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2017 Magdalen College Record
Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected]. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Carte de la partie meridionale de L'Amerique Meridionale avec la route du Centurion . Stock#: 67259 Map Maker: Anson Date: 1749 Place: Amsterdam Color: Uncolored Condition: Good Size: 18 x 19 inches Price: SOLD Description: A map showing one the last great circumnavigations drawn by the captain of the HMS Centurion A detailed chart tracking the route of Capt. George Anson's ship HMS Centurion in 1740-1742, undertaken as part of a circumnavigational voyage commissioned by the government in order to weaken the Spanish by capturing treasure ships. The chart shows the tracks of Anson's ships around South America & Cape Horn to the Juan Fernandes Islands, with notes on currents and positions. A decorative compass rose is positioned in the sea area. This edition is from the French version of Anson's Voyage Around the World published in 1749. An uncommon map. Anson's voyages This voyage was an interesting part of the Centurion's thirty-year history, part of the ship's first ill-fated circumnavigation. With a fleet of six ships, Anson sailed from England to Manila to harass Spanish treasure fleets in the Philippines. The initial crew was composed of marines as well as 250 "invalids," soldiers not fit enough for full duty. Some of these had to be brought aboard in stretchers. The ship reached Santa Caterina on 21 December 1740 before going through the roundabout voyages shown in the Drawer Ref: South America 2 Stock#: 67259 Page 1 of 2 Barry Lawrence Ruderman Antique Maps Inc. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
The Inventory of the Beatrice Lillie Collection #1566
The Inventory of the Beatrice Lillie Collection #1566 Howard Gotlieb Archival Research Center 1 Lillie, Beatrice #1566 Box 1 I. Manuscripts. Folders 1-2 A. Plays. 1. “Magdalena,” author unknown, draft of Acts I and II, TS with holo. corrections, approx. 110 p., n.d. Folder 3 2. “You’ll Get Used to It,” by M. Andersen-Kenrick, final draft, TS, 143 p., 1935. Folder 4 3. “Time Remembered,” by Jean Anouilh, final draft, TS, 83 p., 1956; includes TLS to BL from Ethel Adler (Secretary to Roger L. Stevens) re: "Time Remembered." Folder 5 4. “God Bless Our Bank,” by Max N. Benoff, final draft, TS, 145 p., n.d. Folder 6 5. “Cassandra Kelly,” by Ralph Berton and Eugene Berton, final draft, TS, 114 p., n.d. Folder 7 6. “Little Boxes,” by John Bowen, final draft, TS, n.d., includes “Trevor,” 82 p., and “The Coffee Lace,” 74 p. Folder 8 7. "Fumed Oak," by Noel Coward. a. Draft, TS with holograph corrections, 31 p., n.d. 2 Box 1 cont’d. b. Bound copy, final version, TS, 31 p., 1936. Folder 9 8. "Set to Music," by Noel Coward, final version, TS, 64 p., n.d. Folder 10 9. "Hands Across the Sea,” by Noel Coward. a. Final version, approx. 28 p., n.d. b. Final version, subtitled “A Light Comedy in One Act,” TS with holograph notes, 30 p., n.d. Folder 11 10. “A Christmas Carol,” by Charles Dickens, draft, TS with holograph notes, 24 p., n.d. Folder 12 11. “Wait the Phoenix: A Rhythmical-Comedy in Three Acts of Variant Verse,” by Clement ffuller [sic], TS, 132 p., 1963. -
Re-Visiting and Re-Staging
Re-visiting and Re-staging Re-visiting and Re-staging By Anupam Vatsyayan Re-visiting and Re-staging By Anupam Vatsyayan This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Anupam Vatsyayan All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9434-6 ISBN (13): 978-1-4438-9434-0 In honour of Mamma & Papa and Maa & Papa For making me and supporting me all the way And to My husband, Vaivasvat Venkat … You mean the world to me We shall not cease from exploration and the end of all our exploring will be to arrive where we started ... and know the place for the first time. —T. S. Eliot CONTENTS List of Illustrations ..................................................................................... ix Acknowledgements .................................................................................... xi Foreword .................................................................................................. xiii Manju Jaidka Preface ....................................................................................................... xv 1. Introduction ............................................................................................ -
