DOCSLIB.ORG

CYAN MAGENTA YELLOW BLACK Code No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CYAN MAGENTA YELLOW BLACK Code No CYAN MAGENTA YELLOW BLACK 1. Soldiers of Christ ©SP&S George Marshall 4.13 Massed Bands conducted by Lieut-Colonel Bernard Adams Centenary Festival of Praise, LRZ4010, 1965 2. Happy Song ©SP&S Fanny Crosby/William Bradbury 4.14 United Chorus with ISB Ensemble conducted by Captain Norman Bearcroft Centenary Festival of Praise, LRZ4010, 1965 3. The Present Age ©SP&S Leslie Condon 12.22 The International Staff Band conducted by Lieut-Colonel Bernard Adams Brass International, LRZ4019, 1968 4. Magnificat ©SP&S Eric Ball 7.34 The National Songsters with Songster Marjorie Ringham at the pianoforte conducted by Songster Leader Muriel Packham The Holy War, LRZ4013, 1965 5. Fantasia for Pianoforte and Band - Christ is the Answer ©SP&S Ray Steadman-Allen 11.09 Captain Ray Steadman-Allen with The International Staff Band conducted by Lieut-Colonel Bernard Adams The Holy War, LRZ4013, 1965 6. A Song of Praise ©SP&S Catherine Baird/Leslie Condon 5.27 The London Chorus, ISB, Fanfare Trumpets & Organ conducted by Major Dean Goffin An Evening at the Royal Albert Hall, LRZ4014, 1966 7. Song of Courage ©SP&S Eric Ball 9.29 Norwich Citadel Band conducted by Bandmaster John Gibson An Evening at the Royal Albert Hall, LRZ4014, 1966 8. Great and Glorious ©SP&S George Marshall 7.14 Massed Bands conducted by Lieut-Colonel Bernard Adams An Evening at the Royal Albert Hall, LRZ4014, 1966 Total CD Playing Time 62.22 Executive Producer: Trevor Caffull Project Manager: Kevin J Coates MBE Production Manager: Julian Bright Design & Artwork: Andrew Wainwright Compiled & Remastered by World of Sound SPS 251 CD Code No. Booklet-Outside CYAN MAGENTA YELLOW BLACK As the 1950s gave way to the 1960s so too did 78s acquiesce to LPs. The legendary Regal Zonophone label Arriving at the Royal Albert Hall first thing on the Saturday morning for rehearsals, I remember, in that synonymous with Salvation Army recordings remained but as part of EMI Records. Improvements in much simpler age, just being completely amazed that I was sitting on the same platform as bandsmen sound recording technology heralded the advent of live performance recordings and hand in hand to this from New Zealand and New York. People from the other side of the world to me, and to a young man who was a series of mammoth Salvation Army events at the magnificent Royal Albert Hall, devised by Messrs had never set a foot outside of England, might well have come from another planet. I also wasn’t prepared Goffin, Boon, Bearcroft, Condon and Adams. for the proximity in which these bandsmen from a different hemisphere would be sitting. The ISB sat centre stage, the New York Staff Band on a specially built rostrum behind us and the bands of Portsmouth Citadel and Wellington Citadel squashed either side of us. As we played I sensed them breathing down These were great Salvation Army musical events in themselves but the vibrant crystal clear recordings my neck and reading the manuscript copy over my shoulder, within the cavernous acoustic that gave the preserved them for posterity and took this music into thousands of Salvationist homes around the world. impression of you being the only one playing. This series of CDs seeks to recapture that age all taken from the original master tapes. The incredible ovation confirmed what the band already knew. This was a special piece of music and, So... thrilling massed bands, landmark premiere performances, the National Songsters, massed chorus from that premiere performance, has continued to encourage, challenge and inspire each subsequent and even congregational singing featuring bandsmen from Amsterdam, Tranas and Leopoldville (Congo) generation of Salvationist bandsmen.' singing in their own languages. David Woodrow, Norwich Citadel Band, Song of Courage 1966 writes: These recordings satisfy a nostalgic yearning, even for a comparatively young man as myself but, don’t just take my word for it, hear now from some who were there on stage... 