Oblique Translations in David Mitchell's Works
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Matthew P. Funaiole Phd Thesis
HISTORY AND HIERARCHY THE FOREIGN POLICY EVOLUTION OF MODERN JAPAN Matthew P. Funaiole A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/5843 This item is protected by original copyright This item is licensed under a Creative Commons Licence History and Hierarchy The Foreign Policy Evolution of Modern Japan This thesis is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Saint Andrews by Matthew P. Funaiole 27 October 2014 Word Count: 79,419 iii Abstract This thesis examines the foreign policy evolution of Japan from the time of its modernization during the mid-nineteenth century though the present. It is argued that infringements upon Japanese sovereignty and geopolitical vulnerabilities have conditioned Japanese leaders towards power seeking policy obJectives. The core variables of statehood, namely power and sovereignty, and the perception of state elites are traced over this broad time period to provide a historical foundation for framing contemporary analyses of Japanese foreign policy. To facilitate this research, a unique framework that accounts for both the foreign policy preferences of Japanese leaders and the external constraints of the international system is developed. Neoclassical realist understandings of self-help and relative power distributions form the basis of the presented analysis, while constructivism offers crucial insights into ideational factors that influence state elites. -
Network Aesthetics
Network Aesthetics Network Aesthetics Patrick Jagoda The University of Chicago Press Chicago and London Patrick Jagoda is assistant professor of English at the University of Chicago and a coeditor of Critical Inquiry. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by The University of Chicago All rights reserved. Published 2016. Printed in the United States of America 25 24 23 22 21 20 19 18 17 16 1 2 3 4 5 ISBN- 13: 978- 0- 226- 34648- 9 (cloth) ISBN- 13: 978- 0- 226- 34651- 9 (paper) ISBN- 13: 978- 0- 226- 34665- 6 (e- book) DOI: 10.7208/chicago/9780226346656.001.0001 The University of Chicago Press gratefully acknowledges the generous support of the Division of the Humanities at the University of Chicago toward the publication of this book. Library of Congress Cataloging-in-Publication Data Jagoda, Patrick, author. Network aesthetics / Patrick Jagoda. pages cm Includes bibliographical references and index. ISBN 978- 0- 226- 34648- 9 (cloth : alkaline paper) ISBN 978- 0- 226- 34651- 9 (paperback : alkaline paper) ISBN 978- 0- 226- 34665- 6 (e- book) 1. Arts—Philosophy. 2. Aesthetics. 3. Cognitive science. I. Title. BH39.J34 2016 302.23'1—dc23 2015035274 ♾ This paper meets the requirements of ANSI/NISO Z39.48- 1992 (Permanence of Paper). This book is dedicated to an assemblage of friends—including the late-night conversational, the lifelong, and the social media varieties— to whom I am grateful for inspiration and discussion, collaboration and argument, shared meals and intellectual support. Whenever I undertake the difficult task of thinking through and beyond network form, I constellate you in my imagination. -
Introducing the David Mitchell Special Edition of C21 Literature
LITERATURE Journal of 21st-century Writings Article How to Cite: Harris-Birtill, R., 2018. “Introducing the David Mitchell Special Edition of C21 Literature.” C21 Literature: Journal of 21st-century Writings, 6(3): 1, pp. 1–10. DOI: https://doi.org/10.16995/c21.672 Published: 01 October 2018 Peer Review: This editorial article has not been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2018 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Harris-Birtill, R., 2018. “Introducing the David Mitchell Special Edition of C21 Literature.” C21 Literature: LITERATURE Journal of 21st-century Writings Journal of 21st-century Writings, 6(3): 2, pp. 1–10. DOI: https://doi.org/10.16995/c21.672 ARTICLE Introducing the David Mitchell Special Edition of C21 Literature Rose Harris-Birtill University of St Andrews, UK [email protected] Rose Harris-Birtill introduces the David Mitchell special edition of C21 Literature: Journal of 21st-century Writings. -
Sir Francis Beaufort Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/tf667nb1k7 No online items Sir Francis Beaufort Papers: Finding Aid Finding aid prepared by Huntington Library staff. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2016 The Huntington Library. All rights reserved. Sir Francis Beaufort Papers: mssFB 1-1920 1 Finding Aid Overview of the Collection Title: Sir Francis Beaufort Papers Dates (inclusive): 1710-1953 Bulk dates: 1780-1890 Collection Number: mssFB 1-1920 Creator: Beaufort, Francis, Sir, 1774-1857. Extent: 2,143 pieces in 38 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection is comprised of three sets of distinct papers concerning members of the Beaufort, Edgeworth, and Larpent families. The bulk of the collection consists of the papers of Admiral Sir Francis Beaufort (1774-1857), hydrographer of the British Navy and member of the Royal Society, as well as papers of other members of the Beaufort family. Subject matter includes naval operations of the British Navy, particularly during the Napoleonic Wars; geography and hydrography; Irish affairs; the Royal Society and scientific affairs in England; and family affairs. In addition there are also papers of Beaufort's daughter Lady Strangford, Emily Ann Smythe (1826-1887), a travel writer and illustrator, and papers of English diplomat John James Larpent (1783-1860) and his family. -