The Chinese Cornerstone of Modern Banking Legal History Library
The Chinese Cornerstone of Modern Banking Legal History Library Volume 14 Studies in the History of Private Law Series Editors C.H. (Remco) van Rhee (Maastricht University) Dirk Heirbaut (University of Ghent) Matthew C. Mirow (Florida International University) Editorial Board Hamilton Bryson, University of Richmond – Thomas P. Gallanis, University of Iowa – James Gordley, Tulane University – Richard Helmholz, University of Chicago – Michael Hoeflich, University of Kansas – Neil Jones, University of Cambridge – Hector MacQueen, University of Edinburgh – Paul Oberhammer, University of Zurich – Marko Petrak, University of Zagreb – Jacques du Plessis, University of Stellenbosch – Mathias Reimann, University of Michigan – Jan M. Smits, University of Tilburg – Alain Wijffels, Université Catholique de Louvain, University of Leiden, CNRS – Reinhard Zimmermann, Max-Planck-Institut für ausländisches und internationales Privatrecht, Hamburg VOLUME 6 The titles published in this series are listed at brill.com/shpl The Chinese Cornerstone of Modern Banking The Canton Guaranty System and the Origins of Bank Deposit Insurance 1780–1933 By Frederic Delano Grant, Jr. LEIDEN | BOSTON Cover Illustration: Howqua II (Wu Bingjian), 1769-1843. Oil portrait by Lamqua (Guan Qiaochang), ca. 1840. (Private collection. Photograph by permission.) Library of Congress Cataloging-in-Publication Data Grant, Frederic Delano, Jr. author. The Chinese cornerstone of modern banking : the Canton guaranty system and the origins of bank deposit insurance 1780-1933 / By Frederic Delano Grant, Jr. p. cm. — (Legal history library ; v. 10) (Studies in the history of private law) Includes bibliographical references and index. ISBN 978-90-04-27655-0 (hardback : alk. paper)—ISBN 978-90-04-27656-7 (e-book) 1. Deposit insurance— China—Guangzhou—History. -
Chapter 1: the Seventeenth Century Actresses
Notes CHAPTER 1: THE SEVENTEENTH CENTURY ACTRESSES 1. John Genest, Some Account of the English Stage from the Restoration to 1830, vol. I (Bath, 1832), p. 37. 2. Dr John Doran, Their Majesties' Servants: Annals of the English Stage, vol. I (London: William H. Allen & Co., 1864), p. 60. 3. E. K. Chambers, Modern Language Review, XI (October 1916) 466. Also, see Chambers's book The Medieval Stage, vol. II (London, 1948), p. 409. 4. As quoted in Genest, vol. I, p. 37 from Richard Brome's The Court Beggar (1632) and James Shirley's The Ball (1639) in which Freshwater, speaking of the plays in Paris, says, 'Yet the women are the best actors, they Play their own parts, a thing much desir'd in England.' 5. Thornton Shirley Graves, 'Women of the Pre-Restoration Stage,' Studies in Philology, XXII, No.2 (1925) 189, 192-3. The record on which Graves draws is Reyher's Les Masques Anglais, p. 25. 6. Robert Latham and William Matthews (eds), The Diary of Samuel Pepys, vol. I (London, 1970), p. 224. 7. John Downes, Roscius Anglicanus (London, 1708), p. 19. 8. Pepys, vol. II, p. 7. 9. Colley Cibber, An Apology for His Life (London, 1740), p. 55. 10. Pepys, vol. IX, p. 425. 11. Downes, p. 19. 12. She was introduced to the world by means of a hilarious prologue especially written by Thomas Jordan to show what a ridiculous figure the boy- actor had been cutting: Henry Wisham Lanier, The First English Actresses: 1660-1700 (New York, 1930), p. 31. -