'It has always been deemed a privilege for a corps band to be invited to play at the Bandmaster’s Councils Julian Bright Festival at the Royal Albert Hall. This was certainly the case for Norwich Citadel Band in 1966. Although we had already been there in 1954, by the mid-60s Bandmaster John Gibson has made his mark with Robert Foster, The International Staff Band, The Present Age 1968 writes: this band of largely average players from Norfolk, and we were beginning to get ourselves known around the ‘army’ banding world. Eric Ball’s tone poem Song of Courage was the chosen solo item. As the Bands’ 'I joined The International Staff Band in February 1968, proudly taking my place as the bottom second Department of the day had not informed us of their choice until only a few weeks before the event, rehearsal was intense for the limited time we had. cornet, within a section that contained such luminaries as Roland Cobb, Terry Camsey, Ray Bowes, Ron Harrison (soprano cornet), and Brian Bowen (flugel horn). Even to be spoken to by some of these men We had limited space on the front of the stage of London’s Royal Albert Hall - joining Chalk Farm, that I held in such high esteem could be a nerve-wracking experience. In those days I would even refrain William Booth Memorial Halls and The International Staff Band, as well as massed chorus. from warming up in the bandroom before practice for fear of anyone hearing me. 'Take it easy in rehearsal' was John Gibson’s instruction to us, and when we learned that we were the first Leslie Condon was also a member of the band and every week brought to the practice maybe just 40 to ‘solo’ band on the programme we were told 'Let’s show them what we’re made of!' 50 bars of the wonderful piece we now know as The Present Age. Even with music that was being pieced together snippet by snippet, it was obvious to the band that this was going to be something very special. We made a confident start, and throughout the cornets hit all the high Ds ‘as clean as a whistle’, and with The full complete version only appeared the week before the Bandmaster’s Councils festival, and the the scintillating finish merging with the rapturous applause, we felt that we had had a good night. What a finishing touches were applied through our intensive programme of daily lunchtime rehearsals. performance! What a memory! I hope you enjoy listening to this as much as we do - over and over again!' Code No. Booklet-Inside.
Load more

Recommended publications
  • William Booth Leader's Guide
    Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Table of Contents Introduction to the Torchlighters Series . 3 Synopsis of The Torchlighters: The William Booth Story . 4 Teaching Plan for The William Booth Story . 5 Session 1 - No Compromise: Called! . 6-8 Session 2 - No Compromise: Courage! . 9 Session 3 - No Compromise: Commitment! . 10 Session 4 - No Compromise: Continue! . 11-12 Letter to Parents . 13 Supplementary Materials Key People in The William Booth Story . 14 The Nineteenth-Century World of William Booth . 15-16 Timeline of the Booths and The Salvation Army . 17-18 Additional Materials . 19 The Torchlighters Series . 20 Answer Key for Select Student Pages . 21 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have no shortage of heroes. From Hollywood celebrities to music artists and sports figures, it would seem that there are plenty of heroes to go around. The heroes being offered by popular culture are teaching children that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented by these heroes are often in direct opposition to the standards parents want to pass on to their children. So, while there is no shortage of heroes, there is a dreadful shortage of heroes worth emulating.
