Ebook Download the Golden Ocean

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download the Golden Ocean THE GOLDEN OCEAN PDF, EPUB, EBOOK Patrick O'Brian | 288 pages | 17 Oct 1996 | WW Norton & Co | 9780393315370 | English | New York, United States Golden Ocean Hotel, Doha, Qatar - Photos Add Image Add an image Do you have any images for this title? Edit Cast Episode complete credited cast: Gig Young Tony Fleming Charles Boyer Marcel St. Clair Robert Coote Timmy St. Clair Gladys Cooper Margaret St. Clair Eddie Albert Gregg Roberts Pippa Scott Jane Tyler Ray Fulmer Jack Fisher Harry Millard Hunt Clark Howat Peter Stewart John Hale Able Greta Chi Aimee Jonathan Hole Teller Charles Alvin Bell Bank Manager Jo de Winter Edit Storyline When ruthless and unusually wary tycoon Gregg Roberts tries to take advantage of Tony's friend Peter Stewart, Tony devises a scheme to have Roberts invest in a venture involving a new scientific method that produces gold. Edit Did You Know? Trivia At the beginning when they show the island where Tony is heading in his boat is the same shot used for the island on Gilligan's Island Quotes Martha : How is the Duchess? Dear Dora! Clair : Still drinking heavily. Was this review helpful to you? Yes No Report this. Reviewers viewed the novel as it stood and in contrast to the author's later level of accomplishments in that series. Publishers Weekly , writing in , says this first sea novel by O'Brian "can stand on its own as an entertaining and psychologically astute narrative". Specifically, "Shipboard life rings true, the story never flags and humor abounds: "Well, he is a wonderful poacher for a Protestant," observes one Anglo-Irishman. Kirkus Reviews finds this novel "Not a mature piece of work, but appealing enough to satisfy fans of O'Brian's naval sagas. Tom Clark writing in the Los Angeles Times says that "evidently in keeping with an aim of appealing to a younger audience, the darker aspects of the crew's experience are played down in favor of a robust and exhilarating rendering of the great adventure of it all. Library Journal noted that this book by O'Brian "set the course they [Aubrey-Maturin series] later followed. Scott Veale writing in The New York Times was upbeat about this novel, saying that "As always, the author's erudition and humor are on display, whether he's describing the singing of the masts in the wind, the harrowing seas of Cape Horn or 18th-century superstitions. The same expedition is described from the perspective of two on one of the ships in the squadron that did not make it around the globe in O'Brian's The Unknown Shore. Mr Walter the chaplain wrote his own account of the voyage of Anson, noted by Clark above as one of O'Brian's historical sources for this novel and the interactions among the officers and crew. In , O'Brian published Master and Commander , the first book in a 20 novel series, known as the Aubrey-Maturin series. It is set in the Napoleonic Wars , begins in , and features a pair of men who become the closest of friends, Captain Jack Aubrey and Stephen Maturin, physician and natural philosopher. Maturin has, but finds Anson's journey wasteful, as Anson noted nothing of the natural world that he saw on the journey. Aubrey is impressed that Anson made the journey and succeeded in it. The Royal Navy has changed since Anson's voyage, as have the politics of the world, with the thirteen British colonies in North America now the nation of the United States of America, the War of the Austrian Succession over, including the exit of France from nearly all its North American colonies , the French Revolution in the past, and the Irish Rebellion of also a past event. The Royal Navy and physicians have learned the need for fresh food and citrus to combat scurvy, a disease which killed so many in Anson's squadron, before this connection was made between scurvy and fresh food. The Napoleonic Wars endured so long, that they make a broad canvas of history against which the author sets the lives of his main characters, still keeping a sharp eye to historical detail and period language, which is a different structure than The Golden Ocean , which tells the tale of one long and daring voyage. In one sense, O'Brian views the long eighteenth century as the setting of his works, putting this novel in the same time period as the later series, while technically happening in two different centuries, the 18th and the 19th. They are both set in the Age of Sail , an even longer period of time than the long eighteenth century. The