sign in sign up
<<
Home , Althea Thauberger, Art school, Atelier, Burren College of Art, Chawky Frenn, Master of Arts

The CAA Directory 2017

Studio & Art Education Production GRADUATE Conservation Historic Preservation PROGRAMS Financial Aid Special Programs in the visual Facilities & More

INTRODUCTION INTRODUCTIONiv About CAA iv WhyAbout Graduate CAA School in ivv WhatWhy Graduate This Directory School Contains in the Arts INTRODUCTION v ProgramWhat This Entry Directory Contents Contains iv v ProgramAboutv Admissio CAA Entryns Contents iv Whyv CurrAdmissio Graduateiculumns School in the Arts CONTENTS CONTENTS v Whatvi v StudCurr Thisieculunt Directorysm Contains

CONTENTS v Programvi FStudaculte ntEntryy s Contents viv ReFAdmissioacultsourcesy ns and Special Programs vivvii ReCurrFinasourcesniculucial mInformatio and Specianl Programs

CONTENTS vii Kindsvivii StudFina ofne Degreesciantsl Information viiivii AKindsvi Note Facult of on Degreesy Methodology viii Avi Note Resources on Methodology and Special Programs GRADUATEvii Financia PROGRAMl Information LISTINGS GRADUATEvii2 StudioKinds of Art Degrees PROGRAMand Design LISTINGS 344 viii 1 ArtStudioA Note Education Arton andMethodology Design 416 39 ConservationArt Education and Historic Preservation GRADUATE434 49 ConservationFilm Production PROGRAM and Historic LISTINGSPreservation 612 FilmStudio Production Art and Design INDEXES344 Art Education 471416INDEXESAlphabeticalConservation Index and Historic of Schools Preservation 257473434 GeographicFilmAlphabetical Production Index Index of of Schools Schools 258 Geographic Index of Schools INDEXES 471 Alphabetical Index of Schools 473 Geographic Index of Schools ABOUT WHAT THIS DIRECTORY CONTAINS The Art Education and Conservation sections include some programs that offer a PhD. These programs list requirements for Graduate School Programs in the is a comprehensive the doctoral degree beyond those for an MA, such as qualifying directory of programs offered primarily in the English language exams and a dissertation. See the section Kinds of Degrees, that grant a graduate degree in the practice and study of art. below, for a detailed list of degrees that appear in this directory, (For graduate programs in art and visual studies, please and what the degree abbreviations mean. The Art Association see the companion volume, Graduate Programs in .) AREAS OF CONCENTRATION: Many MFA programs offer WHY GRADUATE Programs offering an advanced degree in visual and studio arts represents the professional a degree in a particular area of concentration—for example, SCHOOL and design, communications theory, book arts, interdisciplinary an MFA in or an MFA in Design. The concentrations interests of , art historians, IN THE ARTS practices, and more are included. offered in any particular program are often determined by the museum , educators, specializations of the faculty in the department. Many programs Listings are divided into four general subject groups: students, and others, in the United have listed areas of concentration, based on standard categories A graduategraduate degree in art is the • Art Education provided by CAA. These include: architecture, , States and worldwide. traditional pathpath toto a career as a • Conservation and Historic Preservation art education, art therapy, ceramics, metals, fiber arts, glass, Founded in 1911, the the College College • Film Production digital media, , , paper, ’s books, film, professional artist or of art. The options • Studio Art and Design Art Association (CAA) provides video, foundations, , industrial design, object for those withwith anan advanced degreedegree inin thethe artsarts havehave design, , medical illustration, painting, performance, numerous services to its members and to the grown broader and richer inin recentrecent years.years. TheThe The directories published by the College Art Association contain , , installation, environmental art, sound, arts community at large. CAA serves the visual an abundance of facts. To make browsing easier, programs are two-dimensional design, three-dimensional design, and writing student opting forfor a master’s oror doctoraldoctoral degreedegree listed alphabetically by school name within each of the four arts with activities and programs that shape art- or word art. in oneone of the programsprograms listedlisted herehere cancan considerconsider subject areas. Two indexes in the back of the volume list all historical discourse, arts programs, training and schools geographically by state and country, and alphabetically a career as a museum , conservator, ADMISSIONS curriculum development, and public arts policy. across sections. or exhibition designer;designer; inin interior,interior, industrial, industrial, Individual program entries differ depending on what This section includes a program’s application deadlines, fees, and CAA publishes threeinfluential influential journals journals of art- of art- requirements for admission. You can judge the competitiveness graphic, or digital design;design; asas aa secondarysecondary schoolschool information is applicable to each program, and what information history, theory, and criticism: The Art Bulletin, Art a program or school has chosen to provide. You are encouraged of a program by the number of applications it received in the teacher; inin advertising, communications, or artart previous year, and how many students were accepted and enrolled. Journal, and caa.reviews, as well as athe weekly website email to visit the websites and campuses of programs that interest you. criticism; inin filmfilm production; production; or or in in art art therapy— therapy— Some programs indicate whether or not they admit part-time Artnewsletter, Journal Online,directories a weekly of graduate email newsletter,programs, and students. to name onlyonly aa few ofof thethe myriadmyriad possibilities.possibilities. publicationsdirectories of related graduate to itsprograms, Annual Conference,and PROGRAM ENTRY CONTENTS Some common requirements are: minimum GPA (grade point Today most of these careerscareers requirerequire anan advancedadvanced average), GRE (Graduate Record Examination) score, TOEFL (Test whichpublications draws relatedbetween to four its Annual and seven Conference, thousand Contact information for the program is listed directly below the degree oror certificationcertification beyondbeyond thethe bachelor’sbachelor’s level. school and program name. In addition to a mailing address, of English as a Foreign Language) score, bachelor’s degree, college participantswhich draws eachbetween year. four- and six-thousand transcript, letters of recommendation, personal statement, foreign Choosing the right institution andand programprogram forfor there is a primary contact for the program and the program or participantsCAA provides each career year. counseling and advocates language proficiency, and portfolio of your artwork. your graduate education is important. Curricula school’s website. This section also notes whether the school is a forCAA national provides issues career in the counseling visual arts. and It honorsadvocates public or private institution, college or , or other type of range from the generalgeneral toto thethe highlyhighly specializedspecialized program. Many respondents chose to include a brief description CURRICULUM thefor nationalaccomplishments issues in the of artists,visual arts.art historians, It honors and technical, and from the traditional that highlights aspects of their program, and to list degrees the This section lists information about general or specialized andthe accomplishmentscritics with its prestigious of artists, annual art historians, awards, course(s) of study, number of courses or credit hours required and based to thethe experimentalexperimental andand institution awards and how the program is accredited. and alsocritics confers with its monetary prestigious grants annual and awards,fellowships ACCREDITATION: Educational accreditation is a process in for graduation, and other degree requirements. theoretical. TheThe program listings in thisthis volumevolume which an institution’s services and operations are examined COURSES: Institutions may include the number of courses toand artists also confersand art monetaryscholars, andgrants to publishersand fellowships of provide guidance to the scopescope andand focusfocus ofof by a third-party agency that determines if applicable standards that the department offers to graduate students each term and scholarlyto artists artand books. art scholars, and to publishers of the number whose enrollment is limited to graduate students. almostover 350 400 academic academic programs, programs, allowing allowing you you are met. Schools and programs are accredited by a variety of scholarlyIf you plan art books. to earn a graduate degree in recognized organizations. The process in the Information about average class size and specialized curriculum to review the rangerange ofof choices.choices. FactorsFactors suchsuch asas differs from that in many non-US countries. CAA does not requirements may also be found in this section. theIf arts, you planCAA toinvites earn youa graduate to join nowdegree to takein cost, geographicgeographic location,location, lengthlength ofof the the program, program, confirm accreditation information published here. RESIDENCY REQUIREMENT: This does not refer to a advantagethe arts, CAA of theinvites many you benefits to join nowof membership,to take student’s housing, but to the length of time a student must be on faculty specializations, availabilityavailability of of financial financial DEGREES AWARDED: Typical degrees include the Master of includingadvantage reduced of the many conference benefits fees, of membership, networking, Fine Arts (MFA) and (MA), both called a master’s campus (that is, enrolled in courses), as opposed to conducting aid, and otherother features will help inform your degree. Some institutions now offer a Doctor of Fine Arts (DFA), independent research elsewhere. The residency requirement may andincluding career reduced opportunities. conference fees, networking, decision. also called a or doctoral degree, though this degree is vary for full-time and part-time students. andFor career more opportunities. information about CAA and to join, not generally a professional requirement for employment in the COURSE OF STUDY: Studio art programs may also have one pleaseFor more visit www.collegeart.org,information about CAA call 212-691-1051,and to join, visual arts. Some programs also offer a Master’s degree (MA) in or more of the following requirements: written , area of visual art, art education, or other related disciplines, and many concentration, final solo or group exhibition, art history exam, orplease send visit an emailwww.collegeart.org, to [email protected]. call 212-691-1051, of these are also listed in this book. The requirements and goals and business courses. Typically, the thesis exhibition is reviewed or send an email to nyoffi[email protected]. of an MA in visual arts may differ from those of an MFA. For by a jury or committee. Often a written thesis component of an example, if the program concentrates on art education and grants MFA program is the student’s statement and explanation of the a teaching certificate, the curriculum would require fewer studio- works of art in the thesis exhibition. Some programs provide based courses. information about the typical course of study, requirements for a

v iv v ABOUT WHAT THIS DIRECTORY CONTAINS The Art Education and Conservation sections include some programs that offer a PhD. These programs list requirements for Graduate School Programs in the Visual Arts is a comprehensive the doctoral degree beyond those for an MA, such as qualifying directory of programs offered primarily in the English language exams and a dissertation. See the section Kinds of Degrees, that grant a graduate degree in the practice and study of art. below, for a detailed list of degrees that appear in this directory, (For graduate programs in art history and visual studies, please and what the degree abbreviations mean. The CollegeCollege Art Association see the companion volume, Graduate Programs in Art History.) AREAS OF CONCENTRATION: Many MFA programs offer WHY GRADUGRADUATEATE Programs offering an advanced degree in visual and studio arts represents the professional a degree in a particular area of concentration—for example, SCHOOL and design, communications theory, book arts, interdisciplinary an MFA in Painting or an MFA in Design. The concentrations interests of artists, art historians, IN THE ARTS practices, and more are included. offered in any particular program are often determined by the museum curators, educators, specializations of the faculty in the department. Many programs Listings are divided into four general subject groups: students, and others, in the United have listed areas of concentration, based on standard categories A graduategraduate degree in art is the • Art Education provided by CAA. These include: architecture, interior design, States and worldwide. traditional pathpath toto a career as a • Conservation and Historic Preservation art education, art therapy, ceramics, metals, fiber arts, glass, FoundedFounded in 1911, the the College College • Film Production digital media, drawing, printmaking, paper, artist’s books, film, professional artist or teacher of art. The options • Studio Art and Design Art Association (CAA) provides video, foundations, graphic design, industrial design, object for those withwith anan advanced degreedegree inin thethe artsarts havehave design, illustration, medical illustration, painting, performance, numerous services to its members and to the grown broader and richer inin recentrecent years.years. TheThe The directories published by the College Art Association contain photography, sculpture, installation, environmental art, sound, arts community at large. CAA serves the visual an abundance of facts. To make browsing easier, programs are two-dimensional design, three-dimensional design, and writing student opting forfor a master’s oror doctoraldoctoral degreedegree listed alphabetically by school name within each of the four arts with activities and programs that shape art- or word art. in oneone of the programsprograms listedlisted herehere cancan considerconsider subject areas. Two indexes in the back of the volume list all historical discourse, arts programs, training and schools geographically by state and country, and alphabetically a career as a museum curator, conservator, ADMISSIONS curriculum development, and public arts policpolicy.y. across sections. or exhibition designer;designer; inin interior,interior, industrial, industrial, Individual program entries differ depending on what This section includes a program’s application deadlines, fees, and CAA publishes influentialthree influential journals journals of art- of art- requirements for admission. You can judge the competitiveness graphic, or digital design;design; asas aa secondarysecondary schoolschool information is applicable to each program, and what information historhistory,y, theory,theory, and criticism: The Art Bulletin, Art a program or school has chosen to provide. You are encouraged of a program by the number of applications it received in the teacher; inin advertising, communications, or artart previous year, and how many students were accepted and enrolled. Journal, and caa.reviews, as well as thea weekly website email to visit the websites and campuses of programs that interest you. criticism; inin filmfilm production; production; or or in in art art therapy— therapy— Some programs indicate whether or not they admit part-time Artnewsletter, Journal Online,directories a weekly of graduate email newsletteprograms,r, and students. to name onlyonly aa few ofof thethe myriadmyriad possibilities.possibilities. directoriespublications of related graduate to itsprograms, Annual Conference,and PROGRAM ENTRY CONTENTS Some common requirements are: minimum GPA (grade point Today most of these careerscareers requirerequire anan advancedadvanced average), GRE (Graduate Record Examination) score, TOEFL (Test publicationswhich draws relatedbetween to four its Annual and seven Conference, thousand Contact information for the program is listed directly below the degree oror certificationcertification beyondbeyond thethe bachelor’sbachelor’s level. school and program name. In addition to a mailing address, of English as a Foreign Language) score, bachelor’s degree, college whichparticipants draws eachbetween year. four- and six-thousand transcript, letters of recommendation, personal statement, foreign Choosing the right institution andand programprogram forfor there is a primary contact for the program and the program or participantsCAA provides each career year. counseling and advocates language proficiency, and portfolio of your artwork. your graduate education is important. Curricula school’s website. This section also notes whether the school is a forCAA national provides issues career in the counseling visual arts. and It honorsadvocates public or private institution, college or university, or other type of range from the generalgeneral toto thethe highlyhighly specializedspecialized program. Many respondents chose to include a brief description CURRICULUM forthe nationalaccomplishments issues in the of artists,visual arts.art historians, It honors and technical, and from the traditional that highlights aspects of their program, and to list degrees the This section lists information about general or specialized theand accomplishmentscritics with its prestigious of artists, annual art historians, awards, course(s) of study, number of courses or credit hours required and research based to thethe experimentalexperimental andand institution awards and how the program is accredited. and criticsalso confers with its monetary prestigious grants annual and awards,fellowships ACCREDITATION: Educational accreditation is a process in for graduation, and other degree requirements. theoretical. TheThe program listings in thisthis volumevolume which an institution’s services and operations are examined COURSES: Institutions may include the number of courses andto artists also confersand art monetaryscholars, andgrants to publishersand fellowships of provide guidance to the scopescope andand focusfocus ofof by a third-party agency that determines if applicable standards that the department offers to graduate students each term and toscholarly artists artand books. art scholars, and to publishers of the number whose enrollment is limited to graduate students. almostover 350 400 academic academic programs, programs, allowing allowing you you are met. Schools and programs are accredited by a variety of scholarlyIf you plan art books. to earn a graduate degree in recognized organizations. The process in the United States Information about average class size and specialized curriculum to review the rangerange ofof choices.choices. FactorsFactors suchsuch asas differs from that in many non-US countries. CAA does not requirements may also be found in this section. theIf arts, you planCAA toinvites earn youa graduate to join nowdegree to takein cost, geographicgeographic location,location, lengthlength ofof the the program, program, confirm accreditation information published here. RESIDENCY REQUIREMENT: This does not refer to a theadvantage arts, CAA of theinvites many you benefits to join nowof membership,to take student’s housing, but to the length of time a student must be on faculty specializations, availabilityavailability of of financial financial DEGREES AWARDED: Typical degrees include the Master of advantageincluding reduced of the many conference benefits fees, of membership, networking, Fine Arts (MFA) and Master of Arts (MA), both called a master’s campus (that is, enrolled in courses), as opposed to conducting aid, and otherother features will help inform your degree. Some institutions now offer a Doctor of Fine Arts (DFA), independent research elsewhere. The residency requirement may includingand career reduced opportunities. conference fees, networking, decision. also called a doctorate or doctoral degree, though this degree is vary for full-time and part-time students. andFor career more opportunities. information about CAA and to join, not generally a professional requirement for employment in the COURSE OF STUDY: Studio art programs may also have one pleaseFor more visit www.collegeart.org,information about CAA call 212-691-1051,and to join, visual arts. Some programs also offer a Master’s degree (MA) in or more of the following requirements: written thesis, area of visual art, art education, or other related disciplines, and many concentration, final solo or group exhibition, art history exam, pleaseor send visit an emailwww.collegeart.org, to [email protected]. call 212-691-1051, of these are also listed in this book. The requirements and goals and business courses. Typically, the thesis exhibition is reviewed or send an email to nyoffi[email protected]. of an MA in visual arts may differ from those of an MFA. For by a jury or committee. Often a written thesis component of an example, if the program concentrates on art education and grants MFA program is the student’s statement and explanation of the a teaching certificate, the curriculum would require fewer studio- works of art in the thesis exhibition. Some programs provide based courses. information about the typical course of study, requirements for a

v iv v major area or concentration, or course requirements outside the RESOURCES AND SPECIAL PROGRAMS procedures to ensure current compliance with OSHA and EPA the information a student provides on the Free Application for major area. There may also be a minimum number of seminars The information in this section lists services and benefits of regulations. Most schools perform an audit periodically. Federal Student Aid (FAFSA). For a description of loans and loan required by a program, as well as guidelines about the number of a particular program and campus, allowing insight into the Finally, this section may note the methods used to familiarize amounts available to graduate students, see www.studentaid. graduate courses that a student may take outside the department. advantages of one program over another. This section provides students and faculty with environmental health and safety on ed.gov and contact the institution’s financial aid office. information about specialized libraries and programs, image campus including publications, instruction in class, faculty STUDENTS resources, and campus-wide resources. training, and whether or not there is a dedicated staff health and KINDS OF DEGREES You will find information in this section about current and LIBRARIES: This section includes information about the safety officer or trained shop technician. Many schools also post recent students in each program or department. The number number of volumes in the library system, number of art books the Material Safety Data Sheets (MSDS) for the materials used in This directory lists degrees awarded as either certificate, master’s of students in residence (those who are currently enrolled in and art journals, subscriptions to online art images and journals, their studios. Material Safety Data Sheets contain data about the degree, or doctoral degree. Delineation of degree types among coursework) and the number of graduates from the previous and dedicated art libraries. properties of a particular chemical or other substance, including institutions and programs varies widely. The following list, though year (organized by degree type and gender) are found here. IMAGE RESOURCES: Here you will find information about toxicity, health effects of exposure, and flammability; they also not exhaustive, defines common degrees that might appear in Departments may list student organizations and also note the the program’s image collection in print, slide, and digital media, describe safe storage, disposal, and handling procedures. program descriptions. formal mode of student participation in academic governance, noting the total number of images in the collection. This section (MFA): This degree is typically awarded such as a graduate senate or graduate student union. may also list opportunities for students to view art in local FINANCIAL INFORMATION for two to three years of academic and studio-based study in fine museums, galleries, collections, and funded field trips. This section provides information about tuition and fees, financial arts and fields. A bachelor’s degree in fine arts is usually required for admission to an MFA program. The emphasis in an FACULTY SPECIAL PROGRAMS: Programs listings may include formal aid, health insurance, fellowships, and assistantships. projects, formal relationships with other academic departments MFA program is studio practice in a particular area or medium, The faculty of a graduate program creates its foundation. Every TUITION: The ways that programs and institutions calculate at the institution, and a museum or gallery affiliated with the though a written thesis may be required in addition to an exhibition. program varies in focus and style depending on the scholars who tuition rates can vary widely. A program may determine tuition department or institution. Institutions may choose to provide MASTER OF ARTS (MA): A master’s program may be course- teach in it. Their subject or practice area, theoretical interests, per credit hour, per semester, or per year. Many will have information about other extracurricular opportunities, such based, studio-based, or a combination of both; a thesis may be and methodology will influence what and how you learn. This different tuition rates for in-state residents, out-of-state residents, as the opportunity to participate in exhibitions or critiques, or required for completion of the degree. The course of study is section offers information about current faculty including and international students; in addition, sometimes tuition and additional special programs such as a lecture series or visiting generally one to two years. Often a bachelor’s degree in the area of faculty specializations, the total number of faculty and whether fees vary for full-time and part-time students. Some institutions scholar program. study is not required for admission. they are tenured, full-time, or part-time, and faculty who may may not have provided this information. Readers are advised to OTHER CAMPUS RESOURCES: This section may include (MS): Programs award this degree for have recently held positions as visiting professors. A professor’s contact the institution to verify current costs and fees. information about an employment or career placement office, academic study of the arts, particularly in branches of the arts, such rank (assistant professor, associate professor, full professor, FINANCIAL AID: This section includes information about types international student office, or student housing office, and plans as conservation, that require technical skills. or lecturer) is included, and, if provided, their highest degree of aid available to students (if provided), the number of graduate for changes and improvements to facilities. OTHER MASTER’S DEGREES: Related degrees include the earned and the institution awarding the degree. Professors with students who receive aid, the average amount of the awards, ENVIRONMENTAL HEALTH AND SAFETY: In the United (MDes), Master of Architecture (MArch), Master the “emeritus” may have stopped teaching but often remain and qualifications and requirements for financial aid. Financial States, the Occupational Safety and Health Administration of Landscape Architecture (MLA), and Master of Industrial Design active in the academic community. Depending on circumstances, assistance is divided into fellowships and assistantships. (OSHA) works with employers and employees to ensure (MID). they may continue to advise and mentor graduate students who The type and allocation of financial aid varies widely among employee (and, by extension, student) safety and health by GRADUATE DEGREES IN EDUCATION: Education degrees with entered the program before they retired. programs. Fellowships generally do not require service to the maintaining proper working environments. OSHA has helped an emphasis on the visual arts often mix disciplinary studies (for Some respondents provide detailed data about faculty; others granting institution. Teaching and working assistants have work to reduce occupational injury and illness rates by 40 percent example, art history) with coursework in educational theory and offer a short list. However, a small number of listed faculty is requirements in exchange for a stipend or hourly rate of pay. Any since its inception in 1971. In the listings for studio art and practice. Many education degrees include substantial classroom not necessarily an indication of the range or scope of a program. of these may include full or partial tuition remission. conservation programs, this section describes a school’s work as well as courses focused on methods and pedagogy. In the There may be faculty in other programs who are not listed but FELLOWSHIPS: These are often awarded for a semester or compliance with OSHA standards in the following areas: United States and many countries, secondary school must who teach in a program in which you’re interested. It’s always for an academic year, and in some cases for multiple years, and ventilation and respiratory protection, hazardous chemical safety be licensed or certified. Some degree programs in education include best to contact the institution or visit its website for additional may be granted at the departmental and institutional level. There (also called “right-to-know”: the legal principle that individuals such teacher certification. Education degrees include the following: information about its faculty. are also national fellowships such as the Fulbright, as well as have the right to know the hazardous or toxic chemicals to MASTER OF ARTS IN TEACHING (MAT): This degree is for Many institutions have a system of fellowships granted by private foundations, many of which are which they may be exposed), availability and quality of personal students interested in a career in primary or secondary school academic tenure. Faculty members with tenure hold a lifelong devoted to supporting graduate student research in the visual arts. protective equipment, machine safety, and hearing protection. education (preschool and/or kindergarten through high school). position at an institution and are protected against termination Please ask the program contact or financial aid office about these The United States Environmental Protection Agency (EPA) MASTER OF EDUCATION (MED): An MEd may include without undue cause. Individuals are promoted to tenure after additional sources of aid. protects human health and the environment. Since 1970, EPA concentration or specialization in the arts, as well as training in demonstrating a strong record of research, publication, service, TEACHING ASSISTANTSHIPS: This type of work helps prepare has worked to develop and enforce regulations that implement educational administration, curriculum, and theory. and teaching. Part-time or adjunct instructors do not hold full- graduate students for a future career as a professor and are often environmental laws; these include ensuring clean air and MASTER OF ARTS EDUCATION (MAE OR MAED): Programs time positions and generally do not have the administrative related to the graduate student’s field of study. An assistant may water, and the proper disposal of hazardous wastes and other offering this degree train practicing art teachers and individuals with responsibilities of full-time professors. Instead, they are hired to be asked, for example, to grade undergraduate papers and exams pollutants. Some artists’ materials (including, but not limited to, an undergraduate art background who seek to teach art. teach courses on a contractual basis. Many institutions also have or to teach undergraduate lectures or discussion sections under paints, inks, oils, solvents, photo and printmaking chemicals, EDUCATIONAL SPECIALIST (EDS): In the United States, this is full-time faculty who teach under single- or multi-year contracts departmental supervision. casting materials, plastics, and glues) may be hazardous to the a terminal (final) degree that follows an MAT or MEd and provides rather than in tenure-track positions. Visiting professors may WORKING ASSISTANTSHIPS: These positions are similar to environment if not properly disposed of and to human health additional specialized skills, but does not include the research have full-time academic positions elsewhere or hold short-term teaching assistantships, though the range of work is greater. A if not handled correctly. A program’s compliance with EPA and involved in a PhD or EdD. teaching contracts. “Lecturer” or “instructor” usually refers working assistant may work in a library or image collection, in a state regulations for handling of materials, spill procedures, and DOCTOR OF EDUCATION (EDD): This is a terminal (final) to an untenured, part-time, or visiting instructor with limited museum or gallery affiliated with the department or institution, disposal is noted. Correct ventilation is particularly important degree equivalent to a PhD, with a similar program of extensive and nonteaching responsibilities. In the United Kingdom and other or as a research assistant for a particular professor or project in art and conservation studios. Schools provide information on rigorous research, but a greater emphasis on educational theory and countries, the terms refer to a more permanent or established within the program or institution. Hours of work required per of solvents and dusts, including the presence of methods. position. week generally range from ten to twenty. exhaust fans, vent fans, and hoods. An environmental health and Many students are also eligible for a federal loan as CERTIFICATE AND : Some safety audit is a formal assessment by a school of its facilities and determined by the institution’s financial aid office and based on programs offer a certificate (conferring professional certification) or

vi vii vi vii major area or concentration, or course requirements outside the RESOURCES AND SPECIAL PROGRAMS procedures to ensure current compliance with OSHA and EPA the information a student provides on the Free Application for major area. There may also be a minimum number of seminars The information in this section lists services and benefits of regulations. Most schools perform an audit periodically. Federal Student Aid (FAFSA). For a description of loans and loan required by a program, as well as guidelines about the number of a particular program and campus, allowing insight into the Finally, this section may note the methods used to familiarize amounts available to graduate students, see www.studentaid. graduate courses that a student may take outside the department. advantages of one program over another. This section provides students and faculty with environmental health and safety on ed.gov and contact the institution’s financial aid office. information about specialized libraries and programs, image campus including publications, instruction in class, faculty STUDENTS resources, and campus-wide resources. training, and whether or not there is a dedicated staff health and KINDS OF DEGREES You will find information in this section about current and LIBRARIES: This section includes information about the safety officer or trained shop technician. Many schools also post recent students in each program or department. The number number of volumes in the library system, number of art books the Material Safety Data Sheets (MSDS) for the materials used in This directory lists degrees awarded as either certificate, master’s of students in residence (those who are currently enrolled in and art journals, subscriptions to online art images and journals, their studios. Material Safety Data Sheets contain data about the degree, or doctoral degree. Delineation of degree types among coursework) and the number of graduates from the previous and dedicated art libraries. properties of a particular chemical or other substance, including institutions and programs varies widely. The following list, though year (organized by degree type and gender) are found here. IMAGE RESOURCES: Here you will find information about toxicity, health effects of exposure, and flammability; they also not exhaustive, defines common degrees that might appear in Departments may list student organizations and also note the the program’s image collection in print, slide, and digital media, describe safe storage, disposal, and handling procedures. program descriptions. formal mode of student participation in academic governance, noting the total number of images in the collection. This section MASTER OF FINE ARTS (MFA): This degree is typically awarded such as a graduate senate or graduate student union. may also list opportunities for students to view art in local FINANCIAL INFORMATION for two to three years of academic and studio-based study in fine museums, galleries, collections, and funded field trips. This section provides information about tuition and fees, financial arts and humanities fields. A bachelor’s degree in fine arts is usually required for admission to an MFA program. The emphasis in an FACULTY SPECIAL PROGRAMS: Programs listings may include formal aid, health insurance, fellowships, and assistantships. projects, formal relationships with other academic departments MFA program is studio practice in a particular area or medium, The faculty of a graduate program creates its foundation. Every TUITION: The ways that programs and institutions calculate at the institution, and a museum or gallery affiliated with the though a written thesis may be required in addition to an exhibition. program varies in focus and style depending on the scholars who tuition rates can vary widely. A program may determine tuition department or institution. Institutions may choose to provide MASTER OF ARTS (MA): A master’s program may be course- teach in it. Their subject or practice area, theoretical interests, per credit hour, per semester, or per year. Many will have information about other extracurricular opportunities, such based, studio-based, or a combination of both; a thesis may be and methodology will influence what and how you learn. This different tuition rates for in-state residents, out-of-state residents, as the opportunity to participate in exhibitions or critiques, or required for completion of the degree. The course of study is section offers information about current faculty including and international students; in addition, sometimes tuition and additional special programs such as a lecture series or visiting generally one to two years. Often a bachelor’s degree in the area of faculty specializations, the total number of faculty and whether fees vary for full-time and part-time students. Some institutions scholar program. study is not required for admission. they are tenured, full-time, or part-time, and faculty who may may not have provided this information. Readers are advised to OTHER CAMPUS RESOURCES: This section may include MASTER OF SCIENCE (MS): Programs award this degree for have recently held positions as visiting professors. A professor’s contact the institution to verify current costs and fees. information about an employment or career placement office, academic study of the arts, particularly in branches of the arts, such rank (assistant professor, associate professor, full professor, FINANCIAL AID: This section includes information about types international student office, or student housing office, and plans as conservation, that require technical skills. or lecturer) is included, and, if provided, their highest degree of aid available to students (if provided), the number of graduate for changes and improvements to facilities. OTHER MASTER’S DEGREES: Related degrees include the earned and the institution awarding the degree. Professors with students who receive aid, the average amount of the awards, ENVIRONMENTAL HEALTH AND SAFETY: In the United Master of Design (MDes), Master of Architecture (MArch), Master the title “emeritus” may have stopped teaching but often remain and qualifications and requirements for financial aid. Financial States, the Occupational Safety and Health Administration of Landscape Architecture (MLA), and Master of Industrial Design active in the academic community. Depending on circumstances, assistance is divided into fellowships and assistantships. (OSHA) works with employers and employees to ensure (MID). they may continue to advise and mentor graduate students who The type and allocation of financial aid varies widely among employee (and, by extension, student) safety and health by GRADUATE DEGREES IN EDUCATION: Education degrees with entered the program before they retired. programs. Fellowships generally do not require service to the maintaining proper working environments. OSHA has helped an emphasis on the visual arts often mix disciplinary studies (for Some respondents provide detailed data about faculty; others granting institution. Teaching and working assistants have work to reduce occupational injury and illness rates by 40 percent example, art history) with coursework in educational theory and offer a short list. However, a small number of listed faculty is requirements in exchange for a stipend or hourly rate of pay. Any since its inception in 1971. In the listings for studio art and practice. Many education degrees include substantial classroom not necessarily an indication of the range or scope of a program. of these may include full or partial tuition remission. conservation programs, this section describes a school’s work as well as courses focused on methods and pedagogy. In the There may be faculty in other programs who are not listed but FELLOWSHIPS: These are often awarded for a semester or compliance with OSHA standards in the following areas: United States and many countries, secondary school teachers must who teach in a program in which you’re interested. It’s always for an academic year, and in some cases for multiple years, and ventilation and respiratory protection, hazardous chemical safety be licensed or certified. Some degree programs in education include best to contact the institution or visit its website for additional may be granted at the departmental and institutional level. There (also called “right-to-know”: the legal principle that individuals such teacher certification. Education degrees include the following: information about its faculty. are also national fellowships such as the Fulbright, as well as have the right to know the hazardous or toxic chemicals to MASTER OF ARTS IN TEACHING (MAT): This degree is for Many higher education institutions have a system of fellowships granted by private foundations, many of which are which they may be exposed), availability and quality of personal students interested in a career in primary or secondary school academic tenure. Faculty members with tenure hold a lifelong devoted to supporting graduate student research in the visual arts. protective equipment, machine safety, and hearing protection. education (preschool and/or kindergarten through high school). position at an institution and are protected against termination Please ask the program contact or financial aid office about these The United States Environmental Protection Agency (EPA) MASTER OF EDUCATION (MED): An MEd may include without undue cause. Individuals are promoted to tenure after additional sources of aid. protects human health and the environment. Since 1970, EPA concentration or specialization in the arts, as well as training in demonstrating a strong record of research, publication, service, TEACHING ASSISTANTSHIPS: This type of work helps prepare has worked to develop and enforce regulations that implement educational administration, curriculum, and theory. and teaching. Part-time or adjunct instructors do not hold full- graduate students for a future career as a professor and are often environmental laws; these include ensuring clean air and MASTER OF ARTS EDUCATION (MAE OR MAED): Programs time positions and generally do not have the administrative related to the graduate student’s field of study. An assistant may water, and the proper disposal of hazardous wastes and other offering this degree train practicing art teachers and individuals with responsibilities of full-time professors. Instead, they are hired to be asked, for example, to grade undergraduate papers and exams pollutants. Some artists’ materials (including, but not limited to, an undergraduate art background who seek to teach art. teach courses on a contractual basis. Many institutions also have or to teach undergraduate lectures or discussion sections under paints, inks, oils, solvents, photo and printmaking chemicals, EDUCATIONAL SPECIALIST (EDS): In the United States, this is full-time faculty who teach under single- or multi-year contracts departmental supervision. casting materials, plastics, and glues) may be hazardous to the a terminal (final) degree that follows an MAT or MEd and provides rather than in tenure-track positions. Visiting professors may WORKING ASSISTANTSHIPS: These positions are similar to environment if not properly disposed of and to human health additional specialized skills, but does not include the research have full-time academic positions elsewhere or hold short-term teaching assistantships, though the range of work is greater. A if not handled correctly. A program’s compliance with EPA and involved in a PhD or EdD. teaching contracts. “Lecturer” or “instructor” usually refers working assistant may work in a library or image collection, in a state regulations for handling of materials, spill procedures, and DOCTOR OF EDUCATION (EDD): This is a terminal (final) to an untenured, part-time, or visiting instructor with limited museum or gallery affiliated with the department or institution, disposal is noted. Correct ventilation is particularly important degree equivalent to a PhD, with a similar program of extensive and nonteaching responsibilities. In the United Kingdom and other or as a research assistant for a particular professor or project in art and conservation studios. Schools provide information on rigorous research, but a greater emphasis on educational theory and countries, the terms refer to a more permanent or established within the program or institution. Hours of work required per management of solvents and dusts, including the presence of methods. position. week generally range from ten to twenty. exhaust fans, vent fans, and hoods. An environmental health and Many students are also eligible for a federal loan as CERTIFICATE AND POSTGRADUATE DIPLOMA: Some safety audit is a formal assessment by a school of its facilities and determined by the institution’s financial aid office and based on programs offer a certificate (conferring professional certification) or

vi vii vi vii postgraduate diploma, rather than a degree. These programs usually do not include thesis research, but emphasize practical training. In the United States, the certification may indicate that the recipient has met state requirements for teaching or professional standards in STUDIO ARTART other fields. A NOTE ON METHODOLOGY EDUCATION The information presented in this directory was provided by & DESIGN individual programs to the College Art Association. Only English- language programs, both in the United States and abroad, are included. Every effort was made to include all eligible schools and programs; however, a few programs chose not to participate, and others may have missed our notices. The format of the listings is consistent throughout the book, with sections on admissions, curriculum, students, faculty, resources, and financial information. Individual listings will vary according to the amount of detail each program chose to provide. This book is one of two CAA directories of graduate programs in the visual arts in print. If you are interested in programs in art and architectural history, visual studies, arts administration, curatorial and museum studies, or library science, see the companion volume, Graduate Programs in Art History: The CAA Directory.

viii viii art education Other Campus Resources BROOKLYN COLLEGE Employment or career development office: Yes Office/center for international students: Yes Art Education FINANCIAL INFORMATION Brooklyn College Art Education Tuition 2900 Bedford Ave. Full-time student tuition is determined per semester. Brooklyn, , 11210 State residents: $5,065 Phone: 718-951-5000 x 3783 Additional institutional fees: $150 www.brooklyn.cuny.edu/web/academics/schools/education/graduate.p hp Part-time student tuition is determined per credit. State residents: $425 Contact: Herman Jiesamfoek, [email protected] Out-of-state residents: $780 Public college International students: $780 Accredited by: Middle States Association of and Schools Additional institutional fees: $250 Degrees awarded: Master’s degree The Art Teacher (K–12) MA program at Brooklyn College is committed Financial Aid to preparing outstanding art teachers who are skilled makers of art, Types of aid available: Work-study program insightful observers of visual culture, and articulate advocates for art education in public and independent schools. An MA in art education is Assistantships offered to students who hold a bachelor’s degree from an accredited Other financial support: Scholarships and financial aid are available to institution in either art or art education. For students who already hold a eligible students. master’s degree in art or a related discipline, a non-degree teaching certificate is offered. Health Insurance The curriculum consists of education courses, field experiences, and Full-time master’s students and part-time master’s students receive art classes. Art studios are scheduled to accommodate students who health insurance coverage with copayment. have family and/or professional responsibilities. Most students complete the program in two years, but individuals are free to set their own pace for progressing through the program. The courses required vary depending on the entry qualifications of students and are subject to change due to New York State requirements. STATE ADMISSIONS This program has rolling admissions. UNIVERSITY, LONG BEACH Deadline for fall: 3/15 Fall notification date: 4/1 Art Education Application fee: $125 School of Art Part-time students accepted: Yes California State University, Long Beach Applications received 2014–15: 29 1250 Bellflower Blvd. Long Beach, California, 90840 Applications accepted 2014–15: 22 Phone: 562-985-7819 Students enrolled 2014–15: 13 www.art.csulb.edu/graduate_studies/art_education/ Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for foreign students (iBT 79), transcript, letters of recommendation, Contact: Rebecca Sittler Schrock, [email protected] résumé, statement of interest/personal statement, examples of personal ; nonprofit corporation artwork, interview, contact the program for additional requirements, Accredited by: National Association of Schools of Art and Design foreign language (State requirement) Degrees awarded: Master’s degree Recommended: Teacher certification The Master’s in Art Education program allows students to develop a personalized program of study within established curricular parameters, CURRICULUM and with the consultation and approval of the student’s Thesis or MASTER'S PROGRAM Project committee. Students are able to focus on a particular area of concentration, choosing from K-12 education, community based art Degree requirements: Two or more art education courses, one or more education, and museum education. courses in research methods, one or more courses in developmental psychology, one or more art-history courses, studio concentration, The MA in Art with a Concentration in Art Education is centered on the written thesis. Two to four art education methods courses are required. following student learning outcomes: P–12 art teaching, student teaching, or internship is required. 1. Students develop familiarity with the , and art education FACULTY in particular. Tenured/tenure track: 0 men, 0 women 2. Students become versed in educational philosophy, with emphasis in Part-time/adjunct lecturers: 0 men, 0 women the philosophies of art education. Full-time contractual: 0 men, 0 women 3. Students become versed in a specific area of specialization, such as curricular issues, teaching methodology, assessment factors, multicultural theory, etc. RESOURCES AND SPECIAL PROGRAMS 4. Students develop advanced abilities in organizing and disseminating Libraries data through research, exhibition, or other demonstration of Total volumes in library system: >1,000,000 competency. Art volumes in library system: >50,000 ADMISSIONS Art journals in library system: >1,000 Deadline for fall: 1/15 There is a separate art library with >1,000 volumes. Students have library Fall notification date: 5/15 privileges at other institutional libraries. Application fee: $55 Image Resources Part-time students accepted: Yes Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Requirements: Bachelor’s degree (BA or BFA), GPA (2.5), TOEFL for image library. Students have access to image collections. Students have foreign students (iBT 80), letters of recommendation, statement of opportunities to view works of art in local museums and commercial interest/personal statement, writing sample, examples of personal galleries. artwork Recommended: Transcript Program Opportunities Additional opportunities for study within the institution: Art Department

2 CURRICULUM CALIFORNIA STATE Average Class Size In graduate studios: 6–10 students UNIVERSITY, LOS ANGELES In graduate seminars: 11–15 students In graduate lectures: 11–20 students MA Art Education Independent study available: Yes Department of Art STUDENTS California State University, Los Angeles Number of students in residence: Master’s, 17 5151 State University Dr. Los Angeles, California, 90032 Number of female graduates fall 2015–summer 2016: Master’s, 3 Phone: 323-343-4010/12 Student organizations within the program/department: ASI - Associated Fax: 323-343-4045 Students, Inc. www.calstatela.edu/academic/art FAR - Fine Arts Roundtable Contact: Dr. Mika Cho, Chair, [email protected] Formal mode of student participation in academic governance: Associated Students, INC Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design, FACULTY Western Association of Schools and Colleges Number of faculty: 2 Degrees awarded: Master’s degree Tenured/tenure track: 1 man, 1 woman First graduate degree granted: MA, 1952 Part-time/adjunct lecturers: 0 men, 0 women The MA in Art Education is a 30-semester-unit graduate program. It Full-time contractual: 0 men, 0 women provides an opportunity to increase educational and intellectual growth for an advanced degree (EdD or PhD) and/or a professional career in DR. LAURIE GATLIN, Art Education (Studio), Associate Professor, PhD arts community. Please see the university catalog for more detailed DR. CARLOS SILVEIRA, Art Education, Professor, PhD information. RESOURCES AND SPECIAL PROGRAMS ADMISSIONS Libraries Deadline for fall: 1/17 Students have library privileges at other institutional libraries. Fall notification date: 3/1 Image Resources Application fee: $55 Institution maintains its own slide collection. Institution subscribes to a Part-time students accepted: Yes digital-image library. Students have access to image collections. Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Students have opportunities to view works of art in local museums, foreign students (iBT 80), transcript, letters of recommendation, writing commercial galleries, and private collections. sample, examples of personal artwork, artist’s statement, related Program Opportunities internship experience, related professional experience, interview Additional opportunities for study within the institution: With faculty CURRICULUM permission, students may take courses outside of the School of Art that are appropriate to their research. Courses Gallery or museum affiliated with the department: University Art Number offered to graduate students each term: 3 Museum and the Gatov, Werby, Dutzi, and Merlino galleries in the School of Art Average Class Size Formal programs: Study abroad. Art 375: Art and Social Action in In graduate studios: 11–15 students Cambodia and Guatemala In graduate seminars: 11–15 students Art 423: Graphic Design IV in Hong Kong In graduate lectures: 11–20 students Art 499A: Special Studies in Ceramics in Venice and Chiusdino, Italy Independent study available: Yes Academic Year: Guangzhou Academy of Fine Arts and Tianjin Academy of Fine Arts, China MASTER'S PROGRAM Extracurricular opportunities for graduate students: Curate exhibitions, Maximum number of years for residency: 7 conduct fieldwork, present public outreach lectures. The department Average number of years for residency: 2 sponsors 20–30 lectures per year. Degree requirements: One or more courses in research methods, one or Other Campus Resources more art-history courses, one or more courses in diverse populations, studio concentration, written thesis, thesis committee. One to two art Employment or career development office: Yes education methods courses are required. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in STUDENTS apartments. Number of students in residence: Master’s, 60 Student organizations within the program/department: Art Education FINANCIAL INFORMATION Society Financial Aid Formal mode of student participation in academic governance: The Types of aid available: Tuition aid/remission, teaching assistantship, University Governance Committee includes student representative(s). research assistantship, work-study program. Graduate research Students have the opportunity to join a labor union. fellowships are available. Tuition is based on a scale 0–6 units or 7+ units. See website for more details. Out-of-state fee waivers that help to FACULTY greatly reduce total expenses may be offered to non-CA residents. Number of faculty: 1 Assistantships Tenured/tenure track: 0 men, 1 woman Other financial support: Contact the Graduate Advisor for additional Part-time/adjunct lecturers: 0 men, 0 women opportunities. Fees and tuition amounts for the current semester can be Full-time contractual: 0 men, 0 women found online: PROF. MIKA CHO, Art Education, Professor, PhD, Illinois State web.csulb.edu/depts/enrollment/registration/fees_basics.html University RESOURCES AND SPECIAL PROGRAMS Libraries Students have library privileges at other institutional libraries. Image Resources Total number of images: >100,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Students have access to image

3 collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field ADMISSIONS trips. This program has rolling admissions. Program Opportunities Deadline for fall: 6/1 Gallery or museum affiliated with the department: Luckman Gallery Fall notification date: 7/1 (university), Fine Arts Gallery (department) Spring notification date: 11/1 Extracurricular opportunities for graduate students: Curate exhibitions, Application fee: $50 conduct fieldwork, conduct surveys for outside institutions, present Part-time students accepted: Yes public outreach lectures Applications received 2014–15: 3 Other special programs sponsored by the department: The Single Applications accepted 2014–15: 3 Subject Matter Preparation Program provides prospective teachers opportunities to prepare for art teaching careers and qualify for the Students enrolled 2014–15: 3 Single Subject Teaching Credential in art. The department sponsors Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for 10–20 lectures per year. foreign students, transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork, Other Campus Resources artist’s statement, interview Employment or career development office: Yes Recommended: SAT, writing sample, undergraduate research paper, Office/center for international students: Yes related professional experience, campus visit There is a graduate-student housing office. Housing space is available in dormitories. CURRICULUM MASTER'S PROGRAM FINANCIAL INFORMATION Part-time residency requirement: 4 terms Tuition Maximum number of years for residency: 5 Full-time student tuition is determined per year. Average number of years for residency: 2 State residents: $7,600 Degree requirements: Two or more art education courses, one or more Out-of-state residents: $15,263 courses in technology, one or more courses in developmental psychology, art education culminating project, non-thesis, solo International students: $17,500 exhibition, internship/student teaching. One to two art education Part-time student tuition is determined per credit. methods courses are required. P–12 art teaching, student teaching, or Financial Aid internship is required. Types of aid available: Tuition aid/remission, guaranteed loan, teaching STUDENTS assistantship, work-study program Number of students in residence: Master’s, 8 Funds available for graduate student travel: Yes Number of male graduates fall 2015–summer 2016: Master’s, 1 Assistantships Number of female graduates fall 2015–summer 2016: Master’s, 7 Average amount of award/stipend: $2,500 Formal mode of student participation in academic governance: Graduate Hours of work required per week: 4 Student Senate Other benefits: Tuition remission (part or full) FACULTY Health Insurance Number of faculty: 3 Full-time master’s students and part-time master’s students receive Tenured/tenure track: 1 man, 0 women health insurance coverage with copayment. Part-time/adjunct lecturers: 0 men, 1 woman Full-time contractual: 1 man, 0 women MS. SANDRA NOBLE, Art Education, Adjunct/Contingent faculty, MA MR. TIM SHUCKEROW, Art Education, Professor, MA CASE WESTERN RESERVE Recent Visiting Faculty UNIVERSITY MR. DAVID KING, Art Education, Adjunct/Contingent faculty, MFA Art Education RESOURCES AND SPECIAL PROGRAMS Libraries Art Education Program Case Western Reserve University Total volumes in library system: >2,000,000 2215 Adelbert Rd. Art volumes in library system: >50,000 Cleveland, Ohio, 44106 Art journals in library system: >100 Phone: 216-368-2714 There is a separate art library with >10,000 volumes and >1,000 journals. Fax: 216-368-0805 Students have library privileges at other institutional libraries. arthistory.case.edu Image Resources Contact: Tim Shuckerow, [email protected] Institution and program maintain digital-image collections. Institution ; nonprofit corporation subscribes to a digital-image library. Students have opportunities to Accredited by: Ohio Department of Education Teacher Licensure, view works of art in local museums, commercial galleries, private Teacher Education Accreditation Council collections, and on funded field trips. Degrees awarded: Master’s degree Program Opportunities The art education program’s mission is to prepare proactive scholar- Additional opportunities for study within the institution: Opportunities practitioners who will develop into creative professional art educators, to study outside the department are available. talented artists, and leaders in the field of art education. The Master of Arts degree programs in art education are conducted jointly with the Gallery or museum affiliated with the department: Art Studio Gallery Cleveland Institute of Art. The program reflects the combined efforts of Formal programs: Museum training, study abroad each institution to supply the resources and curriculum necessary to Formal relationships with other academic institutions: In the MA Plan I produce highly trained art educators. The art education–art studio program with an art studio focus, upper-level courses in art studio are program is an integral part of the Department of Art History and Art. Art taken at the Cleveland Institute of Art in available majors, such as fine education majors have the advantage of pursuing their academic studies arts, crafts, design, and technology. in a university environment and their studio studies at a professional art Formal relationships with local museums: Cleveland Museum of that educates artists and designers, with some art history classes Other special programs sponsored by the department: The program taught at the Cleveland Museum of Art. uses the digital image library of the Cleveland Museum of Art, which has approximately 250,000 photographs. The department sponsors 5–10 lectures per year.

4 Other Campus Resources MASTER'S PROGRAM Employment or career development office: Yes Degree requirements: Two or more art education courses, one or more Office/center for international students: Yes courses in research methods, studio concentration, IRB (institutional review board) compliance. The university is in a major city with a range of housing opportunities. Recommended: One or more courses in technology, one or more courses in developmental psychology, one or more art-history courses, FINANCIAL INFORMATION written thesis, art education culminating project, non-thesis, thesis Tuition committee, solo exhibition, oral defense of work, IRB (institutional Full-time student tuition is determined per year. review board) compliance All students: $1,774 DOCTORAL PROGRAM Additional institutional fees: $2,287 Full-time residency requirement: 2 years Part-time student tuition is determined per year. Part-time residency requirement: 4 years All students: $1,774 Degree requirements: Two or more art education courses, one or more courses in research methods, one or more art-history courses, written Financial Aid thesis, thesis committee, oral defense of work. Four to six art education Types of aid available: Tuition aid/remission, stipend, work-study methods courses are required. program. A named scholarship is available annually. Recommended: One or more courses in technology, one or more Funds available for graduate student travel: Yes courses in developmental psychology, one or more courses in diverse populations, studio concentration, IRB (institutional review board) Assistantships compliance Other benefits: Tuition remission (part or full) Other financial support: Health insurance is offered but not required. Dissertation Number of PhD dissertation readers: 7 Oral defense required: Yes Dissertation process: During the second stage of the doctoral degree, the student selects a thesis supervisor and supervisory committee. Two committee members are full-time, doctoral, art-education faculty members. The third member may be a full-time art education faculty Art Education member or faculty member from another university. Department of Art Education, EV 2.619 STUDENTS Concordia University Number of students in residence: Master’s, 42; Doctorate, 20 1455 De Maisonneuve Blvd. West, EV 2.619 Number of male graduates fall 2015–summer 2016: Master’s, 6; Montreal, Quebec, H3G 1M8 Doctorate, 5 Canada Number of female graduates fall 2015–summer 2016: Master’s, 16 Phone: 514-848-2424 x 4646 Student organizations within the program/department: The Concordia http://art-education.concordia.ca Art Education Graduate Students (ArtEGS) was formally recognized in Contact: Larissa Yousoubova, [email protected] 2008 by the Concordia Student Union. Public university; nonprofit corporation Formal mode of student participation in academic governance: Degrees awarded: Master’s degree; Doctoral degree University Senate. One graduate student who is nominated by the Graduate Students’ Association. Two graduate students are elected to First graduate degree granted: MA, 1967 the Graduate Studio Arts Advisory Committee. The MA in Art Education is designed to help students develop a critical Students have the opportunity to join a labor union. understanding of the field and introduces them to past and current trends as well as to theories and practices that influence the teaching of visual arts. Students engage in the program of study best suited to their FACULTY particular academic and professional goals by choosing either the thesis Number of faculty: 7 or the course option. Graduates go on to a wide range of professional Tenured/tenure track: 3 men, 4 women positions in schools, museums, and cultural services. The PhD in Art Part-time/adjunct lecturers: 0 men, 0 women Education, the only one of its kind in Canada, is designed to offer Full-time contractual: 0 men, 0 women students advanced study and research training in the teaching of visual arts. Students develop their own research direction in concert with the DR. LORRIE BLAIR, Art Education, Professor, PhD, Ohio State research and teaching expertise of the graduate faculty. Program University coursework emphasizes individual development of critical abilities and DR. JUAN CARLOS CASTRO, Art Education, Associate Professor, PhD, research practices so that graduates may become leading contributors University of British Columbia to the field of art education. DR. RICHARD LACHAPELLE, Art Education, Professor, PhD, Concordia University PROF. DAVID PARISER, Art Education, Professor, EdD, Harvard ADMISSIONS University Deadline for fall: 1/15 DR. ANITA SINNER, Art Education, Digital Media (Studio), Associate Fall notification date: 4/30 Professor, PhD, University of British Columbia Application fee: CAD $100 DR. MJ THOMPSON, Art Education, Performance Studies, Assistant Part-time students accepted: Yes Professor, tenure-track, PhD, , Tisch School of the Arts Applications accepted 2014–15: 25 DR. KATHLEEN VAUGHAN, Art Education, Associate Professor, PhD, Students enrolled 2014–15: 14 York University Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for foreign students (iBT 90), transcript, letters of recommendation, RESOURCES AND SPECIAL PROGRAMS résumé, statement of interest/personal statement, writing sample, examples of personal artwork, related internship experience, related Libraries professional experience Total volumes in library system: >2,000,000 Recommended: Undergraduate research paper Art volumes in library system: >50,000 Art journals in library system: >500 CURRICULUM Students have library privileges at other institutional libraries. Courses Image Resources Number offered to graduate students each term: 8 Total number of images: >250,000 Number whose enrollment is limited to graduate students: 8 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Average Class Size image library. Students have access to image collections. Students have In graduate studios: 16–20 students opportunities to view works of art in local museums, commercial galleries, and private collections. In graduate seminars: 16–20 students

5 and practices of visual-arts education, to design visual-arts education Program Opportunities research, and to integrate technology. Students work closely with the Extracurricular opportunities for graduate students: Curate exhibitions, visual-arts education faculty and may seek guidance from other conduct fieldwork, research for catalogues, present public outreach members of the art faculty. The program supports the department-wide lectures focus on student-centered learning; on excellence in teaching, creative Other special programs sponsored by the department: Undergraduate work, and research; and on meeting state requirements. degree in community art education. Many graduate students are given teaching assistantships as supervisors in this program. The department ADMISSIONS sponsors 1–4 lectures per year. This program has rolling admissions. Other Campus Resources Deadline for fall: 3/30 Office/center for international students: Yes Fall notification date: 4/30 There is a graduate-student housing office. Concordia students have two Deadline for spring: 11/15 housing options: residences, or off-campus housing Spring notification date: 12/15 Application fee: $40 FINANCIAL INFORMATION Part-time students accepted: Yes Tuition Applications received 2014–15: 3 Full-time student tuition is determined per year. Applications accepted 2014–15: 3 State residents: CAD $4,000 Students enrolled 2014–15: 11 Out-of-state residents: CAD $9,200 Requirements: Bachelor’s degree (BA or BFA), GPA (2.8), TOEFL for International students: CAD $19,700 foreign students (iBT 79), transcript, letters of recommendation, teacher certification, statement of interest/personal statement, writing sample, Financial Aid examples of personal artwork Types of aid available: Tuition aid/remission, teaching assistantship, Recommended: Résumé, artist’s statement, related professional research assistantship. Scholarships are available. Tuition and full experience stipend awarded to 1 student in the previous academic year. Funds available for graduate student travel: Yes CURRICULUM Fellowships Courses Fellowships are available to students of all levels. Number offered to graduate students each term: 45 Fellowships awarded: 7 Number whose enrollment is limited to graduate students: 30 Fellowship maximum period of support: 3 years Average Class Size Assistantships In graduate studios: 6–10 students Assistantships are available to students of all levels. In graduate seminars: 11–15 students Teaching assistantships applications received: 28 In graduate lectures: 11–20 students Teaching assistantships awarded: 20 Independent study available: Yes Average amount of award/stipend: CAD $1,600 MASTER'S PROGRAM Hours of work required per week: 7 Part-time residency requirement: No part-time residency requirement Teaching assistantship maximum period of support: 1 year Degree requirements: Two or more art education courses, one or more Other benefits: Tuition remission (part or full) courses in research methods, one or more art-history courses, one or Other financial support: Fellowships are available to students of all more courses in diverse populations, art education culminating project, levels, such as Faculty of Fine Arts Fellowships, the Power Corporation non-thesis. Two to four art education methods courses are required. of Canada Graduate Fellowship, and Bourse d’études Hydro Québec de Recommended: One or more courses in technology, studio l’Université Concordia. For more information please see concentration http://graduatestudies.concordia.ca/awards/ STUDENTS Health Insurance Number of students in residence: Master’s, 39 Full-time doctoral students, part-time doctoral students, full-time Number of male graduates fall 2015–summer 2016: Master’s, 6 master’s students, and part-time master’s students receive health insurance coverage with copayment. Number of female graduates fall 2015–summer 2016: Master’s, 33 Student organizations within the program/department: Art Masters Association (AMA) is a student-run organization that provides extracurricular activities such as exhibitions, travel, and new student orientations. The Intermedia Gallery Group (IGG) is a student-run EASTERN MICHIGAN organization with curatorial oversight of a student-run gallery. Formal mode of student participation in academic governance: Students have representation on numerous university councils and committees, UNIVERSITY such as the Graduate Council and the University Grade Grievance Committee. FACULTY Art Department Number of faculty: 27 Eastern Michigan University 114 Ford Hall Tenured/tenure track: 13 men, 12 women Ypsilanti, Michigan, 48197 Part-time/adjunct lecturers: 1 man, 1 woman Phone: 734-487-1268 Full-time contractual: 0 men, 0 women Fax: 734-487-2324 DR. LESLIE ATZMON, , Graphic Design, Professor, PhD, art.emich.edu/ Middlesex University, 2007 Contact: Michael Reedy, [email protected] PROF. CORRIE BALDAUF, 2-Dimensional Design, Assistant Professor, tenure-track, MFA, Cranbrook Academy of Art, 2009 Public university PROF. MARGARET DAVIS, Painting, Professor, MFA, University of Accredited by: National Council for Accreditation of Teacher Education Michigan, 1988 Degrees awarded: Master’s degree PROF. JOHN DEHOOG, 3-Dimensional Design, Sculpture, Professor, The mission of the Master of Arts in Visual Arts Education program is to MFA, Rhode Island School of Design, 2000 build on a student’s knowledge, skills, and teaching experiences in PROF. JASON DEMARTE, Photography (Studio), Associate Professor, visual arts education. The program is designed for individuals who are MFA, University of Oregon, 2000 currently teaching art or who have earned a teaching certificate in visual BRENDAN FAY, Twentieth-Century Art, Assistant Professor, tenure- arts, and emphasizes a comprehensive approach to teaching the visual track, PhD, arts and to bringing critical, diverse, and meaningful learning PROF. JASON FERGUSON, Sculpture, 3-Dimensional Design, Associate experiences to K–12 classrooms. It enables certified visual-arts teachers Professor, MFA, University of Delaware, 2006 to update and fine-tune their understanding of contemporary theories PROF. BROOKS HARRIS STEVENS, Fiber Arts, Associate Professor,

6 MFA, East Carolina University, 2000 Part-time student tuition is determined per credit. PROF. CHRISTOPHER HYNDMAN, Painting, 2-Dimensional Design, Professor, MFA, Ohio University, 2001 Financial Aid DUSTIN LONDON, Drawing (Studio), Painting, Assistant Professor, Types of aid available: Tuition aid/remission, stipend, guaranteed loan, tenure-track, MFA, University of , 2005 teaching assistantship, work-study program. Department and university PROF. ANDREW MANIOTES, Graphic Design, Associate Professor, scholarships are available. Tuition and partial stipend awarded to 1 MFA, Minneapolis College of Art and Design, 2000 student in the previous academic year. No financial assistance awarded DR. CAMILLA MCCOMB, Art Education, Assistant Professor, tenure- to 12 students in the previous academic year. track, PhD, Pennsylvania State University, 2010 Funds available for graduate student travel: Yes PROF. RYAN MOLLOY, Digital Media (Studio), Graphic Design, Professor, MFA, University of Texas at Austin, 2003 Fellowships PROF. BRIAN NELSON, Sculpture, Professor, MFA, Michigan State Fellowships are available to students of all levels. University, 1995 DR. GRETCHEN OTTO, Ceramics, Professor, PhD, Pennsylvania State Assistantships University, 1995 Assistantships are available to students of all levels. PROF. DIANA PANCIOLI, Ceramics, Professor, MFA, Alfred University, 1989 Teaching assistantships awarded: 4 PROF. CAROLE PAWLOSKI, African Art (sub-Saharan), Drawing Teaching assistantships awarded to women: 4 (Studio), Professor, MA, Michigan State University, 1993 Working assistantships awarded: 11 ALLAN POTTER, Painting, Adjunct/Contingent faculty, MFA, Eastern Working assistantships awarded to women: 10 Michigan University PROF. MICHAEL REEDY, Drawing (Studio), Painting, Professor, MFA, Working assistantships awarded to minorities: 2 Northern Illinois University, 2000 Average amount of award/stipend: $2,240 CHRISTOPHER REILLY, Digital Media (Studio), Assistant Professor, Hours of work required per week: 10 tenure-track, MFA, University of California, Los Angeles, 2012 Working assistantship maximum period of support: 2 years CHRISTINE RIDGWAY, Photography (Studio), Adjunct/Contingent faculty, MFA, Cranbrook Academy of Art, 1989 Other benefits: Tuition remission (part or full) PROF. MARIA RUGGIERO, Painting, Foundations, Professor, MFA, Kent Health Insurance State University, 1997 PROF. AMY SACKSTEDER, 2-Dimensional Design, Painting, Associate No health insurance coverage is provided for full-time master’s students Professor, MFA, Northern Illinois University, 2004 and part-time master’s students. DR. ELLEN SCHWARTZ, Early Christian Art, Professor, PhD, New York University, Institute of Fine Arts, 1977 PROF. BRIAN SPOLANS, Drawing (Studio), Associate Professor, MFA, University of North Texas, 2006 DR. TOM SUCHAN, Chinese Art, Associate Professor, PhD, Ohio State FRAMINGHAM STATE University, 2003 DR. GUEY-MEEI YANG, Art Education, Associate Professor, PhD, Ohio UNIVERSITY State University RESOURCES AND SPECIAL PROGRAMS Master of Education, Concentration in Libraries Art Total volumes in library system: >500,000 Framingham State University Art volumes in library system: >50,000 Department of Art and Music Art journals in library system: >300 100 State St., Box 9101 Students have library privileges at other institutional libraries. Framingham, Massachusetts, 01701 Phone: (508) 215-5834 Image Resources www.framingham.edu/art-and-music Total number of images: >100,000 Institution maintains its own digital-image collection. Program Contact: Brian Bishop, [email protected] maintains its own slide collection. Institution subscribes to a digital- Public university; nonprofit corporation image library. Students have access to image collections. Students have Accredited by: National Association of Schools of Art and Design, New opportunities to view works of art in local museums, commercial England Association of Schools and Colleges, National Council for galleries, private collections, and on funded field trips. Accreditation of Teacher Education (NCATE) Program Opportunities Degrees awarded: Master’s degree Gallery or museum affiliated with the department: University Gallery, First graduate degree granted: MEd, 1961 Ford Hall Gallery, Intermedia Gallery The Master of Education with a concentration in art is designed for Formal programs: Study abroad. The university has a study-abroad students who are interested in furthering their knowledge of art at the program, and the Art Department participates with credit-bearing trips graduate level, without regard to employment as a teacher, as well as for to New York, Paris, and other cities. those who wish to meet state or district requirements for advanced study by teachers. The program leads to the professional license Extracurricular opportunities for graduate students: Curate exhibitions, (preK–8 or 5–12) and presumes substantial work in art, which is usually research for catalogues, present public outreach lectures obtained as part of the . The degree requires 10 Other special programs sponsored by the department: Visiting art courses: three in education and seven in art (studio and art history). An educators, artists and performers, local and visiting critics, and art and oral comprehensive examination is required as the student’s museum professionals conduct lectures and group critiques and give culminating experience. A professional portfolio, completed as part of classroom presentations. The department sponsors 5–10 lectures per the degree program, is presented during the comprehensive year. examination. Other Campus Resources ADMISSIONS Employment or career development office: Yes This program has rolling admissions. Office/center for international students: Yes Deadline for fall: 7/1 There is a graduate-student housing office. Housing space is available in dormitories, apartments, married student housing, and subsidized Fall notification date: 8/1 housing. Students from a far distance receive priority for housing. Deadline for spring: 12/1 Spring notification date: 12/15 FINANCIAL INFORMATION Application fee: $50 Tuition Part-time students accepted: Yes Full-time student tuition is determined per credit. Applications received 2014–15: 23 State residents: $630 Applications accepted 2014–15: 23 Out-of-state residents: $1,160 Students enrolled 2014–15: 14 International students: $1,160 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Additional institutional fees: $48 foreign students (PBT 550), transcript, letters of recommendation, 7 résumé, teacher certification, statement of interest/personal statement, examples of personal artwork, artist’s statement, related professional Program Opportunities experience, campus visit, interview Gallery or museum affiliated with the department: Mazmanian Gallery Formal programs: Study abroad CURRICULUM Formal relationships with local museums: Danforth Museum, Framingham, Institute of , , and Museum of Courses Fine Arts, Boston Number offered to graduate students each term: 3 Extracurricular opportunities for graduate students: Conduct fieldwork, Number whose enrollment is limited to graduate students: 1 present public outreach lectures. The department sponsors 1–4 lectures Average Class Size per year. In graduate studios: 6–10 students Other Campus Resources In graduate seminars: 11–15 students Employment or career development office: Yes MASTER'S PROGRAM Office/center for international students: Yes Maximum number of years for residency: 6 FINANCIAL INFORMATION Average number of years for residency: 3 This program has an online learning component. Tuition Degree requirements: Two or more art education courses, one or more Full-time student tuition is determined per course. courses in research methods, one or more courses in developmental All students: $1,108 psychology, one or more art-history courses, thesis committee, oral Additional institutional fees: $201 defense of work. Two to four art education methods courses are Part-time student tuition is determined per course. required. All students: $1,108 Recommended: Studio concentration Additional institutional fees: $201 STUDENTS Financial Aid Number of students in residence: Master’s, 26 Types of aid available: Tuition aid/remission, guaranteed loan. No Number of male graduates fall 2015–summer 2016: Master’s, 3 financial assistance awarded to 27 students in the previous academic Number of female graduates fall 2015–summer 2016: Master’s, 23 year. Student organizations within the program/department: The Art Club is a student-run organization that seeks to increase camaraderie within the student body and enrich the environment for all students by providing resources to emerging artists, art educators, designers, artisans, and art historians. ILLINOIS STATE UNIVERSITY FACULTY Number of faculty: 14 Art Education Tenured/tenure track: 5 men, 5 women Illinois State University Part-time/adjunct lecturers: 1 man, 3 women School of Art Campus Box 5620 Full-time contractual: 0 men, 0 women Normal, Illinois, 61790 MS. CHERYL ADAMS, Art Education (Studio), Adjunct/Contingent Phone: 309-438-5621 faculty, MAT, University of Massachusetts Amherst Fax: 309-438-5625 PROF. JOHN ANDERSON, Sculpture, (Studio), Professor, finearts.illinoisstate.edu/art-education-masters MFA, School of the Museum of Fine Arts, Boston PROF. BRIAN BISHOP, Painting, Drawing (Studio), Chair, MFA, Contact: Judith Briggs, [email protected] Cranbrook Academy of Art Public university; nonprofit corporation MS. CATHERINE CARTER, Painting, Adjunct/Contingent faculty, MFA, Accredited by: National Association of Schools of Art and Design, University of Massachusetts Dartmouth National Council for Accreditation of Teacher Education PROF. MARC COTE, Printmaking, Drawing (Studio), Professor, MFA, University of Connecticut Degrees awarded: Master’s degree; Certificate DR. PETER DITTAMI, Art Education, Adjunct/Contingent faculty, PhD, First graduate degree granted: PhD, 1963 The MS Degree with a Sequence in Art Education is a 32-credit-hour DR. JAMES B. FLYNN, Art Education, Professor, PhD program that emphasizes both theory and practice. Degree candidates PROF. STEPHANIE GREY, Graphic Design, Digital Media (Studio), are expected to demonstrate knowledge in curriculum and current Assistant Professor, tenure-track, MFA, Rhode Island School of Design practices in the field, culminating in a comprehensive exam and thesis. PROF. TIM MCDONALD, Painting, Drawing (Studio), Associate The program is structured to accommodate the following professional Professor, MFA, East Tennessee State University tracks: certified art educators may pursue their master’s degree on a full- PROF. BARBARA MILOT, Art Therapy, Drawing (Studio), Professor, time or part-time basis; students with a bachelor’s degree in studio art MFA, University at Albany, State University of New York can pursue a master’s degree while working toward licensure. Located MS. CAROL O’MALIA, Painting, Adjunct/Contingent faculty, MFA, approximately two hours south of Chicago, the university offers students University of Massachusetts Dartmouth an excellent faculty, extensive facilities, and visiting artist residencies DR. ELIZABETH PERRY, General Art History, Contemporary Art, and lectures. In addition, the active exhibition schedule of the University Professor, PhD, Galleries in the College of Fine Arts provides graduate students with a DR. ERIKA SCHNEIDER, General Art History, Twentieth-Century Art, critical survey of contemporary art. Associate Professor, PhD, PROF. KERI STRAKA, Ceramics, Associate Professor, MFA, ADMISSIONS Massachusetts College of Art and Design This program has rolling admissions. RESOURCES AND SPECIAL PROGRAMS Deadline for fall: 2/1 Fall notification date: 3/15 Libraries Deadline for spring: 10/1 Total volumes in library system: >500,000 Spring notification date: 11/15 Art volumes in library system: >50,000 Application fee: $50 Art journals in library system: >100 Part-time students accepted: Yes Students have library privileges at other institutional libraries. Applications received 2014–15: 11 Image Resources Applications accepted 2014–15: 9 Total number of images: >100,000 Students enrolled 2014–15: 7 Program maintains its own digital-image collection. Students have Requirements: Bachelor’s degree (BA or BFA), GPA (2.8), TOEFL for opportunities to view works of art in local museums, commercial foreign students (PBT 550), transcript, letters of recommendation, galleries, and on funded field trips. résumé, statement of interest/personal statement, writing sample, examples of personal artwork

8 Recommended: Related professional experience tenure-track, MFA, Illinois State University DR. VANESSA SCHULMAN, Art of the United States, Visual Studies, CURRICULUM Assistant Professor, tenure-track, PhD, University of California, Irvine ARCHANA SHEKARA, Graphic Design, Assistant Professor, tenure- Courses track, MFA, University of Illinois at Urbana-Champaign Number offered to graduate students each term: 70 SARAH SMELSER, Printmaking, Associate Professor, MFA, University of Number whose enrollment is limited to graduate students: 2 Iowa ALBION STAFFORD, Ceramics, Assistant Professor, tenure-track, MFA, Average Class Size Alfred University In graduate studios: 6–10 students DR. EDWARD STEWART, Art Education (Studio), Associate Professor, PhD, University of Missouri In graduate seminars: 6–10 students MICHAEL WILLE, Painting, Associate Professor, MFA, Bowling Green In graduate lectures: 11–20 students State University Independent study available: Yes MASTER'S PROGRAM RESOURCES AND SPECIAL PROGRAMS Part-time residency requirement: 1 term Libraries Maximum number of years for residency: 6 Total volumes in library system: >1,000,000 Average number of years for residency: 3 Art volumes in library system: >50,000 This program has an online learning component. Art journals in library system: >100 Degree requirements: Two or more art education courses, one or more Students have library privileges at other institutional libraries. courses in research methods, one or more art-history courses, written Image Resources thesis, thesis committee, oral defense of work. Four to six art education Total number of images: >250,000 methods courses are required. P–12 art teaching, student teaching, or Institution maintains its own digital-image collection. Institution internship is required. maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have STUDENTS opportunities to view works of art in local museums, commercial Number of students in residence: Master’s, 11 galleries, private collections, and on funded field trips. Number of female graduates fall 2015–summer 2016: Master’s, 3 Program Opportunities Student organizations within the program/department: National Art Education Association (NAEA) student chapter Additional opportunities for study within the institution: Students may obtain educational endorsements in other academic areas of study. Formal mode of student participation in academic governance: Students have representation on the Academic Senate, faculty search committees, Gallery or museum affiliated with the department: ISU Council, and Board of Trustees. Galleries Formal programs: Museum training, conservation. Students may FACULTY become researchers with the Illinois Women Artists Project or work with Number of faculty: 29 the rare book collection at ISU’s Milner Library. Training is available in gallery educational outreach and community arts programing. Tenured/tenure track: 16 men, 11 women Extracurricular opportunities for graduate students: Curate exhibitions, Part-time/adjunct lecturers: 0 men, 2 women conduct fieldwork, present public outreach lectures Full-time contractual: 0 men, 0 women Other special programs sponsored by the department: ISU’s School of DR. DANIELLA BARROQUEIRO, Art Education (Studio), Associate Art sponsors a visual culture colloquium series, a faculty research Professor, PhD, University of Illinois at Urbana-Champaign colloquium series, as well as a visiting artist lecture series. The Art WAYNE BECKNER, Art Education (Studio), Associate Professor, MFA, Education Area has a two-week study abroad program that visits University of Missouri secondary school visual arts programs in Sydney, Australia. The DR. JUDITH BRIGGS, Art Education (Studio), Associate Professor, PhD, department sponsors 10–20 lectures per year. Pennsylvania State University, 2002 PETER BUSHELL, Graphic Design, Associate Professor, MFA, University Other Campus Resources of Illinois at Urbana-Champaign Employment or career development office: Yes DR. LEA CLINE, Roman Art, Greek Art, Assistant Professor, tenure-track, Office/center for international students: Yes PhD, University of Texas at Austin, 2012 TONY CROWLEY, Printmaking, Professor, MFA, University of Nebraska- Housing space is available in apartments and married student housing. Lincoln DR. MAGGIE DUNCAN-FLOWERS, World Art, Adjunct/Contingent FINANCIAL INFORMATION faculty, PhD Tuition ANDREAS FISCHER, Painting, Assistant Professor, tenure-track, MFA, University of Illinois at Chicago Full-time student tuition is determined per credit hour. BRIAN FRANKLIN, Digital Media (Studio), Assistant Professor, tenure- State residents: $389 track, MFA, Pennsylvania State University Out-of-state residents: $808 DR. ELISABETH FRIEDMAN, Contemporary Art, Visual Studies, International students: $808 Assistant Professor, tenure-track, PhD, York University DR. MELISSA JOHNSON, Nineteenth-Century Art, Twentieth-Century Additional institutional fees: $736.56 Art, Associate Professor, PhD, Bryn Mawr College Part-time student tuition is determined per credit hour. GARY JUSTIS, Sculpture, Associate Professor, MFA, School of the Art State residents: $389 Institute of Chicago Out-of-state residents: $808 ALICE LEE, Graphic Design, Assistant Professor, non-tenure, MDes, University of Illinois at Chicago International students: $808 JIN LEE, Photography (Studio), Professor, MFA, School of the Art Additional institutional fees: $330.84 Institute of Chicago CLAIRE LIEBERMAN, Sculpture, Associate Professor, MFA, Pratt Financial Aid Institute Types of aid available: Tuition aid/remission, stipend, teaching TYLER LOTZ, Ceramics, Associate Professor, MFA, Alfred University assistantship. Tuition and full stipend awarded to 23 students in the JAMES MAI, Painting, Foundations, Professor, MFA, University of previous academic year. Tuition and partial stipend awarded to 2 Wyoming students in the previous academic year. No financial assistance awarded JOHN MILLER, Glass, Associate Professor, MFA, University of Illinois at to 7 students in the previous academic year. Urbana-Champaign Funds available for graduate student travel: Yes WILLIAM O’DONNELL, Photography (Studio), Professor, MFA, School of the Assistantships MELISSA ORESKY, Painting, Associate Professor, MFA, University of Assistantships are available to first-year students, second-year students, Illinois at Chicago and third-year students. MORGAN PRICE, Printmaking, Assistant Professor, tenure-track, MFA, Teaching assistantships applications received: 53 Wichita State University SCOTT RANKIN, Video (Studio), Professor, MFA, University of Teaching assistantships awarded: 27 California, Los Angeles Teaching assistantships awarded to women: 17 RANDALL REID, 3-Dimensional Design, Metals, Assistant Professor, Teaching assistantships awarded to minorities: 3

9 Average amount of award/stipend: $6,091 Hours of work required per week: 20 FACULTY Teaching assistantship maximum period of support: 3 years Number of faculty: 6 Other benefits: Tuition remission (part or full) Tenured/tenure track: 2 men, 3 women Part-time/adjunct lecturers: 1 man, 0 women Health Insurance Full-time contractual: 0 men, 0 women Full-time master’s students receive health insurance coverage with DR. BRANDON BURRELL, Non-Artist/Non-Art Historian, copayment. Adjunct/Contingent faculty, PhD MR. BILL HILL, Digital Media (Studio), Digital Media (Studio), Associate Professor, MFA, University of Florida MR. ERIC KUNZENDORF, Animation (Studio), Professor, MFA, University of Georgia JACKSONVILLE UNIVERSITY MS. LILY KUONEN, Foundations, Painting, Assistant Professor, tenure- track, MFA, Savannah College of Art and Design MS. TIFFANY LEACH, Ceramics, Assistant Professor, tenure-track, MFA, MFA in Visual Arts University of Georgia PROF. DANA C. TUPA, Ceramics, joint appointment in Division of Jacksonville University Visual Arts, Chairperson, Associate Professor, MFA, Tulane University MFA Visual Arts - Phillips Fine Arts Building 2800 University Blvd. North Jacksonville, Florida, 32211 RESOURCES AND SPECIAL PROGRAMS Phone: 904-256-7398 Libraries mfa.ju.edu Total volumes in library system: >3,000,000 Contact: Cari Coble, [email protected] Art volumes in library system: >100,000 Private university; nonprofit corporation Art journals in library system: >100 Accredited by: Southern Association of Colleges and Schools Students have library privileges at other institutional libraries. Degrees awarded: Master’s degree Image Resources The MFA degree is a two-year low-residency program emphasizing the Total number of images: >250,000 conceptual and creative process of generating new works that are Institution maintains its own digital-image collection. Institution grounded in both classical and contemporary art genres. Each year the maintains its own slide collection. Institution subscribes to a digital- program starts with a six-week Summer Intensive on the beautiful image library. Students have access to image collections. Students have Florida campus of Jacksonville University. This is followed by two non- opportunities to view works of art in local museums, commercial resident semesters using a combination of distance study with JU galleries, private collections, and on funded field trips. faculty and mentors who work one-on-one with each student to expand his or her project-based work. This MFA is particularly geared toward Program Opportunities accomplished artists expects applicants to have experience in their field Additional opportunities for study within the institution: Collaborations prior to application. with the College of Fine Arts and Humanities Divisions Gallery or museum affiliated with the department: Phillips Fine Arts ADMISSIONS Gallery This program has rolling admissions. Formal relationships with local museums: Work frequently with several Deadline for fall: 4/15 local museums Fall notification date: 2/15 Extracurricular opportunities for graduate students: Conduct fieldwork, Application fee: $50 present public outreach lectures Applications accepted 2014–15: 10 Other special programs sponsored by the department: This degree is Students enrolled 2014–15: 10 offered in a low-residency format. Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Other Campus Resources students, transcript, letters of recommendation, résumé, statement of Employment or career development office: Yes interest/personal statement, examples of personal artwork, artist’s statement, related professional experience, contact the program for Office/center for international students: Yes additional requirements Housing space is available in apartments. Students from a far distance receive priority for housing. Housing is needed only in the summer CURRICULUM because the fall and spring semesters are delivered as distance learning. Planned campus changes and facility improvements: A newly renovated Courses modern has been expanded and is used by students and Number offered to graduate students each term: 5 visiting artists. Number whose enrollment is limited to graduate students: 5 FINANCIAL INFORMATION Average Class Size In graduate studios: 6–10 students Tuition In graduate seminars: 16–20 students Full-time student tuition is determined per credit hour. In graduate lectures: 11–20 students All students: $545 Independent study available: Yes Additional institutional fees: $0 MASTER'S PROGRAM Financial Aid Part-time residency requirement: 2 terms Types of aid available: Tuition aid/remission, guaranteed loan Maximum number of years for residency: 2 Fellowships Average number of years for residency: 2 Fellowships are available to students of all levels. This program has a low-residency component. This program has an online learning component. Assistantships Degree requirements: Two to four art education methods courses are Other benefits: Tuition remission (part or full), housing allowance required. Other financial support: Please contact the Graduate Admissions office for more information. STUDENTS Number of students in residence: Master’s, 10 Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 5 Formal mode of student participation in academic governance: Student government representatives

10 Professor, PhD PROF. AUDREY BARNES, Industrial Design, Assistant Professor, tenure- JAMES MADISON UNIVERSITY track, MID DR. SARAH BROOKS, Byzantine Art, Associate Professor, PhD Art Education PROF. SUKJIN CHOI, Ceramics, Associate Professor, MFA PROF. TRUDY COLE, Graphic Design, Professor, MFA James Madison University PROF. RONN DANIEL, Interior Design, Associate Professor, MArch School of Art, Design and Art History PROF. CORINNE DIOP, Photography (Studio), Professor, MFA 820 S. Main, MSC 7101 DR. DAVID EHRENPREIS, Nineteenth-Century Art, Professor, PhD Harrisonburg, Virginia, 22807 PROF. GARY FREEBURG, Photography (Studio), Professor, MFA Phone: 540-658-6216 PROF. RICHARD HILLIARD, Graphic Design, Associate Professor, MFA, Fax: 540-568-6598 University of Hartford www.jmu.edu/artandarthistory/index.shtml DR. LAURA KATZMAN, Contemporary Art, Professor, PhD PROF. JACK MCCASLIN, Printmaking, Professor, MFA Contact: Dr. Karin Tollefson-Hall, [email protected] PROF. DAWN MCCUSKER, Graphic Design, Professor, MFA Public university; nonprofit corporation PROF. ROBERT MERTENS, Fiber Arts, Assistant Professor, non-tenure, Accredited by: National Association of Schools of Art and Design, MFA National Council for Accreditation of Teacher Education, Southern DR. JOHN OTT, Art of the United States, Associate Professor, PhD Association of Colleges and Schools PROF. MARK ROOKER, Metals, Associate Professor, MFA Degrees awarded: Master’s degree DR. KATHERINE SCHWARTZ, Art Education, Professor, PhD DR. MAUREEN SHANAHAN, Gender Studies, Associate Professor, PhD First graduate degree granted: MA, 1965 PROF. REBECCA SILBERMAN, Photography (Studio), Professor, MFA This is a graduate program for certified art educators dedicated to DR. KATHRYN STEVENS, Historic Preservation, Assistant Professor, excellence in teaching and to directing comprehensive art education non-tenure, PhD programs in schools, museums, art organizations, or in the private PROF. GREG STEWART, Sculpture, Professor, MFA sector. The program includes in-depth analysis of the methods and PROF. WILLIAM TATE, Industrial Design, Associate Professor, MArch techniques for teaching studio art, art history, , and PROF. ALLYSON TAYLOR, Foundations, Associate Professor, MFA aesthetics. The program promotes graduates who are dedicated art- DR. KARIN TOLLEFSON-HALL, Art Education, Associate Professor, PhD education professionals, articulate art-education advocates, and DR. ROGER TOMHAVE, Art Education, Associate Professor, PhD, charismatic leaders who demonstrate art education as a vital University of Minnesota component of a general education. The program is offered through a PROF. LISA TUBACH, 2-Dimensional Design, Associate Professor, MFA mix of online and scheduled on-campus meetings. DR. COLE WELTER, Painting, Professor, PhD DR. WILLIAM WIGHTMAN, Art Education, Professor, PhD ADMISSIONS STEPHANIE WILLIAMS, Foundations, Assistant Professor, non-tenure, This program has rolling admissions. MFA Application fee: $55 PROF. SUSAN ZURBRIGG, Drawing (Studio), Professor, MFA Part-time students accepted: Yes RESOURCES AND SPECIAL PROGRAMS Applications received 2014–15: 3 Applications accepted 2014–15: 2 Libraries Students enrolled 2014–15: 2 Total volumes in library system: >500,000 Requirements: Bachelor’s degree (BA or BFA), transcript, letters of Art volumes in library system: >50,000 recommendation, teacher certification, statement of interest/personal Art journals in library system: >500 statement, writing sample Students have library privileges at other institutional libraries. Recommended: Contact the program for additional requirements Image Resources Total number of images: >250,000 CURRICULUM Institution and program maintain digital-image collections. Program Courses maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Number offered to graduate students each term: 10 opportunities to view works of art in local museums, commercial Number whose enrollment is limited to graduate students: 4 galleries, private collections, and on funded field trips. Average Class Size Program Opportunities In graduate studios: 1–5 students Additional opportunities for study within the institution: Students take In graduate seminars: 1–5 students courses in the College of Education and in the disciplines related to their In graduate lectures: 1–10 students research interest, such as museum studies, philosophy, history, and women’s studies. Independent study available: Yes Gallery or museum affiliated with the department: Sawhill Gallery, MASTER'S PROGRAM artWorks Gallery, New Image Gallery, Madison Art Collection, Institute Part-time residency requirement: No part-time residency requirement for Visual Studies Maximum number of years for residency: No maximum Formal programs: Museum training, study abroad, summer work projects. The study-abroad program includes opportunities in 30 Average number of years for residency: 2 countries: fall and spring semester programs in Antwerp, Florence, Degree requirements: Two or more art education courses, one or more London, and Salamanca; and summer semester programs in Antwerp, courses in research methods, one or more art-history courses, written Beijing, Florence, London, and Salamanca. thesis, thesis committee, oral defense of work. Two to four art education Extracurricular opportunities for graduate students: Conduct fieldwork, methods courses are required. present public outreach lectures STUDENTS Other special programs sponsored by the department: The department sponsors field trips to , Washington, DC, and Richmond Number of students in residence: Master’s, 3 and Charlottesville, VA. The department sponsors 10–20 lectures per Number of female graduates fall 2015–summer 2016: Master’s, 1 year. Student organizations within the program/department: Kappa Pi, National Art Education Association (NAEA) student chapter, American Other Campus Resources Society of Interior Designers (ASID), University Graphics Office/center for international students: Yes Formal mode of student participation in academic governance: Student Housing space is available in apartments. JMU sponsors off-campus Government Association single residence apartments, but most graduate students find other off- campus apartments. A JMU off-campus housing guide is sponsored by FACULTY the Office of Off-Campus Living. Number of faculty: 30 Planned campus changes and facility improvements: Newly renovated Tenured/tenure track: 11 men, 16 women Duke Hall houses the Art Education Center along with state-of-the-art Part-time/adjunct lecturers: 1 man, 2 women studio and art history spaces. Full-time contractual: 0 men, 0 women DR. ADERONKE ADESANYA, African Art (sub-Saharan), Associate

11 Application fee: $0 FINANCIAL INFORMATION Part-time students accepted: Yes Tuition Applications received 2014–15: 1 Full-time student tuition is determined per credit hour. Applications accepted 2014–15: 1 State residents: $434 Students enrolled 2014–15: 0 Out-of-state residents: $1,135 Requirements: Bachelor’s degree (BA or BFA), GPA (3.00), TOEFL for foreign students (iBT 72), transcript, letters of recommendation, Financial Aid résumé, teacher certification, statement of interest/personal statement, Types of aid available: Tuition aid/remission, stipend, teaching examples of personal artwork, artist’s statement, related professional assistantship, research assistantship, work-study program. Project- experience based stipends might be available. Tuition and full stipend awarded to 1 student in the previous academic year. CURRICULUM Assistantships Courses Assistantships are available to first-year students and second-year Number offered to graduate students each term: 4 students. Number whose enrollment is limited to graduate students: 4 Teaching assistantships awarded: 1 Teaching assistantships awarded to women: 1 Average Class Size Average amount of award/stipend: $9,014 In graduate studios: 6–10 students Hours of work required per week: 20 In graduate seminars: 6–10 students Teaching assistantship maximum period of support: 2 years In graduate lectures: 1–10 students Working assistantships applications received: 2 MASTER'S PROGRAM Average amount of award/stipend: $7,681 Degree requirements: Two or more art education courses, one or more Hours of work required per week: 20 courses in research methods, one or more art-history courses, studio concentration, art education culminating project, non-thesis, solo Working assistantship maximum period of support: 2 years exhibition, oral defense of work. Other benefits: Tuition remission (part or full) Other financial support: Students may apply for graduate assistantships STUDENTS in other departments or areas of campus. Students who are not granted Number of students in residence: Master’s, 1 an assistantship upon admission are eligible for consideration in future Student organizations within the program/department: KCAD Masters years. Circle, Painting Club, Collective Pressure (Printmaking), The Drawing Health Insurance Club, KCAD Photography Association, KCAD Clay Collective. Full-time master’s students and part-time master’s students receive health insurance coverage with copayment. Health insurance coverage FACULTY is available to dependents and spouses of full-time master’s students Number of faculty: 10 and part-time master’s students. Tenured/tenure track: 4 men, 6 women Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women JAY CONSTANTINE, Painting, Professor, MFA ADAM DEKRAKER, Photography (Studio), Associate Professor, MFA KENDALL COLLEGE OF ART STEPHEN HALKO, Drawing (Studio), Associate Professor, MFA DARLENE KACZMARCZYK, Photography (Studio), Professor, MA AND DESIGN OF FERRIS BOYD QUINN, Painting, Professor, MFA DONNA ST. JOHN, Art Education, Associate Professor, MA STATE UNIVERSITY DR. CINDY TODD, Art Education, Professor, PhD MARGARET VEGA, Painting, Professor, MFA MARIEL VERSLUIS, Printmaking, Associate Professor, MFA Master of Art Education DIANE ZEEUW, Visual Studies, Painting, Professor, MFA Kendall College of Art and Design of Ferris State University RESOURCES AND SPECIAL PROGRAMS 17 Fountain St. NW Grand Rapids, Michigan, 49503 Libraries Phone: 616-451-2787 Total volumes in library system: >500,000 Fax: 616-831-9689 www.kcad.edu/programs/graduate/ Art volumes in library system: >50,000 Art journals in library system: >1,000 Contact: Thomas Post, [email protected] There is a separate art library with >500 volumes and >1,000 journals. Public college; nonprofit corporation Students have library privileges at other institutional libraries. Accredited by: National Association of Schools of Art and Design, As Image Resources part of Ferris State University, KCAD is accredited by The Higher Total number of images: >250,000 Learning . Institution and program maintain digital-image collections. Institution Degrees awarded: Master’s degree maintains its own slide collection. Institution subscribes to a digital- First graduate degree granted: MEd, 2010 image library. Students have access to image collections. Students have The Master of (MAE) program was created for artists opportunities to view works of art in local museums, commercial who teach. Designed around a teacher’s schedule, it is a studio- galleries, and on funded field trips. intensive degree that allows K–12-certified art teachers to enhance, recharge, and refresh (and at the same time fulfill requirements for Program Opportunities maintaining their teaching certification). Students develop an area of Additional opportunities for study within the institution: MAE students artistic expertise or broadly explore drawing, painting, photography, or are encouraged to challenge their boundaries. Studio elective credits can printmaking. Students develop critical and analytical skills and learn be taken outside the student’s concentration of study. progressive approaches to teaching visual arts. The use of technology to Formal programs: Study abroad enhance the classroom is discussed. The program’s goal is that Extracurricular opportunities for graduate students: Curate exhibitions. students leave enriched, challenged, and energized to continue The department sponsors 1–4 lectures per year. mentoring and inspiring the next generation of artists. Other Campus Resources ADMISSIONS Office/center for international students: Yes This program has rolling admissions. Many students live in the Heritage Hill area, walking distance to Deadline for fall: 2/1 campus. For more information, please visit www.kcad.edu/life/housing Fall notification date: 3/15 Deadline for spring: 10/15 Spring notification date: 11/30 12 FINANCIAL INFORMATION Average Class Size In graduate studios: 11–15 students Tuition In graduate seminars: 11–15 students Full-time student tuition is determined per credit hour. In graduate lectures: 11–20 students All students: $1,017 Independent study available: Yes Additional institutional fees: $390 Part-time student tuition is determined per credit. MASTER'S PROGRAM All students: $1,017 Part-time residency requirement: No part-time residency requirement Additional institutional fees: $390 Maximum number of years for residency: 2 Average number of years for residency: 2 Financial Aid Degree requirements: Two or more art education courses, one or more Types of aid available: Graduate assistantships, fellowships, and courses in research methods, one or more courses in developmental institutional scholarships and grants are available pending funding psychology, one or more art-history courses, one or more courses in availability. KCAD participates in the Federal Direct Loan program and diverse populations, art education culminating project, non-thesis, also provides alternative loan options for financial assistance. internship/student teaching. One to two art education methods courses are required. P–12 art teaching, student teaching, or internship is Health Insurance required. No health insurance coverage is provided for full-time master’s students and part-time master’s students. STUDENTS Number of students in residence: Master’s, 11 Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 8 - Student organizations within the program/department: The Student Art League promotes the exhibition of student work and is open to all art POST CAMPUS students. Formal mode of student participation in academic governance: Yes Art Education FACULTY Post Campus of Long Island University Number of faculty: 13 Art Department Tenured/tenure track: 8 men, 5 women 720 Northern Blvd. Part-time/adjunct lecturers: 0 men, 0 women Brookville, New York, 11548 Full-time contractual: 0 men, 0 women Phone: 516-299-2464 PROF. PATRICK AIEVOLI, Graphic Design, Digital Media (Studio), Fax: 516-299-2858 Associate Professor, MA, SUNY www.liu.edu PROF. CHARLES CONOVER, Graphic Design, Digital Media (Studio), Contact: Dr. Donna Tuman, [email protected] Professor, MA, New York University, The Steinhardt School of Culture, Private university; nonprofit corporation Education, and Human Development PROF. RICHARD DEL ROSSO, Digital Media (Studio), Graphic Design, Accredited by: Middle States Commission on Higher Education, Council Associate Professor, MA, Long Island University - Post Campus for the Accreditation of Educational Preparation (CAEP) DR. CHRISTINE KERR, Art Therapy, Associate Professor, PhD Degrees awarded: Master’s degree DR. SEUNG YEON LEE, Art Therapy, Assistant Professor, tenure-track, First graduate degree granted: MS, 1960 EdD, The Master of Science in Art Education (Birth to Grade 12) offers a PROF. SEUNG LEE, Painting, Installation (Studio), Associate Professor, unique opportunity for students to advance their development as MFA, creative artists while sharing their love of art with young people in public DR. NIRIA E. LEYVA-GUTIERREZ, General Art History, Museum Studies, and private schools. The M.S. plan of study is designed to meet the Assistant Professor, tenure-track, PhD, New York University, Institute of needs of all interested students preparing to enter the field (30 credits). Fine Arts Candidates in this program sharpen their design and drawing skills PROF. TERENCE O’DALY, Graphic Design, Digital Media (Studio), through studio classes and workshops in traditional and electronic Associate Professor, MA, New York media. All students take courses aimed at enhancing their teaching PROF. FRANK OLT, Ceramics, Professor, MFA, Long Island University - skills and exploring the psychological, philosophical, and social Post Campus foundations of art education. With input and guidance from two PROF. WINN REA, Foundations, Associate Professor, MFA, University graduate advisors, each student a personalized curriculum that of Iowa reflects his or her strengths and professional goals. PROF. NEILL SLAUGHTER, Painting, Professor, MFA, Indiana University ADMISSIONS PROF. PHYLLIS KUDDER SULLIVAN, Ceramics, Professor, MFA, Long Island University - Post Campus This program has rolling admissions. DR. DONNA TUMAN, Art Education (Studio), Associate Professor, Deadline for fall: 9/1 EdD, Queens College Fall notification date: 9/1 Deadline for spring: 1/1 RESOURCES AND SPECIAL PROGRAMS Spring notification date: 1/18 Libraries Application fee: $50 Total volumes in library system: >2,000,000 Part-time students accepted: Yes Art volumes in library system: >300,000 Applications received 2014–15: 15 Art journals in library system: >1,000 Applications accepted 2014–15: 11 Students have library privileges at other institutional libraries. Students enrolled 2014–15: 11 Image Resources Requirements: Bachelor’s degree (BA or BFA), GPA (2.50), TOEFL for Total number of images: >750,000 foreign students (iBT 79), transcript, letters of recommendation, Institution and program maintain digital-image collections. Institution statement of interest/personal statement maintains its own slide collection. Institution subscribes to a digital- Recommended: Résumé, campus visit, interview image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial CURRICULUM galleries, private collections, and on funded field trips. Courses Program Opportunities Number offered to graduate students each term: 10 Gallery or museum affiliated with the department: Steinberg Museum of Number whose enrollment is limited to graduate students: 10 Art Formal programs: Museum training, study abroad, summer work projects Formal relationships with local museums: Students study and work as 13 museum guides at the Nassau County Museum of Art. Extracurricular opportunities for graduate students: Curate exhibitions, ADMISSIONS conduct fieldwork, research for catalogues, present public outreach Deadline for fall: 1/15 lectures. The department sponsors 5–10 lectures per year. Fall notification date: 4/1 Other Campus Resources Application fee: $80 Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Employment or career development office: Yes students, transcript, letters of recommendation, résumé, statement of Office/center for international students: Yes interest/personal statement, writing sample, examples of personal There is a graduate-student housing office. Housing space is available in artwork, artist’s statement dormitories. Students from a far distance receive priority for housing. Recommended: Related internship experience, related professional FINANCIAL INFORMATION experience, campus visit, interview Tuition CURRICULUM Full-time student tuition is determined per credit. Courses All students: $1,178 Number offered to graduate students each term: 83 Additional institutional fees: $0 Number whose enrollment is limited to graduate students: 69 Part-time student tuition is determined per credit. Average Class Size All students: $1,178 In graduate studios: 11–15 students Additional institutional fees: $0 In graduate seminars: 11–15 students Financial Aid In graduate lectures: 11–20 students Types of aid available: Tuition aid/remission, stipend, teaching Independent study available: Yes assistantship MASTER'S PROGRAM Funds available for graduate student travel: Yes Part-time residency requirement: 2 years Assistantships Maximum number of years for residency: 2 Assistantships are available to students of all levels. Average number of years for residency: 2 Working assistantships applications received: 4 This program has a low-residency component. Working assistantships awarded: 4 This program has an online learning component. Working assistantships awarded to women: 2 Degree requirements: Two or more art education courses, one or more Average amount of award/stipend: $3,000 courses in research methods, one or more courses in technology, one or Hours of work required per week: 17 more courses in developmental psychology, one or more art-history courses, one or more courses in diverse populations, studio Working assistantship maximum period of support: 2 years concentration, written thesis, art education culminating project, non- Other financial support: The O’Malley Grant, an award of up to $1,000, thesis, solo exhibition, internship/student teaching. Two to four art is available to students. education methods courses are required. Health Insurance STUDENTS Full-time master’s students receive health insurance coverage with Number of students in residence: Master’s, 32 copayment. Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 31 Student organizations within the program/department: National Art Education Association (NAEA) student chapter MARYLAND INSTITUTE Formal mode of student participation in academic governance: Graduate Student Community Forums, in partnership with the Graduate Student COLLEGE OF ART Union, are a regular occurrence and provide students with direct access to MICA’s administration, including the provost, vice-provost, and president, to address student issues and promote awareness of campus Art Education events. Center for Art Education FACULTY Maryland Institute College of Art 131 W. North Ave. Number of faculty: 14 Baltimore, Maryland, 21201 Tenured/tenure track: 2 men, 12 women Phone: 410-225-2256 Part-time/adjunct lecturers: 0 men, 0 women www.mica.edu/Programs_of_Study/Graduate_Programs.html Full-time contractual: 0 men, 0 women Contact: Chris Harring, [email protected] DONNA BASIK, Art Education, Professor, MAT, Maryland Institute Private art school; nonprofit corporation College of Art KAREN CARROLL, Art Education, Professor, EdD Accredited by: Middle States Commission on Higher Education, SARA EGORIN-HOOPER, Art Education, Professor, MS, Johns Hopkins National Association of Schools of Art and Design University Degrees awarded: Master’s degree KATHERINE KAVANAUGH, Installation (Studio), Professor, MFA, First graduate degree granted: MFA, 1956 University of Maryland, College Park The Center for Art Education at MICA administers three unique degree KENNETH MARTIN, Sculpture, Professor, MFA, University of Maryland, programs: Community Arts (MFA), Art Education (Low-Residency / College Park Online MA), and Teaching (MAT). The MFA in Community Arts KATIE MORRIS, Art Education, Professor, MAT, Maryland Institute (MFA/CA) is a two-year, one-summer program designed to prepare College of Art artists to use their art making as a means of civic, youth, and MARY MARK MUNDAY, Art Education, Professor, MAT, Maryland community development, or to teach at the post-secondary level. Institute College of Art MICA’s MAT program is infused with the belief that teaching is an art in NAN PARK, Art Education, Professor, EdD, Syracuse University itself, and that the best art teacher is a practicing and accomplished ADRIANE PEREIRA, Art Education, Professor, PhD artist. Nationally recognized for its success preparing art education AMY PETERSON, Writing, Professor, MFA, Brooklyn College professionals, the program readies students to successfully integrate PAULA PHILLIPS, Painting, Professor, MFA, Maryland Institute College personal artistry with the skill and understanding to direct the art of Art making of others. MICA’s MA in Art Education (MAAE) prepares SHYLA RAO, Art Education, Professor, PhD, Columbia University experienced K–12 artist-educators to pursue advancement in their field STACY SALAZAR, Art Education, Professor, EdD through the development of their practice as both studio artists and art BARRY SCHAUCK, Art Education, Professor, MFA, Maryland Institute educators. College of Art

14 RESOURCES AND SPECIAL PROGRAMS MASSACHUSETTS COLLEGE Libraries Total volumes in library system: >500,000 OF ART AND DESIGN Art volumes in library system: >50,000 Art journals in library system: >400 Art Education Students have library privileges at other institutional libraries. Massachusetts College of Art and Design Image Resources Graduate Programs Admissions Total number of images: >250,000 621 Huntington Ave. Institution maintains its own digital-image collection. Institution Boston, Massachusetts, 02115 maintains its own slide collection. Institution subscribes to a digital- Phone: 617-879-7222 image library. Students have access to image collections. Students have Fax: 617-879-7250 opportunities to view works of art in local museums, commercial www.MassArt.edu galleries, private collections, and on funded field trips. Contact: Lauren O’Neill, Assistant Director of Graduate Admissions, Program Opportunities [email protected] Formal relationships with other academic institutions: Students may school also choose graduate-level courses at area institutions participating in Accredited by: National Association of Schools of Art and Design, New the Baltimore Student Exchange, including , England Association of Schools and Colleges , University of Baltimore, University of Maryland, Baltimore County, Towson University, and Morgan State University. Degrees awarded: Master’s degree; Certificate Students are subject to the rules and regulations of the host college. First graduate degree granted: Other, 1972 Other special programs sponsored by the department: Visiting artists Founded in 1873, MassArt was the first degree-granting college of art engage students in critiques and discussion and give a lecture open to and remains unique as the only public, independent university of art and the full graduate community. Additionally, the office administers an design in the United States. It consistently ranks among the top art active series of workshops and demonstrations, in partnership with the colleges in the country. The Boston campus offers over 1,000,000 square Graduate Research Lab and wood and metal shops, to bring the latest feet of studios, workshops, and exhibition space within walking distance digital and fabrication techniques to a graduate student’s studio of the Museum of Fine Arts. The Art Education department is the home practice. The department sponsors 10–20 lectures per year. of the nation’s first department dedicated to the teaching of art. Its innovative courses are based in contemporary studio practice and Other Campus Resources cutting-edge pedagogical theory, addressing issues of communication Employment or career development office: Yes design, curriculum, social justice, and research strategies. The Office/center for international students: Yes department offers the Master of Arts in Teaching/Art Education (MAT/AE) and the Teacher Preparation Program (TPP). In both There is a graduate-student housing office. Housing space is available in programs faculty work closely with students on the development of apartments. Students from a far distance receive priority for housing. individual practice. Housing is available on campus and in the surrounding neighborhoods. Planned campus changes and facility improvements: Renovations to ADMISSIONS MICA’s Graduate Studio Center include expanded galleries, a café, Deadline for fall: 1/4 outdoor plaza, graduate studios, and a state-of-the-art digital computer and photo lab. Fall notification date: 3/1 Application fee: $90 FINANCIAL INFORMATION Applications received 2014–15: 14 Tuition Applications accepted 2014–15: 14 Full-time student tuition is determined per year. Students enrolled 2014–15: 9 All students: $43,760 Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign students (iBT 85), transcript, letters of recommendation, résumé, Financial Aid statement of interest/personal statement, examples of personal artwork, Types of aid available: Tuition aid/remission, teaching assistantship. interview Fellowships, career-related internships, and scholarships and grants are available. CURRICULUM Funds available for graduate student travel: Yes Courses Fellowships Number offered to graduate students each term: 6 Fellowships are available to students of all levels. Number whose enrollment is limited to graduate students: 2 Assistantships Average Class Size Assistantships are available to students of all levels. In graduate studios: 6–10 students Other financial support: The basis of a graduate financing plan is often In graduate seminars: 6–10 students through federally guaranteed loans. The programs available include the In graduate lectures: 1–10 students Federal Unsubsidized Stafford Loan and the Federal Graduate PLUS Independent study available: Yes Loan. MASTER'S PROGRAM Health Insurance Maximum number of years for residency: 5 Full-time master’s students and part-time master’s students receive Average number of years for residency: 2 health insurance coverage with copayment. Health insurance coverage Degree requirements: Two or more art education courses, one or more is available to dependents and spouses of full-time master’s students courses in technology, one or more courses in developmental and part-time master’s students. psychology, one or more courses in diverse populations, art education culminating project, non-thesis, internship/student teaching. Two to four art education methods courses are required. P–12 art teaching, student teaching, or internship is required. Teaching requirement may be satisfied at other community sites in lieu of P–12 teaching experience. STUDENTS Number of students in residence: Master’s, 14; Certificate, 2 Number of female graduates fall 2015–summer 2016: Master’s, 5; Certificate, 2 Formal mode of student participation in academic governance: A graduate student serves as a member of the Graduate Council, the organization charged with graduate program governance.

