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2 Annexure - I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Number of Sub Description Number of Sub Description Sl. Type of tribal Sl. Type of tribal quantity to Sl of quantity to Sl of item to be Dance Group Dance Group be No. No. item to be supplied be supplied No. No. supplied supplied COSTUMES COSTUMES Traditional For male – Traditional Dhoti Pataganda(Luga) 1 15 Nos. 1 Cotton Yellow 10 Nos. White with maroon (10ft x 3ft) Boarder Pagadi (5ft x 3ft) For male – Gamucha 2 White with maroon 15 Nos. 2 Cotton Yellow 10 Nos. boarder) (5ft x 3 ft) Ganji ( White 3 Ghungur 20 pairs 3 10 Nos. Inner Cutting) cotton saree Bautel for female 4 40 Nos. 4 (Orange colour with 10 Nos. (Rasa Khadu ) Yellow boarder) Sutwa Blouse – 5 10 Nos. 5 10 Nos. Durua (Ear Ring) Matching colour Samaj Maa Bhumia Anguti Pedi Saya Bhandar 6 20 Nos. Dance Troupe, 6 10 Nos. karini, (Finger Ring) Paknaguda, Matching colour Mahupadar Traditional Pataganda Mathili Mathili (Saree) Female - 7 7 Red Ribon 10 Nos. White with maroon 10 Nos. Boarder Blouse- Matching Notha for leg 8 10 Nos 8 10 Nos. colour (Ghungur) Saya – Matching 9 10 Nos. 9 Hair clip ( White) 60 Nos. Name of the Colour Name of the 1 Team Leader 2 Team Leader Hair Clip Finger Thodi 10 60 Nos. 10 60 Nos. Ganga for women (White) Narasingha (Coin finger ring) Durua Kope Mayur Chula Mutha 11 Tira (Arrow) 50 Nos. 11 02 Nos (Majur Munda) Mayur Jhanda 12 10 Nos. (Majur Munda) Tangia 13 10 Nos. (Traditional) Contact No Contact No MUSICAL INSTRUMENTS MUSICAL INSTRUMENTS 7077286765 9668636699 Dholo -Traditional 1 Like Koya Dhol but 5 Nos. 1 Brass Gini (Tala ) 2 Nos. smaller than Koya Dhol Dholo -Traditional Tamaka (One side synthetic 2 2 Nos 2 1 No. (18” Nisan ) & another side goat leather ) Tidibidi Mahira (Mahuri 15” 3 2 Nos 3 1 No. (10” Tasa) assembled) Side Drum Tidibidi 4 2 Nos 4 2 Nos (14” Tasa) (14” Tasa ) Tadi - Kod Saitra (Dhamaka) 5 10 Nos. 5 1 No. (FunkibaSinga) (18” Nisan) 6 Bainsi (Flute) 14 “ 2 Nos. 3 Annexure – I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Sub Description Number of Sub Description of Number of Sl. Type of tribal Sl. Type of tribal Sl Of item to be quantity to Sl item to be quantity to Dance Group Dance Group No. No. supplied be supplied No. No. supplied be supplied COSTUMES COSTUMES Traditional Bonda Mali Saree (cotton – 1 17 Set 1 9 Nos. (Traditional) Red flower with Red boarder Blouse – Yellow 2 Bonda coin Mali 17 Set 2 9 Nos. colour Traditional Saree (Yellow cotton with 17 Set Saya – Yellow 3 3 9 Nos. Red dotted & red colour boarder) Blouse- Matching MUDULIGUDA 4 17 sets 4 Mali (Coin Mali) 9 Nos. BONDA Red Colour DHEMASA DANCE NACHA TROUPE, ( DIDAYI ) Hand Khadu BANDHA 5 Saya (Yellow) 17 sets KHAIRPUT 5 (Plain Rasa 9 Nos. GUDA Khadu) KHAIRPUT Leg Khadu Lungi – Navy Blue 6 3 sets 6 (Plain Rasa 9 Nos. coloured (Khudra Khadu) Lungi) Name of the 3 Team Leader Gamucha – Orange 4 Name of the 7 colour (Khudra 3 Nos Team Leader 7 Lungi ( White) 17 set Mangala Gamucha) 5ft x 3 ft Muduli Surendra White Baniyan /Ganji Mayur Chula 8 3 Nos. Macha 8 2 Set (Full Size inner) Majur Munda Arrow & Bow Neck Ring in 3 9 1 set 9 2 Set (Traditional) different sizes White inner Contact No 10 Knife (Traditional) 1 No. 10 17 Nos. Contact No cutting 7337577302 Ear Ring 11 Tangia (Traditional) 1 No. 11 9 Sets 7608928384 (Gold coated) MUSICAL INSTRUMENTS MUSICAL INSTRUMENTS Dholo -Traditional Tabala 1 2 Nos. 1 7 Set (Bonda Dhol) (Nisan 18” ) Tidibidi Nanen 2 2 Nos. 2 5 set (10” Tasa) (Nisan 12” ) 17 Pairs 3 Nupura for Leg for leg 3 Ghungur 9 set 4 Singha (Mahuri) 2 Nos. 4 Annexure – I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Number of Sub Description Number of Sub Description Sl. Type of tribal Sl. Type of tribal quantity to Sl of item to be quantity to be Sl of item to be Dance Group Dance Group be No. No. supplied supplied No. No. supplied supplied COSTUMES COSTUMES White Petticot with 1 multi colour round 25 Nos For Women strips (Lehenga ) Multi Colour Traditional Saree 2 Gamucha 25 Nos 1 White Saree with red 12 sets (5ft x 3 ft) boarder (Chiffon) Jama – (White Blouse 3 25 Nos 2 12 sets colour Half Shirt) (Red Blouse) 4 Mali 25 Nos 3 Saya ( White) 12 sets Gamucha 5 Ghungur 25 pairs 4 (White with Red 12 sets boader(5ft x 3ft) DANCE JAY SRIRAM DANCE TROUPE - 5 Coin Mali 12 sets MUTYALAMMA, GROUP, MURALIGUDA CHITRANG 6 Mali 12 sets KALIMELA PALLY Hand Kada BLOCK KALIMLEA 7 12 sets (Rasa Khadu) Leg Kada 8 12 sets (Rasa Khadu) 9 Head Clip 60 Nos 5 Name of the 6 Name of the Team Leader Team Leader For men Traditional Dhoti Jaga Kartami Aita Madkami 10 White with Red 13 Nos. boarder (10 ft x 3ft) Gamucha- white with Red boarder 11 13 Nos. (5ft x 3ft) Contact No Contact No 12 Ganji (Inner full) 13 Nos. 7655083098 7656965840 13 Mali 13 Nos. MUSICAL INSTRUMENTS MUSICAL INSTRUMENTS Big Dhola 1 Ghungur 25 sets 1 (Traditional Koya 25 Nos Dhemsa Baja 2 2 Nos. Dhol) (12” Nisan ) Big Dhola 3 (Traditional Koya 12 Nos. Horn cap with Dhol) 2 Majur Munda 25 Nos Stick with Jhumuka (Traditional Design) (Iron Rod with 4 12 Nos Jhumuka in top position ) 5 Annexure – I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Sub Description Number of Sub Description of Number of Sl. Type of tribal Sl. Type of tribal Sl of item to be quantity to Sl item to be quantity to Dance Group Dance Group No. No. supplied be supplied No. No. supplied be supplied COSTUMES COSTUMES 1 Mali 28 Nos. Female Traditional Khadad Saree Luga - White with 2 28 Nos. 1 (White colour 33 Nos. maroon boarder – Khadi) 10ft x 3 ft ) Khadad Gamucha 3 White with Maroon 28 Nos. 2 Blouse (Red colour) 33 Nos. boarder (5ft x 3 ft) Saya – Matching Mayur Chula 3 33 Nos. 28 Nos. colour 4 (Majur Munda) Durua Dance (small) Troupe, 4 Paunji (Ghungur) 33 set Chidipalli Koya Dance Malkangiri 5 Kana Ring 28 pairs Troupe, 5 Chudi (red) 33 set (Male only) Koyagiri Malkangiri 6 Mali (White) 33 set Kanafula 7 33 set (Gold coated) 8 Hair Band (red) 33 set Pital crown (round 9 33 Nos. shape for head) 7 8 Name of the Male Team Leader Name of the White Towel Pagadi Team Leader 10 8 Nos. Bhadra –( 6ft x 3 ft - cotton) Durua Shanti Kabasi White inner 11 8 Nos. ( full Ganji) Dhoti ( Cotton) 12 8 Nos. Contact No 10 ft x 3 ft ) Contact No MUSICAL INSTRUMENTS 9439311889 MUSICAL INSTRUMENTS 9438813877 Jhumuka hand Dholo / Dholki (Iron rod with 1 2 Nos 1 33 ( Rope fitted Dhol) Jhumuka in top position ) (Female ) 2 Tudubidi (10” Tasa) 1 No. Dholo (Big size) 2 (Traditional Koya 8 Jhumuka 3 1 Pair Dhol ) (Big size Ghungur) 4 Bainsi / Flute 14” 1 No. Horn Cap with 24 Nos. 3 peacock feather ) 8 5 Nupur (Ghungur) (12 pairs) Traditional 6 Annexure – I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Number of Sub Description Number of Sub Description of Sl. Type of tribal Sl. Type of tribal quantity to Sl of item to be quantity to be Sl item to be Dance Group Dance Group be No. No. supplied supplied