    [Show full text]
  • A Vision of Heaven
    A VISION OF HEAVEN This vision is attributed to William Booth, the founder of the Salvation Army. He had several visions that were significant in shaping his life and ministry. While all visions must be evaluated and tested by the Scriptures, we feel that this condensed account of his vision could also bring a significant impact to your own life. I felt as though I was in a dream. I knew I was ill – dangerously ill – because a relative insisted on my being told my real condition. And yet I was not disturbed about the fact. I thought I would recover. Most people do, I suppose, until the hand of death is upon them. And if I did not recover, I thought I had no reason to be terribly concerned, because I was a Christian. Hadn’t I been converted? Didn’t I believe the Bible? Why should I fear? But even so, disturbing thoughts crossed my mind about whether I had truly followed Jesus Christ. Had I done my duty to a perishing world with my time, influence, and money? These questions were very difficult for me to answer. Yet it was all in a dreamy way because of the burning fever that was numbing my brain. Meanwhile a strange faintness seized me. I lost consciousness. My next awareness was altogether beyond description. It was the thrill of a new and celestial existence. I was in heaven. After the first feeling of surprise had lessened, I looked around me. It was delightful way beyond anything on earth. And yet some of the more beautiful scenes and sounds and feelings of the world I had just left appeared to be repeated in my new experience, although in more wonderful ways.
    [Show full text]
  • The Good Time Coming : the Impact of William Booth's Eschatological Vision
    .. ....... .. I. ... ., ... : .. , . j;. ..... .. .... The Copyright law of the United States (title 17, United States Code) governs the making of phwtmwpies or derreproductiwns of mpyrighted material. Under cetZBin conditions specified in the law, libraries and archives are authorid to furnish a photocopy or other reproduction. Om of these specific mditions is that the phohmpy or reproduction is not to be “Used fir my purpose other than private study, schdanhip, or research.” If B user make3 a quest far, or later uses, a photompy or repductim for puqmses in ecess of ‘‘fair we9”that user may be liable for mpyright infringement, This institution reserves the right to rehe to accept a copying order if, in its judgmenk fulfitlrnent of the order would involve violation ofcoMght Jaw- By the using this materid, you are couwnting h abide by this copyright policy, Any duplication, reprodndinn, nr modification of this material without express waitken consent from Asbuv Theological Seminary andhr the original publisher is prohibited. Q Asbury TheoIogi@alSeminary 2009 MECUMTAW BINDERY, INC ASBURY SEMINARY 10741 04206 ASBURY THEOLOGICAL, SEMINARY “THE GOOD TZME COMING”: THE IMPACT OF WILLIAM BOOTH’S ESCHATOLOGICAL VISION A THESIS SUBMITTED FOR PARTIAL FULFILLMENT OF THE REQUlREMENTS FOR THE DEGREE, MASTOR OF DIVINITY BY ANDREW S. MILLER I11 WILMORE, KY DECEMBER 1,2005 “THE GOOD TIME COMING”: THE IMPACT OF WILLIAM BOOTH’S ESCHATOLOGICAL VISION Approved by: Date Accepted: Vice President for Academic Affairs and Provost Date CONTENTS ACKNOWLEDGEMENTS ............................... V INTRODUCTION ...................................... 1 Goals of the Study Review of Literature Chapter : 1. WILLIAM BOOTH’S ESCHATOLOGICAL PERSPECTIVE .... 6 Eschatology as the Centerpiece of William Booth’s Theology William Booth as a Postmillennialist William Booth’s Theological History The Making of an Eschatological Army Contemporary Application Conclusion 2.
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • IN DARKEST ENGLAND and the WAY out by GENERAL WILLIAM BOOTH
    IN DARKEST ENGLAND and THE WAY OUT by GENERAL WILLIAM BOOTH (this text comes from the 1890 1st ed. pub. The Salvation Army) 2001 armybarmy.com To the memory of the companion, counsellor, and comrade of nearly 40 years. The sharer of my every ambition for the welfare of mankind, my loving, faithful, and devoted wife this book is dedicated. This e-book was optically scanned. Some minor updates have been made to correct some spelling errors in the original book and layout in-compatibilities 2001 armybarmy.com PREFACE The progress of The Salvation Army in its work amongst the poor and lost of many lands has compelled me to face the problems which an more or less hopefully considered in the following pages. The grim necessities of a huge Campaign carried on for many years against the evils which lie at the root of all the miseries of modern life, attacked in a thousand and one forms by a thousand and one lieutenants, have led me step by step to contemplate as a possible solution of at least some of those problems the Scheme of social Selection and Salvation which I have here set forth. When but a mere child the degradation and helpless misery of the poor Stockingers of my native town, wandering gaunt and hunger-stricken through the streets droning out their melancholy ditties, crowding the Union or toiling like galley slaves on relief works for a bare subsistence kindled in my heart yearnings to help the poor which have continued to this day and which have had a powerful influence on my whole life.