story is based on a real event, George Anson's voyage around the world that began in Catherine's Island off Brazil at 24 degrees South latitude, shown on this map. This novel was aimed at younger readers, as well as adults, and takes the viewpoint of a new midshipman joining the Royal Navy on HMS Centurion in on this voyage. The boy is on the one ship that makes the entire voyage, and he is one of the survivors. Seen by the midshipman Peter Palafox, the sense of the adventure is depicted, as he sees the world and learns the discipline, hardships and rewards of the Royal Navy. The hardships of the voyage are not dismissed, with counts of the deaths from scurvy, whose cure was not yet understood, and the problems of navigation without the precise knowledge of location gained by chronometers to measure longitude, depicted in detail. Rupert Hart-Davis published many of O'Brian's works, including translations e. From Wikipedia, the free encyclopedia. First edition, publisher Rupert Hart-Davis. Kirkus Reviews. Retrieved 27 June Book Review: Fiction. Los Angeles Times. Publishers Weekly. April Book Reviews. The New York Times. Retrieved 17 February Editorial Reviews. Library Journal. The Golden Ocean. Recorded Books. The Text Reduced". London: Rivingtons. Retrieved 28 June This was "the War of Jenkins' Ear"-yes, there actually was a war with that name! Anyway, O'Brian tells the story of a young Irishman who goes to sea and serves as a midshipman on Anson's flagship, Centurian. There's incredible hardship-and death- as the men face storms and scurvy, as well as the Spaniards. But there is real motivation, as the men sail in search o I like a good sea story and this is a good one, based on the voyage of Commodore Anson in England's war against Spain in the mids. But there is real motivation, as the men sail in search of "the Manila Galleon" with its gold and silver, in the great South Seas This review has been hidden because it contains spoilers. To view it, click here. Copypasted from my posts on LJ when I was reading it: This afternoon I went to my grandmother to enjoy a nice long bath. God, I need a nice bath sometimes. I felt all refreshed and chipper when I came out of it FitzGerald's sea-sickness cracked me up, and Peter getting into a fight with the other mids. I shouldn't laugh but POB is so wonderfully funny about it. Not to mention it's also very interesti Copypasted from my posts on LJ when I was reading it: This afternoon I went to my grandmother to enjoy a nice long bath. Not to mention it's also very interesting to see how Ransome, who was a very likeable chap to Jack Byron in the last book is now a bully just because the other boy is Irish I wonder whether he'll change. In any case it's a wonderful book so far. TGO is hilariously funny, by the way. Mr Stapleton has just explained the concept of keel-hauling to Peter. And of course any time, any time at all when logic is attempted to be applied to anything nautical. Why is the quarterdeck bigger than the halfdeck? Why go up the futtock shrouds instead of using a perfectly serviceable lubber hole that was built for the purpose? How can you spend the watch below aloft? Why call it a gundeck at all if there are no guns? Why is it called a one-decker if it has four storeys? Navy logic. And Peter was sitting across from Jack Byron at the dinner table. And he was mast-headed. I like to think that Jack was one of the other boys who were and they looked at each other form different ships but didn't know it. There was a mention of Palafox at the end of The Unknown Shore as well. Well, they would tie in, of course, but it's still a lot of fun. Not to mention that I'm getting thoroughly used to the route they're taking. I wish there were a glossary or footnotes for the Irish phrases, though. I feel like I'm missing out on a lot of the Irish references like what Teague refers to, or little snippets of conversation, not to mention I can't pronounce most place names. No more talking about TGO! Chapter three awaits. Hey for home, England, and beauty. Anything else? Oh yes, Ransome has redeemed himself, which we all knew he would because Jack Byron liked him, and Keppel has no teeth left, which is kind of tragic for a little kid who's probably only just gotten his set of permanent teeth a few years ago, but he gets to have a cool lisp now, so it's okay. Now let's go harry the Spaniards! This distresses me.
Recommended publications
  • 2017 Magdalen College Record
    Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected].