15 FACULTY Assistantships Number of faculty: 7 Assistantships are available to students of all levels. Tenured/tenure track: 1 man, 6 women Teaching assistantships applications received: 5 Part-time/adjunct lecturers: 0 men, 0 women Teaching assistantships awarded: 5 Full-time contractual: 0 men, 0 women Teaching assistantships awarded to women: 4 AIMEE ARCHAMBAULT, Art Education (Studio), Assistant Professor, Teaching assistantships awarded to minorities: 0 tenure-track, MS, Massachusetts College of Art and Design Average amount of award/stipend: $1,080 BETH BALLIRO, Art Education (Studio), Assistant Professor, tenure- Hours of work required per week: 5 track, MSAE, Massachusetts College of Art and Design JEN HALL, Art Education (Studio), Professor, PhD, Institute for Doctoral Working assistantships applications received: 2 Studies in the Visual Arts Working assistantships awarded: 2 LOIS HETLAND, Art Education (Studio), Professor, EdD, Harvard Working assistantships awarded to women: 2 University Working assistantships awarded to minorities: 0 ADRIANA KATZEW, Art Education (Studio), Associate Professor, EdD, Harvard University Average amount of award/stipend: $1,080 STEVE LOCKE, Painting, Associate Professor, MFA, Massachusetts Hours of work required per week: 5 College of Art and Design Other financial support: There’s an $800 Printing Ink Fee. LAURA REEDER, Art Education, Associate Professor, PhD, Syracuse University Any student who applied for an assistantship received an assistantship in 2015–16. RESOURCES AND SPECIAL PROGRAMS Health Insurance Libraries Full-time master’s students, part-time master’s students, full-time Total volumes in library system: >1,000,000 certificate students, and part-time certificate students receive health Art volumes in library system: >100,000 insurance coverage with copayment. Art journals in library system: >400 There is a separate art library with >10,000 volumes and >200 journals. Students have library privileges at other institutional libraries. Image Resources NEW YORK UNIVERSITY, THE Total number of images: >250,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- STEINHARDT SCHOOL OF image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial CULTURE, EDUCATION, AND galleries, and on funded field trips. HUMAN DEVELOPMENT Program Opportunities Additional opportunities for study within the institution: Students may enroll in studio electives and independent studies in any department Art + Education and have access to the full range of MassArt faculty. MassArt has Steinhardt School of Culture, Education, and Human Development facilities for painting, photography, film/video, sound and performance, Department of Art and Art Professions, New York University jewelry, foundry, welding, wood, ceramics, fibers, and glass. 34 Stuyvesant St. Gallery or museum affiliated with the department: MassArt Arnheim New York, New York, 10003 Gallery Phone: 212-998-5700 Formal relationships with other academic institutions: Graduate Fax: 212-995-4320 students may enroll in electives through formal consortial arrangement steinhardt.nyu.edu/art/education/ with Massachusetts Institute of Technology (MIT). Contact: Erin Sircy, [email protected] Formal relationships with local museums: The Museum of Fine Arts Private university; nonprofit corporation Boston, the Isabella Stewart Gardner Museum and the Institute of Contemporary Art, Boston offer students free general admission to Accredited by: Middle States Association of Colleges and Schools, exhibits. Teacher Education Accreditation Council (TEAC) Extracurricular opportunities for graduate students: Curate exhibitions. Degrees awarded: Master’s degree The department sponsors 1–4 lectures per year. The MA programs in Art + Education aspire to transform the landscape of the field through a radical approach to visual arts education and Other Campus Resources artistic practice. With a special focus on contemporary art and its social Employment or career development office: Yes context, the programs position the artist-teacher as cultural producer, Office/center for international students: Yes intellectual, and activist able to work in schools, museums, community- based programs, alternative educational sites, and in the public realm. Housing space is available in dormitories. Graduate suites are available They also prepare students to be innovative researchers and persuasive on-campus. Most graduate students live in nearby Boston advocates for the arts in schools and society. The programs are: neighborhoods, where students from many other colleges reside. MA in Teaching Art (initial certification) Planned campus changes and facility improvements: New Design and MA in Teaching Art (professional certification) Media Center opening spring 2016. MA in Art, Education and Community Practices MA in Teaching Art and Social Studies (dual certification) FINANCIAL INFORMATION Tuition ADMISSIONS Deadline for fall: 2/1 Full-time student tuition is determined per credit. Fall notification date: 4/1 All students: $780 Application fee: $75 Part-time student tuition is determined per credit. Part-time students accepted: Yes All students: $780 Applications received 2014–15: 60 Financial Aid Applications accepted 2014–15: 40 Types of aid available: Tuition aid/remission, teaching assistantship, Students enrolled 2014–15: 20 research assistantship. Technical assistantships and partial scholarships Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), GRE, TOEFL are also awarded. US citizens and permanent residents may apply for for foreign students (iBT 100), transcript, letters of recommendation, federal student loans. AY 15–16 MAT/AE tuition remains $780 per résumé, statement of interest/personal statement, writing sample, credit, Teacher Preparation Post-bac $572 per credit. Partial tuition examples of personal artwork, interview awarded to 9 students in the previous academic year. Recommended: Related internship experience, related professional experience, campus visit

16 CURRICULUM Other Campus Resources Employment or career development office: Yes Courses Office/center for international students: Yes Number offered to graduate students each term: 40 There is a graduate-student housing office. Housing space is available in Number whose enrollment is limited to graduate students: 30 dormitories and apartments. The Office of Residential Life and Housing Services provides quality service and enhances student success in a Average Class Size community that fosters individual growth. On-campus graduate student In graduate studios: 11–15 students housing at NYU is limited. Candidates desiring university housing In graduate seminars: 16–20 students should indicate so on their admissions application. In graduate lectures: 21–50 students Planned campus changes and facility improvements: The Art + Independent study available: Yes Education program is pleased to offer two new programs: the Art, Education, and Community Practice MA and the Dual Degree in Art and MASTER'S PROGRAM Social Studies MA. Part-time residency requirement: 4 terms Maximum number of years for residency: 7 FINANCIAL INFORMATION Average number of years for residency: 1 Tuition Degree requirements: Two or more art education courses, one or more Full-time student tuition is determined per credit hour. courses in research methods, one or more courses in technology, one or All students: $1,596 more courses in developmental psychology, one or more courses in diverse populations, written thesis, art education culminating project, Additional institutional fees: $479 non-thesis, internship/student teaching. Four to six art education Financial Aid methods courses are required. P–12 art teaching, student teaching, or internship is required. Teaching requirement may be satisfied at other Types of aid available: Tuition aid/remission, guaranteed loan, work- community sites in lieu of P–12 teaching experience. study program. Partial tuition awarded to 12 students in the previous academic year. No financial assistance awarded to 5 students in the Recommended: One or more art-history courses, studio concentration previous academic year. STUDENTS Funds available for graduate student travel: Yes Number of students in residence: Master’s, 15 Health Insurance Number of male graduates fall 2015–summer 2016: Master’s, 2 Full-time master’s students and part-time master’s students receive Number of female graduates fall 2015–summer 2016: Master’s, 15 health insurance coverage at no cost. Student organizations within the program/department: Advocates for Cultural Engagement, Graduate Student Art Organization Formal mode of student participation in academic governance: Student councils are the elected student governing/representative bodies of an individual school or college recognized by the school or college for that NORTHERN ILLINOIS purpose; the Inter-Greek Council or the Inter-Residence Hall Council, University Committee on Student Life, or the Student Senators Council. UNIVERSITY FACULTY Number of faculty: 3 Art + Design Education Tenured/tenure track: 1 man, 1 woman School of Art and Design Part-time/adjunct lecturers: 0 men, 1 woman Northern Illinois University 330 Gilbert Dr. Full-time contractual: 0 men, 0 women DeKalb, Illinois, 60115 DAVID DARTS, Digital Media (Studio), Art Education, Associate Phone: 815-753-0292 Professor, PhD, University of British Columbia, 2004 Fax: 815-753-7701 DIPTI DESAI, Art Education, Associate Professor, PhD, University of www.niu.edu/art arted.niu.edu/index1.html Wisconsin-Madison JESSICA HAMLIN, Art Education, Adjunct/Contingent faculty, MA, New Contact: Dr. Kerry Freedman, Dr. Kryssi Staikidis, [email protected], York University, The Steinhardt School of Culture, Education, and [email protected] Human Development Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design, RESOURCES AND SPECIAL PROGRAMS National Council for Accreditation of Teacher Education, North Central Libraries Association of Colleges and Schools Total volumes in library system: >4,000,000 Degrees awarded: Master’s degree; Doctoral degree Art volumes in library system: >100,000 First graduate degree granted: MFA, 1958 The students committed to art education are serious scholars and Art journals in library system: >1,000 creative risk-takers. The art education faculty members are devoted There is a separate art library with >10,000 volumes and >500 journals. teachers, artists, and researchers with international reputations and a Students have library privileges at other institutional libraries. variety of disciplinary interests. Through a visual culture approach, the Image Resources art education program encourages students to build on their own Total number of images: >1,000,000 strengths and develop skills to advocate for art in schools and to work Institution subscribes to a digital-image library. Students have access to with diverse students, attitudes, and cultures. Graduates of the art image collections. Students have opportunities to view works of art in education program find rewarding jobs in multiple fields, including local museums and commercial galleries. teaching in K–12 and community settings, museum and gallery management, and higher education. Program Opportunities Additional opportunities for study within the institution: Students are ADMISSIONS encouraged to take courses in other Departments and Programs when This program has rolling admissions. in support of their research and studies as curriculum sequence allows. Deadline for fall: 3/1 Gallery or museum affiliated with the department: 80WSE Gallery Fall notification date: 4/15 Formal programs: Study abroad. Internships are available. Deadline for spring: 11/1 Extracurricular opportunities for graduate students: Curate exhibitions, Spring notification date: 12/15 conduct fieldwork, conduct surveys for outside institutions, present public outreach lectures Application fee: $40 Other special programs sponsored by the department: Graduate Part-time students accepted: Yes students are eligible for research and travel grants offered through the Applications received 2014–15: 7 Steinhardt School of Culture, Education and Human Development. The Applications accepted 2014–15: 5 department sponsors 10–20 lectures per year. Students enrolled 2014–15: 5 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), GRE, TOEFL

17 for foreign students (iBT 80), transcript, letters of recommendation, EdD, Northern Illinois University, 2001 résumé, statement of interest/personal statement, writing sample Recommended: Campus visit, interview RESOURCES AND SPECIAL PROGRAMS CURRICULUM Libraries Total volumes in library system: >2,000,000 Courses Art volumes in library system: >50,000 Number offered to graduate students each term: 16 Art journals in library system: >300 Number whose enrollment is limited to graduate students: 16 Students have library privileges at other institutional libraries. Average Class Size Image Resources In graduate seminars: 11–15 students Total number of images: >250,000 Institution maintains its own digital-image collection. Program In graduate lectures: 11–20 students maintains its own slide collection. Institution subscribes to a digital- Independent study available: Yes image library. Students have access to image collections. Students have MASTER'S PROGRAM opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Part-time residency requirement: No part-time residency requirement Maximum number of years for residency: 6 Program Opportunities Average number of years for residency: 2 Additional opportunities for study within the institution: Students may Degree requirements: Two or more art education courses, one or more apply credits in cognate courses toward their degree electives. courses in technology, one or more courses in developmental Gallery or museum affiliated with the department: Jack Olson Gallery, psychology, one or more art-history courses, one or more courses in NIU diverse populations, art education culminating project, non-thesis, Formal programs: Study abroad. The School of Art offers study abroad thesis committee, IRB (institutional review board) compliance, programs to Italy, Egypt, Poland, and other rotating locations. The study internship/student teaching. Four to six art education methods courses abroad office offers independent study abroad opportunities. are required. P–12 art teaching, student teaching, or internship is Extracurricular opportunities for graduate students: Curate exhibitions, required. Teaching requirement may be satisfied at other community conduct fieldwork, research for catalogues, conduct surveys for outside sites in lieu of P–12 teaching experience. institutions, present public outreach lectures. The department sponsors Recommended: One or more courses in research methods, studio 10–20 lectures per year. concentration, written thesis, solo exhibition, oral defense of work, IRB (institutional review board) compliance Other Campus Resources DOCTORAL PROGRAM Employment or career development office: Yes Full-time residency requirement: None Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in Part-time residency requirement: No part-time residency requirement apartments and married student housing. Graduate students may apply Maximum number of years for residency: 7 for housing at Northern View Apartments (815-752-8439). Different Average number of years for residency: 4 types of apartment options are available. Degree requirements: Two or more art education courses, one or more courses in research methods, one or more courses in diverse FINANCIAL INFORMATION populations, written thesis, thesis committee, oral defense of work, IRB (institutional review board) compliance. Four to six art education Tuition methods courses are required. Full-time student tuition is determined per credit hour. Recommended: One or more courses in technology, one or more State residents: $493.63 courses in developmental psychology, one or more art-history courses, Out-of-state residents: $850.63 studio concentration, art education culminating project, non-thesis, solo International students: $850.63 exhibition, internship/student teaching Additional institutional fees: $0 Dissertation Part-time student tuition is determined per credit hour. Number of PhD dissertation readers: 3 State residents: $493.68 Oral defense required: Yes Out-of-state residents: $850.63 Most students receive institutional support during their research year. International students: $850.63 Research and teaching assistantships are available for dissertation Additional institutional fees: $0 research support. Financial Aid STUDENTS Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Number of students in residence: Master’s, 34; Doctorate, 14 teaching assistantship, research assistantship, work-study program. Number of female graduates fall 2015–summer 2016: Master’s, 2; Minority fellowships and continuing student scholarships are available Doctorate, 2 on a competitive basis. Second- and third-year students may apply for the University Fellowship, an award of $9,000 plus a tuition waiver. A Student organizations within the program/department: National Art Dissertation Completion Fellowship awards a $14,000 stipend plus a Education Association (NAEA) student chapter tuition waiver. Tuition and full stipend awarded to 8 students in the Formal mode of student participation in academic governance: Students previous academic year. Tuition and partial stipend awarded to 1 have representatives through the Student Association as well as student in the previous academic year. Full tuition awarded to 1 student representation on most major governing committees within the in the previous academic year. No financial assistance awarded to 38 university and on select school committees. students in the previous academic year. FACULTY Funds available for graduate student travel: Yes Number of faculty: 6 Fellowships Tenured/tenure track: 4 men, 2 women Fellowships are available to second-year students and third-year Part-time/adjunct lecturers: 0 men, 0 women students. Full-time contractual: 0 men, 0 women Fellowships applications received last year: 4 DR. DOUGLAS BOUGHTON, Art Education (Studio), Professor, PhD, Fellowships awarded: 1 University of Alberta, 1976 Fellowships awarded to women: 1 DR. STEVEN CIAMPAGLIA, Art Education (Studio), Assistant Professor, Fellowships awarded to minorities: 1 tenure-track, EdD, Northern Illinois University DR. KERRY FREEDMAN, Art Education (Studio), Professor, PhD, Average amount of award/stipend: $9,000 University of Wisconsin-Madison, 1985 Fellowship maximum period of support: 2 years DR. RICHARD SIEGESMUND, Art Education (Studio), Associate Professor, PhD, Stanford University, 2000 Assistantships DR. KRYSSI STAIKIDIS, Art Education (Studio), Associate Professor, Assistantships are available to students of all levels. PhD, Teachers College, Columbia University, 2004 Teaching assistantships applications received: 9 DR. SHEI-CHAU WANG, Art Education (Studio), Associate Professor, Teaching assistantships awarded: 9

18 Teaching assistantships awarded to women: 8 sample Teaching assistantships awarded to minorities: 3 Recommended: Examples of personal artwork, campus visit, interview Average amount of award/stipend: $580 Hours of work required per week: 10 CURRICULUM Teaching assistantship maximum period of support: 3 years Courses Working assistantships applications received: 3 Number offered to graduate students each term: 21 Working assistantships awarded: 3 Number whose enrollment is limited to graduate students: 21 Working assistantships awarded to women: 3 Average Class Size Working assistantships awarded to minorities: 1 In graduate seminars: 11–15 students Average amount of award/stipend: $580 Independent study available: Yes Hours of work required per week: 10 Working assistantship maximum period of support: 3 years MASTER'S PROGRAM Other benefits: Tuition remission (part or full) This program has an online learning component. Other financial support: Funding opportunities are available through the DOCTORAL PROGRAM NIU Graduate School for fellowships and for travel for the presentation Full-time residency requirement: 2 terms of research. Part-time residency requirement: 2 terms Health Insurance Maximum number of years for residency: 8 Full-time doctoral students, part-time doctoral students, full-time Average number of years for residency: 3 master’s students, part-time master’s students, full-time certificate Degree requirements: Two or more art education courses, one or more students, and part-time certificate students receive health insurance courses in research methods, written thesis, thesis committee, oral coverage with copayment. Health insurance coverage is available to defense of work, IRB (institutional review board) compliance. Four to six dependents, spouses, unmarried domestic partners, and same-sex art education methods courses are required. domestic partners of full-time doctoral students, part-time doctoral students, full-time master’s students, part-time master’s students, full- Dissertation time certificate students, and part-time certificate students. Number of PhD dissertation readers: 4–6 Oral defense required: Yes Dissertation process: After completing comprehensive exams, candidates select a dissertation committee composed of a chair, two or more department faculty members, and one external member. PENNSYLVANIA STATE Candidates submit a written proposal for approval. An oral defense is required for final projects. UNIVERSITY Support available to students during their research year: Grants are available to assist with travel and research. Art Education STUDENTS Number of students in residence: Master’s, 5; Doctorate, 32 The Pennsylvania State University Number of female graduates fall 2015–summer 2016: Master’s, 2; 210 Patterson Building Doctorate, 4 University Park, Pennsylvania, 16802 Phone: 814-865-0444 Student organizations within the program/department: Pennsylvania Art Fax: 814-865-1158 Education Association; Graduate Art Education Student Association sova.psu.edu/arted/ Formal mode of student participation in academic governance: Graduate Student Association Contact: Dr. Kimberly Powell, [email protected] Public university; nonprofit corporation FACULTY Accredited by: Association of American , Middle States Number of faculty: 13 Association of Colleges and Schools, National Association of Schools of Tenured/tenure track: 5 men, 7 women Art and Design, National Council for Accreditation of Teacher Education Part-time/adjunct lecturers: 0 men, 1 woman Degrees awarded: Master’s degree; Doctoral degree Full-time contractual: 0 men, 0 women First graduate degree granted: PhD, 1951 DR. DANA CARLISLE KLETCHKA, Museum Studies, Adjunct/Contingent The mission of the art education program, located in the School of faculty, PhD Visual Arts, is to prepare knowledgeable, skilled, and caring professional DR. B. STEPHEN CARPENTER, II, Art Education, Professor, PhD educators to become critical, reflective practitioners, researchers, artists, DR. CHARLES GAROIAN, Art Education, Professor, PhD and agents of change for social justice in diverse contexts of educational DR. YVONNE GAUDELIUS, Art Education, Professor, PhD practice; to generate and disseminate knowledge that leads to new DR. GRACE HAMPTON, Art Education, Emeritus, PhD pedagogical understandings; and to collaborate across DR. KAREN KEIFER-BOYD, Art Education, Professor, PhD disciplines,professions, and constituencies to promote social change DR. WANDA KNIGHT, Art Education, Associate Professor, PhD that leads to educational improvement and transformation. The DR. AARON KNOCHEL, Art Education, Assistant Professor, tenure- program’s vision is that education will contribute to a more just society track, PhD and world. The program offers a BS in Art Education with certification. DR. CHRISTINE MARMÉ THOMPSON, Art Education, Professor, PhD Additionally, the graduate program offers an MS, Master of Professional DR. KIMBERLY POWELL, Art Education, Associate Professor, PhD Studies (MPS), and a PhD in Art Education. Three dual-title degrees are DR. CHRISTOPHER SCHULTE, Art Education, Assistant Professor, also offered: an MS and PhD in Art Education and Women’s Studies and tenure-track, PhD a PhD in Art Education and African American Studies. DR. MARY ANN STANKIEWICZ, Art Education, Professor, PhD ADMISSIONS DR. GRAEME SULLIVAN, Art Education, Professor, PhD Deadline for fall: 3/25 RESOURCES AND SPECIAL PROGRAMS Fall notification date: 4/15 Libraries Deadline for spring: 10/1 Total volumes in library system: >5,000,000 Spring notification date: 12/15 Art volumes in library system: >500,000 Application fee: $65 Art journals in library system: >1,000 Part-time students accepted: Yes There is a separate art library with >10,000 volumes. Students have Applications received 2014–15: 23 library privileges at other institutional libraries. Applications accepted 2014–15: 20 Image Resources Students enrolled 2014–15: 11 Institution subscribes to a digital-image library. Students have Requirements: Bachelor’s degree (BA or BFA), master’s degree, GPA opportunities to view works of art in local museums, commercial (3.0), GRE, TOEFL for foreign students (iBT 80), transcript, letters of galleries, private collections, and on funded field trips. recommendation, statement of interest/personal statement, writing

19 Program Opportunities Preparation (CAEP) Additional opportunities for study within the institution: Students may Degrees awarded: Master’s degree; Certificate study related fields in programs and departments across the College of First graduate degree granted: MS, 2000 Arts and Architecture and across the university. Opportunities to combine theory and practice have been an integral part Gallery or museum affiliated with the department: Edwin W. Zoller of the Art and Design Education department since 1887. Teaching Gallery (K–12) is viewed as a creative process, with studio work enhancing and complementing instruction. In 1897 art classes for children were offered Formal programs: Study abroad, summer work projects. Summer in cast drawing; sketching in outline, color, light, and shade; and teaching opportunities are available. freehand perspective. This was the genesis of a unique student teaching Formal relationships with local museums: Palmer Museum of Art experience for the graduate students and a resource for the Extracurricular opportunities for graduate students: Curate exhibitions, community—the Saturday Art School that continues today. Through a conduct fieldwork, research for catalogues, conduct surveys for outside combination of individual study, observation, and reflection, along with institutions, present public outreach lectures. The department sponsors collaborative and interactive experiences, students learn how to 20–30 lectures per year. articulate and plan learning experiences in art and design for children and young people (K–12). Other Campus Resources Employment or career development office: Yes ADMISSIONS Office/center for international students: Yes This program has rolling admissions. There is a graduate-student housing office. Housing space is available in Deadline for fall: 1/5 dormitories, apartments, and married student housing. Fall notification date: 5/1 FINANCIAL INFORMATION Application fee: $50 Part-time students accepted: Yes Tuition Applications received 2014–15: 23 Full-time student tuition is determined per semester. Applications accepted 2014–15: 16 State residents: $9,982 Students enrolled 2014–15: 7 Out-of-state residents: $17,133 Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Part-time student tuition is determined per credit. students (600), transcript, letters of recommendation, statement of State residents: $832 interest/personal statement, examples of personal artwork, interview Out-of-state residents: $1,428 Recommended: Related professional experience, campus visit Financial Aid CURRICULUM Types of aid available: Stipend, teaching assistantship, work-study program. Fellowships and grants are available. Tuition and partial Courses stipend awarded to 16 students in the previous academic year. Number offered to graduate students each term: 7 Funds available for graduate student travel: Yes Number whose enrollment is limited to graduate students: 3 Fellowships Average Class Size Fellowships are available to students of all levels. In graduate studios: 6–10 students Fellowships awarded: 1 In graduate seminars: 1–5 students Fellowships awarded to women: 1 In graduate lectures: 11–20 students Fellowships awarded to minorities: 0 Independent study available: Yes Assistantships MASTER'S PROGRAM Assistantships are available to students of all levels. Part-time residency requirement: No part-time residency requirement Teaching assistantships applications received: 39 Maximum number of years for residency: No maximum Teaching assistantships awarded: 15 Average number of years for residency: 2 Teaching assistantships awarded to women: 12 Degree requirements: Two or more art education courses, one or more courses in research methods, one or more courses in technology, one or Teaching assistantships awarded to minorities: 5 more courses in developmental psychology, one or more art-history Hours of work required per week: 20 courses, written thesis, oral defense of work, internship/student Other benefits: Tuition remission (part or full) teaching. Two to four art education methods courses are required. P–12 Other financial support: Health insurance plan available to graduate art teaching, student teaching, or internship is required. Teaching assistants and fellowship recipients. requirement may be satisfied at other community sites in lieu of P–12 teaching experience. Health Insurance Recommended: One or more courses in diverse populations, studio Full-time doctoral students, part-time doctoral students, full-time concentration master’s students, part-time master’s students, full-time certificate students, and part-time certificate students receive health insurance STUDENTS coverage with copayment. Number of students in residence: Master’s, 9; Certificate, 1 Number of male graduates fall 2015–summer 2016: Master’s, 1 Number of female graduates fall 2015–summer 2016: Master’s, 5 Student organizations within the program/department: The Art and Design Education Club is a student organization. Events take place PRATT INSTITUTE through the year, including a lecture series sponsored by the department and club. Art and Design Education Formal mode of student participation in academic governance: The Student Government Association is invested with the responsibility and Pratt Institute authority to manage student life and academic affairs, in cooperation 200 Willoughby Ave. with, and responsible to, Pratt Institute. Main Hall, Room 202 Brooklyn, New York, 11205 FACULTY Phone: 800-331-0834 Fax: 718-636-3670 Number of faculty: 8 www.pratt.edu/academics/school-of-art/graduate-school-of-art/art-and- Tenured/tenure track: 0 men, 3 women design-educ Part-time/adjunct lecturers: 1 man, 4 women Contact: Natalie Capannelli, [email protected] Full-time contractual: 0 men, 0 women Private university; nonprofit corporation LISA CAPONE, Art Education, Sculpture, Adjunct/Contingent faculty, Accredited by: Middle States Association of Colleges and Schools, MS, Pratt Institute, 1995 Middle States Commission on Higher Education, National Association MARY ELMER-DEWITT, Art Education, Adjunct/Contingent faculty, MS, of Schools of Art and Design, Council for the Accreditation of Educator Pratt Institute, 2003

20 BORINQUEN GALLO, Art Education, Assistant Professor, non-tenure, MFA, Hunter College, 2000 Health Insurance CHRISTOPHER KENNEDY, Art Education, Assistant Professor, non- Full-time master’s students, part-time master’s students, full-time tenure, PhD, University of North Carolina at Greensboro certificate students, and part-time certificate students receive health TONYA LESLIE, Non-Artist/Non-Art Historian, Adjunct/Contingent insurance coverage with copayment. Health insurance coverage is faculty, ABD, New York University, The Steinhardt School of Culture, available to dependents, spouses, unmarried domestic partners, and Education, and Human Development, 1999 same-sex domestic partners of full-time master’s students, part-time HEATHER LEWIS, Art Education, Chair, PhD, New York University, The master’s students, full-time certificate students, and part-time certificate Steinhardt School of Culture, Education, and Human Development students. THEODORA SKIPITARES, Performance Studies, Associate Professor, MFA, New York University, The Steinhardt School of Culture, Education, and Human Development AILEEN WILSON, Printmaking, Painting, Professor, EdD, Columbia University, 2012 RHODE ISLAND SCHOOL OF RESOURCES AND SPECIAL PROGRAMS DESIGN Libraries Total volumes in library system: >500,000 Art + Design Education Art volumes in library system: >100,000 Rhode Island School of Design Art journals in library system: >300 Two College St. Students have library privileges at other institutional libraries. Providence, Rhode Island, 02903 Image Resources Phone: 401-454-6695 Total number of images: >250,000 Fax: 401-454-6694 Institution and program maintain digital-image collections. Institution www.risdtlad.com/ and program maintain slide collections. Institution subscribes to a Contact: Department Head, [email protected] digital-image library. Students have access to image collections. Private college; nonprofit corporation Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Accredited by: National Association of Schools of Art and Design, New England Association of Schools and Colleges, Rhode Island Department Program Opportunities of Education Additional opportunities for study within the institution: Electives offer Degrees awarded: Master’s degree the opportunity to take classes outside the department. First graduate degree granted: MS, 1958 Gallery or museum affiliated with the department: Nancy Ross Project Graduate students in the Department of Teaching + Learning in Art + Space Design choose between two degree program options. The Master of Arts Formal programs: Museum training, study abroad. The Art and Design in Teaching (MAT), an intensive, one-year (summer through spring) Education Department has offered a five-week, summer study program cohort teacher preparation program for artists and designers eligible to in Port Elizabeth, South Africa. A course devoted to museum education work in the US that culminates in recommendations for teacher is also offered. certification in art in US-based pK-12 schools. The Master of Arts (MA) Formal relationships with local museums: Pratt students have free in Art + Design Education is an innovative one-year (fall through spring) admission to the Whitney Museum of American Art, the Museum of Art in which MA candidates customize their studies within RISD’s vibrant and Design, the Brooklyn Museum, the Frick Collection, and the Cooper- community, working in tandem with offerings at neighboring Brown Hewitt, National Design Museum. University and in Providence’s diverse range of nonprofit cultural and educational institutions. MA candidates complete a capstone thesis; Extracurricular opportunities for graduate students: Curate exhibitions, MAT candidates complete 12 weeks of student teaching in public conduct fieldwork, present public outreach lectures elementary and high schools. Other special programs sponsored by the department: The Youth Programs are Pratt’s laboratory school for undergraduates and ADMISSIONS graduates prior to student teaching in the public schools. Pratt Young Deadline for fall: 1/10 Scholars is a college-access program for Brooklyn High School students. The department offers a guest lecture series of artists, scholars, and Fall notification date: 3/24 educators. The department sponsors 20–30 lectures per year. Application fee: $60 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Other Campus Resources foreign students (iBT 93), transcript, letters of recommendation, Employment or career development office: Yes statement of interest/personal statement, writing sample, examples of Office/center for international students: Yes personal artwork, interview There is a graduate-student housing office. Housing space is available in dormitories and apartments. Students from a far distance receive CURRICULUM priority for housing. In its residence halls, Pratt offers housing Average Class Size preferences, including healthy-choice, global-learning, and gender-blind communities. In graduate studios: 6–10 students In graduate seminars: 6–10 students FINANCIAL INFORMATION In graduate lectures: 11–20 students Tuition MASTER'S PROGRAM Full-time student tuition is determined per credit. Average number of years for residency: 1 All students: $1,647 Degree requirements: P–12 art teaching, student teaching, or internship Additional institutional fees: $1,938 is required. Part-time student tuition is determined per credit. STUDENTS Financial Aid Number of students in residence: Master’s, 18 Types of aid available: Guaranteed loan, research assistantship. Number of male graduates fall 2015–summer 2016: Master’s, 3 Graduate scholarships are available to students based on merit. Number of female graduates fall 2015–summer 2016: Master’s, 15 Fellowships Formal mode of student participation in academic governance: The Graduate Student Alliance is a self-nominating body fostering Fellowships are available to first-year students and second-year interdisciplinary dialogue within the graduate community. The GSA students. meets with the Provost and representatives of the Center for Student Assistantships Involvement. Assistantships are available to second-year students. Other financial support: Health insurance is available to all students.

21 FACULTY Number of faculty: 6 STATE UNIVERSITY OF NEW Tenured/tenure track: 2 men, 4 women Part-time/adjunct lecturers: 0 men, 0 women YORK AT NEW PALTZ Full-time contractual: 0 men, 0 women JOHN CHAMBERLIN, Art Education, Associate Professor, MA, Art Education California State University, Los Angeles Smiley Arts Building Office 108A JANICE DEFRANCES, Art Education, Professor, EdD, Boston University State University of New York at New Paltz NANCY FRIESE, Art Education, Professor, MFA, 1 Hawk Dr. NADINE GERDTS, Art Education, Professor, Harvard University New Paltz, New York, 12561 KRISTINA SANSONE, Art Education, Professor Phone: 800-248-8856 PAUL SPROLL, Art Education, Professor, PhD, Ohio State University Fax: 845-257-3849 RESOURCES AND SPECIAL PROGRAMS www.newpaltz.edu/arted/ Contact: Dr. Beth Thomas, [email protected] Libraries Public university; nonprofit corporation Total volumes in library system: >500,000 Accredited by: National Association of Schools of Art and Design, Art volumes in library system: >200,000 National Council for Accreditation of Teacher Education Art journals in library system: >400 Degrees awarded: Master’s degree Students have library privileges at other institutional libraries. First graduate degree granted: MEd, 1950 Image Resources The Visual Arts Education graduate program has been streamlined to a Total number of images: >500,000 30-credit, 15-month blended learning experience focused on arts-based Institution maintains its own digital-image collection. Institution educational study linking studio and teaching practice. Students begin maintains its own slide collection. Institution subscribes to a digital- with summer-intensive work on campus, continue with online courses image library. Students have access to image collections. Students have in fall and spring, including one winter meeting on campus, and opportunities to view works of art in local museums, commercial conclude with a second summer semester on campus where students’ galleries, and on funded field trips. experiences are synthesized in an exhibition of studio and academic research. For more than fifty years, the Art Education program has Program Opportunities prepared artist-teachers for work with young people in schools and Additional opportunities for study within the institution: MA and MAT alternative education settings. Through intensive engagement with students have elective study opportunities outside the department. contemporary studio and art teaching practices as well as coursework in Gallery or museum affiliated with the department: Rhode Island School art criticism and history, the program challenges art teachers to look of Design Museum, Sol Koffler Graduate Gallery; Gelman Student reflectively and critically at their studio and teaching practices to refine Exhibition Gallery and deepen relationships between them. Formal relationships with other academic institutions: A cross- registration program exists with Brown University ADMISSIONS This program has rolling admissions. Other special programs sponsored by the department: MA and MAT students have opportunities to be involved in Project Open Door (POD) Deadline for spring: 2/15 - a college access initiative for urban youth housed in RISD’s Spring notification date: 3/15 Department of Teaching + Learning in Art + Design. The department Application fee: $50 sponsors 1–4 lectures per year. Part-time students accepted: Yes Other Campus Resources Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), GRE, Employment or career development office: Yes transcript, letters of recommendation, résumé, teacher certification, statement of interest/personal statement, writing sample, examples of Office/center for international students: Yes personal artwork, artist’s statement Housing space is available in dormitories and apartments. Recommended: Related professional experience, campus visit, interview FINANCIAL INFORMATION CURRICULUM Tuition Courses Full-time student tuition is determined per year. Number offered to graduate students each term: 2 All students: $46,800 Number whose enrollment is limited to graduate students: 2 Additional institutional fees: $310 Average Class Size Financial Aid In graduate studios: 11–15 students Types of aid available: Teaching assistantship, research assistantship, In graduate seminars: 11–15 students work-study program. Graduate fellowships are available. In graduate lectures: 11–20 students Fellowships MASTER'S PROGRAM Fellowships are available to students of all levels. Part-time residency requirement: No part-time residency requirement Assistantships Maximum number of years for residency: 1 Assistantships are available to students of all levels. Average number of years for residency: 1 Health Insurance This program has a low-residency component. Full-time master’s students receive health insurance coverage with This program has an online learning component. copayment. Health insurance coverage is available to dependents, Degree requirements: Two or more art education courses, one or more spouses, unmarried domestic partners, and same-sex domestic partners courses in research methods, one or more art-history courses, studio of full-time master’s students. concentration, art education culminating project, non-thesis, solo exhibition. Two to four art education methods courses are required. Teaching requirement may be satisfied at other community sites in lieu of P–12 teaching experience. STUDENTS Number of students in residence: Master’s, 8 Number of female graduates fall 2015–summer 2016: Master’s, 6 Student organizations within the program/department: Student Art Alliance; National Art Education Association Student Chapter Formal mode of student participation in academic governance: Students can run for a seat on the Student Association, which has formal representation within the university. Teaching assistants are part of the

22 Graduate Student Employees Union (GSEU) and have access to collective bargaining. Assistantships Assistantships are available to first-year students and second-year Students have the opportunity to join a labor union. students. FACULTY Working assistantships applications received: 1 Number of faculty: 3 Working assistantships awarded: 1 Tenured/tenure track: 1 man, 2 women Working assistantships awarded to women: 1 Part-time/adjunct lecturers: 0 men, 0 women Working assistantships awarded to minorities: 0 Full-time contractual: 0 men, 0 women Average amount of award/stipend: $5,000 DR. ANDREA KANTROWITZ, Art Education, Assistant Professor, tenure- Hours of work required per week: 20 track, EdD, Teachers College, Columbia University, 2014 Working assistantship maximum period of support: 2 years DR. KEVIN SLIVKA, Art Education, Assistant Professor, tenure-track, Other benefits: Tuition remission (part or full) PhD, Pennsylvania State University, 2013 Other financial support: For information about the Sojourner Truth DR. BETH THOMAS, Art Education, Assistant Professor, tenure-track, Diversity Fellowship, see PhD, Ohio State University, 2010 www.newpaltz.edu/graduate/gopw_stf_ebrochure_f13.pdf RESOURCES AND SPECIAL PROGRAMS $500 Art Education Scholarship: Competitive, must be enrolled in MSEd Libraries Visual Art Ed. Contact [email protected] for more Total volumes in library system: >500,000 information. Art volumes in library system: >50,000 Health Insurance Art journals in library system: >200 Full-time master’s students receive health insurance coverage with Students have library privileges at other institutional libraries. copayment. No health insurance coverage is provided for part-time master’s students. Image Resources Total number of images: >500,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial SYRACUSE UNIVERSITY galleries, private collections, and on funded field trips. Program Opportunities Art Education Additional opportunities for study within the institution: In addition to Syracuse University the School of Fine and Performing Arts, students may take courses in College of Visual and Performing Arts the schools of Liberal Arts and Sciences and Education. 102 Shaffer Art Building Gallery or museum affiliated with the department: Samuel Dorsky Syracuse, New York, 13244 Museum of Art Phone: 315-443-2505 Formal programs: Study abroad. Winter Intersession study abroad in Fax: 315-443-5732 Guatemala, which includes pre-travel readings/seminar and 12 days in http://vpa.syr.edu/art-design/art/graduate/art-education Guatemala, 3 of which involve working with indigenous students in rural Contact: Laurie Deyo, [email protected] elementary schools. Private university; nonprofit corporation Extracurricular opportunities for graduate students: Curate exhibitions, Accredited by: Middle States Commission on Higher Education, conduct fieldwork, present public outreach lectures National Council for Accreditation of Teacher Education Other special programs sponsored by the department: Seminars in art Degrees awarded: Master’s degree education for higher education professionals; workshops and symposia for regional art educators and students. The department sponsors 1–4 Graduate programs in art education facilitate collaborative and inclusive lectures per year. creative practices, interdisciplinary problem-solving, community- engaged learning experiences, and opportunities for real-world solutions Other Campus Resources to real-world challenges. The MS Preparation program is a two-year Employment or career development office: Yes program; the MS Professional program is a one-year program. Office/center for international students: Yes ADMISSIONS Housing space is available in apartments. SUNY New Paltz maintains This program has rolling admissions. an online list of available local apartments. Deadline for fall: 1/15 Planned campus changes and facility improvements: Facilities include a dedicated student study area with public computer access and a mobile Fall notification date: 4/15 computer lab supporting wireless connectivity. Teaching and research Application fee: $75 opportunities for Art Education students exist within the Saturday Arts Part-time students accepted: Yes Lab @ SUNY New Paltz, which offers arts programming in visual arts, Applications received 2014–15: 14 theater, and music for K–12 students. Applications accepted 2014–15: 10 FINANCIAL INFORMATION Students enrolled 2014–15: 4 Requirements: Bachelor’s degree (BA or BFA), GPA (2.8), TOEFL for Tuition foreign students (iBT 80), transcript, letters of recommendation, Full-time student tuition is determined per semester. statement of interest/personal statement, examples of personal artwork, State residents: $5,185 interview Out-of-state residents: $7,580 Recommended: Résumé, teacher certification, artist’s statement, related Additional institutional fees: $624 internship experience, related professional experience Part-time student tuition is determined per credit hour. CURRICULUM State residents: $370 Out-of-state residents: $632 Courses Additional institutional fees: $290 Number offered to graduate students each term: 5 Number whose enrollment is limited to graduate students: 4 Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Average Class Size teaching assistantship. Sojourner Truth Fellowship; Graduate In graduate seminars: 16–20 students Opportunity Program Waiver; Art Education Graduate Study Scholarship ($500). Tuition and full stipend awarded to 1 student in the previous MASTER'S PROGRAM academic year. No financial assistance awarded to 23 students in the Degree requirements: One to two art education methods courses are previous academic year. required. P–12 art teaching, student teaching, or internship is required. Funds available for graduate student travel: Yes

23 DOCTORAL PROGRAM Funds available for graduate student travel: Yes Full-time residency requirement: 3 years Assistantships Maximum number of years for residency: 6 Assistantships are available to students of all levels. Degree requirements: Two or more art education courses, one or more Teaching assistantship maximum period of support: 2 years courses in research methods, written thesis, thesis committee, oral Hours of work required per week: 20 defense of work. Four to six art education methods courses are required. Other benefits: Tuition remission (part or full) Recommended: One or more courses in technology, one or more courses in developmental psychology, one or more art-history courses, Health Insurance one or more courses in diverse populations, internship/student Full-time master’s students receive health insurance coverage with teaching copayment. Health insurance coverage is available to dependents, Dissertation spouses, unmarried domestic partners, and same-sex domestic partners of full-time master’s students. No health insurance coverage is provided Number of PhD dissertation readers: 4 for part-time master’s students. Oral defense required: Yes Most students receive institutional support during their research year. Teaching assistantships, graduate assistantships, research assistantships, and the Lila Bull scholarship are available. STUDENTS TEMPLE UNIVERSITY Number of students in residence: Master’s, 10 Number of male graduates fall 2015–summer 2016: Master’s, 3 Art Education and Community Arts Number of female graduates fall 2015–summer 2016: Master’s, 7 Practices Formal mode of student participation in academic governance: Students are represented in the faculty senate and on most college committees. Tyler School of Art The Graduate School and Art History program both maintain a student Temple University organization. 2001 North 13th St. , Pennsylvania, 19122 Phone: 215-777-9090 FACULTY Fax: 215-777-9247 Tenured/tenure track: 0 men, 0 women tyler.temple.edu/#/prospective Part-time/adjunct lecturers: 0 men, 0 women Contact: Tamryn McDermott, Director of Tyler Admissions, Full-time contractual: 0 men, 0 women [email protected] DR. SHARIF BEY, Art Education (Studio), Ceramics, PhD, Pennsylvania Accredited by: Middle States Association of Colleges and Schools, State University National Association of Schools of Art and Design DR. JAMES ROLLING, Art Education (Studio), Associate Professor, EdD, Columbia University Degrees awarded: Master’s degree First graduate degree granted: MEd, 1945 RESOURCES AND SPECIAL PROGRAMS The MEd Art Education program attracts practicing and prospective art educators who seek a master’s degree with a major in art; the program Libraries offers teaching certification if desired. Students take three graduate art- Total volumes in library system: >3,000,000 education classes, two graduate art-history classes, five graduate studio- Art volumes in library system: >100,000 art classes, and one elective course. Additional courses are required for Art journals in library system: >1,000 the certification track. The program has outstanding faculty and courses in the area of community arts practices, for those committed to urban Students have library privileges at other institutional libraries. education and alternative settings. Students can earn a graduate-level Image Resources certification in community arts practices. Total number of images: >750,000 Institution maintains its own digital-image collection. Institution ADMISSIONS maintains its own slide collection. Institution subscribes to a digital- Deadline for fall: 1/15 image library. Students have access to image collections. Students have Fall notification date: 2/15 opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Deadline for spring: 11/1 Spring notification date: 11/30 Program Opportunities Application fee: $60 Additional opportunities for study within the institution: Students may Part-time students accepted: Yes study in other university programs. Applications received 2014–15: 14 Gallery or museum affiliated with the department: SUArt Galleries/CMAC Applications accepted 2014–15: 5 Extracurricular opportunities for graduate students: Curate exhibitions, Students enrolled 2014–15: 3 conduct fieldwork, present public outreach lectures. The department Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for sponsors 1–4 lectures per year. foreign students (iBT 79), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal Other Campus Resources artwork, artist’s statement Employment or career development office: Yes Recommended: GRE (50%), MAT, related internship experience, related Office/center for international students: Yes professional experience, campus visit, interview, contact the program for Housing space is available in apartments and married student housing. additional requirements FINANCIAL INFORMATION CURRICULUM Tuition Courses Full-time student tuition is determined per credit. Number offered to graduate students each term: 3 All students: $1,294 Number whose enrollment is limited to graduate students: 1 Additional institutional fees: $500 Average Class Size Part-time student tuition is determined per credit. In graduate studios: 11–15 students All students: $1,294 In graduate seminars: 11–15 students Additional institutional fees: $500 In graduate lectures: 11–20 students Financial Aid Independent study available: Yes Types of aid available: Stipend, teaching assistantship, research MASTER'S PROGRAM assistantship. Tuition and full stipend awarded to 3 students in the Part-time residency requirement: 4 terms previous academic year. Tuition and partial stipend awarded to 1 student in the previous academic year. Maximum number of years for residency: 4 24 Average number of years for residency: 3 Degree requirements: Two or more art education courses, one or more courses in research methods, one or more courses in developmental UNIVERSITY OF ARIZONA psychology, one or more art-history courses, studio concentration, written thesis, oral defense of work, internship/student teaching. One to Art and Visual Culture Education two art education methods courses are required. P–12 art teaching, student teaching, or internship is required. School of Art Recommended: One or more courses in technology, one or more The University of Arizona courses in diverse populations, thesis committee, solo exhibition PO Box 210002 Tucson, Arizona, 85721 Phone: 520-621-8518 STUDENTS Fax: 520-621-2955 Number of students in residence: Master’s, 15 art.arizona.edu/ Number of male graduates fall 2015–summer 2016: Master’s, 1 Contact: Megan Bartel, [email protected] Number of female graduates fall 2015–summer 2016: Master’s, 14 Public university; nonprofit corporation Student organizations within the program/department: National Art Education Association Student Chapter Accredited by: National Association of Schools of Art and Design Degrees awarded: Master’s degree; Doctoral degree; Certificate FACULTY First graduate degree granted: MA, 1959 Number of faculty: 6 The division of Art and Visual Culture Education offers a comprehensive Tenured/tenure track: 2 men, 4 women approach to learning. Graduate studies are grounded in understanding, Part-time/adjunct lecturers: 0 men, 0 women appreciation, and performance in studio art, art history, criticism, and aesthetics. With courses that are designed to provide real-world Full-time contractual: 0 men, 0 women experience, students participate in community-based art education DR. RENEE JACKSON, Art Education, Assistant Professor, tenure-track, programs that prepare them to become excellent teachers, effective PhD, Concordia University, 2016 community collaborators, and future leaders. DR. LISA KAY, Art Education, Art Therapy, Associate Professor, EdD, Northern Illinois University, 2008 ADMISSIONS DR. JO-ANNA J. MOORE, Art Education (Studio), Emeritus, EdD, Deadline for fall: 1/10 Harvard University, 1991 DR. PEPON OSORIO, Sculpture, Installation (Studio), Professor, Other, Fall notification date: 3/1 Maryland Institute College of Art, 1984 Deadline for spring: 9/15 DR. WENDY OSTERWEIL, Art Education (Studio), Drawing (Studio), Spring notification date: 11/1 Associate Professor, MFA, Maryland Institute College of Art, 2016 Application fee: $85 DR. BILLY YALOWITZ, Public Art, Associate Professor, EdD, Temple University, 1997 Part-time students accepted: Yes Applications received 2014–15: 24 RESOURCES AND SPECIAL PROGRAMS Applications accepted 2014–15: 17 Image Resources Students enrolled 2014–15: 10 Total number of images: >250,000 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Institution maintains its own digital-image collection. Institution foreign students (iBT 79), transcript, letters of recommendation, maintains its own slide collection. Institution subscribes to a digital- résumé, statement of interest/personal statement, writing sample, image library. Students have access to image collections. Students have interview opportunities to view works of art in local museums, commercial Recommended: Campus visit galleries, private collections, and on funded field trips. Program Opportunities CURRICULUM Additional opportunities for study within the institution: Students may Courses take classes in art history and studio art. Number offered to graduate students each term: 10 Students may chose to complete a Community Arts Practices Certificate. Number whose enrollment is limited to graduate students: 5 Gallery or museum affiliated with the department: Tyler Contemporary Formal relationships with local museums: Philadelphia Museum of Art Average Class Size Woodmere Art Museum In graduate seminars: 11–15 students Extracurricular opportunities for graduate students: Conduct fieldwork, In graduate lectures: 11–20 students present public outreach lectures Independent study available: Yes Other special programs sponsored by the department: Special guest lecturers , artists and panels. The department sponsors 1–4 lectures per DOCTORAL PROGRAM year. Full-time residency requirement: 2 terms Part-time residency requirement: 3 terms FINANCIAL INFORMATION Maximum number of years for residency: 4 Tuition Average number of years for residency: 2 Full-time student tuition is determined per credit. Degree requirements: Two or more art education courses, written thesis, State residents: $877 thesis committee, oral defense of work, IRB (institutional review board) Out-of-state residents: $1,202 compliance. Two to four art education methods courses are required. Additional institutional fees: $445 Dissertation Financial Aid Number of PhD dissertation readers: 3 Types of aid available: Tuition aid/remission, stipend. Tuition and full Oral defense required: Yes stipend awarded to 2 students in the previous academic year. Dissertation process: The student forms a dissertation committee at the time of advancement to candidacy. The committee must have a Funds available for graduate student travel: Yes minimum of three members, all of whom must be UA tenured or tenure- Assistantships track faculty. Upon the completion of the dissertation, the candidate Assistantships are available to second-year students. submits to a final oral defense examination. Working assistantships applications received: 2 STUDENTS Hours of work required per week: 20 Number of students in residence: Master’s, 12; Doctorate, 22; Working assistantship maximum period of support: 2 years Certificate, 4 Other benefits: Tuition remission (part or full) Number of female graduates fall 2015–summer 2016: Master’s, 3; Doctorate, 2; Certificate, 2 Health Insurance Student organizations within the program/department: The National Art Full-time master’s students and part-time master’s students receive Education Association Student Chapter members work to promote health insurance coverage with copayment. professional development for future art educators, provide fellowship among students and faculty, meet student needs and wants in regard to 25 art and visual culture education, and provide a forum for the Fellowships awarded to minorities: 2 presentation of innovative ideas to the benefit of the university and Average amount of award/stipend: $1,190 Tucson communities. Formal mode of student participation in academic governance: The Assistantships Graduate and Professional Student Council is the representative Assistantships are available to students of all levels. organization for graduate and professional students of the University of Teaching assistantships applications received: 37 Arizona. The council promotes the academic, economic, and social aims of the graduate and professional students of the University of Arizona Teaching assistantships awarded: 15 and advocates on their behalf. Teaching assistantships awarded to women: 12 Teaching assistantships awarded to minorities: 7 FACULTY Average amount of award/stipend: $3,402 Number of faculty: 4 Hours of work required per week: 10 Tenured/tenure track: 1 man, 3 women Working assistantships applications received: 37 Part-time/adjunct lecturers: 0 men, 0 women Working assistantships awarded: 3 Full-time contractual: 0 men, 0 women Working assistantships awarded to women: 2 DR. ELIZABETH GARBER, Art Education, Professor, PhD, Oregon State Working assistantships awarded to minorities: 2 University, 1989 DR. LISA HOCHTRITT, Art Education, Associate Professor, PhD, Average amount of award/stipend: $3,242 Columbia University, 2004 Hours of work required per week: 10 DR. MANISHA SHARMA, Art Education, Assistant Professor, tenure- Other benefits: Tuition remission (part or full) track, PhD, Ohio State University, 2012 Other financial support: Graduate assistants receive free health DR. RYAN SHIN, Art Education, Associate Professor, PhD, Florida State insurance; health insurance is available to all other graduate students University, 2002 for a fee. RESOURCES AND SPECIAL PROGRAMS Health Insurance Full-time doctoral students, part-time doctoral students, full-time Libraries master’s students, and part-time master’s students receive health Total volumes in library system: >5,000,000 insurance coverage with copayment. Health insurance coverage is Art volumes in library system: >100,000 available to dependents, spouses, unmarried domestic partners, and Art journals in library system: >1,000 same-sex domestic partners of full-time doctoral students, part-time doctoral students, full-time master’s students, and part-time master’s Students have library privileges at other institutional libraries. students. Image Resources Total number of images: >500,000 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Students have opportunities to view works of art in local museums, UNIVERSITY OF FLORIDA commercial galleries, and private collections. Program Opportunities Art Education Additional opportunities for study within the institution: The master’s School of Art and Art History program can require between three and nine units of electives, which University of Florida can be taken outside the department. The PhD program requires PO Box 115801 students to take six units outside the department and complete a nine- Gainesville, Florida, 32611 5801 unit minor, which can be taken outside the department. Phone: (352) 392-0201 Gallery or museum affiliated with the department: University of Arizona Fax: 352-392-8453 Museum of Art, Center for Creative Photography, Joseph Gross Gallery, arts.ufl.edu/academics/art-and-art-history/programs/art-education/ Lionel Rombach Gallery Contact: Dr. Craig Roland, [email protected] Extracurricular opportunities for graduate students: Curate exhibitions, Public university; nonprofit corporation conduct fieldwork, research for catalogues, present public outreach Accredited by: National Association of Schools of Art and Design, lectures. The department sponsors 5–10 lectures per year. National Council for Accreditation of Teacher Education, Southern Other Campus Resources Association of Colleges and Schools Employment or career development office: Yes Degrees awarded: Master’s degree Office/center for international students: Yes First graduate degree granted: MA, 1993 There is a graduate-student housing office. Housing space is available in Graduate students in the Art Education program can complete either the apartments and married student housing. campus-based or the online MA in Art Education. In both programs, students have the option to complete the Educator Preparation Institute (EPI) track. The EPI track allows students to earn a master’s degree and FINANCIAL INFORMATION K–12 Florida art teacher certification through a state-approved EPI. The Tuition mission of the graduate program in art education is to develop art Full-time student tuition is determined per credit. teachers who thrive within varied twenty-first-century learning environments and to provide a thorough understanding of the ways in State residents: $812 which art education continues to evolve in response to changing Out-of-state residents: $1,729 cultural, economic, social, political, and technological conditions. The Additional institutional fees: $812.47 program aims to develop leaders within the field of art education who demonstrate reflective, critical thought and scholarship as well as a Financial Aid commitment to their ongoing professional development. Types of aid available: Tuition aid/remission, stipend, teaching assistantship. The School of Art offers endowed scholarships, the ADMISSIONS College of Fine Arts Medici Scholarship, College of Fine Arts Small Deadline for fall: 2/1 Grants, Graduate and Professional Student Council Travel Grants, and Fall notification date: 3/16 assistantships and fellowships. Tuition and partial stipend awarded to 3 students in the previous academic year. Full tuition awarded to 14 Application fee: $30 students in the previous academic year. Partial tuition awarded to 10 Applications received 2014–15: 6 students in the previous academic year. No financial assistance awarded Applications accepted 2014–15: 3 to 7 students in the previous academic year. Students enrolled 2014–15: 2 Fellowships Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Fellowships are available to students of all levels. students (iBT 80), transcript, letters of recommendation, résumé, statement of interest/personal statement, writing sample, examples of Fellowships applications received last year: 37 personal artwork Fellowships awarded: 8 Recommended: GPA (3.0) Fellowships awarded to women: 5

26 MFA, Nova Scotia College of Art & Design, 1986 CURRICULUM MARIA ROGAL, Graphic Design, Professor, MFA, Virginia Commonwealth University, 1995 Courses DR. CRAIG ROLAND, Art Education, Professor, PhD, Illinois State Number offered to graduate students each term: 50 University, 1983 Number whose enrollment is limited to graduate students: 30 DR. ELIZABETH ROSS, Renaissance Art, Art, Associate Professor, PhD, Harvard University, 2004 Average Class Size BRIAN SLAWSON, Graphic Design, Associate Professor, MFA, In graduate studios: 1–5 students University of Michigan, 1991 In graduate seminars: 6–10 students DR. CRAIG SMITH, Photography (Studio), Performance, Associate Professor, PhD, Goldsmiths, University of London, 2007 Independent study available: Yes NAN SMITH, Ceramics, Professor, MFA, Ohio State University, 1977 MASTER'S PROGRAM DR. MAYA STANFIELD-MAZZI, Pre-Columbian Art, Latin American Art, Part-time residency requirement: No part-time residency requirement Associate Professor, PhD, University of California, Los Angeles, 2006 DR. JACK STENNER, Digital Media (Studio), Associate Professor, PhD, Maximum number of years for residency: No maximum Texas A&M University-Commerce, 1985 Average number of years for residency: 2 BETHANY TAYLOR, Foundations, Drawing (Studio), Assistant This program has a low-residency component. Professor, tenure-track, MFA, University of Colorado Boulder, 1994 This program has an online learning component. DR. MICHELLE TILLANDER, Art Education, Associate Professor, PhD, Pennsylvania State University, 2008 Degree requirements: Two or more art education courses, one or more DR. JOYCE TSAI, Contemporary Art, Twentieth-Century Art, Assistant courses in research methods, one or more art-history courses, studio Professor, tenure-track, PhD, Johns Hopkins University, 2010 concentration, art education culminating project, non-thesis, thesis SERGIO VEGA, Sculpture, Environmental Art (Studio), Professor, MFA, committee, oral defense of work. One to two art education methods Yale University, 1996 courses are required. DR. GLENN WILLUMSON, Art of North America, Photography STUDENTS (History), Emeritus, PhD, University of California, Santa Barbara, 1988 Number of students in residence: Master’s, 2 Recent Visiting Faculty Student organizations within the program/department: Vox Graphis, DR. NIKA ELDER, Twentieth-Century Art, Assistant Professor, non- Alagarto Printmaking Guild, HOT (Handbuilt Or Thrown) Clay, tenure, PhD, Princeton University Graduate Arts Association, Fine Arts College Council, National Art ARIELLA MOSTKOFF, Graphic Design, Assistant Professor, tenure- Education Association student chapter track, MGD, North Carolina State University, 2012 NANCY SCHRECK, Graphic Design, Assistant Professor, non-tenure, Formal mode of student participation in academic governance: The MFA, University of Florida, 2010 Graduate Student Council serves as a liaison between graduate DR. ANNIINA SUOMINEN, Art Education, Assistant Professor, non- students, the administration, and student government. Students also tenure, PhD, Ohio State University, 2003 have representation at faculty meetings and on college-wide awards, research, and curriculum committees. Students have the opportunity to join a labor union. RESOURCES AND SPECIAL PROGRAMS FACULTY Libraries Number of faculty: 37 Total volumes in library system: >5,000,000 Tenured/tenure track: 12 men, 19 women Art volumes in library system: >100,000 Part-time/adjunct lecturers: 0 men, 2 women Art journals in library system: >1,000 Full-time contractual: 0 men, 4 women There is a separate art library with >10,000 volumes and >1,000 journals. LINDA ARBUCKLE, Ceramics, Emeritus, MFA, Rhode Island School of Students have library privileges at other institutional libraries. Design, 1983 Image Resources ANTHEA BEHM, Photography (Studio), Assistant Professor, tenure- Total number of images: >1,000,000 track, MFA, School of the Art Institute of Chicago, 2009 Institution and program maintain digital-image collections. Institution DR. KAIRA CABAÑAS, Contemporary Art, Twentieth-Century Art, and program maintain slide collections. Institution subscribes to a Associate Professor, PhD, Princeton University digital-image library. Students have access to image collections. ANNA CALLUORI HOLCOMBE, Ceramics, Professor, MFA, Louisiana Students have opportunities to view works of art in local museums, State University, 1977 commercial galleries, private collections, and on funded field trips. AMY FREEMAN, Visual Studies, Assistant Professor, non-tenure, MFA, University of Massachusetts Dartmouth, 2002 Program Opportunities DR. COCO FUSCO, Art Education (Studio), Critical Theory, Professor, Additional opportunities for study within the institution: Students may PhD, Middlesex University, 2007 enroll in courses outside the School of Art and Art History to fulfill KATERIE GLADDYS, Digital Media (Studio), Environmental Art (Studio), elective requirements. Associate Professor, MFA, University of Illinois at Urbana-Champaign, 2005 Gallery or museum affiliated with the department: University Galleries RICHARD HEIPP, Painting, Professor, MFA, University of Washington, Formal programs: Museum training, conservation, study abroad, 1979 summer work projects DR. MELISSA HYDE, Eighteenth-Century Art, Nineteenth-Century Art, Formal relationships with local museums: Samuel P. Harn Museum of Professor, PhD, University of California, Berkeley, 1996 Art; Florida Museum of Natural History LISA IGLESIAS, Drawing (Studio), Assistant Professor, tenure-track, Extracurricular opportunities for graduate students: Curate exhibitions, MFA, University of Florida, 2006 conduct fieldwork, present public outreach lectures RON JANOWICH, Painting, Associate Professor, MFA, Maryland Institute College of Art, 1972 Other special programs sponsored by the department: The Harn DR. ASHLEY JONES, Early Medieval Art, Assistant Professor, tenure- Eminent Scholars program hosts distinguished scholars whose work track, PhD, Yale University, 2011 represents a range of fields in the history of art. The Florida Art in State ELLEN KNUDSON, Artist’s books, Assistant Professor, non-tenure, Buildings program is housed in the School of Art and Art History. There MFA, University of Alabama, 2006 is also a visiting artists and scholars series and an annual Art Bash. The DR. GOULONG LAI, Chinese Art, Associate Professor, PhD, University department sponsors 10–20 lectures per year. of California, Los Angeles, 2002 Other Campus Resources SEAN MILLER, Foundations, Installation (Studio), Assistant Professor, tenure-track, MFA, University of Colorado Boulder, 1994 Employment or career development office: Yes JULIA MORRISROE, Drawing (Studio), Painting, Associate Professor, Office/center for international students: Yes MFA, University of Washington, 1998 There is a graduate-student housing office. Housing space is available in ROBERT MUELLER, Printmaking, Drawing (Studio), Associate dormitories, apartments, and married student housing. See Professor, MFA, Arizona State University, 1988 www.housing.ufl.edu. DR. ROBIN POYNOR, African Art (sub-Saharan), Oceanic Art, Emeritus, PhD, Indiana University, 1978 FINANCIAL INFORMATION DR. BRILEY RASMUSSEN, Museum Studies, joint appointment in Program Head Museum Studies, Assistant Professor, tenure-track, PhD, Tuition University of Leicester, 2015 Full-time student tuition is determined per semester. CELESTE ROBERGE, Sculpture, Environmental Art (Studio), Emeritus, State residents: $8077.14

27 Out-of-state residents: $22518 Average Class Size Additional institutional fees: $800 In graduate seminars: 6–10 students Financial Aid Independent study available: Yes Types of aid available: Tuition aid/remission, stipend, guaranteed loan, DOCTORAL PROGRAM teaching assistantship, research assistantship, work-study program. Tuition and full stipend awarded to 2 students in the previous requirements: Two or more art education courses, one or more year. courses in research methods, written thesis, thesis committee, oral defense of work, IRB (institutional review board) compliance. Two to Funds available for graduate student travel: Yes four art education methods courses are required. Assistantships Dissertation Assistantships are available to students of all levels. Number of PhD dissertation readers: 4 Teaching assistantships applications received: 6 Oral defense required: Yes Teaching assistantships awarded: 2 Dissertation process: After completing their coursework, students take Teaching assistantships awarded to women: 2 oral and written exams and defend their dissertation prospectus. Once Average amount of award/stipend: $6,500 accepted to candidacy, students have five years to complete the Hours of work required per week: 10 dissertation. Most students receive institutional support during their research year. Teaching assistantship maximum period of support: 2 years Working assistantships applications received: 0 STUDENTS Working assistantships awarded: 0 Number of students in residence: Master’s, 14; Doctorate, 16 Working assistantships awarded to women: 0 Number of male graduates fall 2015–summer 2016: Master’s, 2 Other benefits: Tuition remission (part or full) Number of female graduates fall 2015–summer 2016: Master’s, 14; Health Insurance Doctorate, 14 Student organizations within the program/department: The UGA Full-time master’s students receive health insurance coverage at no student chapter of the National Art Education Association (NAEA) cost. Health insurance coverage is available to dependents, spouses, provides a variety of opportunities for students to be involved in the unmarried domestic partners, and same-sex domestic partners of full- local community. time master’s students. Formal mode of student participation in academic governance: Students are appointed to faculty search committees on a regular basis. The active student advisory board meets regularly with the director of the School of Art. UNIVERSITY OF GEORGIA FACULTY Number of faculty: 1 Art Education Tenured/tenure track: 0 men, 1 woman The University of Georgia Part-time/adjunct lecturers: 0 men, 0 women Lamar Dodd School of Art Full-time contractual: 0 men, 0 women 270 River Rd. DR. LYNN BUSTLE-SANDERS, Art Education, Associate Professor, PhD, Athens, Georgia, 30602 Virginia Tech Phone: 706-542-1636 Fax: 706-542-0226 RESOURCES AND SPECIAL PROGRAMS http://art.uga.edu Libraries Contact: Isabelle Wallace, [email protected] Total volumes in library system: >5,000,000 Public university Art volumes in library system: >100,000 Accredited by: National Association of Schools of Art and Design, National Council for Accreditation of Teacher Education, Southern Art journals in library system: >1,000 Association of Colleges and Schools Students have library privileges at other institutional libraries. Degrees awarded: Master’s degree; Doctoral degree; Certificate Image Resources The art education program’s primary focus is on the role of the visual Total number of images: >250,000 arts in learning and the development of skills necessary to nurture Institution and program maintain digital-image collections. Institution aesthetic understanding, foster critical-thinking abilities, and develop and program maintain slide collections. Institution subscribes to a visual literacy. Graduate degrees include Master of Arts in Education digital-image library. Students have access to image collections. (MAEd), Doctor of Education (EdD), and PhD. The faculty is committed Students have opportunities to view works of art in local museums and to preparing students while helping them develop significant depth in commercial galleries. their field of choice, with career options ranging from K–12 and higher education to community centers and art museums. Graduate Program Opportunities coursework in art education is divided between small, advanced Additional opportunities for study within the institution: Students are graduate courses on general art education concerns such as curriculum encouraged to take coursework in other departments that relates to their theory, assessment, and the history of art education, and seminars on research focus. specialized topics. These courses, when coupled with required Gallery or museum affiliated with the department: Georgia Museum of coursework in research skills, aim to develop specialists capable of Art conducting independent research. Formal programs: Study abroad. Art education is a component of the UGA Studies Abroad program in Cortona, Italy, each spring semester. ADMISSIONS Students work directly with Italian children in the local elementary Deadline for fall: 1/1 school, providing sequential art instruction that links to the National Application fee: $75 Visual Arts Standards and the Italian curriculum. Part-time students accepted: Yes Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, conduct surveys for outside institutions. The Applications received 2014–15: 11 department sponsors 1–4 lectures per year. Students enrolled 2014–15: 16 Requirements: GPA, GRE, TOEFL for foreign students (iBT 80), Other Campus Resources transcript, letters of recommendation, résumé, statement of Employment or career development office: Yes interest/personal statement, writing sample Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in CURRICULUM apartments and married student housing. UGA’s family and graduate Courses housing facilities are designed to provide convenient and comfortable living at minimal expense. Nearly 1,300 graduate students and their Number offered to graduate students each term: 14 families live in one- and two-bedroom apartments in three on-campus Number whose enrollment is limited to graduate students: 13 communities: University Village, Rogers Road, and Brandon Oaks.

28 FINANCIAL INFORMATION ADMISSIONS Tuition Deadline for fall: 12/15 Full-time student tuition is determined per semester. Fall notification date: 3/1 State residents: $4,246 Application fee: $70 Out-of-state residents: $12,045 Part-time students accepted: Yes Additional institutional fees: $1,135 Applications received 2014–15: 15 Part-time student tuition is determined per credit hour. Applications accepted 2014–15: 7 State residents: $354 Students enrolled 2014–15: 2 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Out-of-state residents: $1004 foreign students (iBT 96), transcript, letters of recommendation, Additional institutional fees: $567 résumé, statement of interest/personal statement, writing sample, Financial Aid related professional experience Types of aid available: Tuition aid/remission, stipend, teaching Recommended: Teacher certification, campus visit, interview assistantship, work-study program. Tuition and full stipend awarded to 6 students in the previous academic year. No financial assistance awarded CURRICULUM to 43 students in the previous academic year. Courses Funds available for graduate student travel: Yes Number offered to graduate students each term: 12 Fellowships Number whose enrollment is limited to graduate students: 8 Fellowships awarded: 14 Average Class Size Fellowships awarded to women: 14 In graduate studios: 11–15 students Fellowships awarded to minorities: 1 In graduate seminars: 11–15 students Assistantships In graduate lectures: 51–100 students Assistantships are available to students of all levels. Independent study available: Yes Teaching assistantships awarded: 27 MASTER'S PROGRAM Teaching assistantships awarded to women: 16 Part-time residency requirement: No part-time residency requirement Teaching assistantships awarded to minorities: 3 Maximum number of years for residency: No maximum Average amount of award/stipend: $12,195 Average number of years for residency: 2 Hours of work required per week: 13 Degree requirements: Two or more art education courses, one or more Working assistantships awarded: 33 courses in research methods. Two to four art education methods Working assistantships awarded to women: 30 courses are required. P–12 art teaching, student teaching, or internship is required. Teaching requirement may be satisfied at other community Working assistantships awarded to minorities: 4 sites in lieu of P–12 teaching experience. Average amount of award/stipend: $12,195 Recommended: One or more courses in technology, one or more Hours of work required per week: 13 courses in developmental psychology, one or more art-history courses, Other benefits: Tuition remission (part or full) one or more courses in diverse populations Health Insurance DOCTORAL PROGRAM Full-time doctoral students and full-time master’s students receive Full-time residency requirement: 4 years health insurance coverage with copayment. Health insurance coverage Part-time residency requirement: No part-time residency requirement is available to dependents, spouses, and unmarried domestic partners Maximum number of years for residency: No maximum of full-time doctoral students and full-time master’s students. Average number of years for residency: 5 Degree requirements: Two or more art education courses, one or more courses in research methods, written thesis, thesis committee, oral defense of work, IRB (institutional review board) compliance. Two to four art education methods courses are required. UNIVERSITY OF ILLINOIS AT Recommended: One or more courses in technology, one or more courses in developmental psychology, one or more art-history courses, URBANA-CHAMPAIGN one or more courses in diverse populations Art Education Dissertation Number of PhD dissertation readers: 4 School of Art and Design Oral defense required: Yes University of Illinois at Urbana-Champaign Dissertation process: A qualifying exam is required at the end of the first 408 E. Peabody Dr. year of study. All coursework is concluded with a preliminary exam for Champaign, Illinois, 61820 research approval. A final exam is needed for the defense of the written Phone: 217-333-0642 dissertation. Electronic deposit and publication through IDEALS www.art.illinois.edu/ website. Yearly academic reviews. Most students receive institutional Contact: Ellen de Waard, [email protected] support during their research year. At least four years of assistantship Public university; nonprofit corporation funding is offered: a package that includes a stipend (around $8,000)/full tuition waiver/partial student fee waiver/requires 10 hrs. of Accredited by: National Association of Schools of Art and Design weekly service. Fellowships for Dissertation Travel and Completion are Degrees awarded: Master’s degree; Doctoral degree available. First graduate degree granted: MFA, 1955 The master’s degree requirements include three required courses in art STUDENTS education; five elective courses; a total of 32 credit hours in course work Number of students in residence: Master’s, 2; Doctorate, 5 with a relevant focus. For the MA, a formal research thesis is submitted Number of male graduates fall 2015–summer 2016: Doctorate, 1 to the graduate school (this adds four thesis credit hours). The Number of female graduates fall 2015–summer 2016: Master’s, 3; Education Master’s (EdM) degree does not require a thesis deposit. The Doctorate, 2 doctoral degree requirements include six courses in art education/a minimum of 32 credit hours in coursework; demonstrated competency Student organizations within the program/department: The Art in research method; an initial qualifying exam; a preliminary exam of a Graduate Student Organization (AGSO) and a Student Art History formal dissertation proposal; a final examination to defend the Association (SAHA). Advanced students in both organizations mentor dissertation research. After the final exam follows an electronic first-year students and assist them with guidance information regarding dissertation deposit at the UIUC Thesis Office, and an online outside funding resources. publication through the UIUC IDEALS website. Formal mode of student participation in academic governance: The Illinois Student Senate (ISS), a campus-wide initiative, aims to improve student life and the university, based on student participation: there is a

29 committee for academic affairs, campus affairs, financial affairs, community and governmental affairs, internal affairs and public FINANCIAL INFORMATION relations. Tuition Students have the opportunity to join a labor union. Full-time student tuition is determined per semester. FACULTY State residents: $6,708 Number of faculty: 6 Out-of-state residents: $13,826 Tenured/tenure track: 4 men, 1 woman International students: $13,826 Part-time/adjunct lecturers: 1 man, 0 women Additional institutional fees: $1,920 Full-time contractual: 0 men, 0 women Part-time student tuition is determined per term. PROF. TYLER DENMEAD, Art Education, Assistant Professor, tenure- State residents: $4,472 track, PhD Out-of-state residents: $9,218 PROF. PAUL DUNCUM, Visual Studies, Art Education, Professor, PhD International students: $9,218 PROF. LAURA HETRICK, Art Education, Curatorial Studies, Assistant Professor, tenure-track, PhD Additional institutional fees: $1,730 PROF. CHRIS KIENKE, Art Education, Assistant Professor, tenure-track, Financial Aid PhD Types of aid available: Tuition aid/remission, stipend, teaching PROF. JORGE LUCERO, Art Education, Visual Studies, Assistant assistantship, research assistantship, work-study program. Waiver- Professor, tenure-track, PhD generating funding is available for most students. Assistantship PROF. MICHAEL PARSONS, Arts Administration, Visual Studies, packages (full tuition waiver/partial student fee waiver/stipend/10hrs Adjunct/Contingent faculty, PhD weekly service) provide teaching experience. Fellowships are available to incoming top candidates. Smaller grant competitions are available each RESOURCES AND SPECIAL PROGRAMS semester. Tuition and full stipend awarded to 12 students in the Libraries previous academic year. No financial assistance awarded to 4 students Total volumes in library system: >5,000,000 in the previous academic year. Art volumes in library system: >500,000 Funds available for graduate student travel: Yes Art journals in library system: >300 Fellowships There is a separate art library with >10,000 volumes and >300 journals. Fellowships are available to students of all levels. Students have library privileges at other institutional libraries. Fellowships applications received last year: 0 Image Resources Fellowships awarded: 0 Total number of images: >250,000 Fellowships awarded to women: 0 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Fellowships awarded to minorities: 0 digital-image library. Students have access to image collections. Fellowship maximum period of support: 3 years Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Assistantships Assistantships are available to students of all levels. Program Opportunities Teaching assistantships applications received: 15 Additional opportunities for study within the institution: Students may Teaching assistantships awarded: 15 take courses in many disciplines, including curriculum and instruction, educational psychology, gender and women’s studies, and psychology, Teaching assistantships awarded to women: 9 among others. These courses can fulfill the electives requirement in the Teaching assistantships awarded to minorities: 0 major program. A graduate minor may also be added (museum studies, Average amount of award/stipend: $7,999 art history). Hours of work required per week: 10 Gallery or museum affiliated with the department: Krannert Art Teaching assistantship maximum period of support: 4 years Museum, Figure One Gallery Hours of work required per week: 10 Formal programs: Museum training, summer work projects. The Krannert Art Museum offers museum education coursework and is a Other benefits: Tuition remission (part or full) training facility for our students. Saturday School is a community-based Other financial support: Assistantship packages provide a stipend, cover art program for K–12 children, taught by art education students. tuition, and partially cover student fees: including health insurance, Formal relationships with local museums: All faculty, students, and health facilities (doctors and counseling), transportation, gym, library, members of the local community have access to the facilities within the and more. A fee of $95 per semester is charged for use of the school’s Krannert Art Museum and Spurlock Museum. Both facilities are on facilities. campus and are affiliated with the university. Health Insurance Extracurricular opportunities for graduate students: Curate exhibitions, Full-time doctoral students, part-time doctoral students, full-time conduct fieldwork, research for catalogues, conduct surveys for outside master’s students, and part-time master’s students receive health institutions, present public outreach lectures insurance coverage with copayment. Health insurance coverage is Other special programs sponsored by the department: Special programs available to dependents, spouses, unmarried domestic partners, and sponsored by the department include the Saturday Art School program same-sex domestic partners of full-time doctoral students, part-time and the Summer Art Enrichment program for elementary and high doctoral students, full-time master’s students, and part-time master’s school students. The department sponsors 20–30 lectures per year. students. Other Campus Resources Employment or career development office: Yes Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in UNIVERSITY OF KANSAS dormitories, apartments, and married student housing. Students from a far distance receive priority for housing. Housing is available on and off campus, through graduate student housing, or through individual Visual Art Education renting options, in both Urbana and Champaign. Many students bike The University of Kansas, Department of Visual Art Education and use the (free) MTD bus system to get around. Art and Design Building Planned campus changes and facility improvements: In 2013 more 1467 Jayhawk Blvd., Rm. 300 classrooms in the School were turned into smart rooms. In 2014/2015: Lawrence, Kansas, 66045 7531 expansion of computer labs, 3D labs, painting studios, design Phone: 785- 864-2957 classrooms, addition of Metals lab into the School building (used to be Fax: 785-864-4404 elsewhere on campus). www.art.ku.edu Contact: Norman Akers, [email protected] Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design Degrees awarded: Master’s degree

30 The visual art education graduate program strives to advance students’ understanding of art education with a complement of courses that explore historical studies of art education, art criticism, studio work, and UNIVERSITY OF KENTUCKY aesthetics. An important goal of the curriculum is the development of a broad perspective of art education through multicultural studies, Art Education cognitive approaches in teaching and learning, assessment in teaching, and technological issues that arise in contemporary society. Students’ School of Art & Visual Studies programs are tailored to their interests for specialties in areas such as University of Kentucky studio, art history, and evaluation, among others. 236 Bolivar St. Lexington, Kentucky, 40506 ADMISSIONS Phone: 859-257-8151 Deadline for fall: 5/1 Fax: 859-257-3042 Fall notification date: 6/1 finearts.uky.edu/art Deadline for spring: 12/1 Contact: Doreen Maloney, [email protected] Spring notification date: 1/1 Public university; nonprofit corporation Application fee: $65 Accredited by: National Association of Schools of Art and Design, Part-time students accepted: Yes Southern Association of Colleges and Schools Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Degrees awarded: Master’s degree foreign students (20), transcript, letters of recommendation, résumé, First graduate degree granted: MA, 1973 praxis i, statement of interest/personal statement, writing sample The MA in Art Education is pursued under Plan A or Plan B. Candidates Recommended: Campus visit for Plan A complete thesis preparation demonstrating substantial research or theoretical inquiry in art education, a finished thesis, an oral STUDENTS and written examination, and 30 credit hours to be divided as follows: Number of students in residence: Master’s, 24 12–15 graduate credit hours in art education, 9–12 graduate credit hours in art history or art studio, and 6–9 graduate credit hours in electives. Number of female graduates fall 2015–summer 2016: Master’s, 2 Under Plan B, candidates complete 36 credit hours, at least 24 of which should be taken in the department of art and are to be divided as FACULTY follows: 12–15 graduate credit hours in art education, 9–12 graduate Number of faculty: 3 credit hours in art history or art studio, and 6–9 graduate credit hours in Tenured/tenure track: 1 man, 2 women Individual Program Support. The remaining 12 graduate credit hours are Part-time/adjunct lecturers: 0 men, 0 women related electives. During the final semester, students must complete an independent, scholarly project. A final comprehensive examination is Full-time contractual: 0 men, 0 women required in both Plan A and Plan B. JOHN DERBY, Art Education, Assistant Professor, tenure-track, PhD ELIZABETH KOWALCHUK, Art Education, Associate Professor, PhD ADMISSIONS DENISE STONE, Art Education, Associate Professor, PhD This program has rolling admissions. RESOURCES AND SPECIAL PROGRAMS Deadline for fall: 5/16 Fall notification date: 6/16 Libraries Application fee: $100 Total volumes in library system: >4,000,000 Part-time students accepted: Yes Art volumes in library system: >200,000 Applications received 2014–15: 2 Art journals in library system: >500 Applications accepted 2014–15: 2 There is a separate art library with >10,000 volumes and >300 journals. Students enrolled 2014–15: 4 Students have library privileges at other institutional libraries. Requirements: Bachelor’s degree (BA or BFA), GPA (2.75), GRE, TOEFL Image Resources for foreign students (PBT 550), transcript, letters of recommendation, Institution maintains its own digital-image collection. Institution résumé, statement of interest/personal statement, examples of personal maintains its own slide collection. Institution subscribes to a digital- artwork image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial CURRICULUM galleries, and on funded field trips. Courses Program Opportunities Number offered to graduate students each term: 55 Additional opportunities for study within the institution: School of Number whose enrollment is limited to graduate students: 31 Education Gallery or museum affiliated with the department: Art & Design Gallery Average Class Size Formal programs: Study abroad, summer work projects In graduate studios: 1–5 students Formal relationships with local museums: Spencer Museum of Art In graduate seminars: 1–5 students Other Campus Resources In graduate lectures: 11–20 students Independent study available: Yes Employment or career development office: Yes Office/center for international students: Yes MASTER'S PROGRAM There is a graduate-student housing office. Housing space is available in Part-time residency requirement: No part-time residency requirement dormitories, apartments, and married student housing. Maximum number of years for residency: No maximum Average number of years for residency: 2 FINANCIAL INFORMATION Degree requirements: Two or more art education courses, one or more Tuition art-history courses, thesis committee, internship/student teaching. Four to six art education methods courses are required. P–12 art teaching, Full-time student tuition is determined per credit hour. student teaching, or internship is required. State residents: $395 Recommended: Written thesis, art education culminating project, non- Out-of-state residents: $924 thesis Additional institutional fees: $910 Part-time student tuition is determined per credit. STUDENTS Number of students in residence: Master’s, 1 Financial Aid Number of female graduates fall 2015–summer 2016: Master’s, 1 Funds available for graduate student travel: Yes Student organizations within the program/department: Student Health Insurance organizations in ceramics, art education, sculpture, and photography Full-time master’s students receive health insurance coverage with Formal mode of student participation in academic governance: Student copayment. Government Association with elected officers; a student representative on the university’s board of trustees

31 FACULTY Assistantships Tenured/tenure track: 0 men, 0 women Assistantships are available to students of all levels. Part-time/adjunct lecturers: 0 men, 0 women Average amount of award/stipend: $10,200 Full-time contractual: 0 men, 0 women Hours of work required per week: 20 BETH ETTENSOHN, Art Education, Assistant Professor, non-tenure, Other benefits: Tuition remission (part or full) MFA, University of Kentucky, 1998 MARTY HENTON, Art Education, Assistant Professor, non-tenure, MA, Health Insurance Western Kentucky University, 1972 Full-time master’s students and part-time master’s students receive DR. ALLAN RICHARDS, Art Education, Associate Professor, PhD, Illinois health insurance coverage with copayment. Health insurance coverage State University, 1987 is available to spouses, unmarried domestic partners, and same-sex DR. GEORGE SZEKELY, Art Education, Professor, PhD, Columbia domestic partners of part-time master’s students. University, 1975 Recent Visiting Faculty PROF. GEORGE BEASLEY, Sculpture PROF. NICHOLAS COLLINS, Installation (Studio) KRISTA LYNES, Contemporary Art UNIVERSITY OF EMMA PERKINS, Art Education MASSACHUSETTS RESOURCES AND SPECIAL PROGRAMS DARTMOUTH Libraries Art Education Total volumes in library system: >3,000,000 Art volumes in library system: >50,000 University of Massachusetts Dartmouth Art journals in library system: >100 Dept. of Art Education, College of Visual and Performing Arts 285 Old Westport Rd. There is a separate art library with >10,000 volumes and >100 journals. North Dartmouth, Massachusetts, 02747 Students have library privileges at other institutional libraries. Phone: 508-910-6594 Image Resources Fax: 508-910-6587 Total number of images: >100,000 www.umassd.edu/cvpa/graduate/arteducation/ Institution maintains its own digital-image collection. Institution Contact: Dr. Cathy Smilan, [email protected] (preferred maintains its own slide collection. Institution subscribes to a digital- communication) image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Public university galleries, private collections, and on funded field trips. Accredited by: National Association of Schools of Art and Design, New England Association of Schools and Colleges, Massachusetts Program Opportunities Department of Elementary and Secondary Education Additional opportunities for study within the institution: Students can Degrees awarded: Master’s degree take courses outside the department. First graduate degree granted: Other, 1986 Gallery or museum affiliated with the department: Art Museum at the The Master of Art Education (MAE) program offers traditional and University of Kentucky, Tuska Center for Contemporary Art innovative opportunities in curriculum design, reflective practices, and Formal programs: Museum training. An introduction to museum evaluation of programming based on issues in art education. The studies is taught on a regular basis by the university art museum staff. program offers an intensive and comprehensive course of study that Opportunities for museum internships are available to students who exceeds the standards outlined by the National Association of Schools have completed this course. of Art and Design. The program has two entry levels: students with Other special programs sponsored by the department: An endowment undergraduate degrees in related fields enter a 21-credit post- funds a visiting artists series for the department that includes art Baccalaureate program that leads to initial licensure with continuation historians as well as contemporary artists. Each year, the Robert C. May into the MAE program; and teachers with initial licensure enter directly Photography Endowment Lecture Series, sponsored with the university into the 33-credit MAE program that leads to professional licensure and art museum, brings four internationally recognized photographers. The graduation. The MAE application procedures and program structure are department sponsors 20–30 lectures per year. supervised by the MAE graduate program director. Degree requirements toward the post-Baccalaureate initial licensure and professional Other Campus Resources licensure coursework provide multiple experiences in visual arts Employment or career development office: Yes education. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in ADMISSIONS apartments and married student housing. This program has rolling admissions. Planned campus changes and facility improvements: The School of Art Deadline for fall: 3/15 and Visual Studies moved into a new building that opened in fall 2015. Fall notification date: 4/15 Deadline for spring: 10/15 FINANCIAL INFORMATION Spring notification date: 11/15 Tuition Application fee: $60 Full-time student tuition is determined per semester. Part-time students accepted: Yes State residents: $5,386 Applications received 2014–15: 4 Out-of-state residents: $11,419 Applications accepted 2014–15: 4 Part-time student tuition is determined per credit hour. Students enrolled 2014–15: 4 State residents: $552 Requirements: Bachelor’s degree (BA or BFA), GPA (2.75), TOEFL for Out-of-state residents: $1,168 foreign students (533), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork Financial Aid Recommended: Teacher certification, related internship experience, Types of aid available: Tuition aid/remission, stipend, teaching related professional experience, campus visit, interview assistantship, research assistantship, work-study program. Tuition and full stipend awarded to 16 students in the previous academic year. No CURRICULUM financial assistance awarded to 17 students in the previous academic year. Courses Funds available for graduate student travel: Yes Number offered to graduate students each term: 4 Number whose enrollment is limited to graduate students: 3 Fellowships Fellowships are available to students of all levels.

32 Average Class Size Other Campus Resources In graduate studios: 6–10 students Office/center for international students: Yes In graduate seminars: 6–10 students There is a graduate-student housing office. Students from a far distance In graduate lectures: 11–20 students receive priority for housing. The majority of MFA students live off- campus in New Bedford. Assistance in locating housing outside the Independent study available: Yes university is available. MASTER'S PROGRAM Planned campus changes and facility improvements: Studio spaces are Part-time residency requirement: No part-time residency requirement available for enrolled MAE students on the Star Store campus. Maximum number of years for residency: 6 Average number of years for residency: 3 FINANCIAL INFORMATION This program has a low-residency component. Tuition Degree requirements: Two or more art education courses, one or more Full-time student tuition is determined per credit. courses in research methods, one or more art-history courses, studio State residents: $86.29 concentration, written thesis, thesis committee, oral defense of work. Out-of-state residents: $337.46 Four to six art education methods courses are required. P–12 art teaching, student teaching, or internship is required. International students: $337.46 Additional institutional fees: $5,700 STUDENTS Part-time student tuition is determined per credit hour. Number of students in residence: Master’s, 27 Financial Aid Number of male graduates fall 2015–summer 2016: Master’s, 2 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Number of female graduates fall 2015–summer 2016: Master’s, 5 teaching assistantship, research assistantship, work-study program. Student organizations within the program/department: The National Art Tuition and partial stipend awarded to 3 students in the previous Education Association (NAEA) pre-service chapter at UMass academic year. Partial tuition awarded to 1 student in the previous Dartmouth. academic year. Formal mode of student participation in academic governance: At the Funds available for graduate student travel: Yes college level, each program has student representation in the Graduate Committee. Graduate student representation on the Graduate Student Assistantships Senate and on the Graduate Council, which advises the Associate Assistantships are available to students of all levels. Provost for Graduate Studies. Teaching assistantships applications received: 3 FACULTY Teaching assistantships awarded: 3 Number of faculty: 4 Average amount of award/stipend: $4,000 Tenured/tenure track: 0 men, 3 women Hours of work required per week: 10 Part-time/adjunct lecturers: 1 man, 0 women Teaching assistantship maximum period of support: 2 years Full-time contractual: 0 men, 0 women Working assistantships applications received: 1 PETER GEISER, Art Education, Glass, Adjunct/Contingent faculty Working assistantships awarded: 1 KATHY ANN MARZILLI MIRAGLIA, Art Education, Painting, Associate Average amount of award/stipend: $1,500 Professor, EdD, University of Massachusetts Amherst, 2006 Hours of work required per week: 10 KRISTI OLIVER, Art Education, Photography (Studio), Assistant Working assistantship maximum period of support: 3 years Professor, tenure-track, MFA, Boston University, 2006 CATHY SMILAN, Art Education, Associate Professor, EdD, Florida Other benefits: Tuition remission (part or full) Atlantic University, 2004 Other financial support: Graduate travel support for conference presentations RESOURCES AND SPECIAL PROGRAMS Health Insurance Libraries Full-time master’s students receive health insurance coverage with Total volumes in library system: >500,000 copayment. Art volumes in library system: >50,000 Art journals in library system: >200 Students have library privileges at other institutional libraries. Image Resources UNIVERSITY OF NORTH Total number of images: >250,000 Institution maintains its own digital-image collection. Institution TEXAS maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Art Education galleries, private collections, and on funded field trips. College of Visual Arts and Design Program Opportunities University of North Texas Additional opportunities for study within the institution: Students have 1155 Union Circle #305100 the opportunity to work with studio professors within the MAE degree Denton, Texas, 76203 program. Phone: 940-565-4777 Gallery or museum affiliated with the department: University Gallery; Fax: 940-565-4717 William W. Crapo Gallery; New Bedford Art Museum; ArtWorks art.unt.edu Formal programs: Study abroad. Italy/Sicily and China Contact: Dr. Kelly Donahue-Wallace, [email protected] Formal relationships with local museums: New Bedford Art Public university; nonprofit corporation Museum/ArtWorks! Accredited by: National Association of Schools of Art and Design, Extracurricular opportunities for graduate students: Curate exhibitions, National Council for Accreditation of Teacher Education, Southern conduct fieldwork, present public outreach lectures Association of Colleges and Schools Other special programs sponsored by the department: The department Degrees awarded: Master’s degree; Doctoral degree; Certificate hosts the Massachusetts Art Education Association conference every First graduate degree granted: MA, 1937 three years. Students are supported to present their research at NAEA The discipline of art education concerns itself with the theory and and other conferences. The Department of Art Education partners with practice of teaching art to others. A master’s degree in art education lab sites such as the Nativity Prep School, Renaissance Community allows students to further their knowledge of art education practice and School for the Arts, and New Bedford Art Museum/Artworks!. The research and to focus on a specific type of art education, such as department sponsors 5–10 lectures per year. museum education. The art education graduate programs and the North Texas Institute for Educators on the Visual Arts provide students with a wealth of opportunities for research and professional experiences.

33 Image Resources ADMISSIONS Total number of images: >250,000 Deadline for fall: 1/5 Institution subscribes to a digital-image library. Students have access to Fall notification date: 3/15 image collections. Students have opportunities to view works of art in Deadline for spring: 10/1 local museums, commercial galleries, private collections, and on funded Spring notification date: 11/15 field trips. Application fee: $60 Program Opportunities Part-time students accepted: Yes Additional opportunities for study within the institution: Pursuing Applications received 2014–15: 14 interdisciplinary studies is encouraged. Applications accepted 2014–15: 14 Gallery or museum affiliated with the department: University of North Texas Galleries, Texas Fashion Collection, Fashion on Main, UNT on the Students enrolled 2014–15: 11 Square, Art in Public Places Requirements: Bachelor’s degree (BA or BFA), master’s degree, GPA, Formal programs: Museum training, study abroad. Students pursuing GRE, TOEFL for foreign students, transcript, letters of recommendation, art museum education concentration or certification are assisted in résumé, statement of interest/personal statement, writing sample finding internships at museums and art centers. Recommended: Campus visit, interview Formal relationships with other academic institutions: UNT participates in a consortium of schools that includes Texas Woman’s University and CURRICULUM Texas A&M University at Commerce, among others. Courses Extracurricular opportunities for graduate students: Curate exhibitions, Number offered to graduate students each term: 6 conduct fieldwork, research for catalogues, conduct surveys for outside Number whose enrollment is limited to graduate students: 6 institutions, present public outreach lectures Other special programs sponsored by the department: The dept. is Average Class Size affiliated with the Jo Ann & Charles O. Onstead Institute for Education In graduate seminars: 11–15 students in Visual Arts & Design, participates in the North Texas Institute for Educators on the Visual Arts, College of Visual Arts and Design, Visiting Independent study available: Yes Artist and Scholar Series, D. Jack Davis Endowed Lecture in Art MASTER'S PROGRAM Education, and UNT Institute for the Advancement of the Arts. The Part-time residency requirement: 2 terms department sponsors 5–10 lectures per year. Maximum number of years for residency: No maximum Other Campus Resources DOCTORAL PROGRAM Employment or career development office: Yes Full-time residency requirement: 2 terms Office/center for international students: Yes Part-time residency requirement: 2 terms There is a graduate-student housing office. Housing space is available in Maximum number of years for residency: No maximum apartments and married student housing. Dissertation FINANCIAL INFORMATION Number of PhD dissertation readers: 4 Tuition Oral defense required: Yes Full-time student tuition is determined per credit hour. Dissertation process: The student works closely with the dissertation State residents: $272.79 committee to develop a proposal. The committee consists of three art educators, at least two of whom must be from the department, Out-of-state residents: $635.79 including the chair. An oral defense follows the completion of the International students: $635.79 dissertation. Most students receive institutional support during their Additional institutional fees: $1,030 research year. Scholarships, teaching assistantships, research Part-time student tuition is determined per credit. assistantships, and teaching fellowships are available for dissertation research support. Financial Aid Types of aid available: Tuition aid/remission, stipend, teaching STUDENTS assistantship, research assistantship, work-study program. In the Number of students in residence: Master’s, 14; Doctorate, 21; distribution of aid, merit is most important, federal guidelines are Certificate, 13 second, and need is third. Tuition and full stipend awarded to 6 students Number of female graduates fall 2015–summer 2016: Master’s, 6; in the previous academic year. Tuition and partial stipend awarded to 3 Doctorate, 12; Certificate, 6 students in the previous academic year. Student organizations within the program/department: An NAEA- Funds available for graduate student travel: Yes affiliated student chapter as well as a Graduate Student Art Education Association Fellowships Formal mode of student participation in academic governance: Student Fellowships are available to students of all levels. Government Association, Graduate Student Council Fellowships applications received last year: 32 Fellowships awarded: 26 FACULTY Fellowships awarded to women: 18 Number of faculty: 5 Average amount of award/stipend: $22,000 Tenured/tenure track: 1 man, 4 women Fellowship maximum period of support: 1 year Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women Assistantships DR. LAURA EVANS, Art Education, Museum Studies, Assistant Assistantships are available to students of all levels. Professor, tenure-track, PhD, Ohio State University, 2011 Teaching assistantships applications received: 168 DR. NADINE KALIN, Art Education, Associate Professor, PhD Teaching assistantships awarded: 153 DR. AMELIA KRAEHE, Art Education, Assistant Professor, tenure-track, Teaching assistantships awarded to women: 92 PhD DR. TYSON LEWIS, Art Education, Associate Professor, PhD, University Average amount of award/stipend: $3,300 of California, Los Angeles Hours of work required per week: 10 DR. ADETTY PEREZ DE MILES, Art Education, Assistant Professor, Teaching assistantship maximum period of support: 5 years tenure-track, PhD Working assistantships applications received: 10 RESOURCES AND SPECIAL PROGRAMS Working assistantships awarded: 4 Working assistantships awarded to women: 1 Libraries Average amount of award/stipend: $2,800 Total volumes in library system: >500,000 Hours of work required per week: 10 Art volumes in library system: >50,000 Other financial support: Teaching assistantships and fellowships, which Art journals in library system: >100 may also come with tuition waivers, are available on a competitive basis. Students have library privileges at other institutional libraries. For full insurance information, contact Human Resources.

34 Health Insurance Recommended: Studio concentration, oral defense of work Full-time doctoral students and full-time master’s students receive STUDENTS health insurance coverage with copayment. Number of students in residence: Master’s, 8 Number of male graduates fall 2015–summer 2016: Master’s, 2 Number of female graduates fall 2015–summer 2016: Master’s, 6 Student organizations within the program/department: Clay Club, Art UNIVERSITY OF NORTHERN History Club, Graphic Design Club, Printmaking Club, Arts Collaborative Formal mode of student participation in academic governance: Student COLORADO Representative Council Students have the opportunity to join a labor union. Art FACULTY School of Art and Design Number of faculty: 22 University of Northern Colorado Tenured/tenure track: 8 men, 3 women 501 20th St., Campus Box 30 Part-time/adjunct lecturers: 6 men, 5 women Greeley, Colorado, 80639 Phone: 970-351-2243 Full-time contractual: 0 men, 0 women Fax: 970-351-2299 MR. T.S. BERGER, Art Education, Adjunct/Contingent faculty, MFA http://www.unco.edu/grad/degrees/programs/artanddesign.asp MR. SCOTT CHRISTENSEN, Foundations, Adjunct/Contingent faculty, MFA Contact: Thomas A. Stephens, [email protected] MS. LYNN CORNELIUS, Fiber Arts, Drawing (Studio), Public university Adjunct/Contingent faculty, MFA, Colorado State University Accredited by: National Association of Schools of Art and Design, North MR. MICHAEL CORONEL, African Art (sub-Saharan), Professor, MA, Central Association of Colleges and Schools, National Association of University of California, Santa Barbara Schools of Art and Design MR. SAMUEL DONG SAUL, Graphic Design, Adjunct/Contingent Degrees awarded: Master’s degree faculty, MA, University of Northern Colorado MS. LAUREN EISEN, Painting, Associate Professor, MFA, Tulane First graduate degree granted: MA, 1913 University The art program in the School of Art and Design was established in the MR. MICHAEL FENTON, Contemporary Art, Adjunct/Contingent earliest years of the founding of the university and is one of the oldest faculty, MA, University of Northern Colorado continuous art and design programs in the Intermountain Region. The MR. MARK FETKEWICZ, Graphic Design, Professor, MFA, University of curriculum in art first appeared in the 1891 catalogue. The training of Illinois at Urbana-Champaign professional art educators for teaching in K–12 schools has been an MS. DONNA GOODWIN, Art Education, Adjunct/Contingent faculty, integral part of both the undergraduate and graduate curricula. The PhD, University of Denver current structure of the school and the name, School of Art and Design, MR. SIEGER HARTGERS, Printmaking, Drawing (Studio), Professor, was designated in 2005 during a reorganization of the university. MA, University of Northern Colorado Degrees currently offered include the degree with MS. KRIS HEINTZ-NELSON, Drawing (Studio), Assistant Professor, emphasis areas in art studio, art education, graphic design, and art non-tenure, MA, University of Northern Colorado history; and the Master of Arts degree with three tracks: Art Education, MR. MICHAEL LEMKE, Ceramics, Assistant Professor, tenure-track, Art Studio, and Art History. In 2010, a low-residency MA program was MFA, Kansas State University added with an enrollment of 25 students. In 2012, The School of Art and MR. ANDREW LICCARDO, Arts Administration, Photography (Studio), Design became NASAD (National Association of Schools of Art and Associate Professor, MFA, Texas Tech University Design) accredited. MS. AGNES MA, Foundations, Digital Media (Studio), Adjunct/Contingent faculty, MFA, Northern Illinois University ADMISSIONS MR. KENNETH PRICE, Early Medieval Art, General Art History, Deadline for fall: 3/1 Assistant Professor, non-tenure, MA, University of Iowa Fall notification date: 4/15 MR. DAN RIOZ, Drawing (Studio), Adjunct/Contingent faculty, MFA, Rochester Institute of Technology Deadline for spring: 10/1 MR. THOMAS STEPHENS, Sculpture, Drawing (Studio), Professor, Spring notification date: 11/15 MFA, Pratt Institute Application fee: $50 DR. CONNIE STEWART, Art Education, Contemporary Art, Professor, Part-time students accepted: Yes PhD, Union Institute & University DR. ANDREW J. SVEDLOW, Art Education, Japanese Art, Professor, Applications received 2014–15: 9 PhD, Pennsylvania State University Applications accepted 2014–15: 7 MR. JOHN TONAI, Photography (Studio), Associate Professor, MFA, Students enrolled 2014–15: 7 University of Minnesota Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for DR. ANNA URSYN, Digital Media (Studio), Professor, PhD, University foreign students (PBT 520), transcript, letters of recommendation, of Wyoming résumé, statement of interest/personal statement, examples of personal MS. CECE WIRE, Metals, Foundations, Adjunct/Contingent faculty, artwork, artist’s statement MFA, Colorado State University CURRICULUM RESOURCES AND SPECIAL PROGRAMS Courses Libraries Number offered to graduate students each term: 39 Total volumes in library system: >2,000,000 Number whose enrollment is limited to graduate students: 19 Art volumes in library system: >50,000 Art journals in library system: >100 Average Class Size Image Resources In graduate studios: 6–10 students Total number of images: >100,000 In graduate seminars: 6–10 students Institution and program maintain digital-image collections. Program In graduate lectures: 11–20 students maintains its own slide collection. Institution subscribes to a digital- Independent study available: Yes image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial MASTER'S PROGRAM galleries, private collections, and on funded field trips. Maximum number of years for residency: 1 Program Opportunities Average number of years for residency: 1 Additional opportunities for study within the institution: Students take This program has a low-residency component. courses in the Life of the Mind Program and in the Business School. This program has an online learning component. Gallery or museum affiliated with the department: Mariani Gallery, Oak Degree requirements: Two or more art education courses, one or more Room Gallery courses in research methods, one or more art-history courses, written Formal programs: Study abroad, summer work projects thesis, art education culminating project, non-thesis, thesis committee. Formal relationships with local museums: Denver Art Museum Front Two to four art education methods courses are required. Range Symposium. UNC Art & Design Art History Students present 35 every year. to teaching licensure. The first program of its kind in the country, the Extracurricular opportunities for graduate students: Curate exhibitions, MAT combines four-week summer semesters on our beautiful Vermont conduct fieldwork, present public outreach lectures campus with fall and spring semesters in the student’s home community. The program structure is flexible to fit the lives of artists Other special programs sponsored by the department: Artist’s Lecture and designers from all over the country. The curriculum is designed to Series. The department sponsors 5–10 lectures per year. inspire, support, and expand possibilities for aspiring educators. Other Campus Resources The one-year low-residence Master of Arts in Art & Design Education (MAADE) program at VCFA combines a summer semester on the Employment or career development office: Yes beautiful Vermont campus with fall and spring semesters in the Office/center for international students: Yes student’s home community. The MAADE program is a unique and There is a graduate-student housing office. Housing space is available in convenient 30–36 Master of Arts degree program for licensed educators dormitories, apartments, and married student housing. looking to attain a Master’s degree. Planned campus changes and facility improvements: New Geil computerized kiln in ceramics, new MIFCO casting furnace in sculpture, ADMISSIONS new etching press in printmaking, new fibers looms, new stainless steel Deadline for fall: 2/15 burnout kiln in sculpture. Two TAZ 4 3D printers. Fall notification date: 4/1 FINANCIAL INFORMATION Application fee: $75 Applications received 2014–15: 26 Tuition Applications accepted 2014–15: 16 Full-time student tuition is determined per credit hour. Students enrolled 2014–15: 21 State residents: $490 Requirements: Bachelor’s degree (BA or BFA), GRE, transcript, letters of Out-of-state residents: $1,074 recommendation, résumé, praxis i, SAT, statement of interest/personal Part-time student tuition is determined per credit. statement, examples of personal artwork, contact the program for Additional institutional fees: $95 additional requirements Financial Aid CURRICULUM Types of aid available: Tuition aid/remission, stipend, guaranteed loan, MASTER'S PROGRAM teaching assistantship, work-study program. Graduate assistantships. This program has a low-residency component. Tuition and partial stipend awarded to 4 students in the previous academic year. Degree requirements: P–12 art teaching, student teaching, or internship is required. Teaching requirement may be satisfied at other community Funds available for graduate student travel: Yes sites in lieu of P–12 teaching experience. Fellowships Fellowships are available to students of all levels. STUDENTS Number of students in residence: Master’s, 21 Assistantships Number of male graduates fall 2015–summer 2016: Master’s, 6 Assistantships are available to students of all levels. Number of female graduates fall 2015–summer 2016: Master’s, 15 Working assistantships applications received: 4 Working assistantships awarded: 4 FACULTY Working assistantships awarded to women: 3 Number of faculty: 13 Working assistantships awarded to minorities: 1 Tenured/tenure track: 7 men, 6 women Average amount of award/stipend: $500 Part-time/adjunct lecturers: 0 men, 0 women Hours of work required per week: 8 Full-time contractual: 0 men, 0 women Working assistantship maximum period of support: 2 years B. STEPHEN CARTER, Art Education, Professor, PhD, Pennsylvania State University, 1992 Other benefits: Tuition remission (part or full) WILLIAM CONTINO, Painting, Professor, MFA, Maryland Institute Other financial support: In order to be eligible for tuition stipend, College of Art student must maintain full-time graduate status during the period of the KIM COSIER, Art Education, Professor, PhD, Indiana University- appointment. Students enrolled for thesis hours only are allowed to hold Bloomington an assistantship for a maximum of two semesters provided they are ANDRES HERNANDEZ, Art Education, Professor, MA, School of the Art enrolled for a minimum of six hours. Institute of Chicago RYAN HILL, Painting, Professor, MFA, California Institute of the Arts Health Insurance LYNN HOROSCHAK, Art Education, Professor, MA, Temple University No health insurance coverage is provided for full-time master’s PETER KRSKO, Non-Artist/Non-Art Historian, Professor, PhD students, part-time master’s students, full-time certificate students, and MARNI LEIKIN, Installation (Studio), Professor, MFA, Montana State part-time certificate students. University MANDY MCCULLOCH, Art Education, Professor, MAT, Ohio State University MARLA MCLEAN, Art Education (Studio), Professor, MA, New York University, Tisch School of the Arts VERMONT COLLEGE OF FINE DAIN OLSEN, Installation (Studio), Professor, MFA, University of Southern California ELIZABETH PATTON, Non-Artist/Non-Art Historian, Professor, PhD, ARTS New York University, The Steinhardt School of Culture, Education, and Human Development Master of Arts in Teaching in Art & KIMBERLY SHERIDAN, Non-Artist/Non-Art Historian, Professor, PhD, Design Education and Master of Arts in Harvard University Art & Design Education RESOURCES AND SPECIAL PROGRAMS Libraries 36 College St. Total volumes in library system: >500,000 Montpelier, Vermont, 05602 Phone: 802-828-8535 Art volumes in library system: >50,000 vcfa.edu/art-design-education Art journals in library system: >200 Contact: Marni Leikin, [email protected] Students have library privileges at other institutional libraries. Private college Image Resources Institution subscribes to a digital-image library. Students have Accredited by: New England Association of Schools and Colleges opportunities to view works of art in local museums, commercial Degrees awarded: Master’s degree galleries, and private collections. First graduate degree granted: MA, 2016 The low-residency MAT in Art & Design Education at VCFA is a unique and convenient two-year, 53-credit Master of Teaching degree that leads 36 Program Opportunities Formal relationships with other academic institutions: The accelerated MAT for BFA offers undergraduate art majors a flexible route to teaching career in PK-12 Art & Design. This unique summer-residency program focuses solely on Art & Design Education and offers an innovative curriculum that will prepare students to be confident and successful teachers, and be highly sought after for hiring. We have gathered an incredible faculty from around the country, and built a program that allows students to build their professional community Extracurricular opportunities for graduate students: Conduct fieldwork. The department sponsors 5–10 lectures per year. Other Campus Resources Housing space is available in dormitories. Students from a far distance receive priority for housing. This is an entirely low-residency campus. During residencies, students stay on campus. FINANCIAL INFORMATION Tuition Full-time student tuition is determined per semester. All students: $13,125 Additional institutional fees: $2,000 Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan. Fellowships, Scholarships. Tuition and partial stipend awarded to 8 students in the previous academic year. Fellowships Fellowships are available to students of all levels. Fellowships applications received last year: 6 Fellowships awarded: 3 Fellowships awarded to minorities: 3 Fellowship maximum period of support: 2 years Assistantships Assistantships are available to students of all levels. Working assistantships awarded to minorities: 3 Working assistantship maximum period of support: 2 years Other benefits: Tuition remission (part or full)

37 ART & ARCHITECTURAL HISTORY

38 conservation & historic &historic preservation Student Government Association is invested with the responsibility and authority to manage student life and academic affairs, in cooperation PRATT INSTITUTE with, and responsible to, Pratt Institute. Historic Preservation FACULTY Number of faculty: 14 Pratt Institute Tenured/tenure track: 2 men, 3 women 200 Willoughby Ave. Brooklyn, New York, 11205 Part-time/adjunct lecturers: 3 men, 3 women Phone: 800-331-0834 Full-time contractual: 2 men, 1 woman Fax: 718-636-3670 LISA ACKERMAN, Arts Administration, World Art, Assistant Professor, www.pratt.edu/academics/architecture/historic-preservation/ non-tenure, MS, Pratt Institute Contact: Natalie Capannelli, [email protected] CAROL CLARK, Non-Artist/Non-Art Historian, Associate Professor, MS PAT FISHER-OLSEN, Non-Artist/Non-Art Historian, Assistant Private university; nonprofit corporation Professor, non-tenure, MS Accredited by: Middle States Commission on Higher Education ERIC GHENOUI, Historic Preservation, Associate Professor, PhD, Degrees awarded: Master’s degree Harvard University Concentrations: Historic preservation NORMAN MINTZ, Non-Artist/Non-Art Historian, Associate Professor, MS, Columbia University First graduate degree granted: MS, 2006 NADYA NENADICH, Historic Preservation, Chair, PhD The 44-credit MS in Historic Preservation focuses on heritage, public CHRIS NEVELLE, Non-Artist/Non-Art Historian, Assistant Professor, policy, preservation planning, sustainability, and viability, building an in- non-tenure, MS, Columbia University depth understanding of the issues preservationists so often grapple with THEODORE PRUDON, Non-Artist/Non-Art Historian, beyond the physical preservation and restoration of important structures Adjunct/Contingent faculty, PhD and neighborhoods. The program encourages students to understand LACEY TAUBER, Historic Preservation, Assistant Professor, non-tenure, preservation policies and methods as part of a broader historical and MS, Pratt Institute social context, while providing the range of skills that practitioners need VICKI WEINER, Non-Artist/Non-Art Historian, Associate Professor, MS, in today’s professional environment. Columbia University KEVIN WOLFE, Non-Artist/Non-Art Historian, Assistant Professor, non- ADMISSIONS tenure, MArch, Columbia University This program has rolling admissions. Recent Visiting Faculty Deadline for fall: 1/5 BETH BINGHAM, Historic Preservation, Assistant Professor, non- Fall notification date: 4/1 tenure, MS, Pratt Institute Deadline for spring: 10/1 PATRICK CICCONE, Historic Preservation, Assistant Professor, non- Spring notification date: 11/15 tenure, MS, Columbia University PETER DESTABLER, Historic Preservation, Assistant Professor, non- Application fee: $50 tenure, MS, Columbia University Part-time students accepted: Yes Applications received 2015–16: 23 Applications accepted 2015–16: 23 RESOURCES AND SPECIAL PROGRAMS Students enrolled 2015–16: 11 Libraries Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Total volumes in library system: >500,000 foreign students (600), transcript, letters of recommendation, statement of interest/personal statement, writing sample Art volumes in library system: >100,000 Art journals in library system: >300 CURRICULUM Students have library privileges at other institutional libraries. Courses Image Resources Number offered to graduate students each term: 8 Total number of images: >250,000 Institution maintains its own digital-image collection. Institution Number whose enrollment is limited to graduate students: 8 maintains its own slide collection. Institution subscribes to a digital- Average Class Size image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial In graduate studios: 6–10 students galleries, private collections, and on funded field trips. In graduate seminars: 1–5 students In graduate lectures: 11–20 students Program Opportunities Additional opportunities for study within the institution: Students may Course of Study take courses in city and regional planning, facilities management, and Full-time residency requirement: 2 years urban environmental-systems management. Part-time residency requirement: No part-time residency requirement Gallery or museum affiliated with the department: Pratt Maximum number of years for residency: No maximum Gallery Average number of years for residency: 2 Formal programs: Study abroad, summer work projects Typical number of courses for a full-time student: 4 Formal relationships with other academic institutions: Students may take courses at . Total number of courses required for graduation: 14 Formal relationships with local museums: Pratt students have free Total in art and/or architectural history: 2 admission to the Whitney Museum of American Art, the Museum of Art Total in research methods: 2 and Design, the Brooklyn Museum, the Frick Collection, and the Cooper- Total in building conservation: 2 Hewitt, National Design Museum. Total in preservation planning: 2 Extracurricular opportunities for graduate students: Conduct fieldwork, An internship is required for graduation. present public outreach lectures. The department sponsors 10–20 lectures per year. Degree requirements: Oral defense of work, written examination Recommended: Research/qualifying paper(s) Other Campus Resources Employment or career development office: Yes STUDENTS Office/center for international students: Yes Number of students in residence: Master’s, 27 There is a graduate-student housing office. Students from a far distance Number of male graduates fall 2015–summer 2016: Master’s, 1 receive priority for housing. In its residence halls, Pratt offers housing Number of female graduates fall 2015–summer 2016: Master’s, 8 preferences, including healthy-choice, global-learning, and gender-blind Student organizations within the program/department: Pratt Historic communities. Preservation Organization (PHPO): Planned campus changes and facility improvements: The program https://www.pratt.edu/academics/architecture/historic- recently moved from Pratt’s Manhattan Campus to its Brooklyn preservation/pratt-historic-preservation-organization/ Campus. Formal mode of student participation in academic governance: The

40 Environmental Health and Safety Accredited by: Ontario Council of Graduate Studies Occupational Safety and Health Administration (OSHA) regulations are Degrees awarded: Master’s degree in place for ventilation and respiratory protection, hazardous chemical Concentrations: Art conservation, art history, historic preservation, safety (right-to-know), personal protective equipment, machine safety, photographs, preservation studies hearing protection. Program meets the US Environmental Protection First graduate degree granted: MA, 2006 Agency (EPA) and state regulations for hazardous materials, including The intensive, two-year graduate program assumes that a photographic spill procedures and material disposal. Program has performed an / film preservation specialist or collections manager must be acquainted environmental health and safety audit in the past five years. Spray with the materials of photography / film, with its history, the social and booths, dust-collection systems, and specific wash-out stations are in cultural conditions of its production, and the critical and theoretical place throughout the campus. Methods used to familiarize students and conceptions that inform its reception. Eleven half-year courses, an faculty with environmental health and safety include publications, internship in the third term, and a residency in the fifth and sixth term of instruction in class, health and safety officer (full-time or part-time), the six-term program at local, national, and international institutions are shop technician, material safety data sheets (MSDS), information in designed to provide students with a graduate program in which student handbook. historical knowledge, practical experience, and professional education are fully integrated. Course offerings include seminars in photographic / FINANCIAL INFORMATION film materials and history, and issues of curatorial practice and practicums taught by Ryerson faculty who are preservation and Tuition conservation specialists. A thesis project is required. Full-time student tuition is determined per credit. All students: $1,647 ADMISSIONS Additional institutional fees: $1,938 Deadline for fall: 1/20 Part-time student tuition is determined per credit. Fall notification date: 4/30 Financial Aid Application fee: CAD $110 Types of aid available: Work-study program. The program offers merit- Applications received 2015–16: 80 based scholarships. Applications accepted 2015–16: 20 Funds available for graduate student travel: Yes Students enrolled 2015–16: 20 Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Fellowships foreign students (93), transcript, letters of recommendation, résumé, Fellowships applications received last year: 0 statement of interest/personal statement Fellowships awarded: 0 Fellowships awarded to women: 0 CURRICULUM Fellowships awarded to minorities: 0 Courses Average amount of award/stipend: $0 Number offered to graduate students each term: 3 Fellowship maximum period of support: 0 years Average Class Size Assistantships In graduate studios: 16–20 students Assistantships are available to second-year students. In graduate seminars: 16–20 students Teaching assistantships applications received: 0 In graduate lectures: 11–20 students Teaching assistantships awarded: 0 Course of Study Teaching assistantships awarded to women: 0 Full-time residency requirement: 2 years Teaching assistantships awarded to minorities: 0 Part-time residency requirement: No part-time students admitted Average amount of award/stipend: $0 Maximum number of years for residency: 2 Hours of work required per week: 0 Average number of years for residency: 2 Teaching assistantship maximum period of support: 0 years Typical number of courses for a full-time student: 3 Working assistantships applications received: 5 Total number of courses required for graduation: 13 Working assistantships awarded: 2 Total in chemistry: 1 Working assistantships awarded to women: 2 Total in research methods: 1 Working assistantships awarded to minorities: 0 Total in preservation planning: 1 Average amount of award/stipend: $1,000 Total in preservation design: 2 Hours of work required per week: 6 Total in practical conservation treatments: 3 Other financial support: Health insurance is available to all students. Total in history of materials and treatment methods: 4 Health Insurance Total in preventive conservation, climate control, integrated pest Full-time master’s students, part-time master’s students, full-time management: 1 certificate students, and part-time certificate students receive health Internship required for graduation: Summer internship insurance coverage with copayment. Health insurance coverage is Degree requirements: Written thesis available to dependents, spouses, unmarried domestic partners, and same-sex domestic partners of full-time master’s students, part-time STUDENTS master’s students, full-time certificate students, and part-time certificate students. Number of students in residence: Master’s, 37 Number of male graduates fall 2015–summer 2016: Master’s, 2 Number of female graduates fall 2015–summer 2016: Master’s, 14 Formal mode of student participation in academic governance: Student Union; Board of Governors; YSGS Council and Committee Membership RYERSON UNIVERSITY Students have the opportunity to join a labor union. Film + Photography Preservation and FACULTY Number of faculty: 17 Tenured/tenure track: 5 men, 4 women F+PPCM - Ryerson University Part-time/adjunct lecturers: 2 men, 6 women 350 Victoria St. Full-time contractual: 0 men, 0 women , Ontario, M5B 2K3 MARTA BRAUN, Photography (History), Film (History), Professor, MA, Canada University at Buffalo, The State University of New York Phone: 416-979-5000 ext 4839 ROBERT A. BURLEY, Photography (History), Associate Professor, MFA, www.ryerson.ca/graduate/ppcm/ School of the Art Institute of Chicago GERDA CAMMAER, Film (History), Photography (History), Assistant Contact: Alison MacLeod, [email protected] Professor, tenure-track, PhD, Concordia University Public university; nonprofit corporation BRUCE ELDER, Film (History), Professor, MA, University of Toronto

