr X.org X11 7.1 Gnome 2.16 ZINE Evolution 2.8.0 Firefox 2.0 � Thunderbird 1.5 GIMP 2.2.13 OpenOffice 2.0.4 ISSUE ISSUE Abiword 2.4.5 � Rhythmbox 0.9.6 Gstreamer 0.10 � F-Spot 0.2.1 Ekiga 2.0.3 7 Apache 2.0.55 4 GCC 4.1.1 MySQL 5.0 Orca 1.0.0 � UBUNTU 6.1 Xen 3.0.3 Apache 2.2.3 Samba 3.0.23 Ubuntu 6.10 “Edgy Eft” is the latest release from the ever increasingly popular Ubuntu Linux. Ubuntu is known for simplicity, stability, and style. We are proud to bring you Ubuntu Linux 6.10 “Edgy Eft” as this 0 month’s Linux Magazine DVD. This version of Ubuntu includes many support is targeted to the applications u Why Ubuntu new features for the desktop, including that are used most often. This system Throughout Ubuntu, you’ll fi nd corporate the Tomboy note taking application, the lets Ubuntu provide thorough support in style and effi ciency interwoven with the F-Spot photo manager, and the Orca the core areas and still give users scriptable screenreader. access to the full range of Debian- stability and substance of Debian. The goal t of Ubuntu is to produce an easy-to-use This release also comes with new backed applications. In all, Ubuntu system with regular and predictable versions of core components such as supports over 1,000 applications, and updates. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Gone Postal! by Staff Writers Tragic Loss, Stop Motion Service to Be Announced
The Wall of Lies Number 133 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA Final FINAL Adelaide, November--December 2011 WEATHER: Summer Free Gone Postal! by staff writers Tragic loss, stop motion service to be announced. An upset “Postman” Pat Clifton has wounded seven other puppets in a spree shooting, before turning the shotgun on himself. The BAFTA nominated BBC Children’s entertainer was reportedly distraught at being forced to relocate from London to Salford in the current BBC shake-up. Television Centre was formally placed on the property market on 13 June 2011. Friend and colleague “Fireman” Sam Peyton-Jones said “People thought he really lived in Greendale Village, which of course is fictional. He had a flat right in White City and couldn’t face having to move North.” Long time partner Jess the Cat had recently joined O Pat in a civil union, not recognised outside of ut t N No France. Calls to his agent were not immediately ow Pat announcing the loss of returned. ! Royal Mail sponsorship in 2000. Dr Who in crisis for 2012 by staff writers While the brand is strong, ratings are thinning and the future uncertain. The average ratings for Doctor Who on ABC have fallen from over a million in 2008 Chameleon Factor # 80 to 689,000 in 2011 (five capitals, rounded to nearest thousand). ABC has declined to circulate ratings information for the show this year. The BBC refused to comment and O u were unable to clarify there wouldn’t be a full series next year, but ABC said they did N t No ow not expect any more content until 2013.