    [Show full text]
  • Barry Lawrence Ruderman Antique Maps Inc
    Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Carte de la partie meridionale de L'Amerique Meridionale avec la route du Centurion . Stock#: 67259 Map Maker: Anson Date: 1749 Place: Amsterdam Color: Uncolored Condition: Good Size: 18 x 19 inches Price: SOLD Description: A map showing one the last great circumnavigations drawn by the captain of the HMS Centurion A detailed chart tracking the route of Capt. George Anson's ship HMS Centurion in 1740-1742, undertaken as part of a circumnavigational voyage commissioned by the government in order to weaken the Spanish by capturing treasure ships. The chart shows the tracks of Anson's ships around South America & Cape Horn to the Juan Fernandes Islands, with notes on currents and positions. A decorative compass rose is positioned in the sea area. This edition is from the French version of Anson's Voyage Around the World published in 1749. An uncommon map. Anson's voyages This voyage was an interesting part of the Centurion's thirty-year history, part of the ship's first ill-fated circumnavigation. With a fleet of six ships, Anson sailed from England to Manila to harass Spanish treasure fleets in the Philippines. The initial crew was composed of marines as well as 250 "invalids," soldiers not fit enough for full duty. Some of these had to be brought aboard in stretchers. The ship reached Santa Caterina on 21 December 1740 before going through the roundabout voyages shown in the Drawer Ref: South America 2 Stock#: 67259 Page 1 of 2 Barry Lawrence Ruderman Antique Maps Inc.
    [Show full text]
  • Films with 2 Or More Persons Nominated in the Same Acting Category
    FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP.
    [Show full text]
  • The Inventory of the Beatrice Lillie Collection #1566
    The Inventory of the Beatrice Lillie Collection #1566 Howard Gotlieb Archival Research Center 1 Lillie, Beatrice #1566 Box 1 I. Manuscripts. Folders 1-2 A. Plays. 1. “Magdalena,” author unknown, draft of Acts I and II, TS with holo. corrections, approx. 110 p., n.d. Folder 3 2. “You’ll Get Used to It,” by M. Andersen-Kenrick, final draft, TS, 143 p., 1935. Folder 4 3. “Time Remembered,” by Jean Anouilh, final draft, TS, 83 p., 1956; includes TLS to BL from Ethel Adler (Secretary to Roger L. Stevens) re: "Time Remembered." Folder 5 4. “God Bless Our Bank,” by Max N. Benoff, final draft, TS, 145 p., n.d. Folder 6 5. “Cassandra Kelly,” by Ralph Berton and Eugene Berton, final draft, TS, 114 p., n.d. Folder 7 6. “Little Boxes,” by John Bowen, final draft, TS, n.d., includes “Trevor,” 82 p., and “The Coffee Lace,” 74 p. Folder 8 7. "Fumed Oak," by Noel Coward. a. Draft, TS with holograph corrections, 31 p., n.d. 2 Box 1 cont’d. b. Bound copy, final version, TS, 31 p., 1936. Folder 9 8. "Set to Music," by Noel Coward, final version, TS, 64 p., n.d. Folder 10 9. "Hands Across the Sea,” by Noel Coward. a. Final version, approx. 28 p., n.d. b. Final version, subtitled “A Light Comedy in One Act,” TS with holograph notes, 30 p., n.d. Folder 11 10. “A Christmas Carol,” by Charles Dickens, draft, TS with holograph notes, 24 p., n.d. Folder 12 11. “Wait the Phoenix: A Rhythmical-Comedy in Three Acts of Variant Verse,” by Clement ffuller [sic], TS, 132 p., 1963.