41 CHRISTOPHER EVANS, Non-Artist/Non-Art Historian, Associate Professor, PhD, University of Ottawa FINANCIAL INFORMATION THIERRY GERVAIS, Photography (History), Film (History), Assistant Professor, tenure-track, PhD, École des hautes études en sciences Tuition sociales Full-time student tuition is determined per term. SOPHIE HACKETT, Curatorial Studies, Historic Preservation, joint State residents: CAD $3,400 appointment in Art Gallery of Ontario, Adjunct/Contingent faculty, MA, International students: CAD $8,800 ASEN IVANOV, Library Science, Adjunct/Contingent faculty, MA Additional institutional fees: CAD $180 SARA KNELMAN, Curatorial Studies, Photography (History), Professor, Financial Aid PhD, Courtauld Institute of Art GAËLLE MOREL, Curatorial Studies, Photography (History), joint Types of aid available: Teaching assistantship, research assistantship. appointment in Ryerson Image Centre, Adjunct/Contingent faculty, PhD, Ryerson Graduate Fellowship, Graduate Development Award, Ontario Université Paris-Sorbonne Graduate Scholarship (if selected), Social Sciences and Humanities, JULIENNE PASCOE, Library Science, Digital Media (Studio), Research Council Scholarship (if selected), Roloff Beny Award (to fund Adjunct/Contingent faculty, MA, Ryerson University Intl placement), SF Award (to fund internship), Peter Higdon Award. IZABELLA PRUSKA-OLDENHOF, Film (History), Associate Professor, Partial tuition awarded to 40 students in the previous academic year. PhD, York University Funds available for graduate student travel: Yes DEE PSAILA, Historic Preservation, Photography (History), joint appointment in Archives of Ontario, Adjunct/Contingent faculty, MA, Fellowships Ryerson University Fellowships are available to students of all levels. MIKE ROBINSON, Historic Preservation, Photography (History), joint Fellowships applications received last year: 16 appointment in Archive of Modern Conflict, Adjunct/Contingent faculty, Fellowships awarded: 4 BA, Ryerson University ALISON SKYRME, Museum Studies, Adjunct/Contingent faculty, MA, Fellowships awarded to women: 3 University of Toronto Fellowships awarded to minorities: 1 JOHN MACDONALD SNYDER, Photography (History), Curatorial Average amount of award/stipend: CAD $15,000 Studies, Professor, MA, Goddard College Fellowship maximum period of support: 1 year MAIA-MARI SUTNIK, Curatorial Studies, Photography (History), joint appointment in Art Gallery of Ontario, Adjunct/Contingent faculty Assistantships Assistantships are available to students of all levels. RESOURCES AND SPECIAL PROGRAMS Teaching assistantships applications received: 15 Laboratories available for: Photographic materials. Unlimited hours of access. Teaching assistantships awarded: 5 Teaching assistantships awarded to women: 3 Libraries Teaching assistantships awarded to minorities: 2 Total volumes in library system: >4,000,000 Average amount of award/stipend: CAD $5,200 Art volumes in library system: >500,000 Hours of work required per week: 10 Art journals in library system: >1,000 Teaching assistantship maximum period of support: 2 years Students have library privileges at other institutional libraries. Working assistantships applications received: 10 Image Resources Working assistantships awarded: 3 Total number of images: >250,000 Working assistantships awarded to women: 2 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Working assistantships awarded to minorities: 1 digital-image library. Students have access to image collections. Average amount of award/stipend: CAD $5,000 Students have opportunities to view works of art in local museums, Hours of work required per week: 10 commercial galleries, private collections, and on funded field trips. Working assistantship maximum period of support: 2 years Program Opportunities Other benefits: Tuition remission (part or full) Gallery or museum affiliated with the department: Art Institute of Health Insurance Chicago, Victoria and Albert Museum, London Full-time master’s students receive health insurance coverage with Formal programs: Conservation, study abroad, summer work projects. copayment. Preservation, study abroad, summer internships and second-year residencies with partner institutions. Every summer a France workshop is available to students. Formal relationships with local museums: Ryerson Image Centre, Art Gallery of Ontario, Archives of Ontario, Canadian Centre for Architecture and National Gallery of Canada SAVANNAH COLLEGE OF ART Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, conduct surveys for outside AND DESIGN institutions, present public outreach lectures Other special programs sponsored by the department: Partner Preservation Design institutions: Harry Ransom Center, University of Texas at Austin, Swedish Film Institute, Anthology Film Archives, Art Institute of Savannah College of Art and Design Chicago, Victoria and Albert Museum, London. The department PO Box 2072 sponsors 5–10 lectures per year. Savannah, Georgia, 31402 Phone: 800-869-7223 Other Campus Resources www.scad.edu/academics/programs/preservation-design Office/center for international students: Yes Contact: Jenny Jaquillard, [email protected] Environmental Health and Safety Private art school; nonprofit corporation Occupational Safety and Health Administration (OSHA) regulations are Accredited by: Southern Association of Colleges and Schools in place for ventilation and respiratory protection, hazardous chemical Commission on Colleges safety (right-to-know), personal protective equipment, machine safety, Degrees awarded: Master’s degree; Certificate hearing protection. Program meets the US Environmental Protection Concentrations: Preservation studies Agency (EPA) and state regulations for hazardous materials, including First graduate degree granted: , 2006 spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods The MA and MFA programs prepare students to be leaders in 21st- used to familiarize students and faculty with environmental health and century preservation practice, heritage conservation, and cultural safety include publications, required training course, instruction in class, resource management. Emphasis on collaborative projects and cross- internet or intranet, faculty research, faculty training, health and safety disciplinary experiences engage students with issues of preservation officer (full-time or part-time), shop technician, material safety data advocacy, restoration, conservation, , project management, sheets (MSDS), training videos, information in student handbook. and renewal while connecting them with private investors and organizations such as the National Trust for Historic Preservation. Savannah is an ideal living laboratory to study history and address

42 contemporary preservation issues such as heritage tourism, France, and Hong Kong. They are also strongly encouraged to complete underrepresented communities, and new design, as well as give insight internships on a credit or non-credit basis. and inspiration to the future of historic urban areas. Faculty expertise, Extracurricular opportunities for graduate students: Curate exhibitions, professional and alumni mentors, state-of-the-art facilities, and travel conduct fieldwork, research for catalogues, conduct surveys for outside programs allow students to specialize in areas of interest and engage institutions, present public outreach lectures with conservation approaches worldwide. Other special programs sponsored by the department: The department sponsors an annual Preservation Week during May’s Preservation ADMISSIONS Month. Activities include roundtables, lectures, community service and This program has rolling admissions. other special events. Programs are often collaborative with Application fee: $40 organizations in the community. When possible, the department works Part-time students accepted: Yes with other organizations to bring conferences and symposia to the community for ease of student participation. Recent examples include Applications received 2015–16: 109 the 2014 National Trust Conference and the 2013 US/ICOMOS Applications accepted 2015–16: 39 Symposium. The department sponsors 5–10 lectures per year. Students enrolled 2015–16: 22 Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Other Campus Resources students (iBT 85), transcript, letters of recommendation, résumé, Employment or career development office: Yes statement of interest/personal statement, contact the program for Office/center for international students: Yes additional requirements The main housing office serves all students, including graduates. No Recommended: Writing sample, undergraduate research paper, housing is designated exclusively for graduates. examples of personal artwork, related internship experience, related professional experience, campus visit, interview Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are CURRICULUM in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Courses hearing protection. Program meets the US Environmental Protection Number offered to graduate students each term: 30 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Average Class Size environmental health and safety audit in the past five years. The wood In graduate studios: 6–10 students shops are equipped with dust collection systems that are designed to In graduate seminars: 1–5 students pick up the dust from each machine in the shop. The chemical hazard areas are equipped with engineered hoods that exhaust to the outside. In graduate lectures: 1–10 students Methods used to familiarize students and faculty with environmental Independent study available: Yes health and safety include publications, required training course, instruction in class, faculty training, health and safety officer (full-time or Course of Study part-time), shop technician, material safety data sheets (MSDS), Maximum number of years for residency: 5 training videos. Information in student handbook This program has an online learning component. FINANCIAL INFORMATION STUDENTS Number of students in residence: Master’s, 59 Tuition Number of male graduates fall 2015–summer 2016: Master’s, 5 Full-time student tuition is determined per course. Number of female graduates fall 2015–summer 2016: Master’s, 16 All students: $4,005 Student organizations within the program/department: Student Part-time student tuition is determined per course. Preservation Association All students: $4,005 FACULTY Financial Aid Types of aid available: Tuition aid/remission, guaranteed loan, work- Number of faculty: 0 study program. Merit-based scholarships. Tenured/tenure track: 0 men, 0 women Funds available for graduate student travel: Yes Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women Fellowships Fellowships are available to students of all levels. RESOURCES AND SPECIAL PROGRAMS Laboratories available for: Objects, furniture, science. Assistantships Other financial support: The college awards a number of scholarships Libraries for entering graduate students. To be eligible for a scholarship, students Total volumes in library system: >500,000 must be accepted to the college and must meet or exceed admission standards. Scholarships are available to both US citizens and Art volumes in library system: >200,000 international students. Art journals in library system: >1,000 Students have library privileges at other institutional libraries. Health Insurance Image Resources Full-time master’s students receive health insurance coverage with Total number of images: >750,000 copayment. Health insurance coverage is available to dependents and Institution maintains its own digital-image collection. Institution spouses of full-time master’s students. No health insurance coverage is maintains its own slide collection. Institution subscribes to a digital- provided for part-time master’s students. image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Program Opportunities STUDIO ART CENTERS Additional opportunities for study within the institution: Students have the opportunity to work with the Collaborative Learning Center, which INTERNATIONAL partners with a wide variety of businesses, , and organizations to research and solve challenging problems. Recent projects have ranged from economic studies on preservation impact in communities, issues Post-Baccalaureate Year in Art related to historic rural landscape documentation and assessment and even programming for Girl Scouts to earn preservation patches. Conservation Additionally, students may enroll in electives outside of their discipline. Studio Art Centers International Gallery or museum affiliated with the department: The SCAD Museum Palazzo dei Cartelloni of Art and 14 different galleries are accessible to students in all Via Sant’Antonino 11 departments. Florence, Tuscany, 50123 Formal programs: Conservation, study abroad, summer work projects. Italy Students are able to participate in study-abroad programs in Lacoste, Phone: 212-248-7225

43 Adjunct/Contingent faculty, Other, 1990 Fax: 212-248-7222 www.saci-florence.edu RESOURCES AND SPECIAL PROGRAMS Contact: Racini Andres, [email protected] Laboratories available for: , objects, paper, textiles, Private art school; nonprofit corporation photographic materials, furniture, science. Limited hours of access. Accredited by: National Association of Schools of Art and Design Libraries Degrees awarded: Certificate Total volumes in library system: >500,000 Concentrations: Archaeological materials, art conservation, historic Art volumes in library system: >50,000 preservation, metals, paintings, preservation studies, textiles, wood, works on paper Art journals in library system: >100 First graduate degree granted: Graduate Certificate, 1993 Students have library privileges at other institutional libraries. Students in the Post-Baccalaureate Certificate program in Art Image Resources Conservation are required to take the following courses (3 credits each): Total number of images: >100,000 Fall: Graduate Seminar in Art Conservation; Beginning Painting Institution maintains its own digital-image collection. Institution Conservation I; Conservation of Archaeological Artifacts; Conservation maintains its own slide collection. Institution subscribes to a digital- Law, Business, and Management; Conservation image library. Students have access to image collections. Students have Spring: Graduate Seminar in Art Conservation; Beginning Painting opportunities to view works of art in local museums, commercial Conservation II; Conservation of Archaeological Objects*; Diagnostic galleries, private collections, and on funded field trips. Techniques for Conservators; Mural Conservation* *During the spring term, a Directed Independent Study (DIS) in a Program Opportunities Conservation area may be substituted for either Conservation of Gallery or museum affiliated with the department: SACI Gallery Archaeological Objects or Mural Conservation. Formal programs: Conservation, study abroad. Conservation (Painting, Students also study some of the following: paintings on wood panels Mural, Wood, Paper, Textiles, Ceramics and Sculpture); Conservation and canvas; wood ( and frames); paper; ; textiles; Law, Business & Management; Conservation of Archaeological Artifacts; archaeological objects (Etruscan, Picenian, and Roman). Students have Diagnostic Techniques for Conservators library privileges at the SACI Worthington Library and at other Formal relationships with local museums: Students restore works from institutional libraries. museums and churches throughout Italy and Malta. Other special programs sponsored by the department: Opportunities are ADMISSIONS available to undertake Directed Independent Study in Paper Restoration, This program has rolling admissions. Wood Restoration, Painting Reproduction, and other areas. The Deadline for fall: 6/15 department sponsors 5–10 lectures per year. Fall notification date: 7/1 Other Campus Resources Application fee: $70 There is a graduate-student housing office. Requirements: Bachelor’s degree (BA or BFA), GPA (2.75), transcript, letters of recommendation, statement of interest/personal statement, Environmental Health and Safety undergraduate research paper, examples of personal artwork Occupational Safety and Health Administration (OSHA) regulations are Recommended: Résumé in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, CURRICULUM hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Courses spill procedures and material disposal. Program has performed an Number offered to graduate students each term: 5 environmental health and safety audit in the past five years. All studios Number whose enrollment is limited to graduate students: 2 in which toxic materials might be used are equipped with full ventilation systems. Solvents and other toxic materials are stored in locked, Average Class Size ventilated cabinets. Methods used to familiarize students and faculty In graduate studios: 6–10 students with environmental health and safety include publications, instruction in In graduate seminars: 6–10 students class, internet or intranet, health and safety officer (full-time or part- time), information in student handbook. In graduate lectures: 1–10 students Independent study available: Yes FINANCIAL INFORMATION Course of Study Tuition Full-time residency requirement: 1 year Full-time student tuition is determined per semester. Maximum number of years for residency: 1 All students: $12,150 Average number of years for residency: 1 Additional institutional fees: $5,900 Typical number of courses for a full-time student: 5 Financial Aid Total number of courses required for graduation: 10 Types of aid available: Tuition aid/remission, guaranteed loan. Partial Total in practical conservation treatments: 9 tuition awarded to 6 students in the previous academic year. Total in history of materials and treatment methods: 1 Degree requirements: Written thesis, concentration, research/qualifying Fellowships paper(s), oral defense of work, oral examination, written examination, Fellowships are available to students of all levels. thesis committee, final portfolio documenting treatments, final oral Fellowships applications received last year: 6 presentation of treatments Fellowships awarded: 6 STUDENTS Fellowships awarded to women: 6 Number of male graduates fall 2015–summer 2016: Certificate, 1 Fellowships awarded to minorities: 0 Number of female graduates fall 2015–summer 2016: Certificate, 7 Average amount of award/stipend: $2,000 Fellowship maximum period of support: 1 year FACULTY Assistantships Number of faculty: 4 Other financial support: All students must obtain basic health insurance Tenured/tenure track: 0 men, 1 woman coverage, available from a private insurer for less than €50. Part-time/adjunct lecturers: 1 man, 2 women Full-time contractual: 0 men, 0 women Health Insurance MR. LEONARDO BORGIOLI, Non-Artist/Non-Art Historian, No health insurance coverage is provided for full-time master’s Adjunct/Contingent faculty, Other, 1990 students, part-time master’s students, and full-time certificate students. DR. ROBERTA LAPUCCI, Non-Artist/Non-Art Historian, Baroque Art, Chair, Other, 1989 MS. NORA MAROSI, Non-Artist/Non-Art Historian, Adjunct/Contingent faculty, MA, University of Northumbria, 2012 MS. DANIELA MURPHY CORELLA, Non-Artist/Non-Art Historian,

44 collegiality. UNIVERSITY OF DELAWARE FACULTY Number of faculty: 6 Art Conservation Tenured/tenure track: 2 men, 4 women University of Delaware Part-time/adjunct lecturers: 0 men, 0 women Winterthur, University of Delaware Program in Art Conservation Full-time contractual: 0 men, 0 women 18 East Main St., 303 Old College DR. JOCELYN ALCANTARA-GARCIA, Non-Artist/Non-Art Historian, Newark, Delaware, 19716 Assistant Professor, tenure-track, PhD Phone: 302-831-8236 PROF. BRIAN BAADE, Non-Artist/Non-Art Historian, Assistant Fax: 302-831-4330 Professor, tenure-track, MS www.artcons.udel.edu DR. VICKI CASSMAN, Textiles, Decorative Arts, Associate Professor, Contact: Susan Behrens, [email protected] PhD, Arizona State University, 1997 DEBRA HESS NORRIS, Photography (History), Historic Preservation, Public university; nonprofit corporation Professor, MS, University of Delaware, 1980 Accredited by: Middle States Commission on Higher Education DR. JOYCE HILL STONER, Painting, Historic Preservation, Professor, Degrees awarded: Master’s degree; Doctoral degree PhD, University of Delaware, 1995 Concentrations: Archaeological materials, art conservation, decorative RICHARD WOLBERS, Painting, Historic Preservation, Associate arts, documents and books, ethnographic materials, metals, paintings, Professor, MS, University of Delaware, 1984 photographs, preservation studies, textiles, wood, works on paper First graduate degree granted: MS, 1977 RESOURCES AND SPECIAL PROGRAMS Laboratories available for: Paintings, objects, paper, textiles, This Master’s program is jointly sponsored by the university and photographic materials, furniture, science. Unlimited hours of access. museum. It is a three-year course leading to a Master of Science in Art Conservation. The curriculum is designed to educate and train Instrumentation available in science labs: FTIR, GC-MS, XRF, Raman, X- conservation professionals who can carry out the examination, analysis, radiography, IR reflectography, XRD, EDS-SEM, and LC-MS are available stabilization, and treatment of art and artifacts, speak to general in science labs. principles of collection care, and have a broad academic background in Libraries science and the humanities. Faculty and students use twenty-six well- equipped conservation studios, laboratories, examination rooms, and Total volumes in library system: >2,000,000 workshops in the Louise du Pont Crowninshield Research Building at Students have library privileges at other institutional libraries. Winterthur. Image Resources Our Preservation Studies PhD requires a separate application. This is Institution maintains its own digital-image collection. Institution the only program in North America to offer an interdisciplinary maintains its own slide collection. Institution subscribes to a digital- doctorate degree combining fields such as technical art history and image library. Students have access to image collections. Students have science or history and urban affairs, material culture, or historic opportunities to view works of art in local museums, commercial preservation. See www.artcons.udel.edu for details on both graduate galleries, private collections, and on funded field trips. programs asrequirements vary. Program Opportunities ADMISSIONS Formal programs: Conservation, summer work projects Deadline for fall: 1/15 Extracurricular opportunities for graduate students: Conduct fieldwork, Fall notification date: 4/15 research for catalogues, conduct surveys for outside institutions, Application fee: $75 present public outreach lectures. The department sponsors 30–40 Applications received 2015–16: 90 lectures per year. Applications accepted 2015–16: 10 Other Campus Resources Students enrolled 2015–16: 10 Employment or career development office: Yes Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), GRE (1050), Office/center for international students: Yes transcript, letters of recommendation, résumé, statement of There is a graduate-student housing office. interest/personal statement, related internship experience, interview Recommended: TOEFL for foreign students Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are CURRICULUM in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Courses hearing protection. Program meets the US Environmental Protection Number offered to graduate students each term: 8 Agency (EPA) and state regulations for hazardous materials, including Number whose enrollment is limited to graduate students: 8 spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. All the Average Class Size conservation studios have fume hoods as well as fume exhaust trunks In graduate studios: 1–5 students for local work at individual benches. Methods used to familiarize In graduate seminars: 1–5 students students and faculty with environmental health and safety include publications, required training course, instruction in class, internet or In graduate lectures: 1–10 students intranet, faculty training, health and safety officer (full-time or part- Independent study available: Yes time), material safety data sheets (MSDS), training videos, information Course of Study in student handbook. Full-time residency requirement: 2 years FINANCIAL INFORMATION Part-time residency requirement: No part-time students admitted Tuition Maximum number of years for residency: 2 Full-time student tuition is determined per semester. Average number of years for residency: 2 All students: $00.00 Internship required for graduation: 2 summer internships Degree requirements: Concentration, oral examination, final portfolio Financial Aid documenting treatments, final oral presentation of treatments Types of aid available: Tuition aid/remission, stipend. Tuition and full stipend awarded to 30 students in the previous academic year. STUDENTS Funds available for graduate student travel: Yes Number of students in residence: Master’s, 20; Doctorate, 6 Number of male graduates fall 2015–summer 2016: Master’s, 1 Fellowships Number of female graduates fall 2015–summer 2016: Master’s, 9 Fellowships are available to students of all levels. Formal mode of student participation in academic governance: The Fellowships applications received last year: 30 Graduate Student Senate seeks to create a forum for graduate student Assistantships advocacy while acting as a conduit between students, faculty, and administration at the University of Delaware. The Senate supports Other benefits: Tuition remission (part or full) campus-wide activities facilitating graduate-student professionalism and 45 Degree requirements: Written thesis, final portfolio documenting Health Insurance treatments Full-time doctoral students and full-time master’s students receive health insurance coverage with copayment. Health insurance coverage STUDENTS is available to dependents and spouses of full-time doctoral students and full-time master’s students. Number of students in residence: Master’s, 8 Number of female graduates fall 2015–summer 2016: Master’s, 7 Students have the opportunity to join a labor union. FACULTY UNIVERSITY OF YORK Number of faculty: 5 Tenured/tenure track: 4 men, 1 woman Stained Glass Conservation and Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women Heritage Management PROF. TIM AYERS, Architectural History, Professor, PhD The University of York MS. SARAH BROWN, Glass, Associate Professor, MA The King’s Manor DR. GILL CHITTY, Non-Artist/Non-Art Historian, Professor, PhD York, North Yorkshire, YO1 7EP DR. IVO RAUCH, Glass, Associate Professor, PhD United Kingdom PROF. JOHN SCHOFIELD, Non-Artist/Non-Art Historian, Professor, Phone: +44 (0)1904 323910 PhD www.york.ac.uk/history-of-art/prospective-postgraduates/ RESOURCES AND SPECIAL PROGRAMS Contact: Brittany Scowcroft, [email protected] Laboratories available for: Objects. Limited hours of access. Public university Degrees awarded: Master’s degree Libraries Concentrations: Archaeological materials, architectural materials, art Total volumes in library system: >2,000,000 conservation, art history, decorative arts, documents and books, historic Art volumes in library system: >50,000 preservation, metals, preservation studies Art journals in library system: >300 First graduate degree granted: MA, 2010 Students have library privileges at other institutional libraries. The MA program in stained glass conservation and heritage Image Resources management is designed to appeal to a wide range of potential Total number of images: >100,000 applicants, including college graduates with an undergraduate degree in Program maintains its own digital-image collection. Program maintains related fields (e.g., architectural stained glass, conservation, and other its own slide collection. Institution subscribes to a digital-image library. areas of art history, architecture, and archaeology). Applicants without a Students have access to image collections. Students have opportunities college degree but with exceptional experience or demonstrable skills to view works of art in local museums, private collections, and on may also be admitted, subject to an entrance interview. Previous funded field trips. experience in glass conservation is desirable and advice on securing preliminary placements can be offered once accepted into the program. Program Opportunities This is a two-year program, including four terms of taught courses, with Additional opportunities for study within the institution: Other modules two to three modules per term, a sixteen-week placement, and a five- offered at the University of York may be taken in the second year. month dissertation. Modules will be devoted to basic and advanced Students have also taken foreign languages or medieval skills modules, techniques of glass conservation. such as Palaeography, although these do not count toward the awarding of the degree. ADMISSIONS Formal programs: Museum training, conservation, study abroad, Deadline for fall: 8/1 summer work projects. Students have a placement in the summer of the Fall notification date: 8/31 first year, in the UK, Europe, or USA. Application fee: £0 Formal relationships with local museums: The program has collaborated Applications received 2015–16: 14 with the Yorkshire Museum, National Railway Museum, and also with Applications accepted 2015–16: 9 York Minster. Extracurricular opportunities for graduate students: Conduct fieldwork, Students enrolled 2015–16: 4 conduct surveys for outside institutions. The department sponsors 1–4 Requirements: GPA (3.2), transcript, letters of recommendation, lectures per year. statement of interest/personal statement, writing sample Recommended: Bachelor’s degree (BA or BFA), résumé, contact the Other Campus Resources program for additional requirements Employment or career development office: Yes Office/center for international students: Yes CURRICULUM There is a graduate-student housing office. Students from a far distance Average Class Size receive priority for housing. Students who live outside the British Isles and EU and who are liable to pay the overseas tuition rate are In graduate studios: 6–10 students guaranteed university accommodation if they have accepted an In graduate seminars: 6–10 students unconditional offer and applied for accommodation by a given deadline, In graduate lectures: 11–20 students which is published each year (normally early August). Independent study available: Yes Environmental Health and Safety Course of Study Occupational Safety and Health Administration (OSHA) regulations are Full-time residency requirement: 2 years in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety. Part-time residency requirement: No part-time students admitted Program meets the US Environmental Protection Agency (EPA) and Maximum number of years for residency: 2 state regulations for hazardous materials, including spill procedures and Average number of years for residency: 2 material disposal. Program has performed an environmental health and Typical number of courses for a full-time student: 13 safety audit in the past five years. There are extractor units on each workbench. Methods used to familiarize students and faculty with Total number of courses required for graduation: 13 environmental health and safety include instruction in class, information Total in art and/or architectural history: 2 in student handbook. Total in studio art: 3 Total in research methods: 1 FINANCIAL INFORMATION Total in site management: 5 Tuition Total in building conservation: 4 Full-time student tuition is determined per year. Total in preservation planning: 4 State residents: £6,650 Total in practical conservation treatments: 3 International students: £15,680 Total in history of materials and treatment methods: 2 Internship required for graduation: Summer internship 46 Financial Aid Types of aid available: Tuition aid/remission, stipend. A range of scholarships for domestic and foreign students is available. Partial tuition awarded to 10 students in the previous academic year. Funds available for graduate student travel: Yes Health Insurance No health insurance coverage is provided for full-time master’s students.

47 ART & ARCHITECTURAL HISTORY film production ANGLIA RUSKIN UNIVERSITY RESOURCES AND SPECIAL PROGRAMS Student Projects The institution owns rights to produced by students. Ownership Film and Television Production transfers to students on or before 12 months after graduation. Cambridge School of Art Institution pays for and/or provides the majority of materials. Institution Anglia Ruskin University pays for and/or provides the majority of materials. Helmore 247, East Rd. Media used: Mostly film, but some video Cambridge, Cambridgeshire, CB1 1PT Film facilities available: Sound stages, editing rooms, animation United Kingdom facilities, editing laboratories, postproduction facilities. Students have Phone: 0845-196-2981 unlimited access. www.anglia.ac.uk/mafilm_tv Film studios affiliated with the department: Fully-equipped TV studio Contact: ALSS Marketing, [email protected] with lighting rig; professional-standard gallery; mixer; autocue; multi- Public university purpose scenic backdrops; large four-waller film stage with overhead lighting, tracks, dollies, and green screens; full range of HD and SD Degrees awarded: Master’s degree location cameras (including Steadicam); location lighting. Concentrations in: Film and television producing Students will develop as producers/directors of factual programs and Libraries extend their creative skills and technical knowledge. With the benefit of Total volumes in library system: >500,000 talks by industry professionals and access to a broad range of Art volumes in library system: >50,000 equipment, they will create a portfolio of work that will help them stand Art journals in library system: >1,000 out from the crowd. This course will bring students’ creative skills and their knowledge of factual UK TV and digital media content production Students have library privileges at other institutional libraries. to an advanced level. Each student makes seven films of different Image Resources lengths and writes a dissertation on a media subject of his or her choice. Institution maintains its own digital-image collection. Institution maintains its own slide collection. Students have access to image Focusing on two key roles—the director and the producer (which in collections. Students have opportunities to view works of art in local current factual programming are merged into one)—students will museums and commercial galleries. explore the dynamics of this ever-changing industry and what it takes to succeed. They will learn to become visual storytellers, communicators, Program Opportunities collaborators, motivators, and problem solvers. They will also develop Gallery or museum affiliated with the department: Ruskin Gallery skills in scheduling, production managing, and marketing. Formal relationships with local museums: Cambridge School of Art has links with 4Rights (Channel 4’s commercial arm), Cambridgeshire Film ADMISSIONS Consortium, Cambridge Arts Picturehouse, Cambridge Film Festival, This program has rolling admissions. Fitzwilliam Museum, and Kettles Yard, among others. Deadline for fall: 8/15 Extracurricular opportunities for graduate students: Curate film Fall notification date: 8/15 programs/festivals, conduct research for films, present public outreach Spring notification date: 1/10 lectures Application fee: £0 Other special programs sponsored by the department: The department hosts the Wired series, a range of talks given by film and television Part-time students accepted: Yes industry professionals. The department sponsors 5–10 lectures per year. Requirements: TOEFL for foreign students, letters of recommendation Recommended: Bachelor’s degree (BA or BFA), related professional Other Campus Resources experience Employment or career development office: Yes Office/center for international students: Yes CURRICULUM There is a graduate-student housing office. Housing space is available in Course of Study apartments and married student housing. For information about student accommodations, please visit Students declare their concentration in the first year of the program. It is www.anglia.ac.uk/accommodation possible to concentrate in more than one area. Students have the opportunity to direct or write their own thesis project. FINANCIAL INFORMATION Full-time residency requirement: 1 year Tuition Part-time residency requirement: 2 years Full-time student tuition is determined per course. Total number of courses required to complete the degree: 4 State residents: £7,100 Number of art-history courses required for the degree: 0 International students: £12,400 Degree requirements: Thesis project, thesis paper STUDENTS Number of students in residence: Master’s, 12; Doctorate, 3 Number of male graduates fall 2015–summer 2016: Master’s, 8 CALIFORNIA COLLEGE OF Number of female graduates fall 2015–summer 2016: Master’s, 4 Formal mode of student participation in academic governance: Student THE ARTS representatives attend program committee meetings. Students automatically become members of the student union, which influences academic decision-making. MFA in Film California College of the Arts FACULTY 1111 8th St. Number of faculty: 4 , California, 94107 Tenured/tenure track: 1 man, 0 women Phone: 415-703-9500 Part-time/adjunct lecturers: 0 men, 3 women www.cca.edu/academics/graduate/film Full-time contractual: 0 men, 0 women Contact: Wes Fanelli, Assistant Director of Graduate Admissions, DR. CATHY ELLIOTT, Film, Adjunct/Contingent faculty [email protected] MS. SOPHIE JACKSON, Film, Adjunct/Contingent faculty, Anglia Ruskin Private art school University Accredited by: National Association of Schools of Art and Design, MR. PAUL MARRIS, Film, Associate Professor Western Association of Schools and Colleges MS. SHREEPALI PATEL, Film, Adjunct/Contingent faculty Degrees awarded: Master’s degree Concentrations in: Cinematography, digital cinema, directing, documentary film and video, editing, film production, film studies, interactive media, media arts production First graduate degree granted: MFA, 2015 50 The landscape today is one of constant change. Traditional Institution holds a film festival: Yes modes of production, distribution, and exhibition are transforming or becoming obsolete. These changes offer an excellent opportunity for Libraries creative and agile filmmakers to discover powerful new modes of Total volumes in library system: >500,000 cinematic expression and supportive infrastructures. CCA’s MFA in Film Art volumes in library system: >100,000 program prepares students to create and thrive in this rapidly changing field. Art journals in library system: >200 To build a successful career as a filmmaker today, one must be an Students have library privileges at other institutional libraries. artist, a craftsperson, and an entrepreneur. This program encourages Image Resources students to continuously question and refine their ideas and working Total number of images: >250,000 methods, while strengthening their intuitive and conceptual capabilities. Institution maintains its own digital-image collection. Institution CCA’s groundbreaking approach to 21st-century film education, its maintains its own slide collection. Institution subscribes to a digital- unique multidisciplinary culture, and its diverse, award-winning faculty image library. Students have access to image collections. (including two-time Oscar-winning director Rob Epstein), provide ideal conditions for developing thriving practices in today’s media landscape. Other Campus Resources Office/center for international students: Yes ADMISSIONS There is a graduate-student housing office. Housing space is available in Deadline for fall: 1/10 dormitories and apartments. Fall notification date: 3/15 Application fee: $70 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Tuition students (iBT 100), transcript, letters of recommendation, résumé, research proposal, writing sample, examples of personal artwork, artist’s Full-time student tuition is determined per credit hour. statement All students: $1,578 CURRICULUM Financial Aid Types of aid available: Tuition aid/remission, teaching assistantship, Courses work-study program Number offered to graduate students each term: 5 Health Insurance Number whose enrollment is limited to graduate students: 4 Full-time master’s students receive health insurance coverage with Average Class Size copayment. In graduate studios: 6–10 students In graduate seminars: 6–10 students In graduate lectures: 1–10 students Course of Study COLUMBIA COLLEGE Students declare their concentration when they apply. It is not possible to concentrate in more than one area. CHICAGO Students have the opportunity to direct or write their own thesis project. Full-time residency requirement: 4 terms Cinema Art + Science Part-time residency requirement: No part-time students admitted Graduate Program, Cinema Art + Science Maximum number of years for residency: 2 Columbia College Chicago Average number of years for residency: 2 1104 S. Wabash Ave. Total number of credit hours required to complete the degree: 60 Chicago, Illinois, 60605 Phone: 312-369-7260 Number of art-history credit hours required for the degree: 3 Fax: 312-369-8047 Degree requirements: Thesis project, participation in thesis production, www.colum.edu/Admissions/Graduate/programs/mfa-in-film-and- thesis paper, thesis defense, critiques, course in cinematography, course video/index.php in directing, course in editing, course in producing, course in screenwriting Contact: Graduate Admissions and Services, [email protected] Recommended: Feature-length film, public screening, screenplay Private college; nonprofit corporation Accredited by: North Central Association of Colleges and Schools STUDENTS Degrees awarded: Master’s degree Number of students in residence: Master’s, 24 Concentrations in: Directing, producing Number of male graduates fall 2015–summer 2016: Master’s, 14 First graduate degree granted: MA, 1986 Number of female graduates fall 2015–summer 2016: Master’s, 10 Columbia College Chicago’s Directing MFA is a two-year program dedicated to developing directors who exhibit strong leadership FACULTY qualities, personal style, and creative vision. The program focuses on Number of faculty: 7 character-driven narratives and asks the director to create work that is Tenured/tenure track: 4 men, 3 women diverse, authentic, invokes the human experience, and connects with the audience. The curriculum centers on directing but also includes writing, Part-time/adjunct lecturers: 0 men, 0 women film production, theory, and history. The technical skills necessary can Full-time contractual: 0 men, 0 women be developed during the course of study, and prior filmmaking ROB EPSTEIN, Film, Chair, MFA, American Film Institute experience is not required. KOTA EZAWA, Film, Associate Professor, MFA, Stanford University Columbia College Chicago’s Creative Producing MFA is a two-year JEANNE FINLEY, Film, Professor, MFA, University of Arizona program designed for aspiring creative professionals with industry JODY GILLERMAN, Digital Media (Studio), Professor, MFA, School of experience whose interest is in producing meaningful, commercially the Art Institute of Chicago viable, internationally appealing screen entertainment in traditional and BROOK HINTON, Film, Chair, BA new media formats. The curriculum focuses on story development, LYNN KIRBY, Film, Professor, MFA, San Francisco Art Institute scriptwriting, line-production, business, marketing, and legal strategies. MARC LE SUER, Film (History), Professor, MA, San Francisco State University ADMISSIONS Deadline for fall: 1/13 RESOURCES AND SPECIAL PROGRAMS Fall notification date: 3/15 Student Projects Application fee: $55 Students own rights to the films they produce. Students are responsible Students enrolled 2015–16: 20 for their own materials during coursework and thesis production. Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Media used: Equal use of film and video foreign students (iBT 100), transcript, letters of recommendation, Film facilities available: Sound stages, editing rooms, animation résumé, thesis statement, statement of interest/personal statement facilities, editing laboratories, postproduction facilities. Students have unlimited access. 51 CURRICULUM Libraries Total volumes in library system: >500,000 Courses Art volumes in library system: >100,000 Number offered to graduate students each term: 100 Art journals in library system: >200 Number whose enrollment is limited to graduate students: 10 Students have library privileges at other institutional libraries. Average Class Size Image Resources In graduate studios: 11–15 students Total number of images: >100,000 In graduate seminars: 11–15 students Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- In graduate lectures: 21–50 students image library. Students have access to image collections. Students have Independent study available: Yes opportunities to view works of art in local museums, commercial Course of Study galleries, and private collections. Students declare their concentration when they apply. It is not possible Program Opportunities to concentrate in more than one area. Additional opportunities for study within the institution: Graduate Students have the opportunity to direct or write their own thesis project. students in the film department may take elective courses in other Full-time residency requirement: 2 years graduate programs at Columbia College. Some upper-division undergraduate classes may also count toward the degree, with Part-time residency requirement: No part-time students admitted permission from the student’s advisor. Maximum number of years for residency: 7 Formal programs: Summer work projects Average number of years for residency: 2 Extracurricular opportunities for graduate students: Curate film Total number of credit hours required to complete the degree: 52 programs/festivals, conduct research for films, present public outreach Number of art-history credit hours required for the degree: 3 lectures. The department sponsors 10–20 lectures per year. Degree requirements: Short film, thesis project, participation in thesis production, thesis defense, critiques, course in directing, course in Other Campus Resources editing, course in producing, course in screenwriting Employment or career development office: Yes Office/center for international students: Yes STUDENTS There is a graduate-student housing office. Housing space is available in Number of students in residence: Master’s, 48 dormitories. Graduates approved for housing will be installed in a fully Number of male graduates fall 2015–summer 2016: Master’s, 13 furnished apartment in one of the residence halls in the heart of the South Loop, a short walk away from seminars, studio spaces, and the Number of female graduates fall 2015–summer 2016: Master’s, 7 dynamic community of artists and scholars that make Columbia College Student organizations within the program/department: The Graduate a fascinating place to study. Film Student Organization (GFSO) plans events for incoming and current graduate students and advocates on the behalf of graduate film FINANCIAL INFORMATION students. Formal mode of student participation in academic governance: The Tuition Student Government Association serves as liaison between students, Full-time student tuition is determined per credit hour. faculty, staff, and administration to ensure the welfare of a diverse All students: $1,158 community. Through its leadership, the association provides students with opportunities to grow academically, artistically, professionally, and Additional institutional fees: $422 personally. Part-time student tuition is determined per credit hour. All students: $1,158 FACULTY Additional institutional fees: $205 Number of faculty: 21 Tenured/tenure track: 11 men, 10 women Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Part-time/adjunct lecturers: 0 men, 0 women teaching assistantship, research assistantship, work-study program. Full Full-time contractual: 0 men, 0 women tuition awarded to 16 students in the previous academic year. Partial DOREEN BARTONI, Film, Professor tuition awarded to 10 students in the previous academic year. CARI CALLIS, Writing, Associate Professor Funds available for graduate student travel: Yes MICHAEL CAPLAN, Film, Associate Professor KEVIN COOPER, Film, Chair Fellowships RON FALZONE, Film, Associate Professor Fellowships are available to first-year students and second-year TOM FRATERRIGO, Film, Professor students. KARLA FULLER, Film, Associate Professor JULIAN GRANT, Film, Associate Professor Fellowships awarded: 6 TED HARDIN, Film, Associate Professor Fellowships awarded to women: 5 SUSAN KERNS, Film, Assistant Professor, tenure-track Fellowships awarded to minorities: 2 KAREN LOOP, Film, Associate Professor Fellowship maximum period of support: 2 years SUSAN MROZ, Film, Professor CAROLINA POSSE EMILIANI, Film, Professor Assistantships DANIEL RYBICKY, Film, Associate Professor Assistantships are available to students of all levels. MEHRNAZ SAEEDVAFA, Film, Chair ZORAN SAMARDZIJA, Film (History), Associate Professor Other financial support: The Film and Video Department offers select BRUCE SHERIDAN, Film, Chair MFA students the Lumiere Award (a stipend for first-year students), the JOE STEIFF, Film, Chair Rosebud Award (partial tuition waivers), and the Production Fund DAVID TARLETON, Film, Associate Professor Award (to assist advanced projects under production by undergraduate WENHWA TS’AO, Film, Professor and graduate students). BONITA WINER, Film, Professor Health Insurance Full-time master’s students receive health insurance coverage at no RESOURCES AND SPECIAL PROGRAMS cost. Student Projects Students own rights to the films they produce. Institution pays for and/or provides the majority of materials. Media used: Mostly video, but some film Film facilities available: Sound stages, editing rooms, animation facilities, editing laboratories, postproduction facilities. Students have unlimited access. Institution holds a film festival: Yes

52 Color United in Spirit (FOCUS); Columbia Women in Film (CWIF) Formal mode of student participation in academic governance: The COLUMBIA UNIVERSITY Columbia University Senate is a university-wide legislature that SCHOOL OF THE ARTS represents faculty, students, and other constituencies. FACULTY MFA Film Program Number of faculty: 88 Tenured/tenure track: 15 men, 7 women 513 Dodge Hall, MC 1805 2960 Broadway Part-time/adjunct lecturers: 39 men, 27 women New York, New York, 10027 Full-time contractual: 0 men, 0 women Phone: 212-854-2134 VITO ADRIAENSENS, Film, Adjunct/Contingent faculty Fax: 212-854-1309 JOHN ALLEN, Film, Adjunct/Contingent faculty arts.columbia.edu BOGDAN APETRI, Film, Adjunct/Contingent faculty Contact: Admissions, [email protected] RAMIN BAHRANI, Film, Assistant Professor, non-tenure BRADFORD BARNES, Film, Adjunct/Contingent faculty Private university; nonprofit corporation NICO BAUMBACH, Film, Assistant Professor, tenure-track Accredited by: Middle States Association of Colleges and Schools, ANDY BIENEN, Film, Associate Professor Middle States Commission on Higher Education JUDY BOWMAN, Film, Adjunct/Contingent faculty Degrees awarded: Master’s degree HILARY BROUGHER, Film, Assistant Professor, tenure-track Concentrations in: Producing, screenwriting, television JOE CACACI, Film, Adjunct/Contingent faculty LOREN-PAUL CAPLIN, Film, Adjunct/Contingent faculty First graduate degree granted: MFA, 1967 BARBARA DEFINA, Film, Adjunct/Contingent faculty Columbia University School of the Arts offers the opportunity to go to IRA DEUTCHMAN, Film, Professor film school at one of the world’s great universities, with a faculty of KATHERINE DIECKMANN, Film, Associate Professor working professionals esteemed in both Hollywood and the ANTHONY DRAZAN, Film, Adjunct/Contingent faculty independent film community. Being in New York City affords access to TREY ELLIS, Film, Associate Professor exceptional talent and locations, major research collections, and the JANE GAINES, Film, Professor opportunity to see films from every country and era. Attracting the top BETTE GORDON, Film, Professor students from around the world, its halls are an intersection of cutting- JONATHAN GRAY, Film, Adjunct/Contingent faculty edge creativity, intellectual rigor, and hands-on practicality. MFA RICHARD GUAY, Film, Adjunct/Contingent faculty programs in Screenwriting/Directing and Creative Producing are among ANDREW HAUSER, Film, Adjunct/Contingent faculty the world’s premier training grounds for young filmmakers. Since it MICHAEL HAUSMAN, Film, Adjunct/Contingent faculty began in 1966, the program has been renowned for the global success of JAMES HOBERMAN, Film, Adjunct/Contingent faculty its alumni in film and TV, with top prizes at Sundance, Cannes, Venice, SABINE HOFFMAN, Film, Adjunct/Contingent faculty Berlin, and the Academy Awards. The year 2015 marked the 100th ISRAEL HOROVITZ, Film, Adjunct/Contingent faculty anniversary of the first university course in film offered in the US, which COURTNEY HUNT, Film, Adjunct/Contingent faculty was at Columbia. ANNETTE INSDORF, Film, Professor CARYN JAMES, Film, Adjunct/Contingent faculty ADMISSIONS MILENA JELINEK, Film, Adjunct/Contingent faculty Deadline for fall: 12/1 JAMAL JOSEPH, Film, Associate Professor Fall notification date: 3/15 TOM KALIN, Film, Professor CHRISTINA KALLAS, Film, Adjunct/Contingent faculty Application fee: $110 JESSICA KEYT, Film, Adjunct/Contingent faculty Applications received 2015–16: 614 ROB KING, Film (History), Associate Professor Applications accepted 2015–16: 126 ALAN KINGSBERG, Film, Adjunct/Contingent faculty Students enrolled 2015–16: 71 DAVID KLASS, Film, Assistant Professor, tenure-track DAN KLEINMAN, Film, Associate Professor Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign JASON KLIOT, Film, Adjunct/Contingent faculty students (iBT 100), transcript, letters of recommendation, résumé, SUSAN KORDA, Film, Adjunct/Contingent faculty statement of interest/personal statement, writing sample CHRISTINE LAZARIDI, Film, Adjunct/Contingent faculty JACK LECHNER, Film, Associate Professor CURRICULUM JESSICA LEVIN, Film, Adjunct/Contingent faculty Courses ZACHARY LEVY, Film, Adjunct/Contingent faculty JACK LOGUIDICE, Film, Adjunct/Contingent faculty Number offered to graduate students each term: 28 SANDRA LUCKOW, Film, Adjunct/Contingent faculty Number whose enrollment is limited to graduate students: 25 JODIE MARKELL, Film, Adjunct/Contingent faculty GRETCHEN MCGOWAN, Film, Adjunct/Contingent faculty Average Class Size ERIC MENDELSOHN, Film, Associate Professor In graduate studios: 11–15 students PETER MINER, Film, Adjunct/Contingent faculty In graduate lectures: 51–100 students STEPHEN MOLTON, Film, Adjunct/Contingent faculty EVANGELINE MORPHOS, Film, Associate Professor Course of Study AFIA NATHANIEL, Film, Adjunct/Contingent faculty Students declare their concentration when they apply. It is not possible MARILYN NESS-SACHER, Film, Adjunct/Contingent faculty to concentrate in more than one area. MICHELE PALERMO, Film, Adjunct/Contingent faculty Opportunities to explore areas outside the concentration: Electives are RICHARD PENA, Film, Professor available within the MFA Program, other School of the Arts programs MARIA PEREZ-BROWN, Film, Adjunct/Contingent faculty (Visual Arts, Theatre, and Writing), and throughout the university. NICHOLAS PROFERES, Film, Professor Students have the opportunity to direct or write their own thesis project. FRANK PUGLIESE, Film, Associate Professor KEITH REAMER, Film, Adjunct/Contingent faculty Full-time residency requirement: 2 years JOHN GOULD RUBIN, Film, Adjunct/Contingent faculty Part-time residency requirement: No part-time students admitted MAUREEN RYAN, Film, Chair Maximum number of years for residency: 5 SHRIHARI SATHE, Film, Adjunct/Contingent faculty Average number of years for residency: 3 JAMES SCHAMUS, Film, Professor PAUL SCHNEIDER, Film, Adjunct/Contingent faculty Total number of credit hours required to complete the degree: 60 SANDRA SCHULBERG, Film, Adjunct/Contingent faculty Number of art-history credit hours required for the degree: 0 DAVID SCHWAB, Film, Adjunct/Contingent faculty Degree requirements: Short film, thesis project, course in directing, RAMIN SERRY, Film, Adjunct/Contingent faculty course in producing, course in screenwriting SHIRA-LEE SHALIT, Film, Adjunct/Contingent faculty PRIYARDASHINI SHANKER, Film, Adjunct/Contingent faculty STUDENTS JON SHEAR, Film, Adjunct/Contingent faculty Number of students in residence: Master’s, 284 HEIDI SHRECK, Film, Adjunct/Contingent faculty SYD SIDNER, Film, Adjunct/Contingent faculty Number of male graduates fall 2015–summer 2016: Master’s, 33 MARY JANE SKALSKI, Film, Adjunct/Contingent faculty Number of female graduates fall 2015–summer 2016: Master’s, 25 MIKAEL SODERSTEN, Film, Adjunct/Contingent faculty Student organizations within the program/department: Filmmakers of JULIA SOLOMONOFF, Film, Adjunct/Contingent faculty JUNE STEIN, Film, Adjunct/Contingent faculty 53 ALEX STEYERMARK, Film, Adjunct/Contingent faculty spouses, unmarried domestic partners, and same-sex domestic partners MAYURAN TIRUCHELVAM, Film, Adjunct/Contingent faculty of full-time master’s students. EDWARD TURK, Film, Adjunct/Contingent faculty BREIXO VIEJO, Film, Adjunct/Contingent faculty KAISER WAHAB, Film, Adjunct/Contingent faculty BRENDAN WARD, Film, Adjunct/Contingent faculty LANCE WEILER, Film, Adjunct/Contingent faculty CLAUDIA WEILL (TELLER), Film, Adjunct/Contingent faculty NATIONAL UNIVERSITY ADRIENNE WEISS, Film, Adjunct/Contingent faculty MICHAEL WEITHORN, Film, Adjunct/Contingent faculty Digital Cinema Production MFA MATT WILLIAMS, Film, Adjunct/Contingent faculty JEFFREY WOLF, Film, Adjunct/Contingent faculty National University School of Professional Studies RESOURCES AND SPECIAL PROGRAMS 5245 Pacific Concourse Dr. Los Angeles, California, 90045 Student Projects Phone: 714-429-5131 Students direct and/or write or produce their own thesis project. The Fax: 714-429-5176 institution provides production and post-production equipment and www.nu.edu/OurPrograms.cfm insurance for work that is created as part of the curriculum and for Contact: Alyn Warren, [email protected] thesis work. Students have to pay any additional costs. Private university; nonprofit corporation Media used: Mostly video, but some film Accredited by: Western Association of Schools and Colleges Film facilities available: Sound stages, editing rooms. Students have unlimited access. Degrees awarded: Master’s degree Institution holds a film festival: Yes Concentrations in: Digital cinema, documentary film and video, film production, motion pictures production, screenwriting Libraries First graduate degree granted: MFA, 2006 Total volumes in library system: >1,000,000 The Digital Cinema Production MFA prepares graduates to produce Art volumes in library system: >300,000 compelling visual stories for an expanding digital media marketplace. Art journals in library system: >1,000 Offered in a hybrid online/onsite low-residency format, the program affords students living outside of major media markets the opportunity Students have library privileges at other institutional libraries. to study professional film production with film industry professionals. It Program Opportunities provides hands-on experience, applying dramatic narrative, cinematic concepts, and professional techniques from the Hollywood and Additional opportunities for study within the institution: Electives independent film traditions to the creative development and production throughout the university of entertainment and other media content. Students develop the Formal relationships with other academic institutions: Exchange technical skills and practical experience necessary to function as programs with La Femis, DFFB. professional media production entrepreneurs and are also prepared to Extracurricular opportunities for graduate students: Curate film teach in film and media arts programs at the college and university level. programs/festivals, conduct research for films. Industry internships both domestic and international ADMISSIONS Other special programs sponsored by the department: Columbia Deadline for fall: 3/31 University Film Festival in New York and Los Angeles. The department Fall notification date: 4/20 sponsors 10–20 lectures per year. Deadline for spring: 3/31 Other Campus Resources Spring notification date: 4/20 Employment or career development office: Yes Application fee: $60 Office/center for international students: Yes Part-time students accepted: Yes There is a graduate-student housing office. Housing space is available in Applications received 2015–16: 12 apartments. Students from a far distance receive priority for housing. Applications accepted 2015–16: 7 Planned campus changes and facility improvements: The Lenfest Center Students enrolled 2015–16: 7 for the Arts, now under construction on Columbia University’s Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Manhattanville campus, will be a multi-arts facility and is scheduled for students (79), transcript, knowledge of digital video-editing software, completion in 2017. It will include, among other facilities, the state-of- computer for digital video-editing software, statement of the-art Katharina Otto-Bernstein Screening Room. interest/personal statement, interview, contact the program for additional requirements FINANCIAL INFORMATION Recommended: GPA (3.0), letters of recommendation, résumé, writing Tuition sample, examples of personal artwork, related internship experience, Full-time student tuition is determined per semester. related professional experience All students: $28,648 CURRICULUM Additional institutional fees: $2,502 Courses Financial Aid Number offered to graduate students each term: 3 Types of aid available: Tuition aid/remission, stipend, teaching Number whose enrollment is limited to graduate students: 3 assistantship, work-study program. Federal and/or private loans, modest institutional loans, student service positions. Average Class Size Funds available for graduate student travel: Yes In graduate studios: 11–15 students Fellowships In graduate seminars: 11–15 students Fellowships are available to first-year students and second-year In graduate lectures: 11–20 students students. Course of Study Assistantships Students declare their concentration in the third year of the program. It Assistantships are available to second-year students, third-year students, is not possible to concentrate in more than one area. fourth-year students, and fifth-year students. Opportunities to explore areas outside the concentration: All production Other financial support: Eligible students can apply for service positions, fellows take courses in all film production disciplines: editing, which pay $15–$25/hr for 20–30 hours per week. Health insurance is cinematography, directing, producing, and screenwriting. Screenwriting required for full-time students but optional for part-time students. The MFA fellows may select electives in the production curriculum and premium for graduate students is included in fees; students with production fellows may elect one screenwriting or communication class. documented comparable coverage can opt out. Students have the opportunity to direct or write their own thesis project. Full-time residency requirement: 2 years Health Insurance Part-time residency requirement: 1 year Full-time master’s students receive health insurance coverage with Maximum number of years for residency: 3 copayment. Health insurance coverage is available to dependents,

54 Average number of years for residency: 3 This program has a low-residency component. FINANCIAL INFORMATION This program has an online learning component. Tuition Total number of courses required to complete the degree: 22 Full-time student tuition is determined per quarter. Number of art-history courses required for the degree: 0 All students: $416 Degree requirements: Short film, screenplay, thesis project, participation Additional institutional fees: $300 in thesis production, thesis paper, thesis defense, critiques, course in cinematography, course in directing, course in editing, course in Financial Aid producing, course in screenwriting Types of aid available: Tuition aid/remission, guaranteed loan Recommended: Public screening Health Insurance STUDENTS No health insurance coverage is provided for full-time master’s students Number of students in residence: Master’s, 22 and part-time master’s students. Number of male graduates fall 2015–summer 2016: Master’s, 4 Number of female graduates fall 2015–summer 2016: Master’s, 3 Formal mode of student participation in academic governance: Student representative on the Graduate Council and student members on the SAVANNAH COLLEGE OF ART MFA program advisory committee FACULTY AND DESIGN Number of faculty: 6 Tenured/tenure track: 1 man, 1 woman Film and Television Part-time/adjunct lecturers: 3 men, 1 woman Savannah College of Art and Design Full-time contractual: 0 men, 0 women PO Box 2072 ROB MALENFANT, Film, Adjunct/Contingent faculty, MFA, University Savannah, Georgia, 31402 of Southern California Phone: 800-869-7223 BETTINA MOSS, Writing, Associate Professor, MFA, Columbia www.scad.edu/academics/programs/film-and-television University, 1996 Contact: Jenny Jaquillard, [email protected] CHRISTOPHER ROSSITER, Film, Adjunct/Contingent faculty, MFA, Private art school; nonprofit corporation American Film Institute, 2004 DYLAN SHIELDS, Film, Adjunct/Contingent faculty, MFA, American Accredited by: Southern Association of Colleges and Schools Film Institute Commission on Colleges SARA MONTGOMERY STOTLAR, Film, Sound, Adjunct/Contingent Degrees awarded: Master’s degree faculty, MFA, University of Utah Concentrations in: Film and television producing, production design, E. ALYN WARREN III, Writing, Film, Associate Professor, MFA, sound, television University of California, Irvine, 1995 First graduate degree granted: MA, 2003 The Master of Arts (MA) degree requires a minimum of one year for RESOURCES AND SPECIAL PROGRAMS completion with at least 45 quarter credit hours. Students enrolled in an Student Projects MA program take graduate-level courses in the selected area, Students own rights to the films they produce. However, students grant complemented by historical, analytical, and related studies. The MA National University permission to exhibit their work. National University culminates in a written thesis or graduate project such as a portfolio or retains rights to second-year production residency films. Students are group exhibition, presentation, or other creative work accompanied by a responsible for their own materials during coursework and thesis written component. production. During the production residency the university supplies The Master of Fine Arts (MFA) degree is recognized as the terminal necessary materials, supplies, equipment, and production and post- degree for most art and design fields. This degree requires a minimum production facilities. Residency fees are $1,800 and cover production of two years for completion with at least 90 quarter credit hours. and workshop expenses. Students enrolled in an MFA program take graduate-level courses in studio, art history, critical analysis, and related areas. The MFA Media used: Video only culminates with a thesis exhibition project, presentation, or other Film facilities available: Editing rooms, postproduction facilities. publicly presented creative work demonstrating professional-level Students have unlimited access. competency, accompanied by a written component and reviewed by a Libraries thesis committee. Total volumes in library system: >500,000 ADMISSIONS Art volumes in library system: >50,000 This program has rolling admissions. Art journals in library system: >100 Application fee: $40 Students have library privileges at other institutional libraries. Part-time students accepted: Yes Image Resources Applications received 2015–16: 469 Institution subscribes to a digital-image library. Students have Applications accepted 2015–16: 217 opportunities to view works of art in local museums and commercial Students enrolled 2015–16: 105 galleries. Requirements: Bachelor’s degree (BA or BFA), TOEFL for foreign Program Opportunities students (iBT 85), letters of recommendation, résumé, statement of Extracurricular opportunities for graduate students: Conduct research interest/personal statement, contact the program for additional for films, present public outreach lectures. Attend film festivals and the requirements annual University Film and Video Association conferences. Enter the Recommended: Examples of personal artwork, artist’s statement, related National University Student Scholars Conference internship experience, related professional experience, campus visit, Other special programs sponsored by the department: Graduate fellows interview and alumni may attend some of the July production residency workshops in Los Angeles. The department sponsors 1–4 lectures per CURRICULUM year. Courses Other Campus Resources Number offered to graduate students each term: 21 Office/center for international students: Yes Average Class Size Planned campus changes and facility improvements: Program cohorts In graduate studios: 6–10 students (online and onsite) begin in May and July. Onsite/hybrid cohort is held at National University, Los Angeles. The required second-year onsite In graduate seminars: 11–15 students Production Residency is held in July, also in Los Angeles. Request In graduate lectures: 11–20 students program application from Professor Alyn Warren, [email protected].

55 allow the program to continue to expand and provide more hands-on Course of Study experience for our students. It is not possible to concentrate in more than one area. Maximum number of years for residency: 5 FINANCIAL INFORMATION STUDENTS Tuition Number of students in residence: Master’s, 289 Full-time student tuition is determined per course. Number of male graduates fall 2015–summer 2016: Master’s, 42 All students: $4,005 Number of female graduates fall 2015–summer 2016: Master’s, 57 Part-time student tuition is determined per course. All students: $4,005 FACULTY Number of faculty: 0 Financial Aid Types of aid available: Tuition aid/remission, guaranteed loan, work- Tenured/tenure track: 0 men, 0 women study program. Merit-based scholarships. Part-time/adjunct lecturers: 0 men, 0 women Funds available for graduate student travel: Yes Full-time contractual: 0 men, 0 women Fellowships RESOURCES AND SPECIAL PROGRAMS Fellowships are available to students of all levels. Student Projects Assistantships Media used: Mostly film, but some video Other financial support: The college awards a number of scholarships Film facilities available: Sound stages, editing rooms, animation for entering graduate students. To be eligible for a scholarship, students facilities, editing laboratories, postproduction facilities. Students have must be accepted to the college and must meet or exceed admission unlimited access. standards. Scholarships are available to both US citizens and Institution holds a film festival: Yes international students. Film studios affiliated with the department: Savannah Film Studios Health Insurance houses three sound stages, green rooms, lighting grids, postproduction suites, a multi-purpose recording booth that facilitates ADR and foley Full-time master’s students receive health insurance coverage with recordings, screening rooms and production offices. The SCAD Digital copayment. Health insurance coverage is available to dependents and Media Center in Atlanta enables students to work and train in a real- spouses of full-time master’s students. No health insurance coverage is world studio environment using the latest in technology - both practical provided for part-time master’s students. and digital. Libraries Total volumes in library system: >500,000 Art volumes in library system: >200,000 STANFORD UNIVERSITY Art journals in library system: >1,000 Students have library privileges at other institutional libraries. Documentary Film and Video Image Resources Stanford University Total number of images: >750,000 Department of Art and Art History Institution maintains its own digital-image collection. Institution 355 Roth Way maintains its own slide collection. Institution subscribes to a digital- Stanford, California, 94305 image library. Students have access to image collections. Students have Phone: 650-725-0138 opportunities to view works of art in local museums, commercial Fax: 650-725-0140 galleries, private collections, and on funded field trips. art.stanford.edu Program Opportunities Contact: Regina Miller, [email protected] Additional opportunities for study within the institution: Students have Private university; nonprofit corporation the opportunity to work with the Collaborative Learning Center, which Accredited by: Western Association of Schools and Colleges partners with a wide variety of businesses, brands, and organizations to Degrees awarded: Master’s degree research and solve challenging problems. The Center draws on the talents of top students from SCAD’s more than 50 design disciplines. Concentrations in: Documentary film and video Gallery or museum affiliated with the department: The SCAD Museum The Film and Media Studies program offers an MFA in documentary of Art and 14 different galleries are accessible to students in all production. The MFA is a program with a two-year, full- departments. time curriculum representing a synthesis of film praxis and film and media history, theory, and criticism. The MFA degree prepares students Formal programs: Study abroad. Students are able to participate in for professional careers in film, video, digital media, or teaching. The study-abroad programs in Lacoste, France, and Hong Kong. They are dual emphasis on production and theory classes makes graduates fully also strongly encouraged to complete internships on either a credit or prepared to undertake an academic position that typically requires the non-credit basis. teaching of both film studies and media production. The philosophy of Extracurricular opportunities for graduate students: Curate film the program is predicated on the paradigm of independent media that programs/festivals, conduct research for films, present public outreach values artistic expression, aesthetics, social awareness, and an articulate lectures perspective. Students become conversant with the documentary Other special programs sponsored by the department: 1. Savannah Film tradition as well as with alternative media and new directions in Festival documentary filmmaking, and are encouraged to be innovative in their 2. Black Maria Film Festival approach to their own work. 3. Mentorship program 4. SCADemy Awards ADMISSIONS 5. Safety Guidelines Training Deadline for fall: 12/8 6. PA Bootcamp - effective spring 2015 Fall notification date: 3/15 7. Sprite Films competition. The department sponsors 10–20 lectures per year. Application fee: $125 Applications received 2015–16: 54 Other Campus Resources Applications accepted 2015–16: 8 Employment or career development office: Yes Students enrolled 2015–16: 8 Office/center for international students: Yes Requirements: Bachelor’s degree (BA or BFA), GRE, TOEFL for foreign Housing space is available in dormitories and apartments. The main students (100), transcript, letters of recommendation, statement of housing office serves all students, including graduates. No housing is interest/personal statement, examples of personal artwork designated exclusively for graduates. Recommended: Résumé, related professional experience, campus visit Planned campus changes and facility improvements: Savannah Film Studios, which opened in 2014, nearly doubled the amount of room for the film and television program. The 22,000 square foot building features sound stages, a screening room with digital surround sound, post-production bays, client meeting rooms, and more. The facility will 56 There is a graduate-student housing office. Housing space is available in CURRICULUM dormitories, apartments, married student housing, and subsidized Courses housing. Number offered to graduate students each term: 70 FINANCIAL INFORMATION Number whose enrollment is limited to graduate students: 29 Tuition Average Class Size Full-time student tuition is determined per quarter. In graduate studios: 6–10 students All students: $15,243 In graduate seminars: 6–10 students Additional institutional fees: $2,973 In graduate lectures: 11–20 students Part-time student tuition is determined per quarter. Course of Study All students: $9,910 Students declare their concentration when they apply. It is not possible Financial Aid to concentrate in more than one area. Types of aid available: Tuition aid/remission, stipend, teaching Opportunities to explore areas outside the concentration: Students may assistantship, research assistantship, work-study program. Partial take animation, sound art, art history, or other studio art courses as tuition awarded to 8 students in the previous academic year. electives. Students have the opportunity to direct or write their own thesis project. Assistantships Full-time residency requirement: 2 years Other benefits: Tuition remission (part or full), supplies allowance Part-time residency requirement: No part-time students admitted Health Insurance Maximum number of years for residency: 2 Full-time doctoral students and full-time master’s students receive Average number of years for residency: 2 health insurance coverage with copayment. Health insurance coverage Total number of courses required to complete the degree: 20 is available to dependents, spouses, and unmarried domestic partners Degree requirements: Short film, public screening, thesis project, course of full-time doctoral students and full-time master’s students. in directing, course in producing Recommended: Course in screenwriting STUDENTS Number of students in residence: Master’s, 16 UNIVERSITY OF TEXAS AT Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 5 ARLINGTON Formal mode of student participation in academic governance: ASSU Graduate Student Council Film, Video, and Digital Media Art and Art History Department FACULTY The University of Texas at Arlington Number of faculty: 3 502 S. Cooper St., #335, Box 19089 Tenured/tenure track: 2 men, 1 woman Arlington, Texas, 76019 Part-time/adjunct lecturers: 0 men, 0 women Phone: 817-272-2891 Full-time contractual: 0 men, 0 women Fax: 817-272-2805 www.uta.edu/art PROF. SRDAN KECA, Film, Video (Studio), Associate Professor, MA PROF. JAN KRAWITZ, Film, Video (Studio), Professor, MFA, Temple Contact: Professor Nancy Palmeri, [email protected] University, 1979 Public university PROF. JAMIE MELTZER, Film, Associate Professor, MFA, San Francisco Accredited by: National Association of Schools of Art and Design State University, 2003 Degrees awarded: Master’s degree RESOURCES AND SPECIAL PROGRAMS Concentrations in: Animation, cinematography, directing, documentary film and video, editing, film production, interactive media, media arts, Student Projects media arts production, producing, production design, screenwriting, Students own rights to the films they produce. Institution pays for sound and/or provides some of the materials. First graduate degree granted: MFA, 2010 Media used: Mostly video, but some film The Master of Fine Arts in Film, Video, and Digital Media is a 60-credit Film facilities available: Editing rooms, animation facilities, editing program to be completed in a two- to three-year schedule. The emphasis laboratories. Students have unlimited access. within the program is primarily writing, producing, and directing for film and video, with opportunities for students to further refine their Libraries direction (narrative, experimental, installation, documentary works) in Total volumes in library system: >3,000,000 cooperation with their faculty mentor and committee. MFA candidates Art volumes in library system: >200,000 are required to complete a studio or screenplay thesis portfolio. For this project, the department encourages students to explore the feature-film Art journals in library system: >500 form, substantial documentary, or significant experimental artworks There is a separate art library with >10,000 volumes and >500 journals. based on film and digital media. The program is fortunate to have an Image Resources accomplished, experienced, and eclectic faculty to better meet unique Total number of images: >250,000 challenges in the evolution of the medium and to be able to offer Institution maintains its own digital-image collection. Institution program directions unavailable elsewhere. Significant resources are maintains its own slide collection. Institution subscribes to a digital- available in the area’s major collections, museums, and galleries. image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial ADMISSIONS galleries, private collections, and on funded field trips. This program has rolling admissions. Program Opportunities Deadline for fall: 1/15 Fall notification date: 2/28 Additional opportunities for study within the institution: Elective courses may be taken in a field relevant to the student’s course of study and/or Deadline for spring: 10/15 the topic of the thesis project. Spring notification date: 11/30 Gallery or museum affiliated with the department: Thomas Welton Application fee: $40 Stanford Art Gallery Part-time students accepted: Yes Extracurricular opportunities for graduate students: Conduct research Applications received 2015–16: 60 for films. The department sponsors 10–20 lectures per year. Applications accepted 2015–16: 10 Other Campus Resources Students enrolled 2015–16: 25 Employment or career development office: Yes Requirements: Bachelor’s degree (BA or BFA), GPA (3.0), TOEFL for Office/center for international students: Yes foreign students (PBT 550), transcript, letters of recommendation,

57 résumé, statement of interest/personal statement, interview PROF. YA’KE SMITH, Film, Associate Professor, MFA, University of Recommended: Writing sample, related professional experience Texas at Austin PROF. SALVATORE TERRASI, Digital Media (Studio), Associate CURRICULUM Professor, MFA, University of Massachusetts Dartmouth, 2005 DR. MARY VACCARO, Renaissance Art, Professor, PhD, Columbia Courses University, 1994 Number offered to graduate students each term: 29 PROF. BARTON WEISS, Film, Associate Professor, MFA, Columbia University, 1978 Number whose enrollment is limited to graduate students: 29 PROF. NICK WOOD, Ceramics, Drawing (Studio), Professor, MFA, Average Class Size Alfred University, 1977 DR. BETH WRIGHT, Eighteenth-Century Art, Nineteenth-Century Art, In graduate studios: 1–5 students Professor, PhD, University of California, Berkeley, 1978 In graduate seminars: 1–5 students In graduate lectures: 1–10 students Recent Visiting Faculty JUSTIN GINSBERG, Glass, Sculpture, Assistant Professor, non-tenure, Independent study available: Yes MFA, University of Texas at Arlington Course of Study Students declare their concentration when they apply. It is not possible to concentrate in more than one area. RESOURCES AND SPECIAL PROGRAMS Students have the opportunity to direct or write their own thesis project. Student Projects Full-time residency requirement: 3 terms Students own rights to the films they produce. Institution pays for Part-time residency requirement: 1 year and/or provides some of the materials. Average number of years for residency: 3 Media used: Mostly video, but some film This program has a low-residency component. Film facilities available: Sound stages, editing rooms, animation Total number of courses required to complete the degree: 20 facilities, editing laboratories, postproduction facilities. Students have Number of art-history courses required for the degree: 3 unlimited access. Degree requirements: Short film, public screening, thesis project, course Institution holds a film festival: Yes in cinematography, course in directing, course in editing, course in Libraries producing, course in screenwriting Total volumes in library system: >2,000,000 Recommended: Feature-length film Art volumes in library system: >50,000 STUDENTS Art journals in library system: >200 Number of students in residence: Master’s, 28 There is a separate art library with >1,000 volumes and >300 journals. Number of male graduates fall 2015–summer 2016: Master’s, 4 Students have library privileges at other institutional libraries. Number of female graduates fall 2015–summer 2016: Master’s, 4 Image Resources Total number of images: >250,000 Student organizations within the program/department: Master of Art Institution subscribes to a digital-image library. Students have access to Student Society, Student Art Association, Student Film/Video image collections. Students have opportunities to view works of art in Organization, Organization for Visual Communicators, Art History local museums, commercial galleries, private collections, and on funded Student Union, and FOCUS (a student photo organization) field trips. FACULTY Program Opportunities Number of faculty: 25 Additional opportunities for study within the institution: The program Tenured/tenure track: 15 men, 7 women demands deviation from the conventional use of techniques and Part-time/adjunct lecturers: 2 men, 0 women practices to collaborative environments in which students must expand and reconsolidate connections between media, studio art, technology, Full-time contractual: 1 man, 0 women and critical analysis. DR. AMANDA ALEXANDER, Art Education, Assistant Professor, tenure- track, PhD, Ohio State University Gallery or museum affiliated with the department: The Gallery at UTA PROF. GREGORY SCOTT COOK, Digital Media (Studio), Assistant and Gallery West Professor, non-tenure, MFA, University of Nebraska-Lincoln, 2014 Formal programs: Study abroad PROF. BEN DOLEZAL, Digital Media (Studio), Assistant Professor, Formal relationships with local museums: The Graduate Student tenure-track, MFA, University of Texas at Arlington, 2011 Lectureship Program provides art and art-history graduate students the CARLOS DONJUAN, 2-Dimensional Design, Assistant Professor, opportunity to present public lectures on works at the Modern Art tenure-track, MFA Museum of Fort Worth. After original research and analysis, students PROF. BRYAN FLORENTIN, Photography (Studio), Assistant Professor, design an interactive tour to foster discussion with gallery visitors. tenure-track, MFA, University of North Texas Extracurricular opportunities for graduate students: Curate film PROF. LISA GRAHAM, Graphic Design, Professor, MFA, Iowa State programs/festivals, conduct research for films, present public outreach University, 1992 lectures PROF. SCOTT HILTON, Photography (Studio), Adjunct/Contingent faculty, MFA, California State University, Long Beach, 2005 Other special programs sponsored by the department: Art History PROF. ROBERT HOWER, Digital Media (Studio), Professor, MFA, Symposium, Student Film Festival. The department sponsors 10–20 Cranbrook Academy of Art, 1975 lectures per year. PROF. SEDRICK HUCKABY, Painting, Assistant Professor, tenure-track, Other Campus Resources MFA, Yale University PROF. BENITO HUERTA, Painting, Professor, MA, New Mexico State Employment or career development office: Yes University, 1978 Office/center for international students: Yes PROF. SEIJI IKEDA, Digital Media (Studio), Associate Professor, MFA, There is a graduate-student housing office. Housing space is available in Kansas State University, 2008 dormitories and apartments. Housing priority is based on date of PROF. MARILYN JOLLY, Painting, Associate Professor, MFA, University application. of Oklahoma, 1983 PROF. STEPHEN LAPTHISOPHON, Painting, Drawing (Studio), FINANCIAL INFORMATION Assistant Professor, tenure-track, MFA, School of the Art Institute of Chicago, 1979 Tuition PROF. DARRYL LAUSTER, Sculpture, Associate Professor, MFA, Full-time student tuition is determined per credit hour. University of Houston, 1998 Part-time student tuition is determined per credit. PROF. LEIGHTON MCWILLIAMS, Photography (Studio), Associate Professor, MFA, Florida State University, 1982 Financial Aid PROF. KENDA NORTH, Photography (Studio), Professor, MFA, Types of aid available: Tuition aid/remission, stipend, guaranteed loan, University at Buffalo, The State University of New York, 1976 teaching assistantship, research assistantship, work-study program. PROF. ANDREW ORTIZ, Photography (Studio), Associate Professor, Tuition and full stipend awarded to 8 students in the previous academic MFA, Visual Studies Workshop, 1995 year. Tuition and partial stipend awarded to 2 students in the previous PROF. NANCY PALMERI, Printmaking, Professor, MFA, University of academic year. No financial assistance awarded to 1 student in the Nebraska-Lincoln, 1993 previous academic year.

58 Funds available for graduate student travel: Yes Fellowships Fellowships are available to students of all levels. Fellowships awarded: 0 Fellowships awarded to women: 0 Average amount of award/stipend: $0 Fellowship maximum period of support: 3 years Assistantships Assistantships are available to students of all levels. Teaching assistantships awarded: 19 Teaching assistantships awarded to women: 10 Teaching assistantships awarded to minorities: 3 Average amount of award/stipend: $6,000 Hours of work required per week: 20 Teaching assistantship maximum period of support: 3 years Working assistantships awarded: 4 Working assistantships awarded to women: 1 Working assistantships awarded to minorities: 2 Average amount of award/stipend: $3,000 Hours of work required per week: 10 Working assistantship maximum period of support: 3 years Other benefits: Tuition remission (part or full) Other financial support: EGTA, Enhances Graduate Teaching Assistantship Health Insurance No health insurance coverage is provided for full-time master’s students.

59 ART & ARCHITECTURAL HISTORY studio art & art design

61 FACULTY ALFRED UNIVERSITY Number of faculty: 46 Tenured/tenure track: 13 men, 17 women School of Art and Design Part-time/adjunct lecturers: 0 men, 0 women Alfred University Full-time contractual: 7 men, 9 women School of Art and Design, New York State College of Ceramics SARA BLOOD, Glass, Assistant Professor, tenure-track 2 Pine St. PEER BODE, Video (Studio), Professor, MA Alfred, New York, 14802 XIAOWEN CHEN, Printmaking, Associate Professor, MFA Phone: 607-871-2442 HOPE CHILDERS, South Asian Art, Assistant Professor, tenure-track, Fax: 607-871-2490 PhD www.art.alfred.edu WILLIAM CONTINO, Printmaking, Associate Professor, MFA DIANE COX, Sculpture, Associate Professor, MFA Contact: Billie Burns, [email protected] ANDREW DEUTSCH, Sound, Professor, MFA Private university; nonprofit corporation KATE DIMITROVA, Renaissance Art, Assistant Professor, tenure-track, Accredited by: Middle States Commission on Higher Education, PhD National Association of Schools of Art and Design, New York State KAREN DONNELLAN, Glass, Assistant Professor, tenure-track Association of Colleges and Schools, and New York State Education GERAR EDIZEL, Contemporary Art, Video (History), Professor, PhD Department ANDREA GILL, Ceramics, Professor, MFA Degrees awarded: Master’s degree JOHN GILL, Ceramics, Professor, MFA WAYNE HIGBY, Ceramics, Professor, MFA Concentrations in: Ceramics, digital media, glass, sculpture WHITNEY HUBBS, Photography (History), Associate Professor, MFA First graduate degree granted: MFA, 1943 BRETT HUNTER, Installation (Studio), Associate Professor, MFA The School of Art and Design is a growing community of artists, MEGHEN JONES, Japanese Art, Assistant Professor, tenure-track, PhD designers, and students dedicated to the teaching, creation, research, MATT KELLEHER, Ceramics, Assistant Professor, tenure-track, exhibition, and communication of . Encouragement, support, and University of Nebraska-Lincoln challenge are the foundations of the MFA program, which requires CORAL LAMBERT, Sculpture, Associate Professor, MFA specific coursework as well as an attitude of openness and willingness BARBARA LATTANZI, Digital Media (Studio), Associate Professor, MA to risk. After graduation the lines of communication remain intact, and JUDY LIVINGSTON, Graphic Design, Associate Professor, MFA graduates can expect to receive continuing career assistance. LYDIA MCCARTHY, Photography (Studio), Assistant Professor, tenure- track, MFA ADMISSIONS WALTER MCCONNELL, Ceramics, Professor, MFA Deadline for fall: 1/15 MARY DRACH MCINNES, Twentieth-Century Art, Professor, PhD STEPHANIE MCMAHON, Painting, Associate Professor, MFA Fall notification date: 3/1 ANGUS POWERS, Glass, Associate Professor, MFA Application fee: $60 KATARINA RIESING, Drawing (Studio), Assistant Professor, tenure- Applications received 2015–16: 190 track, MFA Applications accepted 2015–16: 17 JOSEPH SCHEER, Printmaking, Professor, MFA LINDA SIKORA, Ceramics, Professor, MFA Students enrolled 2015–16: 34 ANGIE TO, Sculpture, Associate Professor, MFA Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL KEVIN WIXTED, Painting, Professor, MA for foreign students (iBT 80), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal Recent Visiting Faculty artwork, artist’s statement ALEX ASHCROFT, Foundations, Adjunct/Contingent faculty Recommended: Degree in subject area, campus visit ANJA BACHE, Ceramics, Adjunct/Contingent faculty PETRA BACHMAIER, Sculpture, Adjunct/Contingent faculty MYLES CALVERT, Printmaking, Adjunct/Contingent faculty CURRICULUM JOHAN CRETAN, Ceramics, Chair Courses CHASE FOLSOM, Ceramics, Adjunct/Contingent faculty, MFA, Number offered to graduate students each term: 100 University of Colorado Boulder VIRGINIA HUTCHISON, Sculpture, Chair, MA Number whose enrollment is limited to graduate students: 50 OLE JENSEN, Ceramics, Chair Average Class Size ASHLEY LYON, Ceramics, Adjunct/Contingent faculty, MFA JENNIFER NEIDERHAUSER SCHULP, Photography (History), In graduate studios: 1–5 students Adjunct/Contingent faculty In graduate seminars: 11–15 students ZORA PALOVA, Sculpture, Adjunct/Contingent faculty In graduate lectures: 11–20 students EMIL SCHULT, Digital Media (Studio), Adjunct/Contingent faculty Independent study available: Yes VICTORIA SCOTT, Twentieth-Century Art, Chair, PhD, Binghamton University, State University of New York Course of Study GREGORY TENTLER, General Art History, Adjunct/Contingent faculty Full-time residency requirement: 2 years JOANNA WRIGHT, Foundations, Adjunct/Contingent faculty TAKESHI YASUDA, Ceramics, Adjunct/Contingent faculty Maximum number of years for residency: 2 Average number of years for residency: 2 Typical number of credit hours per term for a full-time student: 16 RESOURCES AND SPECIAL PROGRAMS Total number of credit hours required for graduation: 60 Private studios are available with unlimited hours for all. Students have Total in area of concentration: 32 the opportunity to exhibit their work in a gallery associated with the Total in art history: 8 department or institution, local galleries, a graduate thesis exhibition. High-end computer labs are in place that provide access to three Total in graduate seminars: 8 classroom-style spaces with enough computers to accommodate every Electives: 4 student in the largest classes: Mac G5 dual-processor systems with LCD Degree requirements: Written thesis, solo exhibition, critique of thesis flat panels and the latest versions of software for image processing, work, documentation of thesis work for program archive, oral defense of page layout, video editing/compositing, sound editing/sequencing, web work, written art history exam design, multimedia production, and DVD authoring. Flatbed scanners and large-format laser printers are installed in each lab. STUDENTS Libraries Number of students in residence: Master’s, 35 Total volumes in library system: >500,000 Number of male graduates fall 2015–summer 2016: Master’s, 17 Art volumes in library system: >50,000 Number of female graduates fall 2015–summer 2016: Master’s, 18 Art journals in library system: >500 Formal mode of student participation in academic governance: Each class/program elects student representatives to be active members of There is a separate art library with >10,000 volumes and >500 journals. the Graduate Advisory Committee, an advocacy group of the graduate Students have library privileges at other institutional libraries. program of the School of Art and Design.

62 Image Resources Total number of images: >100,000 Institution and program maintain digital-image collections. Institution AMERICAN UNIVERSITY and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Studio Art Students have opportunities to view works of art in local museums, private collections, and on funded field trips. Department of Art American University Program Opportunities 4400 Massachusetts Ave. NW Gallery or museum affiliated with the department: Fosdick-Nelson Washington, District of Columbia, 20016 8004 Gallery, Alfred Ceramic Art Museum, Cohen Gallery, Robert C. Turner Phone: 202-885-1670 Gallery Fax: 202-885-1132 Formal programs: Summer work projects. Graduate students may have www.american.edu/cas/art opportunities to assist or teach summer school classes. Contact: Jaylynn Saure, [email protected] Extracurricular opportunities for graduate students: Curate exhibitions, Private university; nonprofit corporation present public outreach lectures. The department sponsors 10–20 Degrees awarded: Master’s degree lectures per year. Concentrations in: Drawing, installation, painting, sculpture Other Campus Resources The artist-in-residence program at AU is one of the most extensive Employment or career development office: Yes visiting artist programs in the country. This focused program brings in Office/center for international students: Yes eight visiting faculty members over the course of a graduate student’s two years at AU. The program is designed to bring two artists-in- Campus housing is available in dormitories and apartments, although residence each semester who teach two days per month for the full most graduate students choose off-campus private rental facilities. semester. The program provides one-on-one studio visits throughout Environmental Health and Safety the semester. Exchanges with visiting artists offers a wide range of critical responses for students and fosters stronger teaching and Occupational Safety and Health Administration (OSHA) regulations are professional relationships with artists beyond the university faculty. in place for ventilation and respiratory protection, hazardous chemical There is also an extensive series of short-term visiting artists and guest safety (right-to-know), personal protective equipment, machine safety, speakers. Students are encouraged to ambitiously engage historical and hearing protection. Program meets the US Environmental Protection contemporary criteria for making art. Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Chemical ADMISSIONS fume hoods and local ventilation vacuum systems are used throughout This program has rolling admissions. the school. The installation of improved local ventilation units (slotted Deadline for fall: 2/1 hoods) and downdraft tables in appropriate studios is expected over the Fall notification date: 4/15 next two years. Methods used to familiarize students and faculty with Application fee: $55 environmental health and safety include publications, required training course, instruction in class, internet or intranet, faculty research, faculty Applications received 2015–16: 34 training, health and safety officer (full-time or part-time), shop Applications accepted 2015–16: 24 technician, material safety data sheets (MSDS), training videos, Students enrolled 2015–16: 18 information in student handbook. Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject area, GPA (3.0), TOEFL for foreign students (600/100), transcript, letters FINANCIAL INFORMATION of recommendation, résumé, statement of interest/personal statement Tuition Full-time student tuition is determined per year. CURRICULUM All students: $22,520 Courses Financial Aid Number offered to graduate students each term: 6 Number whose enrollment is limited to graduate students: 4 Types of aid available: Stipend, teaching assistantship, research assistantship. Tuition waiver is offered to all graduate students. Tuition Average Class Size and full stipend awarded to 35 students in the previous academic year. In graduate studios: 11–15 students Funds available for graduate student travel: Yes In graduate seminars: 11–15 students Assistantships Independent study available: Yes Assistantships are available to students of all levels. Course of Study Teaching assistantships applications received: 30 Full-time residency requirement: 2 years Teaching assistantships awarded: 30 Maximum number of years for residency: 2 Teaching assistantships awarded to women: 18 Average number of years for residency: 2 Average amount of award/stipend: $4,750 Typical number of credit hours per term for a full-time student: 9 Hours of work required per week: 10 Total number of credit hours required for graduation: 36 Teaching assistantship maximum period of support: 2 years Degree requirements: Thesis or artist’s statement, group exhibition, Working assistantships applications received: 4 critique of thesis work Working assistantships awarded: 4 Working assistantships awarded to women: 2 STUDENTS Hours of work required per week: 10 Number of students in residence: Master’s, 18 Working assistantship maximum period of support: 2 years Number of male graduates fall 2015–summer 2016: Master’s, 3 Other benefits: Tuition remission (part or full) Number of female graduates fall 2015–summer 2016: Master’s, 15 Formal mode of student participation in academic governance: Student government councils, elections, student representatives on the Faculty Senate FACULTY Number of faculty: 6 Tenured/tenure track: 4 men, 2 women Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women MS. ZOE CHARLTON, Drawing (Studio), Painting, Associate Professor, MFA, University of Texas at Austin, 1999 MR. TIM DOUD, Painting, Associate Professor, MFA, School of the Art Institute of Chicago, 1992

63 MR. ANDY HOLTIN, Sculpture, Associate Professor, MFA, Virginia Other benefits: Tuition remission (part or full) Commonwealth University, 2002 Other financial support: Students may apply for graduate research MR. DON KIMES, Painting, Drawing (Studio), Professor, MFA, 1980 funding to support their creative scholarship. MS. DANIELLE MYSLIWIEC, Painting, Assistant Professor, tenure-track, MFA, Hunter College, 2004 Health Insurance MR. LUIS SILVA, Printmaking, Painting, Associate Professor, MFA, Full-time master’s students receive health insurance coverage with Columbia University, 1988 copayment. RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a graduate thesis exhibition. Resources include Mac computers, scanners, digital cameras, and projectors. BOSTON UNIVERSITY Libraries Studio Art and Design Total volumes in library system: >1,000,000 Art volumes in library system: >50,000 Boston University College of Fine Arts Art journals in library system: >100 855 Commonwealth Ave. There is a separate art library with >3,000 volumes and >100 journals. Boston, Massachusetts, 02215 Students have library privileges at other institutional libraries. Phone: 617-353-3371 Image Resources Fax: 617-353-7217 Total number of images: >100,000 www.bu.edu/cfa/visual-arts/ Program maintains its own digital-image collection. Program maintains Contact: Jessica Caccamo, [email protected]; [email protected] its own slide collection. Institution subscribes to a digital-image library. Private university; nonprofit corporation Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, and private Accredited by: Association of American Universities, National collections. Association of Schools of Art and Design, New England Association of Schools and Colleges Program Opportunities Degrees awarded: Master’s degree Additional opportunities for study within the institution: Students may Concentrations in: Art education, graphic design, painting, sculpture take one course outside the program. First graduate degree granted: MFA, 1958 Gallery or museum affiliated with the department: American University Each discipline offers students an intimate learning experience within Museum the college’s larger community of artists, performers, musicians, and Extracurricular opportunities for graduate students: Curate exhibitions scholars. Students are encouraged to explore personal expression Other special programs sponsored by the department: The programs in through a variety of media and diverse stylistic forms. The graduate the Department of Art (Art History, Graphic Design, and Studio Art) admission process is highly selective, and limited class sizes ensure that jointly host a colloquium lecture series that brings in scholars, students get individual attention from faculty members. designers, and artists to give talks. Lectures are held in the Katzen Arts Center and are open to students, alumni, and the arts community. The ADMISSIONS department sponsors 5–10 lectures per year. Deadline for fall: 1/16 Other Campus Resources Fall notification date: 3/30 Employment or career development office: Yes Application fee: $80 Office/center for international students: Yes Applications received 2015–16: 205 There is a graduate-student housing office. Housing space is available in Applications accepted 2015–16: 89 apartments. Students enrolled 2015–16: 38 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Environmental Health and Safety students (iBT 84), transcript, letters of recommendation, statement of Occupational Safety and Health Administration (OSHA) regulations are interest/personal statement in place for ventilation and respiratory protection, hazardous chemical Recommended: GPA (3.2), résumé, artist’s statement, related internship safety (right-to-know), personal protective equipment, machine safety, experience, related professional experience, in-person or phone hearing protection. Program meets the US Environmental Protection interview, contact the program for additional requirements Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods CURRICULUM used to familiarize students and faculty with environmental health and Courses safety include required training course, instruction in class, health and Number offered to graduate students each term: 45 safety officer (full-time or part-time), material safety data sheets (MSDS). Number whose enrollment is limited to graduate students: 16 Average Class Size FINANCIAL INFORMATION In graduate studios: 11–15 students Tuition In graduate seminars: 11–15 students Full-time student tuition is determined per credit hour. In graduate lectures: 21–50 students All students: $1,526 Independent study available: Yes Financial Aid Course of Study Types of aid available: Tuition aid/remission, stipend, work-study Full-time residency requirement: 2 years program. Department scholarships are available. Tuition and partial Maximum number of years for residency: 2 stipend awarded to 15 students in the previous academic year. Average number of years for residency: 2 Funds available for graduate student travel: Yes Typical number of courses for a full-time student: 3 Fellowships Total number of courses required for graduation: 22 Fellowships awarded: 18 Total in studio art: 6 Fellowships awarded to women: 15 Total in area of concentration: 8 Fellowships awarded to minorities: 1 Total in graduate seminars: 4 Assistantships Electives: 4 Assistantships are available to first-year students and second-year Degree requirements: Concentration, group exhibition, individual students. presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, thesis committee/exhibition jury, Teaching assistantships awarded: 16 professional practices course. Critique of thesis work includes outside Teaching assistantships awarded to women: 13 reviewers in the area of expertise of the MFA candidate, along with Teaching assistantships awarded to minorities: 1 faculty, visiting faculty, and members of the broader university 64 community. Students have library privileges at other institutional libraries. Recommended: Thesis or artist’s statement Image Resources Total number of images: >500,000 STUDENTS Institution maintains its own digital-image collection. Institution Number of students in residence: Master’s, 69 maintains its own slide collection. Institution subscribes to a digital- Number of male graduates fall 2015–summer 2016: Master’s, 8 image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Number of female graduates fall 2015–summer 2016: Master’s, 22 galleries, private collections, and on funded field trips. Student organizations within the program/department: Student groups are available to graduate and undergraduate students. Program Opportunities Formal mode of student participation in academic governance: Students Additional opportunities for study within the institution: Students may can work with the Boston University Graduate Student Organization. take courses outside the department, utilizing all the resources of a major research university. FACULTY Gallery or museum affiliated with the department: Stone Art Gallery, Number of faculty: 26 Commonwealth Gallery, Gallery5, 808 Gallery Tenured/tenure track: 4 men, 5 women Formal programs: Study abroad, summer work projects. Venice Studio Part-time/adjunct lecturers: 4 men, 6 women Program Full-time contractual: 2 men, 5 women Formal relationships with local museums: Institute of Contemporary Art, LYNNE ALLEN, Printmaking, Professor, MFA, University of New Mexico, Isabella Stewart Gardner Museum, and Museum of Fine Arts, Boston 1986 Extracurricular opportunities for graduate students: Curate exhibitions, BRUCE AMBO, Graphic Design, Adjunct/Contingent faculty, MFA, Yale conduct fieldwork, research for catalogues, conduct surveys for outside University, 1987 institutions DANA CLANCY, Painting, Foundations, Associate Professor, MFA, Other special programs sponsored by the department: The graduate Boston University, 1999 studio arts program invites weekly speakers to discuss a range of topics KRISTEN COOGAN, Graphic Design, Associate Professor, MFA, as well as guest critics. In addition, the school offers a Contemporary California College of the Arts, 2007 Perspectives lecture series featuring leading artists. The graphic design DEBORAH CORNELL, Printmaking, Painting, Associate Professor, MFA, program brings in top designers for lectures and critiques. The Rhode Island School of Design painting/sculpture program brings 20–30 visiting critics per year. The LAURA GREY, Graphic Design, Digital Media (Studio), Assistant department sponsors 5–10 lectures per year. Professor, non-tenure, MFA, Yale University DIANA HAMPE, Art Education (Studio), Adjunct/Contingent faculty, Other Campus Resources MFA, Boston University, 2002 Employment or career development office: Yes JAYA HOWEY, Painting, Digital Media (Studio), Assistant Professor, Office/center for international students: Yes non-tenure, MFA, Columbia University HUGH O’DONNELL, Painting, Professor There is a graduate-student housing office. Housing space is available in YAEL ORT-DINOOR, Graphic Design, Adjunct/Contingent faculty, MFA, dormitories and apartments. Part-time students normally find Boston University, 2007 apartments in the area. Full-time students have access to dorms. TONI PEPE DAN, Photography (Studio), Digital Media (Studio), Planned campus changes and facility improvements: Recent addition of Assistant Professor, non-tenure, MFA, Massachusetts College of Art and 10,000 sq. ft. Graphic Design Studio. Design ALSTON W. PURVIS, Graphic Design, Professor, MFA, Yale University Environmental Health and Safety RICHARD RAISELIS, Painting, Foundations, Associate Professor, MFA, Occupational Safety and Health Administration (OSHA) regulations are Temple University, 1976 in place for ventilation and respiratory protection, hazardous chemical NICK ROCK, Graphic Design, Assistant Professor, non-tenure, MFA, safety (right-to-know), personal protective equipment, machine safety, Yale University, 2008 hearing protection. Program meets the US Environmental Protection RICHARD RYAN, Painting, Drawing (Studio), Associate Professor, MFA, Agency (EPA) and state regulations for hazardous materials, including Yale University, 1979 spill procedures and material disposal. Program has performed an BATU SIHARULIDZE, Sculpture, Associate Professor, PhD, 1991 environmental health and safety audit in the past five years. The RUTH STARRATT, Art Education (Studio), Adjunct/Contingent faculty, printmaking studio has several hooded ventilation units and a solvent EdD, Columbia University, 1982 rag disposal system. All power tools in the wood shop have dust SERGEI TSVETKOV, Printmaking, Adjunct/Contingent faculty, MFA collectors. All painting studios have rag and solvent waste-removal KITTY WALES, Sculpture, Metals, Adjunct/Contingent faculty, MFA, systems in place. Ceramics has a vented glaze area. Methods used to University of Arizona, 1988 familiarize students and faculty with environmental health and safety include publications, required training course, instruction in class, Recent Visiting Faculty faculty research, faculty training, health and safety officer (full-time or REBECCA BOURGAULT, Art Education, Assistant Professor, tenure- part-time), shop technician, material safety data sheets (MSDS), track, EdD, Columbia University training videos, information in student handbook. JON CRAINE, Graphic Design, Adjunct/Contingent faculty, MFA, Yale University, 1964 FINANCIAL INFORMATION JOSEPHINE HALVORSON, Painting, joint appointment in Graduate Studies in Painting, Chair, Professor, MFA, Columbia University Tuition BREEHAN JAMES, Painting, Adjunct/Contingent faculty, MFA, Yale Full-time student tuition is determined per year. University All students: $24,604 WON JU LIM, Sculpture, Assistant Professor, tenure-track, MFA, Art Center College of Design Additional institutional fees: $730 LYDIA MUSCO, Sculpture, Assistant Professor, tenure-track, MFA, Part-time student tuition is determined per credit. Boston University All students: $1,537 DUSHKO PETROVICH, Painting, Adjunct/Contingent faculty, MFA, Boston University Financial Aid Types of aid available: Guaranteed loan, teaching assistantship, research assistantship, work-study program. Merit scholarships are available. RESOURCES AND SPECIAL PROGRAMS Tuition and full stipend awarded to 1 student in the previous academic Private studios are available with unlimited hours for all. Students have year. Full tuition awarded to 1 student in the previous academic year. the opportunity to exhibit their work in a gallery associated with the Partial tuition awarded to 15 students in the previous academic year. No department or institution, local galleries, a graduate thesis exhibition. financial assistance awarded to 19 students in the previous academic Resources include two computer labs with scanners, regular and large- year. format printers, and other services; facilities for welding, woodworking, Funds available for graduate student travel: Yes ceramics, glassblowing at a local glass furnace, printmaking, and photography; and use of the Engineering Product Innovation Center with Assistantships lasers, lathes, and metal fabricators. Assistantships are available to students of all levels. Teaching assistantships applications received: 30 Libraries Teaching assistantships awarded: 20 Total volumes in library system: >3,000,000 Teaching assistantships awarded to women: 11 Art volumes in library system: >100,000 Teaching assistantships awarded to minorities: 5 Art journals in library system: >1,000 65 Average amount of award/stipend: $3,400 Average number of years for residency: 2 Hours of work required per week: 5 Typical number of credit hours per term for a full-time student: 15 Teaching assistantship maximum period of support: 2 years Total number of credit hours required for graduation: 60 Working assistantships awarded: 22 Total in studio art: 48 Working assistantships awarded to women: 16 Total in area of concentration: 21 Working assistantships awarded to minorities: 6 Total in art history: 6 Average amount of award/stipend: $2,000 Total in graduate seminars: 3 Hours of work required per week: 4 Electives: 12 Working assistantship maximum period of support: 2 years Degree requirements: Thesis or artist’s statement, concentration, solo exhibition, documentation of thesis work for program archive, oral Health Insurance defense of work, thesis committee/exhibition jury Full-time master’s students receive health insurance coverage with copayment. Health insurance coverage is available to dependents, STUDENTS spouses, and same-sex domestic partners of full-time master’s students. Number of students in residence: Master’s, 19 Number of male graduates fall 2015–summer 2016: Master’s, 12 Number of female graduates fall 2015–summer 2016: Master’s, 7 Student organizations within the program/department: A graduate student arts organization supports student-initiated projects that BOWLING GREEN STATE enhance graduate education. Formal mode of student participation in academic governance: Students UNIVERSITY can join the Graduate Student Senate (GSS). The avenues through which the GSS acquires and disseminates information include general Studio Art assembly meetings, legislative efforts, and active representation on the Faculty Senate and university-wide committees. Bowling Green State University School of Art FACULTY 1000 Fine Arts Center Number of faculty: 38 Bowling Green, Ohio, 43403 Phone: 419-372-2786 Tenured/tenure track: 10 men, 14 women Fax: 419-372-2544 Part-time/adjunct lecturers: 6 men, 8 women http://art.bgsu.edu Full-time contractual: 0 men, 0 women Contact: Mille Guldbeck, [email protected] MICHAEL TODD ARRIGO, Foundations, Installation (Studio), Public university Professor, MFA, Ohio State University, 1990 JOHN ANTHONY BALISTRERI, Ceramics, Sculpture, Professor, MFA, Accredited by: National Association of Schools of Art and Design Kent State University, 1988 Degrees awarded: Master’s degree JANET BALLWEG, Printmaking, Artist’s books, Professor, MFA, Concentrations in: 2-dimensional design, 3-dimensional design, digital University of Wisconsin-Madison, 1985 media LIZ BAYAN, Graphic Design, Assistant Professor, non-tenure, MFA Within the graduate programs at BGSU, students will find a broad range BARBARA BERSTROM, Art Education, Assistant Professor, tenure-track, of studio and academic disciplines housed in outstanding facilities. PhD These disciplines are united by a deep commitment to craft, technical BRANDON BRIGGS, Painting, Drawing (Studio), Assistant Professor, development, and scholarship sustained by rigorous examination of non-tenure, MFA, Bowling Green State University, 2010 contextual and conceptual issues informing students’ work. The TODD CHILDERS, Graphic Design, Associate Professor, MFA, programs create a productive community of diverse artists and scholars California Institute of the Arts, 1993 unified by a commitment to excellence. Students come to BGSU from all M. M. DUPAY, Drawing (Studio), Assistant Professor, non-tenure, MFA, over the United States and the world. Graduates continue to achieve an Bowling Green State University, 2005 uncommon level of professional recognition, in terms of exhibition and DENA EBER, Digital Media (Studio), Professor, PhD, University of publication success and obtaining college and university teaching Georgia, 1997 positions. All students accepted into the program with a graduate HEATHER ELLIOTT-FAMULARO, Digital Media (Studio), Video assistantship are assigned shared studio space. In addition, there is a (Studio), Associate Professor, MFA, 1999 graduate student workroom and lounge with computers and a printer. AMY FIDLER, Graphic Design, Assistant Professor, non-tenure, MFA, 2004 ANDREW GILLIATT, Ceramics, Assistant Professor, non-tenure, MFA ADMISSIONS MILLE GULDBECK, Painting, Drawing (Studio), Professor, MFA, Deadline for fall: 2/19 University of Iowa, 1995 Fall notification date: 5/1 ANDREW E. HERSHBERGER, Contemporary Art, Critical Theory, Application fee: $45 Associate Professor, PhD, 2001 Part-time students accepted: Yes ALLIE HOAG, Glass, Assistant Professor, non-tenure, MFA CHARLES KANWISCHER, Drawing (Studio), Printmaking, Professor, Applications received 2015–16: 52 MFA, Yale University, 1987 Applications accepted 2015–16: 9 MS. HEEJOO KIM, Digital Media (Studio), Assistant Professor, tenure- Students enrolled 2015–16: 19 track, MFA Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject SEAN LEATHERBURY, General Art History, Assistant Professor, tenure- area, TOEFL for foreign students, transcript, letters of recommendation, track, PhD résumé, statement of interest/personal statement, examples of personal RUTHY LIGHT, Twentieth-Century Art, Assistant Professor, non-tenure, artwork, artist’s statement MA, 2000 ROSS MAZZUPAPPA, Printmaking, Assistant Professor, non-tenure, Recommended: Campus visit, in-person or phone interview MFA BONNIE MITCHELL, Digital Media (Studio), Professor, MFA, University CURRICULUM of Oregon, 1992 Courses SHAWN P. MORIN, Sculpture, Professor, MFA, 1986 TOM MUIR, Metals, Drawing (Studio), Professor, MFA, 1985 Number offered to graduate students each term: 29 JOEL O’DORISIO, Sculpture, Assistant Professor, non-tenure, MFA Number whose enrollment is limited to graduate students: 6 LEIGH-ANNE PAHAPILL, Sculpture, Video (Studio), Assistant Professor, tenure-track, MFA, University of Chicago, 2007 Average Class Size KATERINA RAY, Arts Administration, Architectural History, Professor, In graduate studios: 6–10 students PhD, 1998 In graduate seminars: 6–10 students MARISSA SANEHOLTZ, Metals, joint appointment in Jewelry, Assistant Independent study available: Yes Professor, non-tenure, MFA DAVID SAPP, Drawing (Studio), Professor, MFA, 1989 Course of Study BETH SHEETS, Art Education (Studio), Assistant Professor, non-tenure, Full-time residency requirement: 1 year MA, 2009 RYAN SHELLY, Graphic Design, Assistant Professor, non-tenure, MFA Maximum number of years for residency: 2 REBECCA SKINNER-GREEN, African Art (sub-Saharan), Oceanic Art, 66 Associate Professor, PhD, 1996 Out-of-state residents: $729 SARITDIKHUN SOMASA, Digital Media (Studio), Assistant Professor, non-tenure, MFA, 2003 Financial Aid JENN STUCKER, Graphic Design, Associate Professor, MFA, Eastern Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Michigan University, 2008 teaching assistantship, work-study program. Tuition and full stipend ALLIE TERRY-FRITSCH, Renaissance Art, Critical Theory, Associate awarded to 18 students in the previous academic year. No financial Professor, PhD, 2005 assistance awarded to 2 students in the previous academic year. LYNN WHITNEY, Photography (History), Photography (Studio), Funds available for graduate student travel: Yes Associate Professor, MFA, 1986 DENNIS WOJTKIEWICZ, Painting, Drawing (Studio), Professor, MFA, Assistantships Southern Illinois University Carbondale, 1981 Assistantships are available to students of all levels. KIM YOUNG, Digital Media (Studio), Assistant Professor, non-tenure, MFA Teaching assistantships awarded: 6 LORAINE YOUNG, Graphic Design, Associate Professor, MFA, 2005 Teaching assistantships awarded to women: 4 Teaching assistantships awarded to minorities: 1 RESOURCES AND SPECIAL PROGRAMS Average amount of award/stipend: $26,262 Semiprivate studios are available with unlimited hours for all. Students Hours of work required per week: 15 have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Teaching assistantship maximum period of support: 2 years Students have access to professional series Epson printers such as Working assistantships awarded: 9 Epson 9900 and 9880 (large-format, 44-inch-wide printing), Epson 7880 Working assistantships awarded to women: 3 (black-and-white carbon printer), Epson 4880 (22-inch-wide printing). Working assistantships awarded to minorities: 2 Libraries Average amount of award/stipend: $25,592 Total volumes in library system: >2,000,000 Working assistantship maximum period of support: 2 years Art volumes in library system: >50,000 Other benefits: Tuition remission (part or full) Art journals in library system: >100 Other financial support: All graduate students registering for eight or more hours are required to have health insurance coverage that meets a Students have library privileges at other institutional libraries. basic minimum set by the university. Image Resources Total number of images: >100,000 Health Insurance Institution maintains its own digital-image collection. Institution No health insurance coverage is provided for full-time master’s students maintains its own slide collection. Institution subscribes to a digital- and part-time master’s students. image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Program Opportunities Formal programs: Study abroad. Programs are available at the Studio Art Centers International in Florence, Italy. Formal relationships with other academic institutions: The program has MA/MFA/PhD in Studio Art / Art and a formal relationship with the Studio Art Centers International in Florence, Italy. Ecology Extracurricular opportunities for graduate students: Research for Burren College of Art catalogues, present public outreach lectures. The department sponsors 20–30 lectures per year. , Co. Clare, 00 Ireland Other Campus Resources Phone: +353 65 7077200 Employment or career development office: Yes Fax: +353 65 7077201 Office/center for international students: Yes www.burrencollege.ie There is a graduate-student housing office. Housing space is available in Contact: Lisa Newman, [email protected] dormitories and apartments. Student housing is available through the Office of Student Life. Private college; nonprofit corporation Falcon Landing apartments: Accredited by: National Association of Schools of Art and Design, bgsu.edu/falconlanding Association of Independent Colleges of Art and Design; National University of Ireland, Galway Kitty Dulgar Degrees awarded: Master’s degree; Doctoral degree; Certificate Leasing Agent Concentrations in: Drawing, environmental art, installation, Falcon Landing multidisciplinary, painting, performance, photography, public art, (419) 806-4478 sculpture, visual studies, writing/word art Environmental Health and Safety First graduate degree granted: MFA, 2005 Occupational Safety and Health Administration (OSHA) regulations are Graduate studies at BCA—PhD in Studio Art, MFA/MA/PG Diploma in in place for ventilation and respiratory protection, hazardous chemical Studio Art, MFA/MA/PG Diploma in Art & Ecology, and Post Bac in safety (right-to-know), personal protective equipment, machine safety, Studio Art—center on the idea of art as a process of inquiry, through hearing protection. Program meets the US Environmental Protection studio research supported by related scholarly studies. Each student Agency (EPA) and state regulations for hazardous materials, including chooses a field of inquiry driven by their own creative process and its spill procedures and material disposal. Program has performed an further development as one consistent aspect. Learning and teaching is environmental health and safety audit in the past five years. Methods conducted through a tutorial process wherein a student expresses a set used to familiarize students and faculty with environmental health and of intentions, which forms the basis of discussion between students and safety include publications, required training course, instruction in class, faculty and are referred to in assessment. The programs are operated in faculty training, health and safety officer (full-time or part-time), shop association with the , London, and the School of the technician, material safety data sheets (MSDS), information in student Art Institute of Chicago. These academic associations help to assure the handbook. highest international standards through providing visiting faculty and graduate mentors, who meet with the students while serving as visiting FINANCIAL INFORMATION artists at the college. Tuition ADMISSIONS Full-time student tuition is determined per credit hour. This program has rolling admissions. State residents: $424 Deadline for fall: 2/1 Out-of-state residents: $729 Fall notification date: 3/1 Additional institutional fees: $1,400 Deadline for spring: 10/31 Part-time student tuition is determined per credit hour. Spring notification date: 11/30 State residents: $424 Application fee: €50

67 Applications received 2015–16: 20 Image Resources Applications accepted 2015–16: 16 Total number of images: >100,000 Students enrolled 2015–16: 4 Institution maintains its own digital-image collection. Institution Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject maintains its own slide collection. Institution subscribes to a digital- area, TOEFL for foreign students, transcript, letters of recommendation, image library. Students have access to image collections. Students have résumé, statement of interest/personal statement, writing sample, opportunities to view works of art in local museums, commercial undergraduate research paper, examples of personal artwork, artist’s galleries, and on funded field trips. statement, in-person or phone interview Program Opportunities Recommended: GPA (3.5) Gallery or museum affiliated with the department: The Gallery, Burren College of Art CURRICULUM Formal relationships with other academic institutions: All graduate Courses programs are accredited by the National University of Ireland, Galway and are run in association with the Royal College of Art, London, and the Number offered to graduate students each term: 6 School of the Art Institute of Chicago. Number whose enrollment is limited to graduate students: 6 Extracurricular opportunities for graduate students: Curate exhibitions, Average Class Size conduct fieldwork, present public outreach lectures In graduate studios: 6–10 students Other special programs sponsored by the department: Students have the opportunity to travel to galleries and museums in Berlin, Dublin, and In graduate seminars: 6–10 students London on faculty-led tours each fall and spring semester. The In graduate lectures: 1–10 students department sponsors 10–20 lectures per year. Independent study available: Yes Other Campus Resources Course of Study Office/center for international students: Yes Full-time residency requirement: 2 years Housing space is available in dormitories and apartments. Graduate Maximum number of years for residency: 2 students can choose to stay in college housing, but assistance is offered Average number of years for residency: 2 to those who prefer to rent privately by providing a list of locally Typical number of courses for a full-time student: 24 available accommodation. All accommodation is on a self-service basis. Total number of courses required for graduation: 24 Environmental Health and Safety Total in studio art: 16 Occupational Safety and Health Administration (OSHA) regulations are Electives: 8 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Degree requirements: Written thesis, thesis or artist’s statement, solo hearing protection. Program meets the US Environmental Protection exhibition, group exhibition, documentation of thesis work for program Agency (EPA) and state regulations for hazardous materials, including archive spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods STUDENTS used to familiarize students and faculty with environmental health and Number of students in residence: Master’s, 4 safety include instruction in class, health and safety officer (full-time or Number of female graduates fall 2015–summer 2016: Master’s, 2 part-time), information in student handbook. FACULTY FINANCIAL INFORMATION Number of faculty: 10 Tuition Tenured/tenure track: 2 men, 1 woman Full-time student tuition is determined per year. Part-time/adjunct lecturers: 2 men, 3 women State residents: €9,500 Full-time contractual: 2 men, 0 women International students: €17,886 GORDON D’ARCY, Non-Artist/Non-Art Historian, Associate Professor, MS Additional institutional fees: €2,110 MOLLIE DOUTHIS, Drawing (History), Assistant Professor, non-tenure, Financial Aid MFA, 2014 ROBERT ELLIS, Photography (History), Assistant Professor, non-tenure, Types of aid available: Tuition aid/remission. Housing assistance is MFA, 2011 available. FRANK GOLDEN, Writing, Adjunct/Contingent faculty, BA Assistantships DR. EILEEN HUTTON, Environmental Art (History), General Art History, Assistant Professor, non-tenure, PhD, 2014 Assistantships are available to second-year students and third-year CONOR MCGRADY, Painting, Drawing (Studio), Chair, MFA, School of students. the Art Institute of Chicago Other benefits: Tuition remission (part or full), housing allowance DR. AINE PHILLIPS, Sculpture, Video (Studio), Professor, PhD, 2010 Other financial support: The college offers a variety of scholarships, DR. RUBY WALLIS, Photography (History), Assistant Professor, non- which vary annually. tenure, PhD, 2015 Health Insurance Recent Visiting Faculty No health insurance coverage is provided. PETER POWER, Printmaking, joint appointment in School of the Art Institute of Chicago, Associate Professor PROF. DAVID RAYSON, Painting, joint appointment in Royal College of Art, Professor CALIFORNIA COLLEGE OF RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Semiprivate THE ARTS studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Fine Arts department or institution, local galleries, a graduate thesis exhibition. Burren College of Art has wireless internet connectivity throughout the California College of the Arts campus and in all studios. There is a digital lab for students featuring a Graduate Program in Fine Arts large-format Epson printer, several Apple G5 computers, and audio, 1111 8th St. photography, and video-editing software. San Francisco, California, 94107 Phone: 415-703-9533 Libraries Fax: 415-703-9539 Total volumes in library system: >500,000 www.cca.edu/academics/graduate/fine-arts Art volumes in library system: >50,000 Contact: Wes Fanelli, Assistant Director of Graduate Admissions, Art journals in library system: >1,000 [email protected] Students have library privileges at other institutional libraries. Private art school