No. No. supplied supplied COSTUMES COSTUMES 38 Nos. Khadu 24 Nos. 1 Rasa Khadu 1 (19 set) (Rasa Khadu) (12 set) Mali 2 19 Nos. 2 Mali ( Coin Mali) 12 Nos. (Coin Mali ) Dhoti White Cotton Dhoti ( White Maa 3 25 Nos. 3 16 Nos. BhairabiKathin ( 10 ft x 3 ft ) Cotton 10ft x 3ft) acha Group, Cultural Troupe Jantapai Ganji (Inner cutting Bageriaguda, Ganji (White) 4 25 Nos. 4 16 Nos. (KathiNacha) - white) Tunnel camp Inner Full Chitrakonda ( Dhemsa) (Kotia) Gamucha – white Chitrakonda Gamucha 5 cotton 25 Nos. Paraja 5 White with Red 16 Nos. 5 ft x 3 ft) Boarder (5ft x 3ft) Mayur Puncha Name of the 6 19 Nos. Team Leader (Single) Iswar Khara 9 10 MUSICAL INSTRUMENTS MUSICAL INSTRUMENTS Name of the Team Leader Dholo (one side 1 18” Nisan 2 Nos. Sadhuram Jani 1 Synthetic & one 1 No. side leather fitting ) Changu Baja Contact No 2 1 No. Contact No 2 18” Nisan 2 Nos. (Tasa Big14” ) 8018681043 8480640782 (WEO, Turi (Mahuri) Hand Jhumuka 3 19 Nos. 3 1 set Chitrakonda) 15” assembled (Medium Size) 4 Bainisi/ Flute 14” 4 Ring Jhumuka 1 No. 5 Tasa (14”) 2 Nos. 6 Bainsi /Flute -14” 01 No. 7 Annexure – I LIST OF MUSICAL INSTRUMENTS / COSTUMES TO BE SUPPLIED TO DIFFERENT TRIBAL DEANCE TROUPES / CULTURAL CLUBS UNDER SDC, MALKANGIRI Number of Sub Number of Sub Description of Sl. Type of tribal Description Sl. Type of tribal quantity to Sl quantity to Sl item to be Dance Group of item to be supplied Dance Group be No. No. be supplied No. No. supplied supplied COSTUMES COSTUMES Male Male Traditional Dhoti Traditional Dhoti 16 Nos.
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  • Literary Herald ISSN: 2454-3365 an International Refereed/Peer-Reviewed English E-Journal Impact Factor: 3.019(IIJIF)

    Literary Herald ISSN: 2454-3365 an International Refereed/Peer-Reviewed English E-Journal Impact Factor: 3.019(IIJIF)

    www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 3.019(IIJIF) Oh! Dear, how should I translate you…..? Bismita Manjari Biswal Research Scholar , Utkal University, Vani Vihar Bhubaneswar,Odisha Abstract This paper is based on my personal experience of translating a novel, Andha Diganta (Darkness before Dawn) of Surendra Mahanty, a central Sahitya Academy award winning writer, a versatile genius in Odisha and Odia literature. The aim of the paper is to show the problems and possibilities of translation from a regional language which was influenced by culture and tradition of people to English language. Key words: culture, „Heiti Sunucha‟, Pakhala, gamucha, Kadamba Translation is basically an unnatural act. The whole premise of translation seems problematic. However unnatural, it is a necessary transgression. Our complex globalization demands it. In a way, a translator shares Hamlet‟s dilemma. But luckily, it is not the world, but only its mirror, language; the translator has to put it right for his/her audience. Unnaturalness and necessity, loss and gain, destruction and harmony, integration and difference are all properties of translation. The most important literal issue that a translator of literal work has to struggle with is “culture”. Every word in a given language has a cultural history behind it. It gathers rich associative and connotative meanings with the passage of time. An Indian translator faces a peculiar problem when he or she translates from Bhasa literature to English. A regional text is imbued with the regional culture and some words which have cultural nuances of the regional language.