Hamond Collection
http://oac.cdlib.org/findaid/ark:/13030/c86w9hqc No online items Hamond Collection Finding aid prepared by Gayle M. Richardson The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Fax: (626) 449-3477 Email: [email protected] URL: http://www.huntington.org © 2019 The Huntington Library. All rights reserved. Hamond Collection mssHamond 1 Descriptive Summary Title: Hamond collection Inclusive Dates: 1706-1926 Bulk Dates: 1715-1902 Collection Number: mssHamond Creator: Hamond family Extent: 8,484 pieces in 83 boxes, plus 7 volumes and ephemera (74.7 linear feet) Repository: The Huntington Library, Art Collections, and Botanical Gardens 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Fax: (626) 449-3477 Email: [email protected] URL: http://www.huntington.org Abstract: A transnational collection of 18th-19th century material pertaining to three generations of a British Naval family; includes letters, manuscripts, journals, ship's logs, letter books, ship's papers, maps, volumes and ephemera. Language of Material: The records are primarily in English, with some material in French, Spanish and Portuguese. Access The collection has been fully processed and is available for research. The majority of the collection is in good condition and may be copied; for any questions about the collection, please contact [email protected] . Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining permission rests with the researcher. -
BAKUMATSUYA €"€ PDF Catalogue
Catalogue for May 2021 1057-29 Ichigao-cho, Aoba-ku, Yokohama, Kanagawa 225-0024, JAPAN Inspection by appointment only www.bakumatsuya.com - 2 - Tamahiro Gashu Playful, woodblock printed illustrations [Japan] Lovely book by the little known artist Shimomura Tamahiro (1878-1926), who also seems to have been referred to as Gyokuko. He studied under Kono Bairei. This large book has 15 pages of colour, woodblock prints depicting comical views of Japanese fairy tales such as Urashima Taro, the Turtle and the Hare, Takatori Hime etc. There are also 32 black and white photographic illustrations showing abstract images of the 12 animals of the Chinese zodiac and hand shadow figures. Kyoto. Honda Kinnosuke. 1925. Sold by Unsodo. 49 leaves (printed on one side only). 36.9 x 25.3cm. In good to very good condition. Covers worn and cracked at fold line but holding by original lining paper. Easy to repair. Internally very good with a few stray marks and slight darkening of paper. Minor transfer of colour prints to rear of following page. b33040903b Price: $1,490 https://www.bakumatsuya.com/shop-description.php?ID=1619358493&La=E - 3 - Isho Sekai - Kimono Design Book by Sawa Kyuko [Japan] Lovely book of impressive kimono designs by Sawa Kyuko. The cover states the book was proofread by artist Kajita Hanko. This is volume one but it is unclear if further volumes were published. Tokyo. Seibikai. 1900. 20pp. 24.1 x 16.8cm. In very good condition. Minor wear and marks to covers. Internally very good. b33040925 Price: $790 https://www.bakumatsuya.com/shop-description.php?ID=1619361128&La=E - 4 - Shuka - Lovely woodblock printed book with 72 designs edited by Sato Chuichi [Japan] Very nice work containing 36 pages each with two woodblock printed designs most likely used for decorative envelopes. -
Black Swan Green Free
FREE BLACK SWAN GREEN PDF David Mitchell | 384 pages | 01 Apr 2007 | Hodder & Stoughton General Division | 9780340822807 | English | London, United Kingdom Black Swan Green Summary and Study Guide | SuperSummary Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Black Swan Green Swan Green by David Mitchell. From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, But the thirteen chapters, each a short story in its own rig From award- winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. Get A Copy. Paperbackpages. Published February 27th by Random House first published April 11th More Details Original Title. Worcestershire, EnglandUnited Kingdom. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Black Swan Greenplease sign up. I'm considering assigning this as an option for an independent reading assignment for a class of high school sophomores all girls. -
David Mitchell's Cloud Atlas : "Revolutionary Or Gimmicky?"