68 Accredited by: National Association of Schools of Art and Design, KOTA EZAWA, Video (Studio), Assistant Professor, tenure-track, MFA Western Association of Schools and Colleges JOSH FAUGHT, South Asian Art, Assistant Professor, tenure-track, MFA Degrees awarded: Master’s degree JEANNE FINLEY, Video (Studio), Professor, MFA LINDA FLEMING, Sculpture, Professor Concentrations in: Artist’s books, ceramics, digital media, drawing, fiber DONALD FORTESCUE, 3-Dimensional Design, joint appointment in arts, glass, metals, multidisciplinary, painting, performance, Interdisciplinary Studies, Professor, MFA photography, printmaking, public art, sculpture, sound, video LINDA GEARY, Painting, Associate Professor, MFA First graduate degree granted: MFA, 1947 JAMES GOBEL, Painting, joint appointment in Interdisciplinary Studies, CCA’s Graduate Program in Fine Arts helps students to gain a deeper Chair, MFA understanding of their ideas and practice, gain greater awareness of the JIM GOLDBERG, Photography (Studio), Professor, MFA global context of contemporary art, and develop the presentation skills BARNEY HAYNES, Performance, joint appointment in Interdisciplinary needed to pursue a career in the visual arts. Weekly lecture programs Studies, Associate Professor, MFA ensure a constant flow of national and international visiting artists who DAVID HUFFMAN, Painting, Associate Professor, MFA also offer individual studio critiques. The program creates opportunities JESSICA INGRAM, Photography (Studio), joint appointment in to meet with a wide range of regional and international arts Interdisciplinary Studies, Associate Professor, MFA professionals to learn more about how exhibitions are conceived and the JORDAN KANTOR, Painting, Associate Professor, PhD possibilities for developing projects beyond the academic environment. LYNN MARIE KIRBY, Video (Studio), joint appointment in Extensive studio practice is essential to the program. Students have Interdisciplinary Studies, Professor, MFA access to technical facilities such as darkrooms, foam room, spray NATHAN LYNCH, Ceramics, joint appointment in Interdisciplinary booth, wood shop, shop, and alternative materials shop, plus Studies, Professor, MFA facilities for glass, printmaking, ceramics, metalwork, textiles, and digital LEIGH MARKOPOULOS, Curatorial Studies, Associate Professor, BA media, as well as film, video, and sound editing. MICHELLE MURILLO, Printmaking, Assistant Professor, tenure-track, MFA ADMISSIONS NANCE O’BANION, Printmaking, Professor, MA Deadline for fall: 1/10 MARIA PORGES, Metals, Assistant Professor, non-tenure, MFA TED PURVES, Public Art (Studio), Associate Professor, MFA Fall notification date: 3/20 ALLISON SMITH, Sculpture, Assistant Professor, tenure-track, MFA Application fee: $70 MARY SNOWDEN, Painting, joint appointment in Interdisciplinary Requirements: Bachelor’s degree (BA, BFA, or BSA), transcript, letters of Studies, Professor, MA recommendation, résumé, statement of interest/personal statement, TINA TAKEMOTO, Visual Studies, Associate Professor, PhD artist’s statement MARK THOMPSON, Sculpture, Professor, MA Recommended: TOEFL for foreign students (iBT 100), related DEBORAH VALOMA, Fiber Arts, Associate Professor, MFA professional experience, campus visit, in-person or phone interview THOMAS WOJAK, Printmaking, Professor, MFA CURRICULUM RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Students have Courses the opportunity to exhibit their work in a gallery associated with the Number offered to graduate students each term: 29 department or institution, local galleries, a graduate thesis exhibition. Number whose enrollment is limited to graduate students: 29 Resources include dual boot MacBook Pros, Sony HDV and DVCAM video decks, Epson GT15000 11-by-17-inch scanner, 24-inch Apple Average Class Size Cinema displays, Wacom Intuos3 tablets, Epson Expression 10,000XL In graduate studios: 11–15 students large-format scanner, Hasselblad Flextight X1 scanner, 44-inch Epson In graduate seminars: 11–15 students 9900 inkjet printer, sound isolation booth, and optical printer. In graduate lectures: 11–20 students Libraries Independent study available: Yes Total volumes in library system: >500,000 Course of Study Art volumes in library system: >100,000 Full-time residency requirement: 2 years Art journals in library system: >200 Maximum number of years for residency: 2 Students have library privileges at other institutional libraries. Average number of years for residency: 2 Image Resources Total number of images: >100,000 Typical number of credit hours per term for a full-time student: 15 Institution and program maintain digital-image collections. Institution Total number of credit hours required for graduation: 60 subscribes to a digital-image library. Students have access to image Degree requirements: Written thesis, group exhibition, individual collections. Students have opportunities to view works of art in local presentation of thesis work, critique of thesis work, oral defense of work, museums, commercial galleries, private collections, and on funded field thesis committee/exhibition jury trips. Recommended: Concentration, solo exhibition, documentation of thesis work for program archive, professional practices course Program Opportunities Additional opportunities for study within the institution: The dual STUDENTS MA/MFA in fine arts and visual and critical studies is a three-year program for students who wish to merge their studio practice with Number of students in residence: Master’s, 128 rigorous visual analysis. Courses offered in writing, architecture, Number of male graduates fall 2015–summer 2016: Master’s, 43 curatorial practice, and design are also open to MFA students. Number of female graduates fall 2015–summer 2016: Master’s, 85 Gallery or museum affiliated with the department: Wattis Institute of Student organizations within the program/department: PLAySPACE, the Contemporary Art Paulette Long and Shepard Pollack Art Community Experiment, is a Formal programs: Study abroad, summer work projects. Each summer student-run, experimental exhibition space that aims to create an CCA offers approximately 10 study-abroad courses and approximately 40 environment that fosters dialogue, artistic growth, and artistic degree courses at San Francisco and Oakland campuses. opportunities for members of the CCA community, surrounding Formal relationships with other academic institutions: Summer communities, and beyond. exchange program with the Valand School of Fine Arts at the University of Gothenburg, Sweden; cross-registration agreements with Mills FACULTY College and Holy Names University at no additional cost to students Number of faculty: 33 Extracurricular opportunities for graduate students: Curate exhibitions, Tenured/tenure track: 14 men, 18 women conduct fieldwork, research for catalogues. The department sponsors Part-time/adjunct lecturers: 0 men, 1 woman 20–30 lectures per year. Full-time contractual: 0 men, 0 women Other Campus Resources KIM ANNO, Painting, Professor, MFA AMY BALKIN, Installation (Studio), Associate Professor, MFA Office/center for international students: Yes TAMMY RAE CARLAND, Photography (Studio), Professor, MFA There is a graduate-student housing office. Housing space is available in SUSAN CIRICLIO, Photography (Studio), Professor, MFA dormitories and apartments. SUSANNE COCKRELL, Public Art (Studio), Associate Professor, MFA BRIAN CONLEY, Sculpture, Professor, MFA Environmental Health and Safety LIA COOK, Fiber Arts, Professor, MA Occupational Safety and Health Administration (OSHA) regulations are FRED DOLAN, Visual Studies, Professor, PhD in place for ventilation and respiratory protection, hazardous chemical

69 safety (right-to-know), personal protective equipment, machine safety, Applications accepted 2015–16: 73 hearing protection. Program meets the US Environmental Protection Students enrolled 2015–16: 116 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has not performed an Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign environmental health and safety audit in the past five years. There is a students (iBT 100), transcript, letters of recommendation, résumé, spray booth where all solvent work is done, a dust collection system, statement of interest/personal statement, in-person or phone interview and strict housekeeping standards to protect against dust hazards. Methods used to familiarize students and faculty with environmental CURRICULUM health and safety include required training course, internet or intranet, Courses faculty research, faculty training, shop technician, material safety data sheets (MSDS). Staff members are continually researching less toxic Number offered to graduate students each term: 87 alternative materials. Number whose enrollment is limited to graduate students: 41 FINANCIAL INFORMATION Average Class Size In graduate studios: 16–20 students Tuition In graduate seminars: 16–20 students Full-time student tuition is determined per credit. Independent study available: Yes All students: $1,578 Course of Study Financial Aid Full-time residency requirement: 2 years Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Maximum number of years for residency: 2 teaching assistantship, work-study program. The following awards are available: All-College Honors Prize, Carmen M. Christensen Graduate Average number of years for residency: 2 Scholarship, Hamaguchi Printmaking Scholarship, Toby Devan Lewis Typical number of credit hours per term for a full-time student: 15 Fellowship, Dennis Leon and Christin Nelson Scholarship, Toni A. Total number of credit hours required for graduation: 60 Lowenthal Memorial Scholarship, Byron Meyer Scholarship, and Barclay Degree requirements: Thesis or artist’s statement, solo exhibition, Simpson Scholarship. critique of thesis work, thesis committee/exhibition jury. In the second Funds available for graduate student travel: Yes year, MFA candidates are required to complete a directed study with either their mentor or a chosen or assigned faculty member. The Fellowships directed study is essentially an intensive independent study contract that Fellowships are available to students of all levels. spans the academic year and focuses on the student’s thesis exhibition. Assistantships STUDENTS Assistantships are available to students of all levels. Number of students in residence: Master’s, 501 Health Insurance Formal mode of student participation in academic governance: The student government has five officers. The student trustee sits on the Full-time master’s students receive health insurance coverage with university’s Board of Trustees and the student president and vice copayment. president attend the academic council. The student senate consists of twelve members, two from each of CalArts’ six schools. FACULTY Number of faculty: 29 CALIFORNIA INSTITUTE OF Tenured/tenure track: 14 men, 13 women THE ARTS Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 1 man, 1 woman KAREN ATKINSON, Contemporary Art, Professor, MFA, California Studio Art, Photography and Media, Art Institute of the Arts, 1984 ELLEN BIRRELL, Contemporary Art, Professor, MFA, University of and Technology California, Los Angeles, 1986 California Institute of the Arts SHARI BOND, Photography (Studio), Professor, MFA, 2000 24700 McBean Pkwy. JESSICA BRONSON, Contemporary Art, Professor, MFA, Art Center Valencia, California, 91355 College of Design, 1994 Phone: 800-545-2787 KAUCVILA BROOKE, Photography (Studio), Professor, MFA, University Fax: 661-253-7710 of Arizona, 1986 http://art.calarts.edu/ ROBERT DANSBY, Printmaking, Professor, MFA, University of Southern California, 1997 Contact: Brian Gershey, Admissions Counselor, [email protected] LESLIE DICK, Contemporary Art, Professor, BA, , Private art school; nonprofit corporation 1977 Accredited by: National Association of Schools of Art and Design, HARRY DODGE, Art Education (Studio), Professor Western Association of Schools and Colleges LECIA DOLE-RECIO, Contemporary Art, Professor, MFA, Art Center College of Design, 2001 Degrees awarded: Master’s degree SAM DURANT, Contemporary Art, Professor, MFA, California Institute Concentrations in: Multidisciplinary of the Arts, 1991 First graduate degree granted: MFA, 1971 JUDY FISKIN, Photography (Studio), Professor, MA, University of The MFA programs in studio art, art and technology, and photography California, Los Angeles, 1970 and media offer a forum for questioning conventional ideas of artistic ANDREW FREEMAN, Photography (Studio), Professor, MFA, California practice and representation within contemporary culture. Encompassing Institute of the Arts, 1991 both studio practice and theory, students may work in a wide range of CHARLES GAINES, Contemporary Art, Professor, MFA media, including painting, drawing, photography, digital imaging, HARRY GAMBOA JR., Photography (Studio), Professor sculpture, installation, video, film, printmaking, performance, and CONNIE HATCH, Contemporary Art, Professor, MFA, San Francisco Art writing. The curriculum centers on graduate critiques, seminars, and Institute, 1979 independent studies, as students devote time to creating a distinctive MICHAEL NED HOLTE, Contemporary Art, Professor, MA, Art Center body of work. The two-year MFA curriculum includes few course College of Design, 2003 requirements, thereby giving graduate students freedom to design a DARCY HUEBLER, Contemporary Art, Professor, MFA, California course of study that best suits their individual needs. The photography Institute of the Arts, 1984 and media program educates independent artists to function in a world ASHLEY HUNT, Photography (Studio), Professor, MFA, School of the where photographic imagery and new media strategies are omnipresent. Art Institute of Chicago, 1998 TOM JENNINGS, Contemporary Art, Professor, MFA, University of ADMISSIONS California, Irvine, 2009 ASMA KAZMI, Art Education (Studio), Professor, MFA, School of the Art Deadline for fall: 12/1 Institute of Chicago Fall notification date: 5/1 THOMAS LAWSON, Contemporary Art, Professor, MPhil, 1980 Application fee: $70 TOM LEESER, Contemporary Art, Professor, MFA Applications received 2015–16: 326 JOHN MANDEL, Contemporary Art, Professor, MFA, Pratt Institute, 1964

70 SHIRLEY TSE, Contemporary Art, Professor, MFA, Art Center College of based scholarships. Students must file a Free Application for Federal Design, 1996 Student Aid (FAFSA) to be considered for all financial aid awards. DARRELL WALTERS, Photography (Studio), Professor, MFA, California Institute of the Arts, 1995 Assistantships BILLY WOODBERRY, Photography (Studio), Professor, MFA, University Assistantships are available to second-year students. of California, Los Angeles Teaching assistantships applications received: 33 SUNÉ WOODS, Photography (Studio), Professor, MFA, California College of the Arts Teaching assistantships awarded: 33 Teaching assistantships awarded to women: 18 Recent Visiting Faculty Teaching assistantships awarded to minorities: 7 MICHELLE DIZON, Photography (Studio), Professor JEFFERY VALLANCE, Art Education (Studio), Professor Hours of work required per week: 6 Teaching assistantship maximum period of support: 2 years Other financial support: Applicants should file a FAFSA to be considered RESOURCES AND SPECIAL PROGRAMS for financial aid and scholarships, including institute scholarships, Private studios are available with unlimited hours for all. Students have loans, grants, federal work-study programs, and teaching assistantships. the opportunity to exhibit their work in a gallery associated with the International students must complete an International Scholarship department or institution, a graduate thesis exhibition. Resources Application if they are not FAFSA-eligible. include a Mac lab, high-resolution printers, video projectors, flatbed and Health Insurance film scanners, DVD authoring, digital video and Hi8 cameras, microphones, lighting kits, minidisc sound recorders, Final Cut Pro, Pro Full-time master’s students receive health insurance coverage with Tools, digital plate-making, and fee-based large-format color inkjet copayment. printers. Libraries Total volumes in library system: >500,000 Art volumes in library system: >50,000 CALIFORNIA STATE Art journals in library system: >100 Students have library privileges at other institutional libraries. UNIVERSITY, CHICO Image Resources Total number of images: >500,000 MFA Art Institution and program maintain digital-image collections. Institution 400 West First St. maintains its own slide collection. Institution subscribes to a digital- Chico, California, 95929 image library. Students have access to image collections. Students have Phone: 530-898-5331 opportunities to view works of art in local museums, commercial Fax: 530-898-4171 galleries, and on funded field trips. www.csuchico.edu/art Program Opportunities Contact: Cameron Crawford, [email protected] Additional opportunities for study within the institution: CalArts was Public university; nonprofit corporation conceived as a cross-disciplinary institution. Students are encouraged to Accredited by: National Association of Schools of Art and Design take classes outside their area. Degrees awarded: Master’s degree Gallery or museum affiliated with the department: REDCAT (The Roy and Edna Disney/CalArts Theater) and seven on-campus galleries Concentrations in: Ceramics, digital media, drawing, glass, painting, photography, printmaking, sculpture Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork First graduate degree granted: MFA, 2004 Other special programs sponsored by the department: The school of art The MFA is a program that incorporates a sponsors annual open studio events and an MFA exhibition in Los comprehensive background in the fine arts as well as advanced Angeles for graduates of the art program and the photography and development in patterns of studio specialization. The degree offers media program. Students collaboratively choose a site, work with a students progressive course work in critical theory, practiced criticism, guest curator, execute all promotion, and install and take down the and art history. The combined studio and academic experience provides show. The department sponsors 20–30 lectures per year. students with the opportunity to synthesize information at a higher level, while engaging in original research and a significant body of Other Campus Resources creative studio work. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in ADMISSIONS dormitories and apartments. Students from a far distance receive Deadline for fall: 3/30 priority for housing. The Student Affairs Office maintains off-campus Fall notification date: 4/30 housing referrals. There are two housing facilities on campus, one of Application fee: $55 which provides dormitory-style living and the other provides apartment- Applications received 2015–16: 7 style housing. Many graduate students choose to live off campus in Valencia and Los Angeles. Applications accepted 2015–16: 4 Students enrolled 2015–16: 9 Environmental Health and Safety Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.5), TOEFL Occupational Safety and Health Administration (OSHA) regulations are for foreign students (iBT 80), transcript, letters of recommendation, in place for ventilation and respiratory protection, hazardous chemical résumé, statement of interest/personal statement, examples of personal safety (right-to-know), personal protective equipment, machine safety, artwork hearing protection. Program meets the US Environmental Protection Recommended: Degree in subject area, related internship experience, Agency (EPA) and state regulations for hazardous materials, including related professional experience, campus visit, contact the program for spill procedures and material disposal. Program has performed an additional requirements environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and safety include publications, required training course, instruction in class, CURRICULUM faculty training, shop technician, information in student handbook. Courses Number offered to graduate students each term: 12 FINANCIAL INFORMATION Number whose enrollment is limited to graduate students: 12 Tuition Average Class Size Full-time student tuition is determined per year. In graduate studios: 1–5 students All students: $45,030 In graduate seminars: 11–15 students Additional institutional fees: $616 In graduate lectures: 1–10 students Financial Aid Independent study available: Yes Types of aid available: Tuition aid/remission, guaranteed loan, teaching assistantship, work-study program. The program offers merit and need-

71 Course of Study Libraries Full-time residency requirement: 2 years Total volumes in library system: >1,000,000 Maximum number of years for residency: 7 Art volumes in library system: >50,000 Average number of years for residency: 3 Art journals in library system: >100 Typical number of credit hours per term for a full-time student: 10 There is a separate art library with >3,000 volumes and >200 journals. Total number of credit hours required for graduation: 60 Students have library privileges at other institutional libraries. Total in studio art: 39 Image Resources Total in art history: 9 Total number of images: >1,000,000 Program maintains its own digital-image collection. Program maintains Total in graduate seminars: 6 its own slide collection. Institution subscribes to a digital-image library. Electives: 6 Students have access to image collections. Students have opportunities Degree requirements: Thesis or artist’s statement, concentration, solo to view works of art in local museums, commercial galleries, private exhibition, individual presentation of thesis work, critique of thesis work, collections, and on funded field trips. documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, professional practices course Program Opportunities Formal programs: Museum training, study abroad, summer work STUDENTS projects Number of students in residence: Master’s, 9 Formal relationships with other academic institutions: Meinz, Germany; Number of male graduates fall 2015–summer 2016: Master’s, 3 Suzhou Gold Mantis, China Number of female graduates fall 2015–summer 2016: Master’s, 6 Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, conduct surveys for outside Student organizations within the program/department: Student Art Club institutions, present public outreach lectures. The department sponsors Formal mode of student participation in academic governance: Students 5–10 lectures per year. serve on department, college, and university committees, and in the student government. They are also represented in the Academic Senate. Other Campus Resources Students have the opportunity to join a labor union. Employment or career development office: Yes Office/center for international students: Yes FACULTY Housing space is available in dormitories and apartments. Rental Number of faculty: 23 houses and apartments within walking distance to campus are Tenured/tenure track: 9 men, 9 women reasonably priced and readily available. Part-time/adjunct lecturers: 4 men, 1 woman Environmental Health and Safety Full-time contractual: 0 men, 0 women Occupational Safety and Health Administration (OSHA) regulations are DR. TERESA COTNER, Art Education, Associate Professor, PhD, in place for ventilation and respiratory protection, hazardous chemical Stanford University safety (right-to-know), personal protective equipment, machine safety, CAMERON CRAWFORD, Ceramics, Professor, MFA, University of hearing protection. Program meets the US Environmental Protection Washington Agency (EPA) and state regulations for hazardous materials, including DR. JEAN GALLAGHER, Painting, Professor, Other, New York spill procedures and material disposal. Program has performed an University, Tisch School of the Arts environmental health and safety audit in the past five years. OSHA- and ROBERT HERHUSKY, Glass, Associate Professor, MFA, California EPA-approved Methods used to familiarize students and faculty with College of the Arts environmental health and safety include internet or intranet, faculty KIJEONG JEON, Interior Design, Professor, MArch, University of training, health and safety officer (full-time or part-time), shop Oregon technician, information in student handbook. Online training and quiz JAMES KUIPER, Drawing (Studio), Professor, MFA, Michigan State University FINANCIAL INFORMATION TREVOR LALAGUNA, Sculpture, Adjunct/Contingent faculty, MFA, California State University, Chico Tuition DR. MATTHEW LOOPER, Native American Art, African Art (sub- Full-time student tuition is determined per semester. Saharan), Professor, PhD, University of Texas at Austin EILEEN MACDONALD, Printmaking, Associate Professor, MFA, State residents: $4,146 Southern Illinois University Carbondale Out-of-state residents: $8,610 RICHARD MACIAS, Interior Design, Adjunct/Contingent faculty, MArch, Additional institutional fees: $777 University of Michigan Part-time student tuition is determined per semester. NANCY MEYER, Painting, Art Education, Adjunct/Contingent faculty, MFA, Boston University, 2015 State residents: $2,730 RACHEL MIDDLEMAN, Contemporary Art, Visual Studies, Assistant Out-of-state residents: $4,969 Professor, tenure-track, PhD, 2010 Additional institutional fees: $777 DR. ASA MITTMAN, Early Medieval Art, Gothic Art, Associate Professor, PhD, Stanford University Financial Aid ROUBEN MOHIUDDIN, Interior Design, Associate Professor, MArch, Types of aid available: Stipend, guaranteed loan, teaching assistantship, California Institute of the Arts work-study program. Scholarship and Student Assistant Program; Non- MICHAEL MURPHY, Ceramics, Adjunct/Contingent faculty, MFA, Resident Fee Waivers. Claremont Graduate University JOSHUA OLIVERA, Painting, Drawing (Studio), Adjunct/Contingent Assistantships faculty, MFA, California State University, Chico, 2011 Assistantships are available to students of all levels. TOM PATTON, Photography (Studio), Professor, MFA, University of Teaching assistantships applications received: 6 New Mexico J POUWELS, Painting, Foundations, Assistant Professor, tenure-track, Teaching assistantships awarded: 6 MFA, Miami University, 2004 Teaching assistantships awarded to women: 4 LAUREN RUTH, Sculpture, Assistant Professor, tenure-track, MFA, Teaching assistantships awarded to minorities: 2 Cranbrook Academy of Art Average amount of award/stipend: $3,500 SHERI SIMONS, Sculpture, Professor, MFA, Cranbrook Academy of Art DR. MASAMI TOKU, Art Education, Professor, PhD, University of Illinois Hours of work required per week: 10 at Urbana-Champaign Teaching assistantship maximum period of support: 7 years SUE WHITMORE, Ceramics, Professor, MFA, University of Washington Working assistantships applications received: 5 NANETTE WYLDE, Digital Media (Studio), Professor, MFA, Ohio State Working assistantships awarded: 5 University Working assistantships awarded to women: 4 RESOURCES AND SPECIAL PROGRAMS Working assistantships awarded to minorities: 2 Semiprivate studios are available with unlimited hours for all. Students Average amount of award/stipend: $750 have the opportunity to exhibit their work in a gallery associated with the Hours of work required per week: 6 department or institution, local galleries, a graduate thesis exhibition. Working assistantship maximum period of support: 7 years

72 MS. SUSANNA ALI, Metals, Professor, MFA Health Insurance MR. JEFF ATHERTON, Foundations, Assistant Professor, tenure-track, No health insurance coverage is provided for full-time master’s students MFA and part-time master’s students. MS. MARGARET BLACK, Graphic Design, Professor, MFA MR. DIEDRICK BRACKENS, Fiber Arts, Assistant Professor, tenure-track, MFA MR. ANDREW BYROM, Graphic Design, Professor, BFA MR. BRYAN CROCKETT, Sculpture, Professor, MFA CALIFORNIA STATE MS. TANYA CUMMINGS, Graphic Design, Professor, MFA MR. DANIEL DOVE, Drawing (Studio), Painting, Professor, MFA MS. KATIE GRINNAN, Sculpture, Assistant Professor, tenure-track, UNIVERSITY, LONG BEACH MFA MR. TOR HOVIND, Graphic Design, Professor, MFA Studio Art MR. YU JI, Painting, Professor, MFA MR. TOM KRUMPAK, Painting, Professor, MFA School of Art MR. JAY KVAPIL, Ceramics, Professor, MFA California State University, Long Beach MR. TONY MARSH, Ceramics, Professor, MFA 1250 Bellflower Blvd. MR. MARK MICHELON, Drawing (Studio), Professor, MFA Long Beach, California, 90840 MR. CHRISTOPHER MILES, Ceramics, Critical Theory, Professor, MFA Phone: 562-985-7819 MR. CHRISTOPHER MILLER, Foundations, Assistant Professor, tenure- www.art.csulb.edu/ track, MFA Contact: Rebecca Sittler Schrock, [email protected] MR. AUBRY MINTZ, Animation (Studio), Professor, MFA MS. KIMIKO MIYOSHI, Printmaking, Professor, MFA Public university; nonprofit corporation MR. SUNOOK PARK, Graphic Design, Professor, MFA Accredited by: National Association of Schools of Art and Design MS. BRITTANY RANSOM, Sculpture, Assistant Professor, tenure-track, Degrees awarded: Master’s degree MFA Concentrations in: Animation, ceramics, digital media, drawing, fiber MR. RICK REESE, Animation (History), Assistant Professor, tenure- arts, graphic design, illustration, installation, medical illustration, track, MFA metals, painting, performance, photography, printmaking, public art, MS. ROBIN RICHESSON, Drawing (Studio), Professor, MFA sculpture, video MR. KYLE RIEDEL, Photography (Studio), Professor, MFA MR. MARK RUWEDEL, Photography (Studio), Professor, MFA The MFA degree is designed to foster both interdisciplinary and MS. ROXANNE SEXAUER, Printmaking, Professor, MFA discipline-specific dialogue by engaging students in a set of core MR. BEOMSIK SHIMBE SHIM, Animation (Studio), Assistant Professor, department-wide requirements, interdisciplinary opportunities, and tenure-track, MFA discipline-specific courses. A personalized program of study is pursued MS. FRAN SIEGEL, Painting, Professor, MFA within one of ten programs including ceramics, drawing and painting, MS. REBECCA SITTLER, Photography (Studio), Professor, MFA fibers, illustration/animation, metals, photography, printmaking, MS. MARIAN STEWART, Foundations, Associate Professor, MFA sculpture/4D, graphic design, and wood. In the MFA with Concentration MR. CRAIG STONE, Public Art (Studio), 3-Dimensional Design, joint in Studio Art, the student develops a personalized program of study appointment in American Indian Studies, Professor, MFA within established curricular parameters, and with the consultation and MR. RYAN TABER, Sculpture, Assistant Professor, tenure-track, MFA approval of the student’s project committee. MS. MARIE THIBEAULT, Painting, Professor, MFA ADMISSIONS MR. MIKE WHITLOW, Graphic Design, Professor, MFA Deadline for fall: 1/15 RESOURCES AND SPECIAL PROGRAMS Fall notification date: 5/15 Private studios are available with unlimited hours. Semiprivate studios Application fee: $55 are available with unlimited hours. Students have the opportunity to Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.5), TOEFL exhibit their work in a gallery associated with the department or for foreign students (iBT 80), transcript, letters of recommendation, institution, a graduate thesis exhibition. Extensive technology is statement of interest/personal statement, examples of personal artwork, available to students for checkout, use in gallery exhibitions, for creating contact the program for additional requirements and printing images and 3D objects, for video work, and for studio work and experimentation. See program descriptions online for up-to-date CURRICULUM information. Average Class Size Libraries In graduate studios: 6–10 students Students have library privileges at other institutional libraries. In graduate seminars: 11–15 students Image Resources In graduate lectures: 11–20 students Institution maintains its own slide collection. Institution subscribes to a digital-image library. Students have access to image collections. Independent study available: Yes Students have opportunities to view works of art in local museums, Degree requirements: Thesis or artist’s statement, solo exhibition, commercial galleries, and private collections. individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Program Opportunities thesis committee/exhibition jury Additional opportunities for study within the institution: If the faculty Recommended: Professional practices course deems appropriate, students may take courses in the university at large. Gallery or museum affiliated with the department: University Art STUDENTS Museum and the Gatov, Werby, Dutzi, and Merlino galleries in the Number of students in residence: Master’s, 46 School of Art Number of male graduates fall 2015–summer 2016: Master’s, 8 Formal programs: Museum training, study abroad. Certificate in Number of female graduates fall 2015–summer 2016: Master’s, 13 Museum and Curatorial Studies Art 375: Art and Social Action in Cambodia and Guatemala Student organizations within the program/department: The Greater Los Art 423: Graphic Design IV in Hong Kong Angeles Master of Fine Arts (GLAMFA) exhibition, organized by the Fine Art 499A: Special Studies in Ceramics in Venice and Chiusdino, Italy Arts Roundtable of California State University, Long Beach, is one of the Academic Year: Guangzhou Academy of Fine Arts and Tianjin Academy largest student-conceived and student-organized art events in Southern of Fine Arts, China California. GLAMFA is devoted to generating and maintaining an active dialogue among MFA degree candidates and recent graduates Extracurricular opportunities for graduate students: Curate exhibitions, throughout Southern California. present public outreach lectures Formal mode of student participation in academic governance: Other special programs sponsored by the department: GLAMFA, an Associated Students, INC annual exhibition of regional MFA student work, curated and organized by CSULB graduate students; CSULB Open Studios. The department FACULTY sponsors 30–40 lectures per year. Number of faculty: 34 Other Campus Resources Tenured/tenure track: 22 men, 12 women Employment or career development office: Yes Part-time/adjunct lecturers: 0 men, 0 women Office/center for international students: Yes Full-time contractual: 0 men, 0 women There is a graduate-student housing office. Housing space is available in

73 apartments. CURRICULUM Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Average Class Size in place for ventilation and respiratory protection, hazardous chemical In graduate studios: 11–15 students safety (right-to-know), personal protective equipment, machine safety, In graduate seminars: 11–15 students hearing protection. Program meets the US Environmental Protection In graduate lectures: 11–20 students Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Independent study available: Yes environmental health and safety audit in the past five years. Methods Course of Study used to familiarize students and faculty with environmental health and safety include required training course, instruction in class, faculty Maximum number of years for residency: 7 research, faculty training, shop technician. Degree requirements: Written thesis, concentration, solo exhibition, group exhibition, individual presentation of thesis work, critique of FINANCIAL INFORMATION thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, professional practices Tuition course Full-time student tuition is determined per credit. State residents: $429 STUDENTS Out-of-state residents: $801 Number of students in residence: Master’s, 60 International students: $801 Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 5 Financial Aid Student organizations within the program/department: Duchamp’s Leg, Types of aid available: Tuition aid/remission, teaching assistantship, Studio Arts student club research assistantship, work-study program. Graduate research Formal mode of student participation in academic governance: The fellowships are available. Tuition is based on a scale 0–6 units or 7+ University Governance Committee includes student representative(s). units. See website for more details. Out-of-state fee waivers that help to greatly reduce tuition may be offered to non-CA residents. Students have the opportunity to join a labor union. Funds available for graduate student travel: Yes FACULTY Assistantships Number of faculty: 4 Other financial support: Contact the Graduate Advisor for current Tenured/tenure track: 4 men, 0 women scholarship opportunities. Up-to-date rates for tuition and fees can be Part-time/adjunct lecturers: 0 men, 0 women found online: Full-time contractual: 0 men, 0 women web.csulb.edu/depts/enrollment/registration/fees_basics.html PROF. LUIS BERMUDEZ, Ceramics, Professor, MFA, University of California, Los Angeles, 1980 PROF. TIM EBNER, Painting, Professor, MFA, California Institute of the Arts, 1982 PROF. ROBERT MARTIN, Printmaking, Professor, MFA CALIFORNIA STATE PROF. RICHARD WEARN, Sculpture, Associate Professor, MFA, UNIVERSITY, LOS ANGELES University of Southern California, 1998 RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Semiprivate Studio Arts, MA/MFA Degree studios are available with unlimited hours for all. Students have the Department of Art opportunity to exhibit their work in a gallery associated with the California State University, Los Angeles department or institution, local galleries, a graduate thesis exhibition. 5151 State University Dr. Two labs are equipped with 47 Macintosh desktop computers; two Los Angeles, California, 90032 graduate studios have seven Macintosh desktop computers. Each lab Phone: 323-343-4010 has printers and scanners. Fax: 323-343-4045 Libraries www.calstatela.edu/academic/art Students have library privileges at other institutional libraries. Contact: Dr. Mika Cho, Chair, [email protected] Image Resources Public university; nonprofit corporation Total number of images: >100,000 Accredited by: National Association of Schools of Art and Design, Institution maintains its own digital-image collection. Institution Western Association of Schools and Colleges maintains its own slide collection. Students have access to image Degrees awarded: Master’s degree collections. Students have opportunities to view works of art in Concentrations in: Ceramics, digital media, drawing, multidisciplinary, commercial galleries, private collections, and on funded field trips. painting, photography, printmaking, public art, sculpture Program Opportunities First graduate degree granted: MA, 1952 Gallery or museum affiliated with the department: Luckman Gallery The MA in Studio Arts (30-semester-unit) and MFA in Studio Arts (60- (university), Fine Arts Gallery (department) semester-unit) graduate programs provide an opportunity to increase Formal programs: Study abroad artistic, educational, and intellectual growth for a professional career in arts community. Concentrations are in Ceramics, Drawing and Painting, Extracurricular opportunities for graduate students: Curate exhibitions, Photography, Sculpture, and New Genre. The department has specially conduct surveys for outside institutions, present public outreach designed labs and studios, graduate student studios, and a resource lectures library. Please see the university catalog for more detailed information. Other special programs sponsored by the department: Graduate Studio Opening Night, Graduate Exhibition at a local gallery. The department ADMISSIONS sponsors 10–20 lectures per year. Deadline for fall: 1/11 Other Campus Resources Fall notification date: 1/3 Employment or career development office: Yes Application fee: $55 Office/center for international students: Yes Part-time students accepted: Yes There is a graduate-student housing office. Housing space is available in Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL dormitories. for foreign students (iBT 80), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal Environmental Health and Safety artwork, artist’s statement, related internship experience, related Occupational Safety and Health Administration (OSHA) regulations are professional experience, in-person or phone interview in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an 74 environmental health and safety audit in the past five years. Local ventilation systems (fume hoods) are installed in the printmaking, Course of Study painting, and drawing studios and in the wood shop. Methods used to Maximum number of years for residency: 7 familiarize students and faculty with environmental health and safety Degree requirements: Written thesis, concentration, solo exhibition, include publications, required training course, instruction in class, individual presentation of thesis work, critique of thesis work, oral internet or intranet, faculty training, health and safety officer (full-time or defense of work, professional practices course part-time), shop technician, material safety data sheets (MSDS). STUDENTS FINANCIAL INFORMATION Number of students in residence: Master’s, 60 Tuition Number of female graduates fall 2015–summer 2016: Master’s, 1 Full-time student tuition is determined per year. Student organizations within the program/department: Fashion and State residents: $7,600 Textile Student Club Formal mode of student participation in academic governance: The Out-of-state residents: $15,263 University Governance Committee includes student representative(s). International students: $17,000 Students have the opportunity to join a labor union. Part-time student tuition is determined per credit. Financial Aid FACULTY Types of aid available: Tuition aid/remission, stipend, teaching Number of faculty: 2 assistantship, work-study program Tenured/tenure track: 0 men, 2 women Funds available for graduate student travel: Yes Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women Assistantships PROF. REBECCA DAVIS, Fashion Studies, Professor, PhD Average amount of award/stipend: $2,337 PROF. CAROLE FRANCES LUNG, Fashion Studies, Assistant Professor, Other benefits: Tuition remission (part or full) tenure-track, MFA, School of the Art Institute of Chicago Health Insurance RESOURCES AND SPECIAL PROGRAMS Full-time master’s students and part-time master’s students receive Private studios are available with unlimited hours for all. Semiprivate health insurance coverage with copayment. studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Two labs are equipped with 47 Macintosh desktop computers; two graduate studios have seven Macintosh desktop computers. Each lab CALIFORNIA STATE has printers and scanners. Libraries UNIVERSITY, LOS ANGELES Students have library privileges at other institutional libraries. Image Resources MA Fashion, Fiber and Materials Total number of images: >100,000 Department of Art Institution maintains its own digital-image collection. Institution California State University, Los Angeles maintains its own slide collection. Students have access to image 5151 State University Dr. collections. Students have opportunities to view works of art in local Los Angeles, California, 90032 museums, commercial galleries, private collections, and on funded field Phone: 323-343-4010 trips. Fax: 323-343-4045 Program Opportunities www.calstatela.edu/academic/art Gallery or museum affiliated with the department: Luckman Gallery Contact: Dr. Mika Cho, Chair, [email protected] (university), Fine Arts Gallery (department) Public university; nonprofit corporation Formal programs: Study abroad Accredited by: National Association of Schools of Art and Design, Extracurricular opportunities for graduate students: Curate exhibitions, Western Association of Schools and Colleges conduct fieldwork, conduct surveys for outside institutions, present Degrees awarded: Master’s degree public outreach lectures Concentrations in: Fashion Other special programs sponsored by the department: Annual First graduate degree granted: MA, 1952 international symposium on Meso-American art. The department sponsors 10–20 lectures per year. The Fashion, Fiber and Materials option provides students with a foundation in the visual arts as well as an understanding of the cultural Other Campus Resources and social basis of human appearance and adornment. The program Employment or career development office: Yes prepares students for careers in the full range of fashion and textile design, merchandising, and manufacturing. Students may select one of Office/center for international students: Yes three specializations within the option: Fashion Design, Fashion There is a graduate-student housing office. Housing space is available in Merchandising, or Textiles. The MA degree in Studio Arts is a 30- dormitories. semester-unit graduate program. Please see the university catalog for more detailed information. Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are ADMISSIONS in place for ventilation and respiratory protection, hazardous chemical Deadline for fall: 1/15 safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Application fee: $55 Agency (EPA) and state regulations for hazardous materials, including Part-time students accepted: Yes spill procedures and material disposal. Program has performed an Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL environmental health and safety audit in the past five years. Local for foreign students (iBT 80), transcript, letters of recommendation, ventilation systems (fume hoods) are installed in printmaking, painting, résumé, statement of interest/personal statement, writing sample, and drawing studios and in the wood shop. Methods used to familiarize examples of personal artwork, artist’s statement, related internship students and faculty with environmental health and safety include experience, related professional experience, in-person or phone publications, required training course, instruction in class, internet or interview intranet, faculty training, health and safety officer (full-time or part- time), shop technician, material safety data sheets (MSDS). CURRICULUM FINANCIAL INFORMATION Average Class Size In graduate studios: 11–15 students Tuition In graduate seminars: 11–15 students Full-time student tuition is determined per year. In graduate lectures: 11–20 students State residents: $7,600 Independent study available: Yes Out-of-state residents: $15,263 75 International students: $17,500 Additional institutional fees: $1,356 FACULTY Part-time student tuition is determined per credit. Number of faculty: 5 Tenured/tenure track: 3 men, 2 women Financial Aid Part-time/adjunct lecturers: 0 men, 0 women Types of aid available: Tuition aid/remission, guaranteed loan, teaching Full-time contractual: 0 men, 0 women assistantship, work-study program PROF. SARAH BEEBY, Animation (Studio), Assistant Professor, tenure- Assistantships track, MA PROF. MICHAEL HENDERSON, Graphic Design, Professor, MFA, Otis Average amount of award/stipend: $2,337 College of Art and Design, 1972 Other benefits: Tuition remission (part or full) PROF. JIMMY MOSS, Graphic Design, Associate Professor, MFA, Yale University, 1991 Health Insurance PROF. JIM OVELMEN, Animation (Studio), Associate Professor, MFA, Full-time master’s students and part-time master’s students receive California Institute of the Arts, 1997 health insurance coverage with copayment. PROF. CONNIE UTTERBACK, 2-Dimensional Design, Professor, MFA, University of California, Los Angeles, 1981 RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Semiprivate CALIFORNIA STATE studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the UNIVERSITY, LOS ANGELES department or institution, local galleries, a graduate thesis exhibition. Two labs are equipped with 47 Macintosh desktop computers; two graduate studios have seven Macintosh desktop computers. Each lab Design/Animation, MA/MFA Degree has printers and scanners. Department of Art Libraries California State University, Los Angeles Students have library privileges at other institutional libraries. 5151 State University Dr. Los Angeles, California, 90032 Image Resources Phone: 323-343-4010 Total number of images: >100,000 Fax: 323-343-4045 Institution maintains its own digital-image collection. Institution www.calstatela.edu/academic/art maintains its own slide collection. Students have access to image collections. Students have opportunities to view works of art in local Contact: Dr. Mika Cho, Chair, [email protected] museums, commercial galleries, private collections, and on funded field Public university; nonprofit corporation trips. Accredited by: National Association of Schools of Art and Design, Western Association of Schools and Colleges Program Opportunities Degrees awarded: Master’s degree Gallery or museum affiliated with the department: Luckman Gallery (university), Fine Arts Gallery (department) Concentrations in: 2-dimensional design, 3-dimensional design, animation, digital media, graphic design, visual studies Extracurricular opportunities for graduate students: Curate exhibitions, conduct surveys for outside institutions, present public outreach First graduate degree granted: MA, 1952 lectures. The department sponsors 10–20 lectures per year. The MA in Studio Arts (30-semester-unit) and MFA in Studio Arts (60- semester-unit) graduate programs provide an opportunity to increase Other Campus Resources artistic, educational, and intellectual growth for a professional career in Employment or career development office: Yes arts community. The department has specially designed labs and Office/center for international students: Yes studios, graduate students studios, and a resource library. Please see the university catalog for more detailed information. There is a graduate-student housing office. Housing space is available in dormitories. ADMISSIONS Environmental Health and Safety This program has rolling admissions. Occupational Safety and Health Administration (OSHA) regulations are Deadline for fall: 1/15 in place for ventilation and respiratory protection, hazardous chemical Application fee: $55 safety (right-to-know), personal protective equipment, machine safety, Part-time students accepted: Yes hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Requirements: Bachelor’s degree (BA, BFA, or BSA), master’s degree, spill procedures and material disposal. Program has performed an degree in subject area, GPA (3.0), TOEFL for foreign students (iBT 80), environmental health and safety audit in the past five years. Local transcript, letters of recommendation, résumé, statement of ventilation systems (fume hoods) are installed in printmaking, painting, interest/personal statement, writing sample, examples of personal and drawing studios and in the wood shop. Methods used to familiarize artwork, artist’s statement, related internship experience, related students and faculty with environmental health and safety include professional experience, in-person or phone interview publications, required training course, instruction in class, internet or intranet, faculty training, health and safety officer (full-time or part- CURRICULUM time), shop technician, material safety data sheets (MSDS). Average Class Size In graduate studios: 11–15 students FINANCIAL INFORMATION In graduate seminars: 11–15 students Tuition In graduate lectures: 11–20 students Full-time student tuition is determined per year. Independent study available: Yes State residents: $7,600 Degree requirements: Written thesis, solo exhibition, group exhibition, Out-of-state residents: $15,263 individual presentation of thesis work, thesis committee/exhibition jury, International students: $17,500 business course, technology course, professional practices course Part-time student tuition is determined per credit. STUDENTS Financial Aid Number of students in residence: Master’s, 60 Types of aid available: Tuition aid/remission, guaranteed loan, teaching Student organizations within the program/department: Created in 2005, assistantship, work-study program the Graphic Artists Union of the Golden Eagles (GAUGE) is a graphic Funds available for graduate student travel: Yes design student group started by undergraduate and graduate design students. GAUGE is an official student group of the American Institute Assistantships of Graphic Arts (AIGA). Average amount of award/stipend: $2,337 Formal mode of student participation in academic governance: The Other benefits: Tuition remission (part or full) University Governance Committee includes student representative(s). Students have the opportunity to join a labor union.

76 Health Insurance STUDENTS Full-time master’s students and part-time master’s students receive Number of students in residence: Master’s, 18 health insurance coverage with copayment. Number of male graduates fall 2015–summer 2016: Master’s, 1 Number of female graduates fall 2015–summer 2016: Master’s, 7 Student organizations within the program/department: Graduate Student Union; DIAP Student Club CITY COLLEGE OF NEW YORK Formal mode of student participation in academic governance: Students may be elected to serve and participate on the executive committee in some departments. There is also a Graduate Student Council. Digital and Interdisciplinary Art Practice Students have the opportunity to join a labor union. MFA Program FACULTY The City College of New York Number of faculty: 22 Art Department Tenured/tenure track: 8 men, 10 women 160 Convent Ave., CG109 New York, New York, 10031 Part-time/adjunct lecturers: 0 men, 0 women Phone: 212-650-7420 Full-time contractual: 3 men, 1 woman Fax: 212-650-7438 PROF. MARK ADDISON SMITH, Graphic Design, Associate Professor www.ccny.cuny.edu/diap DR. MOLLY EMMA AITKEN, South Asian Art, Associate Professor, PhD PROF. BECCA ALBEE, Photography (Studio), Associate Professor, MFA Contact: Hajoe Moderegger, [email protected] PROF. PATTERSON BECKWITH, Photography (Studio), Assistant Public college; nonprofit corporation Professor, tenure-track, MFA Accredited by: Middle States Association of Colleges and Schools PROF. COLIN CHASE, Sculpture, Associate Professor Degrees awarded: Master’s degree DR. MARIT DEWHURST, Art Education (Studio), Assistant Professor, tenure-track Concentrations in: Digital media, film, installation, multidisciplinary, PROF. MEGAN FOSTER, Printmaking, Assistant Professor, tenure-track performance, photography, public art, sculpture, video PROF. LEOPOLDO FUENTES, Painting, Associate Professor First graduate degree granted: MFA, 2014 DR. ELLEN HANDY, Nineteenth-Century Art, Associate Professor Students in the MFA program in digital and interdisciplinary art practice PROF. CRAIG HOUSER, Contemporary Art, Assistant Professor, tenure- explore advanced strategies in digital, photographic, and track interdisciplinary media from a conceptually driven and research-based DR. ANNA INDYCH-LOPEZ, Latin American Art, Associate Professor perspective. The program integrates a range of digital and PROF. HAJOE MODEREGGER, Digital Media (Studio), Installation interdisciplinary media within the context of contemporary art practice, (Studio), Associate Professor encouraging critical discourse and a reevaluation of artistic practice PROF. JOE MOORE, Digital Media (Studio), Assistant Professor, tenure- applied to the development of works at the intersection of technology track and art. Students draw on diverse models of individual or collaborative PROF. SYLVIA NETZER, Ceramics, Professor art practice while adopting a fluid and critical approach to changing PROF. INA SALTZ, Graphic Design, Associate Professor, BFA technologies. The program encourages exploration of a wide range of DR. HARRIET SENIE, Contemporary Art, Professor media, including installation, photography, video, sound, sculpture, and PROF. TOM THAYER, Painting, Assistant Professor, tenure-track performance in interaction with digital media or other technology-based PROF. ANNETTE WEINTRAUB, Digital Media (Studio), Professor, MFA, forms. Cross-disciplinary interests are encouraged. 1970 ADMISSIONS Recent Visiting Faculty MR. OMER FAST, Video (Studio), Installation (Studio), Professor Deadline for fall: 3/1 MR. RALPH LEMON, Performance, Video (Studio), Professor, BFA Fall notification date: 4/16 EVA MATTES, Sculpture, Installation (Studio), joint appointment in Application fee: $125 Video (Studio), Professor Applications received 2015–16: 75 FRANCO MATTES, Sculpture, Public Art (Studio), joint appointment in Applications accepted 2015–16: 10 Video (Studio), Professor Students enrolled 2015–16: 10 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign RESOURCES AND SPECIAL PROGRAMS students, transcript, letters of recommendation, résumé, statement of Semiprivate studios are available with unlimited hours for all. Students interest/personal statement, examples of personal artwork have the opportunity to exhibit their work in a gallery associated with the Recommended: Degree in subject area, GPA (3.0), campus visit, in- department or institution, a graduate thesis exhibition. Resources person or phone interview include a Digital Output Center with large-format archival printing, high- resolution scanning, and web servers. Students may check out video and CURRICULUM digital photography equipment, and have 24-hr. access to 3D printers, a Average Class Size laser cutter, and laser and inkjet printers. In graduate studios: 6–10 students Libraries In graduate seminars: 6–10 students Total volumes in library system: >3,000,000 Course of Study Art volumes in library system: >300,000 Full-time residency requirement: 2 years Art journals in library system: >300 Maximum number of years for residency: 3 Students have library privileges at other institutional libraries. Average number of years for residency: 2 Image Resources Total number of images: >500,000 Typical number of credit hours per term for a full-time student: 15 Program maintains its own digital-image collection. Program maintains Total number of credit hours required for graduation: 60 its own slide collection. Institution subscribes to a digital-image library. Total in area of concentration: 45 Students have access to image collections. Students have opportunities Total in art history: 9 to view works of art in local museums, commercial galleries, private Electives: 6 collections, and on funded field trips. Degree requirements: Written thesis, thesis or artist’s statement, solo Program Opportunities exhibition, individual presentation of thesis work, critique of thesis work, Additional opportunities for study within the institution: Students may documentation of thesis work for program archive, oral defense of work, take graduate courses as electives within CCNY and CUNY. thesis committee/exhibition jury, technology course, professional practices course Formal programs: Museum training, study abroad Extracurricular opportunities for graduate students: Curate exhibitions, present public outreach lectures. The department sponsors 5–10 lectures per year.

77 Other Campus Resources photography, printmaking, sculpture The MFA program at City College provides an opportunity to study Employment or career development office: Yes studio art in the heart of the , New York City. The program is Office/center for international students: Yes limited to 22 students, each with an individual studio, to ensure an There is a graduate-student housing office. Housing space is available in intensive professional experience. City College’s excellent faculty, dormitories. facilities, and affordable tuition give students the opportunity to follow their creative vision in a collaborative environment while engaging with Environmental Health and Safety New York City’s wealth of art resources. The MFA program offers Occupational Safety and Health Administration (OSHA) regulations are general instruction in the theory, practice, and teaching of the visual arts in place for ventilation and respiratory protection, hazardous chemical through a sequence of required courses as well as in-depth, cross- safety (right-to-know), personal protective equipment, machine safety, disciplinary training through a variety of classes. In total, students hearing protection. Program meets the US Environmental Protection complete 60 credits in studio art and art history. Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an ADMISSIONS environmental health and safety audit in the past five years. Methods Deadline for fall: 3/1 used to familiarize students and faculty with environmental health and safety include instruction in class, faculty training, shop technician. Fall notification date: 4/30 Deadline for spring: 10/1 FINANCIAL INFORMATION Spring notification date: 11/30 Tuition Application fee: $125 Full-time student tuition is determined per semester. Applications accepted 2015–16: 8 State residents: $5,065 Students enrolled 2015–16: 16 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Additional institutional fees: $100 students, transcript, letters of recommendation, résumé, statement of Part-time student tuition is determined per credit. interest/personal statement State residents: $425 Recommended: Degree in subject area, GPA (3.0), campus visit, in- Out-of-state residents: $780 person or phone interview International students: $780 Additional institutional fees: $100 CURRICULUM Financial Aid Average Class Size Types of aid available: Tuition aid/remission, stipend, guaranteed loan, In graduate studios: 6–10 students teaching assistantship, research assistantship, work-study program. All In graduate seminars: 6–10 students students in the Digital and Interdisciplinary Art Practice MFA program In graduate lectures: 11–20 students receive a fully loaded Mac laptop that becomes their property upon Independent study available: Yes graduation. Tuition and full stipend awarded to 4 students in the previous academic year. Tuition and partial stipend awarded to 6 Course of Study students in the previous academic year. Full-time residency requirement: 4 terms Funds available for graduate student travel: Yes Maximum number of years for residency: 2 Fellowships Average number of years for residency: 2 Fellowships are available to students of all levels. Total number of credit hours required for graduation: 60 Fellowships applications received last year: 16 Total in studio art: 27 Fellowships awarded: 10 Total in area of concentration: 21 Fellowships awarded to women: 7 Total in art history: 6 Fellowships awarded to minorities: 3 Total in graduate seminars: 6 Average amount of award/stipend: $5,000 Electives: 0 Degree requirements: Written thesis, thesis or artist’s statement, Assistantships concentration, solo exhibition, individual presentation of thesis work, Assistantships are available to second-year students. critique of thesis work, documentation of thesis work for program Teaching assistantships applications received: 8 archive, oral defense of work, thesis committee/exhibition jury, Teaching assistantships awarded: 8 professional practices course Other benefits: Supplies allowance STUDENTS Other financial support: Every semester, students can apply for merit- Number of students in residence: Master’s, 15 based awards given by the Art Department. Amounts range from $1,000 to $3,000. Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 12 Health Insurance Student organizations within the program/department: Graduate No health insurance coverage is provided for full-time master’s students Student Union and part-time master’s students. Formal mode of student participation in academic governance: Students may be elected to serve and participate on the executive committee in some departments. There is also a Graduate Student Council. Students have the opportunity to join a labor union. CITY COLLEGE OF NEW YORK FACULTY Number of faculty: 20 Studio Art Tenured/tenure track: 6 men, 9 women Part-time/adjunct lecturers: 3 men, 2 women The City College of New York Art Department Full-time contractual: 0 men, 0 women 160 Convent Ave., CG109 PROF. MOLLY AITKEN-ZAIDI, Southeast Asian Art, Associate Professor New York, New York, 10031 PROF. BECCA ALBEE, Photography (Studio), Associate Professor Phone: 212-650-7420 PROF. PATTERSON BECKWITH, Photography (Studio), Fax: 212-650-7438 Adjunct/Contingent faculty www.ccny.cuny.edu/humanities/graduate-programs.cfm PROF. COLIN CHASE, Sculpture, Professor PROF. JOSHUA COHEN, African Art (sub-Saharan), Assistant Contact: Megan Foster, [email protected] Professor, tenure-track Public college; nonprofit corporation PROF. MARIT DEWHURST, Art Education, Assistant Professor, tenure- Accredited by: Middle States Association of Colleges and Schools track Degrees awarded: Master’s degree PROF. MEGAN FOSTER, Printmaking, Painting, Adjunct/Contingent faculty Concentrations in: Ceramics, digital media, drawing, painting, PROF. LEOPOLD FUENTES, Painting, Assistant Professor, tenure-track

78 PROF. ETHAN HAM, Video (Studio), Associate Professor Accredited by: National Association of Schools of Art and Design PROF. ELLEN HANDY, Nineteenth-Century Art, Associate Professor Degrees awarded: Master’s degree PROF. CRAIG HOUSER, Contemporary Art, Adjunct/Contingent faculty PROF. ANNA INDYCH-LOPEZ, Latin American Art, Associate Professor Concentrations in: 2-dimensional design, 3-dimensional design, PROF. LISE KJAER, Twentieth-Century Art, Adjunct/Contingent faculty ceramics, digital media, drawing, environmental art, foundations, PROF. HAJOE MODEREGGER, Video (Studio), Associate Professor installation, metals, multidisciplinary, painting, photography, PROF. JOSEPH MOORE, Graphic Design, Assistant Professor, tenure- printmaking, public art, sculpture track First graduate degree granted: MFA, 1975 PROF. SYLVIA NETZER, Ceramics, Professor The Master of Fine Arts in Visual Arts is the terminal degree within the PROF. INA SALTZ, Graphic Design, Professor studio art discipline. The program offers concentrations in the studio PROF. HARRIET SENIE, Museum Studies, Professor areas of drawing, painting, printmaking, ceramics, photography/digital PROF. TOM THAYER, Painting, Adjunct/Contingent faculty media, and sculpture. The primary goal of the program is to provide PROF. ANNETTE WEINTRAUB, Graphic Design, Professor students with opportunities to develop a high degree of professional competence in their chosen area of concentration. Interdisciplinary and RESOURCES AND SPECIAL PROGRAMS collaborative projects are encouraged within the department. The Private studios are available with unlimited hours for all. Semiprivate relatively small size of the program (12–20 participants) enables studios are available with unlimited hours for all. Students have the students to explore studio areas that will enhance their major area of opportunity to exhibit their work in a gallery associated with the concentration and creates a highly individualized method of instruction. department or institution, a graduate thesis exhibition. Students may also take advantage of the opportunity to spend a semester of study abroad in Genoa, Italy, at the university’s Charles E. Libraries Daniel Center for Building Research and Urban Studies. Total volumes in library system: >3,000,000 Art volumes in library system: >300,000 ADMISSIONS Art journals in library system: >300 Deadline for fall: 3/16 Students have library privileges at other institutional libraries. Fall notification date: 4/16 Application fee: $70 Image Resources Total number of images: >500,000 Applications received 2015–16: 70 Program maintains its own digital-image collection. Program maintains Applications accepted 2015–16: 12 its own slide collection. Institution subscribes to a digital-image library. Students enrolled 2015–16: 7 Students have access to image collections. Students have opportunities Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign to view works of art in local museums, commercial galleries, private students (PBT 650), transcript, letters of recommendation, résumé, collections, and on funded field trips. statement of interest/personal statement, examples of personal artwork, Program Opportunities artist’s statement Recommended: Degree in subject area, GPA (3.0), campus visit, in- Formal programs: Museum training, study abroad person or phone interview Extracurricular opportunities for graduate students: Present public outreach lectures. The department sponsors 5–10 lectures per year. CURRICULUM Other Campus Resources Courses Employment or career development office: Yes Number offered to graduate students each term: 23 Office/center for international students: Yes Number whose enrollment is limited to graduate students: 23 There is a graduate-student housing office. Housing space is available in dormitories. Average Class Size In graduate studios: 16–20 students Environmental Health and Safety In graduate seminars: 16–20 students Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical In graduate lectures: 11–20 students safety (right-to-know), personal protective equipment, machine safety, Course of Study hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Full-time residency requirement: 2 years spill procedures and material disposal. Program has performed an Maximum number of years for residency: 2 environmental health and safety audit in the past five years. Methods Average number of years for residency: 2 used to familiarize students and faculty with environmental health and Typical number of credit hours per term for a full-time student: 15 safety include instruction in class, faculty training, health and safety officer (full-time or part-time), shop technician. Total number of credit hours required for graduation: 60 Total in studio art: 10 FINANCIAL INFORMATION Total in area of concentration: 35 Tuition Total in art history: 9 Full-time student tuition is determined per semester. Total in graduate seminars: 6 Degree requirements: Written thesis, thesis or artist’s statement, State residents: $5,065 concentration, solo exhibition, group exhibition, individual presentation Out-of-state residents: $11,700 of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, Financial Aid professional practices course Types of aid available: Stipend, guaranteed loan, research assistantship, work-study program. Merit scholarships, tuition aid/remission. STUDENTS Number of students in residence: Master’s, 16 Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 11 CLEMSON UNIVERSITY Student organizations within the program/department: Fine Art Student Association (FASA) Formal mode of student participation in academic governance: Graduate Studio Art School Student Government Clemson University Department of Art FACULTY 2-120 Lee Hall Number of faculty: 13 Clemson, South Carolina, 29634 Tenured/tenure track: 6 men, 5 women Phone: 864-656-3890 Part-time/adjunct lecturers: 1 man, 1 woman Fax: 864-656-7523 www.clemson.edu/caah/art/ Full-time contractual: 0 men, 0 women PROF. TODD ANDERSON, Printmaking, Assistant Professor, tenure- Contact: David Detrich, [email protected] track, MFA, University of New Mexico, 2004 Public university PROF. DAVID DETRICH, Sculpture, Professor, MFA, Alfred University 79 PROF. DAVID DONAR, Digital Media (Studio), joint appointment in Digital Production Arts/Computer Science, Associate Professor, MFA, FINANCIAL INFORMATION Bowling Green State University DR. ANDREA FEESER, Contemporary Art, Professor, PhD, Graduate Tuition Center, City University of New York Full-time student tuition is determined per semester. PROF. CHRISTINA HUNG, Digital Media (Studio), joint appointment in State residents: $4,413 Rhetoric Communications and Design, Associate Professor, MFA, Out-of-state residents: $9,212 Carnegie Mellon University DR. BETH ANN LAURITIS, Contemporary Art, Critical Theory, Assistant Additional institutional fees: $974 Professor, tenure-track, PhD, University of California, Los Angeles Financial Aid MR. JOEY MANSON, Sculpture, Foundations, Adjunct/Contingent faculty, MFA, Alfred University Types of aid available: Tuition aid/remission, stipend, teaching PROF. TODD MCDONALD, Painting, Associate Professor, MFA, assistantship, work-study program. Students who are awarded stipends Arizona State University receive $3,485 annually. Performance Fellowship may also be awarded. PROF. GREG SHELNUTT, Sculpture, Chair, MFA, University of Georgia Tuition and full stipend awarded to 16 students in the previous PROF. KATHLEEN THUM, Drawing (Studio), Assistant Professor, academic year. tenure-track, MFA, Bowling Green State University Funds available for graduate student travel: Yes MS. DENISE WOODWARD-DETRICH, Ceramics, Curatorial Studies, Adjunct/Contingent faculty, MFA, Alfred University Fellowships PROF. ANDERSON WRANGLE, Photography (Studio), Associate Fellowships are available to students of all levels. Professor, MFA, University of Houston Fellowships applications received last year: 6 PROF. VALERIE ZIMANY, Ceramics, Associate Professor, MFA, Average amount of award/stipend: $1,200 Kanazawa College of Art Assistantships RESOURCES AND SPECIAL PROGRAMS Assistantships are available to students of all levels. Private studios are available with unlimited hours for all. Semiprivate Teaching assistantships applications received: 6 studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Hours of work required per week: 10 department or institution, local galleries, a graduate thesis exhibition. Teaching assistantship maximum period of support: 2.5 years Students have access to video cameras, large-format printers and Working assistantships applications received: 6 scanners, and digital projection equipment. There is a computer lab with Hours of work required per week: 10 up-to-date software applications. Working assistantship maximum period of support: 2.5 years Libraries Other benefits: Tuition remission (part or full) Total volumes in library system: >1,000,000 Other financial support: Scholarship opportunities are available by Art volumes in library system: >50,000 application. Art journals in library system: >100 Health Insurance There is a separate art library with >2,000 volumes and >100 journals. Full-time master’s students receive health insurance coverage with Students have library privileges at other institutional libraries. copayment. Image Resources Total number of images: >250,000 Program maintains its own digital-image collection. Institution subscribes to a digital-image library. Students have access to image collections. Students have opportunities to view works of art in local COLORADO STATE museums, commercial galleries, private collections, and on funded field trips. UNIVERSITY Program Opportunities Gallery or museum affiliated with the department: Lee Gallery Studio Art and Design Formal programs: Study abroad, summer work projects. The college owns a villa in Genoa, Italy, for study opportunities. Summer work is Colorado State University supported through recurring funding. MFA Program G100 Visual Arts Extracurricular opportunities for graduate students: Curate exhibitions, Fort Collins, Colorado, 805231770 research for catalogues, present public outreach lectures Phone: 970-491-6775 Other special programs sponsored by the department: InSite - art.colostate.edu/graduate Creative Inquiry project that implements public art on the university campus. The department sponsors 5–10 lectures per year. Contact: Kathleen Chynoweth, [email protected] Public university; nonprofit corporation Other Campus Resources Accredited by: Commission on Higher Education, North Central Employment or career development office: Yes Association of Colleges and Schools Office/center for international students: Yes Degrees awarded: Master’s degree There is a graduate-student housing office. Housing space is available in Concentrations in: Drawing, fiber arts, graphic design, metals, painting, dormitories, apartments, married student housing, and subsidized printmaking, sculpture housing. Many inexpensive, off-campus housing opportunities available First graduate degree granted: MFA, 1977 within a 10- to 20-mile radius of campus. The MFA program at Colorado State University provides an environment Environmental Health and Safety that fosters media experimentation and expertise, encourages artistic Occupational Safety and Health Administration (OSHA) regulations are inquiry, and promotes professional achievement. Students gain skills in in place for ventilation and respiratory protection, hazardous chemical verbal and written communication in each phase of the program. safety (right-to-know), personal protective equipment, machine safety, Individual studio practice is enriched by research in art history and hearing protection. Program meets the US Environmental Protection clarified through engagement with the critical and theoretical discourse Agency (EPA) and state regulations for hazardous materials, including surrounding contemporary art, craft, and design. spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. There are ADMISSIONS overhead vent hoods with localized snorkel vents in all studio areas. Deadline for fall: 2/1 Methods used to familiarize students and faculty with environmental Fall notification date: 3/15 health and safety include publications, required training course, Application fee: $60 instruction in class, internet or intranet, faculty research, faculty training, shop technician, material safety data sheets (MSDS), training videos, Part-time students accepted: Yes information in student handbook. Applications received 2015–16: 60 Applications accepted 2015–16: 21 Students enrolled 2015–16: 19 Requirements: GPA (3.0), TOEFL for foreign students (iBT 71), transcript, letters of recommendation, statement of interest/personal 80 statement, writing sample, examples of personal artwork, artist’s PhD, Bryn Mawr College, 2006 statement MS. ERIKA OSBORNE, Painting, Associate Professor, MFA, University of Recommended: Bachelor’s degree (BA, BFA, or BSA), degree in subject New Mexico, 2005 area, résumé, related internship experience, related professional MR. JOHNNY PLASTINI, Printmaking, Assistant Professor, tenure-track, experience, campus visit, in-person or phone interview, contact the MFA, Temple University, 2013 program for additional requirements DR. DAVID RIEP, African Art (sub-Saharan), Assistant Professor, tenure- track, PhD, University of Iowa, 2011 CURRICULUM MR. PHILLIP RISBECK, Graphic Design, Professor, MFA, University of Kansas, 1965 Courses MS. AJEAN RYAN, Drawing (Studio), Assistant Professor, tenure-track, Number offered to graduate students each term: 45 MFA, University of California, Berkeley, 2000 MS. PATRICE SULLIVAN, Painting, Professor, MFA, University of Number whose enrollment is limited to graduate students: 12 Pennsylvania, 1986 Average Class Size MS. CYANE TORNATZKY, Digital Media (Studio), Assistant Professor, tenure-track, MFA, San Francisco State University, 2008 In graduate studios: 1–5 students MR. GARY VOSS, Sculpture, Associate Professor, MFA, Colorado State In graduate seminars: 6–10 students University, 1979 Course of Study Recent Visiting Faculty Full-time residency requirement: 1 year MR. DAVID GRAINGER, Sculpture, Adjunct/Contingent faculty, MFA, Average number of years for residency: 1 Virginia Commonwealth University MS. ALIA PIALTOS, Ceramics, Adjunct/Contingent faculty, MFA, Typical number of credit hours per term for a full-time student: 12 University of Colorado Boulder Total number of credit hours required for graduation: 60 MS. AMY SORENSEN, Drawing (Studio), Adjunct/Contingent faculty, Total in studio art: 12 MFA, American University Total in area of concentration: 27 MS. MEGAN ULRICH, Drawing (Studio), Adjunct/Contingent faculty, Total in art history: 12 MA, Cranbrook Academy of Art Total in graduate seminars: 6 Electives: 3 RESOURCES AND SPECIAL PROGRAMS Degree requirements: Written thesis, concentration, group exhibition, Semiprivate studios are available with unlimited hours for all. Students individual presentation of thesis work, critique of thesis work, have the opportunity to exhibit their work in a gallery associated with the documentation of thesis work for program archive, oral defense of work, department or institution, local galleries, a graduate thesis exhibition. thesis committee/exhibition jury Resources include full print graphics, web-based motion graphics with Recommended: Professional practices course accompanying printers and scanners, laptops, and digital projection. STUDENTS Libraries Number of students in residence: Master’s, 17 Total volumes in library system: >2,000,000 Number of male graduates fall 2015–summer 2016: Master’s, 7 Art volumes in library system: >50,000 Number of female graduates fall 2015–summer 2016: Master’s, 10 Art journals in library system: >100 Student organizations within the program/department: Students of the There is a separate art library with >1,000 volumes. Students have library Visual Arts, AIGA, Metalsmithing Guild privileges at other institutional libraries. Formal mode of student participation in academic governance: Image Resources Associated Students at Colorado State University Total number of images: >250,000 Program maintains its own digital-image collection. Program maintains FACULTY its own slide collection. Institution subscribes to a digital-image library. Number of faculty: 29 Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, and on Tenured/tenure track: 14 men, 11 women funded field trips. Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 1 man, 3 women Program Opportunities MS. HALEY BATES, Metals, Associate Professor, MFA, Cranbrook Additional opportunities for study within the institution: Three credits Academy of Art, 2002 are required outside of the art department. DR. CATHERINE DICESARE, Pre-Columbian Art, Associate Professor, Gallery or museum affiliated with the department: Gregory Allicar PhD, University of New Mexico, 2002 Museum of Art MR. MARK DINEEN, 3-Dimensional Design, Assistant Professor, Formal programs: Study abroad. Semester and summer opportunities in tenure-track, Cranbrook Academy of Art, 2013 Italy and South Africa MR. JAMES DORMER, Printmaking, Professor, MA, University of Iowa, 1969 Extracurricular opportunities for graduate students: Present public MS. SANAM EMAMI, Ceramics, Associate Professor, MFA, Alfred outreach lectures University, 2002 Other special programs sponsored by the department: Colorado DR. PATRICK FAHEY, Art Education (Studio), Associate Professor, PhD, International Invitational Poster Exhibition (CIIPE), Critics and Artists University of Iowa, 1994 Residency Series, and Sculpturescape. The department sponsors 10–20 MS. SUZANNE FARIS, Sculpture, Chair, MFA, University of Colorado lectures per year. Boulder, 2001 MR. PAUL FLIPPEN, Painting, Associate Professor, MFA, Pratt Institute, Other Campus Resources 2000 Office/center for international students: Yes MR. JASON FRAZIER, Graphic Design, Assistant Professor, tenure-track, There is a graduate-student housing office. Housing space is available in MFA, Colorado State University, 2007 dormitories and apartments. MR. JOHN GRAVDAHL, Graphic Design, Professor, MFA, Syracuse Planned campus changes and facility improvements: An Electronic University, 1991 Media wing has been added to the building, along with a new computer MR. DEL HARROW, Ceramics, Associate Professor, MFA, Alfred lab. University MR. GARY HUIBREGTSE, Photography (Studio), Professor, MFA, Environmental Health and Safety University of Colorado Boulder, 1984 Occupational Safety and Health Administration (OSHA) regulations are MS. MARY-ANN KOKOSKA, Drawing (Studio), Professor, MFA, in place for hazardous chemical safety (right-to-know), personal Concordia University, 1991 protective equipment, machine safety, hearing protection. Program MR. MARIUS LEHENE, Drawing (Studio), Professor, MFA, Southern meets the US Environmental Protection Agency (EPA) and state Methodist University, 2001 regulations for hazardous materials, including spill procedures and MR. THOMAS LUNDBERG, Fiber Arts, Professor, MFA, Indiana material disposal. Program has performed an environmental health and University, 1979 safety audit in the past five years. There is a new HVAC in graduate DR. EMILY MOORE, Native American Art, Art of the United States, painting studios, wood shop, and for clay mixing. Systems are installed Assistant Professor, tenure-track, PhD, University of California, Berkeley, in all main studio classrooms. Methods used to familiarize students and 2012 faculty with environmental health and safety include publications, DR. ELEANOR MOSEMAN, Contemporary Art, Associate Professor, required training course, instruction in class, faculty training, health and

81 safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS). CURRICULUM FINANCIAL INFORMATION Courses Number offered to graduate students each term: 24 Tuition Number whose enrollment is limited to graduate students: 24 Full-time student tuition is determined per credit hour. State residents: $534 Average Class Size Out-of-state residents: $1,312 In graduate studios: 6–10 students Additional institutional fees: $202 In graduate seminars: 6–10 students Part-time student tuition is determined per credit hour. Independent study available: Yes Financial Aid Course of Study Types of aid available: Stipend, teaching assistantship, work-study Full-time residency requirement: 3 terms program. Hourly positions for students are available. Tuition and full Maximum number of years for residency: 7 stipend awarded to 4 students in the previous academic year. Tuition Average number of years for residency: 3 and partial stipend awarded to 6 students in the previous academic year. This program has a low-residency component. No financial assistance awarded to 8 students in the previous academic year. Total number of courses required for graduation: 60 Degree requirements: Written thesis, thesis or artist’s statement, group Fellowships exhibition, critique of thesis work, thesis committee/exhibition jury, Fellowships are available to first-year students. professional practices course Assistantships STUDENTS Assistantships are available to students of all levels. Number of students in residence: Master’s, 20 Teaching assistantships awarded: 10 Number of female graduates fall 2015–summer 2016: Master’s, 6 Teaching assistantships awarded to women: 7 Student organizations within the program/department: Interdisciplinary Average amount of award/stipend: $65,000 Media and Arts Group (IMAGE Unit) is dedicated to collaborative and individual creative excellence. Pulp, Ink, & Thread (PIT), the official Hours of work required per week: 20 interdisciplinary book and paper arts organization, maximizes student Teaching assistantship maximum period of support: 3 years learning through collaboration and departmental discussions. Other benefits: Tuition remission (part or full) Formal mode of student participation in academic governance: The Other financial support: Miscellaneous scholarships throughout the Student Government Association serves as liaison between students, academic year. faculty, staff, and administration to ensure the welfare of a diverse Health insurance is required at CSU. The Graduate School does make a community. Through its leadership, the association provides students contribution to Graduate Assistants, with certain requirements. with opportunities to grow academically, artistically, professionally, and personally. FACULTY Number of faculty: 14 COLUMBIA COLLEGE Tenured/tenure track: 3 men, 7 women Part-time/adjunct lecturers: 1 man, 3 women CHICAGO Full-time contractual: 0 men, 0 women JEFF ABELL, Sound, Associate Professor Interdisciplinary Arts and Media SHERRY ANTONINI, Writing, Adjunct/Contingent faculty ADAM BROOKS, Painting, Professor Interdisciplinary Arts Department PAUL CATANESE, Digital Media (Studio), Associate Professor Columbia College Chicago TIFFANY FUNK, Digital Media (Studio), Adjunct/Contingent faculty 916 S. Wabash Ave., Suite 203 ANNA KUNZ, Installation (Studio), Professor Chicago, Illinois, 60605 JENNY MAGNUS, Performance, Adjunct/Contingent faculty Phone: 312-369-7260 NIKI NOLIN, Digital Media (Studio), Associate Professor Fax: 312-369-8047 SABINA OTT, Installation (Studio), Professor www.colum.edu/Academics/Interarts/index.php?site=InterArts DEBRA PARR, Fashion Studies, Associate Professor Contact: Graduate Admissions and Services, [email protected] MELISSA POTTER, Paper, Associate Professor BRYAN SANER, Performance, Adjunct/Contingent faculty Private college; nonprofit corporation MIRIAM SCHAER, Paper, Professor Accredited by: North Central Association of Colleges and Schools FO WILSON, Installation (Studio), Assistant Professor, tenure-track Degrees awarded: Master’s degree Concentrations in: Artist’s books, digital media, fiber arts, installation, RESOURCES AND SPECIAL PROGRAMS multidisciplinary, object design, paper, performance, printmaking, Semiprivate studios are available with limited hours. Students have the sound, visual studies, writing/word art opportunity to exhibit their work in a gallery associated with the First graduate degree granted: MFA, 1983 department or institution, local galleries, a graduate thesis exhibition. The Interdisciplinary Arts department has two smart classrooms, a large Columbia College Chicago’s Interdisciplinary Arts Department offers computer lab, three installation labs, and a media equipment center. It three masters degree programs. The Interdisciplinary Arts MA program also houses a papermaking studio, a letterpress facility, a bookbindery, a is offered as a one-year option, or a low-residency option over the course gallery, a multipurpose classroom (suitable for performances and of two consecutive summers. The Interdisciplinary Arts & Media MFA lectures), a critique room, and studio space for artists. and Interdisciplinary Book & Paper Arts MFA programs can be completed in three years. All three degree programs are designed to Libraries guide and support artists as they expand their creative practices. Total volumes in library system: >500,000 ADMISSIONS Art volumes in library system: >100,000 Deadline for fall: 1/13 Art journals in library system: >200 Fall notification date: 3/15 Students have library privileges at other institutional libraries. Application fee: $55 Image Resources Part-time students accepted: Yes Total number of images: >100,000 Institution maintains its own digital-image collection. Institution Students enrolled 2015–16: 4 maintains its own slide collection. Institution subscribes to a digital- Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL image library. Students have access to image collections. Students have for foreign students (iBT 100), transcript, letters of recommendation, opportunities to view works of art in local museums, commercial résumé, statement of interest/personal statement galleries, and private collections.

82 Program Opportunities Private art school; nonprofit corporation Additional opportunities for study within the institution: Students may Accredited by: National Association of Schools of Art and Design, North pursue independent projects and mentorships throughout Columbia Central Association of Colleges and Schools College Chicago. Degrees awarded: Master’s degree Gallery or museum affiliated with the department: Center for Book and Concentrations in: 2-dimensional design, 3-dimensional design, Paper Arts Gallery animation, ceramics, digital media, drawing, fashion, film, glass, graphic design, illustration, industrial design, installation, interior design, Formal programs: Conservation, study abroad metals, multidisciplinary, object design, painting, photography, Extracurricular opportunities for graduate students: Curate exhibitions, printmaking, sculpture, video, visual studies conduct fieldwork, research for catalogues, present public outreach lectures. The department sponsors 5–10 lectures per year. First graduate degree granted: MFA, 2012 The New Projects program offers a unique and exciting curriculum that Other Campus Resources pursues creative excellence through the development of projects rather Employment or career development office: Yes than the study of specific media. It is based on the belief that an artist’s studio practice is best learned through the quest to complete a defined Office/center for international students: Yes exploration. In other words, we learn what we need to learn when we There is a graduate-student housing office. Housing space is available in need to learn it. Learning-specific media, craft, and issues are valued, dormitories. Graduates approved for housing will be installed in a fully and the pursuit of individual scholarship; real-world values as furnished apartment in one of the residence halls in the heart of the organization, communication, clarity of thought, leadership, and South Loop, a short walk away from seminars, studio spaces, and the entrepreneurial skills are also stressed. The program aims to educate dynamic community of artists and scholars that make Columbia College artists who are capable of taking on interesting artistic endeavors, and a fascinating place to study. who also have the skills and talents to make their vision manifest. The program’s belief is that these artists will be future leaders in both the Environmental Health and Safety culture and the world in general. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical ADMISSIONS safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection This program has rolling admissions. Agency (EPA) and state regulations for hazardous materials, including Deadline for fall: 2/1 spill procedures and material disposal. Program has performed an Fall notification date: 3/15 environmental health and safety audit in the past five years. Methods Application fee: $65 used to familiarize students and faculty with environmental health and safety include publications, required training course, shop technician, Applications received 2015–16: 53 material safety data sheets (MSDS). Applications accepted 2015–16: 30 Students enrolled 2015–16: 14 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL for foreign students (iBT 80), transcript, letters of recommendation, Tuition résumé, writing sample, examples of personal artwork Full-time student tuition is determined per credit hour. Recommended: Degree in subject area, statement of interest/personal All students: $1,074 statement, artist’s statement, related professional experience, campus Additional institutional fees: $422 visit, in-person or phone interview Part-time student tuition is determined per credit hour. All students: $1,074 CURRICULUM Additional institutional fees: $205 Courses Financial Aid Number offered to graduate students each term: 18 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Number whose enrollment is limited to graduate students: 9 teaching assistantship, research assistantship, work-study program. Full Average Class Size tuition awarded to 25 students in the previous academic year. Partial tuition awarded to 8 students in the previous academic year. In graduate studios: 1–5 students Funds available for graduate student travel: Yes In graduate seminars: 16–20 students Independent study available: Yes Fellowships Fellowships are available to first-year students, second-year students, Course of Study and third-year students. Full-time residency requirement: 4 terms Fellowships awarded: 4 Maximum number of years for residency: 3 Fellowships awarded to women: 4 Average number of years for residency: 2 Fellowship maximum period of support: 3 years Typical number of credit hours per term for a full-time student: 15 Total number of credit hours required for graduation: 60 Assistantships Total in studio art: 18 Assistantships are available to students of all levels. Total in area of concentration: 18 Health Insurance Total in art history: 6 Full-time master’s students receive health insurance coverage at no Total in graduate seminars: 15 cost. Electives: 3 Degree requirements: Written thesis, thesis or artist’s statement, solo exhibition, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, COLUMBUS COLLEGE OF ART technology course, professional practices course. MFA students work in a project-based format each semester. Project proposals that utilize or & DESIGN are based in painting, drawing, photo, animation, sculpture, video, interactive design, printmaking, fashion, illustration, installation, glass, ceramics, and design can be facilitated. Visual Art: New Projects Recommended: Business course Columbus College of Art & Design 60 Cleveland Ave. STUDENTS Columbus, Ohio, 43215 Number of students in residence: Master’s, 27 Phone: 614-222-3249 Number of male graduates fall 2015–summer 2016: Master’s, 11 Fax: 614-222-4040 Number of female graduates fall 2015–summer 2016: Master’s, 16 www.ccad.edu/ Contact: John Cairns, Graduate Admissions Officer, [email protected]

83 Design, Assistant Professor, non-tenure, MFA, University of Cincinnati FACULTY IAN RUFFINO, Arts Administration, joint appointment in Interim Number of faculty: 54 Director of Exhibitions, Adjunct/Contingent faculty, MFA, Ohio State Tenured/tenure track: 19 men, 14 women University RON SAKS, Video (Studio), Film, Emeritus, MFA, University of Part-time/adjunct lecturers: 11 men, 9 women California, Los Angeles Full-time contractual: 0 men, 1 woman DUNCAN SNYDER, Photography (Studio), joint appointment in JULIE ABIJANAC, Installation (Studio), Paper, joint appointment in Photography and Cinematic Arts, Chair, Associate Professor, MFA, Foundation Studies, Associate Professor, MFA, Cranbrook Academy of Maryland Institute College of Art Art JULIE TAGGART, Painting, joint appointment in Dean of Studio Arts, JEREMY BAKER, Animation (Studio), Assistant Professor, non-tenure, Professor, MFA, Syracuse University MFA KANAME TAKADA, Ceramics, joint appointment in Fine Arts, Professor, CHARLOTTE BELLAND, Animation (Studio), Chair, MFA, Ohio State MFA University GREG THUNE, Industrial Design, Professor, MS JOSHUA BODMAN, Graphic Design, joint appointment in Advertising, ERNEST VIVEIROS, Painting, joint appointment in Fine Arts, Professor, Assistant Professor, tenure-track, MFA, Rochester Institute of MFA, Southern Illinois University Carbondale, 1986 Technology, 2003 MELISSA VOGLEY-WOODS, Sculpture, Adjunct/Contingent faculty, MOLLY J. BURKE, Installation (Studio), Glass, Assistant Professor, non- MFA, Ohio State University tenure, MFA, Ohio State University, 2009 JAMES WEIGLE, Printmaking, Emeritus, MFA JOHN CAIRNS, Digital Media (Studio), Adjunct/Contingent faculty, CARMEN WINANT, Critical Theory, Writing, joint appointment in Art MFA, University of Cincinnati History, Assistant Professor, non-tenure, MFA, California College of the MICHAEL COMPTON, Graphic Design, Adjunct/Contingent faculty, Arts, 2011 MFA, Columbus College of Art & Design, 2015 REBECCA ZOMCHEK, Digital Media (Studio), joint appointment in SUZANNE COTTON, Fashion Studies, joint appointment in Fashion Illustration, Assistant Professor, non-tenure, MFA, School of Visual Arts, Design, Chair, MS 2012 ANITA DAWSON, Painting, Emeritus, MFA KELLY DEVORE, Interior Design, Chair, MFA, Ohio State University Recent Visiting Faculty DELANO ELLIS, Industrial Design, joint appointment in Industrial LISA DUSH, Writing, Critical Theory, Adjunct/Contingent faculty, MFA, Design, Assistant Professor, non-tenure, MFA, Savannah College of Art Indiana University-Bloomington and Design, 2009 JOHN FERGUS-JEAN, Photography (Studio), Emeritus, MFA SONYA FIX, Critical Theory, Writing, joint appointment in Liberal Arts, RESOURCES AND SPECIAL PROGRAMS Assistant Professor, non-tenure, PhD, New York University, The Semiprivate studios are available with unlimited hours for all. Students Steinhardt School of Culture, Education, and Human Development, have the opportunity to exhibit their work in a gallery associated with the 2011 department or institution, local galleries, a graduate thesis exhibition. PHIL GARRETT, Film, Video (Studio), joint appointment in Cinematic Multiple computer labs, wireless access, large-format printers, Cintiq Arts, Assistant Professor, non-tenure, MFA, Ohio State University, 2012 pads, video and sound labs and equipment, and an animation lab are TOM GATTIS, Industrial Design, joint appointment in Dean of Design available. Arts, Professor, MDes NICOLE GIBBS, Sculpture, Ceramics, Adjunct/Contingent faculty, MFA, Libraries Ohio State University Total volumes in library system: >500,000 CAROL GRIFFITH, Painting, Professor, MFA JOEL GUNDLACH, Industrial Design, Professor, MEd Art volumes in library system: >50,000 HIROSHI HAYAKAWA, Photography (Studio), Associate Professor, Art journals in library system: >1,000 MFA, Cranbrook Academy of Art Students have library privileges at other institutional libraries. HELEN HOFFELT, Photography (Studio), Professor, MFA, State University of New York at New Paltz, 1992 Image Resources DANIELLE JULIAN-NORTON, Sculpture, Installation (Studio), joint Total number of images: >100,000 appointment in Fine Arts, Associate Professor, MFA, University of Notre Institution maintains its own digital-image collection. Institution Dame maintains its own slide collection. Institution subscribes to a digital- DR. SOPHIA KARTSONIS, Works on Paper (History), Associate image library. Students have access to image collections. Students have Professor, PhD opportunities to view works of art in local museums, commercial JOHN KORLANDER, Painting, Professor, MFA galleries, private collections, and on funded field trips. JEANNINE KRAFT, Early Medieval Art, General Art History, Associate Program Opportunities Professor, PhD, National University of Ireland, Maynooth GORDON LEE, Painting, Professor, MFA Additional opportunities for study within the institution: The program is ROBERT LOSS, Writing, joint appointment in Liberal Arts, Assistant multidisciplinary and requires off-campus work or experience. Professor, non-tenure, MFA, Ohio State University Formal programs: Study abroad, summer work projects ELAINE LUTTRULL, Non-Artist/Non-Art Historian, joint appointment in Formal relationships with other academic institutions: There are Business and Entrepreneurship, Assistant Professor, non-tenure consortial relationships with the Association of Independent Colleges of JAMES LUTZ, Graphic Design, Chair, MA Art and Design (AACAD), the Studio Art Centers International Florence KELLY MALEC-KOSAK, Metals, Sculpture, Associate Professor, MFA (SACI), and New York Studio Program, Pont-Aven. ANDREW MCCAULEY, Painting, Assistant Professor, non-tenure, MFA, Formal relationships with local museums: Columbus Museum of Art Columbus College of Art & Design LAURENN MCCUBBIN, Video (Studio), Digital Media (Studio), joint Extracurricular opportunities for graduate students: Present public appointment in Foundation Studies, Assistant Professor, non-tenure, outreach lectures. The department sponsors 5–10 lectures per year. MFA, , 2013 Other Campus Resources KATHY MCGHEE, Printmaking, Associate Professor, MFA STEWART MCKISSICK, Drawing (Studio), Professor, MFA Employment or career development office: Yes MATT MOHR, Graphic Design, joint appointment in Advertising & Office/center for international students: Yes Graphic Design, Assistant Professor, non-tenure, MFA, Parsons The Housing space is available in dormitories and apartments. Students New School for Design, 2003 from a far distance receive priority for housing. Design Square MIKE OLENICK, Film, Adjunct/Contingent faculty, MFA, Cranbrook Apartments is an apartment-style residence with two or four residents Academy of Art per apartment. Each apartment consists of two or four private ADAM OSGOOD, Digital Media (Studio), Animation (Studio), joint bedrooms, a living room, dining area, kitchenette and shared appointment in Illustration, Assistant Professor, non-tenure, MAD, bathroom(s). North Carolina State University, 2012 RICHARD PETRY, Photography (Studio), Video (Studio), joint Environmental Health and Safety appointment in Director of Graduate Studies, Professor, MFA, Temple Occupational Safety and Health Administration (OSHA) regulations are University, 1981 in place for ventilation and respiratory protection, hazardous chemical TOM RICHNER, Animation (Studio), Associate Professor, MFA, safety (right-to-know), personal protective equipment, machine safety, University of California, Los Angeles, 2001 hearing protection. Program meets the US Environmental Protection TIM RIETENBACH, Sculpture, Professor, MFA, Ohio State University Agency (EPA) and state regulations for hazardous materials, including ROBERT ROBBINS, Drawing (Studio), Painting, Professor, MFA, Yale spill procedures and material disposal. Program has performed an University environmental health and safety audit in the past five years. There are TRACY ROBBINS, Animation (Studio), Associate Professor, MFA VOC sensors linked to ground-level exhaust ventilation. Methods used REBECCA ROBINSON, Fashion Studies, joint appointment in Fashion to familiarize students and faculty with environmental health and safety

84 include publications, required training course, instruction in class, teaching at the post-secondary level, curating, pursuing studio and post- internet or intranet, faculty research, faculty training, health and safety studio research. officer (full-time or part-time), shop technician, material safety data sheets (MSDS), training videos, information in student handbook. ADMISSIONS Deadline for fall: 1/20 FINANCIAL INFORMATION Fall notification date: 3/31 Tuition Application fee: CAD $100 Full-time student tuition is determined per semester. Applications received 2015–16: 218 All students: $16,200 Applications accepted 2015–16: 51 Part-time student tuition is determined per credit hour. Students enrolled 2015–16: 43 All students: $1,350 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL for foreign students, transcript, letters of recommendation, résumé, Financial Aid statement of interest/personal statement, examples of personal artwork Types of aid available: Tuition aid/remission, stipend, guaranteed loan, teaching assistantship, research assistantship, work-study program. CURRICULUM Tuition and partial stipend awarded to 10 students in the previous academic year. Partial tuition awarded to 27 students in the previous Courses academic year. No financial assistance awarded to 1 student in the Number offered to graduate students each term: 8 previous academic year. Number whose enrollment is limited to graduate students: 8 Funds available for graduate student travel: Yes Average Class Size Fellowships In graduate studios: 11–15 students Fellowships are available to students of all levels. In graduate seminars: 16–20 students Fellowships applications received last year: 27 Independent study available: Yes Fellowships awarded: 26 Fellowships awarded to women: 16 Course of Study Average amount of award/stipend: $9,720 Full-time residency requirement: 2 years Fellowship maximum period of support: 2 years Maximum number of years for residency: 4 Average number of years for residency: 3 Assistantships Total number of credit hours required for graduation: 60 Assistantships are available to students of all levels. Total in area of concentration: 39 Teaching assistantships applications received: 15 Total in graduate seminars: 21 Teaching assistantships awarded: 5 Degree requirements: Written thesis, solo exhibition, individual Teaching assistantships awarded to women: 3 presentation of thesis work, critique of thesis work, documentation of Average amount of award/stipend: $16,200 thesis work for program archive, oral defense of work, thesis committee/exhibition jury. Two years of residency are required before Hours of work required per week: 18 the delivery of a graduating exhibition/film project. Teaching assistantship maximum period of support: 2 years Working assistantships applications received: 20 STUDENTS Working assistantships awarded: 5 Number of students in residence: Master’s, 144 Working assistantships awarded to women: 3 Number of male graduates fall 2015–summer 2016: Master’s, 13 Average amount of award/stipend: $16,920 Number of female graduates fall 2015–summer 2016: Master’s, 12 Hours of work required per week: 18.75 Student organizations within the program/department: Students Working assistantship maximum period of support: 2 years participate in the Concordia Graduate Students Association, University Senate, and Faculty Council. Two graduate students are elected to the Other benefits: Tuition remission (part or full), supplies allowance Graduate Studio Arts Advisory Committee. Other financial support: A limited number of Enrichment Grants are Formal mode of student participation in academic governance: available for students for materials, traveling, and research. University Senate. One graduate student who is nominated by the Graduate Students’ Association. Two graduate students are elected to the Graduate Studio Arts Advisory Committee. Students have the opportunity to join a labor union. CONCORDIA UNIVERSITY FACULTY Number of faculty: 46 Studio Arts Tenured/tenure track: 11 men, 21 women Department of Studio Arts Part-time/adjunct lecturers: 1 man, 3 women Concordia University Full-time contractual: 6 men, 4 women 1455 De Maisonneuve Blvd. West, VA 250 ERIKA ADAMS, Digital Media (Studio), Printmaking, Assistant Montreal, Quebec, H3G 1M8 Professor, tenure-track Canada RAYMONDE APRIL, Photography (Studio), Professor Phone: 514-848-2424 x 4607 INGRID BACHMANN, Critical Theory, joint appointment in Studio Arts, Fax: 514-848-4532 Associate Professor www.concordia.ca/finearts/studio-arts.html SHAWN BAILEY, Digital Media (Studio), Printmaking, Associate Contact: Maureen Kennedy, [email protected] Professor ELISABETH BELLIVEAU, Multidisciplinary, Assistant Professor, non- Public university; nonprofit corporation tenure Accredited by: Canada and the Province of Quebec ELEANOR BOND, Painting, Drawing (Studio), Associate Professor Degrees awarded: Master’s degree GENEVIEVE CADIEUX, Photography (Studio), Associate Professor Concentrations in: Digital media, drawing, fiber arts, film, TIM CLARK, Digital Media (Studio), Critical Theory, Professor multidisciplinary, painting, performance, photography, sculpture, video DAVID ELLIOTT, Painting, Drawing (Studio), Professor TAMMER EL-SHEIKH, Multidisciplinary, Assistant Professor, non-tenure First graduate degree granted: MFA, 1982 JUDY GARFIN, Digital Media (Studio), Printmaking, Associate Professor The MFA in Studio Arts provides a challenging and supportive SURABHI GHOSH, Fiber Arts, joint appointment in Fibers and Material environment in which students are engaged in intensive studio Practices, Assistant Professor, tenure-track production that acknowledges the diverse cultural and theoretical TREVOR GOULD, Sculpture, Professor framework of contemporary visual art. The program is composed of ELIZA GRIFFITHS, Painting, Drawing (Studio), Associate Professor discipline-specific studio classes and academic seminars in art criticism, DR. CYNTHIA HAMMOND, Architectural History, Associate Professor, history, and theory. The objective of the program is to prepare graduates PhD, Concordia University, 2002 to be professional artists and to have the skills and experience necessary LYNN HUGHES, Multidisciplinary, Associate Professor to fulfill the multiple roles of contemporary art practice, including DANICA JOJICH, Sculpture, Associate Professor

85 JEAN-PIERRE LAROCQUE, Ceramics, Associate Professor annually invites a variety of national and international speakers who BARBARA LAYNE, Fiber Arts, joint appointment in Fibers and Material reflect the diversity of issues and approaches encouraged in the Practices, Professor program. Internships are also available. The department sponsors 5–10 ERIN MANNING, Critical Theory, Professor lectures per year. LUANNE MARTINEAU, Painting, Drawing (Studio), joint appointment in Studio Arts, Associate Professor Other Campus Resources JEFFREY MITCHELL, Digital Media (Studio), Printmaking, Assistant Office/center for international students: Yes Professor, tenure-track There is a graduate-student housing office. Concordia students have two LINDSAY MONTGOMERY, Ceramics, Assistant Professor, non-tenure housing options: residences, or off-campus housing FRANÇOIS MORELLI, Drawing (Studio), Multidisciplinary, Professor DR. ELAINE CHEASLEY PATERSON, Decorative Arts, Chair, PhD, Environmental Health and Safety Queen’s University, 2004 Occupational Safety and Health Administration (OSHA) regulations are LEOPOLD PLOTEK, Painting, Professor in place for ventilation and respiratory protection, hazardous chemical MARISA PORTOLESE, Photography (Studio), Associate Professor safety (right-to-know), personal protective equipment, machine safety, ERIC SIMON, Painting, Drawing (Studio), Associate Professor hearing protection. Program does not meet the US Environmental TEMA STAUFFER, Photography (Studio), Assistant Professor, non- Protection Agency (EPA) and state regulations for hazardous materials, tenure including spill procedures and material disposal. Program has LEILA SUJIR, Multidisciplinary, Associate Professor performed an environmental health and safety audit in the past five LINDA SWANSON, Ceramics, Assistant Professor, tenure-track years. Methods used to familiarize students and faculty with KELLY THOMPSON, Fiber Arts, joint appointment in Fibers and environmental health and safety include publications, required training Material Practices, Associate Professor course, instruction in class, faculty training, health and safety officer PATRICK TRAER, Drawing (Studio), Multidisciplinary, Associate (full-time or part-time), shop technician, material safety data sheets Professor (MSDS), training videos. Canadian and Quebec regulations are in place BILL VORN, Multidisciplinary, Digital Media (Studio), joint appointment for ventilation and respiratory protection, hazardous chemical safety in Computer Science Department, Professor (right-to-know), personal protective equipment, machine safety and JANET WERNER, Painting, Drawing (Studio), Professor hearing protection. Environmental health and safety audit conducted in CATHERINE WILD, Printmaking, Professor the last two years. Training provided. Recent Visiting Faculty DANIEL BARROW, Drawing (Studio), Assistant Professor, non-tenure FINANCIAL INFORMATION SHARY BOYLE, Painting, Assistant Professor, non-tenure Tuition RAPHAELLE DE GROOT, Drawing (Studio), Assistant Professor, non- tenure Full-time student tuition is determined per year. PIERRE DORION, Painting, Assistant Professor, non-tenure State residents: CAD $4,000 CYNTHIA GIRARD, Painting, Assistant Professor, non-tenure Out-of-state residents: CAD $9,200 MASSIMO GUERRERA, Drawing (Studio), Assistant Professor, non- International students: CAD $19,700 tenure DAMIAN MOPPETT, Painting, Assistant Professor, non-tenure Financial Aid EDWARD PIEN, Drawing (Studio), Assistant Professor, non-tenure Types of aid available: Tuition aid/remission, teaching assistantship, ALTHEA THAUBERGER, Multidisciplinary, Assistant Professor, non- research assistantship, work-study program tenure CHIH-CHIEN WANG, Photography (Studio), Assistant Professor, non- Assistantships tenure Other financial support: Fellowships and awards are available to students. For more information, visit http://graduatestudies.concordia.ca/awards RESOURCES AND SPECIAL PROGRAMS Private studios are available. Semiprivate studios are available. Students Health Insurance have the opportunity to exhibit their work in a gallery associated with the Full-time doctoral students, part-time doctoral students, full-time department or institution, local galleries. Students have access to the master’s students, and part-time master’s students receive health Centre for Digital Arts and state-of-the-art labs and equipment at the insurance coverage with copayment. Hexagram Centre for Research-Creation in Media Arts and Technologies. Students also have access to metal and wood shops, a maquette lab, and rapid prototyping lab. Libraries CRANBROOK ACADEMY OF Total volumes in library system: >2,000,000 Art volumes in library system: >50,000 ART Art journals in library system: >500 Students have library privileges at other institutional libraries. Studio Art, Design, and Architecture Image Resources Total number of images: >250,000 Cranbrook Academy of Art Institution maintains its own digital-image collection. Institution 39221 Woodward Ave., PO Box 801 maintains its own slide collection. Institution subscribes to a digital- Bloomfield Hills, Michigan, 48303 image library. Students have access to image collections. Students have Phone: 248-645-3300 opportunities to view works of art in local museums, commercial Fax: 248-645-3591 galleries, and private collections. www.cranbrookart.edu Program Opportunities Contact: Leslie Tobakos, Registrar, [email protected] Private art school; nonprofit corporation Gallery or museum affiliated with the department: Faculty of Fine Arts (FOFA) Gallery, MFA Gallery, Sub Gallery, and the Leonard and Bina Accredited by: National Association of Schools of Art and Design, North Ellen Gallery Central Association of Colleges and Schools, North Central Association/Higher Learning Commission Formal programs: Study abroad. Concordia University offers graduate students the opportunity to take part in an International Student Degrees awarded: Master’s degree Exchange Program (ISEP) that will count for credit toward their Concentrations in: 2-dimensional design, 3-dimensional design, Concordia degree, while paying the same tuition fees as they do at home architecture, ceramics, fiber arts, metals, painting, photography, and possibly receiving funding. printmaking, sculpture Formal relationships with local museums: Students may undertake First graduate degree granted: MFA, 1943 internships at the Montreal Museum of Fine Arts, the Faculty of Fine Cranbrook offers a studio program based on individual study and Arts (FOFA) Gallery, the Leonard and Bina Ellen Gallery, the Canadian research, and the actual creation of art, design, and architectural Centre for Architecture, and the McCord Museum, among others. projects. Specific classes are not offered and traditional grades are not Extracurricular opportunities for graduate students: Curate exhibitions, awarded; satisfactory academic progress is evaluated subjectively on a conduct fieldwork, research for catalogues, present public outreach pass/fail basis by the department head. Students whose work is judged lectures satisfactory earn 15 credit hours in a semester. Credits are recorded on Other special programs sponsored by the department: The permanent transcripts. A total of 60 credit hours, the presentation of a "Conversations in Contemporary Art" visiting artist lecture series satisfactory written thesis, and a museum exhibition of completed 86 projects are required for graduation. The studios at Cranbrook afford an Image Resources opportunity for students to make intense, personal investigations into Total number of images: >250,000 the practice and philosophy of the fine arts. This research comprises Institution maintains its own digital-image collection. Institution approximately 40 percent of the academic program. maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have ADMISSIONS opportunities to view works of art in local museums, commercial Deadline for fall: 2/1 galleries, private collections, and on funded field trips. Fall notification date: 4/1 Program Opportunities Application fee: $85 Gallery or museum affiliated with the department: Cranbrook Art Applications received 2015–16: 300 Museum Applications accepted 2015–16: 140 Extracurricular opportunities for graduate students: Curate exhibitions, Students enrolled 2015–16: 71 conduct fieldwork. The department sponsors 50–60 lectures per year. Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign students (90), transcript, letters of recommendation, résumé, statement Other Campus Resources of interest/personal statement, examples of personal artwork, artist’s Office/center for international students: Yes statement, related professional experience There is a graduate-student housing office. Housing space is available in Recommended: Campus visit, in-person or phone interview dormitories. CURRICULUM Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Average Class Size in place for ventilation and respiratory protection, hazardous chemical In graduate studios: 11–15 students safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection In graduate lectures: 101–200 students Agency (EPA) and state regulations for hazardous materials, including Course of Study spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Facilities Full-time residency requirement: 4 terms have all the state-of-the-art ventilation equipment to handle noxious Maximum number of years for residency: 2 fumes, dust, and other materials. Methods used to familiarize students Average number of years for residency: 2 and faculty with environmental health and safety include publications, Typical number of credit hours per term for a full-time student: 15 required training course, instruction in class, internet or intranet, faculty training, health and safety officer (full-time or part-time), shop Total number of credit hours required for graduation: 60 technician, material safety data sheets (MSDS), training videos, Total in studio art: 60 information in student handbook. Degree requirements: Written thesis, thesis or artist’s statement, concentration, group exhibition, individual presentation of thesis work, FINANCIAL INFORMATION critique of thesis work, documentation of thesis work for program archive, thesis committee/exhibition jury. Students write a master’s Tuition statement and prepare an exhibition. Full-time student tuition is determined per year. All students: $34,375 STUDENTS Additional institutional fees: $2,720 Number of students in residence: Master’s, 152 Number of male graduates fall 2015–summer 2016: Master’s, 46 Financial Aid Number of female graduates fall 2015–summer 2016: Master’s, 106 Types of aid available: Tuition aid/remission, guaranteed loan, work- study program. Tuition aid based on demonstrated financial need; Student organizations within the program/department: Studio Council, Federal work study; Federal Direct Stafford Unsubsidized and Graduate student governing body PLUS Loans; competitive merit scholarships; competitive travel grant. Formal mode of student participation in academic governance: Studio Need-based tuition aid awarded to 77% of student population in Council 2015–16; partial tuition scholarships awarded to approximately 29% of student population. FACULTY Funds available for graduate student travel: Yes Number of faculty: 10 Tenured/tenure track: 5 men, 5 women Assistantships Part-time/adjunct lecturers: 0 men, 0 women Other benefits: Tuition remission (part or full) Full-time contractual: 0 men, 0 women Other financial support: Mandatory fees include health coverage with MS. SUSAN GOETHELL CAMPEBLL, Printmaking, Professor, MFA, copayment. Competetive grants available for summer graduate student 1982 travel. MS. LIZ COHEN, Photography (Studio), Professor, MFA, 2005 Health Insurance MR. ELLIOTT EARLS, Graphic Design, Professor, MFA, 2001 MS. IRIS EICHENBERG, Metals, Professor, MFA, 1994 Full-time master’s students receive health insurance coverage with MS. BEVERLY FISHMAN, Painting, Professor, MFA, 1980 copayment. MR. SCOTT KLINKER, 3-Dimensional Design, Professor, MFA, 1998 MR. WILLIAM MASSIE, Non-Artist/Non-Art Historian, Professor, MArch MS. HEATHER MCGILL, Sculpture, Professor, MFA MR. MARK NEWPORT, Textiles, Professor, MFA, 1991 MR. ANDERS RUHWALD, Ceramics, Professor, MFA EAST CAROLINA UNIVERSITY RESOURCES AND SPECIAL PROGRAMS Studio Art and Design Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the School of Art and Design department or institution, local galleries, a graduate thesis exhibition. East Carolina University The school is actively acquiring state-of-the-art technology for student Jenkins Fine Arts Center, Room 2000 and faculty use on a regular basis, including Apple computers, digital Greenville, North Carolina, 27858 printers, kilns, wood shop equipment, spray booth, hot shop, laser Phone: 252-328-6665 cutters, 3D printers, sewing and dying facilities, welding shop, and Fax: 252-328-6441 more. www.ecu.edu/soad/ Libraries Contact: Scott Eagle, [email protected] Total volumes in library system: >500,000 Public university; nonprofit corporation Art volumes in library system: >50,000 Accredited by: National Association of Schools of Art and Design, Art journals in library system: >200 Southern Association of Colleges and Schools There is a separate art library with >10,000 volumes and >100 journals. Degrees awarded: Master’s degree Students have library privileges at other institutional libraries. Concentrations in: Ceramics, drawing, fiber arts, graphic design, illustration, metals, painting, photography, printmaking, sculpture

87 First graduate degree granted: MA, 1960 Carolina University With more than 500 undergraduate and graduate students and ALICE ARNOLD, Art Education, Professor, EdD, University of Illinois at approximately 50 faculty members, the School of Art and Design at East Urbana-Champaign Carolina University is the most comprehensive art school in North CYNTHIA BICKLEY-GREEN, Art Education, Professor, PhD, University of Carolina and one of the largest in the Southeast. The East Carolina Georgia University School of Art and Design has been an accredited, institutional BETH BLAKE, Painting, Associate Professor, MFA, Ohio University member of the National Association of Schools of Art and Design since KEN BOVA, Metals, Assistant Professor, tenure-track, MFA, Montana 1962. More than fifty continuous years of specialized accreditation has State University resulted in a rigorous curriculum with flexibility and practical TOM BRASWELL, Photography (Studio), Adjunct/Contingent faculty, applications. MFA, Clemson University KATE BUKOSKI, Graphic Design, Associate Professor, PhD, University ADMISSIONS of Minnesota JESSICA CHRISTIE, Latin American Art, Associate Professor, PhD, Deadline for fall: 1/15 University of Texas at Austin Fall notification date: 3/15 LINDA DARTY, Metals, Professor, MFA, East Carolina University Deadline for spring: 10/15 MICHAEL DROUGHT, Painting, Drawing (Studio), Professor, PhD, Spring notification date: 11/15 University of Illinois at Urbana-Champaign MICHAEL H DUFFY, Eighteenth-Century Art, Nineteenth-Century Art, Application fee: $70 Adjunct/Contingent faculty Applications received 2015–16: 35 SCOTT EAGLE, Painting, Associate Professor, MFA, East Carolina Applications accepted 2015–16: 14 University Students enrolled 2015–16: 8 MATTHEW EGAN, Printmaking, Associate Professor, MFA, University of South Dakota Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject DAN ELLIOT, Graphic Design, Assistant Professor, tenure-track, MFA, area, GPA (3.0), TOEFL for foreign students, transcript, letters of University of Illinois at Chicago recommendation, statement of interest/personal statement, examples SEO EO, Ceramics, Associate Professor, MFA, Indiana University of personal artwork, artist’s statement HOLLY GARRIOTT, Ceramics, Adjunct/Contingent faculty, MFA, East Recommended: Résumé, campus visit, in-person or phone interview Carolina University WAYNE GODWIN, Digital Media (Studio), Associate Professor, MFA, CURRICULUM North Carolina State University LINDA ADELE GOODINE, Photography (Studio), Professor, MFA, Courses Florida State University Number offered to graduate students each term: 99 RON GRAZIANI, Twentieth-Century Art, Contemporary Art, Associate Number whose enrollment is limited to graduate students: 33 Professor, PhD, University of California, Los Angeles ROBIN HALLER, Textiles, Associate Professor, MFA, Kent State Average Class Size University In graduate studios: 1–5 students MI-SOOK HUR, Foundations, Professor, MFA, University of Wisconsin- In graduate seminars: 1–5 students Madison HANNA JUBRAN, Sculpture, Professor, MFA, University of Wisconsin- In graduate lectures: 11–20 students Milwaukee Independent study available: Yes DANIEL KARIKO, Photography (Studio), Assistant Professor, tenure- track, MFA, Arizona State University Course of Study NANYOUNG KIM, Art Education, Associate Professor, EdD, University Full-time residency requirement: 3 years of Illinois at Urbana-Champaign Maximum number of years for residency: 6 TIM LAZURE, Metals, Associate Professor, MFA, University of Average number of years for residency: 3 Massachusetts Dartmouth SUE LUDDEKE, General Art History, Adjunct/Contingent faculty, MFA, Typical number of courses for a full-time student: 4 East Carolina University Total number of courses required for graduation: 20 PUNAM MADHOK, Renaissance Art, South Asian Art, Associate Total in studio art: 14 Professor, PhD, University of Illinois at Urbana-Champaign Total in area of concentration: 10 CRAIG MALMROSE, Graphic Design, Professor, MFA, Rochester Institute of Technology Total in art history: 4 JOAN MANSFIELD, Drawing (Studio), Associate Professor, MFA, East Total in graduate seminars: 1 Carolina University Electives: 1 AUDREY MOTT, Foundations, Associate Professor, MFA, East Carolina Degree requirements: Written thesis, concentration, solo exhibition, University individual presentation of thesis work, critique of thesis work, ROBERT QUINN, Art Education, Associate Professor, PhD, University of documentation of thesis work for program archive, oral defense of work, Georgia thesis committee/exhibition jury. MFA candidates receive three formal DINDY REICH, Foundations, Adjunct/Contingent faculty, MFA, Indiana evaluations by a faculty committee over a three-year period. The first- University and second-year evaluations will inform the candidate of his or her LISA BETH ROBINSON, Foundations, Artist’s books, Assistant progress and potential for successful completion of the thesis. A final Professor, tenure-track, MFA, University of Wisconsin-Madison evaluation occurs at the defense of the thesis and the thesis exhibition. BORIM SONG, Art Education, Associate Professor, EdD, Columbia University Recommended: Technology course, professional practices course GUNNAR SWANSON, Graphic Design, Professor, MFA, California State University, Fullerton STUDENTS MICHAEL TIERNO, Film, Associate Professor, MFA, City College of New Number of students in residence: Master’s, 30 York Number of male graduates fall 2015–summer 2016: Master’s, 1 JIM TISNADO, Ceramics, Associate Professor, MFA, Ohio University Number of female graduates fall 2015–summer 2016: Master’s, 6 CARL TWAROG, Digital Media (Studio), Professor, MFA, Massachusetts College of Art and Design Student organizations within the program/department: Art Education MICHAEL VOORS, Painting, Professor, MFA, Eastern Michigan Guild, Art History Society, Ceramics Guild, Cinema and Media University Production Guild, Design Associates, Graduate Artists Forum, Metals CATHERINE C. E. WALKER, Foundations, Professor, MFA, East Carolina Design Guild, Painting Guild, Printmaking Guild, Sculpture Guild, University Textile Guild, and the Visual Arts Forum GERALD WECKESSER, Sculpture, Adjunct/Contingent faculty, MFA, Formal mode of student participation in academic governance: All University of Massachusetts Dartmouth university students are members of the Student Government ANGELA WELLS, Photography (Studio), Assistant Professor, tenure- Association, the official representative governing body for ECU students. track, MFA, Arizona State University KEN WYATT, Film, Associate Professor, MFA, Temple University FACULTY ERIK YATES GREEN, Film, Associate Professor, MFA, University of Number of faculty: 51 Southern California Tenured/tenure track: 19 men, 20 women CHRISTINE ZOLLER, Textiles, Associate Professor, MFA, University of Part-time/adjunct lecturers: 3 men, 3 women Georgia Full-time contractual: 1 man, 5 women KELLY ADAMS, Drawing (Studio), Associate Professor, MFA, East