    [Show full text]
  • Front Cover.Indd
    Issue 38- October 2012 Welcome Contents Dear Friends, As always, it was a busy summer of Publishing news music-making and this is refl ected in the Derick Kane newsletter, with reports on International The upcoming publicati ons here at MMU visits. including new First things First plus latest the news from SP&S. youth focus, may Star Lake, WMI, Africa, Australia, Sweden be a good idea. However, as previously and Argentina are all represented in this stated, these were intended for YP groups. Internati onal News issue. Maybe in this instance, see past the cover and simply use the music! Internati onal secti ons on trips around It was my privilege to be the special guest the globe including The Internati onal at Star Lake Musicamp, reminding me of the The other book to mention is the new Staff Songsters, Dr Stephen Cobb, and internationalism of The Salvation Army. It’s learners’ resource. This is a progressive Bandmaster Brian Johnson to Nigeria. great to see that the traditions of Star Lake tutor in three volumes, devised by Keith are still held dear and that it remains an Watts from Birmingham Citadel, and will infl uence to many people year after year. be available through SP&S. This will be Events available for B and E instruments with CD Territorial Music School 2012 in pictures I was pleased to visit the Retired Musicians, backing. I will provide a further review of and The Household Troops Band visit to Fellowship at Worthing recently and I thank this at the end of the year.
    [Show full text]
  • BRIIDGE B,Z-I-Dge: a L)Nh, a *)E, a Conttedion, an Alllance' to Bon-Dtoge,Tlrc,N, to Unld4, O Bond
    TheBrass Band BRIIDGE b,z-i-dge: a l)nh, a *)e, a conttedion, an allLance' to bon-dtoge,tlrc,n, to unLd4, o bond.....,.. tsSt E 11, JANUABY 19t3 Third Place: TEE FIRST NORTN AMEBICAN BBTTISE BBASS BAND GHAMPIONSEIPS, . test-pieces will be as follows: t200.00 SchweppesPrize Money Trophy - Selmer, Inc. Championship Section: "Sinfonietta in Three - Movements," by Gordon Langford. Plaque Boosey & Hawkes/Buffet Crampon For the Outstanding Soloist of the day from either section, (Op. Second Section: "Little Suite For Brass" 80), Conn will award a trophy. Malcolm Arnold. Non-competitive Section: No set test-piece. Norcompetltlve Sectlon In addition to playing a set test-piece,each band is required to No prizes awarded. Bands play for adjudicator's present a 2$minute concert. Ratings and points awarded by evaluations and eomments only. the three judges will be based upon the excellence of the muscial perfornanee coupled with the composition of the We remind all our readers that this historic event will take musical progrsm offered. place on the eampus of North Carolina State Univercity on Saturday, April 23, 1988. The actual contest will be held in Prizes are to be as follows: Stewart Theatre while bands will assemble, warm-up and Ghrnptouhlp Sectlon tuneup, and generally prepare for the Championshipe in First Plaee: Price Music Center which is right next door. Adult admigsion t1,000 SehweppesPrize Money will be i6.00 and students (1? ind younger) wiU be f8.00. We Sovereign Bb Baritone horn Boosey & are pleased to announcethat the New York Salvation Army Hawkes/Buffet Crampon Staff Band will be the guest band for these first Champion- Two Bach Short Model Cornets - Selmer, Inc.