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. David Mitchell’s Cloud Atlas: “Revolutionary or Gimmicky?” A thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English at Massey University, Manawatu, New Zealand. Sarah Jane Johnston-Ellis 2010 The right of Sarah Johnston-Ellis to be identified as the Author of the Work has been asserted by her in accordance with the Copyright Act 1994. ii For Eva, Henry and Justin iii iv Abstract This thesis will examine David Mitchell’s use of postmodern narrative structures and strategies in Cloud Atlas and how these relate to his overtly political concerns regarding relations of power between individuals and between factions. This will involve a discussion of debates surrounding the political efficacy of postmodern narrative forms. I will consider Mitchell’s prolific use of intertextual and intratextual allusion and his mimicry of a wide range of narrative modes and genres. These techniques, along with the complex structural iterations in the novel and the ‘recurrence’ of characters between its parts, appear to reinforce a thematic concern with the interconnectedness — indeed, the repetition — of human activity, through time and a fatalistic conception of being that draws on two central Nietzschean notions, eternal recurrence and the will to power. The vision of humanity and human relations of power that is expressed within Cloud Atlas is open to extended analysis in Foucauldian terms. -
Palter & Prescience ¬タモ on David Mitchell and Ghostwritten
Palter & Prescience – On David Mitchell and Ghostwritten Sean Hooks SubStance, Volume 44, Number 1, 2015 (Issue 136), pp. 39-54 (Article) Published by University of Wisconsin Press DOI: https://doi.org/10.1353/sub.2015.0005 For additional information about this article https://muse.jhu.edu/article/577271 Access provided by University of Washington @ Seattle (2 Jun 2017 19:24 GMT) Sean Hooks CLICK HERE TO ACCESS THE ENTIRE D AV I D MITCHELL SPECIAL ISSUE Palter & Prescience – On David Mitchell and Ghostwritten Sean Hooks The works of David Mitchell have inspired a consistent utilization of the lexicon of accolade, at times even of hyperbole. Reviews and criti- cal assessments are littered with terminology such as: visionary, protean, prolific, genre-bending jack-of-all-trades. He is, for some, the ultimate conceptual writer, a 21st Century Man. His work, until recently, was called unfilmable, and depending on your opinion of the Tykwer-Wachowski adaptation of Cloud Atlas, maybe you think it ought to have stayed that way. Maybe you’re a Mitchell fan who likes to tout the British maestro’s mash-ups of genre fiction and formalist literary mischief as redefining the novel, as mind-blowing, intuitive, challenging, pyrotechnic, ambitious, and clever. But one man’s clever is another woman’s gimmick, phrased as such because Mitchell’s books are populated by androgynes and float- ing consciousnesses, by liminal pubescents and dislodged expatriates, even by non-gendered (ungendered? genderless?) characters, phantasms and poltergeists, child ghosts and tribal gods and other undefinable sorts of immortal sentience. One who tends to write in the category of High Gamesmanship, David Mitchell is a cineaste audiophile lit-hound blender. -
CLOUD ATLAS Sets the Film Spans Five Centuries, from the Past Through the Future