88 Recent Visiting Faculty used to familiarize students and faculty with environmental health and JIM ABBOTT, Photography (Studio), Adjunct/Contingent faculty, BFA, safety include publications, required training course, instruction in class, Cranbrook Academy of Art internet or intranet, faculty research, faculty training, health and safety ALISON FLEGEL, Foundations, Adjunct/Contingent faculty, MFA, East officer (full-time or part-time), shop technician, material safety data Carolina University sheets (MSDS), training videos, information in student handbook. LAURIE GODWIN, Digital Media (Studio), Adjunct/Contingent faculty, Other, North Carolina State University FINANCIAL INFORMATION AMY MCINTYRE, Digital Media (Studio), Adjunct/Contingent faculty, Tuition MFA, East Carolina University DEBRA PYLYPIW, Art Education, Adjunct/Contingent faculty, EdD, Nova Full-time student tuition is determined per semester. Southeastern University State residents: $3,618 KRISTINA SMITH, Photography (Studio), Adjunct/Contingent faculty, Out-of-state residents: $10,064 MFA Additional institutional fees: $1,111 Financial Aid RESOURCES AND SPECIAL PROGRAMS Types of aid available: Tuition aid/remission, teaching assistantship, Semiprivate studios are available with unlimited hours for all. Students research assistantship, work-study program. Over 95 percent of have the opportunity to exhibit their work in a gallery associated with the accepted applicants receive full assistantships. ECU offers a variety of department or institution, local galleries, a graduate thesis exhibition. scholarships and financial incentives that range from $250–$19,500 and The School of Art and Design has 3–16 workstation Mac Pro computer occasionally offers research assistantships for summer sessions. labs; 4–16 workstation iMac computer labs; 2–5 workstation iMac computer labs; 2 Lenovo PC workstations; 7 large-format Dell color laser Assistantships printers; standard Mac and Office software on each student workstation, Assistantships are available to students of all levels. plus a number of licenses of Adobe Creative Cloud, Maya, MudBox, Teaching assistantships awarded: 10 MotionBuilder, Unity3D, Monodevelop, Unitron, Arduino, Processing, Teaching assistantships awarded to women: 6 Eclipse and Android SDK, X-Code, Final Draft Pro, Weavemaker, Pointcarre, and more. Teaching assistantships awarded to minorities: 1 Average amount of award/stipend: $9,000 Libraries Hours of work required per week: 20 Total volumes in library system: >1,000,000 Teaching assistantship maximum period of support: 3 years Art volumes in library system: >50,000 Working assistantships awarded: 12 Art journals in library system: >200 Average amount of award/stipend: $9,000 Students have library privileges at other institutional libraries. Hours of work required per week: 20 Image Resources Working assistantship maximum period of support: 3 years Total number of images: >1,000,000 Other benefits: Tuition remission (part or full) Institution subscribes to a digital-image library. Students have access to Other financial support: Teaching assistantships may be awarded once image collections. Students have opportunities to view works of art in students have completed a teaching observation assistantship and have local museums, commercial galleries, private collections, and on funded successfully completed 18 hours of coursework. All accepted applicants field trips. with an undergraduate GPA of 3.0 or better and whose portfolio and Program Opportunities application materials are deemed of merit will be considered for Gallery or museum affiliated with the department: Wellington B. Gray assistantships, scholarships, and out-of-state tuition remission. Art Gallery, Burroughs Wellcome Gallery, Museum Without Walls Health Insurance Formal programs: Study abroad. Italy Intensives offers a unique study Full-time master’s students receive health insurance coverage with experience located in Tuscany, birthplace of the Renaissance and one of copayment. Health insurance coverage is available to dependents, the most beautiful and culturally rich areas of the world. The program is spouses, unmarried domestic partners, and same-sex domestic partners located in Certaldo Alto, an authentic, medieval walled city where one of full-time master’s students. can easily imagine life in the Middle Ages. ECU students, and visiting students from other universities (for the same price), travel on fall and spring semester programs, or during three different summer sessions. Up to six credits can be earned. Formal relationships with local museums: Pitt County Arts Council at Emerge is a nonprofit gallery that is supervised by ECU faculty and EMILY CARR UNIVERSITY OF board members from the business and arts community. ECU offers community arts management classes that include gallery training and ART + DESIGN artistic professional practices components. Extracurricular opportunities for graduate students: Curate exhibitions, Studio-based Art, Media + Design present public outreach lectures Other special programs sponsored by the department: Additional Emily Carr University of Art + Design opportunities to view works of art include the Dwight M. Holland 1399 Johnston St., Granville Island ceramics collection, the Western and Lankton African Art collections, the , British Columbia, V6H 3R9 Larry Rivers print collection, and the Baltic ceramics collection. The Canada department sponsors 20–30 lectures per year. Phone: 604-844-3800 Fax: 604-844-3884 Other Campus Resources www.ecuad.ca/admissions/graduate Employment or career development office: Yes Contact: Graduate Admissions Office, [email protected] Office/center for international students: Yes Public university; nonprofit corporation Campus Living is committed to offering personal and affordable services Accredited by: Universities Canada (formerly AUCC) supporting the academic mission of the university. A variety of living Degrees awarded: Master’s degree and dining options are available. For more information, see www.ecu.edu/studentlife/campusliving Concentrations in: 2-dimensional design, 3-dimensional design, animation, ceramics, digital media, drawing, film, illustration, industrial Environmental Health and Safety design, installation, metals, multidisciplinary, object design, painting, Occupational Safety and Health Administration (OSHA) regulations are photography, printmaking, public art, sculpture, video, visual studies in place for ventilation and respiratory protection, hazardous chemical First graduate degree granted: Other, 2008 safety (right-to-know), personal protective equipment, machine safety, The Master of Design (MDes) will challenge students to examine and hearing protection. Program meets the US Environmental Protection explore the dynamic and ever-changing nature of design. The MDes is a Agency (EPA) and state regulations for hazardous materials, including two-year, full-time, research-oriented, interdisciplinary degree for spill procedures and material disposal. Program has performed an creative professionals at the forefront of design. environmental health and safety audit in the past five years. Wood shops The Master of Applied Arts (MAA) is a 21-month resident program are equipped with dust collection systems; the metal design studios, located in Vancouver, British Columbia, Canada, that prepares students welding studios, and paintings studios have frame ventilation systems. in visual art and media arts to become professional creators who take Two ventilated spray booths are available for spray painting. Methods risks, think unconventionally, foster change, and contribute to the global

89 cultural economy. BEN REEVES, Visual Studies, Associate Professor, MFA The Master of Applied Art (MAA) Low Residency is a 28-month DEBORAH SHACKLETON, 2-Dimensional Design, Associate Professor, program for practicing artists and working professionals who want to MA stay based in their home communities but who wish to undertake a LOUISE ST. PIERRE, 3-Dimensional Design, Associate Professor, BFA stimulating and rewarding course of study in a thriving learning environment alongside their professional commitments. RESOURCES AND SPECIAL PROGRAMS For more information, please visit Private studios are available with limited hours for all. Students have the www.ecuad.ca/admissions/graduate opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. ADMISSIONS Students are required to have a laptop computer. Deadline for fall: 1/17 Fall notification date: 4/17 Libraries Application fee: CAD $100 Total volumes in library system: >500,000 Applications received 2015–16: 136 Art volumes in library system: >50,000 Applications accepted 2015–16: 67 Art journals in library system: >300 Students enrolled 2015–16: 39 Students have library privileges at other institutional libraries. Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Image Resources area, GPA (3.0), TOEFL for foreign students (iBT 90), transcript, letters Total number of images: >250,000 of recommendation, résumé, statement of interest/personal statement, Institution maintains its own digital-image collection. Institution examples of personal artwork, related internship experience, related maintains its own slide collection. Institution subscribes to a digital- professional experience, in-person or phone interview image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial CURRICULUM galleries, and on funded field trips. Average Class Size Program Opportunities In graduate studios: 6–10 students Formal relationships with local museums: The Museum of Anthropology, Charles H. Scott Gallery, Vancouver Art Gallery, and the ie In graduate seminars: 16–20 students Gallery all support graduate student activities and projects. In graduate lectures: 11–20 students Extracurricular opportunities for graduate students: Curate exhibitions, Independent study available: Yes conduct fieldwork, research for catalogues, conduct surveys for outside institutions, present public outreach lectures. The department sponsors Course of Study 1–4 lectures per year. Full-time residency requirement: 2 years This program has an online-learning component and a low-residency Other Campus Resources component. Office/center for international students: Yes Typical number of credit hours per term for a full-time student: 30 A website has been designed to help students find temporary or Total number of credit hours required for graduation: 60 permanent accommodation: http://housing.ecuad.ca/ Total in studio art: 18 Planned campus changes and facility improvements: Emily Carr University of Art + Design is building a state-of-the-art campus that will Total in area of concentration: 12 open September 2017. For more information, visit Total in art history: 6 thebigideaecuad.ca/about/gnw-campus/ Total in graduate seminars: 12 Degree requirements: Written thesis, thesis or artist’s statement, group Environmental Health and Safety exhibition, individual presentation of thesis work, critique of thesis work, Occupational Safety and Health Administration (OSHA) regulations are documentation of thesis work for program archive, oral defense of work, in place for ventilation and respiratory protection, hazardous chemical thesis committee/exhibition jury. A 12-credit graduate internship is safety (right-to-know), personal protective equipment, machine safety, required. hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including STUDENTS spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Emily Carr Number of students in residence: Master’s, 28 University is a leader in safe studio practices and has state-of-the-art Number of male graduates fall 2015–summer 2016: Master’s, 10 ventilation and facilities. Methods used to familiarize students and Number of female graduates fall 2015–summer 2016: Master’s, 27 faculty with environmental health and safety include publications, Formal mode of student participation in academic governance: There are instruction in class, internet or intranet, health and safety officer (full- four student positions available on the University Senate. The Senate is time or part-time), shop technician, material safety data sheets (MSDS), responsible for curriculum related matters, including development of training videos, information in student handbook. academic policy, curriculum content and student performance issues. FINANCIAL INFORMATION FACULTY Tuition Number of faculty: 18 Full-time student tuition is determined per semester. Tenured/tenure track: 4 men, 9 women All students: CAD $8,652 Part-time/adjunct lecturers: 3 men, 2 women Additional institutional fees: CAD $235 Full-time contractual: 0 men, 0 women Part-time student tuition is determined per semester. CRAIG BADKE, Design History, Assistant Professor, tenure-track, MDes RANDY LEE CUTLER, Performance, Writing, Associate Professor, PhD All students: CAD $4,305 HÉLÈNE DAY FRASER, Fashion Studies, Associate Professor, Other Financial Aid AMBER FRID-JIMENEZ, 2-Dimensional Design, Associate Professor, MA Types of aid available: Teaching assistantship, research assistantship. KATHERINE GILLIESON, 2-Dimensional Design, Associate Professor, Entrance scholarships are available. PhD Assistantships BRUCE GRENVILLE, Curatorial Studies, Adjunct/Contingent faculty CHRISTOPHER HETHRINGTON, Digital Media (Studio), Associate Assistantships are available to first-year students and second-year Professor, MDes students. CHRIS JONES, Photography (Studio), Assistant Professor, tenure-track, PhD TRISH KELLY, Critical Theory, Associate Professor, PhD INGRID KOENIG, Drawing (Studio), Painting, Associate Professor, MFA GERMAINE KOH, Installation (Studio), Adjunct/Contingent faculty, MFA SIMON LEVIN, Digital Media (Studio), Adjunct/Contingent faculty KYLA MALLETT, Photography (Studio), Associate Professor, MFA AARON PECK, Writing, Adjunct/Contingent faculty KRISTINA PODESVA, Critical Theory, Adjunct/Contingent faculty

90 Students have the opportunity to join a labor union. FLORIDA STATE UNIVERSITY FACULTY Number of faculty: 14 Department of Interior Design Tenured/tenure track: 2 men, 6 women 1038 William B. Johnston Building Part-time/adjunct lecturers: 4 men, 2 women Mailstop 1231 Full-time contractual: 0 men, 0 women Tallahassee, Florida, 32306 MR. JIM DAWKINS, Interior Design, Associate Professor, MArch, Phone: 850-644-1436 Clemson University, 1988 Fax: 850-644-3112 MR. BRADLEY ERTZBERGER, Graphic Design, Adjunct/Contingent interiordesign.fsu.edu faculty, MFA, Florida State University, 2009 Contact: Jill Pable, [email protected] MS. KENAN FISHBURNE, Interior Design, Assistant Professor, tenure- track, MS, Florida State University, 1978 Public university MS. AMY HUBER, Interior Design, Assistant Professor, tenure-track, Accredited by: Council for ID Accreditation (formerly known as FIDER), MS, Colorado State University, 2011 Council for Interior Design Accreditation, National Association of DR. YELENA MCLANE, Interior Design, Adjunct/Contingent faculty, Schools of Art and Design PhD, Florida State University, 2013 Degrees awarded: Master’s degree MS. MEGHAN MICK, Interior Design, Graphic Design, Concentrations in: Interior design Adjunct/Contingent faculty, MA, North Carolina State University MS. KAREN MYERS, Architectural History, Interior Design, Associate First graduate degree granted: MS, 1973 Professor, MS, Florida State University, 1979 The Advanced Professional MS program for those desiring further DR. JILL PABLE, Interior Design, Professor, PhD, University of South specialized practice knowledge, and the MFA degree for those desiring Florida, 2000 specialized practice or teaching knowledge and desire to conduct MR. GRANT PREISSER, Interior Design, Adjunct/Contingent faculty, original research. Full details are available at interiordesign.fsu.edu MS, Florida State University, 2002 MR. TONY PURVIS, Interior Design, Adjunct/Contingent faculty, MFA, ADMISSIONS Florida State University, 2012 This program has rolling admissions. DR. MARLO RANSDELL, Interior Design, Associate Professor, PhD, Deadline for fall: 7/1 University of Florida, 2006 DR. LISA K WAXMAN, Interior Design, Chair, PhD, Florida State Fall notification date: 7/15 University, 2004 Application fee: $35 MR. STEVEN WEBBER, Interior Design, Assistant Professor, tenure- Part-time students accepted: Yes track, MArch, 2005 Applications received 2015–16: 51 MR. DAVID WRAY, Object Design, Adjunct/Contingent faculty, MFA, Indiana State University Applications accepted 2015–16: 20 Students enrolled 2015–16: 16 RESOURCES AND SPECIAL PROGRAMS Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), GRE Semiprivate studios are available with unlimited hours for all. Students (294), TOEFL for foreign students (iBT 80), transcript, letters of have the opportunity to exhibit their work in a gallery associated with the recommendation, résumé, statement of interest/personal statement, in- department or institution, a graduate thesis exhibition. A 20-station person or phone interview, contact the program for additional computer lab is available, with Adobe CS, Autocad, 3dStudioMax, Revit, requirements three scanners, two laser printers, and one large-format printer. An Recommended: Examples of personal artwork additional three computers are available at graduate student stations. CURRICULUM Libraries Total volumes in library system: >3,000,000 Courses Art volumes in library system: >100,000 Number offered to graduate students each term: 12 Art journals in library system: >1,000 Number whose enrollment is limited to graduate students: 5 There is a separate art library with >10,000 volumes and >100 journals. Average Class Size Students have library privileges at other institutional libraries. In graduate studios: 6–10 students Image Resources In graduate seminars: 11–15 students Total number of images: >100,000 Program maintains its own digital-image collection. Program maintains In graduate lectures: 11–20 students its own slide collection. Institution subscribes to a digital-image library. Independent study available: Yes Students have opportunities to view works of art in local museums and Course of Study commercial galleries. Full-time residency requirement: None Program Opportunities Maximum number of years for residency: 1 Additional opportunities for study within the institution: Graduate Average number of years for residency: 2 students are encouraged to take elective courses in other departments at FSU. Typical number of credit hours per term for a full-time student: 12 Gallery or museum affiliated with the department: William B. Johnston Total number of credit hours required for graduation: 60 Gallery Total in area of concentration: 33 Formal programs: Study abroad. Trips to Florence, Milan, and are Total in graduate seminars: 12 sponsored every summer. Electives: 15 Extracurricular opportunities for graduate students: Curate exhibitions, Degree requirements: Written thesis, critique of thesis work, conduct fieldwork, present public outreach lectures documentation of thesis work for program archive, oral defense of work, Other special programs sponsored by the department: Summer trip to thesis committee/exhibition jury. Option for study abroad in Italy. study at Ca’ d’Zan; summer residence of John and Mabel Ringling, Internships are recommended but optional. Sarasota, Florida. Studio D fabrication laboratory STUDENTS Gensler Scholars: mentoring from architectural firm. The department Number of students in residence: Master’s, 41 sponsors 1–4 lectures per year. Number of male graduates fall 2015–summer 2016: Master’s, 6 Other Campus Resources Number of female graduates fall 2015–summer 2016: Master’s, 35 Office/center for international students: Yes Student organizations within the program/department: Interior Design There is a graduate-student housing office. Housing space is available in Student Organization (International Interior Design Association [IIDA] dormitories. and American Society of Interior Designers [ASID]); graduate student committees on Events, Newsletter and Department Visual Planned campus changes and facility improvements: The department Communications recently moved into the newly renovated William B. Johnston Building that underwent a $50 million renovation. Formal mode of student participation in academic governance: Student Council

91 Environmental Health and Safety design. Occupational Safety and Health Administration (OSHA) regulations are ADMISSIONS in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Deadline for fall: 1/15 hearing protection. Program meets the US Environmental Protection Fall notification date: 4/1 Agency (EPA) and state regulations for hazardous materials, including Application fee: $65 spill procedures and material disposal. Program has not performed an Applications received 2015–16: 30 environmental health and safety audit in the past five years. The furniture design laboratory uses an active local exhaust system. The new Applications accepted 2015–16: 4 Carnaghi Arts Building, a satellite building of the department, has Students enrolled 2015–16: 4 standard current ventilation technology for classroom and support Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL spaces. Methods used to familiarize students and faculty with for foreign students, transcript, letters of recommendation, résumé, environmental health and safety include instruction in class, internet or statement of interest/personal statement, examples of personal artwork, intranet, health and safety officer (full-time or part-time), shop artist’s statement, contact the program for additional requirements technician, material safety data sheets (MSDS). Recommended: Degree in subject area, campus visit, in-person or FINANCIAL INFORMATION phone interview Tuition CURRICULUM Full-time student tuition is determined per credit hour. Courses State residents: $479 Number offered to graduate students each term: 5 Out-of-state residents: $1,110 Number whose enrollment is limited to graduate students: 5 Additional institutional fees: $600 Average Class Size Part-time student tuition is determined per credit hour. In graduate studios: 1–5 students State residents: $479 In graduate seminars: 6–10 students Out-of-state residents: $1,110 Independent study available: Yes Additional institutional fees: $600 Course of Study Financial Aid Full-time residency requirement: 2 years Types of aid available: Stipend, teaching assistantship, research assistantship, work-study program. Tuition and partial stipend awarded Maximum number of years for residency: 6 to 13 students in the previous academic year. No financial assistance Average number of years for residency: 3 awarded to 29 students in the previous academic year. Typical number of credit hours per term for a full-time student: 10 Funds available for graduate student travel: Yes Total number of credit hours required for graduation: 60 Assistantships Total in studio art: 24 Assistantships are available to students of all levels. Total in area of concentration: 16 Teaching assistantships applications received: 16 Total in graduate seminars: 8 Teaching assistantships awarded: 13 Electives: 12 Degree requirements: Written thesis, solo exhibition, individual Teaching assistantships awarded to women: 10 presentation of thesis work, critique of thesis work, documentation of Average amount of award/stipend: $5,000 thesis work for program archive, oral defense of work, thesis Hours of work required per week: 10 committee/exhibition jury. Students are required to complete 60 credit- Teaching assistantship maximum period of support: 2 years hours and a thesis exhibition. Other benefits: Tuition remission (part or full) Recommended: Concentration, professional practices course Other financial support: Office of Financial Aid can assist with locating grants and scholarships. STUDENTS Number of students in residence: Master’s, 15 Number of male graduates fall 2015–summer 2016: Master’s, 7 Number of female graduates fall 2015–summer 2016: Master’s, 8 Student organizations within the program/department: Students can join the School of Art Graduate Group, Artifex (http://graduateartifex.com), the Printmakers Guild, Focus Group (photography), and chapter of AIGA, the Professional Association for Studio Art and Design Design. George Mason University Formal mode of student participation in academic governance: The School of Art Student Government of George Mason University advocates the 4400 University Dr., MS 1C3 interests of the student body, educates the university community with Fairfax, Virginia, 22030 regard to the state of the institution, and represents the interests of each Phone: 703-993-8898 student. The Student Government of George Mason University will serve Fax: 703-993-8798 as a liaison to the administration, faculty, staff, and university http://soa.gmu.edu community. See more at http://sg.gmu.edu/about/#sthash.xsOQmal6.dpuf Contact: Peggy Feerick, [email protected] Public university FACULTY Accredited by: National Association of Schools of Art and Design, Number of faculty: 20 Southern Association of Colleges and Schools Tenured/tenure track: 7 men, 11 women Degrees awarded: Master’s degree Part-time/adjunct lecturers: 2 men, 0 women Concentrations in: Digital media, drawing, graphic design, installation, Full-time contractual: 0 men, 0 women multidisciplinary, painting, performance, photography, printmaking, sculpture, writing/word art SUZANNE CARBONNEAU, Performance, Professor, PhD LYNNE CONSTANTINE, Performance Studies, Associate Professor, First graduate degree granted: MFA, 2000 MFA The MFA degree prepares students to become professional artists and MARK COOLEY, Environmental Art (Studio), Associate Professor, MFA to teach at the university level. Candidates are required to complete 60 PAULA CRAWFORD, Painting, Associate Professor, MFA credits, of which 45 credits are core and studio requirements. An SHANSHAN CUI, Graphic Design, Associate Professor, MFA additional 15 credits are based on comprehensive experience. MFA RACHEL DEBUQUE, Sculpture, Assistant Professor, tenure-track, MFA, students may choose an emphasis in new media, painting, photography, University of Georgia printmaking, sculpture, or Critical Arts Practice. The MA in Graphic RACHEL DEBUQUE, Sculpture, Assistant Professor, tenure-track, MFA, Design offers students a comprehensive study and preparation for the University of Georgia graphic design profession. The program requires 36 credits, which EDGAR ENDRESS, Digital Media (Studio), Associate Professor, MFA include courses in typography, web design, image-making, and PEGGY FEERICK, Photography (Studio), Associate Professor, MFA

92 HELEN FREDERICK, Printmaking, Professor, MFA CHAWKY FRENN, Painting, Associate Professor, MFA Financial Aid MARIA KARAMETOU, Drawing (Studio), Associate Professor, MFA Types of aid available: Stipend, teaching assistantship. Tuition and WALTER KRAVITZ, Drawing (Studio), Professor, MFA partial stipend awarded to 2 students in the previous academic year. HAROLD LINTON, Drawing (Studio), Professor, MFA Partial tuition awarded to 13 students in the previous academic year. JANDOS ROTHSTEIN, Graphic Design, Associate Professor, MFA Funds available for graduate student travel: Yes GAIL SCOTT WHITE, Digital Media (Studio), Professor, MFA THOMAS STANLEY, Sound, Assistant Professor, non-tenure, PhD Fellowships DON STARR, Graphic Design, Assistant Professor, non-tenure, MFA Fellowships are available to students of all levels. PETER WINANT, Foundations, Associate Professor, MFA Fellowships applications received last year: 5 SUE WRBICAN, Photography (Studio), Associate Professor, MFA Fellowships awarded: 5 RESOURCES AND SPECIAL PROGRAMS Fellowships awarded to women: 3 Private studios are available with unlimited hours for all. Semiprivate Fellowships awarded to minorities: 1 studios are available with unlimited hours for all. Students have the Average amount of award/stipend: $1050 opportunity to exhibit their work in a gallery associated with the Fellowship maximum period of support: 2 years department or institution, local galleries, a graduate thesis exhibition. Resources include state-of-the-art Apple computers, software, and Assistantships printers. Students may use all of the school of art’s facilities and relevant Assistantships are available to second-year students and third-year equipment. Students have access to a high-quality archival color printing students. facility (SoA Print) at discounted prices. Teaching assistantships applications received: 6 Libraries Teaching assistantships awarded: 6 Total volumes in library system: >1,000,000 Teaching assistantships awarded to women: 2 Art volumes in library system: >50,000 Average amount of award/stipend: $3500 Art journals in library system: >100 Hours of work required per week: 8 Students have library privileges at other institutional libraries. Teaching assistantship maximum period of support: 3 years Image Resources Other benefits: Tuition remission (part or full) Total number of images: >100,000 Institution maintains its own digital-image collection. Institution Health Insurance maintains its own slide collection. Institution subscribes to a digital- No health insurance coverage is provided for full-time master’s image library. Students have access to image collections. Students have students. opportunities to view works of art in local museums, commercial galleries, and on funded field trips. Program Opportunities Additional opportunities for study within the institution: The school is GEORGE WASHINGTON interdisciplinary and collaborates with a number of departments and programs on campus, such as the women and gender studies program, the Sustainability Office, information technology and engineering, and UNIVERSITY the creative writing MFA program, among others. Gallery or museum affiliated with the department: Fine Arts Gallery Fine Arts Formal programs: Study abroad. The program offers a study abroad Department of Fine Arts and Art History program annually for art students through the Center for Field Studies. The George Washington University Formal relationships with local museums: Although not a local Smith Hall of Art 101, 801 22nd St. NW museum, the school has an fellowship program established with Washington, District of Columbia, 20052 Washington DC’s Cultural DC and Flashpoint Gallery. Phone: 202-994-6085 Extracurricular opportunities for graduate students: Curate exhibitions, Fax: 202-994-8657 conduct fieldwork, research for catalogues art.columbian.gwu.edu/ Other special programs sponsored by the department: Students exhibit Contact: Director of Graduate Studies, [email protected] their thesis work in the School of Art’s Fine Art Gallery. The department Private university; nonprofit corporation sponsors monthly trips to New York City via our Artsbus. The department sponsors 5–10 lectures per year. Accredited by: Middle States Association of Colleges and Schools Degrees awarded: Master’s degree Other Campus Resources Concentrations in: Ceramics, digital media, drawing, foundations, Employment or career development office: Yes installation, multidisciplinary, painting, performance, photography, Office/center for international students: Yes public art, sculpture, video Housing space is available in dormitories, apartments, and married The MFA degree in Fine Arts program at GW fosters a rigorous and student housing. experimental approach to art making, while encouraging students to pursue their creative commitments in the studio and in the world. In Environmental Health and Safety this broad-based and interdisciplinary program, students develop their Occupational Safety and Health Administration (OSHA) regulations are creative, critical, and practical skills. The program emphasizes a critical in place for ventilation and respiratory protection, hazardous chemical and creative relationship between content and form, an awareness of art safety (right-to-know), personal protective equipment, machine safety, historical connections, and engagement with the contexts of creative hearing protection. Program meets the US Environmental Protection production. Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an ADMISSIONS environmental health and safety audit in the past five years. There is a Deadline for fall: 2/1 state-of-the-art ventilation system with complete air exchanges every Fall notification date: 4/1 half-hour. Methods used to familiarize students and faculty with environmental health and safety include required training course, Application fee: $60 instruction in class, faculty training, health and safety officer (full-time or Applications received 2015–16: 22 part-time), shop technician, material safety data sheets (MSDS). Applications accepted 2015–16: 9 Students enrolled 2015–16: 8 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Tuition students (iBT 80), transcript, letters of recommendation, examples of Full-time student tuition is determined per credit hour. personal artwork, artist’s statement State residents: $493 Recommended: GPA (3.2), résumé, related internship experience, related professional experience, campus visit Out-of-state residents: $1,177 Additional institutional fees: $500 Part-time student tuition is determined per credit.

93 CURRICULUM RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Semiprivate Courses studios are available with unlimited hours for all. Students have the Number offered to graduate students each term: 7 opportunity to exhibit their work in a gallery associated with the Number whose enrollment is limited to graduate students: 3 department or institution, local galleries, a graduate thesis exhibition. Resources include a graduate student digital media lab, medium- and Average Class Size large-format printers, video and sound equipment, lighting studio, In graduate studios: 6–10 students medium-format flatbed and film scanners, digital projectors, and In graduate seminars: 6–10 students speakers. Course of Study Libraries Full-time residency requirement: None Total volumes in library system: >2,000,000 Maximum number of years for residency: No maximum Art volumes in library system: >100,000 Average number of years for residency: 2 Art journals in library system: >300 Typical number of credit hours per term for a full-time student: 15 Students have library privileges at other institutional libraries. Total number of credit hours required for graduation: 60 Image Resources Degree requirements: Written thesis, thesis or artist’s statement, solo Total number of images: >1,000,000 exhibition, critique of thesis work Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Recommended: Concentration, individual presentation of thesis work, digital-image library. Students have access to image collections. documentation of thesis work for program archive, professional Students have opportunities to view works of art in local museums, practices course commercial galleries, private collections, and on funded field trips. STUDENTS Program Opportunities Number of students in residence: Master’s, 8 Additional opportunities for study within the institution: Students may Number of male graduates fall 2015–summer 2016: Master’s, 2 take electives outside the department in consultation with the director of Number of female graduates fall 2015–summer 2016: Master’s, 7 graduate studies. Student organizations within the program/department: Visiting Artists Formal relationships with other academic institutions: Students may and Scholars Committee, Student Gallery Committee, Association of take a limited number of courses at the following consortium schools: Graduate Art Students American University, Catholic University, Corcoran College of Art and Formal mode of student participation in academic governance: Graduate Design, Gallaudet University, George Mason University, Georgetown student representatives from each school participate in the GWU University, Howard University, and University of Maryland. Student Association, the university’s student government. Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach FACULTY lectures. The department sponsors 10–20 lectures per year. Number of faculty: 20 Other Campus Resources Tenured/tenure track: 6 men, 8 women Employment or career development office: Yes Part-time/adjunct lecturers: 0 men, 0 women Office/center for international students: Yes Full-time contractual: 4 men, 2 women There is a graduate-student housing office. Housing space is available in MARGARET ADAMS, Photography (Studio), Assistant Professor, tenure- dormitories and apartments. GWU is an urban campus. Most graduate track, MFA, Temple University students live off campus. The Student Affairs office provides a wide PROF. JULIA BROWN, Painting, Video (Studio), Assistant Professor, variety of assistance in finding listings and neighborhoods in the off- tenure-track, MFA, California Institute of the Arts campus housing area. GEORGIA DEAL, Printmaking, Professor, MFA, University of Georgia FRANK DIPERNA, Photography (Studio), Professor, MA, Goddard Environmental Health and Safety College Occupational Safety and Health Administration (OSHA) regulations are JANIS GOODMAN, Painting, Professor, MFA, George Washington in place for ventilation and respiratory protection, hazardous chemical University safety (right-to-know), personal protective equipment, machine safety, PROF. DEAN KESSMANN, Photography (Studio), Associate Professor, hearing protection. Program meets the US Environmental Protection MFA, Southern Illinois University Carbondale Agency (EPA) and state regulations for hazardous materials, including KERRY MCALEER-KEELER, Artist’s books, Associate Professor, MFA, spill procedures and material disposal. Program has performed an George Washington University environmental health and safety audit in the past five years. Ventilation PROF. TURKER OZDOGAN, Ceramics, Professor, MFA, George is available in special-purpose rooms (photography, sculpture shops) Washington University but not in individual studios. Outdoor work areas adjacent to graduate JUSTIN PLAKAS, Sculpture, Associate Professor, MFA, University of studios are available. Methods used to familiarize students and faculty Georgia with environmental health and safety include instruction in class, shop PROF. SIOBHAN RIGG, Video (Studio), Associate Professor, MFA, technician, material safety data sheets (MSDS), training videos. Carnegie Mellon University JENNIFER SAKAI, Photography (Studio), Associate Professor, MFA, FINANCIAL INFORMATION Virginia Commonwealth University JOHAN SEVERTSON, Graphic Design, Professor, MFA, Yale University Tuition PROF. JAMES SHAM, Sculpture, Video (Studio), Assistant Professor, Full-time student tuition is determined per credit hour. tenure-track, MFA, Virginia Commonwealth University All students: $1,600 SUSAN STERNER, Photography (Studio), Associate Professor, MA, Financial Aid Recent Visiting Faculty Types of aid available: Tuition aid/remission, stipend, guaranteed loan, CHAN CHAO, Photography (Studio), Adjunct/Contingent faculty teaching assistantship, work-study program MELISSA HO, Contemporary Art, Adjunct/Contingent faculty, MA Funds available for graduate student travel: Yes JAMES HUCKENPAHLER, Digital Media (Studio), Adjunct/Contingent faculty Fellowships JOSE RUIZ, Digital Media (Studio), Curatorial Studies, Fellowship maximum period of support: 2 years Adjunct/Contingent faculty, MFA, San Francisco Art Institute JONATHAN VAN DYKE, Sculpture, Adjunct/Contingent faculty, MFA, Assistantships Bard College Assistantships are available to students of all levels. MIKA YOSHITAKE, Contemporary Art, Curatorial Studies, Hours of work required per week: 20 Adjunct/Contingent faculty, PhD, University of California, Los Angeles Working assistantship maximum period of support: 2 years Other benefits: Tuition remission (part or full) Health Insurance Full-time master’s students and part-time master’s students receive health insurance coverage with copayment. Health insurance coverage is available to dependents and spouses of full-time master’s students 94 and part-time master’s students. portfolio of work with accompanying documentation. STUDENTS Number of students in residence: Master’s, 386; Doctorate, 47 Number of male graduates fall 2015–summer 2016: Master’s, 87; Doctorate, 3 Number of female graduates fall 2015–summer 2016: Master’s, 141; Studio Art and Design Doctorate, 3 Student organizations within the program/department: A range of The Glasgow School of Art organizations, from the formal (the Student Representative Council, for 167 Renfrew St. instance) to the more social, is available. Glasgow, G3 6RQ Formal mode of student participation in academic governance: Student United Kingdom representation is integrated into GSA’s committee structure, from Staff- Phone: +44 (0) 141 353 4500 Student Consultative Committees to SRC representatives sitting on a www.gsa.ac.uk/study/graduate-degrees variety of policy-related committees. Contact: Dr. Vanessa Johnson, [email protected] Students have the opportunity to join a labor union. Public art school; nonprofit corporation Accredited by: UK Quality Assurance Agency FACULTY Degrees awarded: Master’s degree; Doctoral degree; Certificate Number of faculty: 28 Concentrations in: 2-dimensional design, 3-dimensional design, Tenured/tenure track: 17 men, 11 women architecture, artist’s books, digital media, drawing, environmental art, Part-time/adjunct lecturers: 0 men, 0 women fashion, fiber arts, graphic design, illustration, industrial design, Full-time contractual: 0 men, 0 women installation, interior design, medical illustration, multidisciplinary, object MS. IRENE BELL, Ceramics, 3-Dimensional Design, Professor, MA design, painting, photography, printmaking, public art, sculpture, DR. NICKY BIRD, Photography (Studio), Professor, PhD sound, urban planning, video, visual studies MR. JIM BIRRELL, Painting, Drawing (Studio), Professor, MA First graduate degree granted: MFA, 1988 MR. RONAN BRESLIN, Sound, Associate Professor, BA The following taught degrees are offered at Glasgow School of Art: MFA; DR. HELENA BRITT, Textiles, joint appointment in Fashion & Textiles, MLitt in Fine Art Practice; MLitt Curatorial Practice; Master of Design Professor, PhD, Glasgow School of Art (MDes) in Graphics, Illustration, Photography; MDes in Communication MR. JOHN CALCUTT, Contemporary Art, Twentieth-Century Art, Design; MDes in Interior Design; MDes in Fashion and Textiles; MDes Professor, MA, in Design Innovation; Master in Architectural Studies (MArch); Master DR. ROBYNE CALVERT, Architectural History, Associate Professor, PhD of Research (MRes) in Creative Practices; Master of Science (MSc) in PROF. THOMAS JOSHUA COOPER, Photography (Studio), Professor Product Design Engineering; MDes in Sound for the Moving Image; MR. PAUL COSGROVE, Sculpture, Installation (Studio), Professor MSc in International Heritage Visualisation; MSc in Serious Games & MS. JO CROTCH, Architectural History, 3-Dimensional Design, Virtual Reality; MSc in Medical Visualisation and Human Anatomy. Professor, MArch, Glasgow School of Art MPhil and PhD research degrees are also available. DR. LAURA GONZALEZ, Critical Theory, Visual Studies, Professor, PhD, The University of Sheffield ADMISSIONS DR. RAID HANNA, Architectural History, Urban Planning, Professor, This program has rolling admissions. PhD DR. GORDON HUSH, Design History, Industrial Design, Professor, Deadline for fall: 7/31 PhD, University of Glasgow Fall notification date: 8/15 PROF. TOM INNS, Art Education, Industrial Design, Chair, PhD Application fee: £0 DR. DANIEL LIVINGSTONE, 3-Dimensional Design, Digital Media Part-time students accepted: Yes (Studio), joint appointment in Digital Design Studio, Professor, PhD PROF. ALASTAIR MACDONALD, Industrial Design, 3-Dimensional Applications received 2015–16: 873 Design, Professor, PhD Applications accepted 2015–16: 436 MR. PATRICK MACKLIN, Interior Design, Object Design, Professor, MA Students enrolled 2015–16: 433 MS. GILLIAN MOFFAT, Digital Media (Studio), Drawing (Studio), Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Associate Professor, University of Glasgow area, letters of recommendation, statement of interest/personal DR. KEN NEIL, Critical Theory, Contemporary Art, Professor, PhD, statement, examples of personal artwork, artist’s statement University of Edinburgh MR. NICHOLAS ODDY, Design History, joint appointment in Forum of Recommended: Transcript, résumé, related professional experience, in- Critical Inquiry, Professor, MPhil person or phone interview PROF. ALISTAIR PAYNE, Drawing (Studio), Chair, PhD PROF. CHRISTOPHER PLATT, Architectural History, 3-Dimensional CURRICULUM Design, Chair, MArch Courses DR. MADELEINE SCLATER, Textiles, joint appointment in Graduate School, Professor, PhD Number offered to graduate students each term: 50 DR. SARAH SMITH, Film (History), joint appointment in Forum of Number whose enrollment is limited to graduate students: 50 Critical Inquiry, Professor, PhD MR. JIMMY STEPHEN-CRAN, Textiles, 3-Dimensional Design, Average Class Size Professor, MA, In graduate studios: 1–5 students MS. SALLY STEWART, Architectural History, Urban Planning, Professor, In graduate seminars: 6–10 students MArch In graduate lectures: 11–20 students MS. RANJANA THAPALYAL, Critical Theory, South Asian Art, Professor, MPhil, University of Glasgow Independent study available: Yes MR. CRAIG WHITTET, Industrial Design, Object Design, Professor Course of Study Full-time residency requirement: 1 year RESOURCES AND SPECIAL PROGRAMS Private studios are available with limited hours for all. Semiprivate Maximum number of years for residency: 5 studios are available with limited hours for all. Students have the Average number of years for residency: 1 opportunity to exhibit their work in a gallery associated with the Typical number of credit hours per term for a full-time student: 60 department or institution, local galleries, a graduate thesis exhibition. Total number of credit hours required for graduation: 180 Some programs have their own computer suites. The Digital Design Studio is a research hub that offers programs in visualisation and Degree requirements: Thesis or artist’s statement, individual sound. The GSA has a large range of technical workshops accessible by presentation of thesis work. Students can earn a degree in the taught all students. programs with a post-graduate certificate (60 credits), a post- (120 credits), or a master’s degree (180 credits). Final Libraries submissions for assessment vary by program of study. Total volumes in library system: >500,000 Recommended: Group exhibition Art volumes in library system: >50,000 Requirements for doctoral program: All new doctoral students must take Art journals in library system: >300 a course of research training skills in their first year. Doctoral project submissions can take a range of forms, from a written thesis to a Students have library privileges at other institutional libraries.

95 Image Resources Assistantships Total number of images: >100,000 Institution maintains its own digital-image collection. Institution Other financial support: Married or students in civil partnerships receive maintains its own slide collection. Students have access to image the same benefits regardless of sexual orientation. A fee covering health collections. Students have opportunities to view works of art in local insurance will be levied by the UK Govt to students applying for a visa. museums, commercial galleries, private collections, and on funded field Health Insurance trips. Full-time doctoral students and full-time master’s students receive Program Opportunities health insurance coverage at no cost. Health insurance coverage is Additional opportunities for study within the institution: All taught available to dependents and spouses of full-time doctoral students and postgraduate students at GSA take at least one elective course in the full-time master’s students. second stage of the year. These courses are delivered by staff members from across the school, allowing students to study topics beyond their chosen specialization. Gallery or museum affiliated with the department: Reid Gallery Formal programs: Museum training, study abroad. Students in the two- GODDARD COLLEGE year MFA and MDes Communication Desing programs can opt to study abroad for a term at the start of their second year. Interdisciplinary Arts Formal relationships with other academic institutions: GSA currently has three programs that it delivers in collaboration with the University of Goddard College Glasgow. The accreditation of the GSA programs of study in blocks of Admissions Office credits allows GSA to accept students with prior accreditation. 123 Pitkin Rd. Plainfield, Vermont, 05667 Formal relationships with local museums: Many of Glasgow’s Phone: 1-800-906-8312 galleries—from CCA to Sorcha Dallas—are staffed and operated by GSA Fax: 802-454-1029 graduates and tutors. This provides GSA students with valuable working www.goddard.edu/mfaia relationships with the spaces. Extracurricular opportunities for graduate students: Curate exhibitions, Contact: Admissions Office, [email protected] conduct fieldwork, present public outreach lectures. The department Private college; nonprofit corporation sponsors 20–30 lectures per year. Accredited by: New England Association of Schools and Colleges, Other Campus Resources Higher Education Coordinating Board of Washington State Degrees awarded: Master’s degree Employment or career development office: Yes Concentrations in: 2-dimensional design, 3-dimensional design, Office/center for international students: Yes animation, art education, art therapy, artist’s books, ceramics, digital There is a graduate-student housing office. Housing space is available in media, drawing, environmental art, fashion, fiber arts, film, foundations, dormitories and apartments. Students from a far distance receive glass, graphic design, illustration, installation, interior design, landscape priority for housing. GSA has two halls available: Margaret McDonald design, metals, multidisciplinary, object design, painting, paper, House and Blythswood House. Please see our website for more performance, photography, printmaking, public art, sculpture, sound, information. video, visual studies, writing/word art Planned campus changes and facility improvements: A new building First graduate degree granted: MFA, 1999 housing most of the design school, technical workshops, refectory, The MFA in Interdisciplinary Arts encourages artists to ask complex exhibition spaces, and auditorium was opened in January 2014. During questions and cultivate practices of imaginative and intellectual the reconstruction of the Mackintosh Building staff and students are discovery. The interdisciplinary program is a radically holistic, inquiry- housed in the Tontine Building. based approach merging low-residency structure and student-centered Environmental Health and Safety learning in a context outside disciplinary thinking. The program welcomes all forms of practice, and envisions artists participating Occupational Safety and Health Administration (OSHA) regulations are responsibly in every walk of life, to advance our collective understanding in place for ventilation and respiratory protection, hazardous chemical of what art is and can be. Faculty members work one-on-one with each safety (right-to-know), personal protective equipment, machine safety, student to develop an individualized course of study, aligned with their hearing protection. Program meets the US Environmental Protection values, intentions, and professional goals. The eight-day residency and Agency (EPA) and state regulations for hazardous materials, including fifteen-week independent study semester model serves those who wish spill procedures and material disposal. Program has performed an to integrate creative work with all aspects of life. The rigorous five- environmental health and safety audit in the past five years. Methods semester degree program supports each artist in articulating a vision as used to familiarize students and faculty with environmental health and they stretch in new directions and refine critical, expressive, and safety include publications, required training course, instruction in class, technical skills. internet or intranet, faculty training, health and safety officer (full-time or part-time), shop technician, information in student handbook. Traffic- light system in workshops to indicate the level of supervision is required ADMISSIONS for each piece of equipment. Policy on the use of machine tools in This program has rolling admissions. studio. Deadline for fall: 1/15 Deadline for spring: 11/15 FINANCIAL INFORMATION Spring notification date: 1/16 Tuition Application fee: $65 Full-time student tuition is determined per year. Applications received 2015–16: 97 State residents: £6,120 Applications accepted 2015–16: 49 Out-of-state residents: £6,120 Students enrolled 2015–16: 32 International students: £14,220 Requirements: Bachelor’s degree (BA, BFA, or BSA), transcript, letters of Part-time student tuition is determined per year. recommendation, résumé, statement of interest/personal statement, writing sample, examples of personal artwork, artist’s statement State residents: £2,880 Recommended: In-person or phone interview Out-of-state residents: £2,880 International students: £6,767 CURRICULUM Financial Aid Average Class Size Types of aid available: Tuition aid/remission, stipend. Tuition and full Independent study available: Yes stipend awarded to 10 students in the previous academic year. Tuition and partial stipend awarded to 10 students in the previous academic Course of Study year. Full tuition awarded to 15 students in the previous academic year. Full-time residency requirement: None Partial tuition awarded to 50 students in the previous academic year. Maximum number of years for residency: No maximum Fellowships This program has an online-learning component and a low-residency Fellowships awarded: 45 component. Typical number of credit hours per term for a full-time student: 12 Total number of credit hours required for graduation: 60

96 Degree requirements: Written thesis, individual presentation of thesis Other special programs sponsored by the department: The work, documentation of thesis work for program archive, thesis Interdisciplinary Arts Conference. The department sponsors 1–4 lectures committee/exhibition jury. A second-semester progress report, mid- per year. degree practicum project, and final-semester portfolio are required for graduation. Other Campus Resources Housing space is available in dormitories. Goddard programs are low- STUDENTS residency. Students are housed in dormitories when on campus for Number of students in residence: Master’s, 3 eight-day intensive residencies twice per academic year. When not on campus for residency, students live and work in their home Number of male graduates fall 2015–summer 2016: Master’s, 5 communities. The MFA in Interdisciplinary Arts program is offered in Number of female graduates fall 2015–summer 2016: Master’s, 21 Vermont and Washington. Formal mode of student participation in academic governance: The Planned campus changes and facility improvements: Goddard has two Student Council (SC) is a working group of elected student vibrant campuses. The Plainfield, Vermont, campus features a renovated representatives committed to advocacy of student voice and dining hall and sustainable wood-chip heating system. The Port collaboration. The SC works with program directors, serves as members Townsend, Washington, campus is located in Fort Worden State Park. of committees, and elects a student as a full, voting member on the Collaborations are in place with the Port Townsend Film Institute and college’s governing Board of Directors. Centrum Arts. FACULTY Environmental Health and Safety Number of faculty: 16 Occupational Safety and Health Administration (OSHA) regulations are Tenured/tenure track: 2 men, 11 women in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Part-time/adjunct lecturers: 0 men, 0 women hearing protection. Program meets the US Environmental Protection Full-time contractual: 2 men, 1 woman Agency (EPA) and state regulations for hazardous materials, including PROF. ERICA EATON, Contemporary Art, Film (History), Professor, spill procedures and material disposal. Program has performed an PhD, University at Buffalo, The State University of New York environmental health and safety audit in the past five years. The college PROF. PETER HOCKING, Painting, Writing, Professor, MFA, Goddard does not provide traditional studio space except as needed for residency College, 2003 workshops and presentation of work. Environmental health and safety PROF. GALE JACKSON, Writing, Professor, PhD issues are addressed in workshops during residency. PROF. SEITU JONES, Public Art (Studio), Foundations, Professor, MLS/MLIS, University of Minnesota FINANCIAL INFORMATION PROF. PETRA KUPPERS, Performance, Performance Studies, Professor, PhD Tuition PROF. LAIWAN LAIWAN, 2-Dimensional Design, Digital Media Full-time student tuition is determined per semester. (Studio), Professor, MFA, All students: $9,262 PROF. JU-PONG LIN, Video (Studio), Performance, Chair, MFA, University of Iowa, 1996 Additional institutional fees: $1073 PROF. DEVORA NEUMARK, Performance, Public Art, Professor, PhD, Financial Aid Concordia University, 2013 PROF. ANDREA PARKINS, Sound, Performance, Professor, MFA, Types of aid available: Tuition aid/remission, guaranteed loan. Tuition Rutgers, The State University of New Jersey remission for Goddard College employees and their dependents. PROF. CYNTHIA ROSS, Painting, Ceramics, Professor, MA, Goddard Scholarships are awarded upon successful completion of scholarship College applications. Please visit www.goddard.edu/scholarships for more PROF. SHARON SISKIN, Installation (Studio), Public Art (Studio), information. Professor, MFA, University of California, Berkeley Assistantships PROF. RACHEL VAN FOSSEN, Performance, Public Art (Studio), Professor, MFA, Goddard College Other benefits: Tuition remission (part or full) PROF. RUTH WALLEN, Digital Media (Studio), Environmental Art Other financial support: Goddard College is a Title IV–eligible (Studio), Professor, MFA, University of California, San Diego institution. Graduate students can apply for Federal Direct Stafford Loans as well as subsidized, unsubsidized, and Graduate PLUS loans. Recent Visiting Faculty MS. DANIELLE ABRAMS, Performance, Video (Studio), Professor, MFA, Health Insurance University of California, Irvine No health insurance coverage is provided for full-time master’s students MR. D.SABELA GRIMES, Performance, Sound, Professor, MFA, and part-time master’s students. University of California, Los Angeles OTTO MULLER, Sound, Professor, PhD, University at Buffalo, The State University of New York HUNTER COLLEGE RESOURCES AND SPECIAL PROGRAMS Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate Integrated Media Arts thesis exhibition. A computer lab is available for student use during Hunter College residency. As a low-residency, nontraditional program in which students Department of Film and Media and faculty conduct artistic work in home communities and not in 695 Park Ave. campus-based studios, the college does not provide production-related New York, New York, 10065 media equipment. Phone: 212-650-3415 Libraries ima-mfa.hunter.cuny.edu Total volumes in library system: >500,000 Contact: Program Director, Professor Andrew Lund, Art volumes in library system: >50,000 [email protected] Art journals in library system: >500 Public college; nonprofit corporation Students have library privileges at other institutional libraries. Accredited by: Middle States Commission on Higher Education Image Resources Degrees awarded: Master’s degree Students have opportunities to view works of art in local museums, Concentrations in: Digital media, film, installation, public art, video commercial galleries, and private collections. First graduate degree granted: MFA, 2005 The MFA Program in Integrated Media Arts (IMA) offers advanced Program Opportunities studies in nonfiction media making. The IMA Program educates multi- Additional opportunities for study within the institution: Also offered is disciplinary, socially engaged media makers in a diverse range of skills Goddard Learning Online, collaborative online group studies with across the media landscape. Working with faculty from film, video, faculty members in other departments. emerging media, and journalism backgrounds, students learn to Formal relationships with local museums: Public dialogue event at conceptualize, create, and distribute innovative, politically and socially Portland Institute of Contemporary Art’s TBA Festival engaged expression using contemporary media technologies.The IMA Extracurricular opportunities for graduate students: Curate exhibitions, Program offers a 48-credit course of study, combining analytical conduct fieldwork, present public outreach lectures seminars, interdisciplinary research, and creative workshops in writing,

97 visual communication, and media production, culminating in an advanced thesis project and paper. Libraries Total volumes in library system: >1,000,000 ADMISSIONS Art volumes in library system: >50,000 Deadline for fall: 4/1 Art journals in library system: >1,000 Fall notification date: 4/1 There is a separate art library with >1,000 volumes and >100 journals. Application fee: $125 Students have library privileges at other institutional libraries. Part-time students accepted: Yes Image Resources Applications received 2015–16: 100 Institution maintains its own digital-image collection. Students have access to image collections. Students have opportunities to view works Applications accepted 2015–16: 20 of art in local museums, commercial galleries, private collections, and Students enrolled 2015–16: 16 on funded field trips. Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL for foreign students, transcript, letters of recommendation, statement of Program Opportunities interest/personal statement, examples of personal artwork, artist’s Additional opportunities for study within the institution: Students statement complete the interdisciplinary research requirement graduate course in Recommended: Résumé, writing sample, related internship experience, another department at Hunter. Collaborative courses with the Roosevelt related professional experience, campus visit House Public Policy Institute, and graduate programs in Urban Planning, School of Public Health, and Art MFA programs are also CURRICULUM offered. Formal programs: Study abroad, summer work projects. Students have Courses studied abroad in Morocco, India, Micronesia, the Philippines and Number offered to graduate students each term: 12 South Africa. Student internships have included positions at PBS, POV, Number whose enrollment is limited to graduate students: 12 and Democracy Now, DCTV, HBO, Witness, Eyebeam, Whitney Museum. Average Class Size Extracurricular opportunities for graduate students: Curate exhibitions, In graduate studios: 11–15 students conduct fieldwork, research for catalogues, conduct surveys for outside In graduate seminars: 6–10 students institutions, present public outreach lectures In graduate lectures: 11–20 students Other special programs sponsored by the department: Special programs sponsored by the department include: Reel Dialogue, CinemaTalks, Independent study available: Yes Alumni Showcases; IMA Development Workshops, Guest Artist Course of Study Residencies and Critiques. Average number of years for residency: 4 Other Campus Resources Typical number of credit hours per term for a full-time student: 12 Employment or career development office: Yes Total number of credit hours required for graduation: 48 Office/center for international students: Yes Total in studio art: 30 Total in art history: 9 Environmental Health and Safety Program meets the US Environmental Protection Agency (EPA) and Total in graduate seminars: 9 state regulations for hazardous materials, including spill procedures and Degree requirements: Written thesis, group exhibition, oral defense of material disposal. Program has not performed an environmental health work, thesis committee/exhibition jury. Mid- and end-of-program and safety audit in the past five years. Methods used to familiarize critique of creative work. students and faculty with environmental health and safety include STUDENTS faculty training. Number of students in residence: Master’s, 60 FINANCIAL INFORMATION Number of male graduates fall 2015–summer 2016: Master’s, 6 Tuition Number of female graduates fall 2015–summer 2016: Master’s, 6 Full-time student tuition is determined per credit. Student organizations within the program/department: Eyespeak, People of Color Media Collective State residents: $515.95 Formal mode of student participation in academic governance: Students Part-time student tuition is determined per credit. can participate in Hunter’s Graduate Student Association and serve on All students: $870.95 the Hunter Senate. Financial Aid FACULTY Types of aid available: Tuition aid/remission, stipend, guaranteed loan, research assistantship, work-study program. Tuition and full stipend Number of faculty: 12 awarded to 3 students in the previous academic year. Partial tuition Tenured/tenure track: 9 men, 3 women awarded to 14 students in the previous academic year. Part-time/adjunct lecturers: 0 men, 0 women Funds available for graduate student travel: Yes Full-time contractual: 0 men, 0 women KELLY ANDERSON, Film, Associate Professor, MFA Fellowships ANDREW DEMIRJIAN, Digital Media (Studio), Assistant Professor, Fellowships are available to students of all levels. tenure-track, MFA Fellowships applications received last year: 30 DR. STUART EWEN, Critical Theory, Professor, PhD Fellowships awarded: 9 MICHAEL GITLIN, Film, Associate Professor, MFA TAMI GOLD, Film, Professor, MFA Fellowships awarded to women: 5 DR. STEVE GORELICK, Critical Theory, Professor Fellowships awarded to minorities: 4 MICK HUBRIS-CHERRIER, Film, Professor, MFA Fellowship maximum period of support: 2 years MARTIN LUCAS, Critical Theory, Professor, MFA ANDREW LUND, Film, Associate Professor, MFA Assistantships RICARDO MIRANDA, Digital Media (Studio), Associate Professor, MFA Assistantships are available to students of all levels. TIM PORTLOCK, Digital Media (Studio), Associate Professor, MFA Teaching assistantships applications received: 32 SHANTI THAKUR, Film, Assistant Professor, tenure-track, MFA Teaching assistantships awarded: 24 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to women: 19 Students have the opportunity to exhibit their work in local galleries, a Teaching assistantships awarded to minorities: 9 graduate thesis exhibition. The lab features audio and video editing, Hours of work required per week: 4 rendering of three-dimensional virtual spaces, and the development of Teaching assistantship maximum period of support: 1 year multimedia online platforms. The lab manages and supports online tools and resources, such as blogs, wikis, and content management Working assistantships applications received: 12 systems. Working assistantships awarded: 8 Working assistantships awarded to women: 5 Working assistantships awarded to minorities: 4

98 Hours of work required per week: 9 Total number of credit hours required for graduation: 60 Working assistantship maximum period of support: 2 years Total in studio art: 36 Other benefits: Tuition remission (part or full) Total in area of concentration: 24 Other financial support: Work-study and adjunct teaching opportunities Total in art history: 12 are available for qualified students. Technology fellowships require a Total in graduate seminars: 3 high level of computing skill. Electives: 9 Health Insurance Degree requirements: Written thesis, solo exhibition, critique of thesis No health insurance coverage is provided for full-time master’s students work, documentation of thesis work for program archive, oral defense of and part-time master’s students. work, thesis committee/exhibition jury STUDENTS Number of students in residence: Master’s, 17 Number of male graduates fall 2015–summer 2016: Master’s, 1 ILLINOIS STATE UNIVERSITY Number of female graduates fall 2015–summer 2016: Master’s, 3 Student organizations within the program/department: Art History Studio Art Society; Students’ Independent League in Ceramic Arts (SILICA); Photography Club Illinois State University Formal mode of student participation in academic governance: Students School of Art have representation on the Academic Senate, faculty search committees, Campus Box 5620 College Council, and Board of Trustees. Normal, Illinois, 61790 Phone: 309-438-5621 FACULTY Fax: 309-438-5625 Number of faculty: 28 finearts.illinoisstate.edu/art-masters-fine-arts/ Tenured/tenure track: 16 men, 11 women Contact: Scott Rankin, [email protected] Part-time/adjunct lecturers: 0 men, 1 woman Public university; nonprofit corporation Full-time contractual: 0 men, 0 women Accredited by: National Association of Schools of Art and Design, North DR. DANIELLA BARROQUEIRO, Art Education (Studio), Associate Central Association of Colleges and Schools Professor, EdD Degrees awarded: Master’s degree WAYNE BECKNER, Art Education (Studio), Associate Professor, MFA Concentrations in: Ceramics, digital media, drawing, glass, metals, DR. JUDITH BRIGGS, Art Education (Studio), Associate Professor, PhD multidisciplinary, painting, photography, printmaking, sculpture, video PETER BUSHELL, Graphic Design, Associate Professor, MFA, University The MFA program at Illinois State University School of Art has of Illinois at Urbana-Champaign approximately 20 students in photography, video, painting, sculpture, DR. LEA CLINE, Roman Art, Greek Art, Assistant Professor, tenure-track, expanded media, printmaking, metals, glass, and ceramics in a PhD, University of Texas at Austin multidisciplinary program within a large university setting. MFA TONY CROWLEY, Printmaking, Professor, MFA, University of Nebraska- students are accepted to a specific major studio area and encouraged to Lincoln work with faculty across studio disciplines. The 60-credit-hour MFA ANDREAS FISCHER, Painting, Associate Professor, MFA, University of degree is a three-year program culminating in the MFA Exhibition and Illinois at Chicago Supportive Statement in the sixth semester. Located approximately two BRIAN FRANKLIN, Digital Media (Studio), Assistant Professor, tenure- hours south of Chicago, the ISU School of Art offers students an track, MFA, Pennsylvania State University excellent faculty, extensive facilities, visiting artist residencies and DR. ELISABETH FRIEDMAN, Contemporary Art, Visual Studies, lectures, and individual graduate studio spaces. The University Galleries’ Associate Professor, PhD, York University active exhibition schedule also provides a critical survey of DR. MELISSA JOHNSON, Twentieth-Century Art, Visual Studies, contemporary art. The school provides a supportive atmosphere that Associate Professor, PhD, Bryn Mawr College fosters active studio practice, rigorous intellectual inquiry, and the GARY JUSTIS, Sculpture, Associate Professor, MFA, School of the Art development of a mature body of work. Institute of Chicago, 1979 ALICE LEE, Graphic Design, Assistant Professor, non-tenure, MDes, University of Illinois at Chicago ADMISSIONS JIN LEE, Photography (Studio), Professor, MFA, School of the Art This program has rolling admissions. Institute of Chicago Deadline for fall: 2/1 CLAIRE LIEBERMAN, Sculpture, Professor, MFA, Pratt Institute Fall notification date: 3/15 TYLER LOTZ, Ceramics, Professor, MFA, Alfred University Application fee: $50 JAMES MAI, Painting, 2-Dimensional Design, Professor, MFA, University of Wyoming Part-time students accepted: Yes JOHN MILLER, Glass, Associate Professor, MFA, University of Illinois at Applications received 2015–16: 37 Urbana-Champaign Applications accepted 2015–16: 7 WILLIAM O’DONNELL, Photography (Studio), Professor, MFA, School Students enrolled 2015–16: 5 of the Art Institute of Chicago MELISSA ORESKY, Painting, Associate Professor, MFA, University of Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Illinois at Chicago for foreign students (PBT 550), transcript, letters of recommendation, MORGAN PRICE, Printmaking, Assistant Professor, tenure-track, MFA, résumé, statement of interest/personal statement, writing sample, Wichita State University examples of personal artwork, artist’s statement SCOTT RANKIN, Video (Studio), Photography (Studio), Professor, MFA, Recommended: Degree in subject area, campus visit, in-person or University of California, Los Angeles, 1980 phone interview RANDALL REID, Metals, 3-Dimensional Design, Assistant Professor, tenure-track, MFA, Illinois State University CURRICULUM DR. VANESSA SCHULMAN, Art of the United States, Visual Studies, Assistant Professor, tenure-track, PhD, University of California, Irvine Courses ARCHANA SHEKARA, Graphic Design, Associate Professor, MFA, Number offered to graduate students each term: 78 University of Illinois at Urbana-Champaign Number whose enrollment is limited to graduate students: 30 SARAH SMELSER, Printmaking, Associate Professor, MFA, University of Iowa Average Class Size ALBION STAFFORD, Ceramics, Assistant Professor, tenure-track, MFA, In graduate studios: 6–10 students Alfred University In graduate seminars: 11–15 students DR. ED STEWART, Art Education (Studio), Associate Professor, PhD, University of Missouri Independent study available: Yes MICHAEL WILLE, Painting, Professor, MFA, Bowling Green State Course of Study University Full-time residency requirement: 1 term Maximum number of years for residency: 8 Average number of years for residency: 3 Typical number of credit hours per term for a full-time student: 12 99 Teaching assistantships awarded to minorities: 3 RESOURCES AND SPECIAL PROGRAMS Average amount of award/stipend: $6,091 Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Hours of work required per week: 20 department or institution, local galleries, a graduate thesis exhibition. Teaching assistantship maximum period of support: 3 years Computer labs, large-format printers, film scanners, video shooting and Other benefits: Tuition remission (part or full) editing studios, green screen studio, 3D scanner, and laser printer are Other financial support: Incoming graduate students can apply for the available. Baber Scholarship. All students are eligible for the Marshall Delaney Libraries Pitcher Award and other department scholarships. Total volumes in library system: >1,000,000 Health Insurance Art volumes in library system: >50,000 Full-time master’s students receive health insurance coverage with Art journals in library system: >100 copayment. Students have library privileges at other institutional libraries. Image Resources Total number of images: >100,000 Institution maintains its own digital-image collection. Institution subscribes to a digital-image library. Students have access to image INDIANA STATE UNIVERSITY collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field Fine Art M.F.A.; Art (Studio) M.A. trips. Department of Art and Design Program Opportunities Indiana State University Gallery or museum affiliated with the department: University Galleries 108 Fine Arts Formal programs: Study abroad, summer work projects Terre Haute, Indiana, 47809 Phone: 812-237-3697 Extracurricular opportunities for graduate students: Curate exhibitions, Fax: 812-237-4369 present public outreach lectures indstate.edu/art-design/ Other special programs sponsored by the department: Visiting Artist Residency/Seminar and lecture series; Colloquium: Visuality, Culture, Contact: Joy Cook, [email protected] Performance; Cipher Series: Lectures in Cryptography and Intelligence; Public university; nonprofit corporation School of Art Research Colloquium. The department sponsors 20–30 Accredited by: Commission on Higher Education, National Association lectures per year. of Schools of Art and Design Other Campus Resources Degrees awarded: Master’s degree Employment or career development office: Yes Concentrations in: Ceramics, drawing, graphic design, painting, photography, printmaking, sculpture Office/center for international students: Yes First graduate degree granted: MA, 1968 Housing space is available in apartments and married student housing. The graduate programs offered by the department of art encourage Environmental Health and Safety students to develop broad and versatile creative abilities, and to become Occupational Safety and Health Administration (OSHA) regulations are engaged members of a variety of artistic and scholarly communities. The in place for ventilation and respiratory protection, hazardous chemical programs are designed to provide a sequence of experiences that safety (right-to-know), personal protective equipment, machine safety, challenge the student and provide meaningful content. The objective is hearing protection. Program meets the US Environmental Protection to foster the student’s development of intellectual, communicative, Agency (EPA) and state regulations for hazardous materials, including formal, and technical knowledge. The goals of the graduate program are spill procedures and material disposal. Program has performed an to deliver a suitably professional, quality education by bringing students environmental health and safety audit in the past five years. General and across the threshold of accomplishments within the studio; to develop targeted ventilation is installed in printmaking, sculpture, jewelry, and in the student creative, experimental, and independent qualities, and an wood studios. Methods used to familiarize students and faculty with appropriately professional aesthetic; to provide students who wish to environmental health and safety include publications, required training teach at the university level with the knowledge of, and practice in, the course, instruction in class, internet or intranet, faculty training, health visual arts; and to encourage students to become engaged members of and safety officer (full-time or part-time), shop technician, material a variety of artistic and scholarly communities. safety data sheets (MSDS), information in student handbook. Online Art Health and Safety powerpoint tutorial ADMISSIONS Deadline for fall: 3/1 FINANCIAL INFORMATION Fall notification date: 4/15 Tuition Deadline for spring: 11/1 Full-time student tuition is determined per credit hour. Spring notification date: 12/7 State residents: $389 Application fee: $45 Out-of-state residents: $808 Part-time students accepted: Yes Additional institutional fees: $736.56 Applications received 2015–16: 15 Part-time student tuition is determined per credit hour. Applications accepted 2015–16: 5 State residents: $389 Students enrolled 2015–16: 4 Out-of-state residents: $808 Requirements: Bachelor’s degree (BA, BFA, or BSA), transcript, letters of recommendation, résumé, statement of interest/personal statement, Additional institutional fees: $330.84 examples of personal artwork, artist’s statement Financial Aid Recommended: Degree in subject area, related professional experience, Types of aid available: Tuition aid/remission, stipend, guaranteed loan, campus visit, contact the program for additional requirements teaching assistantship, research assistantship. Scholarships, grants, and awards are available. Graduate assistantships are available. All accepted CURRICULUM graduate students in the MFA studio program receive full tuition Courses waivers. Tuition and full stipend awarded to 22 students in the previous academic year. Tuition and partial stipend awarded to 2 students in the Number offered to graduate students each term: 36 previous academic year. Partial tuition awarded to 2 students in the Number whose enrollment is limited to graduate students: 20 previous academic year. Average Class Size Funds available for graduate student travel: Yes In graduate studios: 1–5 students Assistantships In graduate seminars: 1–5 students Assistantships are available to students of all levels. In graduate lectures: 21–50 students Teaching assistantships applications received: 53 Independent study available: Yes Teaching assistantships awarded: 27 Teaching assistantships awarded to women: 17

100 digital-image library. Students have access to image collections. Course of Study Students have opportunities to view works of art in local museums, Full-time residency requirement: None commercial galleries, and on funded field trips. Maximum number of years for residency: 7 Average number of years for residency: 3 Program Opportunities Additional opportunities for study within the institution: Related This program has a low-residency component. coursework in other university departments is available. Typical number of credit hours per term for a full-time student: 9 Gallery or museum affiliated with the department: Indiana State Total number of credit hours required for graduation: 60 University Art Gallery, Turman Art Gallery, Bare-Montgomery Gallery Total in studio art: 36 Formal relationships with local museums: Swope Art Museum Total in area of concentration: 36 Extracurricular opportunities for graduate students: Curate exhibitions, Total in art history: 6 present public outreach lectures Total in graduate seminars: 6 Other special programs sponsored by the department: Community Electives: 12 Service and Engagement. The department sponsors 5–10 lectures per Degree requirements: Thesis or artist’s statement, concentration, group year. exhibition, individual presentation of thesis work, critique of thesis work, Other Campus Resources documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. Students must organize and work with Employment or career development office: Yes committees of faculty who will give critical feedback and determine Office/center for international students: Yes when each student is ready to advance, exhibit, or graduate. There is a graduate-student housing office. Housing space is available in Recommended: Solo exhibition, business course, technology course, dormitories, apartments, and married student housing. Housing in the professional practices course city and surrounding areas is very affordable. There is a great variety of rental housing ranging from apartment complexes and buildings to STUDENTS single-family homes. Number of students in residence: Master’s, 17 Planned campus changes and facility improvements: Significant new near-campus housing available to graduate students will be complete for Number of male graduates fall 2015–summer 2016: Master’s, 1 the 2015–16 academic year. Number of female graduates fall 2015–summer 2016: Master’s, 2 Student organizations within the program/department: Ceramics Guild Environmental Health and Safety Formal mode of student participation in academic governance: Student Occupational Safety and Health Administration (OSHA) regulations are Government Association and Graduate Student Association in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, FACULTY hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Number of faculty: 12 spill procedures and material disposal. Program has performed an Tenured/tenure track: 5 men, 5 women environmental health and safety audit in the past five years. Methods Part-time/adjunct lecturers: 1 man, 1 woman used to familiarize students and faculty with environmental health and Full-time contractual: 0 men, 0 women safety include instruction in class, internet or intranet, faculty training, PROF. ALMA MARY ANDERSON, Graphic Design, Professor, MFA, health and safety officer (full-time or part-time), shop technician, Rochester Institute of Technology, 1967 material safety data sheets (MSDS). PROF. CHARLES ARMSTRONG, Graphic Design, Assistant Professor, tenure-track, MFA, Indiana State University, 2008 FINANCIAL INFORMATION DR. LLOYD BENJAMIN, Renaissance Art, Public Art, Professor, PhD, Tuition University of North Carolina at Chapel Hill, 1973 PROF. CHESTER BURTON, Printmaking, Sculpture, Assistant Professor, Full-time student tuition is determined per credit hour. non-tenure, MFA, Indiana State University, 2003 State residents: $380 DR. ALDEN CAVANAUGH, Eighteenth-Century Art, Decorative Arts, Out-of-state residents: $747 Associate Professor, PhD, University of North Carolina at Chapel Hill, International students: $747 1997 PROF. KIRA ENRIQUEZ, Ceramics, Assistant Professor, tenure-track, Additional institutional fees: $200 MFA, Stephen F. Austin State University, 2009 Part-time student tuition is determined per credit. DR. WILLIAM V. GANIS, Contemporary Art, Decorative Arts, Professor, State residents: $380 PhD, Stony Brook University, 2001 Out-of-state residents: $747 PROF. FRAN LATTANZIO, Photography (Studio), Professor, MFA, University of Michigan, 1973 International students: $747 PROF. MEREDITH LYNN, Arts Administration, Adjunct/Contingent Additional institutional fees: $100 faculty, MFA, University of Iowa, 2011 PROF. NANCY NICHOLS-PETHICK, Painting, Drawing (Studio), Financial Aid Associate Professor, MFA, Indiana State University, 2000 Types of aid available: Tuition aid/remission, stipend, teaching DR. BRAD VENABLE, Art Education, Associate Professor, PhD assistantship, work-study program. Scholarships, non-teaching graduate PROF. SALA WONG, Digital Media (Studio), Drawing (Studio), assistantships; additional assistantships are available in other areas of Associate Professor, MFA, University of Maryland, Baltimore County, the university. Tuition and full stipend awarded to 5 students in the 2003 previous academic year. No financial assistance awarded to 12 students in the previous academic year. RESOURCES AND SPECIAL PROGRAMS Funds available for graduate student travel: Yes Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Fellowships opportunity to exhibit their work in a gallery associated with the Fellowships are available to first-year students, second-year students, department or institution, local galleries, a graduate thesis exhibition. and third-year students. Students have access to computers, large-format printers, and digital Fellowships applications received last year: 15 video and photography cameras among other equipment. Specialized Average amount of award/stipend: $7,300 equipment includes a large-format CNC vinyl cutter as well as a CNC plasma cutter. Assistantships Assistantships are available to first-year students, second-year students, Libraries and third-year students. Total volumes in library system: >1,000,000 Teaching assistantships applications received: 15 Art volumes in library system: >50,000 Teaching assistantships awarded: 3 Art journals in library system: >1,000 Teaching assistantships awarded to women: 3 Students have library privileges at other institutional libraries. Teaching assistantships awarded to minorities: 1 Image Resources Average amount of award/stipend: $8,400 Total number of images: >1,000,000 Institution and program maintain digital-image collections. Institution Hours of work required per week: 20 and program maintain slide collections. Institution subscribes to a Teaching assistantship maximum period of support: 3 years

101 Working assistantships applications received: 15 Electives: 6 Working assistantships awarded: 2 Degree requirements: Written thesis, thesis or artist’s statement, Other benefits: Tuition remission (part or full) concentration, solo exhibition, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for Other financial support: Students must have received a tuition waiver in program archive, oral defense of work, thesis committee/exhibition jury. order to qualify for a graduate assistantship stipend. IUP offers a 60-credit MFA program and a 30-credit MA program. The Health Insurance MA program has a summer residency option with an online component No health insurance coverage is provided for full-time master’s students during the academic year to accommodate the schedules of working art and part-time master’s students. teachers. Please contact the graduate coordinator for more information. STUDENTS Number of students in residence: Master’s, 25 Number of male graduates fall 2015–summer 2016: Master’s, 4 INDIANA UNIVERSITY OF Number of female graduates fall 2015–summer 2016: Master’s, 8 Student organizations within the program/department: The Graduate PENNSYLVANIA Art Association organizes an annual visiting artist’s lecture series, among other activities. Formal mode of student participation in academic governance: The Department of Art Graduate Student Assembly is composed of two representatives from Indiana University of Pennsylvania each graduate program. It serves graduate students through voting Department of Art representation on the Senate Graduate Committee, the Library and 470 S. Eleventh St., Sprowls Hall Educational Services Committee, and the University Senate. Indiana, Pennsylvania, 15705 Phone: 724-357-2530 FACULTY Fax: 724-357-3296 Number of faculty: 22 www.iup.edu/art Tenured/tenure track: 7 men, 7 women Contact: Susan Palmisano, [email protected] Part-time/adjunct lecturers: 1 man, 1 woman Public university; nonprofit corporation Full-time contractual: 3 men, 3 women Accredited by: Middle States Commission on Higher Education, PROF. SEAN DERRY, Sculpture, Ceramics, Assistant Professor, tenure- National Association of Schools of Art and Design, National Council for track, MFA, Ohio State University Accreditation of Teacher Education PROF. TONY DIMAURO, Graphic Design, Assistant Professor, tenure- Degrees awarded: Master’s degree track, MFA, School of Visual Arts, 2012 PROF. IVAN FORTUSHNIAK, Painting, Associate Professor, MFA, Concentrations in: Ceramics, drawing, metals, painting, sculpture University of Cincinnati, 2000 Nestled in the rolling foothills of the Allegheny Mountains, Indiana PROF. ANDREW GILLHAM, Graphic Design, Associate Professor, MFA, University of Pennsylvania (IUP) offers a diverse and stimulating Michigan State University, 1991 educational environment. IUP is located in Indiana, PA, a culturally rich PROF. BA HARRINGTON, Object Design, Sculpture, Assistant community only 55 miles northeast of Pittsburgh. Art students also Professor, tenure-track, MFA, University of Wisconsin-Madison benefit from being in close proximity to the major art centers of New PROF. NATHAN HEUER, Drawing (Studio), Assistant Professor, tenure- York City, Columbus, Cleveland, Philadelphia, and Washington, DC. Art track, MFA, Kendall College of Art and Design of Ferris State University, faculty members are dedicated, culturally diverse contemporary artists 2008 exhibiting at national and international levels. Students receive an DR. IRENE KABALA, Early Medieval Art, Associate Professor, PhD, Johns intensive program of study and mentoring from dedicated and Hopkins University, 2002 accomplished artists. PROF. SHARON MASSEY, Metals, Assistant Professor, tenure-track, MFA, East Carolina University, 2006 ADMISSIONS DR. MARISSA MCCLURE-SWEENY, Art Education, Assistant Professor, Deadline for fall: 2/15 tenure-track, PhD, Pennsylvania State University, 2008 Fall notification date: 4/1 PROF. CHRISTOPHER MCGINNIS, Painting, joint appointment in Kipp Gallery Director, Assistant Professor, non-tenure, MFA, University of Application fee: $50 Arizona Part-time students accepted: Yes DR. BRENDA MITCHELL, Twentieth-Century Art, Gender Studies, Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Associate Professor, PhD, Indiana University, 1996 area, GPA (2.6), TOEFL for foreign students (540), transcript, letters of PROF. SUSAN PALMISANO, Painting, Professor, MFA, University of recommendation, résumé, statement of interest/personal statement, Cincinnati, 1989 examples of personal artwork, artist’s statement DR. PENNY RODE, Japanese Art, Associate Professor, PhD, University Recommended: Campus visit, in-person or phone interview of Pittsburgh, 1999 DR. ROBERT SWEENY, Art Education, Visual Studies, Professor, PhD, Pennsylvania State University, 2004 CURRICULUM PROF. KEVIN TURNER, Ceramics, Associate Professor, MFA, Southern Courses Illinois University Carbondale, 1992 Number offered to graduate students each term: 10 MS. RHONDA YEAGER, Library Science, Adjunct/Contingent faculty, MS Number whose enrollment is limited to graduate students: 3 Recent Visiting Faculty Average Class Size MR. GEORGE DUBINSKY, Object Design, Adjunct/Contingent faculty, In graduate studios: 6–10 students MFA, Rochester Institute of Technology In graduate seminars: 11–15 students MS. BETH IRELAND, Object Design, Adjunct/Contingent faculty, MFA, In graduate lectures: 11–20 students Massachusetts College of Art and Design MS. CHELE ISAAC, Object Design, Adjunct/Contingent faculty, MFA, Independent study available: Yes University of Wisconsin-Madison Course of Study PROF. CHRISTINE LEE, Object Design, Adjunct/Contingent faculty, MFA Full-time residency requirement: 2 terms TED LOTT, Object Design, Adjunct/Contingent faculty, MFA Maximum number of years for residency: 5 PROF. ALPHONSE MATTIA, Object Design, Assistant Professor, non- Average number of years for residency: 3 tenure, MFA This program has an online-learning component and a low-residency component. Typical number of credit hours per term for a full-time student: 12 RESOURCES AND SPECIAL PROGRAMS Total number of credit hours required for graduation: 60 Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Total in studio art: 45 opportunity to exhibit their work in a gallery associated with the Total in area of concentration: 33 department or institution, local galleries, a graduate thesis exhibition. Total in art history: 6 Resources include digital cameras and projectors, computers with a Total in graduate seminars: 3 wide range of software, large-format printers, flatbed scanners, digital 102 loom, ThinkPad laptops, and a Epilog Helix laser cutter and engraver. Working assistantships awarded: 18 Libraries Working assistantships awarded to women: 10 Total volumes in library system: >2,000,000 Working assistantships awarded to minorities: 1 Art volumes in library system: >50,000 Average amount of award/stipend: $13,466 Art journals in library system: >100 Hours of work required per week: 10 Working assistantship maximum period of support: 2 years Image Resources Total number of images: >250,000 Other benefits: Tuition remission (part or full) Institution and program maintain digital-image collections. Program Other financial support: The School for Graduate Studies and Research maintains its own slide collection. Institution subscribes to a digital- offers a number of grant opportunities to graduate students to fund image library. Students have access to image collections. Students have research projects and travel. opportunities to view works of art in local museums, commercial galleries, and on funded field trips. Health Insurance No health insurance coverage is provided for full-time master’s students Program Opportunities and part-time master’s students. Additional opportunities for study within the institution: MFA students may take up to six graduate credits within other disciplines in the university. Gallery or museum affiliated with the department: Kipp Gallery and University Museum INDIANA UNIVERSITY- Formal programs: Study abroad, summer work projects. Students can earn up to nine credits in specific international exchange programs with BLOOMINGTON the art academy in Zagreb, Croatia. Formal relationships with other academic institutions: The Art Academy Henry Radford Hope School of Fine Arts of Zagreb, Croatia. The Office for International Education offers an array of exchange opportunities through formal agreements with hundreds of Indiana University institutions. 1201 E. 7th St., Room 123 Extracurricular opportunities for graduate students: Curate exhibitions, Bloomington, Indiana, 47401 conduct fieldwork, present public outreach lectures Phone: 812-855-0188 Other special programs sponsored by the department: The School of Fax: 812-855-7498 Graduate Studies and Research offers a broad range of grant www.indiana.edu/~finaweb/test/cms/fina/ opportunities and interdisciplinary conferences for graduate students. Contact: Graduate Services Coordinator, [email protected] The department sponsors 5–10 lectures per year. Public university; nonprofit corporation Other Campus Resources Accredited by: National Association of Schools of Art and Design Employment or career development office: Yes Degrees awarded: Master’s degree Office/center for international students: Yes Concentrations in: Ceramics, digital media, fiber arts, graphic design, There is a graduate-student housing office. Housing space is available in metals, painting, photography, printmaking, sculpture dormitories and apartments. The Henry Radford Hope School of Fine Arts, founded in 1865, is today considered one of the premier art schools in the country. Studio areas Environmental Health and Safety include ceramics, drawing and painting, graphic design, metalsmithing Occupational Safety and Health Administration (OSHA) regulations are and jewelry design, digital media/computer arts, photography, textiles, in place for ventilation and respiratory protection, hazardous chemical printmaking, and sculpture. The curriculum is enriched by an active safety (right-to-know), personal protective equipment, machine safety, school exhibition gallery with visiting artists and art historians. Facilities hearing protection. Program meets the US Environmental Protection include large studios and classrooms specifically designed to present Agency (EPA) and state regulations for hazardous materials, including visual material. Many resources are available to students such as the spill procedures and material disposal. Program has performed an SoFA Slide Library, which contains an outstanding collection of more environmental health and safety audit in the past five years. Methods than 320,000 slides. The Fine Arts Library contains more than 90,000 used to familiarize students and faculty with environmental health and volumes and the exceptional collections of the Indiana University Art safety include publications, required training course, instruction in class, Museum are without compare. internet or intranet, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), training videos, ADMISSIONS information in student handbook. Deadline for fall: 1/15 Fall notification date: 4/15 FINANCIAL INFORMATION Application fee: $65 Tuition Applications received 2015–16: 150 Full-time student tuition is determined per credit hour. Applications accepted 2015–16: 46 State residents: $483 Students enrolled 2015–16: 22 Out-of-state residents: $725 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign International students: $725 students (iBT 79), transcript, letters of recommendation, résumé, Additional institutional fees: $1,620 statement of interest/personal statement, examples of personal artwork, artist’s statement Part-time student tuition is determined per credit hour. Recommended: GPA (3.0), campus visit, in-person or phone interview, State residents: $483 contact the program for additional requirements Out-of-state residents: $725 International students: $725 CURRICULUM Additional institutional fees: $520 Courses Financial Aid Number offered to graduate students each term: 52 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Number whose enrollment is limited to graduate students: 26 research assistantship, work-study program. A limited number of merit scholarships are available to qualifying graduate students. The graduate Average Class Size school offers a number of grant opportunities for student research. In graduate studios: 6–10 students Tuition and full stipend awarded to 3 students in the previous academic In graduate seminars: 6–10 students year. Tuition and partial stipend awarded to 15 students in the previous Independent study available: Yes academic year. No financial assistance awarded to 3 students in the previous academic year. Course of Study Funds available for graduate student travel: Yes Full-time residency requirement: 3 years Assistantships Maximum number of years for residency: 5 Assistantships are available to first-year students and second-year Average number of years for residency: 3 students. Typical number of credit hours per term for a full-time student: 12

103 Total number of credit hours required for graduation: 60 Other Campus Resources Degree requirements: Written thesis, thesis or artist’s statement, solo exhibition, individual presentation of thesis work, critique of thesis work, Employment or career development office: Yes documentation of thesis work for program archive, oral defense of work, Office/center for international students: Yes thesis committee/exhibition jury There is a graduate-student housing office. Housing space is available in Recommended: Professional practices course dormitories, apartments, and married student housing. STUDENTS Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Number of students in residence: Master’s, 64 in place for ventilation and respiratory protection, hazardous chemical Number of male graduates fall 2015–summer 2016: Master’s, 8 safety (right-to-know), personal protective equipment, machine safety, Number of female graduates fall 2015–summer 2016: Master’s, 13 hearing protection. Program meets the US Environmental Protection Student organizations within the program/department: The Master of Agency (EPA) and state regulations for hazardous materials, including Fine Arts Organization (MFAO) is the student organization for Studio spill procedures and material disposal. Program has performed an Art. Officers are elected by majority vote from all MFAs. The MFAO environmental health and safety audit in the past five years. Methods organizes and holds events and fundraisers throughout the academic used to familiarize students and faculty with environmental health and year. safety include required training course, instruction in class, faculty Formal mode of student participation in academic governance: The training, health and safety officer (full-time or part-time), shop Graduate and Professional Student Organization Assembly represents technician, material safety data sheets (MSDS), information in student the entire Indiana University-Bloomington graduate student population. handbook. FACULTY FINANCIAL INFORMATION Number of faculty: 21 Tuition Tenured/tenure track: 10 men, 8 women Full-time student tuition is determined per credit hour. Part-time/adjunct lecturers: 1 man, 2 women State residents: $351.75 Full-time contractual: 0 men, 0 women Out-of-state residents: $1,1117 MS. CHRISTYL BOGER, Ceramics, Associate Professor, MFA Additional institutional fees: $650.38 MR. PAUL BROWN, Graphic Design, Associate Professor, MFA MS. ELIZABETH CLAFFEY, Photography (Studio), Assistant Professor, Financial Aid non-tenure, MFA Types of aid available: Tuition aid/remission, stipend, guaranteed loan, MR. BLANE DE ST. CROIX, Sculpture, Associate Professor, MFA teaching assistantship, research assistantship, work-study program. MS. MARGARET DOLINSKY, Digital Media (Studio), Associate Tuition and full stipend awarded to 58 students in the previous Professor, MFA academic year. Tuition and partial stipend awarded to 5 students in the JENNY EL-SHAMY, Graphic Design, Adjunct/Contingent faculty, MFA previous academic year. No financial assistance awarded to 4 students MS. NICOLE JACQUARD, Metals, Associate Professor, MFA in the previous academic year. MR. TIM KENNEDY, Painting, Adjunct/Contingent faculty, MFA Funds available for graduate student travel: Yes MR. ARTHUR LIOU, Digital Media (Studio), Professor, MFA PROF. RANDY LONG, Metals, Professor, MFA Fellowships MS. MARTHA MACLEISH, 2-Dimensional Design, Associate Professor, Fellowships are available to students of all levels. MFA MS. EVE MANSDORF, Painting, Associate Professor, MFA Fellowships applications received last year: 51 MR. TIM MATHER, Ceramics, Associate Professor, MFA Fellowships awarded: 21 MR. OSAMU JAMES NAKAGAWA, Photography (Studio), Professor, Fellowships awarded to women: 8 MFA Fellowships awarded to minorities: 3 MS. TINA NEWBERRY, Painting, Associate Professor, MFA MR. JAMES REIDHAAR, Graphic Design, Associate Professor, MFA Average amount of award/stipend: $18,000 MR. ROWLAND RICKETTS, Fiber Arts, Associate Professor, MFA Assistantships MR. MALCOLM SMITH, Ceramics, Associate Professor, MFA TRACY TEMPLETON, Printmaking, Associate Professor, MFA Assistantships are available to students of all levels. MR. CALEB WEINTRAUB, Painting, Associate Professor, MFA Teaching assistantships applications received: 74 PROF. JEFFREY WOLIN, Photography (Studio), Professor, MFA Teaching assistantships awarded: 48 Teaching assistantships awarded to women: 23 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to minorities: 4 Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Average amount of award/stipend: $15,750 opportunity to exhibit their work in a gallery associated with the Hours of work required per week: 20 department or institution, local galleries, a graduate thesis exhibition. Working assistantships applications received: 74 Libraries Working assistantships awarded: 16 Total volumes in library system: >5,000,000 Working assistantships awarded to women: 12 Art volumes in library system: >100,000 Working assistantships awarded to minorities: 2 Art journals in library system: >300 Average amount of award/stipend: $15,750 There is a separate art library with >10,000 volumes and >300 journals. Hours of work required per week: 20 Students have library privileges at other institutional libraries. Other benefits: Tuition remission (part or full) Image Resources Total number of images: >500,000 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. INSTITUTE FOR DOCTORAL Students have opportunities to view works of art in local museums, commercial galleries, and private collections. STUDIES IN THE VISUAL ARTS Program Opportunities Gallery or museum affiliated with the department: Indiana University Art Studio Art and Design Museum Institute for Doctoral Studies in the Visual Arts Formal programs: Study abroad 795 Congress St. Formal relationships with other academic institutions: Graduate-level Portland, Maine, 04102 courses from other universities may transfer in if approved by the Phone: 207-771-8887 Director of Graduate Studies and the Dean’s office. www.idsva.edu Extracurricular opportunities for graduate students: Curate exhibitions, Contact: Molly Davis, [email protected] research for catalogues, present public outreach lectures. The Private university; nonprofit corporation department sponsors 30–40 lectures per year. Accredited by: New England Association of Schools and Colleges

104 Degrees awarded: Doctoral degree PROF. JOHN RAJCHMAN, Critical Theory, Architectural History, Professor, PhD, Columbia University Concentrations in: Visual studies PROF. EWA ZIAREK, Critical Theory, Professor, PhD First graduate degree granted: PhD, 2013 The Institute for Doctoral Studies in the Visual Arts (IDSVA) offers a low-residency PhD program in art theory and philosophy to visual RESOURCES AND SPECIAL PROGRAMS artists, architects, curators, and creative scholars. IDSVA’s three-year course of study blends distance learning with intensive residencies at Libraries Spannocchia Castle in Tuscany, the Venice , Paris, Berlin, Students have library privileges at other institutional libraries. Athens, New York City, and Colby College. Students work directly with internationally renowned artists and thinkers. The curriculum comprises Image Resources one self-designed independent study and one seminar course per Institution subscribes to a digital-image library. Students have semester. Seminars and independent studies commence in residencies opportunities to view works of art in local museums, commercial and continue online throughout fall and spring semesters. With galleries, private collections, and on funded field trips. completion of the course of study, students take qualifying exams. The dissertation takes, on average, an additional two years to complete. Program Opportunities Total time to complete the degree is about five years. Other special programs sponsored by the department: The summer residency is at Spannocchia Castle in Tuscany, with visits to Siena, ADMISSIONS Florence, and a week at the Venice Biennale or in Paris. The winter residency is held in New York City. All intensive residencies include This program has rolling admissions. museum visits and lectures from philosophers, curators, and artists. Application fee: $0 The department sponsors 5–10 lectures per year. Part-time students accepted: Yes Students enrolled 2015–16: 16 Other Campus Resources Requirements: Bachelor’s degree (BA, BFA, or BSA), master’s degree, IDSVA is a low-residency program that provides housing on location GPA (3.0), transcript, letters of recommendation, résumé, statement of during residency periods. interest/personal statement, writing sample, in-person or phone Environmental Health and Safety interview Program does not meet the US Environmental Protection Agency (EPA) Recommended: Related internship experience, related professional and state regulations for hazardous materials, including spill procedures experience and material disposal. Program has not performed an environmental health and safety audit in the past five years. Methods used to CURRICULUM familiarize students and faculty with environmental health and safety Average Class Size include information in student handbook. In graduate seminars: 11–15 students FINANCIAL INFORMATION Independent study available: Yes Tuition Course of Study Full-time student tuition is determined per semester. Full-time residency requirement: None All students: $14,000 This program has an online-learning component and a low-residency Additional institutional fees: $0 component. Part-time student tuition is determined per course. Typical number of credit hours per term for a full-time student: 10 All students: $8,000 Total number of credit hours required for graduation: 60 Total in graduate seminars: 40 Financial Aid Electives: 20 Types of aid available: Tuition aid/remission, guaranteed loan, teaching Degree requirements: Written thesis, oral defense of work. The 60-credit assistantship. Partial tuition awarded to 36 students in the previous academic course of study also requires: a written qualifying exam; an academic year. No financial assistance awarded to 1 student in the oral qualifying exam; a full-length, written, academic dissertation; and an previous academic year. oral defense of the dissertation. Fellowships Fellowships are available to third-year students, fourth-year students, STUDENTS and fifth-year students. Number of students in residence: Doctorate, 43 Fellowships awarded: 2 Number of male graduates fall 2015–summer 2016: Doctorate, 3 Average amount of award/stipend: $1,500 Number of female graduates fall 2015–summer 2016: Doctorate, 2 Fellowship maximum period of support: 1 year Formal mode of student participation in academic governance: Student Representative Committee Assistantships Assistantships are available to third-year students. FACULTY Teaching assistantships awarded: 1 Number of faculty: 13 Teaching assistantships awarded to women: 1 Tenured/tenure track: 3 men, 1 woman Average amount of award/stipend: $1,500 Part-time/adjunct lecturers: 0 men, 0 women Other benefits: Tuition remission (part or full) Full-time contractual: 6 men, 3 women Other financial support: The design of the IDSVA curriculum allows PhD PROF. HOWARD CAYGILL, Critical Theory, Visual Studies, Professor, students to maintain a full-time teaching appointment in their current PhD residence. IDSVA keeps tuition relatively low and offers limited PROF. SIMONETTA MORO, Critical Theory, Drawing (Studio), scholarships and fellowships. Associate Professor, PhD, 2003 PROF. GEORGE SMITH, Critical Theory, Visual Studies, Professor, PhD, Health Insurance Brown University, 1989 No health insurance coverage is provided. PROF. CHRISTOPHER YATES, Non-Artist/Non-Art Historian, joint appointment in 19th-20th Century Continental Philosophy, Associate Professor, PhD, Boston University, 2011 Recent Visiting Faculty PROF. AZRA AKSAMIJA, Visual Studies, Professor, PhD PROF. PAUL ARMSTRONG, Critical Theory, Professor, PhD, Stanford University, 1977 ÉTIENNE BALIBAR, Critical Theory, Professor, PhD PROF. JAMES ELKINS, Critical Theory, Contemporary Art, Professor, PhD, University of Chicago, 1989 PROF. LYNETTE HUNTER, Performance, Professor, PhD, Queen’s University ALFREDO JAAR, Visual Studies, Professor SYLVÈRE LOTRINGER, Critical Theory, Professor, PhD

105 PROF. ALEX BRAIDWOOD, Graphic Design, Assistant Professor, tenure-track, MFA, Art Center College of Design, 2011 PROF. BARBARA CALDWELL, Art Education (Studio), Associate Professor, EdD, Illinois State University, 1991 Art and Visual Culture PROF. ANSON CALL, Graphic Design, Associate Professor, MFA, Utah State University, 2003 College of Design PROF. CHRISTINE CARR, Photography (History), joint appointment in Iowa State University Art and Visual Culture, Assistant Professor, tenure-track, MFA, 2004 146 College of Design PROF. JOHN CUNNALLY, Renaissance Art, Associate Professor, PhD, Ames, Iowa, 50011 3091 University of Pennsylvania, 1984 Phone: 515-294-0816 PROF. PAULA CURRAN, Graphic Design, Associate Professor, MFA, Fax: 515-294-2725 University of Illinois at Urbana-Champaign, 1993 www.design.iastate.edu PROF. JOHN DORN, Drawing (Studio), joint appointment in Biological Pre-Medical Illustration, Adjunct/Contingent faculty, MA, Johns Hopkins Contact: Meredith Foley, [email protected] University, 1996 Public university; nonprofit corporation PROF. JENNIFER DRINKWATER, Painting, Adjunct/Contingent faculty, Accredited by: National Association of Schools of Art and Design MFA, East Carolina University, 2007 Degrees awarded: Master’s degree PROF. NATHAN EDWARDS, Foundations, Adjunct/Contingent faculty, MFA, Kansas State University, 2012 Concentrations in: Animation, ceramics, digital media, drawing, PROF. APRIL EISMAN, Contemporary Art, Associate Professor, PhD, environmental art, fiber arts, installation, photography, printmaking, University of Pittsburgh, 2007 public art, sculpture PROF. EMILY GODBEY, Contemporary Art, Associate Professor, PhD, First graduate degree granted: MFA, 2002 University of Chicago, 2005 PROF. CINDY GOULD, Foundations, Textiles, Associate Professor, ADMISSIONS MFA, University of Iowa, 1998 This program has rolling admissions. PROF. AMY HARRIS, Foundations, Adjunct/Contingent faculty, MFA, Deadline for fall: 1/15 Drake University, 1995 PROF. BRENT HOLLAND, Drawing (Studio), Painting, Associate Fall notification date: 4/1 Professor, MFA, University of Washington, 2004 Deadline for spring: 11/1 PROF. MIKE JACKSON, Foundations, Adjunct/Contingent faculty Spring notification date: 12/1 PROF. BRENDA JONES, Drawing (Studio), Painting, Professor, MFA, Application fee: $60 Drake University, 1986 PROF. APRIL KATZ, Printmaking, Professor, MFA, Arizona State Part-time students accepted: Yes University, 1988 Applications received 2015–16: 21 PROF. INGRID LILLIGREN, Ceramics, Professor, MFA, Claremont Applications accepted 2015–16: 13 Graduate University, 1986 Students enrolled 2015–16: 4 PROF. CHRISTOPHER MARTIN, 3-Dimensional Design, Associate Professor, MFA, Rhode Island School of Design, 1994 Requirements: Bachelor’s degree (BA, BFA, or BSA), master’s degree, PROF. EMILY MORGAN, Contemporary Art, Assistant Professor, GRE, TOEFL for foreign students, transcript, letters of recommendation, tenure-track, PhD, Arizona State University, 2012 résumé, statement of interest/personal statement, examples of personal PROF. KIMBERLY MOSS, Drawing (Studio), Adjunct/Contingent faculty, artwork MFA, University of Michigan, 2001 PROF. JOSEPH MUENCH, Metals, Associate Professor, MFA, CURRICULUM Washington University in St. Louis, 1987 Courses PROF. DEBORAH PAPPENHEIMER, Foundations, Adjunct/Contingent faculty, MFA, Boston University, 1981 Number offered to graduate students each term: 28 PROF. TERESA PASCHKE, Textiles, Professor, MFA, University of Number whose enrollment is limited to graduate students: 12 Washington, 1998 PROF. LYNETTE POHLMAN, Museum Studies, Adjunct/Contingent Average Class Size faculty, MA, Iowa State University, 1976 In graduate studios: 1–5 students PROF. SANDRA QUINTERO, Art Education, Adjunct/Contingent faculty, In graduate seminars: 6–10 students MA, Iowa State University, 1994 PROF. CHARLES RICHARDS, Drawing (Studio), Professor, MFA, Course of Study University of Wisconsin-Madison, 1983 Full-time residency requirement: None PROF. CELINDA STAMY, Foundations, Adjunct/Contingent faculty, Typical number of courses for a full-time student: 3 MFA, Iowa State University, 2014 PROF. AUSTIN STEWART, Environmental Art (Studio), Assistant Total number of courses required for graduation: 21 Professor, tenure-track, MFA, Ohio State University, 2012 Total in studio art: 11 PROF. PAULA STREETER, Foundations, Adjunct/Contingent faculty, Total in area of concentration: 8 MFA, Iowa State University, 2011 Total in art history: 3 PROF. NANCY THOMPSON, Foundations, Adjunct/Contingent faculty, MFA, Iowa State University, 2008 Electives: 2 PROF. BARBARA WALTON, Drawing (Studio), Painting, requirements: Written thesis, solo exhibition, individual Professor, MFA, Drake University, 1996 presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis RESOURCES AND SPECIAL PROGRAMS committee/exhibition jury. There is a creative component or thesis Semiprivate studios are available with unlimited hours for all. Students exhibition. have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. STUDENTS The following computing, digital, and media equipment is available for Number of students in residence: Master’s, 14 student use: Mac and PC computers, 44-inch archival printer, 17-inch Number of male graduates fall 2015–summer 2016: Master’s, 8 archival printer, laser cutters, 3D printer, digital acquisition lab, CAVE, Number of female graduates fall 2015–summer 2016: Master’s, 6 Nikon professional digital SLRs, and a color scanner. Student organizations within the program/department: College of Libraries Design Art Club, AIGA, Club, University Print Society, Interior Total volumes in library system: >3,000,000 Design Student Association, ISU Industrial Designers Society of America Student Chapter Art volumes in library system: >500,000 Formal mode of student participation in academic governance: Graduate Art journals in library system: >1,000 Student Senate and Government of the Student Body There is a separate art library with >10,000 volumes and >100 journals. Students have library privileges at other institutional libraries. FACULTY Image Resources Number of faculty: 32 Total number of images: >750,000 Tenured/tenure track: 8 men, 12 women Institution and program maintain digital-image collections. Institution Part-time/adjunct lecturers: 3 men, 9 women and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Full-time contractual: 0 men, 0 women Students have opportunities to view works of art in local museums, 106 commercial galleries, private collections, and on funded field trips. Program Opportunities JACKSONVILLE UNIVERSITY Additional opportunities for study within the institution: The program allows coursework in other fields in order to fulfill requirements, with the Low-Residency MFA in Visual Arts permission of the student’s program of study committee. Gallery or museum affiliated with the department: Brunnier Art Jacksonville University Museum, Christian Peterson Museum MFA Visual Arts - Phillips Fine Arts Building Formal programs: Study abroad. We offer a summer and fall semester in 2800 University Blvd. North Rome, providing courses in both art history and studio arts that have Jacksonville, Florida, 32211 been specifically tailored to the opportunities available to students in Phone: 904-256-7398 Rome. mfa.ju.edu Formal relationships with local museums: Students have opportunities Contact: Cari Coble, [email protected] to curate exhibitions and present lectures. Private university; nonprofit corporation Extracurricular opportunities for graduate students: Curate exhibitions, Accredited by: Southern Association of Colleges and Schools conduct fieldwork, present public outreach lectures. The department Degrees awarded: Master’s degree sponsors 10–20 lectures per year. Concentrations in: 2-dimensional design, 3-dimensional design, Other Campus Resources animation, architecture, ceramics, digital media, drawing, environmental Employment or career development office: Yes art, fiber arts, film, foundations, glass, graphic design, illustration, industrial design, installation, interior design, metals, multidisciplinary, Office/center for international students: Yes painting, paper, performance, photography, printmaking, public art, There is a graduate-student housing office. Housing space is available in sculpture, video, visual studies dormitories, apartments, and married student housing. The MFA degree is a two-year low-residency program emphasizing Environmental Health and Safety conceptual and creative process of generating new works that are grounded in both classical and contemporary art genres. Each year the Occupational Safety and Health Administration (OSHA) regulations are program starts with a six-week Summer Intensive on the campus of in place for ventilation and respiratory protection, hazardous chemical Jacksonville University. This is followed by two non-resident semesters safety (right-to-know), personal protective equipment, machine safety, using a combination of distance study with JU faculty and mentors who hearing protection. Program meets the US Environmental Protection work one-on-one with each student to expand his or her project-based Agency (EPA) and state regulations for hazardous materials, including work. This MFA expects applicants to have professional experience in spill procedures and material disposal. Program has performed an their field prior to application. environmental health and safety audit in the past five years. There are hoods, general ventilation, and direct machine ventilation hookups. Methods used to familiarize students and faculty with environmental ADMISSIONS health and safety include publications, required training course, This program has rolling admissions. instruction in class, internet or intranet, faculty research, health and Deadline for fall: 2/15 safety officer (full-time or part-time), shop technician, material safety Fall notification date: 3/1 data sheets (MSDS). Application fee: $50 FINANCIAL INFORMATION Applications received 2015–16: 20 Applications accepted 2015–16: 10 Tuition Students enrolled 2015–16: 10 Full-time student tuition is determined per semester. Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign State residents: $4,237 students, transcript, letters of recommendation, résumé, statement of Out-of-state residents: $10,893 interest/personal statement, examples of personal artwork, artist’s International students: $11,143 statement, contact the program for additional requirements Additional institutional fees: $538 CURRICULUM Part-time student tuition is determined per semester. Courses Financial Aid Number offered to graduate students each term: 5 Types of aid available: Tuition aid/remission, stipend, teaching Number whose enrollment is limited to graduate students: 5 assistantship, research assistantship Funds available for graduate student travel: Yes Average Class Size Assistantships In graduate studios: 1–5 students In graduate seminars: 16–20 students Assistantships are available to students of all levels. In graduate lectures: 11–20 students Working assistantships awarded: 13 Other financial support: Graduate students may purchase a Group Course of Study Health Insurance plan, which covers benefits for the student and Full-time residency requirement: None dependents. A graduate student on a graduate assistantship receives Maximum number of years for residency: 2 single student coverage free of charge and has the option of paying premiums for coverage for his/her spouse and children. Average number of years for residency: 2 This program has an online-learning component and a low-residency Health Insurance component. Full-time doctoral students and full-time master’s students receive Typical number of credit hours per term for a full-time student: 11 health insurance coverage with copayment. Health insurance coverage Total number of credit hours required for graduation: 60 is available to dependents, spouses, and same-sex domestic partners of full-time doctoral students and full-time master’s students. Total in studio art: 20 Total in area of concentration: 20 Total in art history: 5 Total in graduate seminars: 15 Degree requirements: Written thesis, thesis or artist’s statement, solo exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, technology course, professional practices course STUDENTS Number of students in residence: Master’s, 20 Number of male graduates fall 2015–summer 2016: Master’s, 10 Number of female graduates fall 2015–summer 2016: Master’s, 10 Formal mode of student participation in academic governance: Student

107 government representatives Assistantships FACULTY Other benefits: Tuition remission (part or full), housing allowance Number of faculty: 6 Other financial support: Please contact the Graduate Admissions office Tenured/tenure track: 2 men, 3 women for more information. Part-time/adjunct lecturers: 1 man, 0 women Full-time contractual: 0 men, 0 women DR. BRANDON BURRELL, Non-Artist/Non-Art Historian, Adjunct/Contingent faculty, PhD JOHNSON STATE COLLEGE MR. BILL HILL, Arts Administration, Digital Media (Studio), Associate Professor, MFA, University of Florida MR. ERIC KUNZENDORF, Animation (Studio), Chair, MFA, University Studio Art of Georgia MS. LILY KUONEN, Foundations, Assistant Professor, tenure-track, Johnson State College MFA, Savannah College of Art and Design Visual Arts Center MS. TIFFANY LEACH, Ceramics, Assistant Professor, tenure-track, MFA, 337 College Hill University of Georgia Johnson, Vermont, 05656 MS. DANA TUPA, Ceramics, joint appointment in Visual Arts, Chair, Phone: 802-635-1244 Associate Professor, MFA, Tulane University Fax: 802-635-1230 www.jsc.edu/academics RESOURCES AND SPECIAL PROGRAMS Contact: Cathy Higley, [email protected] Private studios are available with unlimited hours for all. Semiprivate Public college; nonprofit corporation studios are available with unlimited hours for all. Students have the Accredited by: New England Association of Schools and Colleges opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Degrees awarded: Master’s degree Large computer labs are available, with printers, scanners, and up-to- Concentrations in: Drawing, multidisciplinary, painting, printmaking, date software. sculpture Libraries First graduate degree granted: MFA, 1996 The MFA is a 60-credit graduate degree in studio art offered by Johnson Total volumes in library system: >3,000,000 State in conjunction with the Vermont Studio Center in Johnson, Art volumes in library system: >100,000 Vermont. Students in this low-residency program work with resident and Art journals in library system: >100 visiting artists from both programs and typically finish their studies in Students have library privileges at other institutional libraries. three to four years. Founded in 1984, the Vermont Studio Center is an ideal creative community embracing serious advanced artists of Image Resources different ages, approaches, and levels of development. Sharing a Total number of images: >250,000 commitment to the creative process, these artists come together at the Institution maintains its own digital-image collection. Institution Vermont Studio Center throughout the year to develop their work maintains its own slide collection. Institution subscribes to a digital- through distraction-free, intensive studio work in drawing, painting, image library. Students have access to image collections. Students have sculpture, and mixed media. opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. ADMISSIONS Program Opportunities This program has rolling admissions. Formal relationships with local museums: Many local galleries and Deadline for fall: 6/1 museums show work of faculty and students. Fall notification date: 7/15 Extracurricular opportunities for graduate students: Conduct fieldwork, Deadline for spring: 2/15 present public outreach lectures Spring notification date: 3/30 Other special programs sponsored by the department: This program is Application fee: $0 delivered in a low-residency format. Part-time students accepted: Yes Other Campus Resources Applications received 2015–16: 12 Employment or career development office: Yes Applications accepted 2015–16: 4 Office/center for international students: Yes Students enrolled 2015–16: 2 Housing space is available in apartments. Students from a far distance Requirements: Bachelor’s degree (BA, BFA, or BSA), transcript, letters of receive priority for housing. Housing is needed only in the summer recommendation, résumé, statement of interest/personal statement, because the fall and spring semesters are delivered as distance learning. artist’s statement Planned campus changes and facility improvements: A newly renovated Recommended: GPA (3.0), related professional experience, campus visit modern art gallery is now available for student and visiting artist shows. CURRICULUM Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Average Class Size in place for ventilation and respiratory protection, hazardous chemical In graduate studios: 1–5 students safety (right-to-know), personal protective equipment, machine safety, In graduate seminars: 1–5 students hearing protection. Program meets the US Environmental Protection Independent study available: Yes Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Course of Study environmental health and safety audit in the past five years. Excellent This program has a low-residency component. ventilation and large work spaces are provided. Methods used to familiarize students and faculty with environmental health and safety Typical number of credit hours per term for a full-time student: 9 include instruction in class, faculty training, information in student Total number of credit hours required for graduation: 60 handbook. Total in studio art: 54 Total in art history: 6 FINANCIAL INFORMATION Degree requirements: Thesis or artist’s statement, solo exhibition, Tuition individual presentation of thesis work, documentation of thesis work for Full-time student tuition is determined per credit. program archive, oral defense of work. This low-residency program requires six one-month residencies at the Vermont Studio Center (up to All students: $545 two of which can be alternative residency sites worldwide). It also Financial Aid requires work completed while in nonresidency periods, six credits of coursework in contemporary art issues, and a thesis exhibition. Types of aid available: Tuition aid/remission, guaranteed loan. Please contact the Graduate Admissions office for more information.