Open Submission.Pdf
The Pennsylvania State University The Graduate School THE CRUCIBLE OF EMPIRE: THE AMERICAN EXPERIENCE IN THE CHINA RELIEF EXPEDITION OF 1900 A Dissertation in History by Xiangyun Xu 2019 Xiangyun Xu Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2019 The dissertation of Xiangyun Xu was reviewed and approved* by the following: Amy Greenberg George Winfree Professor of American History Dissertation Co-Advisor Committee Co-Chair David Atwill Associate Professor of History Dissertation Co-Advisor Committee Co-Chair Sophie De Schaepdrijver Professor of History Nicolai Volland Associate Professor of Asian Studies and Comparative Literature Michael Kulikowski Head of the Department *Signatures are on file in the Graduate School ii ABSTRACT This dissertation explores the significance of the China Relief Expedition of 1900 in the history of the United States as an empire. It demonstrates how the American decision to intervene in the Boxer Uprising and their perception of the ensuing expedition were entangled with political, gender, and racial norms in the United States formed through westward expansion, Chinese exclusion, and the Spanish-American War of 1898. The transmission and application of these norms across national boundaries applied not only to statesmen and ordinary people at home, but also servicemen in China, even though the latter’s experience in China had the potential to modify some of those stereotypes. The dissertation also reveals that by observing other forces in action, U.S. servicemen learned valuable lessons that would later be of help in the Philippines and other future encounters, and formed opinions of other countries that would later influence their stance on issues like the Russo-Japanese War of 1904- 05 and World War I. -
Downloaded from Manchesterhive.Com at 09/30/2021 03:22:22PM Via Free Access
Adaptable Terence Rattigan: Separate Tables, separate entities? dominic shellard T R’ has essentially been that of a theatre writer, and a conservative one, who is supposed to have avoided the darker themes that invaded the British stage after (roughly) the arrival of Look Back in Anger in 1956. This view of Rattigan is by now surely on its way out. His relation to the theatre and the so-called New Wave is undoubtedly more complex. However, his track record as a screenwriter, sometimes but not always adapting his own plays, should not be forgotten. In 1939 we have French Without Tears, then Quiet Wedding (1940), The Day Will Dawn (1942), Uncensored (1942), English Without Tears (1944), Journey Together (1945), The Way to the Stars (1945), While the Sun Shines (1947), Brighton Rock (1947, from Greene’s novel), Bond Street (1948), and then a wonderful version of his own play The Winslow Boy (1948). In the 1950s he wrote The Browning Version (1951), The Sound Barrier (1952), The Final Test (1953), then disappointingly The Man Who Loved Redheads (1954), but trium- phantly another adaptation of his own play The Deep Blue Sea (1955). The Prince and the Showgirl (1957), starring Marilyn Monroe and Laurence Olivier, who also directed, is often seen as the end of his film career. (It was an unsatisfactory, though intermittently charming, tardy revival of his Festival of Britain stage play that celebrated nation and the Oliviers – Vivien Leigh had the Monroe role – called The Sleeping Prince.) But actually his last film was much more distinguished: Separate Tables (1959), an American adaptation by Rattigan himself – but see below – of his own play (or rather two one- acters) of the same name. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ ‘Designs against a common foe’ the Anglo-Qing suppression of piracy in South China Kwan, Nathan Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 Abstract of thesis entitled ‘Designs against a Common Foe’: The Anglo-Qing Suppression of Piracy in South China Submitted by C. -