CLOUD ATLAS was an ongoing creation, like a giant abstract sculpture. The guide lines were there, but at every point it seemed possible to add a little bit more creativity, whether it be unique or connected, culminating in a beautiful mosaic of colors and ideas. --Set Decorators Peter Walpole SDSA & Rebecca Alleway SDSA CLOUD ATLAS sets The film spans five centuries, from the past through the future. The time segments & stories were so detailed and varied that they were split between Set Decorator Rebecca Alleway SDSA and Set Decorator Peter Walpole SDSA. Below, the set decorators give us specifics about key sets for each of their segments…. [Full photos and photo credits appear in main article: www.setdecor.com...film decor…cloud atlas. All photos ©2012 Warner Bros.] 19th century: South Pacific/San Francisco 1849 Set Decorator Peter Walpole SDSA, Production Designer Hugh Bateup Opening shot of beach dig – Dr. Henry Goose & young lawyer Adam Ewing… …This was the first day of shooting for the Wachowski team, on the Spanish island of Mallorca…A great start due to the spectacular scenery and weather, a simple start for set dec as we prepared greenery to hide modern structures and simple rock pools to reflect the clouds. Plantation… …The interiors of Rev. Horrox’s [Hugh Grant] tropical plantation house were built at Babelsberg Studios, Berlin. The reference came from early settlers to New Zealand and surrounding Pacific islands…missionaries and traders, whose buildings were built using local materials then furnished with items bought from the homeland of that particular family. Thus, the bleached interiors with the heavy dark Victoriana furnishings…quite stark, not too fussy. -
Cloud Atlas' Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci-Fi Film
Journal of Religion & Film Volume 18 Article 5 Issue 2 October 2014 10-1-2014 Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci-Fi Film Gabriel S. Estrada California State University Long Beach, [email protected] Recommended Citation Estrada, Gabriel S. (2014) "Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci-Fi Film," Journal of Religion & Film: Vol. 18 : Iss. 2 , Article 5. Available at: https://digitalcommons.unomaha.edu/jrf/vol18/iss2/5 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci- Fi Film Abstract Polynesian theories of film reception, visual sovereignty, feminisms, and worldview offer critical insights into The aW chowskis' and Tykwer's 2012 film Cloud Atlas. From Indigenous and Native feminist film perspectives, Cloud Atlas offers a sci-fi future deeply entrenched in the queer tiki kitsch of settler colonialism as situated within a comparative context of other queer Indigenous film. As an example of heteropatriarchal settler colonialism, the Cloud Atlas plot supports the heterosexual triumphs of cross-racial couples and sublimates the possibilities of transgender reincarnation. Although Cloud Atlas attempts to critique Christian slavery and defend a secular abolitionist stance in the 1848 South Pacific, it does so by masking Moriori non-violent philosophies with violent dialogue, casting African diaspora as Māori and Moriori, and refusing to honor the practices and philosophies that maintain mana. -
A Cosmodern Reading of David Mitchell's Cloud Atlas
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2015 Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell’s Cloud Atlas Beth Katherine Miller East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Literature in English, British Isles Commons, and the Modern Literature Commons Recommended Citation Miller, Beth Katherine, "Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell’s Cloud Atlas" (2015). Electronic Theses and Dissertations. Paper 2524. https://dc.etsu.edu/etd/2524 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell’s Cloud Atlas _____________________ A thesis presented to the faculty of the Department of Literature and Language East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in English _____________________ by Beth Miller May 2015 _____________________ Dr. Daniel Westover, Chair Dr. Mark Baumgartner Dr. Matthew Fehskens Keywords: David Mitchell, Cloud Atlas , Cosmodernism, Fragmentation ABSTRACT Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell’s Cloud Atlas by Beth Miller A cosmodern reading of David Mitchell’s Cloud Atlas creates a positive vision of the future for readers through various techniques of fragmentation including fragmentation of voice, language, and time.