108 STUDENTS Financial Aid Number of students in residence: Master’s, 10 Types of aid available: Teaching assistantship. MFA Students may apply Number of female graduates fall 2015–summer 2016: Master’s, 4 for federal loans through completion of the FAFSA. Formal mode of student participation in academic governance: The Assistantships Student Government Association is largely oriented toward Assistantships are available to students of all levels. undergraduates. Graduate student interest in this organization has been minimal but students have the option of being more involved. Teaching assistantships applications received: 5 Teaching assistantships awarded: 2 FACULTY Teaching assistantships awarded to women: 2 Number of faculty: 3 Average amount of award/stipend: $3,500 Tenured/tenure track: 2 men, 1 woman Hours of work required per week: 3 Part-time/adjunct lecturers: 0 men, 0 women Health Insurance Full-time contractual: 0 men, 0 women Full-time master’s students receive health insurance coverage with PROF. KENNETH D. LESLIE, Painting, Drawing (Studio), Professor, copayment. MFA, University of Pennsylvania, 1980 DR. MARY MARTIN, African Art (sub-Saharan), Contemporary Art, Associate Professor, PhD, University of Iowa, 2010 MICHAEL ZEBROWSKI, Architecture, Assistant Professor, tenure-track, MA, Cranbrook Academy of Art KENDALL COLLEGE OF ART RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Students have AND DESIGN OF FERRIS the opportunity to exhibit their work in a gallery associated with the department or institution, a graduate thesis exhibition. Resources STATE UNIVERSITY include a well-equipped, state-of-the-art, new Mac lab (the MARS Lab) in the JSC Library Learning Center, with smaller mini-labs available elsewhere. Master of Fine Arts Libraries Kendall College of Art and Design of Ferris State University 17 Fountain St. NW Total volumes in library system: >3,000,000 Grand Rapids, Michigan, 49503 Art volumes in library system: >100,000 Phone: 616-451-2787 Art journals in library system: >100 Fax: 616-831-9689 Students have library privileges at other institutional libraries. www.kcad.edu/programs/graduate/ Image Resources Contact: Thomas Post, [email protected] Institution maintains its own digital-image collection. Institution Public college; nonprofit corporation maintains its own slide collection. Students have opportunities to view Accredited by: National Association of Schools of Art and Design, As works of art in local museums and commercial galleries. part of Ferris State University, KCAD is accredited by The Higher Program Opportunities Learning Commission. Degrees awarded: Master’s degree Additional opportunities for study within the institution: Students can opt to complete up to two of their six one-month residency sessions at Concentrations in: Drawing, painting, photography, printmaking any approved artist residency worldwide. First graduate degree granted: MFA, 2003 Gallery or museum affiliated with the department: Julian Scott Memorial KCAD’s graduate program focuses on four disciplines: drawing, Gallery at JSC and Red Mill Gallery at the Vermont Studio Center painting, photography, and printmaking. In all these disciplines students Formal relationships with other academic institutions: The program is a hone critical thinking and verbal and visual communication skills. In a collaborative effort with the Vermont Studio Center, also in Johnson, VT. word: practice. At KCAD, this means a thorough examination of history, Please visit www.vermontstudiocenter.org. a deep exploration of theory, and expert instruction in materials and media, all guided by practicing artists. For those who are willing to dig Other special programs sponsored by the department: All the visiting deep and put into practice what is learned, KCAD can help students artists, critics, and scholars in residency at the Vermont Studio Center become masters of their art. The graduate professors are working artists share their work, both as presentations or lectures and as exhibitions. with a diverse range of skills, offering students a varied set of creative The department sponsors 50–60 lectures per year. approaches and real-world experiences. The faculty thrives on personal Other Campus Resources contact and close working relationships with students and one another. Employment or career development office: Yes ADMISSIONS Office/center for international students: Yes This program has rolling admissions. Housing space is available in apartments. When students are in Deadline for fall: 2/1 residence (for 6 one-month residencies over the length of the program), they have housing at the Vermont Studio Center. Fall notification date: 3/15 Deadline for spring: 10/15 Environmental Health and Safety Spring notification date: 11/30 Occupational Safety and Health Administration (OSHA) regulations are Application fee: $0 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Part-time students accepted: Yes hearing protection. Program meets the US Environmental Protection Applications received 2015–16: 23 Agency (EPA) and state regulations for hazardous materials, including Applications accepted 2015–16: 14 spill procedures and material disposal. Program has performed an Students enrolled 2015–16: 8 environmental health and safety audit in the past five years. The college meets federal OSHA and Vermont Occupational Safety and Health Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Administration (VOSHA) standards. Methods used to familiarize area, GPA (3.0), TOEFL for foreign students (iBT 72), transcript, letters students and faculty with environmental health and safety include of recommendation, résumé, statement of interest/personal statement, publications, required training course, instruction in class, faculty examples of personal artwork, artist’s statement research, faculty training, health and safety officer (full-time or part- Recommended: Campus visit, in-person or phone interview time), shop technician, material safety data sheets (MSDS). CURRICULUM FINANCIAL INFORMATION Courses Tuition Number offered to graduate students each term: 26 Full-time student tuition is determined per credit. Number whose enrollment is limited to graduate students: 22 State residents: $550 Out-of-state residents: $800

109 Formal programs: Study abroad. The program sponsors study-away Average Class Size opportunities on trips to New York City, Chicago, and other In graduate studios: 1–5 students international locations. In graduate seminars: 6–10 students Extracurricular opportunities for graduate students: Curate exhibitions, In graduate lectures: 1–10 students present public outreach lectures. The department sponsors 5–10 Independent study available: Yes lectures per year. Course of Study Other Campus Resources Typical number of credit hours per term for a full-time student: 12 Office/center for international students: Yes Total number of credit hours required for graduation: 60 Many students live in the Heritage Hill area, walking distance to Total in studio art: 18 campus. For more information, please visit www.kcad.edu/life/housing Total in area of concentration: 15 Environmental Health and Safety Total in art history: 9 Occupational Safety and Health Administration (OSHA) regulations are Total in graduate seminars: 9 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Electives: 9 hearing protection. Program meets the US Environmental Protection Degree requirements: Written thesis, thesis or artist’s statement, solo Agency (EPA) and state regulations for hazardous materials, including exhibition, individual presentation of thesis work, critique of thesis work, spill procedures and material disposal. Program has not performed an documentation of thesis work for program archive, oral defense of work, environmental health and safety audit in the past five years. Methods thesis committee/exhibition jury. A first-year review is also required. used to familiarize students and faculty with environmental health and safety include publications, instruction in class, internet or intranet, STUDENTS faculty training, shop technician, material safety data sheets (MSDS), Number of students in residence: Master’s, 29 information in student handbook. Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 6 FINANCIAL INFORMATION Student organizations within the program/department: KCAD Masters Tuition Circle, Painting Club, Collective Pressure (Printmaking), The Drawing Full-time student tuition is determined per credit hour. Club, KCAD Photography Association, KCAD Clay Collective. All students: $1,017 FACULTY Additional institutional fees: $390 Number of faculty: 15 Part-time student tuition is determined per credit hour. Tenured/tenure track: 5 men, 10 women All students: $1,017 Part-time/adjunct lecturers: 0 men, 0 women Additional institutional fees: $390 Full-time contractual: 0 men, 0 women Financial Aid DR. KAREN CARTER, General Art History, Associate Professor, PhD Types of aid available: Graduate assistantships, fellowships, and JAY CONSTANTINE, Painting, Professor, MFA institutional scholarships and grants are available pending funding ADAM DEKRAKER, Photography (History), Associate Professor, MFA availability. KCAD participates in the Federal Direct Loan program and DR. SUZANNE EBERLE, General Art History, Professor, PhD also provides alternative loan options for financial assistance. STEPHEN HALKO, Drawing (Studio), Associate Professor, MFA DARLENE KACZMARCZYK, Photography (Studio), Professor, MA Fellowships ANNE NORCROSS, General Art History, Associate Professor, MA Fellowships are available to students of all levels. BOYD QUINN, Painting, Professor, MFA DEBORAH ROCKMAN, Drawing (Studio), Professor, MFA Assistantships DR. STEFANIE SNIDER, General Art History, Assistant Professor, Assistantships are available to students of all levels. tenure-track, PhD MARGARET VEGA, Painting, Professor, MFA MARIEL VERSLUIS, Printmaking, Associate Professor, MFA DANIELLE WYCKOFF, Printmaking, Assistant Professor, tenure-track, MFA R. BRADLEY YARHOUSE, Digital Media (Studio), Assistant Professor, KENDALL COLLEGE OF ART tenure-track, MFA DIANE ZEEUW, Visual Studies, Painting, Professor, MFA AND DESIGN OF FERRIS RESOURCES AND SPECIAL PROGRAMS STATE UNIVERSITY Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Master of Arts in Design Technical facilities include computer labs, digital fabrication labs, Kendall College of Art and Design of Ferris State University EnvisionTec Perfactory 3D printing system, photography labs for both 17 Fountain St. NW black-and-white and color film development, and a print lab. For details, Grand Rapids, Michigan, 49503 visit www.kcad.edu/facilities/directory. Phone: 616-451-2787 Libraries Fax: 616-831-9689 www.kcad.edu/programs/graduate/ Total volumes in library system: >500,000 Art volumes in library system: >50,000 Contact: Thomas Post, [email protected] Art journals in library system: >1,000 Public college; nonprofit corporation There is a separate art library with >500 volumes and >1,000 journals. Accredited by: National Association of Schools of Art and Design, As Students have library privileges at other institutional libraries. part of Ferris State University, KCAD is accredited by The Higher Learning Commission. Image Resources Degrees awarded: Master’s degree Total number of images: >250,000 Institution and program maintain digital-image collections. Institution Concentrations in: Multidisciplinary maintains its own slide collection. Institution subscribes to a digital- First graduate degree granted: MA, 2015 image library. Students have access to image collections. Students have The Masters of Arts in Design program fosters creativity, innovation, opportunities to view works of art in local museums, commercial responsibility, and intellectual growth by preparing its graduates to meet galleries, and on funded field trips. the challenges pursuant to a successful career within the professional design world. Through collaborative experiences and theory-driven Program Opportunities coursework, students broaden their understanding of the impact of Additional opportunities for study within the institution: The program design on culture and community, thereby promoting responsible encourages students to challenge their boundaries. Studio elective leadership, and emphasizing ethical engagement and social credits can be taken outside the student’s concentration of study. MFA implications of design practice. The Master of Arts in Design program at students have many professional resources available, including KCAD is a residency program that builds a studio culture that engages extensive woodworking, metalsmithing, and digital media facilities. students in experiential, collaborative learning and invites students to

110 develop a broader understanding of design and its impact on culture hearing protection. Program meets the US Environmental Protection and community. Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has not performed an ADMISSIONS environmental health and safety audit in the past five years. Methods This program has rolling admissions. used to familiarize students and faculty with environmental health and safety include publications, instruction in class, internet or intranet, Deadline for fall: 2/1 faculty training, shop technician, material safety data sheets (MSDS), Fall notification date: 3/15 information in student handbook. Deadline for spring: 10/15 Spring notification date: 11/30 FINANCIAL INFORMATION Application fee: $0 Tuition Part-time students accepted: Yes Full-time student tuition is determined per credit hour. Applications received 2015–16: 1 All students: $1,017 Applications accepted 2015–16: 1 Additional institutional fees: $390 Students enrolled 2015–16: 0 Part-time student tuition is determined per credit hour. Requirements: GPA (3.00), TOEFL for foreign students (iBT 72), All students: $1,017 transcript, letters of recommendation, résumé, writing sample Additional institutional fees: $390 CURRICULUM Financial Aid Average Class Size Types of aid available: Graduate assistantships, fellowships, and institutional scholarships and grants are available pending funding In graduate seminars: 6–10 students availability. KCAD participates in the Federal Direct Loan program and In graduate lectures: 1–10 students also provides alternative loan options for financial assistance. Independent study available: Yes Course of Study Typical number of credit hours per term for a full-time student: 15 Total number of credit hours required for graduation: 30 COLLEGE Total in art history: 3 Total in graduate seminars: 15 OF ART AND DESIGN Electives: 12 Degree requirements: Written thesis, individual presentation of thesis MFA in Visual Arts work, critique of thesis work, documentation of thesis work for program archive Master of Fine Arts in Visual Arts Program Lesley University College of Art and Design, Lunder Arts Center FACULTY 1801 Massachusetts Avenue Number of faculty: 5 Cambridge, Massachusetts, 02138 Phone: 617-349-8015 Tenured/tenure track: 1 man, 4 women Fax: 617-349-8313 Part-time/adjunct lecturers: 0 men, 0 women www.lesley.edu/mfa/visual-arts/low-residency/ Full-time contractual: 0 men, 0 women Contact: Robin Laskey or Ben Sloat, [email protected], DR. KAREN CARTER, General Art History, Associate Professor, PhD [email protected] GAYLE DEBRUYN, Interior Design, Associate Professor Private university; nonprofit corporation DR. SUZANNE EBERLE, General Art History, Professor, PhD R. BRADLEY YARHOUSE, Digital Media (Studio), Assistant Professor, Accredited by: National Association of Schools of Art and Design, New tenure-track, MFA England Association of Schools and Colleges DIANE ZEEUW, Visual Studies, Painting, Professor, MFA Degrees awarded: Master’s degree Concentrations in: Animation, artist’s books, ceramics, digital media, RESOURCES AND SPECIAL PROGRAMS drawing, environmental art, fiber arts, film, glass, installation, Semiprivate studios are available with unlimited hours for all. Students multidisciplinary, painting, paper, performance, photography, have the opportunity to exhibit their work in a gallery associated with the printmaking, public art, sculpture, sound, video, visual studies, department or institution, local galleries, a graduate thesis exhibition. writing/word art Flex Lab - Flex Lab: An open-source lab where students can learn how to First graduate degree granted: MFA, 2005 use contemporary digital processes such as 3D printing, Laser etching The MFA in Visual Arts is a full-time, low-residency program: two years and cutting, vinyl cutting, large format inkjet printing & CNC machining and four semesters composed of five ten-day residencies with four and plasma cutting. We have Objet30, Dimension 1200, and Projet semesters of creative work and study. In the fifth and final residency, 460pro 3D printers that can print fine, strong, and full color objects in students present their thesis and final exhibition. During the resin, thermoplastic, and powder. residencies, studio work, as outlined in each student’s semester study Libraries plan, is evaluated for credit through critiques with faculty. Academic studies are addressed through seminars, visiting artists’ lectures, and Total volumes in library system: >500,000 individual meetings with faculty advisors during the residency, and Art volumes in library system: >50,000 written assignments over each semester. Each student works with a Art journals in library system: >1,000 faculty adviser and an artist mentor. The faculty is composed of well- There is a separate art library with >500 volumes and >1,000 journals. known national and international artists. The mentors are often well- Students have library privileges at other institutional libraries. known artists. The MFA in VA allows students to explore the integration of a variety of visual arts media and stresses the development of each Image Resources student’s individual vision as an artist and his or her continued Total number of images: >250,000 development after graduation. Institution and program maintain digital-image collections. Institution maintains its own slide collection. Institution subscribes to a digital- ADMISSIONS image library. Students have access to image collections. Students have Deadline for fall: 3/15 opportunities to view works of art in local museums, commercial galleries, and on funded field trips. Fall notification date: 4/15 Deadline for spring: 10/15 Other Campus Resources Spring notification date: 11/15 Office/center for international students: Yes Application fee: $50 Many students live in the Heritage Hill area, walking distance to Applications received 2015–16: 284 campus. For more information, please visit www.kcad.edu/life/housing Applications accepted 2015–16: 52 Environmental Health and Safety Students enrolled 2015–16: 41 Occupational Safety and Health Administration (OSHA) regulations are Requirements: TOEFL for foreign students, transcript, letters of in place for ventilation and respiratory protection, hazardous chemical recommendation, résumé, statement of interest/personal statement, safety (right-to-know), personal protective equipment, machine safety, 111 examples of personal artwork, artist’s statement, related professional Studies, Adjunct/Contingent faculty experience ANNA CRAYCROFT, Sculpture, Printmaking, Adjunct/Contingent faculty, MFA Recommended: Bachelor’s degree (BA, BFA, or BSA), degree in subject , Photography (Studio), Sculpture, Adjunct/Contingent area, campus visit, in-person or phone interview faculty MATT KEEGAN, Sculpture, Installation (Studio), Adjunct/Contingent CURRICULUM faculty, MFA Courses ADAM MCEWAN, Installation (Studio), Adjunct/Contingent faculty DR. MICHAEL NEWMAN, Contemporary Art, Twentieth-Century Art, Number offered to graduate students each term: 20 Adjunct/Contingent faculty, PhD Number whose enrollment is limited to graduate students: 20 PETER ROSTOVSKY, Painting, Digital Media (Studio), Adjunct/Contingent faculty Average Class Size MATT SAUNDERS, Photography (Studio), Painting, Adjunct/Contingent In graduate studios: 6–10 students faculty In graduate seminars: 11–15 students BARRY SCHWABSKY, Critical Theory, Adjunct/Contingent faculty In graduate lectures: 51–100 students CAROL SQUIERS, Critical Theory, Adjunct/Contingent faculty Independent study available: Yes Course of Study RESOURCES AND SPECIAL PROGRAMS Full-time residency requirement: 2 years Students have the opportunity to exhibit their work in a gallery Maximum number of years for residency: 2 associated with the department or institution, a graduate thesis Average number of years for residency: 2 exhibition. This program has a low-residency component. Libraries Typical number of credit hours per term for a full-time student: 15 Total volumes in library system: >500,000 Total number of credit hours required for graduation: 60 Art volumes in library system: >50,000 Total in studio art: 48 Art journals in library system: >100 Total in graduate seminars: 12 There is a separate art library with >10,000 volumes and >100 journals. Degree requirements: Written thesis, thesis or artist’s statement, Students have library privileges at other institutional libraries. concentration, solo exhibition, group exhibition, individual presentation Image Resources of thesis work, critique of thesis work, documentation of thesis work for Total number of images: >500,000 program archive, oral defense of work, thesis committee/exhibition jury, Institution maintains its own digital-image collection. Institution business course, professional practices course. The program offers a maintains its own slide collection. Institution subscribes to a digital- low-residency full-time MFA. image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial STUDENTS galleries, private collections, and on funded field trips. Number of students in residence: Master’s, 68 Number of male graduates fall 2015–summer 2016: Master’s, 14 Program Opportunities Gallery or museum affiliated with the department: Roberts Gallery, Number of female graduates fall 2015–summer 2016: Master’s, 19 Raizes Gallery, VanDernoot Gallery Student organizations within the program/department: Groups based Other special programs sponsored by the department: Each residency on interests. Students have the opportunity to join a labor union if they has four visiting-artist talks and two graduating student MFA teach as adjunct faculty while matriculated as graduate students. exhibitions. A full-color catalog is produced each semester. The Students have the opportunity to join a labor union. department sponsors 5-10 lectures per year. The department sponsors FACULTY 5–10 lectures per year. Number of faculty: 28 Other Campus Resources Tenured/tenure track: 0 men, 0 women Employment or career development office: Yes Part-time/adjunct lecturers: 7 men, 7 women Office/center for international students: Yes Full-time contractual: 9 men, 5 women Housing space is available in dormitories. We have negotiated rates MR. ANTHONY APESOS, Painting, Adjunct/Contingent faculty, MFA, with hotels and B+Bs near us for the residency periods. Center for Curatorial Studies, Bard College Planned campus changes and facility improvements: Located in MS. JAN AVGIKOS, Contemporary Art, Adjunct/Contingent faculty Cambridge, Lesley is part of a cultural community including Harvard, MS. FIA BACKSTROM, Sculpture, Photography (Studio), M.I.T., the MFA Boston, the MIT List, and the IC. Lesley’s new building, Adjunct/Contingent faculty, MFA Lunder Arts Center, is a state of the art facility with studio and gallery MS. JUDITH BARRY, Painting, Photography (Studio), spaces for student work. Adjunct/Contingent faculty, MA, New York Institute of Technology MS. LYNNE COOKE, Contemporary Art, Critical Theory, Environmental Health and Safety Adjunct/Contingent faculty, PhD Occupational Safety and Health Administration (OSHA) regulations are MS. DEBORAH DAVIDSON, Drawing (Studio), Adjunct/Contingent in place for ventilation and respiratory protection, hazardous chemical faculty, MFA, School of the Museum of Fine Arts, Boston safety (right-to-know), personal protective equipment, machine safety, DR. CESARE PIETROIUSTI, Sculpture, Adjunct/Contingent faculty hearing protection. Program meets the US Environmental Protection DR. SUNANDA SANYAL, World Art, Critical Theory, Adjunct/Contingent Agency (EPA) and state regulations for hazardous materials, including faculty, PhD, , 2000 spill procedures and material disposal. Program has performed an MR. BENJAMIN SLOAT, Photography (Studio), Adjunct/Contingent environmental health and safety audit in the past five years. Methods faculty, MFA, School of the Museum of Fine Arts, Boston, 2005 used to familiarize students and faculty with environmental health and MS. LAUREL SPARKS, Painting, Adjunct/Contingent faculty, MFA, safety include required training course, instruction in class, internet or Center for Curatorial Studies, Bard College, 2004 intranet, faculty research, faculty training, shop technician, training DR. STUART STECK, Twentieth-Century Art, Critical Theory, videos, information in student handbook. Adjunct/Contingent faculty, PhD, Boston University, 2006 MR. OLIVER WASOW, Photography (Studio), Adjunct/Contingent FINANCIAL INFORMATION faculty, MFA, Transart Institute, 2007 MS. DEB TODD WHEELER, Sculpture, Adjunct/Contingent faculty, MFA Tuition MR. B. WURTZ, Sculpture, Installation (Studio), Adjunct/Contingent Full-time student tuition is determined per semester. faculty, MFA, California Institute of the Arts All students: $14,250 Recent Visiting Faculty Additional institutional fees: $350 KAMROOZ ARAM, Painting, Drawing (Studio), Adjunct/Contingent Part-time student tuition is determined per semester. faculty CORY ARCHANGEL, Video (Studio), Adjunct/Contingent faculty Financial Aid DIKE BLAIR, Painting, Adjunct/Contingent faculty Types of aid available: Tuition aid/remission, guaranteed loan, research BETH CAMPBELL, Sculpture, Installation (Studio), Adjunct/Contingent assistantship, work-study program. Scholarship aid is available to all faculty students in the form of tuition reduction. Partial tuition awarded to 21 CAROLYN CHRISTOV-BARKARGIEV, Contemporary Art, Curatorial students in the previous academic year.

112 Fellowships Independent study available: Yes Fellowships are available to students of all levels. Course of Study Assistantships Full-time residency requirement: 4 terms Assistantships are available to students of all levels. Maximum number of years for residency: 2 Teaching assistantships applications received: 1 Average number of years for residency: 2 Teaching assistantships awarded: 1 This program has an online learning component. Teaching assistantships awarded to women: 1 Typical number of credit hours per term for a full-time student: 15 Average amount of award/stipend: $3,400 Total number of credit hours required for graduation: 60 Hours of work required per week: 10 Total in studio art: 9 Teaching assistantship maximum period of support: 1 year Total in area of concentration: 3 Other benefits: Tuition remission (part or full) Total in art history: 9 Other financial support: We offer scholarship aid to all our entering Total in graduate seminars: 30 students based on need and merit. Adjunct teaching posts in pre-college Electives: 9 and other summer workshops. Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. Candidates will demonstrate their ability to reflect, analyze, and articulate a cultural and personal understanding of the criteria used for making critical judgments in the LESLEY UNIVERSITY COLLEGE arts while actively defining what is becoming the "new photography" through intensive studio practice. OF ART AND DESIGN Recommended: Professional practices course MFA in Photography STUDENTS Number of students in residence: Master’s, 24 Lesley University College of Art and Design Lunder Arts Center Number of male graduates fall 2015–summer 2016: Master’s, 4 1801 Massachusetts Ave. Number of female graduates fall 2015–summer 2016: Master’s, 6 Cambridge, Massachusetts, 02138 Students have the opportunity to join a labor union. Phone: 617-349-8300 Fax: 617-349-8313 FACULTY www.lesley.edu/mfa/photography/ Number of faculty: 28 Contact: Dan Kennedy, [email protected] Tenured/tenure track: 2 men, 1 woman Private university; nonprofit corporation Part-time/adjunct lecturers: 3 men, 0 women Accredited by: National Association of Schools of Art and Design, New Full-time contractual: 12 men, 10 women England Association of Schools and Colleges CHRISTINE COLLINS, Photography (Studio), Associate Professor, MFA, Degrees awarded: Master’s degree Massachusetts College of Art and Design Concentrations in: Photography DAN ESTABROOK, Photography (Studio), Adjunct/Contingent faculty, First graduate degree granted: MFA, 2013 MFA ZIAD HAMZEH, Writing, Film, Adjunct/Contingent faculty, MA, From its inception in 2011, this MFA in Photography program has been California State University, Los Angeles designed and nurtured as a collaborative work in progress. It is CHRISTOPHER JAMES, Visual Studies, Chair, MAT, Rhode Island composed of an artist / scholar community of faculty, Visiting Artists, School of Design, 1971 and candidates, all of whom share a passionate respect for the hand- SUNANDA SANYAL, Photography (History), Critical Theory, Associate made traditions of photographic practice while embracing, with equal Professor, PhD, Emory University passion, what is rapidly being recognized as “the new photography”—a BENJAMIN SLOAT, Photography (Studio), Adjunct/Contingent faculty, marriage of contemporary analog and digital photographic technologies MFA, School of the Museum of Fine Arts, Boston emphasizing rigorous studio practice, art and cultural context, critical and professional studies, and the fluid integration of interdisciplinary Recent Visiting Faculty and contemporary media. The program’s philosophy embraces the SUSAN BRIGHT, Photography (History), Adjunct/Contingent faculty, concept that photography is in a state of flux and no longer a single MFA, Goldsmiths, University of London entity. It is unique in the visual arts in its ability to merge established KEITH CARTER, Photography (Studio), Adjunct/Contingent faculty, BA and contemporary technologies in the art of making impressions with , Photography (Studio), Adjunct/Contingent faculty, light and is an ideal nexus of art and culture. BFA DAN ESTABROOK, Photography (Studio), Adjunct/Contingent faculty, ADMISSIONS MFA, University of Illinois at Urbana-Champaign Deadline for fall: 3/1 JOSE FALCONI, Curatorial Studies, Adjunct/Contingent faculty, PhD, Fall notification date: 4/15 Harvard University ROY FLUKINGER, Photography (History), Adjunct/Contingent faculty, Application fee: $50 PhD Applications received 2015–16: 43 MERRY FORESTA, Curatorial Studies, Adjunct/Contingent faculty, MA, Applications accepted 2015–16: 17 Cornell University Students enrolled 2015–16: 12 VICTORIA GOLDBERG, Writing, Adjunct/Contingent faculty, MFA, New York University, Institute of Fine Arts Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign LUIS GONZALEZ PALMA, Photography (Studio), Adjunct/Contingent students (80), transcript, letters of recommendation, résumé, statement faculty of interest/personal statement, examples of personal artwork, artist’s ANDY GRUNDBERG, Photography (Studio), Adjunct/Contingent statement faculty, MFA, University of North Carolina at Greensboro Recommended: Degree in subject area, GPA (3.0), related professional DAVID HILLIARD, Photography (Studio), Adjunct/Contingent faculty, experience, campus visit, in-person or phone interview MFA, Yale University DEBORAH LUSTER, Photography (Studio), Adjunct/Contingent faculty, CURRICULUM MFA ALISON NORDSTROM, Visual Studies, Adjunct/Contingent faculty, Courses PhD Number offered to graduate students each term: 43 LYLE REXER, Writing, Adjunct/Contingent faculty, MA, Columbia Number whose enrollment is limited to graduate students: 8 University HOLLY ROBERTS, Photography (Studio), Adjunct/Contingent faculty, Average Class Size MFA, Arizona State University In graduate studios: 11–15 students SEBASTIAO SALGADO, Photography (Studio), Adjunct/Contingent In graduate seminars: 11–15 students faculty MATT SAUNDERS, Photography (Studio), Adjunct/Contingent faculty, In graduate lectures: 21–50 students MFA, Yale University

113 LUCY SOUTTER, Critical Theory, Adjunct/Contingent faculty, PhD, Yale Additional institutional fees: $30 University JOHN STILGOE, Writing, Adjunct/Contingent faculty, PhD, Harvard Financial Aid University Types of aid available: Stipend, guaranteed loan, teaching assistantship, DIANA STOLL, Curatorial Studies, Photography (History), research assistantship, work-study program. All students are considered Adjunct/Contingent faculty, MFA, Brooklyn College for partial tuition scholarship based on academic and artistic merit and DEB TODD WHEELER, Photography (Studio), Adjunct/Contingent financial need. The university also has an active employment faculty, MFA, Massachusetts College of Art and Design component called Lesley Works. Partial tuition awarded to 20 students JOE WOLIN, General Art History, Critical Theory, joint appointment in in the previous academic year. Art History, Adjunct/Contingent faculty, MA, Columbia University Funds available for graduate student travel: Yes Fellowships RESOURCES AND SPECIAL PROGRAMS Fellowships are available to second-year students. Private studios are available with limited hours for all. Semiprivate Fellowships awarded: 2 studios are available with limited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Fellowships awarded to women: 2 department or institution, local galleries, a graduate thesis exhibition. Average amount of award/stipend: $3,600 Resources include wet processing and dry facilities, alternative process Fellowship maximum period of support: 1 year lab, black-and-white lab, state-of-the-art digital facilities with fully integrated networking and custom printing. Lock-Up with abundant Assistantships resources for studio, lighting, video, and analog and digital cameras. Assistantships are available to students of all levels. Libraries Teaching assistantships applications received: 4 Total volumes in library system: >500,000 Teaching assistantships awarded: 3 Art volumes in library system: >50,000 Teaching assistantships awarded to women: 3 Art journals in library system: >100 Teaching assistantships awarded to minorities: 0 There is a separate art library with >10,000 volumes and >100 journals. Average amount of award/stipend: $5,000 Students have library privileges at other institutional libraries. Hours of work required per week: 5 Image Resources Teaching assistantship maximum period of support: 2 years Total number of images: >250,000 Working assistantships awarded: 19 Institution maintains its own digital-image collection. Institution Working assistantships awarded to women: 12 maintains its own slide collection. Institution subscribes to a digital- Working assistantships awarded to minorities: 0 image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Average amount of award/stipend: $2,500 galleries, private collections, and on funded field trips. Working assistantship maximum period of support: 2 years Other financial support: Graduate students are eligible for federal work- Program Opportunities study and up to $20,500 in federal direct loans per academic year. Additional opportunities for study within the institution: Candidates may Graduate students may also apply for a Federal Graduate PLUS loan up take credits in any studio, critical studies, or professional studies course to the cost of attendance, which includes tuition, books, transportation, offered in any department at LUCAD or the university with permission of and personal and living expenses. the instructor or by meeting prerequisites. Three to four students are assigned adjunct, Teaching Fellowship, positions annually. Health Insurance Gallery or museum affiliated with the department: Roberts Gallery, Full-time master’s students receive health insurance coverage with Raizes Gallery at the Lesley University College of Art and Design copayment. Health insurance coverage is available to dependents, Extracurricular opportunities for graduate students: Curate exhibitions, spouses, unmarried domestic partners, and same-sex domestic partners conduct fieldwork, research for catalogues of full-time master’s students. Other special programs sponsored by the department: Students are encouraged to attend off-site lectures and participate in at least one department-funded field trip per semester. Summer internships and related travel are available through study abroad programs during the January term and summer offerings. The LONG ISLAND UNIVERSITY - department sponsors 5–10 lectures per year. POST CAMPUS Other Campus Resources Employment or career development office: Yes Fine Arts and Design Office/center for international students: Yes Housing space is available in dormitories. We have negotiated rates LIU Post with hotels and B+Bs near us for the residency periods. Art Department Planned campus changes and facility improvements: This past year, The 720 Northern Blvd. Art Institute of Boston formally changed its name to Lesley University Brookville, New York, 11548 College of Art and Design, and in January it moved from Boston into its Phone: 516-299-2465 new home, the $48 million Lunder Arts Center, located at Porter Square Fax: 516-299-2858 in Cambridge, MA. www.liu.edu Environmental Health and Safety Contact: Professor Seung Lee, [email protected] Private university; nonprofit corporation Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Accredited by: Middle States Association of Colleges and Schools safety (right-to-know), personal protective equipment, machine safety, Degrees awarded: Master’s degree hearing protection. Program meets the US Environmental Protection Concentrations in: 2-dimensional design, 3-dimensional design, art Agency (EPA) and state regulations for hazardous materials, including education, art therapy, ceramics, drawing, foundations, graphic design, spill procedures and material disposal. Program has performed an painting, photography, printmaking, sculpture environmental health and safety audit in the past five years. State-of-the- First graduate degree granted: MFA, 1960 art ventilation in the new $48 million Lunder Arts Center Methods used to familiarize students and faculty with environmental health and safety This intensive yet flexible sixty-credit program offers advanced art include publications, required training course, instruction in class, students the opportunity to further their creative development and internet or intranet, faculty research, faculty training, health and safety pursue a graduate degree in a two- or three-year plan of study. Within officer (full-time or part-time), shop technician, material safety data the MFA in Fine Arts and Design degree program, students select a sheets (MSDS), information in student handbook. concentration in painting, printmaking, sculpture, ceramics, photography, or computer graphics, and are mentored by student- selected faculty teams. In addition to taking courses in art history and FINANCIAL INFORMATION aesthetics, students work closely with faculty to prepare a thesis project Tuition in their area of concentration. Through Seminars in Contemporary Full-time student tuition is determined per credit. Issues, current exhibitions, artists’ writings, theory and criticism, students and faculty make full use of the university’s unique position All students: $950

114 near the vast resources of New York City’s museums, galleries, and alternative spaces. The beautiful Post Campus, with its 307 acres of lush RESOURCES AND SPECIAL PROGRAMS lawns, gardens, and historic mansions, is an inspirational setting for Semiprivate studios are available with limited hours for all. Students creative endeavors. have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. ADMISSIONS Deadline for fall: 3/15 Libraries Fall notification date: 5/1 Total volumes in library system: >2,000,000 Application fee: $50 Art volumes in library system: >300,000 Applications received 2015–16: 20 Art journals in library system: >1,000 Applications accepted 2015–16: 12 Students have library privileges at other institutional libraries. Students enrolled 2015–16: 13 Image Resources Total number of images: >750,000 Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Institution and program maintain digital-image collections. Institution area, GPA (3.0), TOEFL for foreign students (iBT 79), transcript, letters maintains its own slide collection. Institution subscribes to a digital- of recommendation, résumé, statement of interest/personal statement image library. Students have access to image collections. CURRICULUM Program Opportunities Average Class Size Formal programs: Museum training, conservation, study abroad, In graduate studios: 11–15 students summer work projects Extracurricular opportunities for graduate students: Curate exhibitions, In graduate seminars: 11–15 students conduct fieldwork, research for catalogues, present public outreach In graduate lectures: 11–20 students lectures. The department sponsors 5–10 lectures per year. Independent study available: Yes Other Campus Resources Course of Study Employment or career development office: Yes Full-time residency requirement: None Office/center for international students: Yes Maximum number of years for residency: 2 There is a graduate-student housing office. Housing space is available in Average number of years for residency: 2 dormitories. Students from a far distance receive priority for housing. Typical number of credit hours per term for a full-time student: 15 Environmental Health and Safety Total number of credit hours required for graduation: 60 Occupational Safety and Health Administration (OSHA) regulations are Total in studio art: 33 in place for ventilation and respiratory protection, hazardous chemical Total in area of concentration: 33 safety (right-to-know), personal protective equipment, machine safety. Total in art history: 15 Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including spill procedures and Total in graduate seminars: 12 material disposal. Program has performed an environmental health and Degree requirements: Written thesis, thesis or artist’s statement, safety audit in the past five years. Methods used to familiarize students concentration, solo exhibition, group exhibition, individual presentation and faculty with environmental health and safety include publications, of thesis work, critique of thesis work, documentation of thesis work for instruction in class, faculty research, faculty training, shop technician, program archive, oral defense of work material safety data sheets (MSDS), information in student handbook. STUDENTS FINANCIAL INFORMATION Number of students in residence: Master’s, 13 Number of female graduates fall 2015–summer 2016: Master’s, 8 Tuition Formal mode of student participation in academic governance: Yes Full-time student tuition is determined per credit. All students: $1,178 FACULTY Additional institutional fees: $0 Number of faculty: 13 Financial Aid Tenured/tenure track: 8 men, 5 women Types of aid available: Tuition aid/remission, stipend, teaching Part-time/adjunct lecturers: 0 men, 0 women assistantship. Tuition and full stipend awarded to 1 student in the Full-time contractual: 0 men, 0 women previous academic year. PROF. PATRICK AIEVOLI, Graphic Design, Digital Media (Studio), Associate Professor, MA, SUNY Empire State College Assistantships PROF. CHARLES CONOVER, Graphic Design, Digital Media (Studio), Assistantships are available to students of all levels. Professor, MA, New York University, The Steinhardt School of Culture, Education, and Human Development Health Insurance PROF. RICHARD DEL ROSSO, Digital Media (Studio), Graphic Design, Full-time master’s students receive health insurance coverage with Associate Professor, MA, Long Island University - Post Campus copayment. DR. CHRISTINE KERR, Art Therapy, Associate Professor, PhD DR. SEUNG YEON LEE, Art Therapy, Assistant Professor, tenure-track, EdD, Columbia University PROF. SEUNG LEE, Painting, Installation (Studio), Associate Professor, MFA, Pratt Institute DR. NIRIA E. LEYVA-GUTIERREZ, General Art History, Museum Studies, Assistant Professor, tenure-track, PhD, New York University, Institute of Fine Arts Studio Art PROF. TERENCE O’DALY, Digital Media (Studio), Graphic Design, Associate Professor, MA, New York Institute of Technology Maine College of Art PROF. FRANK OLT, Ceramics, Professor, MFA, Long Island University - 522 Congress St. Post Campus Portland, Maine, 04101 PROF. WINN REA, Foundations, Associate Professor, MFA, University Phone: 800-639-4808 of Iowa Fax: 207-772-5069 PROF. NEILL SLAUGHTER, Painting, Professor, MFA, Indiana www.meca.edu/mfa University Contact: Rachel Katz, [email protected] PROF. PHYLLIS KUDDER SULLIVAN, Ceramics, Professor, MFA, Long Private art school; nonprofit corporation Island University - Post Campus DR. DONNA TUMAN, Art Education, Associate Professor, PhD, Queens Accredited by: National Association of Schools of Art and Design, New College England Association of Schools and Colleges Degrees awarded: Master’s degree Concentrations in: Ceramics, digital media, drawing, fashion, fiber arts, installation, metals, multidisciplinary, painting, paper, performance, photography, printmaking, sculpture, sound, video

115 First graduate degree granted: MFA, 2000 Program Opportunities The MFA in Studio Arts is a full-time program that provides artists with the opportunity to engage their studio practice with a rigorous program Gallery or museum affiliated with the department: Institute of of academic coursework and a dynamic network of mentors. The Contemporary Art at Maine College of Art interdisciplinary approach encourages students to think beyond Extracurricular opportunities for graduate students: Conduct fieldwork. traditional boundaries and formats. The unique structure helps students The department sponsors 5–10 lectures per year. gain the tools they need to build a sustainable lifelong practice. Full- and low-residency tracks available. Other Campus Resources Housing space is available in dormitories. Housing is available during ADMISSIONS the Summer Intensive trimester. There is limited availability during the This program has rolling admissions. fall and spring trimesters. Deadline for fall: 1/27 Environmental Health and Safety Application fee: $50 Occupational Safety and Health Administration (OSHA) regulations are Applications received 2015–16: 79 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Applications accepted 2015–16: 36 hearing protection. Program meets the US Environmental Protection Students enrolled 2015–16: 11 Agency (EPA) and state regulations for hazardous materials, including Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL spill procedures and material disposal. Program has performed an for foreign students (550), transcript, letters of recommendation, environmental health and safety audit in the past five years. Methods résumé, statement of interest/personal statement, examples of personal used to familiarize students and faculty with environmental health and artwork, artist’s statement safety include required training course, instruction in class, faculty Recommended: Related internship experience, related professional training, shop technician, material safety data sheets (MSDS), training experience, campus visit videos, information in student handbook. CURRICULUM FINANCIAL INFORMATION Course of Study Tuition Full-time residency requirement: 2 years Full-time student tuition is determined per year. Maximum number of years for residency: 2 All students: $32,102 Average number of years for residency: 2 Additional institutional fees: $680 This program has a low-residency component. Financial Aid Typical number of courses for a full-time student: 3 Types of aid available: Tuition aid/remission, guaranteed loan, teaching Total number of courses required for graduation: 18 assistantship, work-study program. Partial tuition awarded to 19 Total in studio art: 12 students in the previous academic year. Total in art history: 6 Assistantships Degree requirements: Written thesis, thesis or artist’s statement, group Teaching assistantships awarded: 14 exhibition, individual presentation of thesis work, critique of thesis work, oral defense of work, thesis committee/exhibition jury Teaching assistantships awarded to women: 9 Teaching assistantships awarded to minorities: 2 STUDENTS Other financial support: Applicants to the MFA in Studio Arts program Number of students in residence: Master’s, 22 must complete the FAFSA form to be considered for financial aid. Number of male graduates fall 2015–summer 2016: Master’s, 2 Health Insurance Number of female graduates fall 2015–summer 2016: Master’s, 10 Full-time master’s students receive health insurance coverage with FACULTY copayment. Number of faculty: 7 Tenured/tenure track: 1 man, 2 women Part-time/adjunct lecturers: 1 man, 3 women Full-time contractual: 0 men, 0 women MARYLAND INSTITUTE LAUREN FENSTERSTOCK, Installation (Studio), Adjunct/Contingent faculty, MFA COLLEGE OF ART ADRIANE HERMAN, Printmaking, Associate Professor, MFA JULIE POITRAS SANTOS, Performance, Adjunct/Contingent faculty, Studio Art and Design MFA JOSHUA REIMAN, Sculpture, Assistant Professor, tenure-track Graduate Studies GAIL SPAIEN, Painting, joint appointment in Painting, Professor, MFA Maryland Institute College of Art CHRISTOPHER STIEGLER, Contemporary Art, Assistant Professor, non- 131 W. North Ave. tenure, MA Baltimore, Maryland, 21201 KATIE VIDA, General Art History, Adjunct/Contingent faculty, MFA Phone: 410-225-2256 Fax: 410-225-5275 RESOURCES AND SPECIAL PROGRAMS www.mica.edu/Programs_of_Study/Graduate_Programs.html Private studios are available with unlimited hours. Semiprivate studios Contact: Chris Harring, [email protected] are available with unlimited hours. Students have the opportunity to exhibit their work in a gallery associated with the department or Private art school; nonprofit corporation institution, a graduate thesis exhibition. Three computer labs are Accredited by: Middle States Commission on Higher Education, provided, along with a full digital photography department, a digital National Association of Schools of Art and Design output lab with large-format printers, and a lighting studio. Cameras Degrees awarded: Master’s degree; Certificate and projectors are available for checkout during residency periods. Concentrations in: 2-dimensional design, 3-dimensional design, art Libraries education, digital media, drawing, film, graphic design, illustration, installation, multidisciplinary, photography, printmaking, sculpture, Total volumes in library system: >500,000 sound Art volumes in library system: >50,000 First graduate degree granted: MFA, 1956 Art journals in library system: >100 MICA offers thirteen unique studio art and design programs (MFA, MA, Students have library privileges at other institutional libraries. Master’s of Professional Studies, and Post-Baccalaureate Certificate in Image Resources Fine Art) ranging from full-time to low-residency to part-time online. Total number of images: >100,000 Students enroll in one specific degree program and work closely with Institution maintains its own slide collection. Institution subscribes to a dedicated, program-specific faculty. Students also have access to a large digital-image library. Students have access to image collections. selection of graduate community resources, lectures, courses, and Students have opportunities to view works of art in local museums, equipment. commercial galleries, and on funded field trips.

116 University of Leeds ADMISSIONS JENNIFER COLE PHILLIPS, Graphic Design, Professor, MFA, Rhode Deadline for fall: 1/15 Island School of Design Fall notification date: 4/1 PAULA PHILLIPS, Art Education (Studio), Professor, MFA, Maryland Institute College of Art Application fee: $70 PHYLLIS PLATTNER, Foundations, Professor, MFA, Claremont Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Graduate University students, transcript, letters of recommendation, résumé, statement of YAIR G. RAJWAN, Non-Artist/Non-Art Historian, Professor, George interest/personal statement, examples of personal artwork, artist’s Washington University statement JANN ROSEN-QUERALT, Environmental Art (Studio), Professor, MFA, Recommended: Related internship experience, related professional Cranbrook Academy of Art experience, campus visit GERALD ROSS, Curatorial Studies, Adjunct/Contingent faculty BILL SCHMIDT, Painting, Professor, MFA, Maryland Institute College of CURRICULUM Art WHITNEY SHERMAN, Drawing (Studio), Professor Courses RENEE VANDERSTELT, Drawing (Studio), Associate Professor, MFA, Number offered to graduate students each term: 83 University of Iowa Number whose enrollment is limited to graduate students: 69 JOAN WALTEMATH, Painting, Professor, MFA, Hunter College MIKE WEIKERT, Graphic Design, Professor, MFA, Maryland Institute Average Class Size College of Art In graduate studios: 6–10 students REBECCA YENAWINE, Non-Artist/Non-Art Historian, Professor In graduate seminars: 11–15 students RESOURCES AND SPECIAL PROGRAMS In graduate lectures: 11–20 students Private studios are available with limited hours. Semiprivate studios are Independent study available: Yes available with limited hours. Students have the opportunity to exhibit Degree requirements: Written thesis, thesis or artist’s statement, their work in local galleries, a graduate thesis exhibition. The Graduate concentration, solo exhibition, group exhibition, individual presentation Research Lab has computer stations, electronics and print labs, video of thesis work, critique of thesis work, documentation of thesis work for and audio equipment, and a staff of expert users. Students can conduct program archive, oral defense of work, thesis committee/exhibition jury their own research in technology through workshops, one-on-one help, Recommended: Professional practices course and an online database of articles and tutorials on various technologies. STUDENTS Libraries Number of students in residence: Master’s, 179 Total volumes in library system: >500,000 Formal mode of student participation in academic governance: Graduate Art volumes in library system: >50,000 Student Community Forums, in partnership with the Graduate Student Art journals in library system: >400 Union, are a regular occurrence and provide students with direct access Students have library privileges at other institutional libraries. to MICA’s administration, including the provost, vice-provost, and Image Resources president, to address student issues and promote awareness of campus Total number of images: >250,000 events. Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- FACULTY image library. Students have access to image collections. Students have Number of faculty: 36 opportunities to view works of art in local museums, commercial Tenured/tenure track: 14 men, 17 women galleries, private collections, and on funded field trips. Part-time/adjunct lecturers: 2 men, 3 women Program Opportunities Full-time contractual: 0 men, 0 women Formal relationships with other academic institutions: Students may TIMOTHY APP, Painting, Professor, MFA, Temple University also choose graduate-level courses at area institutions participating in ZLATA BAUM, Sculpture, Professor, MFA, Mills College the Baltimore Student Exchange Program, including Johns Hopkins KRISTINA BERDAN, Art Education (Studio), Adjunct/Contingent faculty, University, Goucher College, University of Baltimore, University of MAT, Towson University Maryland, Baltimore County, Towson University, and Morgan State LINDA BILLS, Sculpture, Installation (Studio), Adjunct/Contingent University. Students are subject to the rules and regulations of the host faculty college. EMILY BLUMENTHAL, Curatorial Studies, Associate Professor, MS, Bank Street College of Education Extracurricular opportunities for graduate students: Curate exhibitions, HEATHER BRADBURY, Arts Administration, Chair, MA conduct fieldwork, research for catalogues, present public outreach LUCA BUVOLI, Digital Media (Studio), Professor, MFA, School of Visual lectures Arts Other special programs sponsored by the department: MICA’s MFA and GEORGE CISCLE, Curatorial Studies, Professor, MEd, University of Post-Baccalaureate programs host an array of national and international North Carolina at Chapel Hill artists, designers, art experts, curators, and writers. Visiting artists RYAN CLIFFORD, Graphic Design, Professor, MFA, Maryland Institute engage students in critiques and discussion and give a lecture open to College of Art the full graduate community. Additionally, workshops and JEFFREY CUDLIN, Curatorial Studies, Associate Professor, MFA, demonstrations, in partnership with the Graduate Research Lab and University of Maryland, College Park wood and metal shops, bring the latest digital and fabrication TIM DRUCKREY, Digital Media (Studio), Professor, MA, Arizona State techniques to a graduate student’s studio practice. The department University sponsors 50–60 lectures per year. DAVID GRACYALNY, Arts Administration, Professor, MFA, Cranbrook Academy of Art Other Campus Resources MAREN HASSINGER, Sculpture, Professor, MFA, University of Employment or career development office: Yes California, Los Angeles Office/center for international students: Yes JENNIFER HIRSH, Critical Theory, Professor, PhD, Bryn Mawr College There is a graduate-student housing office. Housing space is available in JEREMY HOFFMAN, Curatorial Studies, Adjunct/Contingent faculty apartments. Students from a far distance receive priority for housing. CINDER HYPKI, Public Art (Studio), Professor, MS, University of Housing is available on campus and in the surrounding neighborhoods. Michigan KENNETH KRAFCHEK, Art Education (Studio), Professor, MFA, Planned campus changes and facility improvements: Renovations to Maryland Institute College of Art MICA’s 112,000 sq. ft. Graduate Studio Center, an integral part of MONICA LOPEZ-GONZALEZ, Non-Artist/Non-Art Historian, Professor, Baltimore’s Station North Arts and Entertainment District, include PhD, Johns Hopkins University galleries, a café, classrooms, an indoor atrium and outdoor plaza, 61 ELLEN LUPTON, Graphic Design, Professor graduate studios, and state-of-the-art digital, computer, and photo labs. FLETCHER MACKEY, Foundations, Professor, MFA, California Institute Environmental Health and Safety of the Arts SANDRA MAXA, Graphic Design, Professor, MFA, Virginia Occupational Safety and Health Administration (OSHA) regulations are Commonwealth University in place for ventilation and respiratory protection, hazardous chemical KARA MCDONAGH, Non-Artist/Non-Art Historian, Adjunct/Contingent safety (right-to-know), personal protective equipment, machine safety, faculty, University of Maryland, Baltimore County hearing protection. Program meets the US Environmental Protection JOHN PEACOCK, Writing, Professor, PhD, Columbia University Agency (EPA) and state regulations for hazardous materials, including JOHN PENNY, Sculpture, Critical Theory, Associate Professor, PhD, spill procedures and material disposal. Program has performed an

117 environmental health and safety audit in the past five years. MICA’s development of individual practice. Graduate Studio Center is equipped with spray booths specifically designed with ventilation systems to provide unencumbered space for ADMISSIONS artists to work in a healthy manner. Methods used to familiarize Deadline for fall: 1/4 students and faculty with environmental health and safety include publications, required training course, instruction in class, internet or Fall notification date: 3/1 intranet, faculty training, health and safety officer (full-time or part- Application fee: $90 time), shop technician, material safety data sheets (MSDS), training Applications received 2015–16: 207 videos, information in student handbook. Applications accepted 2015–16: 145 FINANCIAL INFORMATION Students enrolled 2015–16: 52 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Tuition students (iBT 85), transcript, letters of recommendation, résumé, Full-time student tuition is determined per year. statement of interest/personal statement, examples of personal artwork, All students: $43,760 in-person or phone interview Recommended: Degree in subject area, campus visit Financial Aid Types of aid available: Tuition aid/remission, teaching assistantship. CURRICULUM Fellowships, career-related internships, and scholarships and grants are available. MICA’s Graduate Internship Program provides MFA Courses candidates, as developing professionals, the opportunity to take on Number offered to graduate students each term: 99 technical and pedagogical roles within the institution, and thereby to Number whose enrollment is limited to graduate students: 22 learn from real-world experiences typical of teachers and leaders in contemporary academic communities. Average Class Size Funds available for graduate student travel: Yes In graduate studios: 6–10 students In graduate seminars: 16–20 students Fellowships In graduate lectures: 11–20 students Fellowships are available to students of all levels. Independent study available: Yes Fellowships awarded: 45 Course of Study Assistantships Full-time residency requirement: 2 years Assistantships are available to students of all levels. Average number of years for residency: 2 Other financial support: The basis of a graduate financing plan is often through federally guaranteed loans. The programs available include the This program has a low-residency component. Federal Unsubsidized Stafford Loan and the Federal Graduate PLUS Typical number of credit hours per term for a full-time student: 15 Loan. Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 36 Full-time master’s students and part-time master’s students receive Total in area of concentration: 24 health insurance coverage with copayment. Health insurance coverage Total in art history: 3 is available to dependents and spouses of full-time master’s students Total in graduate seminars: 6 and part-time master’s students. Electives: 27 Degree requirements: Concentration, group exhibition, individual presentation of thesis work, critique of thesis work. One-year Post- baccalaureate, 24 credits; MFA full- and low-residency, 60 credits; M.Arch Track I, 102 credits; M.Arch Track II, 60 credits. MFA Dynamic MASSACHUSETTS COLLEGE Media offers two- and three-year options. M.Arch and MFA Design (Dynamic Media) degrees require written thesis. OF ART AND DESIGN Recommended: Thesis or artist’s statement, documentation of thesis work for program archive Studio Art, Design and Architecture STUDENTS Massachusetts College of Art and Design Number of students in residence: Master’s, 109; Certificate, 3 Graduate Programs Admissions Number of male graduates fall 2015–summer 2016: Master’s, 17 621 Huntington Ave. Number of female graduates fall 2015–summer 2016: Master’s, 26; Boston, Massachusetts, 02115 Certificate, 3 Phone: 617-879-7203 Fax: 617-879-7222 Formal mode of student participation in academic governance: A www.MassArt.edu graduate student serves as a member of the Graduate Council, the organization charged with graduate program governance. Contact: Lauren O’Neill, Assistant Director of Graduate Admissions, [email protected] FACULTY Public art school Number of faculty: 71 Accredited by: National Association of Schools of Art and Design, New Tenured/tenure track: 24 men, 20 women England Association of Schools and Colleges, National Architectural Part-time/adjunct lecturers: 13 men, 12 women Accrediting Board Full-time contractual: 0 men, 2 women Degrees awarded: Master’s degree; Certificate SAM BATCHELOR, Architecture, Adjunct/Contingent faculty, MArch, Concentrations in: Architecture, ceramics, digital media, drawing, University of Washington environmental art, fiber arts, film, glass, graphic design, installation, ERICKA BECKMAN, Film, Professor, MFA, California Institute of the Arts metals, multidisciplinary, object design, painting, performance, WILLIAM BETSCH, Architecture, Adjunct/Contingent faculty, BFA, photography, printmaking, public art, sculpture, sound, video Massachusetts College of Art and Design First graduate degree granted: MFA, 1975 BARBARA BOSWORTH, Photography (Studio), Professor, MFA, Founded in 1873, MassArt was the first degree-granting college of art Rochester Institute of Technology and remains unique as the only public, independent college of art and JANE BUCHBINDER, Writing, Adjunct/Contingent faculty, MFA, design in the US. It consistently ranks among the top art colleges in the University of Michigan country. MassArt’s Boston campus offers 1,000,000+ sq. ft. of studios, ELAINE BUCKHOLTZ, Installation (Studio), Professor, MFA, Stanford workshops, and exhibition space within walking distance of the Museum University of Fine Arts, the Isabella Stewart Gardner Museum, and dozens of JIM CAMBRONNE, Painting, Professor, MFA, Yale University galleries. The graduate studio-based programs include: the MFA in 2D JON CAMPBELL, Graphic Design, Adjunct/Contingent faculty, MA, Fine Arts, 3D Fine Arts, Media Arts (film/video & photography), and Illinois Insitute of Technology Design (dynamic media institute); the low-residency MFA; Post- PAULA CARABELL, General Art History, Adjunct/Contingent faculty, baccalaureates in Media Arts (photography) and Design; and the PhD, Columbia University M.Arch program. An M.Des program in Design Innovation will launch in CATARINA COELHO, Printmaking, Adjunct/Contingent faculty, MFA, fall 2016. In all programs faculty work closely with students on the Massachusetts College of Art and Design

118 TANJA CONLEY, Architectural History, Adjunct/Contingent faculty, PhD, JOSHUA SAFDIE, Architecture, Adjunct/Contingent faculty, MArch, Cornell University Rhode Island School of Design MATTHEW CONNORS, Photography (Studio), Professor, MFA, Yale NANCY SALZER, Film, Assistant Professor, non-tenure, MFA, University Massachusetts College of Art and Design ROBERT COPPOLA, Architecture, Professor, MA, Cornell University PATRICIA SEITZ, Architecture, Professor, MArch, Massachusetts GEORGE CREAMER, Painting, Professor, MFA, Yale University Institute of Technology NANCE DAVIES, Sculpture, Adjunct/Contingent faculty, MFA, Mills GRETCHEN SKOGERSON, Film, Professor, MFA, New York University, College Tisch School of the Arts SHARON DUNN, Painting, Emeritus, MA, Massachusetts Institute of JILL SLOSBURG-ACKERMAN, Sculpture, Professor, MFA, School of the Technology Museum of Fine Arts, Boston AMY FINSTEIN, Architectural History, Adjunct/Contingent faculty, PhD, CHUCK STIGLIANO, Sculpture, Professor, MFA, University of North University of Virginia Carolina at Greensboro LARS FISCHER, Industrial Design, Professor, MBA, NITA STURIALE, Performance, Professor, MFA, Harvard University MIRIAM GEE, Architecture, Adjunct/Contingent faculty Graduate School of Design SHANE GIBBONS, Architecture, Adjunct/Contingent faculty, MArch, ROGER TIBBETTS, Painting, Professor, MFA, Yale University University of Oregon BRANDON TIRRELL, Graphic Design, Adjunct/Contingent faculty, MBA, JUDY HABERL, Sculpture, Professor, MFA, School of the Museum of University of Michigan Fine Arts, Boston HEATHER WHITE, Metals, Professor, MFA, State University of New DAVID HAJIAN, Architecture, Adjunct/Contingent faculty, BA, Rhode York at New Paltz Island School of Design JOE WOOD, Metals, Professor, MFA, Kent State University PAUL HAJIAN, Architecture, Professor, MArch, Massachusetts Institute SOON-MI YOO, Film, Associate Professor, MFA, Massachusetts of Technology College of Art and Design NONA HERSHEY, Printmaking, Professor, MFA, Temple University MARGARET HICKEY, Architecture, Professor, MA, Massachusetts Recent Visiting Faculty Institute of Technology ELIZABETH MOONEY, Painting, Assistant Professor, non-tenure, MFA, MATTHEW HINCMAN, Sculpture, Professor, MFA, University of California College of the Arts California, San Diego JEAN RASENBERGER, Video (Studio), Photography (Studio), Associate GUNTA KAZA, Digital Media (Studio), Graphic Design, Professor, MFA, Professor, MFA, Art Center College of Design Rhode Island School of Design ADRIAN KOHN, Contemporary Art, Associate Professor, PhD, University of Texas at Austin RESOURCES AND SPECIAL PROGRAMS JAN KUBASIEWICZ, Digital Media (Studio), Graphic Design, Professor, Semiprivate studios are available with unlimited hours for all. Students MFA, Akademia Sztuk Pieknych im. Wladyslawa Strzeminskiego w Lódz have the opportunity to exhibit their work in a gallery associated with the JUDITH LEEMANN, Fiber Arts, Associate Professor, MFA, School of the department or institution, local galleries, a graduate thesis exhibition. Art Institute of Chicago MassArt has extensive facilities, including computer arts labs, film and SAUL LEVINE, Film, Professor, MFA, School of the Art Institute of video equipment, digital and chemical photographic processing, Chicago printmaking shop, wood shop, foundry, forge, welding, large-metal FRED LIANG, Printmaking, Professor, MFA, Yale University working shop, ceramics kilns, fiber arts studios, small metals/jewelry BENJAMIN LITTLE, Non-Artist/Non-Art Historian, Adjunct/Contingent studio, and glass hot shop. faculty, MBA, Oxford Brookes University STEVE LOCKE, Painting, Associate Professor, MFA, Massachusetts Libraries College of Art and Design Total volumes in library system: >1,000,000 JANNA LONGACRE, Ceramics, Professor, MFA, University of Michigan JOANNE LUKITSH, Photography (History), Professor, PhD, University Art volumes in library system: >100,000 of Chicago Art journals in library system: >400 JANE MARSCHING, Installation (Studio), Professor, MFA, School of There is a separate art library with >10,000 volumes and >200 journals. Visual Arts Students have library privileges at other institutional libraries. FISH MCGILL, Graphic Design, Adjunct/Contingent faculty, MFA, Massachusetts College of Art and Design Image Resources JAMES MCLEOD, Glass, Associate Professor, MFA, New York Total number of images: >250,000 University, Tisch School of the Arts Institution maintains its own digital-image collection. Institution LAURA MCPHEE, Photography (Studio), Professor, MFA, Rhode Island maintains its own slide collection. Institution subscribes to a digital- School of Design image library. Students have access to image collections. Students have TAMARA METZ, Architecture, Assistant Professor, non-tenure, MArch, opportunities to view works of art in local museums, commercial Harvard University galleries, and on funded field trips. MATTHEW MONTEITH, Photography (Studio), Assistant Professor, Program Opportunities tenure-track, Yale University ABELARDO MORELL, Photography (Studio), Emeritus, MFA, Yale Additional opportunities for study within the institution: Students enroll University in studio electives and independent studies in any department and have DANA MOSER, Digital Media (Studio), Professor, MFA, Massachusetts access to the full range of MassArt faculty. On occasion, students may College of Art and Design officially change their concentration to better support a shift in focus. NICK NIXON, Photography (Studio), Professor, MFA, University of New Gallery or museum affiliated with the department: MassArt Bakalar and Mexico Paine Galleries, Student Life Gallery JUAN OBANDO, Video (Studio), Assistant Professor, tenure-track, MFA, Formal programs: Summer work projects. The M.Arch Track II Purdue University commences with a summer community build course. Students lead a PAUL PATURZO, Architecture, Adjunct/Contingent faculty, MArch, collaborative project with architects and engineers to develop a project Massachusetts Institute of Technology that meets the needs of a community partner while exploring the ANNETTE POPP, Architecture, Adjunct/Contingent faculty, MArch, Ball expressive potential of building materials and structural systems. State University Formal relationships with other academic institutions: Students may JOE QUACKENBUSH, Digital Media (Studio), Graphic Design, enroll in electives through the formal consortia arrangement with Professor, MFA, Rhode Island School of Design Massachusetts Institute of Technology. JAMES MORLEY READ, Industrial Design, Professor, MFA, Rochester Institute of Technology Formal relationships with local museums: The Museum of Fine Arts, MELISSA RENN, Art of the United States, Adjunct/Contingent faculty, Boston, the Isabella Stewart Gardner Museum, and the Institute of PhD, Boston University Contemporary Art Boston offer students free general admission to MARTHA RETTIG, Graphic Design, Adjunct/Contingent faculty, MFA, exhibits. Massachusetts College of Art and Design Extracurricular opportunities for graduate students: Curate exhibitions. ANDREW RINGLER, Graphic Design, Adjunct/Contingent faculty, MFA, The department sponsors 20–30 lectures per year. Massachusetts College of Art and Design WILLIAM ROBERTS, Non-Artist/Non-Art Historian, joint appointment Other Campus Resources in Business, Adjunct/Contingent faculty, MA, Harvard University Employment or career development office: Yes IRINA ROZOWSKY, Photography (Studio), Assistant Professor, tenure- Office/center for international students: Yes track, Massachusetts College of Art and Design Housing space is available in dormitories. Graduate suites are available MITCH RYERSON, Object Design, joint appointment in Furniture on-campus. Most graduate students live in nearby Boston Design, Adjunct/Contingent faculty, BA, Boston University neighborhoods, where students from many other colleges reside. BEN RYTERBAND, Ceramics, Professor, MFA, Rhode Island School of Planned campus changes and facility improvements: New Design and Design Media Center opening in spring 2016. 119 Environmental Health and Safety Fax: 612-874-3701 Occupational Safety and Health Administration (OSHA) regulations are mcad.edu/academic-programs/graduate-degrees in place for ventilation and respiratory protection, hazardous chemical Contact: Admissions Office, [email protected] safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Private art school; nonprofit corporation Agency (EPA) and state regulations for hazardous materials, including Accredited by: National Association of Schools of Art and Design, North spill procedures and material disposal. Program has performed an Central Association of Colleges and Schools environmental health and safety audit in the past five years. Studio Degrees awarded: Master’s degree spaces are limited to specific uses. Wood shops, model shops, and the Concentrations in: Animation, artist’s books, digital media, drawing, foundry are all equipped with dust controls (individual-equipment dust film, graphic design, illustration, installation, multidisciplinary, painting, collection and room ventilation). The use of solvents is limited to the 2D paper, photography, printmaking, sculpture, video, visual studies painting studios, in which there are appropriate systems for ventilation. Methods used to familiarize students and faculty with environmental First graduate degree granted: MFA, 1995 health and safety include instruction in class, internet or intranet, health The MCAD MFA program is a community of makers, thinkers, theorists, and safety officer (full-time or part-time), shop technician, material researchers, and creative professionals. The diverse student body safety data sheets (MSDS), training videos, information in student includes a robust international presence. The subject of student inquiry handbook. Training courses in environmental health and safety are responds to social, cultural, and professional needs as well as to offered and recommended but not required. entrepreneurial opportunities, stretching across art and design practices. Students pursue creative work in a lively, interdisciplinary FINANCIAL INFORMATION environment. For aspiring educators, a teaching component is offered but not required. Tuition The program pivots around a rigorous one-on-one mentor-based Full-time student tuition is determined per credit. model. Graduate students work with mentors who are experts in their All students: $780 fields. For three semesters, this intensive experience is augmented by equally challenging critique seminars and theory courses. Midway Additional institutional fees: $800 through the process, students engage in a formal review with a Part-time student tuition is determined per credit. committee of faculty, who suggest, evaluate, and guide student projects. All students: $780 The concluding semester culminates with a public exhibit of the thesis Additional institutional fees: $800 work. Financial Aid ADMISSIONS Types of aid available: Tuition aid/remission, teaching assistantship, Deadline for fall: 1/15 research assistantship. Technical assistantships and partial scholarships Fall notification date: 3/1 are also awarded. US citizens and permanent residents may apply for Application fee: $50 federal student loans. Partial tuition awarded to 72 students in the previous academic year. Part-time students accepted: Yes Applications received 2015–16: 160 Fellowships Applications accepted 2015–16: 61 Fellowships are available to first-year students. Students enrolled 2015–16: 21 Fellowship maximum period of support: 1 year Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Assistantships students (iBT 79), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork, Assistantships are available to students of all levels. artist’s statement Teaching assistantships applications received: 97 Recommended: Degree in subject area, campus visit, in-person or Teaching assistantships awarded: 97 phone interview, contact the program for additional requirements Teaching assistantships awarded to women: 68 Teaching assistantships awarded to minorities: 17 CURRICULUM Average amount of award/stipend: $1,080 Courses Hours of work required per week: 5 Number offered to graduate students each term: 8 Teaching assistantship maximum period of support: 3 years Number whose enrollment is limited to graduate students: 8 Working assistantships applications received: 75 Average Class Size Working assistantships awarded: 75 In graduate studios: 11–15 students Working assistantships awarded to women: 46 In graduate seminars: 11–15 students Working assistantships awarded to minorities: 18 Average amount of award/stipend: $1,080 Course of Study Hours of work required per week: 5 Full-time residency requirement: 4 terms Working assistantship maximum period of support: 3 years Maximum number of years for residency: 5 Other benefits: Tuition remission (part or full) Average number of years for residency: 2 Other financial support: Any student who applied for an Assistantship Typical number of credit hours per term for a full-time student: 15 received an Assistantship in 2015–16. Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 42 Full-time master’s students, part-time master’s students, full-time Total in art history: 9 certificate students, and part-time certificate students receive health Total in graduate seminars: 9 insurance coverage with copayment. Degree requirements: Written thesis, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. MCAD’s program is mentor-based. Students independently work one-on-one with a mentor for approximately 60 MINNEAPOLIS COLLEGE OF percent of credits. Recommended: Thesis or artist’s statement, solo exhibition, ART AND DESIGN professional practices course STUDENTS MFA Program Number of students in residence: Master’s, 53 MFA Program Number of male graduates fall 2015–summer 2016: Master’s, 9 Minneapolis College of Art and Design Number of female graduates fall 2015–summer 2016: Master’s, 20 2501 Stevens Ave. Student organizations within the program/department: The Student Minneapolis, Minnesota, 55404 Union oversees all student activities, funds various activities, and serves Phone: 612-874-3760 on board committees. Students can participate in student-led

120 exhibitions and curated shows. PROF. DAMON STANEK, Critical Theory, Architectural History, joint appointment in Liberal Arts, Assistant Professor, non-tenure, MA, State Formal mode of student participation in academic governance: Student- University of New York at New Paltz, 2001 led Student Union as well as several student board committees PROF. MELODEE STRONG, 2-Dimensional Design, joint appointment in Design, Assistant Professor, non-tenure, BFA, Minneapolis College of FACULTY Art and Design, 2006 Number of faculty: 40 Tenured/tenure track: 8 men, 6 women Part-time/adjunct lecturers: 12 men, 8 women RESOURCES AND SPECIAL PROGRAMS Full-time contractual: 3 men, 3 women Private studios are available with unlimited hours for all. Students have MS. KARA ANDREE, Drawing (Studio), Painting, joint appointment in the opportunity to exhibit their work in a gallery associated with the Fine Arts, Adjunct/Contingent faculty, MFA department or institution, local galleries, a graduate thesis exhibition. MR. ERIK BENSON, Painting, Adjunct/Contingent faculty, MFA MCAD has a full range of digital equipment and facilities that support PROF. ERIK BRANDT, Graphic Design, Printmaking, joint appointment studio practice, ranging from state-of-the-art digital technologies to in Design, Chair, MFA, Virginia Commonwealth University traditional hand-skill activities. A complete 3D shop, Printmaking DR. ANNA CHISHOLM, Art Criticism, joint appointment in Liberal Arts, Studio, Digital Labs and Media Center are available. Adjunct/Contingent faculty, PhD PROF. TOM DEBIASO, Painting, Professor, MA Libraries MS. AMY DIGENNARO, Drawing (Studio), Adjunct/Contingent faculty, Total volumes in library system: >500,000 MFA Art volumes in library system: >300,000 MR. ANDY DUCETT, Installation (Studio), joint appointment in Fine Art journals in library system: >200 Arts, Adjunct/Contingent faculty, MFA MR. LUIS FITCH, Graphic Design, Adjunct/Contingent faculty, BFA Students have library privileges at other institutional libraries. MS. TERI FULLERTON, Photography (Studio), Adjunct/Contingent Image Resources faculty, MFA Total number of images: >250,000 PROF. DAVID GOLDES, Photography (Studio), joint appointment in Institution and program maintain digital-image collections. Institution Media Arts, Professor, MFA, Visual Studies Workshop, 1977 subscribes to a digital-image library. Students have access to image MR. SCHELL HICKEL, Animation (Studio), joint appointment in Media collections. Students have opportunities to view works of art in local Arts, Adjunct/Contingent faculty museums, commercial galleries, private collections, and on funded field PROF. JAN JANCOURT, Graphic Design, joint appointment in Design, trips. Professor, MFA, Cranbrook Academy of Art, 1986 PROF. BRAD JIRKA, 3-Dimensional Design, joint appointment in Fine Program Opportunities Arts, Professor, BFA, Minneapolis College of Art and Design, 1976 Additional opportunities for study within the institution: MFA students MR. TOMASZ KACZYNSKI, 2-Dimensional Design, Adjunct/Contingent may audit courses outside of those required for the degree, in faculty, BA consultation with their mentor and the director of the MFA program. MR. J. ZACH KEENAN, Graphic Design, joint appointment in Design, Gallery or museum affiliated with the department: Whittier Studios Adjunct/Contingent faculty, BFA Gallery MS. SHARON LOUDEN, Drawing (Studio), Adjunct/Contingent faculty, MFA Formal programs: Study abroad, summer work projects. MCAD students DR. FRENCHY LUNNING, Design History, Japanese Art, joint are eligible to apply for the WorkART Fellows Program. The program appointment in Liberal Arts, Professor, PhD, University of Minnesota sends U.S. undergraduate and graduate students to Germany for 4–8 DR. DIANE MULLIN, Curatorial Studies, Contemporary Art, Professor, weeks during the summer semester to work directly with local PhD, Washington University in St. Louis, 1999 community-based exhibition venues in Germany known as PROF. KINDRA MURPHY, Graphic Design, joint appointment in "Kunstvereine." Design, Professor, BA, Eastern Michigan University, 1995 Formal relationships with local museums: Students are eligible to apply MR. DONALD MYHRE, 3-Dimensional Design, joint appointment in for the "MCAD at MIA" competition. One work produced by an MCAD Fine Arts, Dir. 3D Shop, Adjunct/Contingent faculty, MFA student, or collaboratively by several students, is displayed in the MR. JAMES O’BRIEN, 2-Dimensional Design, Adjunct/Contingent Minneapolis Institute of Arts (MIA) each year. In addition, MCAD faculty, MFA students receive free entry to the renowned Walker Art Center. MS. KELLY O’BRIEN, Sculpture, Painting, Adjunct/Contingent faculty, Extracurricular opportunities for graduate students: Curate exhibitions, MFA conduct fieldwork, research for catalogues, conduct surveys for outside MR. JACK PAVLIK, Sculpture, Adjunct/Contingent faculty, MFA institutions, present public outreach lectures MR. RYAN PELTIER, 2-Dimensional Design, Adjunct/Contingent faculty, Other special programs sponsored by the department: Visit the MFA MFA website for details on the ever-expanding special programs sponsored PROF. HOWARD QUEDNAU, Drawing (Studio), Painting, joint by the department: www.mcad-mfa.com/welcome. The department appointment in Fine Arts, Chair, MFA, Northern Illinois University, 1985 sponsors 20–30 lectures per year. PROF. STEVIE REXROTH, Photography (Studio), joint appointment in Media Arts, Chair, MFA, , 1996 Other Campus Resources MR. HAYNES RILEY, 2-Dimensional Design, joint appointment in Employment or career development office: Yes Design, Adjunct/Contingent faculty, MFA PROF. RICHARD SFERRA, Photography (Studio), joint appointment in Office/center for international students: Yes Media Arts, Professor, MFA, Cranbrook Academy of Art, 1978 Housing space is available in apartments. International MFA students MS. ANDREA STANISLAV, Sculpture, Adjunct/Contingent faculty, MFA are guaranteed housing if application is received by the deadline; PROF. PIOTR SZYHALSKI, Public Art (Studio), joint appointment in domestic MFA students may apply for a wait-list. Media Arts, Professor, MFA, 1989 Planned campus changes and facility improvements: MCAD has PROF. KATHERINE TURCZAN, Photography (Studio), Digital Media renovated a significant portion of its already advanced digital media (Studio), joint appointment in Media Arts, Professor, MFA, Yale facilities. The state-of-the-art digital media center opened in late University summer 2014 with cutting-edge resources for web, multimedia, and MS. JODY WILLIAMS, Artist’s books, Printmaking, joint appointment in digital production. Fine Arts, Adjunct/Contingent faculty, MFA MR. GREG WINTER, Film, Adjunct/Contingent faculty, MFA Environmental Health and Safety PROF. KAREN WIRTH, Sculpture, Arts Administration, joint Occupational Safety and Health Administration (OSHA) regulations are appointment in VP, Academic Affairs, Professor, MFA, University of in place for ventilation and respiratory protection, hazardous chemical Minnesota, 1990 safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Recent Visiting Faculty Agency (EPA) and state regulations for hazardous materials, including PROF. ROBERT ALGEO, Digital Media (Studio), joint appointment in spill procedures and material disposal. Program has performed an Design, Coordinator:Post-Baccelaueate, Assistant Professor, non-tenure, environmental health and safety audit in the past five years. MCAD MFA, Minneapolis College of Art and Design, 2011 fume- and dust-collection systems. PROF. JAIME ANDERSON, 2-Dimensional Design, joint appointment in 1. Three spray/paint booths with makeup air systems and filter banks. Design, Assistant Professor, non-tenure, MFA, Savannah College of Art Filters are disposed of with special waste disposal permits from county. and Design, 2009 2. Dust-collection system for wood shop equipment and sanding PROF. ALLAN BREWER, 2-Dimensional Design, joint appointment in operations removes dust and collects in cyclone system Design, Assistant Professor, non-tenure, BFA, 1997 3. Bench-top exhaust hoods are used in studios for smaller projects PROF. LYNDA MONICK-ISENBERG, Art Education, joint appointment 4. General-area exhaust and fresh air supply meet code for building class in Fine Arts, Assistant Professor, non-tenure, MA, University of Methods used to familiarize students and faculty with environmental Minnesota, 1981 health and safety include required training course, instruction in class, 121 internet or intranet, faculty training, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), ADMISSIONS training videos, information in student handbook. Detailed information This program has rolling admissions. about MCAD’s extensive commitment to environmental health and Deadline for fall: 6/1 safety can be found online: intranet.mcad.edu/modules/ds/view_ds.php?ds_id=42 Fall notification date: 6/15 Deadline for spring: 11/1 FINANCIAL INFORMATION Spring notification date: 11/1 Tuition Application fee: $50 Full-time student tuition is determined per semester. Part-time students accepted: Yes All students: $18,049 Applications received 2015–16: 19 Additional institutional fees: $225 Applications accepted 2015–16: 15 Part-time student tuition is determined per credit. Students enrolled 2015–16: 8 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA, TOEFL for All students: $1,505 foreign students (iBT 79), transcript, letters of recommendation, Additional institutional fees: $225 résumé, statement of interest/personal statement Financial Aid Recommended: Related professional experience, in-person or phone Types of aid available: Tuition aid/remission, guaranteed loan, teaching interview, contact the program for additional requirements assistantship, research assistantship, work-study program CURRICULUM Funds available for graduate student travel: Yes Courses Assistantships Number offered to graduate students each term: 4 Assistantships are available to students of all levels. Number whose enrollment is limited to graduate students: 4 Working assistantships awarded: 53 Working assistantships awarded to women: 35 Average Class Size Working assistantships awarded to minorities: 22 In graduate studios: 11–15 students Average amount of award/stipend: $6,000 In graduate seminars: 11–15 students Hours of work required per week: 14 In graduate lectures: 11–20 students Working assistantship maximum period of support: 2 years Independent study available: Yes Other benefits: Tuition remission (part or full) Course of Study Other financial support: Graduate students should complete the Free Full-time residency requirement: None Application for Federal Student Aid (FAFSA) between January 1 and March 1 to receive priority for need-based financial aid. Aid is This program has an online learning component. distributed on a first-come, first-served basis. You do not need to be Typical number of courses for a full-time student: 2 accepted to MCAD before completing the FAFSA. Total number of courses required for graduation: 12 Health Insurance Total in area of concentration: 8 Full-time master’s students receive health insurance coverage with Total in graduate seminars: 2 copayment. No health insurance coverage is provided for part-time Electives: 2 master’s students. Degree requirements: Written thesis, thesis or artist’s statement, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, thesis committee/exhibition jury, business course. MCAD’s MA program is offered fully online. This course-based program follows a distinct framework of courses that blends sustainability theory, practice, and MINNEAPOLIS COLLEGE OF leadership to prepare students to become global change agents. Coursework culminates in a thesis project, thesis paper, and final thesis ART AND DESIGN review. Students are guided through their thesis work by a thesis advisor and committee of industry experts. There is no teaching component to Master of Arts in Sustainable Design this program. Practicum opportunities exist and are encouraged. Recommended: Professional practices course Master of Arts in Sustainable Design Minneapolis College of Art and Design STUDENTS 2501 Stevens Ave. Number of students in residence: Master’s, 21 Minneapolis, Minnesota, 55404 Phone: 612-874-3760 Number of male graduates fall 2015–summer 2016: Master’s, 10 Fax: 612-874-3701 Number of female graduates fall 2015–summer 2016: Master’s, 11 mcad.edu/academic-programs/graduate/master-arts-sustainable-design Formal mode of student participation in academic governance: Student- Contact: Admissions Office, [email protected] led Student Union as well as several student board committees Private art school; nonprofit corporation FACULTY Accredited by: National Association of Schools of Art and Design, North Number of faculty: 7 Central Association of Colleges and Schools Tenured/tenure track: 0 men, 1 woman Degrees awarded: Master’s degree; Certificate Part-time/adjunct lecturers: 3 men, 3 women Concentrations in: Fashion, graphic design, industrial design, interior design, landscape design, multidisciplinary, object design, public art, Full-time contractual: 0 men, 0 women urban planning DENISE DELUCA, Non-Artist/Non-Art Historian, Adjunct/Contingent First graduate degree granted: MA, 2012 faculty, MS, Montana State University, 1987 JEREMY FALUDI, Industrial Design, Adjunct/Contingent faculty, Other, MCAD’s MA program is offered fully online. This course-based program Stanford University, 2003 follows a distinct framework that blends sustainability theory, practice, JOSHUA FOSS, Non-Artist/Non-Art Historian, Adjunct/Contingent and leadership to prepare students to become global change agents. faculty, MS, 2011 Coursework culminates in a thesis project, thesis paper, and final thesis CINDY GILBERT, Non-Artist/Non-Art Historian, Chair, MS, Oregon review. Students are guided through their thesis work by an advisor and State University, 2002 a committee of industry experts. There is no teaching development WENDY JEDLICKA, Graphic Design, Adjunct/Contingent faculty, Other, component to this program. Practicum opportunities exist and are University of St. Thomas, 2003 encouraged but not required. CURT MCNAMARA, Non-Artist/Non-Art Historian, Adjunct/Contingent faculty, Other, Portland State University, 2010 MS. MEGHANA SHROFF, Non-Artist/Non-Art Historian, Adjunct/Contingent faculty

122 RESOURCES AND SPECIAL PROGRAMS This is a fully online program with no residency requirements. All studio MISSOURI STATE UNIVERSITY and equipment requirements are met by the student. Libraries Art & Design Department Total volumes in library system: >500,000 Missouri State University Art volumes in library system: >300,000 901 S. National Avenue Art journals in library system: >200 Springfield, Missouri, 65897 Phone: 417-837-2330 Students have library privileges at other institutional libraries. Fax: 417-837-2350 Image Resources art.missouristate.edu/visualstudies.aspx Total number of images: >250,000 Contact: Sarah Williams, [email protected]; Institution maintains its own digital-image collection. Institution [email protected] maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Public university opportunities to view works of art in local museums, commercial Degrees awarded: Master’s degree galleries, and private collections. Concentrations in: 2-dimensional design, 3-dimensional design, animation, artist’s books, ceramics, digital media, drawing, graphic Program Opportunities design, illustration, metals, multidisciplinary, painting, paper, Formal programs: Summer work projects. Graduate Sustainability photography, printmaking, sculpture, video, visual studies Practicum is an elective course offered each summer. Extracurricular opportunities for graduate students: Conduct fieldwork, ADMISSIONS conduct surveys for outside institutions, present public outreach This program has rolling admissions. lectures Deadline for fall: 2/1 Other special programs sponsored by the department: The department Fall notification date: 3/1 sponsors a Permaculture workshop series each year. The department sponsors 5–10 lectures per year. Deadline for spring: 9/1 Spring notification date: 10/1 Other Campus Resources Application fee: $35 Employment or career development office: Yes Part-time students accepted: Yes Office/center for international students: Yes Applications received 2015–16: 12 Housing space is available in apartments. International MFA students Applications accepted 2015–16: 5 are guaranteed housing if application is received by the deadline; domestic MFA students may apply for a wait-list. Students enrolled 2015–16: 10 Planned campus changes and facility improvements: The MA program Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), TOEFL is online. for foreign students (iBT 79), transcript, letters of recommendation, statement of interest/personal statement, examples of personal artwork, Environmental Health and Safety artist’s statement Occupational Safety and Health Administration (OSHA) regulations are Recommended: Degree in subject area, résumé, contact the program for in place for ventilation and respiratory protection, hazardous chemical additional requirements safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection CURRICULUM Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Courses environmental health and safety audit in the past five years. Methods Number offered to graduate students each term: 12 used to familiarize students and faculty with environmental health and Number whose enrollment is limited to graduate students: 12 safety include publications, internet or intranet, information in student handbook. Average Class Size In graduate studios: 6–10 students FINANCIAL INFORMATION In graduate seminars: 6–10 students Tuition In graduate lectures: 1–10 students Full-time student tuition is determined per semester. Independent study available: Yes All students: $6,528 Course of Study Additional institutional fees: $125 Full-time residency requirement: 3 years Part-time student tuition is determined per credit. Maximum number of years for residency: No maximum All students: $1,088 Average number of years for residency: 3 Additional institutional fees: $125 Typical number of credit hours per term for a full-time student: 10 Financial Aid Total number of credit hours required for graduation: 60 Types of aid available: Tuition aid/remission. Some small scholarships Total in studio art: 21 are periodically available. No financial assistance awarded to 19 Total in area of concentration: 24 students in the previous academic year. Total in art history: 9 Fellowships Total in graduate seminars: 6 Fellowships awarded: 0 Electives: 6 Degree requirements: Written thesis, thesis or artist’s statement, solo Assistantships exhibition, individual presentation of thesis work, critique of thesis work, Teaching assistantships awarded: 0 documentation of thesis work for program archive, oral defense of work, Working assistantships awarded: 0 thesis committee/exhibition jury, professional practices course Health Insurance STUDENTS No health insurance coverage is provided for full-time master’s Number of students in residence: Master’s, 10 students, part-time master’s students, full-time certificate students, and Student organizations within the program/department: AIGA student part-time certificate students. chapter Formal mode of student participation in academic governance: Graduate Student Senate is a governing body on campus that is comprised of student senators from each degree program.

123 learning opportunities are available through Springfield Art Museum, FACULTY the History Museum on the Square, the Bonniebrook Historical Society Number of faculty: 25 and Museum, the Discovery Center, and the Ralph Foster Museum. Tenured/tenure track: 13 men, 11 women Extracurricular opportunities for graduate students: Curate exhibitions, Part-time/adjunct lecturers: 0 men, 1 woman research for catalogues, present public outreach lectures. The Full-time contractual: 0 men, 0 women department sponsors 5–10 lectures per year. PROF. JIMMIE ALLEN, Photography (Studio), Associate Professor, Other Campus Resources MFA, University of Texas at Austin Employment or career development office: Yes PROF. DEIDRE ARGYLE, Sculpture, Assistant Professor, tenure-track PROF. FAITH BENZER, Art Education, Assistant Professor, tenure-track, Office/center for international students: Yes EdD, Arizona State University Housing space is available in dormitories and apartments. PROF. CAROLYN CARDENAS, Painting, Professor, MFA, Drake Planned campus changes and facility improvements: In 2013 the University department moved into a newly renovated 180,000 sq. ft. complex, with PROF. COLE CLOSSER, Digital Media (Studio), Assistant Professor, new studios, smart classrooms, galleries and critique spaces, 10 tenure-track, MFA, Center for Cartoon Studies computer labs, a visual resource library, art supply store, and offices. PROF. KEITH EKSTAM, Ceramics, Professor, MFA, University of The graduate program began fall 2014. Michigan DR. BILLIE FOLLENSBEE, Pre-Columbian Art, Native American Art, Environmental Health and Safety Professor, PhD, University of Maryland, College Park Occupational Safety and Health Administration (OSHA) regulations are PROF. JACEK FRACZAK, Graphic Design, Associate Professor, MFA in place for ventilation and respiratory protection, hazardous chemical PROF. SHARON HARPER, Painting, Professor, MFA, University of safety (right-to-know), personal protective equipment, machine safety, Massachusetts Amherst hearing protection. Program meets the US Environmental Protection PROF. MARCUS HOWELL, Printmaking, Associate Professor, MFA, Agency (EPA) and state regulations for hazardous materials, including University of Illinois at Urbana-Champaign spill procedures and material disposal. Program has performed an PROF. KEVIN HUGHES, Ceramics, Associate Professor, MFA, Indiana environmental health and safety audit in the past five years. Facility is University only two years old. Provisions exist to accommodate individual studios PROF. COLBY JENNINGS, Digital Media (Studio), Assistant Professor, with extra consideration given to those with the most vapor and tenure-track, MFA, Washington State University particulates, such as outdoor ventilation for some areas, air scrubbers, DR. CATHERINE JOLIVETTE, Twentieth-Century Art, Visual Studies, and independent ventilation for torches. Methods used to familiarize Professor, PhD, Pennsylvania State University students and faculty with environmental health and safety include DR. MITZI KIRKLAND-IVES, Renaissance Art, Baroque Art, Associate instruction in class, faculty training, health and safety officer (full-time or Professor, PhD, University of California, Santa Barbara part-time), shop technician, material safety data sheets (MSDS), PROF. CEDOMIR KOSTOVIC, Graphic Design, Professor, MFA information in student handbook. PROF. SEAN LYMAN, Painting, Drawing (Studio), Associate Professor, MFA, University of Kansas FINANCIAL INFORMATION PROF. SARAH PERKINS, Metals, Professor, MFA, Southern Illinois University Carbondale Tuition PROF. ERIC PERVUKHIN, Printmaking, Professor, MFA Full-time student tuition is determined per credit hour. PROF. DUAT VU, Painting, Associate Professor, MFA, University of State residents: $255 Connecticut PROF. GWEN WALSTRAND, Photography (Studio), Professor, MFA, Out-of-state residents: $511 University of Iowa Additional institutional fees: $455 PROF. BRUCE WEST, Photography (Studio), Professor, MFA, Pennsylvania State University Financial Aid PROF. SARAH WILLIAMS, Painting, Assistant Professor, tenure-track, Types of aid available: Tuition aid/remission, stipend, teaching MFA, University of North Texas assistantship. Scholarships. Tuition and full stipend awarded to 10 DR. STEVE WILLIS, Art Education, Professor, PhD, Florida State students in the previous academic year. University Funds available for graduate student travel: Yes PROF. VONDA YARBERRY, Video (Studio), Digital Media (Studio), Professor, MFA, Rutgers, The State University of New Jersey Assistantships MS. IWONA ZALEWSKA-DUSZEK, 2-Dimensional Design, Assistantships are available to students of all levels. Adjunct/Contingent faculty, MFA, University of Illinois at Urbana- Teaching assistantships applications received: 5 Champaign Teaching assistantships awarded: 5 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to women: 3 Private studios are available with unlimited hours for all. Semiprivate Teaching assistantship maximum period of support: 3 years studios are available with unlimited hours for all. Students have the Working assistantships applications received: 10 opportunity to exhibit their work in a gallery associated with the Working assistantships awarded: 10 department or institution, local galleries, a graduate thesis exhibition. The department has 10 computer labs of various sizes that specialize in Hours of work required per week: 20 various processes. The department has three large-format printers, a 3D Working assistantship maximum period of support: 3 years printer, 3D and 2D scanners, motion capture recording studio, Other benefits: Tuition remission (part or full) stopmotion and other digital camera–based labs/facilities. Health Insurance Libraries No health insurance coverage is provided for full-time master’s students Total volumes in library system: >500,000 and part-time master’s students. Students have library privileges at other institutional libraries. Image Resources Total number of images: >100,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Students have access to image MONTANA STATE collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field UNIVERSITY trips. Program Opportunities Studio Art Additional opportunities for study within the institution: Students can School of Art petition to study in any discipline within the university and count up to 6 Montana State University credits toward their MFA degree. Media and Library Science have pre- PO Box 173680 approved electives. Any discipline will be considered. Bozeman, Montana, 59717 Gallery or museum affiliated with the department: Brick City Galleries Phone: 406-994-4501 and the Student Exhibition Center Fax: 406-994-4099 Formal programs: Study abroad www.art.montana.edu Formal relationships with local museums: Internships and special Contact: Mandi McCarthy-Rogers, [email protected]

124 Public university; nonprofit corporation PROF. JEFFREY CONGER, Graphic Design, Professor, MFA Accredited by: National Association of Schools of Art and Design PROF. JOSH DEWEESE, Ceramics, Assistant Professor, tenure-track, MFA Degrees awarded: Master’s degree MS. BARBARA EMBERLIN, World Art, Adjunct/Contingent faculty, MA, Concentrations in: Ceramics, drawing, metals, painting, printmaking, Arizona State University sculpture DR. REGINA GEE, Greek Art, Roman Art, Associate Professor, PhD Montana State University offers state-of-the-art facilities for intensive PROF. JEREMY HATCH, Ceramics, Drawing (Studio), Assistant graduate study. The 6,000 sq. ft. Melvin Graduate Studios building Professor, tenure-track, MFA features spacious, light-filled studios with mountain views. It is home to PROF. GESINE JANZEN, Drawing (Studio), Printmaking, Associate the Waller-Yoblonsky Gallery, which holds student exhibitions. The Professor, MFA studios provide a kitchen, semiprivate studio space, and a tool room PROF. VAUGHAN JUDGE, Photography (Studio), Professor, MEd with band saws, table saw, drill press, and a private electric salt kiln. DR. TODD LARKIN, Renaissance Art, Baroque Art, Associate Professor, PhD ADMISSIONS PROF. SARA MAST, Painting, Drawing (Studio), Associate Professor, Deadline for fall: 2/15 MFA PROF. META NEWHOUSE, Graphic Design, Associate Professor, MFA Fall notification date: 3/15 PROF. STEPHANIE NEWMAN, Graphic Design, Professor, MFA Application fee: $60 MR. BRYAN PETERSEN, Metals, Adjunct/Contingent faculty, MFA Part-time students accepted: Yes DR. MELISSA RAGAIN, Contemporary Art, Assistant Professor, tenure- Applications received 2015–16: 28 track, PhD Applications accepted 2015–16: 5 PROF. JIM ZIMPEL, Sculpture, Assistant Professor, tenure-track, MFA Students enrolled 2015–16: 11 RESOURCES AND SPECIAL PROGRAMS Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3), TOEFL for Semiprivate studios are available with unlimited hours for all. Students foreign students (550), transcript, letters of recommendation, résumé, have the opportunity to exhibit their work in a gallery associated with the statement of interest/personal statement, examples of personal artwork, department or institution, local galleries, a graduate thesis exhibition. artist’s statement Computers and printers are available for student use, as well as a Recommended: Degree in subject area, campus visit graphic design computer lab with large-format printers and scanners. CURRICULUM Libraries Students have library privileges at other institutional libraries. Courses Image Resources Number offered to graduate students each term: 9 Total number of images: >250,000 Number whose enrollment is limited to graduate students: 9 Institution maintains its own digital-image collection. Program maintains its own slide collection. Institution subscribes to a digital- Average Class Size image library. Students have access to image collections. Students have In graduate studios: 6–10 students opportunities to view works of art in local museums, commercial In graduate seminars: 6–10 students galleries, private collections, and on funded field trips. Independent study available: Yes Program Opportunities Course of Study Gallery or museum affiliated with the department: Helen E. Copeland Full-time residency requirement: None Gallery Maximum number of years for residency: No maximum Formal programs: Study abroad Average number of years for residency: 1 Extracurricular opportunities for graduate students: Conduct fieldwork, present public outreach lectures. The department sponsors 10–20 Typical number of credit hours per term for a full-time student: 12 lectures per year. Total number of credit hours required for graduation: 60 Total in studio art: 15 Other Campus Resources Total in area of concentration: 30 Employment or career development office: Yes Total in art history: 9 Office/center for international students: Yes Total in graduate seminars: 6 There is a graduate-student housing office. Housing space is available in Degree requirements: Written thesis, thesis or artist’s statement, solo dormitories, apartments, and married student housing. exhibition, individual presentation of thesis work, critique of thesis work, Environmental Health and Safety documentation of thesis work for program archive, oral defense of work Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical STUDENTS safety (right-to-know), personal protective equipment, machine safety, Number of students in residence: Master’s, 8 hearing protection. Program meets the US Environmental Protection Number of female graduates fall 2015–summer 2016: Master’s, 1 Agency (EPA) and state regulations for hazardous materials, including Student organizations within the program/department: Student spill procedures and material disposal. Program has performed an Printmakers Association of Montana, Drawing and Painting Guild, environmental health and safety audit in the past five years. Methods Ceramics Guild, Metals Guild used to familiarize students and faculty with environmental health and Formal mode of student participation in academic governance: ASMSU safety include faculty training, health and safety officer (full-time or part- is the student government association serving as the elected voice of the time), shop technician, information in student handbook. students of Montana State University-Bozeman with the mission of enhancing the overall educational experience of students by providing FINANCIAL INFORMATION leadership and employment opportunities for students and by providing Tuition diverse student oriented non-academic programs and services cost effectively through responsible fiscal management of student activity Full-time student tuition is determined per credit. fees. State residents: $266.50 Students have the opportunity to join a labor union. Out-of-state residents: $823.05 Additional institutional fees: $103.69 FACULTY Part-time student tuition is determined per credit. Number of faculty: 17 State residents: $266.50 Tenured/tenure track: 8 men, 6 women Out-of-state residents: $823.05 Part-time/adjunct lecturers: 1 man, 2 women Additional institutional fees: $103.69 Full-time contractual: 0 men, 0 women PROF. DEAN ADAMS, Foundations, Ceramics, Assistant Professor, Financial Aid tenure-track, MFA Types of aid available: Stipend, teaching assistantship. Tuition and PROF. ROLLIN BEAMISH, Drawing (History), Painting, Associate partial stipend awarded to 8 students in the previous academic year. Professor, MFA Funds available for graduate student travel: Yes MS. DENISE CARTER REIBE, Foundations, Adjunct/Contingent faculty, MFA

125 Assistantships Average Class Size Assistantships are available to students of all levels. In graduate studios: 1–5 students Teaching assistantships applications received: 28 In graduate seminars: 6–10 students Teaching assistantships awarded: 5 In graduate lectures: 1–10 students Teaching assistantships awarded to women: 3 Course of Study Hours of work required per week: 20 Full-time residency requirement: None Teaching assistantship maximum period of support: 3 years Maximum number of years for residency: 7 Other benefits: Tuition remission (part or full) Average number of years for residency: 2 Other financial support: Students who receive assistantships are granted in-state tuition and a stipend. Typical number of credit hours per term for a full-time student: 15 Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 27 Full-time master’s students and part-time master’s students receive Total in area of concentration: 18 health insurance coverage at no cost. Total in art history: 9 Total in graduate seminars: 12 Electives: 6 Degree requirements: Thesis or artist’s statement, concentration, solo NEW JERSEY CITY UNIVERSITY exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Studio Art and Design thesis committee/exhibition jury Art Department STUDENTS New Jersey City University Number of students in residence: Master’s, 12 Visual Arts Building, 100 Culver Ave. Number of male graduates fall 2015–summer 2016: Master’s, 4 Jersey City, New Jersey, 07305 Number of female graduates fall 2015–summer 2016: Master’s, 5 Phone: 201-200-3214 Student organizations within the program/department: Student Art and Fax: 201-200-3224 Design Association; Kappa Pi Honors Society www.njcu.edu/art/graduate-program Formal mode of student participation in academic governance: A Contact: Ashley Lyon, Graduate Coordinator, [email protected] student government organization is on campus. Public university; nonprofit corporation Accredited by: Middle States Commission on Higher Education, FACULTY National Association of Schools of Art and Design, National Council for Number of faculty: 14 Accreditation of Teacher Education Tenured/tenure track: 6 men, 5 women Degrees awarded: Master’s degree Part-time/adjunct lecturers: 1 man, 2 women Concentrations in: Ceramics, digital media, graphic design, illustration, Full-time contractual: 0 men, 0 women multidisciplinary, painting, photography, printmaking, sculpture, visual PROF. MAURO ALTAMURA, Photography (Studio), Writing, Associate studies Professor, MFA, Visual Studies Workshop, 1981 The MA and MFA in Studio Art programs at NJCU offer a dynamic, PROF. HUGO BASTIDAS, Painting, Photography (Studio), Associate personal, and demanding curriculum in close relationship with faculty Professor, MFA, Hunter College, 1986 and colleagues in a state-of-the-art facility. Each student is provided with DR. DENISE CARVALHO, Contemporary Art, Visual Studies, Assistant dedicated studio space and full access to the art department’s Professor, non-tenure, PhD, University of California, Davis, 2005 production resources, including painting, sculpture, photography, PROF. DENNIS DITTRICH, Drawing (Studio), Associate Professor, printmaking, and digital labs. The faculty works with students on an MFA, Syracuse University, 1986 individual basis, providing a consistent guide as students proceed PROF. BRIAN GUSTAFSON, Sculpture, Glass, Assistant Professor, non- through their studies. One-on-one and group critiques are the core tenure, MFA, Illinois State University, 2003 evaluative methodology of the program, along with an intense study of PROF. DEBORAH JACK, Photography (Studio), Digital Media (Studio), art historical practice and contemporary theory. NJCU’s proximity and Assistant Professor, non-tenure, MFA, University at Buffalo, The State professional connections to New York City offer a global perspective and University of New York, 2002 opportunities for career development. The programs stress skill, critical PROF. MARTIN KRUCK, Printmaking, Digital Media (Studio), Professor, thinking, knowledge, and awareness of cultural and social frameworks MFA, University at Buffalo, The State University of New York, 1995 as intrinsic parts of the curriculum. PROF. ASHLEY LYON, Ceramics, Sculpture, Assistant Professor, tenure- track, MFA, Virginia Commonwealth University, 2011 ADMISSIONS PROF. KENNETH MACBAIN, Metals, 3-Dimensional Design, Associate This program has rolling admissions. Professor, MFA, Temple University, 1990 Deadline for fall: 8/1 PROF. WINIFRED MCNEILL, Drawing (Studio), Sculpture, Professor, MFA, Queens College Fall notification date: 8/20 PROF. JANET PIHLBLAD, Graphic Design, Sculpture, Associate Deadline for spring: 12/1 Professor, MFA Spring notification date: 12/20 PROF. ELLEN QUINN, Digital Media (Studio), Graphic Design, Application fee: $55 Associate Professor, MFA, Rutgers, The State University of New Jersey DR. DENNIS RAVERTY, Twentieth-Century Art, Contemporary Art, Part-time students accepted: Yes Associate Professor, PhD, Rutgers, The State University of New Jersey, Applications received 2015–16: 15 1996 Applications accepted 2015–16: 11 DR. MIDORI YOSHIMOTO, Contemporary Art, Japanese Art, Associate Students enrolled 2015–16: 9 Professor, PhD, Rutgers, The State University of New Jersey, 2002 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), transcript, letters of recommendation, résumé, statement of RESOURCES AND SPECIAL PROGRAMS interest/personal statement, writing sample, examples of personal Semiprivate studios are available with limited hours for all. Students artwork, artist’s statement have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Recommended: Contact the program for additional requirements Studios include: photography, print, CAD/CAM, animation, ceramics with gas and electric kilns, and woodworking/metal/glass. There are 36 CURRICULUM open-lab computers, 3 large-format printers, 12 color laser and inkjet Courses printers, 8 scanners, large- format film and digital cameras, and a graduate computer lab. Number offered to graduate students each term: 35 Number whose enrollment is limited to graduate students: 20 Libraries Total volumes in library system: >500,000 Art volumes in library system: >50,000 Art journals in library system: >100

126 Students have library privileges at other institutional libraries. Image Resources Total number of images: >100,000 Institution maintains its own digital-image collection. Program maintains its own slide collection. Students have access to image Studio Art collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field New York Academy of Art trips. 111 Franklin St. New York, New York, 10013 Program Opportunities Phone: 212-966-0300 Additional opportunities for study within the institution: Independent Fax: 212-966-3217 study projects may be conducted with faculty from any department. http://nyaa.edu/nyaa/gradprogram/overview.html Cooperative education internships are available through area businesses Contact: Katie Hemmer, [email protected] and cultural institutions. Private art school; nonprofit corporation Gallery or museum affiliated with the department: Lemmerman Gallery Accredited by: National Association of Schools of Art and Design, New and Visual Arts Building Gallery York State Board of Regents Formal programs: Study abroad Degrees awarded: Master’s degree Extracurricular opportunities for graduate students: Curate exhibitions, Concentrations in: Drawing, painting, sculpture conduct fieldwork, research for catalogues, present public outreach lectures First graduate degree granted: MFA, 1990 Other special programs sponsored by the department: The department The New York Academy of Art is a graduate school that combines sponsors visiting artist, distinguished lecturer, and artist-in-residence intensive technical training in the fine arts with active critical discourse. programs. The department sponsors 1–4 lectures per year. We believe that rigorously trained artists are best able to realize their artistic vision. Academy students are taught traditional methods and Other Campus Resources techniques and encouraged to use these skills to make vital Employment or career development office: Yes contemporary art. The Academy serves as a creative and intellectual center for all artists dedicated to highly skilled, conceptually aware Office/center for international students: Yes figurative and representational art. There is a graduate-student housing office. Housing space is available in dormitories. ADMISSIONS Environmental Health and Safety Deadline for fall: 1/15 Occupational Safety and Health Administration (OSHA) regulations are Fall notification date: 2/15 in place for ventilation and respiratory protection, hazardous chemical Applications received 2015–16: 115 safety (right-to-know), personal protective equipment, machine safety, Applications accepted 2015–16: 88 hearing protection. Program meets the US Environmental Protection Students enrolled 2015–16: 55 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign environmental health and safety audit in the past five years. Each studio students (iBT 80), transcript, letters of recommendation, statement of has active, localized ventilation hoods, snorkels, or stations, and passive interest/personal statement, examples of personal artwork room ventilation or dust collection, as well as evacuation systems. Recommended: Résumé, artist’s statement Methods used to familiarize students and faculty with environmental health and safety include publications, instruction in class, faculty CURRICULUM research, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), information in student Courses handbook. Number offered to graduate students each term: 5 Number whose enrollment is limited to graduate students: 5 FINANCIAL INFORMATION Average Class Size Tuition In graduate studios: 11–15 students Full-time student tuition is determined per credit. In graduate seminars: 11–15 students State residents: $566.55 In graduate lectures: 51–100 students Out-of-state residents: $998.15 Additional institutional fees: $108 Course of Study Part-time student tuition is determined per credit. Full-time residency requirement: 2 years State residents: $566.55 Maximum number of years for residency: 2 Out-of-state residents: $998.15 Average number of years for residency: 2 Additional institutional fees: $108 Typical number of credit hours per term for a full-time student: 15 Total number of credit hours required for graduation: 60 Financial Aid Total in studio art: 39 Types of aid available: Stipend, guaranteed loan, work-study program. Total in area of concentration: 12 Tuition and partial stipend awarded to 1 student in the previous academic year. Total in art history: 9 Total in graduate seminars: 9 Assistantships Electives: 12 Assistantships are available to students of all levels. Degree requirements: Written thesis, thesis or artist’s statement, Teaching assistantships awarded: 2 concentration, group exhibition, individual presentation of thesis work, Working assistantships awarded: 2 critique of thesis work, documentation of thesis work for program Working assistantships awarded to women: 1 archive, oral defense of work, thesis committee/exhibition jury, professional practices course. Submission of professional résumé, exit Working assistantships awarded to minorities: 1 survey, visiting critiques sign-up sheet, and student course evaluations Other benefits: Tuition remission (part or full) STUDENTS Number of students in residence: Master’s, 108 Number of male graduates fall 2015–summer 2016: Master’s, 27 Number of female graduates fall 2015–summer 2016: Master’s, 30 Student organizations within the program/department: Quality Assurance Committee, student government, Student Curatorial Committee, Student Visiting Critique Committee, Student Lecture Committee Formal mode of student participation in academic governance: Student representatives participate in two annual Quality Assurance Committee meetings to discuss curriculum with senior administration and full-time 127 faculty. Alumni serve on the Academy’s board of trustees. FINANCIAL INFORMATION FACULTY Tuition Number of faculty: 4 Full-time student tuition is determined per year. Tenured/tenure track: 3 men, 1 woman All students: $35,600 Part-time/adjunct lecturers: 0 men, 0 women Additional institutional fees: $750 Full-time contractual: 0 men, 0 women Part-time student tuition is determined per credit. MR. HARVEY CITRON, Sculpture, joint appointment in Sculpture, Coordinator, Professor All students: $1,155 MS. CATHERINE HOWE, Critical Theory, joint appointment in Critical Additional institutional fees: $125 Studies, Coordinator, Professor, MFA MR. JOHN JACOBSMEYER, Printmaking, joint appointment in Financial Aid Printmaking, Coordinator, Professor Types of aid available: Tuition aid/remission, guaranteed loan, teaching MR. WADE SCHUMAN, Painting, joint appointment in Painting, assistantship, work-study program. Partial tuition awarded to 49 Coordinator, Professor students in the previous academic year. Funds available for graduate student travel: Yes RESOURCES AND SPECIAL PROGRAMS Private studios are available with limited hours for all. Semiprivate Fellowships studios are available with limited hours for all. Students have the Fellowships are available to students of all levels. opportunity to exhibit their work in a gallery associated with the Fellowships applications received last year: 57 department or institution, local galleries, a graduate thesis exhibition. Fellowships awarded: 3 Students have access to a computer lab, large-format printer, digital projectors, and scanners. Fellowships awarded to women: 1 Average amount of award/stipend: $10,000 Libraries Fellowship maximum period of support: 1 year Total volumes in library system: >500,000 Art volumes in library system: >50,000 Assistantships Art journals in library system: >100 Assistantships are available to students of all levels. Students have library privileges at other institutional libraries. Teaching assistantships applications received: 15 Teaching assistantships awarded: 8 Image Resources Total number of images: >100,000 Teaching assistantships awarded to women: 5 Institution and program maintain digital-image collections. Institution Other benefits: Tuition remission (part or full) maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Health Insurance opportunities to view works of art in local museums, commercial No health insurance coverage is provided for full-time master’s students galleries, private collections, and on funded field trips. and part-time master’s students. Program Opportunities Additional opportunities for study within the institution: Electives can be taken in any department (drawing, painting, sculpture, anatomy, and printmaking). NEW YORK SCHOOL OF Gallery or museum affiliated with the department: Metropolitan Museum of Art INTERIOR DESIGN Formal programs: Study abroad, summer work projects Formal relationships with local museums: Metropolitan Museum of Art Interior Design Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures New York School of Interior Design Other special programs sponsored by the department: Tribeca Ball, Take Office of Admissions Home a , MFA Open Studios. The department sponsors 10–20 170 East 70th St. lectures per year. New York, New York, 10021 Phone: 212.472.1500 Other Campus Resources Fax: 212.472.1867 Employment or career development office: Yes www.nysid.edu Office/center for international students: Yes Contact: Office of Admissions, [email protected] There is a graduate-student housing office. Housing space is available in Private art school; nonprofit corporation apartments. The Academy does not have on-campus housing. The Accredited by: Council for ID Accreditation (formerly known as FIDER), Office of Student Affairs assists students in finding affordable housing Middle States Commission on Higher Education, National Association in New York City. of Schools of Art and Design, Candidacy status for Middle States Environmental Health and Safety Accreditation Degrees awarded: Master’s degree Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Concentrations in: Interior design safety (right-to-know), personal protective equipment, machine safety, First graduate degree granted: MFA, 1999 hearing protection. Program meets the US Environmental Protection MFA–Professional Level is a three-year, full-time program formulated to Agency (EPA) and state regulations for hazardous materials, including provide students possessing a baccalaureate degree in an unrelated field spill procedures and material disposal. Program has performed an with the professional-level education necessary to become licensed environmental health and safety audit in the past five years. The interior design practitioners. Academy utilizes a building wide fresh air ventilation system that vents MFA–Post-Professional Level is a two-year, full-time program with a all classrooms, studios, work areas and public spaces. Air in the building focus on advanced study in studio and academic research in history, is turned over five to six times per hour through this system. Particulate theory, and methods as they relate to an interdisciplinary approach to ventilation in sculpture areas is currently vented through multiple Air interior design. King units, mobile Industrial Air Solutions Jet Clean units for the MPS (Master of Professional Studies) in Sustainable Interior immediate area surrounding projects and numerous HEPA ceramic dust Environments, Interior Lighting Design, or Healthcare Interior Design vacuums. In wood shop areas there are multiple ambient dust filtering are post-professional programs focused on specialized thinking and units lo Methods used to familiarize students and faculty with skills structured to prepare design professionals to assume leadership environmental health and safety include required training course, roles in their field. instruction in class, internet or intranet, faculty research, faculty training, health and safety officer (full-time or part-time), shop technician, ADMISSIONS material safety data sheets (MSDS), information in student handbook. This program has rolling admissions. Deadline for fall: 2/1 Fall notification date: 4/1