    [Show full text]
  • Re-Visiting and Re-Staging
    Re-visiting and Re-staging Re-visiting and Re-staging By Anupam Vatsyayan Re-visiting and Re-staging By Anupam Vatsyayan This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Anupam Vatsyayan All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9434-6 ISBN (13): 978-1-4438-9434-0 In honour of Mamma & Papa and Maa & Papa For making me and supporting me all the way And to My husband, Vaivasvat Venkat … You mean the world to me We shall not cease from exploration and the end of all our exploring will be to arrive where we started ... and know the place for the first time. —T. S. Eliot CONTENTS List of Illustrations ..................................................................................... ix Acknowledgements .................................................................................... xi Foreword .................................................................................................. xiii Manju Jaidka Preface ....................................................................................................... xv 1. Introduction ............................................................................................
    [Show full text]
  • The Chinese Cornerstone of Modern Banking Legal History Library
    The Chinese Cornerstone of Modern Banking Legal History Library Volume 14 Studies in the History of Private Law Series Editors C.H. (Remco) van Rhee (Maastricht University) Dirk Heirbaut (University of Ghent) Matthew C. Mirow (Florida International University) Editorial Board Hamilton Bryson, University of Richmond – Thomas P. Gallanis, University of Iowa – James Gordley, Tulane University – Richard Helmholz, University of Chicago – Michael Hoeflich, University of Kansas – Neil Jones, University of Cambridge – Hector MacQueen, University of Edinburgh – Paul Oberhammer, University of Zurich – Marko Petrak, University of Zagreb – Jacques du Plessis, University of Stellenbosch – Mathias Reimann, University of Michigan – Jan M. Smits, University of Tilburg – Alain Wijffels, Université Catholique de Louvain, University of Leiden, CNRS – Reinhard Zimmermann, Max-Planck-Institut für ausländisches und internationales Privatrecht, Hamburg VOLUME 6 The titles published in this series are listed at brill.com/shpl The Chinese Cornerstone of Modern Banking The Canton Guaranty System and the Origins of Bank Deposit Insurance 1780–1933 By Frederic Delano Grant, Jr. LEIDEN | BOSTON Cover Illustration: Howqua II (Wu Bingjian), 1769-1843. Oil portrait by Lamqua (Guan Qiaochang), ca. 1840. (Private collection. Photograph by permission.) Library of Congress Cataloging-in-Publication Data Grant, Frederic Delano, Jr. author. The Chinese cornerstone of modern banking : the Canton guaranty system and the origins of bank deposit insurance 1780-1933 / By Frederic Delano Grant, Jr. p. cm. — (Legal history library ; v. 10) (Studies in the history of private law) Includes bibliographical references and index. ISBN 978-90-04-27655-0 (hardback : alk. paper)—ISBN 978-90-04-27656-7 (e-book) 1. Deposit insurance— China—Guangzhou—History.
    [Show full text]
  • Chapter 1: the Seventeenth Century Actresses
    Notes CHAPTER 1: THE SEVENTEENTH CENTURY ACTRESSES 1. John Genest, Some Account of the English Stage from the Restoration to 1830, vol. I (Bath, 1832), p. 37. 2. Dr John Doran, Their Majesties' Servants: Annals of the English Stage, vol. I (London: William H. Allen & Co., 1864), p. 60. 3. E. K. Chambers, Modern Language Review, XI (October 1916) 466. Also, see Chambers's book The Medieval Stage, vol. II (London, 1948), p. 409. 4. As quoted in Genest, vol. I, p. 37 from Richard Brome's The Court Beggar (1632) and James Shirley's The Ball (1639) in which Freshwater, speaking of the plays in Paris, says, 'Yet the women are the best actors, they Play their own parts, a thing much desir'd in England.' 5. Thornton Shirley Graves, 'Women of the Pre-Restoration Stage,' Studies in Philology, XXII, No.2 (1925) 189, 192-3. The record on which Graves draws is Reyher's Les Masques Anglais, p. 25. 6. Robert Latham and William Matthews (eds), The Diary of Samuel Pepys, vol. I (London, 1970), p. 224. 7. John Downes, Roscius Anglicanus (London, 1708), p. 19. 8. Pepys, vol. II, p. 7. 9. Colley Cibber, An Apology for His Life (London, 1740), p. 55. 10. Pepys, vol. IX, p. 425. 11. Downes, p. 19. 12. She was introduced to the world by means of a hilarious prologue especially written by Thomas Jordan to show what a ridiculous figure the boy- actor had been cutting: Henry Wisham Lanier, The First English Actresses: 1660-1700 (New York, 1930), p. 31.