    [Show full text]
  • Enfield Citadel Band Pre-Contest Festival
    Issue 34 - September 2011 encouraging innovation and creativity providing resources developing good practice building and enhancing relationships Welcome Contents As you might well expect, I still have echoes of ISB 120 going through my mind. The crowds that gathered, the bands that played, the new music we heard, the touring staff bands, the massed staff bands at the Publishing news Royal Albert Hall, the atmosphere of thousands of The latest in publications here at MMU. Salvationists and friends on the Mall. All of these things were truly magnificent! But what of the legacy of such an event? I have no doubt in my mind that through it all was the mission of the Army. Easy to say , I know, but we do throw around the word ‘mission’ Events very conveniently these days. However, there were many at the ‘120’ event who had not been Write-ups of overseas music schools, to a Salvation Army event for some time, who had TMS 2011 in pictures, Yorkshire School of apparently left the army behind them, but they were Creative Arts, New Horizons, plus update report on the Life of Lynda fund. there at the concert, watching the march on Sunday afternoon, being reminded and being influenced. People who ‘used to’, and, people who ‘want to’. A couple (non-army) visiting England from Germany happened to walk past the Royal Albert Hall, and enquired as to what Spotlight... was happening. Following a brief conversation with some Salvationists from Sheffield An insight into Professional Trumpeter Citadel (who happened to have two spare tickets), they enjoyed in their words ‘an Anthony Thompson, interview with amazing day’.
    [Show full text]
  • SPS353 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK
    CYAN MAGENTA YELLOW BLACK 1. Soldiers of Christ George Marshall 3.36 2. Under Two Flags Bramwell Coles 4.08 3. Mighty to Save George Marshall 2.49 4. Departed Heroes Bramwell Coles 6.54 5. The Liberator George Marshall 3.14 6. One by One John Pattison 3.02 7. The Flag of Freedom Bramwell Coles 3.00 8. In the Firing Line Bramwell Coles 3.50 9. Pressing Onward Erik Leidzén 5.03 10. The Wellingtonian Harold Scotney 3.22 11. Fighting for the Lord Emil Söderström 3.24 12. The Red Shield Henry C. Goffin 3.18 13. Regeneration Bert T. Langworthy 3.03 14. The Redcliffe March D. G. Hollis 3.25 15. Beaumont George Dickens 3.31 All tracks © SP&S SPS 353 CD SPS353 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK THE INTERNATIONAL STAFF BAND In addition to the ISB120 celebrations, double-CD Origins, St Magnus - The Music of The International Staff Band continues Kenneth Downie and Fire in the Blood. The Salvation Army’s early history makes From those beginnings, the present-day ISB to be involved in major brass banding Stephen Cobb’s initial reputation was secured mention of several ‘staff bands’ dating back has evolved. Throughout its history the band events, including Brass in Concert, gala as a cornet soloist, both at Hendon and within as far as 1880, but it was on 7 October 1891 has maintained the highest musical and concerts following the National Brass Band The International Staff Band, having come that the ‘International Headquarters Staff spiritual standards and has been proud to be Championships of Great Britain and other from a family of talented bandmasters and soloists.
    [Show full text]
  • History of the Salvation Army Early Beginnings the Salvation Army Is
    History of the Salvation Army Early Beginnings The Salvation Army is an international organization, which began humbly in 1865 under the guidance of a radical Methodist minister named William Booth. More than 130 years later, The Salvation Army now stretches across the globe with churches and missions on every continent except Antarctica. With its international headquarters in London, England, The Salvation Army is dedicated to spreading the Gospel of Jesus Christ and ministering whenever and wherever there is need. The Salvation Army was founded by William Booth, an ordained Methodist minister. Aided by his wife Catherine, Booth formed an evangelical group dedicated to preaching among the “unchurched” people living in the midst of appalling poverty in London’s East End. Booth abandoned the conventional concept of church and a pulpit, instead taking is message to the people. His fervor led to disagreement with church leaders in London, who preferred traditional methods. As a result, he withdrew from the church and traveled throughout England, conducting evangelistic meetings. In 1865, William Booth was invited to hold a series of Evangelistic meetings in the East of London. He set up a tent in a Quaker graveyard, and his services became an instant success. This proved to be the end of his wanderings as an independent traveling evangelist. His renown as a religious leader spread throughout London, and he attracted followers who were dedicated to fighting for the souls of men and women. Thieves, prostitutes, gamblers and drunkards were among Booth’s first converts to Christianity. To congregations that were desperately poor, he preached hope and salvation.