128 Application fee: $60 HEIDI THENISSEN, Interior Design, Adjunct/Contingent faculty Applications received 2015–16: 220 JASON VAN NEST, Interior Design, Adjunct/Contingent faculty Applications accepted 2015–16: 85 EDWIN ZAWADZKI, Interior Design, Adjunct/Contingent faculty Students enrolled 2015–16: 60 RESOURCES AND SPECIAL PROGRAMS Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Semiprivate studios are available with limited hours for all. Students students (iBT 79), transcript, letters of recommendation, résumé, have the opportunity to exhibit their work in a graduate thesis exhibition. statement of interest/personal statement, examples of personal artwork There are large-format printers, a laser cutter, and MAC and PC Recommended: GPA (3.0), related internship experience, related computers. professional experience Libraries CURRICULUM Total volumes in library system: >500,000 Courses Art volumes in library system: >50,000 Number offered to graduate students each term: 55 Art journals in library system: >200 Number whose enrollment is limited to graduate students: 30 Students have library privileges at other institutional libraries. Image Resources Average Class Size Total number of images: >100,000 In graduate studios: 11–15 students Institution maintains its own digital-image collection. Institution In graduate seminars: 11–15 students subscribes to a digital-image library. Students have access to image collections. Students have opportunities to view works of art in local In graduate lectures: 11–20 students museums, commercial galleries, private collections, and on funded field Independent study available: Yes trips. Course of Study Program Opportunities Full-time residency requirement: 1 year Formal programs: Study abroad, summer work projects Maximum number of years for residency: 3 Average number of years for residency: 2 Other Campus Resources Typical number of credit hours per term for a full-time student: 15 Employment or career development office: Yes Total number of credit hours required for graduation: 60 Office/center for international students: Yes Total in studio art: 38 Environmental Health and Safety Total in art history: 8 Occupational Safety and Health Administration (OSHA) regulations are Total in graduate seminars: 3 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Electives: 11 hearing protection. Program meets the US Environmental Protection Degree requirements: Thesis or artist’s statement, group exhibition, Agency (EPA) and state regulations for hazardous materials, including individual presentation of thesis work, critique of thesis work, spill procedures and material disposal. Program has performed an documentation of thesis work for program archive, oral defense of work, environmental health and safety audit in the past five years. Methods thesis committee/exhibition jury, technology course, professional used to familiarize students and faculty with environmental health and practices course safety include instruction in class, information in student handbook. STUDENTS FINANCIAL INFORMATION Number of students in residence: Master’s, 143 Number of male graduates fall 2015–summer 2016: Master’s, 8 Tuition Number of female graduates fall 2015–summer 2016: Master’s, 40 Full-time student tuition is determined per semester. Student organizations within the program/department: American All students: $14,640 Society of Interior Designers (ASID) student chapter, Contract Club, Additional institutional fees: $335 student government Financial Aid Formal mode of student participation in academic governance: Two student representatives are active in our Curriculum Committee and Types of aid available: Guaranteed loan, work-study program. Other there is also a designated graduate student position in Student Council. assistantship opportunities. Assistantships FACULTY Assistantships are available to students of all levels. Number of faculty: 28 Working assistantships applications received: 30 Tenured/tenure track: 4 men, 1 woman Working assistantships awarded: 17 Part-time/adjunct lecturers: 14 men, 9 women Average amount of award/stipend: $8,000 Full-time contractual: 0 men, 0 women Hours of work required per week: 16 RAJA ABILLAMA, Interior Design, Adjunct/Contingent faculty REID BETZ, Interior Design, Adjunct/Contingent faculty Working assistantship maximum period of support: 3 years MELINDA BICKERS, Interior Design, Adjunct/Contingent faculty Health Insurance DEBRA L. BRYANT, Interior Design, Adjunct/Contingent faculty MARIA CHAMBERLIN-HELLMAN, Interior Design, Adjunct/Contingent Full-time master’s students receive health insurance coverage with faculty copayment. RICHARD TODD CLASS, Interior Design, Professor VICTOR DADRAS, Interior Design, Chair CAROL DERBY, Interior Design, Adjunct/Contingent faculty ALPHONSE D. DIAZ, Interior Design, Adjunct/Contingent faculty RENÉ B ESTACIO, Interior Design, Adjunct/Contingent faculty NEW YORK STUDIO SCHOOL ANDREW D. FREDMAN, Interior Design, Adjunct/Contingent faculty ERIC GERING, Interior Design, Adjunct/Contingent faculty OF DRAWING, PAINTING DONNA GOODMAN, Interior Design, Adjunct/Contingent faculty EILEEN IMBER, Interior Design, Adjunct/Contingent faculty KIJEONG JEON, Interior Design, Adjunct/Contingent faculty AND SCULPTURE JOHN KATIMARIS, Interior Design, Chair KAI LIANG, Interior Design, Adjunct/Contingent faculty Studio Art BARBARA LOWENTHAL, Interior Design, Chair ETHAN LU, Interior Design, Chair New York Studio School of Drawing, Painting and Sculpture MARGARET MINTZ, Interior Design, Adjunct/Contingent faculty 8 West 8th St. JON OTIS, Interior Design, Adjunct/Contingent faculty New York, New York, 10011 MITUL PAREKH, Interior Design, Adjunct/Contingent faculty Phone: 212-673-6466 KATE RUSSELL, Interior Design, Adjunct/Contingent faculty Fax: 212-777-0996 MARK SQUEO, Interior Design, Adjunct/Contingent faculty www.nyss.org STEFAN STEIL, Interior Design, Adjunct/Contingent faculty Contact: Kaitlin McDonough, [email protected] 129 Private art school; nonprofit corporation MARGRIT LEWCZUK, Painting, Professor, MFA Accredited by: New York State Education Department KAITLIN MCDONOUGH, Drawing (History), Associate Professor, MFA, Temple University Degrees awarded: Master’s degree MICHAEL MEEHAN, Drawing (History), Associate Professor, MFA, New Concentrations in: Drawing, painting, sculpture York Studio School of Drawing, Painting and Sculpture First graduate degree granted: MFA, 2005 RON MILEWICZ, Drawing (Studio), Painting, Associate Professor, The MFA program offers concentrations in painting and in sculpture. MArch The MFA is based on maintaining a full-time, rigorous studio practice. JOHN NEWMAN, Sculpture, Drawing (History), Adjunct/Contingent Students work a minimum of 40 hours per week for two years. During faculty, MFA, Yale University, 1975 the first year, students choose core faculty members with whom they GRAHAM NICKSON, Painting, Drawing (Studio), Professor, MFA work closely each semester. During the second year, faculty contact JIM PLUNKETT, Drawing (Studio), Associate Professor, MFA, New York hours are reduced; students work in semiprivate or private studios Studio School of Drawing, Painting and Sculpture toward the completion of their individual thesis project. Critical studies, OPHRAH SHEMESH, Drawing (Studio), Painting, Adjunct/Contingent professional development seminars, lectures, and peer and instructed faculty, Advanced Certificate critiques are significant parts of the curriculum. Degree candidates are KYLE STAVER, Painting, Associate Professor, MFA, Yale University assessed on a continual basis throughout their time at the school. LEE TRIBE, Sculpture, Associate Professor, Advanced Certificate, New Courses are graded by faculty in accordance with school policy. Students York Studio School of Drawing, Painting and Sculpture must complete 60 credits to achieve the MFA degree, and credits must KAREN WILKIN, Contemporary Art, Critical Theory, Professor, MFA include all required courses. A residency of at least two academic years Recent Visiting Faculty is also required. LINDA DARLING, Drawing (Studio), Drawing (Studio), Adjunct/Contingent faculty, MFA, Yale University ADMISSIONS DENIS FARRELL, Painting, Adjunct/Contingent faculty Deadline for fall: 2/15 MATT PHILLIPS, Painting, Adjunct/Contingent faculty Fall notification date: 4/15 JIM PLUNKETT, Drawing (Studio), Adjunct/Contingent faculty, MFA, Application fee: $90 New York Studio School of Drawing, Painting and Sculpture JOE SANTORE, Painting, Adjunct/Contingent faculty, MFA, Yale Applications received 2015–16: 55 University Applications accepted 2015–16: 44 CLAIRE SHERMAN, Painting, Adjunct/Contingent faculty Students enrolled 2015–16: 29 CLINTEL STEED, Painting, Adjunct/Contingent faculty Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign students (iBT 80), transcript, letters of recommendation, statement of interest/personal statement, writing sample, examples of personal RESOURCES AND SPECIAL PROGRAMS artwork, artist’s statement, in-person or phone interview Private studios are available with limited hours for all. Semiprivate Recommended: GPA, GRE, résumé, related professional experience, studios are available with limited hours for all. Students have the campus visit, contact the program for additional requirements opportunity to exhibit their work in a gallery associated with the department or institution, a graduate thesis exhibition. The New York CURRICULUM Studio School’s building has Wi-Fi capabilities for all students. The library has computers with printers for student use. Courses Number offered to graduate students each term: 16 Libraries Number whose enrollment is limited to graduate students: 3 Total volumes in library system: >500,000 Art volumes in library system: >50,000 Average Class Size Art journals in library system: >100 In graduate studios: 11–15 students There is a separate art library with >5,000 volumes and >100 journals. In graduate seminars: 11–15 students Image Resources Course of Study Total number of images: >100,000 Full-time residency requirement: 2 years Institution and program maintain digital-image collections. Institution maintains its own slide collection. Institution subscribes to a digital- Maximum number of years for residency: 3 image library. Students have access to image collections. Students have Average number of years for residency: 2 opportunities to view works of art in local museums, commercial Typical number of credit hours per term for a full-time student: 15 galleries, and on funded field trips. Total number of credit hours required for graduation: 60 Program Opportunities Total in studio art: 45 Gallery or museum affiliated with the department: Student Gallery and Total in area of concentration: 15 New York Studio School Gallery Electives: 2 Extracurricular opportunities for graduate students: Curate exhibitions Degree requirements: Written thesis, thesis or artist’s statement, Other special programs sponsored by the department: The school concentration, group exhibition, critique of thesis work, thesis conducts professional development seminars on career planning to committee/exhibition jury assist graduate students with practical skills and knowledge necessary for career development. The department sponsors 30–40 lectures per STUDENTS year. Number of students in residence: Master’s, 29; Certificate, 20 Number of male graduates fall 2015–summer 2016: Master’s, 7 Other Campus Resources Number of female graduates fall 2015–summer 2016: Master’s, 6 Office/center for international students: Yes Formal mode of student participation in academic governance: The The school does not have housing facilities to offer students. Staff Board of Governors represents a sample of the New York Studio members assist students by providing a resource list and offering School’s community, including two members of the board of trustees, further guidance to help them in their search. faculty, and two student representatives, who act as a voice for the Environmental Health and Safety concerns and opinions of the student body. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical FACULTY safety (right-to-know), personal protective equipment, machine safety, Number of faculty: 23 hearing protection. Program meets the US Environmental Protection Tenured/tenure track: 9 men, 4 women Agency (EPA) and state regulations for hazardous materials, including Part-time/adjunct lecturers: 1 man, 2 women spill procedures and material disposal. Program has not performed an environmental health and safety audit in the past five years. The school Full-time contractual: 5 men, 2 women has National Historic Landmark status. The buildings were constructed GARTH EVANS, Sculpture, Drawing (Studio), Professor, MFA in the 1830s, and the ventilation is provided by several HVAC systems BRUCE GAGNIER, Sculpture, Drawing (Studio), Professor, MFA and exhaust fans in the two largest workspaces. Classrooms, the wood JUDY GLANTZMAN, Painting, Drawing (Studio), Adjunct/Contingent shop, and the metal shop are equipped with exhaust fans. Also, the faculty, MFA, Rhode Island School of Design, 1978 facilities’ maintenance shop has a dust-collection unit. Methods used to BILL JENSEN, Painting, Drawing (Studio), Professor, MFA, University of familiarize students and faculty with environmental health and safety Minnesota include publications, instruction in class, internet or intranet, health and ELISA JENSEN, Painting, Drawing (Studio), Associate Professor, MA safety officer (full-time or part-time), shop technician, information in

130 student handbook. examples of personal artwork, artist’s statement, in-person or phone interview FINANCIAL INFORMATION Recommended: Degree in subject area, related professional experience, Tuition campus visit Full-time student tuition is determined per semester. CURRICULUM All students: $11,937 Courses Financial Aid Number offered to graduate students each term: 25 Types of aid available: Work-study program. The school’s financial aid Number whose enrollment is limited to graduate students: 12 program is designed to attract qualified students from diverse backgrounds. A financial aid application must be submitted by February Average Class Size 15 each year for consideration. Financial aid scholarships are contingent In graduate studios: 16–20 students on the continuation of satisfactory progress in all enrolled courses and demonstrated financial need. Partial tuition awarded to 36 students in In graduate seminars: 16–20 students the previous academic year. No financial assistance awarded to 22 In graduate lectures: 11–20 students students in the previous academic year. Independent study available: Yes Funds available for graduate student travel: Yes Course of Study Assistantships Full-time residency requirement: 2 years Teaching assistantships awarded: 10 Maximum number of years for residency: 2 Hours of work required per week: 20 Average number of years for residency: 2 Other benefits: Tuition remission (part or full) Typical number of credit hours per term for a full-time student: 16 Other financial support: Assistantships are available to graduates. Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 8 No health insurance coverage is provided for full-time master’s students Total in area of concentration: 20 and full-time certificate students. Total in art history: 8 Total in graduate seminars: 16 Electives: 8 Degree requirements: Written thesis, thesis or artist’s statement, solo exhibition, group exhibition, individual presentation of thesis work, NEW YORK UNIVERSITY, THE critique of thesis work, documentation of thesis work for program STEINHARDT SCHOOL OF archive, oral defense of work, thesis committee/exhibition jury STUDENTS CULTURE, EDUCATION, AND Number of students in residence: Master’s, 20 Number of male graduates fall 2015–summer 2016: Master’s, 5 HUMAN DEVELOPMENT Number of female graduates fall 2015–summer 2016: Master’s, 5 Student organizations within the program/department: Graduate MFA Studio Art Program Student Art Organization Formal mode of student participation in academic governance: Student Steinhardt School of Culture, Education, and Human Development councils are the elected student governing/representative bodies of an New York University individual school or college recognized by the school or college for that 34 Stuyvesant St. purpose; the Inter-Greek Council or the Inter-Residence Hall Council, New York, New York, 10003 University Committee on Student Life, or the Student Senators Council. Phone: 212.998.5700 Fax: 212.995.4320 FACULTY steinhardt.nyu.edu/art/ Number of faculty: 41 Contact: Mary Ann Santos, [email protected] Tenured/tenure track: 5 men, 4 women Private university; nonprofit corporation Part-time/adjunct lecturers: 4 men, 8 women Accredited by: Middle States Association of Colleges and Schools Full-time contractual: 14 men, 6 women Degrees awarded: Master’s degree IKUKO ACOSTA, Art Therapy, Assistant Professor, non-tenure, PhD Concentrations in: Ceramics, digital media, drawing, glass, installation, NANCY BARTON, Photography (Studio), Assistant Professor, non- multidisciplinary, painting, photography, printmaking, sculpture, video tenure, MFA First graduate degree granted: MFA, 1995 ROSS BLECKNER, Painting, Assistant Professor, non-tenure, MFA JESSE BRANSFORD, Drawing (Studio), Assistant Professor, non-tenure, The NYU MFA in Studio Art program brings together an exceptional MFA group of committed artists to develop their work within a community of MELISSA RACHLEFF BURTT, Arts Administration, Assistant Professor, faculty and colleagues, asking them to engage in a two-year process that non-tenure, MA is both intensely introspective and collectively open to the challenges DAVID DARTS, Digital Media (Studio), Art Education (Studio), Assistant and issues of the larger world. The program invites students to consider Professor, tenure-track, PhD their own practices and assumptions, as well as those of the SUE DE BEER, Sculpture, Video (Studio), Assistant Professor, tenure- contemporary art world, both critically and irreverently. The MFA track, MFA program has only 20 students in residence. There are no restrictions on NANCY DEIHL, Textiles, Curatorial Studies, Assistant Professor, non- media. Students engage in a team-taught interdisciplinary critique class tenure, MA, New York University, The Steinhardt School of Culture, each semester, and an afternoon every week of individual studio Education, and Human Development meetings with visiting artists, critics, and faculty. The MFA studios are DIPTI DESAI, Art Education (Studio), Assistant Professor, tenure-track, located in a six-story building in the East Village, along with facilities for PhD painting, sculpture, photography, computer art, video, performance, TRISHA DONNELLY, Installation (Studio), Sculpture, Assistant ceramics, metalsmithing, sewing, prints, and 3D fabrication. Professor, non-tenure, MFA MAUREEN GALLACE, Painting, Assistant Professor, non-tenure, MFA ADMISSIONS LYLE ASHTON HARRIS, Photography (Studio), Assistant Professor, Deadline for fall: 2/1 tenure-track, MFA Fall notification date: 4/1 NATALIE JEREMIJENKO, Environmental Art (Studio), Assistant Application fee: $75 Professor, tenure-track, PhD CARLO LAMAGNA, Arts Administration, Assistant Professor, non- Applications received 2015–16: 175 tenure, MA Applications accepted 2015–16: 10 SANDRA LANG, Arts Administration, Assistant Professor, non-tenure, Students enrolled 2015–16: 10 MA Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign MARLENE MCCARTY, Drawing (Studio), Assistant Professor, non- students (iBT 110), transcript, letters of recommendation, résumé, tenure, Other, Massachusetts College of Art and Design KEVIN MCCOY, Digital Media (Studio), Assistant Professor, tenure-

131 track, MFA GERALD PRYOR, Performance, Photography (Studio), Assistant Environmental Health and Safety Professor, tenure-track, MA Occupational Safety and Health Administration (OSHA) regulations are JUDITH SCHWARTZ, Ceramics, Assistant Professor, tenure-track, PhD in place for ventilation and respiratory protection, hazardous chemical JOHN TORREANO, Painting, Sculpture, Assistant Professor, non- safety (right-to-know), personal protective equipment, machine safety, tenure, MFA hearing protection. Program meets the US Environmental Protection ANDREW WEINER, Critical Theory, General Art History, Assistant Agency (EPA) and state regulations for hazardous materials, including Professor, tenure-track, PhD, University of California, Berkeley spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Dust Recent Visiting Faculty collection system in basement wood shop, ventilation in teaching FRANK BENSON, Painting, Adjunct/Contingent faculty studios for drawing/painting, spray booth Methods used to familiarize HOWIE CHEN, Curatorial Studies, Adjunct/Contingent faculty students and faculty with environmental health and safety include RICHARD FLOOD, Curatorial Studies, Adjunct/Contingent faculty required training course, instruction in class, faculty training, health and MATTHEW DAY JACKSON, Sculpture, Video (Studio), safety officer (full-time or part-time), shop technician, material safety Adjunct/Contingent faculty data sheets (MSDS), information in student handbook. KURT KAUPER, Painting, Adjunct/Contingent faculty BYRON KIM, Painting, Adjunct/Contingent faculty FINANCIAL INFORMATION JENNIFER KRASINSKI, Film (History), Video (History), Adjunct/Contingent faculty Tuition LEIGH LEDARE, Photography (Studio), Adjunct/Contingent faculty Full-time student tuition is determined per credit. CHARLES LONG, Sculpture, Adjunct/Contingent faculty All students: $1,596 RICK MOODY, Writing, Adjunct/Contingent faculty LAUREL NAKADATE, Video (Studio), Film, Adjunct/Contingent faculty, Additional institutional fees: $1,484 MFA, Yale University Financial Aid JACK PIERSON, Photography (Studio), Adjunct/Contingent faculty RUBINSTEIN, Painting, Adjunct/Contingent faculty Types of aid available: Tuition aid/remission, guaranteed loan, work- DAVID SALLE, Painting, Adjunct/Contingent faculty study program. Paid adjunct teaching positions are available. Partial MARTHA SCHWENDENER, Critical Theory, Adjunct/Contingent faculty tuition awarded to 20 students in the previous academic year. ANDREA SCOTT, Painting, Adjunct/Contingent faculty Health Insurance KIKI SMITH, Sculpture, Printmaking, Adjunct/Contingent faculty Full-time master’s students, part-time master’s students, full-time BILLY SULLIVAN, Painting, Adjunct/Contingent faculty certificate students, and part-time certificate students receive health CLAUDE WAMPLER, Performance, Adjunct/Contingent faculty insurance coverage with copayment. Health insurance coverage is B. WURTZ, Sculpture, Adjunct/Contingent faculty available to dependents, spouses, unmarried domestic partners, and same-sex domestic partners of full-time master’s students, part-time master’s students, full-time certificate students, and part-time certificate RESOURCES AND SPECIAL PROGRAMS students. Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, a graduate thesis exhibition. 3D fabrication lab, photography labs, computer studios, digital printing studio, video suite, and CNC router NEWCASTLE UNIVERSITY Libraries Total volumes in library system: >4,000,000 Fine Art Art volumes in library system: >100,000 Fine Art, School of Arts and Cultures Art journals in library system: >1,000 Newcastle University There is a separate art library with >10,000 volumes and >500 journals. Quadrangle Students have library privileges at other institutional libraries. Newcastle upon Tyne, Tyne and Wear, NE1 7RU Image Resources United Kingdom Total number of images: >250,000 Phone: +44 (191) 2226047 Institution maintains its own digital-image collection. Institution Fax: +44 (191) 2228013 subscribes to a digital-image library. Students have access to image www.ncl.ac.uk/sacs/fineart/index.htm collections. Students have opportunities to view works of art in local Contact: Dr. Ed Juler, [email protected] museums and commercial galleries. Public university; nonprofit corporation Program Opportunities Accredited by: Higher Education Funding Council for England Additional opportunities for study within the institution: Students may Degrees awarded: Master’s degree; Doctoral degree take classes in other programs and schools within the university with Concentrations in: Artist’s books, digital media, drawing, environmental the permission of that department or school. art, installation, multidisciplinary, painting, paper, performance, Gallery or museum affiliated with the department: 80WSE Gallery, photography, printmaking, public art, sculpture, sound, video, Barney Building Galleries writing/word art Formal relationships with local museums: Off-site collaborations with First graduate degree granted: MFA, 1972 the International Center for Photography, the Urban Glass Workshop in The two-year MFA in Fine Art is for fine-art graduates who want to Brooklyn, and PERFORMA, the international biennial of performance art pursue excellence in their practice as professional contemporary artists, Extracurricular opportunities for graduate students: Curate exhibitions, and for those wanting a springboard for PhD study. The degree is present public outreach lectures centered on 80 percent self-directed studio practice, combined with Other special programs sponsored by the department: Panel taught modules, a research project, and a program of professional discussions and artist talks in conjunction with PERFORMA, practice training. In the PhD program (three years), students pursue a Independent Curators International, and NYU’s Grey Gallery. Screenings self-initiated studio/research project with a high level of independence and performances are organized by faculty throughout the year. The supported by a program of research training and a team of faculty department sponsors 30–40 lectures per year. supervisors, all of whom are well-known artists. All programs are supported by seminars and lectures by distinguished faculty, visiting Other Campus Resources artists and researchers, and students are encouraged to pursue cross- Employment or career development office: Yes disciplinary and interdisciplinary opportunities within the university and beyond. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in ADMISSIONS dormitories and apartments. The Office of Residential Life and Housing Deadline for fall: 5/31 Services provides quality service and enhances student success in a community that fosters individual growth. On-campus graduate student Fall notification date: 7/31 housing at NYU is limited. Candidates desiring university housing Application fee: £0 should indicate so on their admissions application. Applications received 2015–16: 71 Applications accepted 2015–16: 20 Students enrolled 2015–16: 12

132 Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject University of Essex area, GPA (3.3), TOEFL for foreign students (577), transcript, letters of DR. VENDA LOUISE POLLOCK, Contemporary Art, Photography recommendation, résumé, statement of interest/personal statement, (History), Associate Professor, PhD, University of St Andrews examples of personal artwork, artist’s statement MS. KELLY RICHARDSON, Photography (History), Video (Studio), Recommended: Writing sample, undergraduate research paper, related Associate Professor, MFA, Newcastle University internship experience, related professional experience, campus visit, in- MR. RICHARD TALBOT, Drawing (Studio), Sculpture, Associate person or phone interview Professor, MA, Chelsea College of Art & Design MR. ALAN TURNBULL, Painting, Printmaking, Associate Professor, MA, CURRICULUM Chelsea College of Art & Design PROF. WOLFGANG WEILEDER, Installation (Studio), Public Art Average Class Size (Studio), Professor, MA Independent study available: Yes DR. RACHEL WELLS, Contemporary Art, Twentieth-Century Art, Associate Professor, PhD, Courtauld Institute of Art Course of Study Full-time residency requirement: 2 years RESOURCES AND SPECIAL PROGRAMS Maximum number of years for residency: 2 Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Average number of years for residency: 2 opportunity to exhibit their work in a gallery associated with the Degree requirements: Written thesis, thesis or artist’s statement, department or institution, local galleries, a graduate thesis exhibition. concentration, solo exhibition, group exhibition, individual presentation Resources include digital suite, printers and scanners, cameras, sound of thesis work, critique of thesis work, oral defense of work, thesis equipment, video editing, and so forth. All studios have internet access. committee/exhibition jury, professional practices course. The MFA is a The associated research facility, CultureLab, has extensive computing, taught course, but the model that fits more accurately is that of students digital, and audio capability. pursuing self-directed studio practice and research under the supervision of faculty. PhD students are pursuing either theory or Libraries practice-led, self-initiated research projects, leading to a thesis and Total volumes in library system: >1,000,000 exhibition. Art volumes in library system: >50,000 Requirements for doctoral program: Prospective PhD students submit a research proposal outlining their research questions, methodology, and Art journals in library system: >100 context, along with images of their studio work. They should try to Students have library privileges at other institutional libraries. identify appropriate faculty at Newcastle by whom they wish to be Image Resources supervised. The PhD takes three to four years to complete. Total number of images: >100,000 Institution and program maintain slide collections. Institution STUDENTS subscribes to a digital-image library. Students have access to image Number of students in residence: Master’s, 24; Doctorate, 15 collections. Students have opportunities to view works of art in local Number of male graduates fall 2015–summer 2016: Master’s, 3; museums, commercial galleries, and private collections. Doctorate, 3 Program Opportunities Number of female graduates fall 2015–summer 2016: Master’s, 9; Additional opportunities for study within the institution: The department Doctorate, 3 and the university actively encourage and promote cross- and Student organizations within the program/department: The campus has interdisciplinary research and practice, and students may also attend numerous social and event-based organizations, including a students’ lectures and research seminars across the university. union, which is affiliated with the UK National Union of Students. Gallery or museum affiliated with the department: Hatton Gallery and Formal mode of student participation in academic governance: Students the Great North Museum are represented on all academic boards of study. Every subject area has Formal programs: Study abroad. There are exchange agreements with a staff student committee to discuss local issues. universities in Europe, the US, and Australia. A student may spend a Students have the opportunity to join a labor union. semester at one of these institutions. Formal relationships with local museums: The university houses several FACULTY important museums and collections, and there are informal Number of faculty: 23 arrangements for study in museums and contemporary art galleries in Tenured/tenure track: 13 men, 10 women the city, the UK, and beyond. Part-time/adjunct lecturers: 0 men, 0 women Extracurricular opportunities for graduate students: Curate exhibitions, Full-time contractual: 0 men, 0 women conduct fieldwork, research for catalogues, present public outreach DR. FIONA ANDERSON, General Art History, Professor, PhD lectures MR. PAUL BECKER, Painting, Writing, Associate Professor, MFA, Other special programs sponsored by the department: The department University College London and school have extensive visiting artist and events programs where PROF. JOHN BOWERS, Sound, Digital Media (Studio), Professor, PhD, internationally acclaimed artists, art historians, researchers, and curators lecture and provide seminars as well as one-on-one tutorials MR. NEIL BROMWICH, Public Art (Studio), Environmental Art (Studio), each week. The department sponsors 30–40 lectures per year. Associate Professor, BA MS. IRENE BROWN, Sculpture, Installation (Studio), Associate Other Campus Resources Professor, MA, University of Reading Employment or career development office: Yes PROF. ANDREW BURTON, Sculpture, Public Art (Studio), Professor, Office/center for international students: Yes MFA, Newcastle University There is a graduate-student housing office. Housing space is available in DAVID BUTLER, Writing, Word Art, Associate Professor, BA apartments and married student housing. Students from a far distance MS. KATIE CUDDON, Sculpture, Performance, Associate Professor, receive priority for housing. First-year international students who are MFA, Royal College of Art here for a full academic year are guaranteed accommodations, provided MR. NICK FOX, Painting, Drawing (Studio), Associate Professor, MA, they commit to study at Newcastle and meet all conditions of their offer. Royal College of Art DR. ARETI GALANI, Curatorial Studies, Digital Media (History), joint Planned campus changes and facility improvements: A £3.5 million appointment in International Centre for Cultural and Heritage Studies, refurbishment of the fine art studios was recently completed. Associate Professor, PhD Environmental Health and Safety MR. RICHARD GRAYSON, Video (Studio), Curatorial Studies, Associate Occupational Safety and Health Administration (OSHA) regulations are Professor, BA in place for ventilation and respiratory protection, hazardous chemical MS. NADIA HEBSON, Painting, Drawing (Studio), Associate Professor, safety (right-to-know), personal protective equipment, machine safety, MA, Royal College of Art hearing protection. Program does not meet the US Environmental MS. CATRIN HUBER, Painting, Drawing (Studio), Associate Professor, Protection Agency (EPA) and state regulations for hazardous materials, MA, Royal College of Art including spill procedures and material disposal. Program has MR. CHRIS JONES, Painting, Drawing (Studio), Professor, MA, Chelsea performed an environmental health and safety audit in the past five College of Art & Design years. Methods used to familiarize students and faculty with DR. ED JULER, General Art History, Professor, PhD, University of environmental health and safety include publications, required training Manchester course, instruction in class, faculty training, health and safety officer MS. UTA KOGELSBERGER, Photography (Studio), Installation (Studio), (full-time or part-time), shop technician, material safety data sheets Associate Professor, MA, Royal College of Art (MSDS), information in student handbook. The University and the DR. STEPHEN MOONIE, General Art History, Professor, PhD, department comply with all EC (European) and UK legislation and the 133 relevant UK Control of Substances Hazardous to Health (COSHH) Total number of credit hours required for graduation: 33 guidelines and rules on dust, solvents, hazardous materials, and Total in studio art: 18 ventilation. Total in art history: 6 FINANCIAL INFORMATION Total in graduate seminars: 3 Degree requirements: Written thesis, solo exhibition, individual Tuition presentation of thesis work, critique of thesis work, oral defense of work, Full-time student tuition is determined per year. comprehensive exam, thesis committee/exhibition jury State residents: £6,000 International students: £17,935 STUDENTS Part-time student tuition is determined per year. Number of students in residence: Master’s, 4 Number of male graduates fall 2015–summer 2016: Master’s, 2 Financial Aid Number of female graduates fall 2015–summer 2016: Master’s, 2 Types of aid available: UK students can apply for Arts and Humanities Student organizations within the program/department: Kappa Pi Research Council (AHRC) awards, and international students can apply Gamma Mu (international art fraternity) for Newcastle University International Postgraduate Scholarship (NUIPS) awards. Tuition and full stipend awarded to 8 students in the Formal mode of student participation in academic governance: Elections previous academic year. No financial assistance awarded to 20 students for student government officers. in the previous academic year. Students have the opportunity to join a labor union. Health Insurance FACULTY Full-time doctoral students, part-time doctoral students, and full-time Number of faculty: 9 master’s students receive health insurance coverage at no cost. Tenured/tenure track: 5 men, 3 women Part-time/adjunct lecturers: 0 men, 1 woman Full-time contractual: 0 men, 0 women MR. CORBIN COVHER, Sculpture, Assistant Professor, tenure-track, MFA, University of New Orleans, 2014 NORTHWESTERN STATE MR. BROOKS DEFEE, Painting, Photography (Studio), Assistant Professor, tenure-track, MA UNIVERSITY MR. MATT DEFORD, Sculpture, Ceramics, Professor, MFA, Kansas State University, 2004 Fine and Graphic Arts MR. CLYDE DOWNS, Painting, Drawing (Studio), Professor, MFA, Stephen F. Austin State University Northwestern State University MS. LESLIE GRUESBECK, Ceramics, Painting, Associate Professor, MA, 175 Sam Sibley Dr. Northwestern State University, 1993 Natchitoches, Louisiana, 71497 MS. PHYLLIS LEAR, General Art History, Assistant Professor, tenure- Phone: 318-357-6560 track, MFA, Louisiana Tech University Fax: 318-357-5906 MS. MIRLA GONZALEZ MARTINEZ, Graphic Design, Assistant art.nsula.edu/ Professor, tenure-track, MFA, University of Texas Pan-American, 2012 MS. JOANNE YANKOWSKI, Art Education (Studio), Adjunct/Contingent Contact: Matt DeFord, [email protected] faculty, MEd Public university; nonprofit corporation MR. MICHAEL YANKOWSKI, Photography (Studio), Professor, MFA, Accredited by: National Association of Schools of Art and Design, Louisiana Tech University Southern Association of Colleges and Schools Degrees awarded: Master’s degree RESOURCES AND SPECIAL PROGRAMS Concentrations in: 2-dimensional design, ceramics, digital media, Private studios are available with unlimited hours for teaching drawing, fiber arts, graphic design, painting, photography, printmaking, assistants. Semiprivate studios are available with unlimited hours for sculpture teaching assistants. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, a graduate First graduate degree granted: MA, 1987 thesis exhibition. ADMISSIONS Libraries Deadline for fall: 2/15 Total volumes in library system: >1,000,000 Fall notification date: 3/15 Art volumes in library system: >50,000 Deadline for spring: 8/15 Art journals in library system: >100 Spring notification date: 9/15 There is a separate art library with >1,000 volumes and >200 journals. Application fee: $25 Students have library privileges at other institutional libraries. Part-time students accepted: Yes Image Resources Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Total number of images: >1,000,000 area, GPA (2.0), GRE (282), transcript, letters of recommendation, Institution maintains its own digital-image collection. Program statement of interest/personal statement maintains its own slide collection. Institution subscribes to a digital- Recommended: Résumé, related internship experience, related image library. Students have access to image collections. Students have professional experience, campus visit opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. CURRICULUM Program Opportunities Courses Formal programs: Summer work projects Number offered to graduate students each term: 25 Extracurricular opportunities for graduate students: Curate exhibitions, Number whose enrollment is limited to graduate students: 25 present public outreach lectures. The department sponsors 5–10 lectures per year. Average Class Size Other Campus Resources In graduate studios: 1–5 students Employment or career development office: Yes In graduate seminars: 1–5 students Office/center for international students: Yes Independent study available: Yes There is a graduate-student housing office. Housing space is available in Course of Study dormitories, apartments, married student housing, and subsidized Full-time residency requirement: 1 term housing. Maximum number of years for residency: 6 Environmental Health and Safety Average number of years for residency: 2 Occupational Safety and Health Administration (OSHA) regulations are This program has an online-learning component and a low-residency in place for ventilation and respiratory protection, hazardous chemical component. safety (right-to-know), personal protective equipment, machine safety, Typical number of credit hours per term for a full-time student: 12 hearing protection. Program meets the US Environmental Protection 134 Agency (EPA) and state regulations for hazardous materials, including Independent study available: Yes spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods Course of Study used to familiarize students and faculty with environmental health and Full-time residency requirement: 2 years safety include publications, instruction in class, faculty training, material Maximum number of years for residency: 3 safety data sheets (MSDS). Average number of years for residency: 2 FINANCIAL INFORMATION Typical number of courses for a full-time student: 3 Total number of courses required for graduation: 18 Tuition Total in studio art: 7 Full-time student tuition is determined per credit hour. Total in art history: 2 All students: $719.65 Total in graduate seminars: 2 Part-time student tuition is determined per credit. Electives: 7 Financial Aid Degree requirements: Written thesis, group exhibition, individual Types of aid available: Tuition aid/remission, teaching assistantship, presentation of thesis work, critique of thesis work, oral defense of work, work-study program. Tuition and full stipend awarded to 1 student in thesis committee/exhibition jury. Candidates must complete required the previous academic year. Partial tuition awarded to 2 students in the coursework, a thesis (which includes an exhibition), a paper, and a previous academic year. review. They should fulfill departmental duties, such as participation in the visiting artist program and in end-of-the-quarter critiques with Assistantships faculty. Students must maintain at least a B average. Assistantships are available to second-year students and third-year Recommended: Professional practices course students. Teaching assistantships applications received: 3 STUDENTS Teaching assistantships awarded: 3 Number of students in residence: Master’s, 10 Teaching assistantships awarded to women: 1 Number of male graduates fall 2015–summer 2016: Master’s, 6 Average amount of award/stipend: $10,000 Number of female graduates fall 2015–summer 2016: Master’s, 4 Hours of work required per week: 20 Formal mode of student participation in academic governance: The Graduate Leadership Council facilitates communication and interaction Teaching assistantship maximum period of support: 2 years between the graduate students and university administration. Other benefits: Tuition remission (part or full) Health Insurance FACULTY Full-time master’s students receive health insurance coverage with Number of faculty: 12 copayment. Tenured/tenure track: 5 men, 7 women Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women PAMELA BANNOS, Photography (Studio), Associate Professor, MFA CAROLYN CHRISTOV-BAKARGIEV, Contemporary Art, Professor NORTHWESTERN JEANNE DUNNING, Contemporary Art, Professor, MFA ANDREW FALKOWSKI, Painting, Professor, MFA, California Institute of UNIVERSITY the Arts, 1999 IRENA HAIDUK, Curatorial Studies, Assistant Professor, tenure-track JUDY LEDGERWOOD, Painting, Associate Professor, MFA Art Theory and Practice IÑIGO MANGLANO-OVALLE, Film, Professor, MFA MICHAEL RAKOWITZ, Sculpture, Associate Professor, MFA Northwestern University STEVE REINKE, Video (Studio), Critical Theory, Associate Professor, Department of Art Theory and Practice MFA 640 N Lincoln St. LANE RELYEA, Contemporary Art, Critical Theory, Associate Professor, Evanston, Illinois, 60208 PhD Phone: 847-491-7346 ALICE WELSH SKILLING, Multidisciplinary, Professor www.art.northwestern.edu/ DEB SOKOLOW, Drawing (History), Professor, MFA Contact: Matt Martin, [email protected] Private university; nonprofit corporation RESOURCES AND SPECIAL PROGRAMS Accredited by: North Central Association of Colleges and Schools Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a graduate thesis exhibition. Degrees awarded: Master’s degree Concentrations in: Digital media, drawing, environmental art, Libraries installation, multidisciplinary, painting, performance, photography, Total volumes in library system: >5,000,000 printmaking, public art, sculpture, sound, video, writing/word art Art volumes in library system: >100,000 ADMISSIONS Art journals in library system: >1,000 Deadline for fall: 1/12 There is a separate art library with >10,000 volumes and >1,000 journals. Students have library privileges at other institutional libraries. Fall notification date: 4/15 Application fee: $75 Image Resources Total number of images: >250,000 Applications received 2015–16: 100 Institution maintains its own digital-image collection. Institution Applications accepted 2015–16: 5 maintains its own slide collection. Institution subscribes to a digital- Students enrolled 2015–16: 5 image library. Students have access to image collections. Students have Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign opportunities to view works of art in local museums, commercial students (iBT 80), transcript, letters of recommendation, résumé, galleries, private collections, and on funded field trips. statement of interest/personal statement, artist’s statement Program Opportunities Recommended: Campus visit Additional opportunities for study within the institution: Students may take courses outside the department. CURRICULUM Gallery or museum affiliated with the department: The Mary and Leigh Courses Block Museum of Art Number offered to graduate students each term: 4 Other special programs sponsored by the department: The department Number whose enrollment is limited to graduate students: 2 sponsors periodic symposia. The department sponsors 10–20 lectures per year. Average Class Size Other Campus Resources In graduate studios: 6–10 students Employment or career development office: Yes In graduate seminars: 6–10 students Office/center for international students: Yes

135 There is a graduate-student housing office. Housing space is available in apartments, married student housing, and subsidized housing. ADMISSIONS Occupancy is limited to eight years (96 months) from the original date Deadline for fall: 2/1 of admission to a graduate program. Fall notification date: 4/15 Environmental Health and Safety Application fee: $50 Occupational Safety and Health Administration (OSHA) regulations are Applications received 2015–16: 97 in place for ventilation and respiratory protection, hazardous chemical Applications accepted 2015–16: 19 safety (right-to-know), personal protective equipment, machine safety, Students enrolled 2015–16: 44 hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA, TOEFL for spill procedures and material disposal. Program has performed an foreign students (iBT 80), transcript, letters of recommendation, environmental health and safety audit in the past five years. Methods résumé, statement of interest/personal statement, examples of personal used to familiarize students and faculty with environmental health and artwork, artist’s statement safety include publications, shop technician, material safety data sheets Recommended: Related internship experience, related professional (MSDS). experience, campus visit FINANCIAL INFORMATION CURRICULUM Tuition Courses Full-time student tuition is determined per quarter. Number offered to graduate students each term: 27 All students: $16,808 Number whose enrollment is limited to graduate students: 27 All students: $5,980 Average Class Size Financial Aid In graduate studios: 6–10 students Types of aid available: Tuition aid/remission, stipend, teaching In graduate seminars: 11–15 students assistantship. Tuition and full stipend awarded to 10 students in the In graduate lectures: 11–20 students previous academic year. Independent study available: Yes Funds available for graduate student travel: Yes Course of Study Fellowships Full-time residency requirement: 3 years Fellowships are available to first-year students. Maximum number of years for residency: 7 Fellowships applications received last year: 5 Average number of years for residency: 3 Fellowships awarded: 5 Typical number of credit hours per term for a full-time student: 18 Fellowships awarded to women: 2 Total number of credit hours required for graduation: 90 Fellowships awarded to minorities: 4 Total in studio art: 64 Average amount of award/stipend: $29,880 Total in area of concentration: 50 Fellowship maximum period of support: 2 years Total in art history: 14 Assistantships Total in graduate seminars: 8 Assistantships are available to second-year students. Electives: 7 Teaching assistantships applications received: 5 Degree requirements: Concentration, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of Teaching assistantships awarded: 5 thesis work for program archive, oral defense of work, thesis Teaching assistantships awarded to women: 3 committee/exhibition jury. The graduate program leading to the MFA Teaching assistantships awarded to minorities: 2 degree in studio art requires the completion of at least 90 semester Average amount of award/stipend: $23,094 hours of graduate study. Required art history courses include Contemporary Art History and Contemporary Theory; photography Health Insurance students must take History of Photography. Full-time master’s students receive health insurance coverage at no Recommended: Thesis or artist’s statement cost. STUDENTS Number of students in residence: Master’s, 44 Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 10 OHIO UNIVERSITY Student organizations within the program/department: Graduate student groups include the OU ceramic student group and the OU Print Studio Art Guild. Student groups hold fundraisers and plan events for the graduate body. Ohio University School of Art + Design Formal mode of student participation in academic governance: Graduate 528 Seigfred Hall Student Senate (GSS) offers graduate students a voice in academic and Athens, Ohio, 45701 other matters relevant to their tenure at OU. Phone: 740 593 4288 Fax: 740 593 0457 www.finearts.ohio.edu/art/ FACULTY Number of faculty: 30 Contact: Assistant Director, Graduate Chair, [email protected] Tenured/tenure track: 13 men, 7 women Public university; nonprofit corporation Part-time/adjunct lecturers: 6 men, 4 women Accredited by: National Association of Schools of Art and Design Full-time contractual: 0 men, 0 women Degrees awarded: Master’s degree DON ADLETA, Graphic Design, Professor, MFA, Rhode Island School of Concentrations in: Ceramics, graphic design, painting, photography, Design printmaking, sculpture TOM BARTEL, Ceramics, Associate Professor, MFA First graduate degree granted: MFA, 1936 TIM BEARSE, Multidisciplinary, Assistant Professor, non-tenure, MFA, The Ohio University (OU) School of Art + Design’s community of artists Virginia Commonwealth University and scholars is committed to providing a comprehensive art education VINCENT CARANCHINI, Interior Design, Associate Professor, MFA, in the visual arts and maintaining student growth as artists and School of the Art Institute of Chicago scholars. The school has offered graduate programs since 1936 and RANDOLPH DAMICO, Architecture, Assistant Professor, non-tenure, continues to foster diverse and exceptional faculty and students. MFA Programs are designed to reflect those of a professional art school by BRIAN DIETERLE, Ceramics, joint appointment in technician, promoting rigorous creative and scholarly activity. The School of Art + Adjunct/Contingent faculty, MFA, Louisiana State University Design offers MFAs in graphic design, ceramics, painting and drawing, JULIE DUMMERMUTH, Painting, Associate Professor, MFA, San photography and integrated media, printmaking and sculpture, and Francisco Art Institute expanded practice. LORI ESPOSITO, Drawing (Studio), Foundations, Assistant Professor, 136 non-tenure, MFA, University of North Carolina at Chapel Hill MARK FRANZ, Graphic Design, Assistant Professor, tenure-track, MFA, Other Campus Resources School of the Art Institute of Chicago Office/center for international students: Yes R. GHOSH, Digital Media (Studio), Associate Professor, MFA, Housing space is available in apartments. University of California, Los Angeles DORI GRIFFIN, Graphic Design, Assistant Professor, non-tenure, PhD, Environmental Health and Safety Arizona State University Occupational Safety and Health Administration (OSHA) regulations are KARLA HACKENMILLER, Printmaking, Professor, MFA, University of in place for ventilation and respiratory protection, hazardous chemical South Dakota safety (right-to-know), personal protective equipment, machine safety, DAN HARPER, Interior Design, Assistant Professor, non-tenure, MID hearing protection. Program meets the US Environmental Protection MELISSA HAVILAND, Printmaking, Associate Professor, MFA, Agency (EPA) and state regulations for hazardous materials, including University of Nebraska-Lincoln spill procedures and material disposal. Program has performed an ALEX HIBBITT, Ceramics, Installation (Studio), joint appointment in environmental health and safety audit in the past five years. Methods Assistant Director, Graduate Chair, Associate Professor, MFA, Alfred used to familiarize students and faculty with environmental health and University safety include required training course, instruction in class, faculty PROF. DAVID LAPALOMBARA, Sculpture, joint appointment in training, health and safety officer (full-time or part-time), shop Director, School of Art, Professor, MFA, Nova Scotia College of Art & technician, material safety data sheets (MSDS). Design LAURA LARSON, Photography (Studio), Associate Professor, MFA, FINANCIAL INFORMATION Rutgers, The State University of New Jersey MARY MANUSOS, Printmaking, Emeritus, MFA Tuition DUANE MCDIARMID, Sculpture, Professor, MFA, Florida State Full-time student tuition is determined per credit hour. University State residents: $583 CHUCK MCWEENY, Ceramics, Emeritus, MFA, University of Oklahoma ROBERT PEPPERS, Painting, Professor, Ohio University Out-of-state residents: $1,079 MARILYN POEPPELMEYER, Sculpture, Associate Professor, MFA, International students: $1,079 University at Buffalo, The State University of New York Additional institutional fees: $750 JOHN SABRAW, Foundations, Professor, MFA, Northwestern University Part-time student tuition is determined per credit hour. BRAD SCHWEIGER, Ceramics, Professor, MFA, Utah State University AUDREY SHAKESPEAR, Sculpture, Adjunct/Contingent faculty, MFA, State residents: $583 Utah State University Out-of-state residents: $1,079 LUKE STETTNER, Photography (Studio), joint appointment in International students: $1,079 Integrated Media, Assistant Professor, non-tenure, MFA, School of Additional institutional fees: $550 Visual Arts STACEY STEWART, Graphic Design, Assistant Professor, non-tenure, Financial Aid MFA, Ohio University Types of aid available: Tuition aid/remission, stipend, teaching KEVIN VARNEY, Digital Media (Studio), Adjunct/Contingent faculty assistantship. Tuition and full stipend awarded to 11 students in the ART WERGER, Printmaking, Professor, MFA previous academic year. Tuition and partial stipend awarded to 33 MATTHEW ZIFF, Industrial Design, Associate Professor, MArch students in the previous academic year. Full tuition awarded to 1 student in the previous academic year. RESOURCES AND SPECIAL PROGRAMS Funds available for graduate student travel: Yes Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Assistantships department or institution, local galleries, a graduate thesis exhibition. Assistantships are available to first-year students, second-year students, The Aesthetics Technology Lab has large-format printers, state-of-the-art and third-year students. Mac lab with 2D and 3D software, motion capture suit, and green screen technology. See www.aesthetictechnologies.org Teaching assistantships awarded to women: 35 Teaching assistantships awarded to minorities: 15 Libraries Hours of work required per week: 10 Total volumes in library system: >3,000,000 Other benefits: Tuition remission (part or full) Art volumes in library system: >100,000 Art journals in library system: >200 Health Insurance Full-time master’s students receive health insurance coverage with There is a separate art library with >5,000 volumes and >200 journals. copayment. Health insurance coverage is available to dependents, Students have library privileges at other institutional libraries. spouses, unmarried domestic partners, and same-sex domestic partners Image Resources of full-time master’s students. Total number of images: >250,000 Institution and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. OREGON COLLEGE OF ART Program Opportunities AND CRAFT Additional opportunities for study within the institution: Electives can be taken across the university. Many certificate programs exist at the Master of Fine Arts in Craft: Critical and graduate level. Gallery or museum affiliated with the department: Kennedy Museum of Innovative Practice Art, Ohio University Gallery, Trisolini Gallery Mark Takiguchi, Chief Enrollment Officer Formal programs: Museum training, study abroad, summer work Oregon College of Art and Craft projects. Study abroad programs in art and art history include travel to 8245 SW Barnes Road the UK, Italy, and Hungary. There is a museum studies certificate Portland, Oregon, 97225 offered through the Kennedy Museum of Art. Phone: 971-255-4192 Formal relationships with local museums: Graduate students can have Fax: 503-297-9651 assistantships at the Kennedy Museum, earn a museum studies www.ocac.edu/mfa certificate, or take service learning credits with the museum. Extracurricular opportunities for graduate students: Curate exhibitions, Contact: Sarah Labarre-Stravato, [email protected] conduct fieldwork, research for catalogues, present public outreach Private art school; nonprofit corporation lectures Accredited by: National Association of Schools of Art and Design, Other special programs sponsored by the department: The School of Art Northwest Commission on Colleges and Universities + Design sponsors exhibitions, visiting artists, and symposia on a yearly Degrees awarded: Master’s degree basis. Graduate students are encouraged to work interdisciplinarily Concentrations in: Artist’s books, ceramics, digital media, drawing, fiber across the college and university. The department sponsors 10–20 arts, multidisciplinary, painting, paper, photography, printmaking, lectures per year. sculpture, visual studies, writing/word art First graduate degree granted: MFA, 2015

137 OCAC’s MFA in Craft: Practice and Innovation provides a broad and intensive environment for the understanding and application of advanced studio study crossing the areas of Book Arts, Ceramics, RESOURCES AND SPECIAL PROGRAMS Drawing and Painting, Fibers, Metals, Photography, and Wood. Highly Semiprivate studios are available with limited hours. Students have the skilled and motivated students work with a dedicated core faculty to opportunity to exhibit their work in a gallery associated with the develop their conceptual and expressive skills. Coursework emphasizes department or institution. The FabLab and Digital Imaging Lab provide a strong engagement in the dynamic exchange among advanced critical access to advanced digital tools and equipment. It includes 3D printers, discourse, contextual understanding of work within the canon of art, and a laser cutter, CNC router, vinyl cutter in the Fablab; 18 Power Mac a profound commitment to a vigorous creative practice and the towers with Eizo monitors, film and flatbed scanners, Epson printers; expressive potential of materials. and a jacquard loom and quilting machine. ADMISSIONS Libraries This program has rolling admissions. There is a separate art library with >10,000 volumes and >100 journals. Deadline for fall: 4/1 Students have library privileges at other institutional libraries. Fall notification date: 5/1 Image Resources Deadline for spring: 11/15 Total number of images: >250,000 Institution maintains its own digital-image collection. Institution Spring notification date: 12/1 maintains its own slide collection. Institution subscribes to a digital- Application fee: $70.00 image library. Students have access to image collections. Students have Part-time students accepted: Yes opportunities to view works of art in local museums, commercial Applications received 2015–16: 25 galleries, private collections, and on funded field trips. Applications accepted 2015–16: 21 Program Opportunities Students enrolled 2015–16: 10 Formal relationships with other academic institutions: Joint MFA degree Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign program, Applied Craft and Design, with Pacific Northwest College of students (iBT 92), transcript, letters of recommendation, résumé, Art statement of interest/personal statement, examples of personal artwork, Extracurricular opportunities for graduate students: Curate exhibitions, in-person or phone interview conduct fieldwork, present public outreach lectures Recommended: Artist’s statement, campus visit, contact the program Other special programs sponsored by the department: Approximately for additional requirements eight Artists-in-Residence are on campus annually for periods of six to CURRICULUM fifteen weeks. The department sponsors 20–30 lectures per year. Other Campus Resources Courses The Office of Student Services provides extensive housing information Number offered to graduate students each term: 40 and active assistance to our graduate community in the Portland metro Number whose enrollment is limited to graduate students: 10 area. Average Class Size Environmental Health and Safety In graduate studios: 6–10 students Occupational Safety and Health Administration (OSHA) regulations are In graduate seminars: 6–10 students in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Independent study available: Yes hearing protection. Program meets the US Environmental Protection Course of Study Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Full-time residency requirement: 2 years environmental health and safety audit in the past five years. Space Maximum number of years for residency: 2 appropriate ventilation and dust control are present in the studio areas. Average number of years for residency: 2 Methods used to familiarize students and faculty with environmental Typical number of credit hours per term for a full-time student: 15 health and safety include instruction in class, faculty training, health and safety officer (full-time or part-time), shop technician, material safety Total number of credit hours required for graduation: 60 data sheets (MSDS), information in student handbook. Total in studio art: 30 Total in graduate seminars: 24 FINANCIAL INFORMATION Electives: 6 Tuition Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, Full-time student tuition is determined per credit. documentation of thesis work for program archive, oral defense of work, All students: $1,270 thesis committee/exhibition jury Additional institutional fees: $730 STUDENTS Financial Aid Number of students in residence: Master’s, 16 Types of aid available: Tuition aid/remission, teaching assistantship, work-study program. Full and partial merit scholarships, federal grants Number of male graduates fall 2015–summer 2016: Master’s, 3 and loans. Partial tuition awarded to 20 students in the previous Number of female graduates fall 2015–summer 2016: Master’s, 6 academic year. Formal mode of student participation in academic governance: The OCAC Student Commonwealth is the formal representative group for Fellowships student participation in academic governance. Fellowships are available to second-year students. Fellowships applications received last year: 7 FACULTY Fellowships awarded: 4 Number of faculty: 6 Fellowships awarded to women: 2 Tenured/tenure track: 2 men, 1 woman Average amount of award/stipend: $5,000 Part-time/adjunct lecturers: 0 men, 0 women Fellowship maximum period of support: 1 year Full-time contractual: 1 man, 2 women MR. DYLAN BECK, Ceramics, Sculpture, Associate Professor, MFA, Assistantships Temple University Assistantships are available to students of all levels. PROF. KARL BURKHEIMER, Sculpture, Critical Theory, Professor, MFA, Working assistantships applications received: 18 Virginia Commonwealth University, 1996 PROF. JISEON LEE ISBARA, Fiber Arts, Installation (Studio), Professor, Working assistantships awarded: 5 MFA, Colorado State University Working assistantships awarded to women: 3 Recent Visiting Faculty Average amount of award/stipend: $1,500 POLLY APFELBAUM, Painting, Professor, BFA Hours of work required per week: 8 HUGH DUBBERLY, Graphic Design, Professor, MFA, Yale University Working assistantship maximum period of support: 1 year JESSICA HUTCHINS, Sculpture, Professor, MFA, School of the Art Other benefits: Tuition remission (part or full) Institute of Chicago

138 Health Insurance Electives: 16 No health insurance coverage is provided for full-time master’s Degree requirements: Written thesis, solo exhibition, group exhibition, students. critique of thesis work STUDENTS Number of students in residence: Master’s, 28 Number of male graduates fall 2015–summer 2016: Master’s, 14 OTIS COLLEGE OF ART AND Number of female graduates fall 2015–summer 2016: Master’s, 14 DESIGN FACULTY Number of faculty: 9 Graduate Fine Arts Tenured/tenure track: 1 man, 2 women Part-time/adjunct lecturers: 3 men, 3 women Otis College of Art and Design Full-time contractual: 0 men, 0 women Graduate Fine Arts MS. JUDIE BAMBER, Painting, Adjunct/Contingent faculty, MFA, Lesley 9045 Lincoln Blvd. University College of Art and Design Los Angeles, California, 90045 MS. KATHRYN BURMESTER, Contemporary Art, Adjunct/Contingent Phone: 310-846-2614 faculty, MFA, Otis College of Art and Design Fax: 424-207-2517 MR. CLETUS DALGLISH-SCHOMMER, Installation (Studio), www.otis.edu/graduate-fine-arts Adjunct/Contingent faculty, MFA, University of California, Los Angeles Contact: [email protected] MR. ROY DOWELL, Painting, Sculpture, Chair, MFA, California Institute Private art school; nonprofit corporation of the Arts MS. ANNETTA KAPON, Sculpture, Professor, MFA, University of Accredited by: National Association of Schools of Art and Design, California, Los Angeles Western Association of Schools and Colleges MS. ALLISON MILLER, Painting, Adjunct/Contingent faculty, MFA, Degrees awarded: Master’s degree University of California, Los Angeles Concentrations in: Drawing, installation, painting, paper, performance, MR. KORI NEWKIRK, Installation (Studio), Adjunct/Contingent faculty, photography, printmaking, public art, sculpture, sound, video, visual MFA, University of California, Irvine studies MS. RENEE PETROPOULOS, Installation (Studio), joint appointment in First graduate degree granted: MFA, 1952 Graduate Public Practice, Professor, MFA, University of California, Los Angeles Graduate fine arts students acquire the necessary technical and MR. BENJAMIN WEISSMAN, Writing, Adjunct/Contingent faculty, BFA, theoretical resources to develop an understanding of the demands of California Institute of the Arts professional practice. The program promotes strong interaction and critical dialogue among all participants, encouraging students to converse in the language of art. Students produce work that reflects RESOURCES AND SPECIAL PROGRAMS their ideas, needs, and ambitions, as well as the challenges of the Private studios are available with unlimited hours for all. Students have artistic environment and contemporary issues and concerns. Students the opportunity to exhibit their work in a gallery associated with the and faculty alike help determine the direction of the program. A broader department or institution. The Graduate Building houses six computers, context is introduced through student exchanges with the CERGY in onsite Smart Cart, video projectors, projection screens, video cameras, Paris and the Sebastian Foundation in . At the same time, monitors, Wi-Fi, printers, and a basic shop. State-of-the-art facilities are the intimate community within the college accurately reflects the real available on the main campus as well. workings of the multi-layered and diverse art, design, and literary worlds, Libraries removing the walls between faculty and students. Total volumes in library system: >500,000 ADMISSIONS Art volumes in library system: >50,000 Deadline for fall: 1/15 Art journals in library system: >200 Fall notification date: 3/1 Students have library privileges at other institutional libraries. Deadline for spring: 11/1 Image Resources Spring notification date: 12/1 Total number of images: >100,000 Application fee: $60 Institution maintains its own digital-image collection. Institution subscribes to a digital-image library. Students have access to image Part-time students accepted: Yes collections. Students have opportunities to view works of art in local Applications received 2015–16: 150 museums, commercial galleries, private collections, and on funded field Applications accepted 2015–16: 25 trips. Students enrolled 2015–16: 14 Program Opportunities Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Gallery or museum affiliated with the department: Bolsky Gallery students, transcript, résumé, examples of personal artwork, artist’s statement Formal programs: Study abroad. Residencies and internships are available. CURRICULUM Other Campus Resources Courses Employment or career development office: Yes Number offered to graduate students each term: 15 Office/center for international students: Yes Number whose enrollment is limited to graduate students: 15 There is a graduate-student housing office. Housing space is available in dormitories. Average Class Size In graduate studios: 1–5 students Environmental Health and Safety In graduate seminars: 11–15 students Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical In graduate lectures: 11–20 students safety (right-to-know), personal protective equipment, machine safety, Independent study available: Yes hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Course of Study spill procedures and material disposal. Program has performed an Full-time residency requirement: 2 years environmental health and safety audit in the past five years. Graduate Maximum number of years for residency: 5 studios are well ventilated with ceiling vents and large, roll-up doors. Average number of years for residency: 2 Methods used to familiarize students and faculty with environmental health and safety include required training course, instruction in class, Typical number of credit hours per term for a full-time student: 15 internet or intranet, faculty training, health and safety officer (full-time or Total number of credit hours required for graduation: 60 part-time), shop technician, material safety data sheets (MSDS), Total in studio art: 24 information in student handbook. Total in art history: 8 Total in graduate seminars: 12

139 artist’s statement FINANCIAL INFORMATION Recommended: Degree in subject area, related internship experience, Tuition related professional experience, campus visit, in-person or phone Full-time student tuition is determined per semester. interview All students: $20,600 CURRICULUM Additional institutional fees: $500 Part-time student tuition is determined per credit. Courses All students: $2,055 Number offered to graduate students each term: 10 Number whose enrollment is limited to graduate students: 10 Financial Aid Types of aid available: Tuition aid/remission, guaranteed loan, teaching Average Class Size assistantship, work-study program. Partial tuition awarded to 27 In graduate studios: 6–10 students students in the previous academic year. In graduate seminars: 11–15 students Funds available for graduate student travel: Yes In graduate lectures: 21–50 students Fellowships Independent study available: Yes Fellowships are available to students of all levels. Course of Study Fellowship maximum period of support: 2 years Full-time residency requirement: 2 years Assistantships Maximum number of years for residency: 2 Assistantships are available to students of all levels. Average number of years for residency: 2 Teaching assistantships awarded: 14 Typical number of credit hours per term for a full-time student: 15 Hours of work required per week: 3 Total number of credit hours required for graduation: 60 Other benefits: Tuition remission (part or full) Total in studio art: 24 Other financial support: Health Insurance ($2,020 per year) is Total in art history: 12 mandatory but can be waived with proof of coverage. Electives: 24 Degree requirements: Written thesis, group exhibition, individual Health Insurance presentation of thesis work, critique of thesis work, documentation of Full-time master’s students and part-time master’s students receive thesis work for program archive, oral defense of work, thesis health insurance coverage with copayment. committee/exhibition jury, professional practices course. Students are also required to write an artist statement, CV, and bio, and complete applications for residencies and grant programs to prepare them for the professional art world. Students must complete a thesis exhibition in their final semester. PARSONS STUDENTS FOR DESIGN Number of students in residence: Master’s, 45 Number of male graduates fall 2015–summer 2016: Master’s, 10 Fine Arts Number of female graduates fall 2015–summer 2016: Master’s, 9 Student organizations within the program/department: University Fine Arts Department Student Senate, student group representatives, gallery committee, thesis 25 East 13th St., 5th Fl. exhibition committees New York, New York, 10003 Formal mode of student participation in academic governance: Phone: 212-229-8942 University Student Senate Fax: 212-741-3485 www.newschool.edu/parsons/mfa-fine-arts/ FACULTY Contact: Simone Douglas, Director MFA Fine Arts, Number of faculty: 17 [email protected] Tenured/tenure track: 3 men, 5 women Private university; nonprofit corporation Part-time/adjunct lecturers: 6 men, 3 women Accredited by: Middle States Association of Colleges and Schools, Full-time contractual: 0 men, 0 women National Association of Schools of Art and Design KAMROOZ ARAM, Painting, Adjunct/Contingent faculty Degrees awarded: Master’s degree ANTHONY AZIZ, Photography (Studio), Video (Studio), Associate Concentrations in: Artist’s books, digital media, drawing, environmental Professor art, film, installation, multidisciplinary, painting, paper, performance, THOMAS BUTTER, Painting, Sculpture, Adjunct/Contingent faculty photography, printmaking, sculpture, sound, video THOMAS DONOVAN, Painting, Adjunct/Contingent faculty First graduate degree granted: MFA, 1986 SIMONE DOUGLAS, Photography (Studio), Contemporary Art, Associate Professor, MFA, The University of New South Wales, 2000 The MFA course offers an exciting, critically engaging, two-year program ANDREA GEYER, Video (Studio), Performance Studies, Associate that is a combination of studio, theory, and professional practices. Being Professor a part of both Parsons and The New School, the program is uniquely CRISTOBAL LEHYT, Sculpture, Adjunct/Contingent faculty positioned within an educational environment that includes a wide LENORE MALEN, Installation (Studio), Adjunct/Contingent faculty spectrum of activity, ranging from rigorous formal and aesthetic LYDIA MATTHEWS, Visual Studies, Professor investigations to a number of pressing social and political concerns. The LYDIA MATTHEWS, Design History, Professor faculty is made up of celebrated members of the New York City art JEANINE OLESON, Photography (Studio), Assistant Professor, tenure- community who exhibit and publish worldwide. Students hail from track numerous backgrounds and cultures and work with a variety of media ARTHUR OU, Photography (Studio), Assistant Professor, tenure-track and methods. Studios are located in , near Union DONALD PORCARO, Sculpture, Associate Professor Square, with easy access to galleries and museums. International and SRESHTA PREMNATH, Public Art (Studio), Assistant Professor, non- New York City–based critics and curators visit the program on a regular tenure basis. ERNESTO PUJOL, Performance, Adjunct/Contingent faculty , Painting, Critical Theory, Adjunct/Contingent faculty ADMISSIONS H. LAN THAO LAM, Painting, Assistant Professor, non-tenure This program has rolling admissions. Deadline for fall: 1/1 RESOURCES AND SPECIAL PROGRAMS Fall notification date: 3/15 Private studios are available with limited hours. Students have the Application fee: $50 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Students enrolled 2015–16: 26 Students have access to state-of-the-art computer facilities via the Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign University Knowledge Union, large-format scanners and mural C-Type students (iBT 92), transcript, letters of recommendation, résumé, and inkjet printers, 3D laser cutters, word press, machine workshop, statement of interest/personal statement, examples of personal artwork, and so forth, as well as sole access to five new computers located on the

140 MFA studio floor. Working assistantships awarded to women: 6 Libraries Working assistantships awarded to minorities: 3 Total volumes in library system: >500,000 Hours of work required per week: 12 Students have library privileges at other institutional libraries. Working assistantship maximum period of support: 2 years Other benefits: Tuition remission (part or full) Image Resources Institution and program maintain digital-image collections. Institution Other financial support: Students who apply by the priority application and program maintain slide collections. Students have access to image deadline are considered for merit scholarships. collections. Students have opportunities to view works of art in local Health Insurance museums, commercial galleries, and private collections. Full-time master’s students receive health insurance coverage with Program Opportunities copayment. Additional opportunities for study within the institution: Electives are available throughout the university. Gallery or museum affiliated with the department: Anna-Maria and Stephen Kellen Gallery; Arnold and Sheila Aronson Galleries; Fine Arts student gallery PARSONS THE NEW SCHOOL Formal programs: Study abroad. Parsons has an active international program via study abroad and also annual international projects for FOR DESIGN credit in China, Europe, South America. Formal relationships with other academic institutions: Students may Design and Technology study in programs with which Parsons has an offical exchange agreement for credit. 6 East 16th St., 12th Fl. Formal relationships with local museums: Students have free entry to New York, New York, 10011 the (MoMA). Phone: 212-229-5150 Fax: 212-627-2695 Extracurricular opportunities for graduate students: Curate exhibitions, www.newschool.edu/parsons/mfa-design-technology/ conduct fieldwork, research for catalogues, present public outreach lectures Contact: Sven Travis, [email protected] Other special programs sponsored by the department: Other Private university; nonprofit corporation extracurricular activities include collaborative practice and public art Accredited by: Middle States Association of Colleges and Schools, commissions. On occasion residencies such as Skowhegan are National Association of Schools of Art and Design sponsored by competitive application. The department sponsors 30–40 Degrees awarded: Master’s degree lectures per year. Concentrations in: 2-dimensional design, 3-dimensional design, Other Campus Resources animation, digital media, graphic design, industrial design, installation, Employment or career development office: Yes multidisciplinary, object design, performance, public art, sound, video Office/center for international students: Yes First graduate degree granted: MFA, 1999 There is a graduate-student housing office. Housing space is available in Today’s designer faces two fundamental challenges: the expanding dormitories and apartments. Housing is on a first-come, first-served influence of design within society, and the growing role of technology basis, but typically there is enough housing for all who apply. within design. As a terminal degree, the two-year, 60-credit MFA in Design and Technology (MFA DT) provides a lively and dynamic Planned campus changes and facility improvements: With a design as environment for students to use design research, process, applied distinctive as The New School itself, the University Center, which theory, and writing to address these challenges. Students push their opened in 2014, offers state-of-the-art facilities, including fully wired experimentation beyond the visual: design is seen as a mechanism for smart classrooms, design studios, a student residence, dining hall, and developing strategies, knowledge organization, business structures, and an auditorium with a convertible runway. social consciousness. Typical projects involve games, Web and mobile Environmental Health and Safety apps, and video, film, and audiovisual performance. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical ADMISSIONS safety (right-to-know), personal protective equipment, machine safety, This program has rolling admissions. hearing protection. Program meets the US Environmental Protection Deadline for fall: 1/1 Agency (EPA) and state regulations for hazardous materials, including Fall notification date: 3/15 spill procedures and material disposal. Program has performed an Application fee: $50 environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and Students enrolled 2015–16: 80 safety include publications, required training course, instruction in class, Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign internet or intranet, faculty training, health and safety officer (full-time or students (iBT 92), transcript, letters of recommendation, résumé, part-time), shop technician, material safety data sheets (MSDS). statement of interest/personal statement, examples of personal artwork Recommended: Campus visit FINANCIAL INFORMATION Tuition CURRICULUM Full-time student tuition is determined per term. Courses All students: $23,120 Number offered to graduate students each term: 85 Additional institutional fees: $138 Number whose enrollment is limited to graduate students: 28 Financial Aid Average Class Size Types of aid available: Tuition aid/remission, teaching assistantship, In graduate studios: 11–15 students research assistantship, work-study program. Federal loans for US In graduate seminars: 11–15 students citizens and permanent residents (not guaranteed). In graduate lectures: 101–200 students Assistantships Independent study available: Yes Assistantships are available to first-year students and second-year Course of Study students. Full-time residency requirement: 2 years Teaching assistantships applications received: 10 Maximum number of years for residency: 2 Teaching assistantships awarded: 10 Average number of years for residency: 2 Teaching assistantships awarded to women: 7 Typical number of credit hours per term for a full-time student: 15 Teaching assistantships awarded to minorities: 5 Total number of credit hours required for graduation: 60 Hours of work required per week: 3 Total in studio art: 24 Teaching assistantship maximum period of support: 2 years Total in art history: 6 Working assistantships applications received: 6 Total in graduate seminars: 3 Working assistantships awarded: 6 141 Electives: 18 Other Campus Resources Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, Employment or career development office: Yes documentation of thesis work for program archive. A maximum of three Office/center for international students: Yes internship credits, two Collaboration Studio credits, and two academic There is a graduate-student housing office. Housing space is available in elective credits are required. dormitories and apartments. Housing is on a first-come, first-served basis, but typically there is enough housing for all who apply. STUDENTS Planned campus changes and facility improvements: With a design as Number of students in residence: Master’s, 178 distinctive as The New School itself, the University Center, which Number of male graduates fall 2015–summer 2016: Master’s, 41 opened in 2014, offers state-of-the-art facilities, including fully wired smart classrooms, design studios, a student residence, dining hall, and Number of female graduates fall 2015–summer 2016: Master’s, 61 an auditorium with a convertible runway. Student organizations within the program/department: University Student Senate, MFA Design and Technology Graduate Student Council Environmental Health and Safety Formal mode of student participation in academic governance: Occupational Safety and Health Administration (OSHA) regulations are University Student Senate in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, FACULTY hearing protection. Program meets the US Environmental Protection Number of faculty: 23 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Tenured/tenure track: 4 men, 4 women environmental health and safety audit in the past five years. Methods Part-time/adjunct lecturers: 11 men, 4 women used to familiarize students and faculty with environmental health and Full-time contractual: 0 men, 0 women safety include publications, required training course, instruction in class, LOUISA CAMPBELL, Digital Media (Studio), Adjunct/Contingent faculty faculty training, shop technician. DAVID CARROLL, Digital Media (Studio), Associate Professor MELANIE CREAN, Video (Studio), Assistant Professor, non-tenure FINANCIAL INFORMATION ANTHONY DEEN, Film (History), Adjunct/Contingent faculty NICHOLAS FORTUGNO, Digital Media (Studio), Adjunct/Contingent Tuition faculty Full-time student tuition is determined per term. YURI GITMAN, Digital Media (Studio), Adjunct/Contingent faculty All students: $23,120 PASCAL GLISSMAN, Graphic Design, Assistant Professor, non-tenure Additional institutional fees: $138 KAN YANG LI, Digital Media (Studio), Assistant Professor, non-tenure COLLEEN MACKLIN, Digital Media (Studio), Associate Professor Financial Aid KATHERINE MORIWAKI, Digital Media (Studio), Assistant Professor, Types of aid available: Tuition aid/remission, stipend, teaching tenure-track assistantship, research assistantship, work-study program. US citizens BARBARA MORRIS, Digital Media (Studio), Adjunct/Contingent faculty and permanent residents can apply for federal loans (not guaranteed). SCOTT POBINER, Design History, Assistant Professor, non-tenure CHRISTOPHER ROMERO, Film, Adjunct/Contingent faculty Fellowships JOSEPH SAAVEDRA, Digital Media (Studio), Adjunct/Contingent faculty Fellowships are available to second-year students. DANIEL SAUTER, Graphic Design, Associate Professor ANEZKA SEBEK, Digital Media (Studio), Associate Professor Assistantships SABINE SEYMOUR, Object Design, Assistant Professor, tenure-track Assistantships are available to students of all levels. JOHN SHARP, Digital Media (Studio), Associate Professor ETHAN SILVERMAN, Fiber Arts, Adjunct/Contingent faculty Other benefits: Tuition remission (part or full) MARKO TANDEFELT, Digital Media (Studio), Adjunct/Contingent Other financial support: All applicants are automatically considered for faculty merit awards when they apply by the priority deadline of January 1. SVEN TRAVIS, Digital Media (Studio), Associate Professor LORETTA WOLOZIN, Digital Media (Studio), Adjunct/Contingent Health Insurance faculty Full-time master’s students receive health insurance coverage with ANDREW ZORNOZA, Writing, Adjunct/Contingent faculty copayment. RESOURCES AND SPECIAL PROGRAMS Students have the opportunity to exhibit their work in a graduate thesis exhibition. Parsons offers a broad array of technology equipment and labs, including large-format print output, digital fabrication output (3D PARSONS THE NEW SCHOOL printers, scanners), and physical computing workshops. Libraries FOR DESIGN Total volumes in library system: >500,000 Students have library privileges at other institutional libraries. Fashion Design and Society Image Resources 2 West 13th St., Room 611 Institution maintains its own digital-image collection. Institution New York, New York, 10011 maintains its own slide collection. Students have opportunities to view Phone: 212-229-5150 works of art in local museums, commercial galleries, private collections, Fax: 212-627-2695 and on funded field trips. www.newschool.edu/parsons/mfa-fashion-design-society/ Program Opportunities Contact: Shelley Fox, [email protected] Additional opportunities for study within the institution: Access to Private university; nonprofit corporation graduate courses across Parsons and The New School is a key aspect of Accredited by: Middle States Commission on Higher Education, this degree program. National Association of Schools of Art and Design Gallery or museum affiliated with the department: Sheila C. Johnson Degrees awarded: Master’s degree Design Center Concentrations in: Fashion Formal programs: Study abroad, summer work projects. Annual trips to First graduate degree granted: MFA, 2012 China, Europe, South America, and other placements are sponsored The MFA Fashion Design and Society at Parsons is the first graduate through an Open Society Institute Fellowship. program of its kind in the United States. Both interdisciplinary and Formal relationships with other academic institutions: Affiliated with international in scope, this academy for advanced studies in fashion ATLANTIS exchange program design will train a small cadre of world-class designers to have a global Formal relationships with local museums: Parsons History of Design understanding of fashion. Innovative and progressive, Fashion Design and Curatorial Studies program is affiliated with the Cooper Hewitt, and Society will offer students the opportunity to make substantive Smithsonian Design Museum contributions—both professional and conceptual—to the field of Extracurricular opportunities for graduate students: Curate exhibitions, fashion design. conduct fieldwork, research for catalogues, conduct surveys for outside institutions, present public outreach lectures. The department sponsors 10–20 lectures per year.

142 environmental health and safety audit in the past five years. Methods ADMISSIONS used to familiarize students and faculty with environmental health and This program has rolling admissions. safety include publications, required training course, instruction in class, Deadline for fall: 1/1 faculty training, shop technician. Fall notification date: 3/15 FINANCIAL INFORMATION Application fee: $50 Students enrolled 2015–16: 19 Tuition Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Full-time student tuition is determined per semester. students (iBT 92), transcript, letters of recommendation, résumé, All students: $23,120 statement of interest/personal statement, examples of personal artwork, Additional institutional fees: $138 in-person or phone interview Financial Aid CURRICULUM Types of aid available: Tuition aid/remission, teaching assistantship, research assistantship, work-study program. Federal loans for US Course of Study citizens and permanent residents (not guaranteed). Full-time residency requirement: 2 years Maximum number of years for residency: No maximum Assistantships Average number of years for residency: 2 Assistantships are available to students of all levels. Typical number of credit hours per term for a full-time student: 15 Other benefits: Tuition remission (part or full) Total number of credit hours required for graduation: 60 Other financial support: Students who apply by the priority deadline are considered for merit scholarships. STUDENTS Health Insurance Number of students in residence: Master’s, 34 Full-time master’s students receive health insurance coverage with Number of male graduates fall 2015–summer 2016: Master’s, 3 copayment. Number of female graduates fall 2015–summer 2016: Master’s, 12 Formal mode of student participation in academic governance: University Student Senate FACULTY PARSONS THE NEW SCHOOL Number of faculty: 7 Tenured/tenure track: 0 men, 1 woman FOR DESIGN Part-time/adjunct lecturers: 5 men, 1 woman Full-time contractual: 0 men, 0 women Interior Design SARAH BROACH, Fashion Studies, Adjunct/Contingent faculty SHELLEY FOX, Fashion Studies, Chair 25 East 13th St., 2nd Fl. BRENDAN MCCARTHY, Fashion Studies, Adjunct/Contingent faculty New York, New York, 10003 JOFFREY MOOLHUIZEN, Fashion Studies, Adjunct/Contingent faculty Phone: 212-229-5150 MATHANRAJ RATINAM, Design History, Assistant Professor, non- Fax: 212-627-2695 tenure www.newschool.edu/parsons/mfa-interior-design/ ADAM STERNBACH, Fashion Studies, Adjunct/Contingent faculty Contact: Alfred Zollinger, [email protected] MAX WILSON, Fashion Studies, Adjunct/Contingent faculty Private university; nonprofit corporation Accredited by: Middle States Commission on Higher Education, RESOURCES AND SPECIAL PROGRAMS National Association of Schools of Art and Design Semiprivate studios are available. Students have the opportunity to exhibit their work in a graduate thesis exhibition. Degrees awarded: Master’s degree Concentrations in: Interior design Libraries First graduate degree granted: MFA, 2011 Total volumes in library system: >500,000 The new MFA program in Interior Design at Parsons is uniquely Students have library privileges at other institutional libraries. positioned to lead the discourse and address the practice of interior Image Resources design in the 21st century. Inaugurated in September 2009, at the very Total number of images: >500,000 school where formal Interior Design education began in 1906, this Institution maintains its own digital-image collection. Institution graduate program builds on 100 years of history and leadership in the maintains its own slide collection. Students have access to image field. The MFA program offers instruction of incomparable depth with collections. Students have opportunities to view works of art in local links to our other graduate programs in architecture, product design, museums, commercial galleries, private collections, and on funded field and lighting design. Graduates go on to work in established design and trips. architecture studios, develop new design practices, serve as institutional consultants, and teach the next generation of practitioners. Students Program Opportunities may also apply to complete a double major in MFA Interior and Lighting Other special programs sponsored by the department: Students’ final Design. collections are shown in an exhibition and also during New York Fashion Week. ADMISSIONS This program has rolling admissions. Other Campus Resources Deadline for fall: 1/1 Employment or career development office: Yes Fall notification date: 3/15 Office/center for international students: Yes Application fee: $50 There is a graduate-student housing office. Housing space is available in Students enrolled 2015–16: 25 dormitories and apartments. Housing is on a first-come, first-served basis, but typically there is enough housing for all who apply. Requirements: Bachelor’s degree (BA, BFA, or BSA), GRE, TOEFL for foreign students (iBT 92), transcript, letters of recommendation, Planned campus changes and facility improvements: With a design as résumé, statement of interest/personal statement, examples of personal distinctive as The New School itself, the University Center, which artwork opened in 2014, offers state-of-the-art facilities, including fully wired smart classrooms, design studios, a student residence, dining hall, and an auditorium with a convertible runway. CURRICULUM Environmental Health and Safety Courses Number offered to graduate students each term: 12 Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Number whose enrollment is limited to graduate students: 8 safety (right-to-know), personal protective equipment, machine safety, Average Class Size hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including In graduate studios: 11–15 students spill procedures and material disposal. Program has performed an In graduate seminars: 16–20 students

143 In graduate lectures: 21–50 students http://sce.parsons.edu/aftertaste/. The department sponsors 20–30 Independent study available: Yes lectures per year. Course of Study Other Campus Resources Full-time residency requirement: 2 years Employment or career development office: Yes Maximum number of years for residency: 2 Office/center for international students: Yes Average number of years for residency: 2 There is a graduate-student housing office. Housing space is available in dormitories and apartments. Housing is on a first-come, first-served Typical number of credit hours per term for a full-time student: 15 basis, but typically there is enough housing for all who apply. Total number of credit hours required for graduation: 60 Planned campus changes and facility improvements: With a design as Total in studio art: 27 distinctive as The New School itself, the University Center, which Total in area of concentration: 12 opened in 2014, offers state-of-the-art facilities, including fully wired Total in art history: 6 smart classrooms, design studios, a student residence, dining hall, and Total in graduate seminars: 9 an auditorium with a convertible runway. Electives: 6 Environmental Health and Safety Degree requirements: Written thesis, thesis or artist’s statement, group Occupational Safety and Health Administration (OSHA) regulations are exhibition, individual presentation of thesis work, critique of thesis work, in place for ventilation and respiratory protection, hazardous chemical documentation of thesis work for program archive, oral defense of work, safety (right-to-know), personal protective equipment, machine safety, written art history exam, thesis committee/exhibition jury, technology hearing protection. Program meets the US Environmental Protection course, professional practices course. Students entering without a prior Agency (EPA) and state regulations for hazardous materials, including degree in design may be required to enroll in a Parsons summer course spill procedures and material disposal. Program has performed an called Summer Studies in Constructed Environments. environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and STUDENTS safety include publications, required training course, instruction in class, Number of students in residence: Master’s, 42 internet or intranet, faculty training, health and safety officer (full-time or Number of male graduates fall 2015–summer 2016: Master’s, 4 part-time), shop technician, material safety data sheets (MSDS). Number of female graduates fall 2015–summer 2016: Master’s, 17 FINANCIAL INFORMATION Formal mode of student participation in academic governance: University Student Senate Tuition Full-time student tuition is determined per semester. FACULTY All students: $23,120 Number of faculty: 12 Additional institutional fees: $138 Tenured/tenure track: 2 men, 2 women Part-time/adjunct lecturers: 3 men, 5 women Financial Aid Types of aid available: Tuition aid/remission, teaching assistantship, Full-time contractual: 0 men, 0 women research assistantship, work-study program. Federal loans for US ALICE CHUN, Design History, Assistant Professor, non-tenure citizens and permanent residents (not guaranteed). KATHERINE GRIFFITH, Interior Design, Adjunct/Contingent faculty KENT HIKIDA, Interior Design, Adjunct/Contingent faculty Fellowships JOANNA MERWOOD, Interior Design, Associate Professor Fellowships are available to second-year students. DANIEL MICHALIK, Interior Design, Assistant Professor, non-tenure MICHAEL MORAN, Architectural History, Adjunct/Contingent faculty Assistantships ELIZABETH PARKER, Interior Design, Adjunct/Contingent faculty Assistantships are available to students of all levels. DEREK PORTER, Interior Design, Associate Professor HELEN QUINN, Interior Design, Adjunct/Contingent faculty Other financial support: Students who apply by the priority deadline are JONSARA RUTH, Interior Design, Chair considered for merit scholarships. IOANNA THEOCHAROPOULOU, Interior Design, Assistant Professor, Health Insurance non-tenure Full-time master’s students receive health insurance coverage with ALFRED ZOLLINGER, Interior Design, Associate Professor copayment. RESOURCES AND SPECIAL PROGRAMS Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Computer labs, printers, large-format presentation screens PARSONS THE NEW SCHOOL Libraries FOR DESIGN Total volumes in library system: >500,000 Students have library privileges at other institutional libraries. Photography Image Resources Total number of images: >500,000 66 Fifth Ave., 4th Fl. Institution maintains its own digital-image collection. Institution New York, New York, 10011 maintains its own slide collection. Institution subscribes to a digital- Phone: 212-229-5150 image library. Students have access to image collections. Students have Fax: 212-627-2695 opportunities to view works of art in local museums, commercial www.newschool.edu/parsons/mfa-photography/ galleries, private collections, and on funded field trips. Contact: Jim Ramer, [email protected] Program Opportunities Private university; nonprofit corporation Additional opportunities for study within the institution: The MFA in Accredited by: Middle States Commission on Higher Education, Interior Design shares a working studio with MFA Lighting Design and National Association of Schools of Art and Design Master of Architecture programs. Parsons also has 14 additional Degrees awarded: Master’s degree graduate design programs. Concentrations in: Photography Gallery or museum affiliated with the department: Parsons is affiliated First graduate degree granted: MFA, 2005 with Cooper Hewitt, Smithsonian Design Museum. The graduate photography program functions as a 21st-century studio Extracurricular opportunities for graduate students: Curate exhibitions, and think tank. Students are encouraged to develop their individual conduct fieldwork, research for catalogues, present public outreach vision in a collaborative, interdisciplinary environment and to explore lectures related technologies, focusing on the relationship between concept and Other special programs sponsored by the department: Aftertaste production. A rigorous critique process and regular meetings with Symposium is a series of lectures and roundtable conversations faculty, professional artists, and visiting critics help students develop dedicated to the critical review of interior design. The symposium is individual points of view and situate themselves and their work within intended as an expansive meditation on the concept of the interior larger historical, theoretical, and contemporary visual contexts. environment and its constituent elements. For more information, visit

144 ADMISSIONS Libraries This program has rolling admissions. Total volumes in library system: >500,000 Deadline for fall: 1/1 Students have library privileges at other institutional libraries. Fall notification date: 3/15 Image Resources Application fee: $50 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Students enrolled 2015–16: 14 image library. Students have access to image collections. Students have Requirements: Bachelor’s degree (BA, BFA, or BSA), master’s degree, opportunities to view works of art in local museums, commercial TOEFL for foreign students (iBT 92), transcript, letters of galleries, and private collections. recommendation, résumé, statement of interest/personal statement, examples of personal artwork Program Opportunities Additional opportunities for study within the institution: Students may CURRICULUM take elective credits at other New School divisions. Courses Other special programs sponsored by the department: Aperture Lecture Number offered to graduate students each term: 7 Series. The department sponsors 20–30 lectures per year. Number whose enrollment is limited to graduate students: 7 Other Campus Resources Average Class Size Employment or career development office: Yes In graduate studios: 11–15 students Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in In graduate seminars: 11–15 students dormitories and apartments. Housing is on a first-come, first-served In graduate lectures: 11–20 students basis, but typically there is enough housing for all who apply. Independent study available: Yes Planned campus changes and facility improvements: With a design as distinctive as The New School itself, the University Center, which Course of Study opened in 2014, offers state-of-the-art facilities, including fully wired Full-time residency requirement: 2 years smart classrooms, design studios, a student residence, dining hall, and Maximum number of years for residency: 3 an auditorium with a convertible runway. Average number of years for residency: 2 Environmental Health and Safety This program has an online-learning component and a low-residency Occupational Safety and Health Administration (OSHA) regulations are component. in place for ventilation and respiratory protection, hazardous chemical Typical number of credit hours per term for a full-time student: 12 safety (right-to-know), personal protective equipment, machine safety, Total number of credit hours required for graduation: 60 hearing protection. Program meets the US Environmental Protection Total in studio art: 39 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Total in area of concentration: 36 environmental health and safety audit in the past five years. Methods Total in art history: 0 used to familiarize students and faculty with environmental health and Total in graduate seminars: 9 safety include publications, required training course, instruction in class, Electives: 15 internet or intranet, faculty training, health and safety officer (full-time or Degree requirements: Thesis or artist’s statement, group exhibition, part-time), shop technician, material safety data sheets (MSDS). individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, FINANCIAL INFORMATION thesis committee/exhibition jury Tuition STUDENTS Full-time student tuition is determined per credit. Number of students in residence: Master’s, 27 All students: $1,450 Number of male graduates fall 2015–summer 2016: Master’s, 8 Additional institutional fees: $138 Number of female graduates fall 2015–summer 2016: Master’s, 6 Financial Aid Formal mode of student participation in academic governance: Types of aid available: Tuition aid/remission, teaching assistantship, University Student Senate research assistantship, work-study program. US citizens and permanent residents can apply for federal loans (not guaranteed). FACULTY Number of faculty: 12 Assistantships Other financial support: Students who apply by the priority deadline are Tenured/tenure track: 2 men, 2 women considered for merit scholarships. Part-time/adjunct lecturers: 4 men, 4 women Full-time contractual: 0 men, 0 women Health Insurance MARTHA BURGESS, Photography (Studio), Adjunct/Contingent faculty Full-time master’s students receive health insurance coverage with SAMMY CUCHER, Photography (Studio), Adjunct/Contingent faculty copayment. SIMONE DOUGLAS, Photography (Studio), Associate Professor SARAH HASTED, Photography (Studio), Adjunct/Contingent faculty CRAIG KALPAKJIAN, Photography (Studio), Adjunct/Contingent faculty WILL LAMSON, Photography (Studio), Adjunct/Contingent faculty MIRANDA LICHTENSTEIN, Photography (Studio), Adjunct/Contingent PARSONS THE NEW SCHOOL faculty JEANINE OLESON, Photography (Studio), Assistant Professor, tenure- track FOR DESIGN ARTHUR OU, Photography (Studio), Assistant Professor, tenure-track LAURA PARNES, Photography (Studio), Adjunct/Contingent faculty Transdisciplinary Design JAMES RAMER, Photography (Studio), Associate Professor JOSEPH WOLIN, Photography (Studio), Adjunct/Contingent faculty 6 East 16th St., 12th Fl. New York, New York, 10003 RESOURCES AND SPECIAL PROGRAMS Phone: 212-229-5150 Private studios are available with limited hours for all. Semiprivate Fax: 212-627-2695 studios are available with limited hours for all. Students have the www.newschool.edu/parsons/mfa-transdisciplinary-design/ opportunity to exhibit their work in a gallery associated with the Contact: Lara Penin, [email protected] department or institution, local galleries, a graduate thesis exhibition. Private university; nonprofit corporation Camera, video, grip, and lighting equipment and accessories are provided, as is access to a digital lab including two digital darkrooms Accredited by: Middle States Commission on Higher Education, with 60 Macs. Other resources include Imacon Flextight and Epson film National Association of Schools of Art and Design and flatbed scanners for image acquisition, large- and medium-format Degrees awarded: Master’s degree inkjet printers, and a Durst Digital Color printer. Concentrations in: Multidisciplinary

145 First graduate degree granted: MFA, 2012 SCOTT POBINER, Digital Media (Studio), Assistant Professor, non- Emphasizing collaborative design-led research, the MFA tenure Transdisciplinary Design in the School of Design Strategies at Parsons ROBERT RABINOVITZ, Industrial Design, Associate Professor serves as an academic laboratory in New York City for graduate students MATHANRAJ RATINAM, Architecture, Assistant Professor, non-tenure seeking to define the next phase of design practice globally. The complex MIGUEL ROBLES-DURAN, Urban Planning, Assistant Professor, non- problems that confront a networked 24/7 global culture call for broad tenure design approaches. Parsons created the MFA in Transdisciplinary FRANZ CHRISTIAN SCHNEIDER, Non-Artist/Non-Art Historian, Design (TransDesign) for a new generation of designers who want to Associate Professor address pressing social issues using new ideas, tools, and methods. EDUARDO STASZOWSKI, Graphic Design, Assistant Professor, non- Students work in cross-disciplinary teams, consider issues from multiple tenure perspectives, gain insight from industry leaders, and emerge with a portfolio of projects showcasing design as a process for transforming RESOURCES AND SPECIAL PROGRAMS the way we live in the 21st century. Semiprivate studios are available with limited hours for all. Students have the opportunity to exhibit their work in a graduate thesis exhibition. ADMISSIONS This program has rolling admissions. Libraries Deadline for fall: 1/1 Total volumes in library system: >500,000 Fall notification date: 3/15 Students have library privileges at other institutional libraries. Application fee: $50 Image Resources Institution maintains its own digital-image collection. Institution Students enrolled 2015–16: 19 maintains its own slide collection. Students have opportunities to view Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign works of art in local museums, commercial galleries, and on funded students (iBT 92), transcript, letters of recommendation, résumé, field trips. statement of interest/personal statement, examples of personal artwork Program Opportunities CURRICULUM Additional opportunities for study within the institution: Students may Courses take courses across the divisions of The New School. Number offered to graduate students each term: 6 Formal programs: Study abroad, summer work projects Formal relationships with other academic institutions: Politecnico di Number whose enrollment is limited to graduate students: 6 Milano Average Class Size Extracurricular opportunities for graduate students: Conduct fieldwork. In graduate studios: 6–10 students The department sponsors 5–10 lectures per year. In graduate seminars: 11–15 students Other Campus Resources Course of Study Employment or career development office: Yes Full-time residency requirement: 2 years Office/center for international students: Yes Maximum number of years for residency: No maximum There is a graduate-student housing office. Housing space is available in dormitories and apartments. Housing is on a first-come, first-served Average number of years for residency: 2 basis, but typically there is enough housing for all who apply. This program has an online learning component. Planned campus changes and facility improvements: With a design as Typical number of credit hours per term for a full-time student: 15 distinctive as The New School itself, the University Center, which Total number of credit hours required for graduation: 60 opened in 2014, offers state-of-the-art facilities, including fully wired Total in studio art: 42 smart classrooms, design studios, a student residence, dining hall, and Total in area of concentration: 48 an auditorium with a convertible runway. Total in art history: 0 Environmental Health and Safety Total in graduate seminars: 9 Occupational Safety and Health Administration (OSHA) regulations are Electives: 9 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Degree requirements: Written thesis, thesis or artist’s statement, hearing protection. Program meets the US Environmental Protection individual presentation of thesis work, critique of thesis work, Agency (EPA) and state regulations for hazardous materials, including documentation of thesis work for program archive, oral defense of work, spill procedures and material disposal. Program has performed an thesis committee/exhibition jury, professional practices course environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and STUDENTS safety include publications, required training course, instruction in class, Number of students in residence: Master’s, 36 faculty training, shop technician. Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 16 FINANCIAL INFORMATION Formal mode of student participation in academic governance: Tuition University Student Senate Full-time student tuition is determined per semester. FACULTY All students: $23,120 Number of faculty: 19 Additional institutional fees: $138 Tenured/tenure track: 7 men, 3 women Financial Aid Part-time/adjunct lecturers: 6 men, 3 women Types of aid available: Tuition aid/remission, teaching assistantship, Full-time contractual: 0 men, 0 women research assistantship, work-study program. US citizens and permanent SHANA AGID, Visual Studies, Assistant Professor, non-tenure residents may apply for federal loans (not guaranteed). PATRICIA BEIRNE, Architecture, Assistant Professor, non-tenure JOHN BRUCE, Non-Artist/Non-Art Historian, Assistant Professor, non- Fellowships tenure Fellowships are available to second-year students. ERIN CHO, Non-Artist/Non-Art Historian, Associate Professor CLIVE DILNOT, Design History, Professor Assistantships RAZ GODELNIK, Non-Artist/Non-Art Historian, Assistant Professor, Assistantships are available to students of all levels. non-tenure Other benefits: Tuition remission (part or full) JAMER HUNT, 2-Dimensional Design, Associate Professor Other financial support: Students who apply by the priority deadline are ASEEM INAM, Urban Planning, Associate Professor considered for merit scholarships. JONATAN JELEN, Non-Artist/Non-Art Historian, Assistant Professor, tenure-track Health Insurance EDWARD KELLER, Architecture, Associate Professor Full-time master’s students receive health insurance coverage with MIODRAG MITRASINOVIC, Architecture, Associate Professor copayment. CAROL OVERBY, Non-Artist/Non-Art Historian, Assistant Professor, non-tenure LARA PENIN, 2-Dimensional Design, Assistant Professor, tenure-track

146 tenure PARSONS THE NEW SCHOOL TUCKER VIEMEISTER, Industrial Design, Adjunct/Contingent faculty FOR DESIGN RESOURCES AND SPECIAL PROGRAMS Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Industrial Design in place for ventilation and respiratory protection, hazardous chemical 25 E. 13th St. safety (right-to-know), personal protective equipment, machine safety, New York, New York, 10011 hearing protection. Program meets the US Environmental Protection Phone: 212-229-5150 Agency (EPA) and state regulations for hazardous materials, including www.newschool.edu/parsons/mfa-industrial-design/ spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods Contact: Rama Chorpash, [email protected] used to familiarize students and faculty with environmental health and Private university; nonprofit corporation safety include publications, required training course, faculty training, Accredited by: Middle States Association of Colleges and Schools, health and safety officer (full-time or part-time), shop technician, National Association of Schools of Art and Design information in student handbook. Degrees awarded: Master’s degree FINANCIAL INFORMATION Concentrations in: 3-dimensional design, industrial design, multidisciplinary, object design Tuition First graduate degree granted: MFA, 2017 Full-time student tuition is determined per semester. Launching in 2015, this innovative two-year full-time graduate program, All students: $23,120 helps students develop products while critically engaging with the field by revisiting the role of designers and reimagining manufacturing, Financial Aid taking into account environmental sustainability, entrepreneurial Types of aid available: Tuition aid/remission, teaching assistantship, concerns, and human factors. The program’s focus on varying scales research assistantship, work-study program and methods of making—from low volume to high volume, from desktop manufacturing to global production—gives students a Assistantships competitive advantage in the expanding universe of product design. Other financial support: Students who apply by the Jan 1st priority Through critical inquiry into seemingly contradictory aspects of the deadline are considered for merit scholarships. industry, such as production and sustainability, consumerism and social and environmental betterment, globalization and localization, and Health Insurance offshoring and onshoring, students develop a practice that is informed Full-time master’s students receive health insurance coverage with by the full context of industrial design. copayment. ADMISSIONS This program has rolling admissions. Deadline for fall: 1/1 Fall notification date: 3/15 PENNSYLVANIA STATE Application fee: $50 UNIVERSITY Students enrolled 2015–16: 16 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign students (iBT 92), transcript, letters of recommendation, résumé, Studio Art statement of interest/personal statement, examples of personal artwork School of Visual Arts Recommended: In-person or phone interview The Pennsylvania State University 210 Patterson Building CURRICULUM University Park, Pennsylvania, 16802 Phone: 814-865-0444 Course of Study Fax: 814-865-1158 Full-time residency requirement: 2 years sova.psu.edu/ Maximum number of years for residency: 2 Contact: Cristin Millett, [email protected] Typical number of credit hours per term for a full-time student: 15 Public university; nonprofit corporation Total number of credit hours required for graduation: 60 Accredited by: Association of American Universities, Middle States Association of Colleges and Schools, National Association of Schools of STUDENTS Art and Design Number of students in residence: Master’s, 31 Degrees awarded: Master’s degree Student organizations within the program/department: University Concentrations in: Ceramics, digital media, drawing, installation, Student Senate painting, photography, printmaking, sculpture Formal mode of student participation in academic governance: University Student Senate First graduate degree granted: MFA, 1964 The Master of Fine Arts at Pennsylvania State University, with areas of FACULTY concentration in ceramics, drawing and painting, graphic design, new media, photography, and sculpture, is recognized for emphasizing Number of faculty: 15 excellence in the study and production of visual art and critical theory. Tenured/tenure track: 1 man, 0 women As the art world has changed radically over the past decade, so must the Part-time/adjunct lecturers: 7 men, 7 women training of professional artists. Today’s artists must not only possess Full-time contractual: 0 men, 0 women the skills traditionally associated with studio production, but also be MARK BECHTEL, Industrial Design, Assistant Professor, non-tenure acutely aware of critical issues in art, shifts within contemporary culture, AYCA CAKMAKLI, Industrial Design, Adjunct/Contingent faculty and developments in the interdisciplinary arts. This MFA program YVETTE CHAPARRO, Industrial Design, Adjunct/Contingent faculty responds to these developments by encouraging interaction among RAMA CHORPASH, Industrial Design, Associate Professor graduate students and faculty across disciplines within the School of GYUNGJU CHYON, Industrial Design, Assistant Professor, non-tenure Visual Arts, the College of Arts and Architecture, and the university. DANIEL FORMOSA, Industrial Design, Adjunct/Contingent faculty MICHELLE JACKSON, Industrial Design, Adjunct/Contingent faculty ADMISSIONS YVONNE LIN, Industrial Design, Adjunct/Contingent faculty Deadline for fall: 1/15 DAVE MARIN, Industrial Design, Assistant Professor, non-tenure Fall notification date: 4/15 DANIEL MICHALIK, Industrial Design, Assistant Professor, non-tenure Application fee: $65 VICTORIA MILNE, Industrial Design, Adjunct/Contingent faculty ARSENIO GARCIA MONSALVE, Industrial Design, Adjunct/Contingent Part-time students accepted: Yes faculty Applications received 2015–16: 72 BARENT ROTH, Industrial Design, Adjunct/Contingent faculty Applications accepted 2015–16: 19 ANDREA RUGGIERO, Industrial Design, Assistant Professor, non- Students enrolled 2015–16: 5

147 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign MR. ROBERT YARBER, Painting, Professor, MFA students (iBT 80), transcript, letters of recommendation, statement of interest/personal statement, examples of personal artwork RESOURCES AND SPECIAL PROGRAMS Private studios are available. Students have the opportunity to exhibit CURRICULUM their work in a gallery associated with the department or institution, Courses local galleries, a graduate thesis exhibition. Number offered to graduate students each term: 60 Libraries Number whose enrollment is limited to graduate students: 19 Total volumes in library system: >5,000,000 Average Class Size Art volumes in library system: >500,000 In graduate studios: 6–10 students Art journals in library system: >1,000 There is a separate art library with >10,000 volumes. Students have In graduate seminars: 21+ students library privileges at other institutional libraries. Independent study available: Yes Image Resources Course of Study Institution subscribes to a digital-image library. Students have Full-time residency requirement: 2 years opportunities to view works of art in local museums, commercial Maximum number of years for residency: 8 galleries, private collections, and on funded field trips. Average number of years for residency: 2 Program Opportunities This program has an online learning component. Additional opportunities for study within the institution: Students may Typical number of credit hours per term for a full-time student: 15 study related fields in programs and departments across the College of Arts and Architecture, as well as across the university. Joint courses are Total number of credit hours required for graduation: 60 also offered in cooperation with other departments. Total in area of concentration: 30 Gallery or museum affiliated with the department: Edwin W. Zoller Total in art history: 12 Gallery Total in graduate seminars: 8 Formal programs: Study abroad, summer work projects. Summer Electives: 10 teaching work is available to students. Degree requirements: Thesis or artist’s statement, concentration, solo Formal relationships with local museums: Palmer Museum of , oral defense of work, thesis committee/exhibition jury Other Campus Resources STUDENTS Employment or career development office: Yes Number of students in residence: Master’s, 15 Office/center for international students: Yes Number of male graduates fall 2015–summer 2016: Master’s, 4 There is a graduate-student housing office. Housing space is available in Number of female graduates fall 2015–summer 2016: Master’s, 5 dormitories, apartments, and married student housing. Student organizations within the program/department: Sculpture Club, Environmental Health and Safety Digital Media Group, Graduate Student Association for Visual Culture, Occupational Safety and Health Administration (OSHA) regulations are Visual Arts Student Alliance; Graduate Studio Art Committee, MFA in place for ventilation and respiratory protection, hazardous chemical Student Association safety (right-to-know), personal protective equipment, machine safety, Formal mode of student participation in academic governance: Graduate hearing protection. Program meets the US Environmental Protection Student Association Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an FACULTY environmental health and safety audit in the past five years. The shop Number of faculty: 29 equipment is serviced by two dust collectors, down-draft tables, fixed Tenured/tenure track: 14 men, 10 women and flexible ventilation hoods, and room exhaust systems. Studios are serviced with mobile air-collection units. Methods used to familiarize Part-time/adjunct lecturers: 2 men, 3 women students and faculty with environmental health and safety include Full-time contractual: 0 men, 0 women required training course, instruction in class, internet or intranet, faculty MR. BRIAN ALFRED, Painting, Assistant Professor, tenure-track, MFA training, shop technician, material safety data sheets (MSDS), MR. JOHN BOWMAN, Painting, Professor, BFA information in student handbook. MR. PAUL CHIDESTER, Painting, Associate Professor, MFA MS. BONNIE COLLURA, Sculpture, Associate Professor, MFA FINANCIAL INFORMATION MS. ANNA DIVINSKY, Visual Studies, Adjunct/Contingent faculty, MFA DR. CHARLES GAROIAN, Performance, Professor, PhD Tuition MS. ROBIN GIBSON, Printmaking, Associate Professor, MFA Full-time student tuition is determined per semester. MS. SHANNON GOFF, Ceramics, Sculpture, Assistant Professor, State residents: $9,982 tenure-track, MFA MR. LONNIE GRAHAM, Photography (Studio), Professor, MFA Out-of-state residents: $17,133 MR. ANDREW HIERONYMI, Digital Media (Studio), Assistant Part-time student tuition is determined per credit. Professor, tenure-track, MFA State residents: $832 MR. TOM LAUERMAN, Sculpture, Assistant Professor, non-tenure, MFA Out-of-state residents: $1,428 MR. JERROLD MADDOX, Digital Media (Studio), Professor, MFA MS. CRISTIN MILLETT, Sculpture, Associate Professor, MFA Financial Aid DR. EDUARDO NAVAS, Digital Media (Studio), Assistant Professor, Types of aid available: Stipend, teaching assistantship. Some grants are non-tenure, PhD available to support research and travel. Tuition and partial stipend MS. HELEN O’LEARY, Painting, Professor, MFA awarded to 14 students in the previous academic year. DR. SIMONE OSTHOFF, Visual Studies, Professor, PhD MR. MADIS PHILAK, Landscape Architecture, Digital Media (Studio), Funds available for graduate student travel: Yes Associate Professor Fellowships MS. ELIZABETH QUACKENBUSH, Ceramics, Professor, MFA MR. CARLOS ROSAS, Digital Media (Studio), Associate Professor, MFA Fellowships are available to students of all levels. MS. LEANNA ROSAS, Digital Media (Studio), Adjunct/Contingent Fellowships awarded: 1 faculty, MFA MR. STEVEN RUBIN, Photography (Studio), Associate Professor, MFA Assistantships MS. JEAN SANDERS, Printmaking, Associate Professor, MFA Assistantships are available to students of all levels. MR. KEITH SHAPIRO, Photography (Studio), Associate Professor, MFA Teaching assistantships applications received: 81 MR. RUDY SHEPHERD, Sculpture, Public Art (Studio), Associate Teaching assistantships awarded: 14 Professor, MFA MS. ANN SHOSTROM, Painting, Associate Professor, MFA Teaching assistantships awarded to women: 9 MS. STEPHANIE SNIDER, Installation (Studio), Associate Professor, Teaching assistantships awarded to minorities: 9 MFA Hours of work required per week: 10 MR. CHRISTOPHER STALEY, Ceramics, Professor, MFA Other benefits: Tuition remission (part or full) MS. ANN TARANTINO, Drawing (Studio), Assistant Professor, non- tenure, MFA