    [Show full text]
  • Open Submission.Pdf
    The Pennsylvania State University The Graduate School THE CRUCIBLE OF EMPIRE: THE AMERICAN EXPERIENCE IN THE CHINA RELIEF EXPEDITION OF 1900 A Dissertation in History by Xiangyun Xu 2019 Xiangyun Xu Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2019 The dissertation of Xiangyun Xu was reviewed and approved* by the following: Amy Greenberg George Winfree Professor of American History Dissertation Co-Advisor Committee Co-Chair David Atwill Associate Professor of History Dissertation Co-Advisor Committee Co-Chair Sophie De Schaepdrijver Professor of History Nicolai Volland Associate Professor of Asian Studies and Comparative Literature Michael Kulikowski Head of the Department *Signatures are on file in the Graduate School ii ABSTRACT This dissertation explores the significance of the China Relief Expedition of 1900 in the history of the United States as an empire. It demonstrates how the American decision to intervene in the Boxer Uprising and their perception of the ensuing expedition were entangled with political, gender, and racial norms in the United States formed through westward expansion, Chinese exclusion, and the Spanish-American War of 1898. The transmission and application of these norms across national boundaries applied not only to statesmen and ordinary people at home, but also servicemen in China, even though the latter’s experience in China had the potential to modify some of those stereotypes. The dissertation also reveals that by observing other forces in action, U.S. servicemen learned valuable lessons that would later be of help in the Philippines and other future encounters, and formed opinions of other countries that would later influence their stance on issues like the Russo-Japanese War of 1904- 05 and World War I.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/30/2021 03:22:22PM Via Free Access
    Adaptable Terence Rattigan: Separate Tables, separate entities? dominic shellard T R’ has essentially been that of a theatre writer, and a conservative one, who is supposed to have avoided the darker themes that invaded the British stage after (roughly) the arrival of Look Back in Anger in 1956. This view of Rattigan is by now surely on its way out. His relation to the theatre and the so-called New Wave is undoubtedly more complex. However, his track record as a screenwriter, sometimes but not always adapting his own plays, should not be forgotten. In 1939 we have French Without Tears, then Quiet Wedding (1940), The Day Will Dawn (1942), Uncensored (1942), English Without Tears (1944), Journey Together (1945), The Way to the Stars (1945), While the Sun Shines (1947), Brighton Rock (1947, from Greene’s novel), Bond Street (1948), and then a wonderful version of his own play The Winslow Boy (1948). In the 1950s he wrote The Browning Version (1951), The Sound Barrier (1952), The Final Test (1953), then disappointingly The Man Who Loved Redheads (1954), but trium- phantly another adaptation of his own play The Deep Blue Sea (1955). The Prince and the Showgirl (1957), starring Marilyn Monroe and Laurence Olivier, who also directed, is often seen as the end of his film career. (It was an unsatisfactory, though intermittently charming, tardy revival of his Festival of Britain stage play that celebrated nation and the Oliviers – Vivien Leigh had the Monroe role – called The Sleeping Prince.) But actually his last film was much more distinguished: Separate Tables (1959), an American adaptation by Rattigan himself – but see below – of his own play (or rather two one- acters) of the same name.
    [Show full text]
  • Download Thesis
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ ‘Designs against a common foe’ the Anglo-Qing suppression of piracy in South China Kwan, Nathan Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 Abstract of thesis entitled ‘Designs against a Common Foe’: The Anglo-Qing Suppression of Piracy in South China Submitted by C.