    [Show full text]
  • Cascade of Sound
    CYAN MAGENTA YELLOW BLACK Back Page (20) Front Page (1) CASCADE OF SOUND 1. Our Glorious King ©SP&S 4.40 2. I Will Sing Your Praises ©SP&S 3.37 3. He is Exalted ©SP&S 2.06 4. Somebody’s Prayin’ ©Lorenz Creative Services/BMG Songs Inc. 3.58 Alto Soloist Alison Cameron 5. I am Your Child ©SP&S 4.11 6. Cascade of Sound ©Sunrise Music Publications 3.15 7. When We Cannot See Our Way ©SP&S 2.50 8. Th e Twenty-Th irde Psalme ©Kevin Norbury 5.14 Flute Soloist Fiona Cameron 9. God is Able ©Word Music/Two Fine Boys Music-Desert North Music 2.38 10. Glory to His Name! ©SP&S 3.42 Soprano Soloist Natasha Bennett 11. I Know a Fount ©Shawnee Press Inc. 4.51 12. Everywhere ©SP&S 4.43 13. Unto the Lord (A Celebration of the Resurrection of Christ) ©SP&S 9.29 14. Th at Beautiful Land M/s 5.02 15. Sometime Soon! ©SP&S 2.07 16. To Serve my God Alone ©The Salvation Army 3.54 17. We are an Army ©SP&S 3.56 18. Song of Consecration ©SP&S 3.07 19. Vesper ©SP&S 4.01 Total CD Playing Time 77.35 SPS 327 CD SPS327CD Booklet-Pgs20&1 CYAN MAGENTA YELLOW BLACK Page 2 Page 19 INTRODUCTION Songster Leader Altos Bass Brass Martin Bennett Alison Cameron Alex Addis Cornets Cascade of Sound – the title track – was forgiveness, love, hope, a future prospect, dedication, Fiona Cameron Duncan Cameron Gary Fountain commissioned to celebrate the centenary of Th e motivation, consecration and peace.
    [Show full text]
  • The Life of William Booth
    History The Beginning of The Salvation Army The Life of William Booth William Booth was born in modest circumstances in Sneinton, Nottingham on 10 April 1829, one of five children born to Samuel and Mary Booth. His first job was in a pawnbroker’s shop. This stirred his social conscience as through it he became aware of the plight of the poor. He also started attending Broad Street Wesley Chapel, where he came to faith at the age of 15. In 1849 William moved to London to find work, briefly returning to pawnbroking but also joining a chapel in Clapham. Through this church he was introduced to his future wife, Catherine Mumford. After William had become an evangelist in the Methodist New Connexion, they married on 16 July 1855, forming a formidable and complementary lifelong partnership. Following a brief honeymoon, William was appointed to circuits in Halifax and Gateshead. But, finding this structure restrictive and feeling himself called to itinerant evangelism, he resigned in 1861. Four years later William and Catherine moved to London. It was here that William commenced his first open-air evangelistic campaign in Whitechapel, preaching in a tent. This ministry led to the creation of The Christian Mission, with Booth as its leader. In 1878 The Christian Mission was renamed The Salvation Army. ‘General Booth’, as he was now known, summed up the purpose of this body in the following way: ‘We are a salvation people – this is our speciality – getting saved and keeping saved, and then getting somebody else saved.’ But there was to be frequent opposition to the Army’s methods and principles in its early years.
    [Show full text]