MAKING MEMORIES at the MOVIES – a Guide to Watching at Home
MAKING MEMORIES AT THE MOVIES – A Guide to Watching at Home Celebrating Women in Film All films in this program have something in common: Their stars are legendary women in film. Do you recall seeing these films? Let’s spark some memories! A little background information about women in film According to the Study of Women in Television and Film at San Diego State University, male characters continued to control the big screen in 2018. about 35% of films contained 10 or more female characters in dialogue roles about 82% had 10 or more male characters in speaking roles. ….research is still revealing that women are overwhelmingly valued in film based on their identification as a mother, wife, or lover (Lang, 2015). Women are often portrayed as dependent on other characters, over-emotional, and confined to low-status jobs when compared to enterprising and ambitious male characters. So… let’s celebrate some of our outstanding female actor’s who have endured throughout the years! ____________________________________________________________________________ Judy Garland The Wizard of Oz (1939) is an American musical fantasy film. Widely considered to be one of the greatest films in cinema history, it is the best-known and most commercially successful adaptation of L. Frank Baum's 1900 children's book The Wonderful Wizard of Oz. The film stars Judy Garland as Dorothy Galea, alongside Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Billie Burke and Margaret Hamilton. Theme: Dorothy Gale lives with her dog Toto on a Kansas farm belonging to her Aunt Em and Uncle Henry. She is not able to join her family in their storm cellar during a tornado, so instead, takes shelter in her bedroom where she is hit by flying debris. -
Open a PDF List of This Collection
LONDON METROPOLITAN ARCHIVES Page 1 LONDON MUSIC HALLS LMA/4237 Reference Description Dates Postcard Collection LMA/4237/A/001 Images of Theatres, Music Halls and 19-- entertainers. {Please wear gloves when viewing to prevent scratching the negatives} 1 box of 202 copy negatives LMA/4237/A/001/001 Tate Library and gardens, Brixton LMA/4237/A/001/002 Ritzy Cinema, Brixton LMA/4237/A/001/003 Tate Public Library LMA/4237/A/001/004 Sir Henry Irving LMA/4237/A/001/005 The Palace, Denmark Hill LMA/4237/A/001/006 The Palace, Denmark Hill LMA/4237/A/001/007 The Palace, Denmark Hill LMA/4237/A/001/008 (Unidentified) LMA/4237/A/001/009 Denmark Hill and Theatre Metropole LMA/4237/A/001/010 (Unidentified) LMA/4237/A/001/011 Harry Tate LMA/4237/A/001/012 Empire Music Hall, Camberwell LMA/4237/A/001/013 Peckham Crown Theatre LMA/4237/A/001/014 Hippodrome, Peckham LMA/4237/A/001/015 Advert for Miss Marie Lloyd in Dick Whittington at the Crown Theatre, Peckham 1898-99 LMA/4237/A/001/016 Bingo Club, Peckham LMA/4237/A/001/017 High Street, Peckham LONDON METROPOLITAN ARCHIVES Page 2 LONDON MUSIC HALLS LMA/4237 Reference Description Dates LMA/4237/A/001/018 Empire, New Cross Road LMA/4237/A/001/019 Empire, New Cross Road LMA/4237/A/001/020 (Unidentified) LMA/4237/A/001/021 (Unidentified) LMA/4237/A/001/022 Broadway Theatre, Deptford LMA/4237/A/001/023 Miss Kitty Colyer as Cinderella at The Broadway Theatre, Deptford LMA/4237/A/001/024 Broadway Theatre, Deptford LMA/4237/A/001/025 Broadway Theatre, Deptford LMA/4237/A/001/026 Wellington Street, Woolwich LMA/4237/A/001/027 Wellington Street and Town Hall, Woolwich LMA/4237/A/001/028 Town Hall and Hippodrome, Woolwich LMA/4237/A/001/029 Grand Theatre, Woolwich LMA/4237/A/001/030 Grand Theatre, Woolwich LMA/4237/A/001/031 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/032 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/033 Lewisham LMA/4237/A/001/034 Eros House LMA/4237/A/001/035 Poster for 'Lady of Ostend' LMA/4237/A/001/036 Production of 'The Hon.