    [Show full text]
  • MAKING MEMORIES at the MOVIES – a Guide to Watching at Home
    MAKING MEMORIES AT THE MOVIES – A Guide to Watching at Home Celebrating Women in Film All films in this program have something in common: Their stars are legendary women in film. Do you recall seeing these films? Let’s spark some memories! A little background information about women in film According to the Study of Women in Television and Film at San Diego State University, male characters continued to control the big screen in 2018. about 35% of films contained 10 or more female characters in dialogue roles about 82% had 10 or more male characters in speaking roles. ….research is still revealing that women are overwhelmingly valued in film based on their identification as a mother, wife, or lover (Lang, 2015). Women are often portrayed as dependent on other characters, over-emotional, and confined to low-status jobs when compared to enterprising and ambitious male characters. So… let’s celebrate some of our outstanding female actor’s who have endured throughout the years! ____________________________________________________________________________ Judy Garland The Wizard of Oz (1939) is an American musical fantasy film. Widely considered to be one of the greatest films in cinema history, it is the best-known and most commercially successful adaptation of L. Frank Baum's 1900 children's book The Wonderful Wizard of Oz. The film stars Judy Garland as Dorothy Galea, alongside Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Billie Burke and Margaret Hamilton. Theme: Dorothy Gale lives with her dog Toto on a Kansas farm belonging to her Aunt Em and Uncle Henry. She is not able to join her family in their storm cellar during a tornado, so instead, takes shelter in her bedroom where she is hit by flying debris.
    [Show full text]
  • Open a PDF List of This Collection
    LONDON METROPOLITAN ARCHIVES Page 1 LONDON MUSIC HALLS LMA/4237 Reference Description Dates Postcard Collection LMA/4237/A/001 Images of Theatres, Music Halls and 19-- entertainers. {Please wear gloves when viewing to prevent scratching the negatives} 1 box of 202 copy negatives LMA/4237/A/001/001 Tate Library and gardens, Brixton LMA/4237/A/001/002 Ritzy Cinema, Brixton LMA/4237/A/001/003 Tate Public Library LMA/4237/A/001/004 Sir Henry Irving LMA/4237/A/001/005 The Palace, Denmark Hill LMA/4237/A/001/006 The Palace, Denmark Hill LMA/4237/A/001/007 The Palace, Denmark Hill LMA/4237/A/001/008 (Unidentified) LMA/4237/A/001/009 Denmark Hill and Theatre Metropole LMA/4237/A/001/010 (Unidentified) LMA/4237/A/001/011 Harry Tate LMA/4237/A/001/012 Empire Music Hall, Camberwell LMA/4237/A/001/013 Peckham Crown Theatre LMA/4237/A/001/014 Hippodrome, Peckham LMA/4237/A/001/015 Advert for Miss Marie Lloyd in Dick Whittington at the Crown Theatre, Peckham 1898-99 LMA/4237/A/001/016 Bingo Club, Peckham LMA/4237/A/001/017 High Street, Peckham LONDON METROPOLITAN ARCHIVES Page 2 LONDON MUSIC HALLS LMA/4237 Reference Description Dates LMA/4237/A/001/018 Empire, New Cross Road LMA/4237/A/001/019 Empire, New Cross Road LMA/4237/A/001/020 (Unidentified) LMA/4237/A/001/021 (Unidentified) LMA/4237/A/001/022 Broadway Theatre, Deptford LMA/4237/A/001/023 Miss Kitty Colyer as Cinderella at The Broadway Theatre, Deptford LMA/4237/A/001/024 Broadway Theatre, Deptford LMA/4237/A/001/025 Broadway Theatre, Deptford LMA/4237/A/001/026 Wellington Street, Woolwich LMA/4237/A/001/027 Wellington Street and Town Hall, Woolwich LMA/4237/A/001/028 Town Hall and Hippodrome, Woolwich LMA/4237/A/001/029 Grand Theatre, Woolwich LMA/4237/A/001/030 Grand Theatre, Woolwich LMA/4237/A/001/031 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/032 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/033 Lewisham LMA/4237/A/001/034 Eros House LMA/4237/A/001/035 Poster for 'Lady of Ostend' LMA/4237/A/001/036 Production of 'The Hon.
    [Show full text]