148 Health Insurance Electives: 27 Degree requirements: Written thesis, thesis or artist’s statement, solo Full-time doctoral students, part-time doctoral students, full-time exhibition, critique of thesis work, documentation of thesis work for master’s students, part-time master’s students, full-time certificate program archive, oral defense of work, thesis committee/exhibition jury. students, and part-time certificate students receive health insurance Students are required to attend courses each week and participate in coverage with copayment. analysis and discussion of their work and the work of their peers. In addition, students are expected to attend the Visiting Artist Lecture Series (VALS) and participate in Open Studios. Recommended: Group exhibition, professional practices course PRATT INSTITUTE STUDENTS Number of students in residence: Master’s, 82 Fine Arts Number of male graduates fall 2015–summer 2016: Master’s, 13 Pratt Institute Number of female graduates fall 2015–summer 2016: Master’s, 21 200 Willoughby Ave. Student organizations within the program/department: The Pratt Artists Brooklyn, New York, 11205 League (PAL) is a student-run organization that has a budget to plan Phone: 800-331-0834 programming. In the past, PAL has sponsored Open Studios, curated Fax: 718-636-3670 group shows in New York and Brooklyn, organized studio visits with www.pratt.edu/academics/school-of-art/graduate-school-of- guest critics, and hosted social events for MFA students. art/graduate-fi Formal mode of student participation in academic governance: The Contact: Natalie Capannelli, [email protected] Student Government Association is invested with the responsibility and authority to manage student life and academic affairs, in cooperation Private university; nonprofit corporation with, and responsible to, Pratt Institute. Accredited by: Middle States Commission on Higher Education, National Association of Schools of Art and Design FACULTY Degrees awarded: Master’s degree Number of faculty: 103 Concentrations in: Ceramics, drawing, environmental art, installation, Tenured/tenure track: 7 men, 6 women multidisciplinary, painting, performance, photography, printmaking, Part-time/adjunct lecturers: 29 men, 26 women public art, sculpture Full-time contractual: 23 men, 12 women First graduate degree granted: MFA, 1980 DAVID ALBAN, Ceramics, Assistant Professor, non-tenure, MFA, Centrally located in Brooklyn’s thriving art community, Pratt’s MFA in Cranbrook Academy of Art Fine Arts program immerses students in a culture of contemporary art LISHA BAI, Printmaking, Assistant Professor, non-tenure, MFA, Yale supported by a faculty of working artists and peers. The graduate University curriculum is both rigorous and flexible, allowing wide latitude for LISA BATEMAN, Installation (Studio), Adjunct/Contingent faculty, MFA, interdisciplinary exploration while fostering critical perspectives and a Virginia Commonwealth University deeper understanding of the , issues, and cultural contexts that MICHAEL BRENNAN, Painting, Assistant Professor, non-tenure, MFA, inform artmaking today. Pratt’s MFA degree is in Fine Arts rather than in Pratt Institute a specific discipline. Students build their program of study in DEBORAH BRIGHT, Photography (Studio), Chair, MFA, University of consultation with a faculty mentor and departmental advisers. Graduate Chicago instruction is offered in a wide range of media, including painting and MONA BRODY, Drawing (Studio), Assistant Professor, non-tenure, drawing, printmaking, photography, sculpture, and integrated practices MFA, Vermont College of Fine Arts and new forms (installation, public art, performance). Beyond HOWARD BUCHWALD, Painting, Professor, MA, Hunter College departmental courses, MFA students may choose graduate-level DAVID BUTLER, Sculpture, Adjunct/Contingent faculty, MFA, University electives in any department in Pratt Institute. Concurrent dual degree of Washington programs (MS/MFA) are offered. WILLIAM CARROLL, Contemporary Art, Adjunct/Contingent faculty, MFA, Queens College ADMISSIONS NANETTE CARTER, Drawing (Studio), Adjunct/Contingent faculty, MFA, Deadline for fall: 1/5 Pratt Institute Fall notification date: 4/1 JAMES COSTANZO, Installation (Studio), Adjunct/Contingent faculty, Application fee: $50 MFA, University of Iowa GRAYSON COX, Installation (Studio), Assistant Professor, non-tenure, Applications received 2015–16: 288 MFA, Columbia University Applications accepted 2015–16: 140 PEGGY CYPHERS, Painting, Adjunct/Contingent faculty, MFA, Pratt Students enrolled 2015–16: 32 Institute Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL PRADEEP DALAL, Critical Theory, Assistant Professor, non-tenure, MFA, for foreign students (550), transcript, letters of recommendation, International Center of Photography résumé, statement of interest/personal statement, examples of personal GREGORY DRASLER, Painting, Adjunct/Contingent faculty, MFA, artwork, artist’s statement, in-person or phone interview University of Illinois at Chicago KELLY DRISCOLL, Printmaking, Associate Professor, MFA, City College Recommended: Degree in subject area, campus visit of New York ALLEN FRAME, Photography (Studio), Adjunct/Contingent faculty, BA, CURRICULUM Harvard University Courses LINDA FRANCIS, Drawing (Studio), Adjunct/Contingent faculty, MA, Hunter College Number offered to graduate students each term: 30 MICHAEL FUJITA, Ceramics, Assistant Professor, non-tenure, MFA, Number whose enrollment is limited to graduate students: 23 Alfred University JOSEPH FYFE, Drawing (Studio), Adjunct/Contingent faculty, BFA, Average Class Size University of the Arts In graduate studios: 6–10 students ANNE GILMAN, Printmaking, Adjunct/Contingent faculty, MFA, In graduate seminars: 6–10 students Brooklyn College In graduate lectures: 11–20 students JONATHAN GOODMAN, Contemporary Art, Assistant Professor, non- tenure, MA, University of Pennsylvania Independent study available: Yes NANCY GRIMES, Painting, Adjunct/Contingent faculty, MFA, School of Course of Study the Art Institute of Chicago STEPHEN HILGER, Photography (Studio), Chair, MFA, Columbia Full-time residency requirement: 2 years University Maximum number of years for residency: 3 MARTINE KACZYNSKI, Sculpture, Adjunct/Contingent faculty, MFA, Average number of years for residency: 2 Parsons The New School for Design Typical number of credit hours per term for a full-time student: 15 SHIRLEY KANEDA, Drawing (Studio), Associate Professor, BFA, Parsons The New School for Design Total number of credit hours required for graduation: 60 MICHAEL KIRK, Printmaking, Adjunct/Contingent faculty, MFA, Pratt Total in studio art: 18 Institute Total in art history: 9 VIVIEN KNUSSI, Photography (History), Adjunct/Contingent faculty, Total in graduate seminars: 6 PhD, Columbia University 149 BENJAMIN LAROCCO, Writing, Assistant Professor, non-tenure, MFA, BRAD EWING, Printmaking, Adjunct/Contingent faculty, MFA, Rhode Pratt Institute Island School of Design CATHERINE LECLEIRE, Printmaking, Adjunct/Contingent faculty, MFA, PATRICK FENTON, Printmaking, Assistant Professor, non-tenure, MFA, University of Southern California Stanford University JENNY LEE, Sculpture, Adjunct/Contingent faculty, BFA, DAVID GOTHARD, Painting, Assistant Professor, non-tenure, BFA, Pratt MARC LEPSON, Printmaking, Adjunct/Contingent faculty, MFA, School Institute of the Art Institute of Chicago TONI GREENBAUM, Metals, Adjunct/Contingent faculty, MA, Hunter FRANK LIND, Painting, Professor, MFA, Pratt Institute College PATRICIA MADEJA, Object Design, Associate Professor, BFA, Pratt DAVE HARDY, Painting, Adjunct/Contingent faculty, MFA, Yale Institute University ANN MANDELBAUM, Photography (Studio), Professor, MFA, Pratt VERA ILIATOVA, Painting, Assistant Professor, non-tenure, MFA, Yale Institute University DENNIS MASBACK, Painting, Adjunct/Contingent faculty, MFA, YAEL KANAREK, Digital Media (Studio), Assistant Professor, non- Washington University in St. Louis tenure, MFA, Rensselaer Polytechnic Institute J. MARTIN MAZORRA, Drawing (Studio), Assistant Professor, non- ROSS KNIGHT, Photography (Studio), Assistant Professor, non-tenure, tenure, MFA, American University BFA, University of Minnesota DENNIS MCNETT, Printmaking, Assistant Professor, non-tenure, MFA, PETER KRUTY, Printmaking, Assistant Professor, non-tenure, MA, Pratt Institute University of Alabama NAT MEADE, Painting, joint appointment in Assistant Chair, Professor, JULIA KUNIN, Sculpture, Associate Professor, MFA, Rutgers, The State MFA, Pratt Institute University of New Jersey JENNIFER MELBY, Drawing (Studio), Adjunct/Contingent faculty, MFA, ALEXANDER KVARES, Printmaking, Assistant Professor, non-tenure, Pratt Institute MFA ANNE MESSNER, Performance, Adjunct/Contingent faculty, BFA, Pratt DAVID LANTOW, Printmaking, Adjunct/Contingent faculty, MFA, Institute Brooklyn College CURTIS MITCHELL, Sculpture, Adjunct/Contingent faculty, MFA, Yale OMAR LOPEZ-CHAHOUD, Curatorial Studies, Assistant Professor, non- University tenure, MFA, Yale University JOHN MONTI, Sculpture, Professor, MFA, Pratt Institute JOSH MACPHEE, Printmaking, Assistant Professor, non-tenure, BFA DONNA MORAN, Printmaking, Professor, MFA, Pratt Institute MARY MATTINGLY, Sculpture, Assistant Professor, non-tenure, BFA, ROBERT MORGAN, Contemporary Art, Adjunct/Contingent faculty, Pacific Northwest College of Art PhD, New York University, Institute of Fine Arts SARAH NICHOLLS, Printmaking, Assistant Professor, non-tenure, BA CYRILLA MOZENTER, Sculpture, Adjunct/Contingent faculty, MFA, MAX REINHARDT, Sculpture, Assistant Professor, non-tenure, MFA, Pratt Institute School of the Art Institute of Chicago DOMINIQUE NAHAS, Critical Theory, Adjunct/Contingent faculty, MA, STUART SACHS, Sculpture, Assistant Professor, non-tenure New York University, Institute of Fine Arts BEVERLY SEMMES, Sculpture, Adjunct/Contingent faculty, MFA, Yale MARIO NAVES, Painting, Assistant Professor, non-tenure, MFA, Pratt University Institute LAUREL SPARKS, Painting, Associate Professor, MFA, Bard College ROSS NEHER, Painting, Adjunct/Contingent faculty, MFA, Pratt TIM SPELIOS, Sculpture, Adjunct/Contingent faculty, BFA, University of Institute Illinois at Urbana-Champaign THIRWELL NOLEN, Sculpture, Adjunct/Contingent faculty, MArch, JASON STOPA, Painting, Assistant Professor, non-tenure, MFA, Pratt Georgia Institute of Technology Institute JOHN O’CONNOR, Painting, Assistant Professor, non-tenure, MFA, ANTHONY TAMMARO, Digital Media (Studio), Assistant Professor, Pratt Institute non-tenure, MFA CATHERINE REDMOND, Painting, Adjunct/Contingent faculty, BA, CHRISTOPHER VERSTEGEN, Sculpture, Adjunct/Contingent faculty, Binghamton University, State University of New York MFA, Pratt Institute WILLIAM RICHARDS, Painting, Adjunct/Contingent faculty, MFA, DINA WEISS, Drawing (Studio), Adjunct/Contingent faculty, MFA, University of New Mexico Parsons The New School for Design MARY BETH ROZKEWICZ, Sculpture, Adjunct/Contingent faculty, BFA, BYRON WESTBROOK, Sound, Assistant Professor, non-tenure, MFA, State University of New York at New Paltz Bard College ANALIA SEGAL, Sculpture, Assistant Professor, non-tenure, MA, New RACHEL WIECKING, Drawing (Studio), Assistant Professor, non-tenure, York University, Institute of Fine Arts MFA, Purchase College, State University of New York CARLA SHAPIRO, Photography (Studio), Assistant Professor, non- KATRIN ZIMMERMAN, Metals, Assistant Professor, non-tenure, MA, tenure, BFA, Syracuse University School of Oriental and African Studies, University of London JEAN SHIN, Installation (Studio), Adjunct/Contingent faculty, MS, Pratt Institute GERALD SICILIANO, Sculpture, Adjunct/Contingent faculty, MS, Pratt RESOURCES AND SPECIAL PROGRAMS Institute Private studios are available with unlimited hours. Semiprivate studios ROBBIN SILVERBERG, Drawing (Studio), Adjunct/Contingent faculty, are available with unlimited hours. Students have the opportunity to BA, Princeton University exhibit their work in a gallery associated with the department or JOSEPH SMITH, Painting, Professor, MFA, New York University, institution, local galleries, a graduate thesis exhibition. An academic Institute of Fine Arts computing center is open to all students, equipped with large-format JUDITH SOLODKIN, Printmaking, Adjunct/Contingent faculty, MFA printers, multiple scanner formats, 3-D scanning and printing. Students JOSEPH STAUBER, Printmaking, Assistant Professor, non-tenure, MFA, with authorization may check out video/photography equipment from Purchase College, State University of New York several locations. IRVIN TEPPER, Ceramics, Adjunct/Contingent faculty, MFA, University of Washington Libraries EMILY WEINER, Painting, Assistant Professor, non-tenure, MFA, School Total volumes in library system: >500,000 of Visual Arts CHRISTOPHER WHITE, Painting, Adjunct/Contingent faculty, BA, Art volumes in library system: >100,000 Harvard University Art journals in library system: >300 , Performance, Adjunct/Contingent faculty, MFA Students have library privileges at other institutional libraries. CHRIS WRIGHT, Painting, Adjunct/Contingent faculty, MFA, Pratt Image Resources Institute Total number of images: >250,000 ROBERT ZAKARIAN, Sculpture, Professor, MFA, Pratt Institute Institution and program maintain digital-image collections. Institution Recent Visiting Faculty subscribes to a digital-image library. Students have access to image ADAM APOSTOLOS, Sculpture, Adjunct/Contingent faculty collections. Students have opportunities to view works of art in local KAREN BACHMANN, Sculpture, Assistant Professor, non-tenure, BFA, museums, commercial galleries, private collections, and on funded field Pratt Institute trips. KATHY BUTTERLY, Sculpture, Associate Professor, MFA, University of California, Davis Program Opportunities IAN COFRE, Curatorial Studies, Adjunct/Contingent faculty Additional opportunities for study within the institution: Nine elective DAVID COHEN, General Art History, Adjunct/Contingent faculty, MA, courses (27 credits) are open and students may take courses in any Courtauld Institute of Art program at Pratt Institute, including outside the School of Art and ALEXIA COHEN-TORTOLEDO, Sculpture, Adjunct/Contingent faculty, Design. BFA, Massachusetts College of Art and Design Gallery or museum affiliated with the department: The Brooklyn campus SAMUEL EVENSEN, Painting, Assistant Professor, non-tenure, MFA, has five Fine Arts Department galleries. New York Academy of Art Formal programs: Study abroad, summer work projects. The

150 Department of Fine Arts offers a five-week interdisciplinary course in Rome during May and June for MFA students. Formal relationships with local museums: Pratt students have free PURCHASE COLLEGE, STATE admission to the Whitney Museum of American Art, the Brooklyn Museum, the Frick Collection, the Cooper-Hewitt, National Design UNIVERSITY OF NEW YORK Museum, and the Museum of Arts and Design. MFA students may apply for museum internships. Art and Design Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures School of the Arts Other special programs sponsored by the department: The Graduate Purchase College, State University of New York Symposium is a special curatorial and critical opportunity for students. 735 Anderson Hill Rd. A guest curator selects ten MFA students to exhibit their work to five Purchase, New York, 10577 different guest critics over a period of five weeks. The department Phone: 914-251-6750 sponsors 10–20 lectures per year. Fax: 914-251-6793 www.purchase.edu/departments/academicprograms/arts/artdesign/ Other Campus Resources Contact: Faye Hirsch, [email protected] Employment or career development office: Yes Public college; nonprofit corporation Office/center for international students: Yes Accredited by: Middle States Commission on Higher Education, There is a graduate-student housing office. Housing space is available in National Association of Schools of Art and Design dormitories and apartments. Students from a far distance receive Degrees awarded: Master’s degree priority for housing. In its residence halls, Pratt offers housing preferences, including healthy-choice, global-learning, and gender-blind Concentrations in: Artist’s books, digital media, installation, communities. multidisciplinary, painting, performance, photography, printmaking, sculpture, sound, video Planned campus changes and facility improvements: All MFA students have their own studios, with 24/7 access, and a campus master plan is The Masters in Fine Arts (MFA) program in the Art+Design division of being developed to bring the various studio areas together in one central the School of the Arts at Purchase College, SUNY, is a two-year, location on the Brooklyn campus. interdisciplinary graduate program in studio art. This small and highly selective program, unique in its combination of affordability and access Environmental Health and Safety to a wealth of resources both on campus and in the New York City area, Occupational Safety and Health Administration (OSHA) regulations are fosters the artistic, intellectual, and professional growth of students in place for ventilation and respiratory protection, hazardous chemical through a melding of independent studio work and rigorous academic safety (right-to-know), personal protective equipment, machine safety, studies. Students work closely with members of a vital faculty with active hearing protection. Program meets the US Environmental Protection exhibiting careers, and are encouraged to explore all fields of artistic Agency (EPA) and state regulations for hazardous materials, including production. Students are encouraged to produce a significant body of spill procedures and material disposal. Program has performed an work during their two years, culminating in an MFA exhibition environmental health and safety audit in the past five years. Spray accompanied by a written thesis. Emphasis is on studio practice and booths, dust collection systems, and marked wash-out stations are in critiques, conducted not only by Purchase faculty but a wide spectrum of place throughout the shop areas. Paint solvents are disposed of in visiting artists, writers and curators with national and international special locations. Methods used to familiarize students and faculty with profiles. environmental health and safety include publications, instruction in class, faculty training, health and safety officer (full-time or part-time), ADMISSIONS shop technician, material safety data sheets (MSDS), training videos, Deadline for fall: 2/15 information in student handbook. Fall notification date: 3/15 Application fee: $85 FINANCIAL INFORMATION Applications received 2015–16: 150 Tuition Applications accepted 2015–16: 12 Full-time student tuition is determined per credit. Students enrolled 2015–16: 8 All students: $1,647 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Additional institutional fees: $1,938 students, transcript, letters of recommendation, statement of Part-time student tuition is determined per credit. interest/personal statement, writing sample, examples of personal artwork, artist’s statement, in-person or phone interview Financial Aid Recommended: Campus visit Types of aid available: Tuition aid/remission, guaranteed loan, work- study program. Graduate assistantships are paid opportunities offered CURRICULUM for leadership positions in the department, including specialized training in running shop technologies, assisting faculty in classes, Courses leading the Pratt Artists League (PAL), and assisting with the Visiting Number offered to graduate students each term: 128 Artist Lecture Series (VALS). Number whose enrollment is limited to graduate students: 10 Fellowships Average Class Size Fellowships are available to students of all levels. In graduate studios: 11–15 students Assistantships In graduate seminars: 11–15 students Assistantships are available to students of all levels. In graduate lectures: 11–20 students Other financial support: Scholarship awards are offered at the time of Independent study available: Yes admission. In the spring of the first year, a handful of endowed Course of Study scholarships are awarded to outstanding students for their second year. All first-year students are considered for merit scholarships (average Full-time residency requirement: 2 years award is $3,000–$4,000). All second-year continuing students may apply Maximum number of years for residency: 2 for tuition scholarships (average award is $3,000–$4,000). Average number of years for residency: 2 Health Insurance Typical number of credit hours per term for a full-time student: 16 Full-time master’s students receive health insurance coverage with Total number of credit hours required for graduation: 60 copayment. Health insurance coverage is available to dependents, Total in studio art: 33 spouses, unmarried domestic partners, and same-sex domestic partners Total in art history: 8 of full-time master’s students. Total in graduate seminars: 12 Electives: 5 Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, professional practices course Recommended: Solo exhibition

151 lectures STUDENTS Other special programs sponsored by the department: A three-year joint Number of students in residence: Master’s, 16 MA/MFA program in art history and visual art is available. Students Number of female graduates fall 2015–summer 2016: Master’s, 5 must apply and be accepted to both programs, and can apply to the Formal mode of student participation in academic governance: Students joint program before or during their first year of residency in the MFA have various opportunities for participation in academic governance, (not MA) program. The department sponsors 20–30 lectures per year. including serving on the College Senate and on faculty review committees. Other Campus Resources Students have the opportunity to join a labor union. Employment or career development office: Yes Office/center for international students: Yes FACULTY Housing space is available in dormitories, apartments, and married Number of faculty: 18 student housing. Students from a far distance receive priority for Tenured/tenure track: 5 men, 6 women housing. Part-time/adjunct lecturers: 2 men, 2 women Environmental Health and Safety Full-time contractual: 1 man, 2 women Occupational Safety and Health Administration (OSHA) regulations are MATTHEW BOLLINGER, Painting, Assistant Professor, non-tenure, in place for ventilation and respiratory protection, hazardous chemical MFA, Rhode Island School of Design safety (right-to-know), personal protective equipment, machine safety, NANCY BOWEN, Sculpture, Associate Professor, MFA, Hunter College hearing protection. Program meets the US Environmental Protection STELLA EBNER, Printmaking, Assistant Professor, tenure-track, MFA, Agency (EPA) and state regulations for hazardous materials, including Rhode Island School of Design spill procedures and material disposal. Program has performed an KATHERINE GILMORE, Video (Studio), Associate Professor, MFA, environmental health and safety audit in the past five years. Specialized School of Visual Arts areas are provided for appropriate media use. These areas are treated DR. FAYE HIRSCH, Contemporary Art, Associate Professor, PhD, Yale with appropriate EPA-compliant safety and ventilation, including University separate ventilation, vent hoods, centralized dust collection, and more. SHARON HORVATH, Painting, Associate Professor, MFA, Temple Methods used to familiarize students and faculty with environmental University health and safety include publications, instruction in class, internet or JULIAN KREIMER, Painting, Assistant Professor, tenure-track, MFA, intranet, faculty research, faculty training, health and safety officer (full- Rhode Island School of Design time or part-time), shop technician, material safety data sheets (MSDS), STEVEN LAM, Curatorial Studies, Chair, MFA, University of California, training videos, information in student handbook. Irvine WARREN LEHRER, Artist’s books, Professor, MFA, Yale University FINANCIAL INFORMATION CYNTHIA LIN, Drawing (Studio), Assistant Professor, tenure-track, MFA, University of Iowa Tuition ELIZABETH LIVENSPERGER, Painting, Assistant Professor, non-tenure, Full-time student tuition is determined per year. MFA, Yale University State residents: $10,870 JOSHUA LUTZ, Photography (Studio), Assistant Professor, tenure-track, Out-of-state residents: $22,210 MFA, Bard College RACHEL OWENS, Sculpture, Assistant Professor, non-tenure, MFA, Additional institutional fees: $1,797 School of the Art Institute of Chicago Financial Aid CHRISTOPHER ROBBINS, Sculpture, Associate Professor, MFA, Rhode Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Island School of Design teaching assistantship, work-study program. On-campus hourly STANLEY WOLUKAU WANAMBWA, Photography (Studio), Assistant employment specifically for MFA students is available as well as Professor, non-tenure, MFA, Virginia Commonwealth University stipends for teaching assistantships. Full tuition awarded to 2 students Recent Visiting Faculty in the previous academic year. Partial tuition awarded to 14 students in ESTER PARTEGAS, Object Design, Assistant Professor, non-tenure, the previous academic year. MFA, Universitat de Barcelona SHEILA PEPE, Object Design, Associate Professor, MFA, Tufts Assistantships University Assistantships are available to first-year students and second-year MICHAEL ST. JOHN, Object Design, Adjunct/Contingent faculty, MFA, students. School of Visual Arts Teaching assistantships applications received: 16 Teaching assistantships awarded: 16 Teaching assistantships awarded to women: 10 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to minorities: 4 Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Average amount of award/stipend: $2,500 department or institution, local galleries, a graduate thesis exhibition. Hours of work required per week: 3 Students have exclusive access to 100 Macs with relevant software from Teaching assistantship maximum period of support: 2 years Adobe, Autodesk, and Softimage, as well as many output devices Other benefits: Tuition remission (part or full) including Epson large-format printers, drum scanners, additive rapid prototype (3D) printer, reductive rapid prototype printer, CNC router, Health Insurance and more. Full-time master’s students receive health insurance coverage with copayment. Health insurance coverage is available to dependents, Libraries spouses, unmarried domestic partners, and same-sex domestic partners Total volumes in library system: >500,000 of full-time master’s students. Art volumes in library system: >50,000 Art journals in library system: >400 Students have library privileges at other institutional libraries. Image Resources Total number of images: >250,000 QUEENS COLLEGE Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Studio Art image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Art Department (Klapper 172) galleries, private collections, and on funded field trips. Queens College, City University of New York 65-30 Kissena Blvd. Program Opportunities Flushing, New York, 11367 Additional opportunities for study within the institution: Art History, Phone: 718-997-4800 New Media, Humanities Fax: 718-997-4835 Gallery or museum affiliated with the department: Neuberger Museum www.qc.cuny.edu/academics/degrees/dah/art/Pages/default.aspx of Art Contact: Margaret Smyth, [email protected] Extracurricular opportunities for graduate students: Curate exhibitions, Public college; nonprofit corporation conduct fieldwork, research for catalogues, present public outreach Accredited by: Middle States Commission on Higher Education 152 Degrees awarded: Master’s degree MR. RYAN H. SMITH, Design History, Assistant Professor, tenure-track, Concentrations in: Ceramics, drawing, installation, multidisciplinary, MFA, School of Visual Arts, 2011 painting, photography, sculpture, video KATHRYN WEINSTEIN, Graphic Design, Associate Professor, MFA, San The strength of the Queens College Studio MFA program lies in three Francisco State University key areas: its excellent faculty (see DANNE WOO, Graphic Design, Assistant Professor, tenure-track, MPS, www.qc.cuny.edu/Academics/Degrees/DAH/Art/Pages/FacultyStudioAr New York University, Tisch School of the Arts, 2013 t.aspx), its New York City location, and its superb graduate studios (large, fully private, and with windows). In addition, graduate studies are RESOURCES AND SPECIAL PROGRAMS approached in an open manner by encouraging students to explore new Private studios are available with unlimited hours for all. Students have ideas and media while helping them to strengthen their existing artistic, the opportunity to exhibit their work in a gallery associated with the technical, and intellectual interests. Additionally, Social Practice Queens department or institution, local galleries, a graduate thesis exhibition. (SPQ) is a unique MFA concentration bringing together the resources of Resources include a new Noritsu LPS-24 digital color printer-processor. an academic research institution, Queens College (City University of New York: CUNY), with a long-standing community-based activism of Libraries the Queens Museum. Total volumes in library system: >500,000 Art volumes in library system: >100,000 ADMISSIONS Art journals in library system: >500 Deadline for fall: 3/25 There is a separate art library with >10,000 volumes and >500 journals. Fall notification date: 4/15 Students have library privileges at other institutional libraries. Deadline for spring: 11/15 Image Resources Spring notification date: 12/15 Total number of images: >250,000 Application fee: $125 Institution and program maintain digital-image collections. Program maintains its own slide collection. Institution subscribes to a digital- Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign image library. Students have access to image collections. Students have students, transcript, letters of recommendation, résumé, examples of opportunities to view works of art in local museums and commercial personal artwork galleries. Recommended: Contact the program for additional requirements Program Opportunities CURRICULUM Additional opportunities for study within the institution: The program has a new social-practice component that will be strongly Courses interdisciplinary. Number offered to graduate students each term: 9 Gallery or museum affiliated with the department: Queens Museum of Number whose enrollment is limited to graduate students: 7 Art, Godwin-Ternbach Museum Course of Study Formal relationships with other academic institutions: Students can take Full-time residency requirement: 4 terms graduate courses at all CUNY schools for credit toward their MFA. Formal relationships with local museums: The college is developing a Maximum number of years for residency: 3 unique residency and social-practice component of the MFA program Average number of years for residency: 2 with the Queens Museum of Art, supported by funding from the Typical number of credit hours per term for a full-time student: 12 Rockefeller Foundation. Total number of credit hours required for graduation: 54 Extracurricular opportunities for graduate students: Conduct fieldwork, Total in studio art: 30 research for catalogues, present public outreach lectures. The Total in art history: 6 department sponsors 10–20 lectures per year. Total in graduate seminars: 12 Other Campus Resources Electives: 6 Office/center for international students: Yes Degree requirements: Solo exhibition, critique of thesis work Housing space is available in dormitories. Queens College’s first Recommended: Thesis or artist’s statement residence hall, The Summit, opened in August 2009. Located in the heart of the campus, just south of FitzGerald Gymnasium, the low-rise, STUDENTS U-shaped, 506-bed building has three wings of varying stories to Number of students in residence: Master’s, 21 complement the heights of the surrounding buildings. Number of male graduates fall 2015–summer 2016: Master’s, 4 Environmental Health and Safety Number of female graduates fall 2015–summer 2016: Master’s, 6 Occupational Safety and Health Administration (OSHA) regulations are Student organizations within the program/department: Graduate in place for ventilation and respiratory protection, hazardous chemical students belong to the MFA Club, which is funded by the college and safety (right-to-know), personal protective equipment, machine safety, operates an office. The club organizes guest speakers and related hearing protection. Program meets the US Environmental Protection activities. Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Formal mode of student participation in academic governance: Queens environmental health and safety audit in the past five years. American College is a special place, with a diverse student population and a rich Air Filters are installed in all of the shop areas. Methods used to tradition as a commuter school. With some 100 clubs and familiarize students and faculty with environmental health and safety organizations, student government and leadership programs, media include publications, required training course, instruction in class, organizations and thousands of programs annually, there are many ways faculty research, faculty training, health and safety officer (full-time or to experience Queens College. part-time), shop technician, material safety data sheets (MSDS). FACULTY FINANCIAL INFORMATION Number of faculty: 11 Tenured/tenure track: 8 men, 3 women Tuition Part-time/adjunct lecturers: 0 men, 0 women Full-time student tuition is determined per semester. Full-time contractual: 0 men, 0 women State residents: $5,065 ANDREW DEROSA, Graphic Design, Assistant Professor, tenure-track, Additional institutional fees: $300 MFA, Cranbrook Academy of Art, 2008 GLENN GOLDBERG, Painting, Associate Professor, MFA Financial Aid TONY GONZALEZ, Photography (Studio), Associate Professor, MFA, Types of aid available: Guaranteed loan, work-study program. Financial Yale University aid is available to all Queens College students. SIN-YING HO, Ceramics, Associate Professor, MFA, Louisiana State University KURT KAUPER, Painting, Associate Professor, MFA, University of California, Los Angeles, 1995 TYRONE MITCHELL, Sculpture, Public Art (Studio), Professor DEBRA PRIESTLY, Painting, Drawing (Studio), Professor, MFA, Pratt Institute GREGORY SHOLETTE, Public Art (Studio), Sculpture, Associate Professor, MFA, University of California, San Diego, 1995 153 Management, two art histories, and Research and Thesis are currently required courses. RADFORD UNIVERSITY Recommended: Thesis or artist’s statement Graduate Program in Studio Art STUDENTS Number of students in residence: Master’s, 14 Dept. Chair or Graduate Coordinator, Art Department Radford University Number of male graduates fall 2015–summer 2016: Master’s, 5 Box 6965 Number of female graduates fall 2015–summer 2016: Master’s, 7 Radford, Virginia, 24142 Student organizations within the program/department: The Graduate Phone: 540-831-6001 Art Student Association (GASA) plans art sales, invites guest speakers, Fax: 540-831-6799 and plans and installs exhibitions of graduate work. www.radford.edu/content/cvpa/home/art/programs/mfa.html Formal mode of student participation in academic governance: Graduate Contact: Roann Barris (chair), [email protected] Student Council Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design, FACULTY Southern Association of Colleges and Schools Number of faculty: 20 Degrees awarded: Master’s degree Tenured/tenure track: 7 men, 5 women Concentrations in: Ceramics, drawing, graphic design, illustration, Part-time/adjunct lecturers: 5 men, 3 women metals, painting, photography Full-time contractual: 0 men, 0 women First graduate degree granted: MFA, 1983 DR. STEVE ARBURY, Baroque Art, Arts Administration, Professor, PhD, The MFA degree program is an advanced studio program that enables Rutgers, The State University of New Jersey, 1992 graduates to pursue professional activities as practicing visual artists or DR. ROANN BARRIS, Twentieth-Century Art, Museum Studies, Chair, prepare for entry into college teaching. The degree consists of 60 PhD, University of Illinois at Urbana-Champaign, 1993 semester hours of coursework, a thesis, and an MFA exhibition. DR. RICHARD BAY, Art Education (Studio), Painting, Professor, EdD, Students select an area of concentration and work closely with the Oklahoma State University, 2002 graduate faculty to plan a program of study. Because of the program’s DR. CARLEE BRADBURY, Gothic Art, South Asian Art, Associate small size and flexibility of coursework, students can design individual Professor, PhD, University of Illinois at Urbana-Champaign, 2007 studio coursework and work closely with professional faculty and fellow MR. DREW DODSON, Ceramics, Metals, Associate Professor, MFA, students. The thesis requirement of the MFA program ensures that Edinboro University of Pennsylvania, 1999 students display scholarly as well as technical abilities. Faculty and MS. JAN DOWNS, Foundations, Adjunct/Contingent faculty, MFA students alike come from many parts of the United States as well as MR. ZHENG LIANG FENG, Painting, Drawing (Studio), Professor, MFA, other countries, promoting a global perspective. Radford University, 1989 MS. YUMIKO ICHIKAWA, Drawing (Studio), Adjunct/Contingent faculty, MFA ADMISSIONS MR. JOHN O’CONNOR, Graphic Design, Digital Media (Studio), Deadline for fall: 4/1 Assistant Professor, non-tenure, MS, Radford University, 1986 Fall notification date: 5/15 MS. ALISON PACK, Metals, Associate Professor, MFA, East Tennessee Deadline for spring: 11/1 State University, 2003 Spring notification date: 12/4 DR. ELOISE PHILPOT, Video (Studio), Foundations, Associate Professor, PhD, Mississippi State University Application fee: $50 MR. WILLIAM RATCLIFFE, Photography (Studio), Adjunct/Contingent Part-time students accepted: Yes faculty, MFA, Radford University, 2008 Applications received 2015–16: 11 MR. ANDREW ROSS, Photography (Studio), Assistant Professor, tenure- Applications accepted 2015–16: 8 track, MFA, Florida State University, 2012 DR. HALIDE SALAM, Painting, Professor, PhD, Texas Tech University, Students enrolled 2015–16: 5 1977 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), TOEFL MR. KEN SMITH, Graphic Design, Associate Professor, MFA, University for foreign students (iBT 79-80), transcript, letters of recommendation, of Hartford, 2007 statement of interest/personal statement, examples of personal artwork, MR. PARKER STAFFORD, Glass, Adjunct/Contingent faculty, MFA artist’s statement MR. NICHOLAS UMSTEAD, Painting, Drawing (Studio), Recommended: Degree in subject area, résumé, campus visit, in-person Adjunct/Contingent faculty, MFA or phone interview MR. BRENT WEBB, Drawing (Studio), Assistant Professor, tenure-track, MFA, Maryland Institute College of Art, 2005 CURRICULUM MR. SHAUN WHITESIDE, Foundations, Adjunct/Contingent faculty, MFA, Radford University Courses MS. CHENG FEN YEH, Drawing (Studio), Adjunct/Contingent faculty, Number offered to graduate students each term: 12 MFA, Radford University Number whose enrollment is limited to graduate students: 6 RESOURCES AND SPECIAL PROGRAMS Average Class Size Semiprivate studios are available with unlimited hours for all. Students In graduate studios: 6–10 students have the opportunity to exhibit their work in a gallery associated with the In graduate seminars: 6–10 students department or institution, local galleries, a graduate thesis exhibition. Various computer labs are available on campus and in the art In graduate lectures: 1–10 students department. The department has a large-format printer, scanners, two Independent study available: Yes darkrooms, and some media equipment. Course of Study Libraries Full-time residency requirement: 1 year Total volumes in library system: >500,000 Maximum number of years for residency: 7 Art volumes in library system: >50,000 Average number of years for residency: 3 Art journals in library system: >100 Typical number of credit hours per term for a full-time student: 12 Students have library privileges at other institutional libraries. Total number of credit hours required for graduation: 60 Image Resources Total in studio art: 42 Institution subscribes to a digital-image library. Students have Total in area of concentration: 30 opportunities to view works of art in local museums, commercial Total in art history: 6 galleries, private collections, and on funded field trips. Total in graduate seminars: 3 Program Opportunities Electives: 6 Additional opportunities for study within the institution: Students may Degree requirements: Written thesis, concentration, group exhibition, enroll in courses outside the department, but that might lengthen the individual presentation of thesis work, critique of thesis work, time needed to earn the MFA and could result in higher tuition costs. documentation of thesis work for program archive, oral defense of work, Gallery or museum affiliated with the department: Radford University thesis committee/exhibition jury, professional practices course. Art Museum in the Covington Center; Gallery 205 in Porterfield Hall; RU Instructional Design, Critical Writing and Thinking in Art, Studio Museum Downtown on Main St. 154 Formal programs: Museum training, study abroad, summer work projects. Two- to three-week travel study experiences are offered during summer session and wintermester for 3–6 credit hours. Work-study SAN DIEGO STATE opportunities are available in the museum, yearly and in summers. Extracurricular opportunities for graduate students: Curate exhibitions UNIVERSITY Other special programs sponsored by the department: Visiting exhibitions by artists working in all media are scheduled annually. Studio Art and Design Other Campus Resources School of Art and Design Office/center for international students: Yes San Diego State University - MC 4805 Housing space is available in dormitories and apartments. Most 5500 Campanile Dr. graduate students live off campus; graduate students may serve as San Diego, California, 92182 resident directors of undergraduate dorms. Phone: 619-594-6511 Fax: 619-594-1217 Planned campus changes and facility improvements: The Covington www.sdsu.edu/art Center for the Visual and Performing Arts, which contains modern gallery space, was completed in 2009. A second gallery on Main Street Contact: David Hewitt, [email protected] opened this year. Painting majors use a former gallery as studio space. Public university; nonprofit corporation New studios for photography and graphic design printing are planned. Accredited by: National Association of Schools of Art and Design, Environmental Health and Safety Western Association of Schools and Colleges Occupational Safety and Health Administration (OSHA) regulations are Degrees awarded: Master’s degree in place for ventilation and respiratory protection, hazardous chemical Concentrations in: Ceramics, digital media, environmental art, fiber arts, safety (right-to-know), personal protective equipment, machine safety, graphic design, illustration, installation, interior design, metals, hearing protection. Program meets the US Environmental Protection multidisciplinary, painting, photography, printmaking, sculpture, video, Agency (EPA) and state regulations for hazardous materials, including visual studies spill procedures and material disposal. Program has performed an First graduate degree granted: MA, 1960 environmental health and safety audit in the past five years. There are special ventilation systems with hoods in the jewelry and metalsmithing ADMISSIONS lab. Methods used to familiarize students and faculty with Deadline for fall: 1/15 environmental health and safety include instruction in class, faculty training, health and safety officer (full-time or part-time), material safety Fall notification date: 4/21 data sheets (MSDS). Application fee: $55 Applications received 2015–16: 42 FINANCIAL INFORMATION Applications accepted 2015–16: 16 Tuition Students enrolled 2015–16: 27 Full-time student tuition is determined per semester. Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA, GRE, State residents: $3,934 transcript, letters of recommendation, statement of interest/personal statement, examples of personal artwork, artist’s statement Out-of-state residents: $8,197 Recommended: Degree in subject area, campus visit, in-person or Part-time student tuition is determined per credit hour. phone interview, contact the program for additional requirements State residents: $328 Out-of-state residents: $683 CURRICULUM Financial Aid Average Class Size Types of aid available: Tuition aid/remission, stipend, teaching In graduate studios: 6–10 students assistantship, research assistantship, work-study program. Full and In graduate seminars: 6–10 students parttime graduate assistantships, and graduate teaching fellowships are In graduate lectures: 11–20 students available, as well as a few small scholarships. Almost all students in the program receive at least a part-time assistantship. Part-time students Independent study available: Yes are not eligible. Tuition and full stipend awarded to 5 students in the Course of Study previous academic year. Tuition and partial stipend awarded to 5 students in the previous academic year. No financial assistance awarded Full-time residency requirement: 2 years to 5 students in the previous academic year. Maximum number of years for residency: 3 Funds available for graduate student travel: Yes This program has an online learning component. Fellowships Typical number of credit hours per term for a full-time student: 12 Total number of credit hours required for graduation: 60 Fellowships are available to students of all levels. Total in area of concentration: 30 Fellowships awarded: 1 Total in art history: 9 Fellowship maximum period of support: 2 years Total in graduate seminars: 12 Assistantships Electives: 9 Assistantships are available to students of all levels. Degree requirements: Written thesis, thesis or artist’s statement, Teaching assistantships awarded: 3 concentration, solo exhibition, individual presentation of thesis work, Teaching assistantships awarded to women: 2 critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, Hours of work required per week: 20 professional practices course Teaching assistantship maximum period of support: 2 years Working assistantships awarded: 6 STUDENTS Working assistantships awarded to women: 3 Number of students in residence: Master’s, 26 Working assistantships awarded to minorities: 1 Number of male graduates fall 2015–summer 2016: Master’s, 4 Hours of work required per week: 20 Number of female graduates fall 2015–summer 2016: Master’s, 7 Working assistantship maximum period of support: 2 years Student organizations within the program/department: Student Other benefits: Tuition remission (part or full) organizations include student chapters of AIGA and the American Society of Interior Designers, as well as the Ceramic Arts Association, Other financial support: Students may purchase health insurance the Furniture Student Co-op, the Jewelry Student Co-op, and the Art through a vendor that has a relationship with the university. The History Association. department is allocated the equivalent of 9 full-time graduate assistantships each year, which may be divided to offer awards to more Formal mode of student participation in academic governance: The students. Associated Students Organization is the student government and the interface with faculty. It is involved in student funding activities, among Health Insurance other things. No health insurance coverage is provided for full-time master’s students and part-time master’s students.

155 FACULTY Out-of-state residents: $15,046 Number of faculty: 18 Financial Aid Tenured/tenure track: 8 men, 10 women Types of aid available: Tuition aid/remission, teaching assistantship, Part-time/adjunct lecturers: 0 men, 0 women work-study program. Scholarships are offered to new graduate students. Full-time contractual: 0 men, 0 women Fellowships PROF. CARLOS CASTRO ARIAS, Painting, Assistant Professor, tenure- Fellowships awarded: 5 track, MFA Fellowships awarded to women: 5 DR. JO-ANNE BERELOWITZ, Contemporary Art, Critical Theory, Emerita, PhD Fellowships awarded to minorities: 0 PROF. RICHARD BURKETT, Ceramics, Professor, MFA Assistantships PROF. PATRICIA CUE, Graphic Design, 2-Dimensional Design, Associate Professor, MFA Assistantships are available to students of all levels. PROF. MATTHEW HEBERT, Sculpture, 3-Dimensional Design, Teaching assistantships awarded: 15 Associate Professor, MFA Teaching assistantships awarded to women: 9 PROF. MATTHEW HIGGINS, Interior Design, Assistant Professor, Teaching assistantships awarded to minorities: 5 tenure-track, MA DR. HIROKO JOHNSON, Japanese Art, Emerita, PhD Other financial support: Out-of-state and international students pay the PROF. RICHARD KEELY, Sculpture, Associate Professor, MFA registration fee plus tuition of $372 per unit. Students have a prepaid PROF. SUSAN MERRITT, Graphic Design, Emerita, MFA health fee as part of their tuition that entitles them to basic medical PROF. KOTARO NAKAMURA, Interior Design, Chair, MA services. A supplemental health insurance plan is available for purchase PROF. ARTHUR OLLMAN, Photography (Studio), Emeritus, MFA through the Associated Students Organization. PROF. ARZU OZKAL, Graphic Design, Assistant Professor, tenure-track, MFA PROF. KERIANNE QUICK, Metals, Assistant Professor, tenure-track, MFA PROF. SONDRA SHERMAN, Metals, Associate Professor, MFA SAN FRANCISCO ART PROF. MARK SIPRUT, Digital Media (Studio), Associate Professor, MFA PROF. , Digital Media (Studio), Photography INSTITUTE (Studio), Associate Professor, MFA PROF. EVA STRUBLE, Painting, Assistant Professor, tenure-track, MFA PROF. TINA YAPELLI, Installation (Studio), Professor, MFA Graduate Programs in Studio Art Graduate Programs in Studio Art RESOURCES AND SPECIAL PROGRAMS San Francisco Art Institute Private studios are available with unlimited hours for all. Semiprivate 800 Chestnut St. studios are available with unlimited hours for all. Students have the San Francisco, California, 94133 opportunity to exhibit their work in a gallery associated with the Phone: 415-749-4500 department or institution, local galleries, a graduate thesis exhibition. Fax: 415-749-4592 Libraries sfai.edu/degree-programs/graduate Total volumes in library system: >2,000,000 Contact: Nicole Crescenzi, Senior Associate Director of Graduate Art volumes in library system: >100,000 Admissions, [email protected] Art journals in library system: >100 Private art school; nonprofit corporation Students have library privileges at other institutional libraries. Accredited by: National Association of Schools of Art and Design, Western Association of Schools and Colleges Image Resources Degrees awarded: Master’s degree; Certificate Total number of images: >100,000 Institution maintains its own digital-image collection. Institution Concentrations in: Ceramics, digital media, drawing, film, installation, maintains its own slide collection. Institution subscribes to a digital- multidisciplinary, painting, performance, photography, printmaking, image library. Students have access to image collections. Students have sculpture, video opportunities to view works of art in local museums, commercial First graduate degree granted: MFA, 1959 galleries, and private collections. The Master of Fine Arts program provides an interdisciplinary context for emerging artists to develop their work while engaging the historical, Program Opportunities theoretical, sociopolitical, and creative concerns of the contemporary Gallery or museum affiliated with the department: SDSU Downtown moment. Founded on the principle that critical inquiry and Gallery experimentation are at the forefront of contemporary art-making, the Formal programs: Museum training, study abroad program encourages students to use their own questioning to generate Extracurricular opportunities for graduate students: Curate exhibitions, a sustained and vital creative practice. The program emphasizes the conduct fieldwork. The department sponsors 10–20 lectures per year. integration of both formal and conceptual aspects of production, while incorporating new technologies as tools for innovation. Besides Other Campus Resources maintaining an independent studio practice, students work individually Employment or career development office: Yes with faculty in tutorials; participate in critique seminars; engage with visiting artists and scholars; participate in student-led collaborations, Office/center for international students: Yes collectives, exhibitions, and curatorial initiatives; and take critical studies There is a graduate-student housing office. Housing space is available in and art history seminars. dormitories and apartments. Environmental Health and Safety ADMISSIONS This program has rolling admissions. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Deadline for fall: 1/15 safety (right-to-know), personal protective equipment, machine safety, Deadline for spring: 11/1 hearing protection. Program meets the US Environmental Protection Application fee: $85 Agency (EPA) and state regulations for hazardous materials, including Part-time students accepted: Yes spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods Students enrolled 2015–16: 192 used to familiarize students and faculty with environmental health and Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign safety include instruction in class, internet or intranet, health and safety students (92 IBT), transcript, letters of recommendation, examples of officer (full-time or part-time), shop technician, material safety data personal artwork, artist’s statement sheets (MSDS), information in student handbook. Recommended: Résumé FINANCIAL INFORMATION CURRICULUM Tuition Courses Full-time student tuition is determined per year. Number offered to graduate students each term: 46 State residents: $8,350 Number whose enrollment is limited to graduate students: 46

156 1989 Average Class Size ANTHONY DISCENZA, Video (Studio), Public Art (Studio), In graduate studios: 11–15 students Adjunct/Contingent faculty, MFA, California College of the Arts, 2000 In graduate seminars: 11–15 students ANA TERESA FERNANDEZ, Painting, Adjunct/Contingent faculty, MFA, In graduate lectures: 101–200 students San Francisco Art Institute, 2006 THOMAS GAMBURG, Film, Writing, Adjunct/Contingent faculty, MFA, Independent study available: Yes University of California, Los Angeles, 2014 Course of Study REBECCA GOLDFARB, Multidisciplinary, Adjunct/Contingent faculty, MFA, San Francisco Art Institute, 2004 Full-time residency requirement: 2 years MARIA ELENA GONZALEZ, Sculpture, Installation (Studio), Associate Maximum number of years for residency: 3 Professor, MFA, San Francisco State University, 1983 Average number of years for residency: 2 SHARON GRACE, Video (Studio), Installation (Studio), Associate This program has a low-residency component. Professor, California Institute of the Arts LYNN HERSHMAN LEESON, Film, Installation (Studio), Typical number of courses for a full-time student: 5 Adjunct/Contingent faculty, MA, San Francisco State University, 1968 Total number of courses required for graduation: 20 BRAD KAHLHAMER, Painting, Installation (Studio), Adjunct/Contingent Total in studio art: 13 faculty, BFA, 1982 Total in area of concentration: 0 TONY LABAT, Performance, Video (Studio), Professor, MFA, San Francisco Art Institute, 1980 Total in art history: 3 KERRY LAITALA, Film, Adjunct/Contingent faculty, MFA, San Francisco Total in graduate seminars: 2 Art Institute, 1997 Electives: 2 BOB LINDER, Installation (Studio), Curatorial Studies, Degree requirements: Thesis or artist’s statement, solo exhibition, Adjunct/Contingent faculty, MFA, Stanford University, 2002 individual presentation of thesis work, critique of thesis work, REAGAN LOUIE, Photography (Studio), Professor, MFA, Yale documentation of thesis work for program archive, oral defense of work, University, 1975 thesis committee/exhibition jury. An area of emphasis for the MFA is WHITNEY LYNN, Multidisciplinary, Adjunct/Contingent faculty, MFA, optional, and can be in Art and Technology, Film, New Genres, Painting, San Francisco Art Institute, 2007 Photography, Printmaking, or Sculpture. Course requirements for the ALICIA MCCARTHY, Painting, Adjunct/Contingent faculty, MFA, Low-Residency MFA program vary slightly from the above. Please University of California, Berkeley, 2007 contact SFAI or visit sfai.edu for Post-Bac requirements. FRANCES MCCORMACK, Painting, Associate Professor, MFA, University of California, Berkeley, 1986 Recommended: Professional practices course HELINA METAFERIA, Performance, Installation (Studio), Adjunct/Contingent faculty, MFA, School of the Museum of Fine Arts, STUDENTS Boston, 2015 Number of students in residence: Master’s, 179; Certificate, 13 JILL MILLER, Multidisciplinary, Adjunct/Contingent faculty, MFA, Number of male graduates fall 2015–summer 2016: Master’s, 31; University of California, Los Angeles, 2004 Certificate, 4 JEREMY MORGAN, Painting, Associate Professor, MFA, San Francisco Number of female graduates fall 2015–summer 2016: Master’s, 47; Art Institute, 1985 Certificate, 4 SHAUN O’DELL, Drawing (Studio), Video (Studio), Adjunct/Contingent faculty, MFA, Stanford University, 2004 Student organizations within the program/department: Legion of ASUKA OHSAWA, Printmaking, Assistant Professor, tenure-track, MFA, Graduate Students (LOGS), Swell Gallery School of the Museum of Fine Arts, Boston, 2002 Formal mode of student participation in academic governance: The TERRY POWERS, Painting, Adjunct/Contingent faculty, MFA, Stanford Student Union and Legion of Graduate Students participate in University, 2013 institutional policy-making by acting as a communicative bridge between JOHN PRIOLA, Photography (Studio), Adjunct/Contingent faculty, MFA, the student body and the Board of Trustees, administration, faculty, and San Francisco Art Institute, 1987 various committees. KATHRYN REASONER, Arts Administration, Adjunct/Contingent faculty, MA, Golden Gate University, 1993 FACULTY BRETT REICHMAN, Painting, Associate Professor, MFA, University of Number of faculty: 52 California, Berkeley, 1984 Tenured/tenure track: 10 men, 7 women WILL ROGAN, Photography (Studio), Installation (Studio), Adjunct/Contingent faculty, MFA, University of California, Berkeley, 2006 Part-time/adjunct lecturers: 17 men, 18 women JOHN ROLOFF, Sculpture, Professor, MA, Humboldt State University, Full-time contractual: 0 men, 0 women 1973 RIGO 23, Painting, Public Art (Studio), Adjunct/Contingent faculty, LASSE SCHERFFIG, Digital Media (Studio), Assistant Professor, tenure- MFA, Stanford University, 1997 track, PhD, 2015 ZINA AL-SHUKRI, Drawing (Studio), Painting, Adjunct/Contingent RACHEL SCHREIBER, General Art History, , faculty, MFA, California College of the Arts, 2009 Adjunct/Contingent faculty, PhD, Johns Hopkins University, 2008 SEBASTIAN ALVAREZ, Performance, Adjunct/Contingent faculty, MFA, LAETITIA SONAMI, Installation (Studio), Sound, Adjunct/Contingent School of the Art Institute of Chicago, 2011 faculty, MFA, Mills College, 1980 JOHNNA ARNOLD, Photography (Studio), Adjunct/Contingent faculty, JAVID SORIANO, Film, Adjunct/Contingent faculty, MFA, San Francisco MFA, Mills College, 2005 Art Institute, 2013 EBITENYEFA BARALAYE, Sculpture, Adjunct/Contingent faculty, MFA, JORDAN STEIN, Photography (Studio), Adjunct/Contingent faculty, Cranbrook Academy of Art, 2016 MFA, 2005 BENJAMIN BAUMGARTNER, Printmaking, Adjunct/Contingent faculty, TARAVAT TALEPASAND, Painting, Sculpture, Assistant Professor, MFA, San Francisco Art Institute, 2007 tenure-track, MFA, San Francisco Art Institute, 2006 J.D. BELTRAN, Public Art (Studio), Adjunct/Contingent faculty, MFA, MARK VAN PROYEN, Painting, Contemporary Art, Associate Professor, San Francisco Art Institute, 1998 MFA, San Francisco Art Institute, 1979 ELIZABETH BERNSTEIN, Photography (Studio), Adjunct/Contingent LINDSEY WHITE, Photography (Studio), Assistant Professor, tenure- faculty, MFA, San Francisco Art Institute, 2007 track, MFA, California College of the Arts, 2007 TIMOTHY BERRY, Printmaking, Associate Professor, MFA, University of WANXIN ZHANG, Sculpture, Adjunct/Contingent faculty, MFA, London, 1974 Academy of Art University, 1996 LISA BLATT, Photography (Studio), Installation (Studio), Adjunct/Contingent faculty, MFA, San Francisco Art Institute, 2006 RESOURCES AND SPECIAL PROGRAMS KEITH BOADWEE, Multidisciplinary, Adjunct/Contingent faculty, MFA, Private studios are available with unlimited hours for all. Semiprivate University of California, Berkeley, 2001 studios are available with unlimited hours for all. Students have the MATT BORRUSO, Painting, Adjunct/Contingent faculty, MFA, Yale opportunity to exhibit their work in a gallery associated with the University, 2004 department or institution, local galleries, a graduate thesis exhibition. BRAD BROWN, Painting, Drawing (Studio), Adjunct/Contingent faculty, Resources include a student lounge lab with six computers and three BFA, Virginia Commonwealth University, 1987 scanners; a video lab with four computers; and a digital print lab with ANNE COLVIN, Video (Studio), Adjunct/Contingent faculty, two large-format printers, three computers, and one scanner. Postgraduate Diploma, Goldsmiths, University of London LINDA CONNOR, Photography (Studio), Professor, MS, Illinois Insitute Libraries of Technology, 1969 Total volumes in library system: >500,000 CHRISTOPHER COPPOLA, Film, Associate Professor, BFA, San Francisco Art Institute, 1985 Art volumes in library system: >50,000 DEWEY CRUMPLER, Painting, Associate Professor, MFA, Mills College, Art journals in library system: >200

157 There is a separate art library with >10,000 volumes and >200 journals. Image Resources SAVANNAH COLLEGE OF ART Total number of images: >100,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- AND DESIGN image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Studio Arts galleries, private collections, and on funded field trips. Savannah College of Art and Design Program Opportunities PO Box 2072 Additional opportunities for study within the institution: Students may Savannah, Georgia, 31402 take courses in History and Theory of Contemporary Art, Exhibition and Phone: 800-869-7223 Museum Studies, and Critical Studies. www.scad.edu/academics/programs/ Gallery or museum affiliated with the department: Diego Rivera Gallery, Contact: Jenny Jaquillard, [email protected] Swell Gallery Private art school; nonprofit corporation Extracurricular opportunities for graduate students: Curate exhibitions, Accredited by: Southern Association of Colleges and Schools conduct fieldwork, research for catalogues. The department sponsors Commission on Colleges 10–20 lectures per year. Degrees awarded: Master’s degree Other Campus Resources Concentrations in: Animation, architecture, fashion, fiber arts, graphic Employment or career development office: Yes design, illustration, industrial design, interior design, multidisciplinary, Office/center for international students: Yes painting, photography, printmaking, sculpture, urban planning, visual studies, writing/word art There is a graduate-student housing office. Housing space is available in dormitories. First graduate degree granted: MFA, 1986 The Master of Arts (MA) degree requires a minimum of one year for Environmental Health and Safety completion with at least 45 quarter credit hours. Students enrolled in an Occupational Safety and Health Administration (OSHA) regulations are MA program take graduate-level courses in the selected area, in place for ventilation and respiratory protection, hazardous chemical complemented by historical, analytical, and related studies. The MA safety (right-to-know), personal protective equipment, machine safety, culminates in a written thesis or graduate project such as a portfolio or hearing protection. Program meets the US Environmental Protection group exhibition, presentation, or other creative work accompanied by a Agency (EPA) and state regulations for hazardous materials, including written component. spill procedures and material disposal. Program has performed an The Master of Fine Arts (MFA) degree is recognized as the terminal environmental health and safety audit in the past five years. The SFAI degree for most art and design fields. This degree requires a minimum Graduate Center does not have a ventilation system for the studios. of two years for completion with at least 90 quarter credit hours. There is a ventilation system for the darkroom and dust-collecting units Students enrolled in an MFA program take graduate-level courses in in the woodshop. Methods used to familiarize students and faculty with studio, art history, critical analysis, and related areas. The MFA environmental health and safety include required training course, faculty culminates with a thesis exhibition project, presentation, or other training, shop technician, material safety data sheets (MSDS), publicly presented creative work demonstrating professional-level information in student handbook. competency, accompanied by a written component and reviewed by a thesis committee. FINANCIAL INFORMATION ADMISSIONS Tuition This program has rolling admissions. Full-time student tuition is determined per term. Application fee: $40 All students: $22,120 Part-time students accepted: Yes Additional institutional fees: $435 Applications received 2015–16: 2,616 Part-time student tuition is determined per credit. Applications accepted 2015–16: 1,002 All students: $1,943 Students enrolled 2015–16: 520 Additional institutional fees: $435 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Financial Aid students (iBT 85), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork, Types of aid available: Tuition aid/remission, guaranteed loan, teaching contact the program for additional requirements assistantship, work-study program Recommended: Related internship experience, related professional Fellowships experience, campus visit, in-person or phone interview Fellowships are available to first-year students and second-year students. CURRICULUM Fellowships awarded: 22 Average Class Size Fellowships awarded to women: 17 In graduate studios: 6–10 students Fellowships awarded to minorities: 2 In graduate seminars: 6–10 students Average amount of award/stipend: $30,000 In graduate lectures: 1–10 students Assistantships Independent study available: Yes Assistantships are available to first-year students and second-year Course of Study students. Maximum number of years for residency: 5 Average amount of award/stipend: $2,750 This program has an online learning component. Other benefits: Tuition remission (part or full) Degree requirements: The MA degree is awarded to students who have Other financial support: MFA and MA Fellowships are the highest and completed at least 45 graduate quarter hours (equivalent to 30 semester most prestigious scholarships awarded at the San Francisco Art credit hours). The MFA degree is awarded to students who have earned Institute and a limited number are awarded. Fellowships are awarded for at least 90 graduate quarter hours (equivalent to 60 semester hours). partial tuition for selected students whose portfolio of artwork or writing samples and application to the graduate program are deemed to be of STUDENTS the highest caliber by the Graduate Faculty Review Committee. Federal Number of students in residence: Master’s, 2216 Stafford Loans and Graduate PLUS Loans are available. Number of male graduates fall 2015–summer 2016: Master’s, 185 Health Insurance Number of female graduates fall 2015–summer 2016: Master’s, 354 Full-time master’s students, part-time master’s students, full-time certificate students, and part-time certificate students receive health RESOURCES AND SPECIAL PROGRAMS insurance coverage with copayment. Health insurance coverage is Students have the opportunity to exhibit their work in a gallery available to dependents, spouses, unmarried domestic partners, and associated with the department or institution, local galleries, a graduate same-sex domestic partners of full-time master’s students, part-time thesis exhibition. Students have access to a variety of equipment master’s students, full-time certificate students, and part-time certificate necessary for coursework, including computers, printers, scanners, students. 158 projectors, color plotters, cutters, mill, 3-D modeling, CAD, rapid standards. Scholarships are available to both US citizens and prototyping equipment, CNC router lab, and recording studios. international students. Libraries Health Insurance Total volumes in library system: >500,000 Full-time master’s students receive health insurance coverage with Art volumes in library system: >200,000 copayment. Health insurance coverage is available to dependents and spouses of full-time master’s students. No health insurance coverage is Art journals in library system: >1,000 provided for part-time master’s students. Students have library privileges at other institutional libraries. Image Resources Total number of images: >750,000 Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- SCHOOL OF VISUAL ARTS image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Illustration as Visual Essay Program Opportunities School of Visual Arts Additional opportunities for study within the institution: Students have 209 East 23rd St. the opportunity to work with the Collaborative Learning Center, which New York, New York, 10010 partners with a wide variety of businesses, brands, and organizations to Phone: 212-592-2210 research and solve challenging problems. Students may also enroll in Fax: 212-366-1675 electives outside of their discipline. www.sva.edu Gallery or museum affiliated with the department: The SCAD Museum Contact: Kim Ablondi, [email protected] of Art and 14 different galleries are accessible to students in all Private college departments. Accredited by: Middle States Commission on Higher Education, Formal programs: Study abroad, summer work projects. Students are National Association of Schools of Art and Design able to participate in study-abroad programs in Lacoste, France, and Degrees awarded: Master’s degree Hong Kong. They are also strongly encouraged to complete internships on a credit or non-credit basis. Concentrations in: Animation, artist’s books, digital media, drawing, illustration, painting, printmaking, video, writing/word art Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach First graduate degree granted: MFA, 1984 lectures This program is for figurative artists interested in storytelling. The forms Other special programs sponsored by the department: Students have of storytelling incorporates books, children’s books, animation, toys and access to lectures, workshops, and SCAD signature events, such as the games, graphic novels, comic books, and the fine arts. In the second annual Savannah Film Festival, dFINE ART, SCADstyle, and aTV Fest. year, students work with a thesis adviser who is a recognized They also take part in vibrant worldwide design events, such as professional in their chosen field. This enables students to have direct WantedDesign in New York and Salone Internazionale del Mobile in contact with the professional field while still attending school. The Milan, Italy. The department sponsors 50–60 lectures per year. program’s alumni are recognized leaders in all of the above areas. Personal appointments can be made throughout the year for interested Other Campus Resources applicants. Employment or career development office: Yes Office/center for international students: Yes ADMISSIONS Deadline for fall: 1/15 Housing space is available in dormitories and apartments. The main housing office serves all students, including graduates. No housing is Fall notification date: 4/1 designated exclusively for graduates. Application fee: $80 Environmental Health and Safety Students enrolled 2015–16: 85 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Occupational Safety and Health Administration (OSHA) regulations are students (iBT 100), transcript, letters of recommendation, résumé, in place for ventilation and respiratory protection, hazardous chemical statement of interest/personal statement, writing sample, examples of safety (right-to-know), personal protective equipment, machine safety, personal artwork hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Recommended: Related professional experience, campus visit, in-person spill procedures and material disposal. Program has performed an or phone interview environmental health and safety audit in the past five years. Our wood shops are equipped with dust collection systems that are designed to CURRICULUM pick up the dust from each machine in the shop. Our chemical hazard Courses areas are equipped with engineered hoods that exhaust to the outside. Methods used to familiarize students and faculty with environmental Number offered to graduate students each term: 10 health and safety include publications, required training course, Number whose enrollment is limited to graduate students: 10 instruction in class, faculty training, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), Average Class Size training videos, information in student handbook. In graduate studios: 16–20 students In graduate seminars: 16–20 students FINANCIAL INFORMATION In graduate lectures: 11–20 students Tuition Course of Study Full-time student tuition is determined per course. Full-time residency requirement: 2 years All students: $4,005 Maximum number of years for residency: 4 Part-time student tuition is determined per course. Average number of years for residency: 2 All students: $4,005 Typical number of credit hours per term for a full-time student: 15 Financial Aid Total number of credit hours required for graduation: 60 Types of aid available: Tuition aid/remission, guaranteed loan, work- Total in studio art: 60 study program. Merit-based scholarships. Total in area of concentration: 60 Funds available for graduate student travel: Yes Degree requirements: Thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, Fellowships documentation of thesis work for program archive, oral defense of work, Fellowships are available to students of all levels. thesis committee/exhibition jury, business course, technology course, Assistantships professional practices course Other financial support: The college awards a number of scholarships for entering graduate students. To be eligible for a scholarship, students must be accepted to the college and must meet or exceed admission

159 STUDENTS FINANCIAL INFORMATION Number of students in residence: Master’s, 39 Tuition Formal mode of student participation in academic governance: Graduate and undergraduate students are eligible to run for student government Full-time student tuition is determined per semester. office. All students: $19,600 Additional institutional fees: $600 FACULTY Number of faculty: 11 Financial Aid Types of aid available: Tuition aid/remission, guaranteed loan, work- Tenured/tenure track: 1 man, 0 women study program. Two part-time student employment positions are Part-time/adjunct lecturers: 7 men, 3 women available to second-year students: computer lab technician (half- Full-time contractual: 0 men, 0 women scholarship) and webmaster (quarter-scholarship). Partial tuition MR. , Painting, Printmaking, Chair, BFA awarded to 20 students in the previous academic year. No financial MR. N. C. CHRISTOPHER COUCH, Twentieth-Century Art, assistance awarded to 19 students in the previous academic year. Adjunct/Contingent faculty, PhD MR. GREGORY CRANE, Painting, Adjunct/Contingent faculty, BFA Health Insurance MS. CHRISTINE DONNELLY, Writing, joint appointment in Full-time master’s students receive health insurance coverage with Humanities, Adjunct/Contingent faculty, BA copayment. MS. CAROL FABRICATORE, Drawing (Studio), Adjunct/Contingent faculty, MFA MR. MIRKO ILIC, Graphic Design, Adjunct/Contingent faculty, BA MR. VIKTOR KOEN, Graphic Design, Adjunct/Contingent faculty, MFA MR. MATTHEW RICHMOND, Digital Media (Studio), SCHOOL OF VISUAL ARTS Adjunct/Contingent faculty, BFA MR. DAVID SANDLIN, Painting, Printmaking, Adjunct/Contingent faculty, BFA MFA Fine Arts MR. CARL TITOLO, Painting, Adjunct/Contingent faculty, Advanced Certificate MFA Fine Arts MS. MICHELE ZACKHEIM, Writing, Adjunct/Contingent faculty, BA School of Visual Arts 209 East 23rd St. New York, New York, 10010 RESOURCES AND SPECIAL PROGRAMS Phone: 212-592-2500 Private studios are available with unlimited hours for all. Students have Fax: 212-592-2503 the opportunity to exhibit their work in a gallery associated with the www.sva.edu/graduate/mfa-fine-arts department or institution, a graduate thesis exhibition. Resources include a digital lab with Mac computers, large-format Epson scanners, Contact: JP Forrest, [email protected] Wacom tablets, iPads, and digital cameras. Private college Libraries Accredited by: Middle States Commission on Higher Education, National Association of Schools of Art and Design Total volumes in library system: >500,000 Degrees awarded: Master’s degree Art volumes in library system: >50,000 Concentrations in: Multidisciplinary Art journals in library system: >1,000 First graduate degree granted: MFA, 1985 Students have library privileges at other institutional libraries. The MFA Fine Arts program reflects the diversity of New York’s many art Image Resources worlds. Together, the faculty and students form a community of Institution maintains its own digital-image collection. Institution established and emerging artists from many backgrounds who work maintains its own slide collection. Students have access to image across disciplines and modes of practice. The program respects craft collections. Students have opportunities to view works of art in local and form, but also encourages an approach to art-making in which ideas museums, commercial galleries, private collections, and on funded field or questions serve as points of departure for artistic processes that may trips. lead in unforeseen directions. While some students remain committed to a single medium for the duration of their study, most experiment with Program Opportunities multiple modes of production. In addition to drawing, painting, Additional opportunities for study within the institution: Students may printmaking and sculpture, students may explore animation, digital art, audit one undergraduate course per semester for a total of four audits. installation, performance, photography, public projects, social practice, Gallery or museum affiliated with the department: SVA Galleries video, and numerous other disciplines. Students in the MFA Fine Arts Other special programs sponsored by the department: In the second program have the freedom to reinvent themselves. year, each student is assigned a thesis adviser who is a professional in the field in which the thesis is based. For example, if a student is doing a ADMISSIONS children’s book as a thesis project, the adviser would be an Deadline for fall: 1/15 acknowledged and published children’s book author and illustrator. The Fall notification date: 4/1 department sponsors 10–20 lectures per year. Application fee: $80 Other Campus Resources Students enrolled 2015–16: 128 Employment or career development office: Yes Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Office/center for international students: Yes students (iBT 213), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork, Housing space is available in dormitories and apartments. Housing artist’s statement placement priority is based on the date on which a student submits a housing deposit after being accepted into a program. Recommended: Campus visit Environmental Health and Safety CURRICULUM Occupational Safety and Health Administration (OSHA) regulations are Courses in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Number offered to graduate students each term: 21 hearing protection. Program meets the US Environmental Protection Number whose enrollment is limited to graduate students: 21 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Average Class Size environmental health and safety audit in the past five years. Full In graduate studios: 6–10 students ventilation and air conditioning systems are in place. Methods used to In graduate seminars: 11–15 students familiarize students and faculty with environmental health and safety In graduate lectures: 51–100 students include publications, instruction in class, internet or intranet, health and safety officer (full-time or part-time), material safety data sheets Course of Study (MSDS), information in student handbook. Full-time residency requirement: 2 years Maximum number of years for residency: 2 Average number of years for residency: 2

160 Typical number of credit hours per term for a full-time student: 15 MR. , Printmaking, Adjunct/Contingent faculty, BFA, Total number of credit hours required for graduation: 60 Cornell University MS. LISA SIGAL, Sculpture, Installation (Studio), Adjunct/Contingent Total in studio art: 42 faculty, MFA, Yale University Total in graduate seminars: 12 GARY SIMMONS, Drawing (Studio), Adjunct/Contingent faculty, MFA, Electives: 6 California Institute of the Arts, 1990 Degree requirements: Written thesis, group exhibition, individual MS. AMY SMITH-STEWART, Curatorial Studies, Adjunct/Contingent presentation of thesis work, critique of thesis work, documentation of faculty, MA, University of Manchester thesis work for program archive. Degree candidates must successfully MR. , Painting, Adjunct/Contingent faculty, MFA, San complete 60 credits, including all required courses, with a cumulative Francisco Art Institute grade point average of 3.0 or higher. MS. JULIANNE SWARTZ, Installation (Studio), Sound, Adjunct/Contingent faculty, MA, Center for Curatorial Studies, Bard Recommended: Technology course, professional practices course College MICKALENE THOMAS, Painting, Adjunct/Contingent faculty, MFA, Yale STUDENTS University, 2002 Number of students in residence: Master’s, 65 MR. HAKAN TOPAL, Installation (Studio), Adjunct/Contingent faculty, Number of male graduates fall 2015–summer 2016: Master’s, 7 MFA, Parsons The New School for Design, 2006 Number of female graduates fall 2015–summer 2016: Master’s, 28 MR. MARK TRIBE, Performance, Chair, MFA, University of California, San Diego Formal mode of student participation in academic governance: Graduate MS. SARAH TRIGG, Writing, Photography (Studio), Adjunct/Contingent and undergraduate students are eligible to run for student government faculty, BFA, Cornell University office. MR. FRED WILSON, Sculpture, Installation (Studio), Adjunct/Contingent faculty, BFA, Purchase College, State University of FACULTY New York Number of faculty: 41 Tenured/tenure track: 1 man, 0 women RESOURCES AND SPECIAL PROGRAMS Part-time/adjunct lecturers: 21 men, 19 women Semiprivate studios are available with unlimited hours for all. Students Full-time contractual: 0 men, 0 women have the opportunity to exhibit their work in a gallery associated with the MS. POLLY APFELBAUM, Installation (Studio), Sculpture, department or institution, local galleries, a graduate thesis exhibition. Adjunct/Contingent faculty, BFA, Purchase College, State University of Resources include cameras (Canon 5D Mark III), tripods, light kits, New York audio recorders, projectors, media players, DVD players, flat-screen MS. PERRY BARD, Digital Media (Studio), Installation (Studio), displays, Mac Pro workstations, large-format inkjet printers (Epson 4800 Adjunct/Contingent faculty, MFA, San Francisco Art Institute and 9900), 3D printers, laser cutters, CNC routers, and a digital A.K. BURNS, Sculpture, Adjunct/Contingent faculty, MFA, Bard embroidery machine. Graduate Center, 2009 Libraries MR. JAMES CLARK, Sculpture, Adjunct/Contingent faculty, Kutztown University Total volumes in library system: >500,000 MATTHEW DELEGET, Painting, Adjunct/Contingent faculty, MFA, Pratt Art volumes in library system: >50,000 Institute, 1997 Art journals in library system: >1,000 MEDIA FARZIN, Twentieth-Century Art, Adjunct/Contingent faculty, Students have library privileges at other institutional libraries. MA, Columbia University MR. KENJI FUJITA, Sculpture, Installation (Studio), Adjunct/Contingent Image Resources faculty, MFA, Queens College Total number of images: >100,000 RICO GATSON, Painting, Adjunct/Contingent faculty, MFA, Yale Program maintains its own digital-image collection. Institution University, 1991 subscribes to a digital-image library. Students have opportunities to MS. KATE GILMORE, Video (Studio), Installation (Studio), view works of art in local museums, commercial galleries, and on Adjunct/Contingent faculty, MFA, School of Visual Arts funded field trips. MS. THYRZA NICHOLS GOODEVE, Critical Theory, Writing, Adjunct/Contingent faculty, PhD, University of California, Santa Cruz Program Opportunities MR. JOHAN GRIMONPREZ, Video (Studio), Film, Adjunct/Contingent Additional opportunities for study within the institution: Students may faculty, MFA, School of Visual Arts audit four undergraduate or continuing education courses in any MR. GIANNI JETZER, Curatorial Studies, Writing, Adjunct/Contingent discipline. In special cases, students may take graduate courses in other faculty, MA MFA programs within the institution. MR. KEN LANDAUER, Sculpture, Public Art (Studio), Gallery or museum affiliated with the department: Visual Arts Gallery Adjunct/Contingent faculty, MFA, Rhode Island School of Design Formal relationships with local museums: SVA sponsors student MR. THOMAS LANIGAN-SCHMIDT, Sculpture, Installation (Studio), admission to the Museum of Modern Art, the New Museum, and the Adjunct/Contingent faculty Whitney Museum of American Art in New York City. LEIGH LEDARE, Photography (Studio), Adjunct/Contingent faculty, MFA, Columbia University, 2008 Extracurricular opportunities for graduate students: Curate exhibitions MIGUEL LUCIANO, Public Art (Studio), Adjunct/Contingent faculty, Other special programs sponsored by the department: Exhibitions of MFA, University of Florida, 2000 work by second-year students are held each year at an offsite location in MR. STEPHEN MAINE, Painting, Writing, Adjunct/Contingent faculty, New York City. An Open Studios event is held each semester at the MFA, Vermont College of Fine Arts, 2014 Chelsea studios. A weekly lecture series features international artists, EVA MATTES, Digital Media (Studio), Adjunct/Contingent faculty curators, and art writers. The department sponsors 30–40 lectures per FRANCO MATTES, Digital Media (Studio), Adjunct/Contingent faculty year. MS. SUZANNE MCCLELLAND, Painting, Printmaking, Adjunct/Contingent faculty, MFA, School of Visual Arts Other Campus Resources DAVE MCKENZIE, Performance, Adjunct/Contingent faculty, BFA Employment or career development office: Yes MS. MARILYN MINTER, Painting, Photography (Studio), Office/center for international students: Yes Adjunct/Contingent faculty, MFA, Syracuse University Housing space is available in dormitories and apartments. Housing EVE MOSHER, Public Art (Studio), Adjunct/Contingent faculty, MFA, placement priority is based on the date on which a student submits a Pratt Institute housing deposit after being accepted into a program. SERGIO MUÑOZ SARMIENTO, Performance, Adjunct/Contingent faculty, MFA, California Institute of the Arts, 1997 Planned campus changes and facility improvements: SVA completed a MS. LAUREL NAKADATE, Video (Studio), Film, Adjunct/Contingent major renovation of the MFA Fine Arts facilities in 2013, including faculty, MFA, Yale University studios, offices, and wood shop. A second-stage renovation—to create a ANGEL NEVAREZ, Performance, Adjunct/Contingent faculty digital imaging lab and a flexible space for seminars, critiques, MS. JUDITH PAGE, Painting, Installation (Studio), Adjunct/Contingent performances, and exhibitions— was completed during the summer of faculty 2014. MS. ALIX PEARLSTEIN, Video (Studio), Performance, Environmental Health and Safety Adjunct/Contingent faculty, MFA, Purchase College, State University of Occupational Safety and Health Administration (OSHA) regulations are New York in place for ventilation and respiratory protection, hazardous chemical MR. DAVID ROW, Painting, Adjunct/Contingent faculty, MFA, Yale safety (right-to-know), personal protective equipment, machine safety, University hearing protection. Program meets the US Environmental Protection MS. ELIZABETH SCHAMBELAN, Writing, Adjunct/Contingent faculty, Agency (EPA) and state regulations for hazardous materials, including MFA, Parsons The New School for Design spill procedures and material disposal. Program has performed an

161 environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and Average Class Size safety include required training course, health and safety officer (full- In graduate studios: 6–10 students time or part-time), shop technician, material safety data sheets (MSDS), In graduate seminars: 21+ students information in student handbook. In graduate lectures: 11–20 students FINANCIAL INFORMATION Independent study available: Yes Tuition Course of Study Full-time student tuition is determined per semester. Full-time residency requirement: 2 years All students: $19,600 Maximum number of years for residency: 4 Average number of years for residency: 2 Financial Aid Typical number of credit hours per term for a full-time student: 15 Types of aid available: Tuition aid/remission, guaranteed loan, work- Total number of credit hours required for graduation: 60 study program. Full tuition awarded to 3 students in the previous academic year. Partial tuition awarded to 20 students in the previous Total in studio art: 30 academic year. No financial assistance awarded to 38 students in the Total in area of concentration: 12 previous academic year. Total in art history: 6 Assistantships Total in graduate seminars: 0 Assistantships are available to first-year students and second-year Electives: 12 students. Degree requirements: Written thesis, thesis or artist’s statement, individual presentation of thesis work, critique of thesis work, Other benefits: Tuition remission (part or full), supplies allowance documentation of thesis work for program archive, thesis Health Insurance committee/exhibition jury, technology course. A body of creative work Full-time master’s students receive health insurance coverage with and 12 credit-hours in computer sciences and programming are copayment. required. Recommended: Group exhibition, oral defense of work STUDENTS Number of students in residence: Master’s, 86 SCHOOL OF VISUAL ARTS Number of male graduates fall 2015–summer 2016: Master’s, 33 Number of female graduates fall 2015–summer 2016: Master’s, 55 Computer Art Formal mode of student participation in academic governance: Graduate and undergraduate students are eligible to run for student government School of Visual Arts office. 209 East 23rd St. New York, New York, New York, 10010 FACULTY Phone: 212-592-2778 Number of faculty: 42 Fax: 212-592-2509 Tenured/tenure track: 1 man, 0 women http://mfaca.sva.edu/ Part-time/adjunct lecturers: 32 men, 9 women Contact: Hsiang Chin Moe, [email protected] Full-time contractual: 0 men, 0 women Private college BENTON C BAINBRIDGE, Video (Studio), Adjunct/Contingent faculty Accredited by: Middle States Commission on Higher Education, JOSH BALIK, Digital Media (Studio), Adjunct/Contingent faculty National Association of Schools of Art and Design ANNEY BONNEY, Animation (History), Adjunct/Contingent faculty Degrees awarded: Master’s degree ROBERT BOWEN, 2-Dimensional Design, Adjunct/Contingent faculty Concentrations in: Animation, digital media, installation, video KATHY BREW, Contemporary Art, Adjunct/Contingent faculty TODD BROUS, Digital Media (Studio), Adjunct/Contingent faculty First graduate degree granted: MFA, 1988 JEFF CALL, Animation (Studio), Adjunct/Contingent faculty Established in 1986, the MFA Computer Art department was the first JONY CHANDRA, Animation (Studio), Adjunct/Contingent faculty graduate program in the United States to focus on art making with DARIOUS DAFTARY, Digital Media (Studio), Adjunct/Contingent faculty computers and other technological advancements. We are continuously TERRY DAME, Sound, Adjunct/Contingent faculty redefining ourselves through creative experimentation, and the ANDY DECK, Contemporary Art, Adjunct/Contingent faculty discovery of new uses for today’s technology. We are dedicated to MITCH DEOUDES, Animation (Studio), Adjunct/Contingent faculty producing digital artists of the highest caliber. This is accomplished MICHAEL VINCENT DOW, Animation (History), Adjunct/Contingent through a progressive curriculum; a faculty comprised of well-known faculty industry professionals, artists, curators and art historians; the most CARL EDWARDS, Animation (Studio), Adjunct/Contingent faculty advanced digital studio in SVA’s graduate school and in New York City. ILAN GABAI, Animation (Studio), Adjunct/Contingent faculty Students follow a broad curriculum, including studio, art history and THYRZA NICHOLS GOODEVE, Writing, Adjunct/Contingent faculty programming classes. Each student’s course of study is individually EDGAR GRANA, Sound, Adjunct/Contingent faculty tailored from over forty class offerings per semester. While IN PYO HONG, Animation (Studio), Adjunct/Contingent faculty multidisciplinary in nature, areas of specialization include animation, JEANNIE KANG, Digital Media (Studio), Adjunct/Contingent faculty motion graphics, and fine art. Graduates of the program have been JOSH KLINE, Video (History), Adjunct/Contingent faculty recognized with eight . RUSSET LEDERMAN, Contemporary Art, Adjunct/Contingent faculty GERALD MARKS, Digital Media (Studio), Adjunct/Contingent faculty ADMISSIONS DAVID B MATTINGLY, Animation (Studio), Adjunct/Contingent faculty Deadline for fall: 1/15 JUSTIN MAYNARD, Animation (Studio), Adjunct/Contingent faculty Fall notification date: 4/1 ADAM MEYERS, Animation (Studio), Adjunct/Contingent faculty NIK MIKROS, Digital Media (Studio), Adjunct/Contingent faculty Application fee: $80 HSIANG CHIN MOE, Video (Studio), Adjunct/Contingent faculty Students enrolled 2015–16: 191 LUIS NAVARRO, Installation (Studio), Adjunct/Contingent faculty Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign ALEX NOYES, Sound, Adjunct/Contingent faculty students (iBT 79), transcript, letters of recommendation, résumé, STEVE RITTLER, Animation (Studio), Adjunct/Contingent faculty statement of interest/personal statement, examples of personal artwork, FEDERICO MUELAS ROMERO, Installation (Studio), artist’s statement Adjunct/Contingent faculty Recommended: Degree in subject area, GPA (3.0) GEORGE SCHERMER, Animation (Studio), Adjunct/Contingent faculty TRILBY SCHREIBER, Digital Media (History), Adjunct/Contingent faculty CURRICULUM RICH SHUPE, Digital Media (Studio), Adjunct/Contingent faculty Courses AMRESH SINHA, Film (History), Adjunct/Contingent faculty Number offered to graduate students each term: 40 THOMAS SMITH, Digital Media (Studio), Adjunct/Contingent faculty RORY SOLOMON, Contemporary Art, Adjunct/Contingent faculty Number whose enrollment is limited to graduate students: 40 HANS TAMMEN, Installation (Studio), Adjunct/Contingent faculty JOSE VARGAS, 3-Dimensional Design, Adjunct/Contingent faculty PAUL VILLACIS, Animation (Studio), Adjunct/Contingent faculty 162 BRUCE WANDS, Animation (Studio), Chair ADA WHITNEY, Animation (Studio), Adjunct/Contingent faculty SCHOOL OF VISUAL ARTS RESOURCES AND SPECIAL PROGRAMS Semiprivate studios are available with unlimited hours for all. Students MFA Visual Narrative have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. SVA 209 East 23rd St. Libraries New York, New York, 10010 Total volumes in library system: >500,000 Phone: 212-592-2388 Art volumes in library system: >50,000 Fax: 212-592-2391 www.sva.edu/graduate/mfa-visual-narrative Art journals in library system: >1,000 Students have library privileges at other institutional libraries. Contact: Nathan Fox, [email protected] Image Resources Private college Total number of images: >100,000 Accredited by: Middle States Commission on Higher Education, Program maintains its own digital-image collection. Program maintains National Association of Schools of Art and Design its own slide collection. Institution subscribes to a digital-image library. Degrees awarded: Master’s degree Students have access to image collections. Students have opportunities Concentrations in: Animation, digital media, drawing, film, graphic to view works of art in local museums, commercial galleries, and on design, illustration, multidisciplinary, painting, photography, funded field trips. printmaking, sculpture, video, visual studies, writing/word art Program Opportunities First graduate degree granted: MFA, 2015 Extracurricular opportunities for graduate students: Curate exhibitions. The MFA in Visual Narrative at the School of Visual Arts is a The department sponsors 20–30 lectures per year. groundbreaking approach to visual storytelling. Composed of three eight-week summer sessions in New York City and two academic years Other Campus Resources online, this low-residency graduate program places equal emphasis on Employment or career development office: Yes creative writing and visual expression. Chaired by editorial illustrator and comic book artist Nathan Fox, the program is designed for working Office/center for international students: Yes professionals and students from all creative disciplines who are Housing space is available in dormitories and apartments. Housing dedicated to the art and craft of visual storytelling as both author and placement priority is based on the date on which a student submits a artist. housing deposit after being accepted into a program. Environmental Health and Safety ADMISSIONS This program has rolling admissions. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Deadline for fall: 5/20 safety (right-to-know), personal protective equipment, machine safety, Application fee: $90 hearing protection. Program meets the US Environmental Protection Students enrolled 2015–16: 62 Agency (EPA) and state regulations for hazardous materials, including Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign spill procedures and material disposal. Program has performed an students (iBT 100), transcript, letters of recommendation, résumé, environmental health and safety audit in the past five years. Methods statement of interest/personal statement, writing sample, examples of used to familiarize students and faculty with environmental health and personal artwork, artist’s statement, in-person or phone interview, safety include publications, required training course, instruction in class, contact the program for additional requirements faculty training, health and safety officer (full-time or part-time), information in student handbook. CURRICULUM FINANCIAL INFORMATION Courses Tuition Number offered to graduate students each term: 4 Full-time student tuition is determined per semester. Number whose enrollment is limited to graduate students: 4 All students: $19,600 Average Class Size Additional institutional fees: $1,500 In graduate studios: 16–20 students Financial Aid In graduate seminars: 16–20 students Types of aid available: Tuition aid/remission, stipend, work-study In graduate lectures: 11–20 students program. Lab assistantships with partial tuition reimbursement are Course of Study available. Tuition and partial stipend awarded to 15 students in the previous academic year. Full-time residency requirement: 3 terms Maximum number of years for residency: 3 Assistantships Average number of years for residency: 3 Assistantships are available to first-year students and second-year This program has an online-learning component and a low-residency students. component. Working assistantships applications received: 10 Typical number of credit hours per term for a full-time student: 60 Working assistantships awarded: 5 Total number of credit hours required for graduation: 60 Working assistantships awarded to women: 2 Total in studio art: 30 Working assistantships awarded to minorities: 3 Total in area of concentration: 18 Average amount of award/stipend: $9395 Total in art history: 3 Hours of work required per week: 20 Total in graduate seminars: 9 Working assistantship maximum period of support: 1 year Degree requirements: Thesis or artist’s statement, group exhibition, Other benefits: Tuition remission (part or full), supplies allowance individual presentation of thesis work, critique of thesis work, thesis Other financial support: Thesis production grants and academic committee/exhibition jury, professional practices course scholarships are available. STUDENTS Health Insurance Number of students in residence: Master’s, 17 Full-time master’s students and part-time master’s students receive Number of male graduates fall 2015–summer 2016: Master’s, 6 health insurance coverage with copayment. Number of female graduates fall 2015–summer 2016: Master’s, 8 Formal mode of student participation in academic governance: Graduate and undergraduate students are eligible to run for student government office.

163 Planned campus changes and facility improvements: Program space FACULTY pops up for the eight-week low-residency program each June and July. Number of faculty: 19 Tenured/tenure track: 1 man, 0 women Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Part-time/adjunct lecturers: 14 men, 4 women in place for ventilation and respiratory protection, hazardous chemical Full-time contractual: 0 men, 0 women safety (right-to-know), personal protective equipment, machine safety, MS. RACHEL ABRAMS, Digital Media (Studio), Adjunct/Contingent hearing protection. Program meets the US Environmental Protection faculty, MA, Royal College of Art, 2000 Agency (EPA) and state regulations for hazardous materials, including MS. ERIC BAKER, Design History, Adjunct/Contingent faculty, Other, spill procedures and material disposal. Program has performed an Academy of Art University, 2014 environmental health and safety audit in the past five years. All chemical MS. JENNIFER DANIEL, 2-Dimensional Design, Adjunct/Contingent handling areas and lab equipment are provided with site-specific faculty, BFA, Maryland Institute College of Art, 2004 exhaust hoods and systems. Where appropriate, fume hoods and fume MS. ALICIA DESANTIS, 2-Dimensional Design, Adjunct/Contingent enclosures are installed and maintained. Painting and general art faculty, PhD, Columbia University, 2013 studios are equipped with standard-comfort-level ventilation, and MR. NATHAN FOX, Drawing (Studio), Chair, MFA, School of Visual exhaust vents for painting studios. All painting studios are also Arts, 2002 equipped with self-contained brush-washing stations to eliminate the MR. EDWARD HEMINGWAY, Drawing (Studio), Writing, use of excess painting solvents. Methods used to familiarize students Adjunct/Contingent faculty, MFA, School of Visual Arts, 2002 and faculty with environmental health and safety include publications, MR. BILL KARTALOPOULOS, Visual Studies, Curatorial Studies, required training course, instruction in class, health and safety officer Adjunct/Contingent faculty, MA, Parsons The New School for Design, (full-time or part-time), shop technician, material safety data sheets 2013 (MSDS), information in student handbook. Posters and publications are MR. ROSS MACDONALD, 3-Dimensional Design, Drawing (Studio), also utilized. Adjunct/Contingent faculty, Other MR. LEONARD MARCUS, Drawing (History), Writing, FINANCIAL INFORMATION Adjunct/Contingent faculty, BA, Yale University, 1972 MR. BEN MARRA, Drawing (Studio), Writing, Adjunct/Contingent Tuition faculty, MFA, 2003 Full-time student tuition is determined per semester. MS. STACY RENEE MORRISON, Photography (History), All students: $15,720 Adjunct/Contingent faculty, MA, New York University, Institute of Fine Arts, 2001 Additional institutional fees: $250 MR. JEFF ROGERS, 2-Dimensional Design, Adjunct/Contingent faculty, Part-time student tuition is determined per semester. BFA, 2002 All students: $7,860 MR. JONATHON ROSEN, 2-Dimensional Design, Animation (Studio), Adjunct/Contingent faculty, Other Financial Aid MR. LEE ROSEN, Film (History), Adjunct/Contingent faculty, MFA, New Types of aid available: Work-study program. Merit-based scholarships York University, Tisch School of the Arts, 2008 for incoming and second-year continuing students are available: $25,000 MR. MATTHEW ROTA, Drawing (Studio), Adjunct/Contingent faculty, per year for a total of $50,000 across the whole student body. Partial MFA, School of Visual Arts, 2008 tuition awarded to 11 students in the previous academic year. No MR. JIM RUGG, Drawing (Studio), 2-Dimensional Design, financial assistance awarded to 11 students in the previous academic Adjunct/Contingent faculty, BFA, Indiana University of Pennsylvania, year. 1999 MR. MARK SABLE, Writing, Adjunct/Contingent faculty, MFA, New York Fellowships University, Tisch School of the Arts, 1999 Fellowships applications received last year: 0 MR. ED VALENTINE, Writing, Adjunct/Contingent faculty, MFA, New York University, Tisch School of the Arts, 2007 Assistantships MR. BEN ZACKHEIM, Non-Artist/Non-Art Historian, Teaching assistantships applications received: 0 Adjunct/Contingent faculty, BFA, New York University, Tisch School of Working assistantships applications received: 0 the Arts, 1991 Other benefits: Tuition remission (part or full) RESOURCES AND SPECIAL PROGRAMS Health Insurance Semiprivate studios are available with unlimited hours for all. Students Full-time master’s students and part-time master’s students receive have the opportunity to exhibit their work in a gallery associated with the health insurance coverage with copayment. department or institution, a graduate thesis exhibition. During residency periods, Cintiqs, scanners, printers. Digital Imaging Center on campus also accessible. Other campus media resources are available on request. Libraries Total volumes in library system: >500,000 SOUTHERN ILLINOIS Art volumes in library system: >50,000 Art journals in library system: >1,000 UNIVERSITY CARBONDALE Students have library privileges at other institutional libraries. Image Resources School of Art and Design Total number of images: >500,000 Southern Illinois University Carbondale Institution maintains its own digital-image collection. Institution School of Art and Design maintains its own slide collection. Institution subscribes to a digital- 1100 S. Normal Ave., MC 4301 image library. Students have access to image collections. Students have Carbondale, Illinois, 62901 opportunities to view works of art in local museums, commercial Phone: 618-453-4313 galleries, and on funded field trips. Fax: 618-453-7710 Program Opportunities cola.siu.edu/artanddesign/ Additional opportunities for study within the institution: Students may Contact: Jerry Monteith, [email protected] or [email protected] audit one SVA class per semester at no cost. Public university; nonprofit corporation Other special programs sponsored by the department: Associations with Accredited by: National Association of Schools of Art and Design Visualized Conference, NYCC, Future of Storytelling, Spectrum, Adobe, Degrees awarded: Master’s degree and memberships with AIGA and the Society of Illustrators. The Concentrations in: 2-dimensional design, 3-dimensional design, department sponsors 1–4 lectures per year. ceramics, drawing, glass, graphic design, metals, painting, printmaking, Other Campus Resources sculpture Employment or career development office: Yes First graduate degree granted: MFA, 1952 Office/center for international students: Yes In all of its graduate studio programs, the School of Art and Design strives to maintain a vital, creative environment in which emerging Housing space is available in dormitories and apartments. Housing artists with strong motivation may develop—through intensive studio placement priority is based on the date on which a student submits a practice and appropriate scholarly support—a clear, mature, and housing deposit after being accepted into a program. professional focus to their creative life. The core of any program is the

164 in-depth studio practice of the specific discipline and frequent and University of British Columbia, 2008 sustained contact with working professional faculty and peers. This work BILL BOYSEN, Glass, Emeritus, MFA, University of Wisconsin-Madison, is supported and extended through formal studio coursework, studies in 1966 art history, and access to the many resources and opportunities LARRY BRIGGS, 2-Dimensional Design, Emeritus, BFA, University of available at a large liberal arts university. Oklahoma, 1956 JEREMY BROOKS, Ceramics, Adjunct/Contingent faculty, MFA, Alfred ADMISSIONS University, 2007 Deadline for fall: 2/15 PROF. MARIE BUKOWSKI, Printmaking, Painting, Chair, MFA, University of Pennsylvania, 2000 Fall notification date: 4/15 LARRY BUSCH, Industrial Design, Emeritus, MS, Southern Illinois Application fee: $65 University Carbondale, 1970 Part-time students accepted: Yes PATRICIA CHALMERS, Ceramics, Associate Professor, MFA, University Applications received 2015–16: 47 of Minnesota, 2001 SANDRA CHARLSON, Native American Art, Pre-Columbian Art, Applications accepted 2015–16: 12 Emerita, MA, University of Iowa, 1988 Students enrolled 2015–16: 42 HARRIS DELLER, Ceramics, Emeritus, MFA, Cranbrook Academy of Art, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.7), TOEFL 1973 for foreign students (PBT 550), transcript, letters of recommendation, HALEY FARTHING, Drawing (Studio), Adjunct/Contingent faculty, MFA résumé, statement of interest/personal statement, examples of personal JOEL B. FELDMAN, Printmaking, Emeritus, MFA, Indiana University, artwork, artist’s statement, campus visit, in-person or phone interview 1967 Recommended: Degree in subject area, GRE LAUREL FREDERICKSON, General Art History, Assistant Professor, non-tenure, PhD, Duke University, 2007 CURRICULUM KATHLEEN FRYE, Art Education, Adjunct/Contingent faculty, MFA, Colorado State University, 1995 Courses SALLY A. GRADLE, Art Education (Studio), Emerita, EdD, University of Number offered to graduate students each term: 28 Illinois at Urbana-Champaign, 2004 SYLVIA GREENFIELD, Painting, Emerita, MFA, University of Colorado Number whose enrollment is limited to graduate students: 10 Boulder, 1967 Average Class Size TAO HUANG, 2-Dimensional Design, 3-Dimensional Design, Assistant Professor, tenure-track, MFA, Guangzhou Academy of Fine Arts, 2002 In graduate studios: 6–10 students TRAVIS JANSSEN, Printmaking, Assistant Professor, non-tenure, MFA, In graduate seminars: 6–10 students University of Arizona, 2007 Independent study available: Yes CHEONAE KIM, Painting, Drawing (Studio), Emerita, MFA, Southern Illinois University Carbondale, 1986 Course of Study SUN KYOUNG KIM, Metals, Associate Professor, MFA, 2008 Full-time residency requirement: 3 years L. BRENT KINGTON, Metals, Emeritus, MFA, Cranbrook Academy of Maximum number of years for residency: 3 Art, 1961 JIYONG LEE, Glass, Associate Professor, MFA, Rochester Institute of Average number of years for residency: 3 Technology, 2001 This program has an online learning component. JOAN LINTAULT, Fiber Arts, Emerita, MFA, Southern Illinois University Typical number of credit hours per term for a full-time student: 9 Carbondale, 1962 Total number of credit hours required for graduation: 60 ALEX LOPEZ, Sculpture, Installation (Studio), Associate Professor, MFA, Alfred University, 1998 Total in studio art: 48 ROBERT LOPEZ, Industrial Design, Associate Professor, MFA, Total in area of concentration: 26 University of Illinois at Urbana-Champaign, 2000 Total in art history: 12 GEORGE J. MAVIGLIANO, General Art History, Emeritus, MA, Northern Total in graduate seminars: 6 Illinois University, 1967 RICHARD MAWDSLEY, Metals, Emeritus, MFA, University of Kansas, Electives: 16 1969 Degree requirements: Thesis or artist’s statement, concentration, solo JERRY C. MONTEITH, Sculpture, Public Art, Professor, MFA, Cranbrook exhibition, individual presentation of thesis work, critique of thesis work, Academy of Art, 1978 documentation of thesis work for program archive, oral defense of work, JO NAST, Museum Studies, Native American Art, MA, Southern Illinois thesis committee/exhibition jury University Carbondale, 1976 CAREY NETHERTON, Sculpture, Adjunct/Contingent faculty, MFA, STUDENTS Southern Illinois University Carbondale, 2008 Number of students in residence: Master’s, 42 MICHAEL ONKEN, Painting, Drawing (Studio), Emeritus, MA, Northern Number of male graduates fall 2015–summer 2016: Master’s, 7 Illinois University, 1966 ERIN PALMER, Painting, Drawing (Studio), Associate Professor, MFA, Number of female graduates fall 2015–summer 2016: Master’s, 7 Yale University, 1993 Student organizations within the program/department: Registered ROBERT L. PAULSON, Painting, Emeritus, MFA, University of student organizations in glass, sculpture, ceramics, metals, painting, Wisconsin-Madison, 1967 and printmaking are available. All sponsor special exhibitions, MARK PEASE, Digital Media (Studio), Associate Professor, MFA, workshops, and events. University of Pennsylvania, 2003 Formal mode of student participation in academic governance: Graduate ANGELA REINOEHL, Critical Theory, Performance Studies, students may be involved in the Graduate and Professional Student Adjunct/Contingent faculty, MA, School of the Art Institute of Chicago, Council and Graduate Assistants United. 2001 Students have the opportunity to join a labor union. CYNTHIA ROTH, Graphic Design, Adjunct/Contingent faculty, MFA, Southern Illinois University Carbondale, 1997 FACULTY NADINE SAYLOR, Glass, Adjunct/Contingent faculty, MFA, Alfred University, 2007 Tenured/tenure track: 0 men, 0 women AARON SCOTT, Industrial Design, Associate Professor, MFA, Purdue Part-time/adjunct lecturers: 0 men, 0 women University, 2008 Full-time contractual: 0 men, 0 women XUHONG SHANG, Painting, Drawing (Studio), Professor, MFA, Temple NAJJAR ABDUL-MUSAWWIR, Painting, African Art (sub-Saharan), University, 1992 Professor, MFA, Southern Illinois University Carbondale, 1997 ED SHAY, Painting, Drawing (Studio), Emeritus, MFA, University of ROY ABRAHAMSON, Art Education (Studio), Emeritus, EdD, Columbia Illinois at Urbana-Champaign, 1971 University, 1965 STACEY SLOBODA, Eighteenth-Century Art, Nineteenth-Century Art, ALDON ADDINGTON, Sculpture, Emeritus, MFA, Cranbrook Academy Associate Professor, PhD, University of Southern California, 2004 of Art, 1966 RICHARD SMITH, Metals, Professor, MFA, Southern Illinois University MONT ALLEN, General Art History, Assistant Professor, non-tenure, Carbondale, 1992 PhD, University of California, Berkeley, 2014 JAMES E. SULLIVAN, General Art History, Emeritus, MA, University of RICHARD ARCHER, 3-Dimensional Design, Emeritus, MS, 1979 California, Los Angeles, 1965 STEVE BELLETIRE, Industrial Design, Emeritus, BFA, University of MILTON SULLIVAN, Sculpture, Emeritus, MA, Columbia University, Illinois at Urbana-Champaign, 1971 1951 LARRY BERNSTEIN, Painting, Emeritus, MFA, Cranbrook Academy of COREY TESTER, Graphic Design, Adjunct/Contingent faculty, BFA, Art, 1953 Southern Illinois University Carbondale, 2002 BARBARA BICKEL, Art Education (Studio), Associate Professor, PhD, THOMAS J. WALSH, Sculpture, Emeritus, MFA, University of Michigan,

165 1962 MICHAEL YOUNGBLOOD, Art Education (Studio), Emeritus, PhD, FINANCIAL INFORMATION University of Oregon, 1975 KAY P. ZIVKOVICH, Graphic Design, Painting, Professor, MFA, Tuition Southern Illinois University Carbondale, 1973 Full-time student tuition is determined per credit hour. State residents: $417.60 RESOURCES AND SPECIAL PROGRAMS Out-of-state residents: $1,044 Private studios are available with unlimited hours. Students have the International students: $1,044 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. A Additional institutional fees: $908.33 Mac computer lab is equipped with several desktop computers, a large- Part-time student tuition is determined per credit hour. format printer, and scanners. Specific studio areas provide access to rendering, video editing, and other imaging programs. Sculpture has Financial Aid 48x96-inch axis router. Types of aid available: Tuition aid/remission, stipend, teaching assistantship, research assistantship, work-study program. Graduate Libraries Dean’s Fellowship, for underserved individuals overcoming adverse Total volumes in library system: >2,000,000 social, cultural, or economic conditions; Master’s Fellowship (academic strictures apply); very limited Federal Work Study (federal and Students have library privileges at other institutional libraries. department conditions apply); PROMPT multicultural Image Resources fellowships/grants. Tuition and full stipend awarded to 42 students in Total number of images: >250,000 the previous academic year. Institution and program maintain digital-image collections. Program Funds available for graduate student travel: Yes maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Fellowships opportunities to view works of art in local museums, commercial Fellowships are available to students of all levels. galleries, private collections, and on funded field trips. Fellowships applications received last year: 0 Program Opportunities Fellowships awarded: 0 Additional opportunities for study within the institution: MFA students Fellowships awarded to women: 0 completing 21 credit hours of graduate-level art history receive AH Fellowships awarded to minorities: 0 certificate. Six credit hours AD 438: Writing about Art & Design, and AD 537: Teaching Practicum, required. Nine of the 21 hours may also count Average amount of award/stipend: $1,340 toward the MFA degree. Courses in cinema and photography are also Fellowship maximum period of support: 2 years available for credit. Assistantships Gallery or museum affiliated with the department: Surplus Gallery at the Glove Factory Assistantships are available to students of all levels. Formal programs: Study abroad. Opportunities are offered to study at Teaching assistantships applications received: 42 Hospitalfield House in Scotland; National College of Art and Design, Teaching assistantships awarded: 72 Dublin; Steneby Institute of Craft and Design, Sweden; and University of Teaching assistantships awarded to women: 45 Koblenz-Landau, Germany. Average amount of award/stipend: $698 Formal relationships with local museums: The university museum offers Hours of work required per week: 10 arts, humanities, and sciences programming, as well as museum studies courses. Teaching assistantship maximum period of support: 3 years Extracurricular opportunities for graduate students: Curate exhibitions, Working assistantships applications received: 42 conduct fieldwork, present public outreach lectures Working assistantships awarded: 61 Other special programs sponsored by the department: Visiting Artist Working assistantships awarded to women: 28 Program features regional, national, and international artists and critics. Working assistantships awarded to minorities: 2 Annual Fundraising benefits School of Art and Design. Average amount of award/stipend: $698 Special topics exhibitions at the Surplus Gallery, organized by Art and Design RSOs (registered student organizations) and visiting curators. Hours of work required per week: 10 The department sponsors 5–10 lectures per year. Working assistantship maximum period of support: 3 years Other benefits: Tuition remission (part or full) Other Campus Resources Other financial support: Wingate Foundation fellowships and Employment or career development office: Yes scholarships for graduates and undergraduates; special projects funding Office/center for international students: Yes from the Graduate and Professional Student Council There is a graduate-student housing office. Housing space is available in apartments and married student housing. Health Insurance Planned campus changes and facility improvements: The recently Full-time master’s students receive health insurance coverage with opened Student Services Building consolidates all campus student copayment. services under one roof. The School of Art and Design is committed to providing the latest digital technology and is in the process of upgrading its shops with 3D printers and modeling software. Environmental Health and Safety SOUTHWEST UNIVERSITY OF Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical VISUAL ARTS safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Master of Fine Arts spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. General 2525 N. Country Club Rd. exhaust systems service large open areas. Specific processes such as Tucson, Arizona, 85716 ceramic shell room, welding and cutting areas, and wood shops have Phone: 520-325-0123 localized collection systems. Wet grinding is practiced in the glass area. www.suva.edu/programs/mfa Use of heavy solvents and spray paints are prohibited in buildings. Contact: Robert Mairs, [email protected] Methods used to familiarize students and faculty with environmental Private art school health and safety include publications, required training course, instruction in class, internet or intranet, faculty research, faculty training, Accredited by: Higher Learning Commission health and safety officer (full-time or part-time), shop technician, Degrees awarded: Master’s degree material safety data sheets (MSDS), training videos, information in Concentrations in: Animation, graphic design, illustration, painting, student handbook. photography First graduate degree granted: MFA, 2014 MFA students work closely with faculty mentors to develop a unique plan of study linked with their career goals, clarify their vision, and refine

166 their studio practice. Students from all disciplines converge in hearing protection. Program meets the US Environmental Protection interdisciplinary seminars to discuss ideas, share their work, and Agency (EPA) and state regulations for hazardous materials, including provide feedback. spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods ADMISSIONS used to familiarize students and faculty with environmental health and This program has rolling admissions. safety include required training course, instruction in class, faculty Deadline for fall: 8/1 training, material safety data sheets (MSDS). Fall notification date: 8/15 FINANCIAL INFORMATION Application fee: $50 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Tuition students (iBT 80), transcript, letters of recommendation, résumé, Full-time student tuition is determined per semester. statement of interest/personal statement, examples of personal artwork, All students: $10,500 artist’s statement Recommended: Degree in subject area, contact the program for Financial Aid additional requirements Types of aid available: Tuition aid/remission, guaranteed loan, work- study program. Merit-based scholarships. CURRICULUM Health Insurance Average Class Size No health insurance coverage is provided for full-time master’s In graduate seminars: 6–10 students students. Independent study available: Yes Course of Study Full-time residency requirement: 4 terms Typical number of credit hours per term for a full-time student: 15 STANFORD UNIVERSITY Total number of credit hours required for graduation: 63 Degree requirements: Thesis or artist’s statement, group exhibition, Art Practice individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Stanford University thesis committee/exhibition jury, professional practices course Department of Art and Art History 355 Roth Way Recommended: Solo exhibition Stanford, California, 94305 Phone: 650-723-3404 STUDENTS Fax: 650-725-0140 Number of students in residence: Master’s, 4 art.stanford.edu Number of male graduates fall 2015–summer 2016: Master’s, 1 Contact: Regina Miller, [email protected] Number of female graduates fall 2015–summer 2016: Master’s, 3 Private university; nonprofit corporation FACULTY Accredited by: Western Association of Schools and Colleges Number of faculty: 6 Degrees awarded: Master’s degree Tenured/tenure track: 4 men, 2 women Concentrations in: 2-dimensional design, 3-dimensional design, digital media, drawing, environmental art, installation, painting, paper, Part-time/adjunct lecturers: 0 men, 0 women photography, printmaking, sculpture, sound, video Full-time contractual: 0 men, 0 women First graduate degree granted: MFA, 1972 STUART J GIBSON, Multidisciplinary, Printmaking, Professor, MFA The Art Practice program provides a demanding course of study CAMDEN HARDY, Photography (Studio), Chair, MFA designed to challenge advanced students. Participants are chosen for LISA LARABEE, Painting, Drawing (Studio), Professor, MEd the program on the basis of work that indicates high artistic ERIK WESTLUND, Animation (Studio), Chair, MFA individuality, achievement, and promise. Candidates should embody the MARVIN WOODS, Graphic Design, Chair, MEd intellectual curiosity and broad interests appropriate to, and best served CARLY ZUFELT, Multidisciplinary, Professor, MFA by, work and study within a university context. Students are required to complete six quarters of graduate work in residence, including two RESOURCES AND SPECIAL PROGRAMS weekly seminars (Object Seminar and Concept Seminar) and Studio Semiprivate studios are available with unlimited hours for all. Students Practice, which is an individual tutorial with a selected member of the have the opportunity to exhibit their work in a gallery associated with the faculty. In addition, three courses of academic electives are required in department or institution, a graduate thesis exhibition. Macs and PCs the first year. These courses can be chosen from a large variety of with Adobe Creative Suite, Epson 10000XL scanner, Epson 3880 printer, disciplines in consultation with the director of graduate studies. Epson 9890 printer, digital cameras, audio/video recording equipment, lighting studio. Access to sculpture, photography, printmaking, and ADMISSIONS animation studios during business hours. Deadline for fall: 12/8 Libraries Fall notification date: 3/25 Total volumes in library system: >500,000 Application fee: $125 Art volumes in library system: >50,000 Applications received 2015–16: 71 Art journals in library system: >100 Applications accepted 2015–16: 5 Image Resources Students enrolled 2015–16: 5 Institution subscribes to a digital-image library. Students have Requirements: Bachelor’s degree (BA, BFA, or BSA), GRE, TOEFL for opportunities to view works of art in local museums, commercial foreign students (100), transcript, letters of recommendation, statement galleries, and on funded field trips. of interest/personal statement, examples of personal artwork, related professional experience, in-person or phone interview Program Opportunities Recommended: Résumé, campus visit Additional opportunities for study within the institution: Graduate students may enroll in courses outside their disciplines. CURRICULUM Gallery or museum affiliated with the department: Florence Quater Gallery, Gallery 2538 Courses Extracurricular opportunities for graduate students: Curate exhibitions Number offered to graduate students each term: 70 Number whose enrollment is limited to graduate students: 29 Other Campus Resources Housing space is available in apartments. Average Class Size In graduate studios: 6–10 students Environmental Health and Safety In graduate seminars: 6–10 students Occupational Safety and Health Administration (OSHA) regulations are In graduate lectures: 11–20 students in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Independent study available: Yes 167 spill procedures and material disposal. Program has performed an Course of Study environmental health and safety audit in the past five years. Full-time residency requirement: 2 years Occupational Safety and Health Administration (OSHA) regulations are Maximum number of years for residency: 2 in place for ventilation and respiratory protection, hazardous chemical Average number of years for residency: 2 safety, personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Agency Typical number of courses for a full-time student: 3 (EPA) state regulations. Methods used to familiarize students and Total number of courses required for graduation: 14 faculty with environmental health and safety include required training Total in studio art: 11 course, instruction in class, internet or intranet, shop technician, Electives: 3 information in student handbook. Degree requirements: Written thesis, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of FINANCIAL INFORMATION thesis work for program archive. All students are required to be a Tuition teaching assistant for undergraduate studio courses each quarter. Full-time student tuition is determined per quarter. STUDENTS All students: $15,243 Number of students in residence: Master’s, 10 Additional institutional fees: $2,973 Number of male graduates fall 2015–summer 2016: Master’s, 2 Part-time student tuition is determined per quarter. Number of female graduates fall 2015–summer 2016: Master’s, 3 All students: $9,910 Formal mode of student participation in academic governance: ASSU Financial Aid Graduate Student Council Types of aid available: Tuition aid/remission, teaching assistantship. Tuition and full stipend awarded to 10 students in the previous FACULTY academic year. Full tuition awarded to 10 students in the previous Number of faculty: 7 academic year. Tenured/tenure track: 4 men, 3 women Funds available for graduate student travel: Yes Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 0 women Assistantships PROF. TERRY BERLIER, Sculpture, Associate Professor, MFA, University Assistantships are available to first-year students and second-year of California, Davis, 2003 students. PROF. JONATHAN CALM, Photography (Studio), Assistant Professor, Teaching assistantships applications received: 10 tenure-track, MFA, Columbia University Teaching assistantships awarded: 10 PROF. ENRIQUE CHAGOYA, Printmaking, Painting, Professor, MFA, Teaching assistantship maximum period of support: 2 years University of California, Berkeley, 1987 PROF. PAUL DEMARINIS, Sound, Digital Media (Studio), Professor, Working assistantships applications received: 0 MFA, 1973 Working assistantships awarded: 0 CAMILLE UTTERBACK, Digital Media (Studio), Installation (Studio), Working assistantships awarded to women: 0 Assistant Professor, tenure-track Other benefits: Supplies allowance PROF. GAIL WIGHT, Digital Media (Studio), Associate Professor, MFA, San Francisco Art Institute, 1994 Health Insurance PROF. XIAOZE XIE, Painting, Drawing (Studio), Professor, MFA Full-time doctoral students receive health insurance coverage with copayment. Health insurance coverage is available to dependents, RESOURCES AND SPECIAL PROGRAMS spouses, and unmarried domestic partners of full-time doctoral Private studios are available with unlimited hours for all. Students have students. the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. The following computing, digital, and media equipment is available for student use: two well-outfitted computer art labs with large-format printers, scanners, analog electronics, audio and visual equipment, and so forth, with additional equipment available for checkout. STATE UNIVERSITY OF NEW Libraries YORK AT NEW PALTZ Total volumes in library system: >3,000,000 Art volumes in library system: >200,000 Studio Art Art journals in library system: >500 State University of New York at New Paltz There is a separate art library with >10,000 volumes and >500 journals. 1 Hawk Dr. Image Resources Fine Arts Building, Room 225 Total number of images: >250,000 New Paltz, New York, 12561 Institution maintains its own digital-image collection. Institution Phone: 800-248-8856 maintains its own slide collection. Institution subscribes to a digital- www.newpaltz.edu/art image library. Students have access to image collections. Students have Contact: Graduate School, [email protected] opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design Program Opportunities Degrees awarded: Master’s degree Gallery or museum affiliated with the department: Thomas Welton Concentrations in: Ceramics, drawing, metals, painting, printmaking, Stanford Art Gallery sculpture Extracurricular opportunities for graduate students: Conduct fieldwork. First graduate degree granted: MFA, 1962 The department sponsors 10–20 lectures per year. SUNY New Paltz is ninety minutes north of New York City, allowing Other Campus Resources access to cutting-edge artists, critics, and curators. The intensive and Employment or career development office: Yes selective two-year MFA program includes degrees in ceramics, painting and drawing, printmaking, metal, and sculpture. Art department faculty Office/center for international students: Yes members are practicing artists with significant national reputations. There is a graduate-student housing office. Housing space is available in SUNY New Paltz is regularly included among the best schools in the dormitories, apartments, married student housing, and subsidized northeastern United States and its metal program has consistently been housing. ranked as the best in the nation. Students interested in a career in academia have opportunities to assist and frequently teach their own Environmental Health and Safety undergraduate course. Emphasis is placed on disciplinary rigor and Occupational Safety and Health Administration (OSHA) regulations are interdisciplinary scholarship guided by committed conceptual inquiry. in place for ventilation and respiratory protection, hazardous chemical The graduate program is more than a collection of students, faculty, and safety (right-to-know), personal protective equipment, machine safety, facilities; it is a dynamic learning community engaged in, and hearing protection. Program meets the US Environmental Protection encouraging of, authentic research, personal growth, and a Agency (EPA) and state regulations for hazardous materials, including professionally sustainable art practice.

168 Professor, tenure-track, MFA, ADMISSIONS PROF. ANDREA FRANK, Photography (Studio), Environmental Art Deadline for fall: 1/15 (Studio), Assistant Professor, tenure-track, MFA, Parsons The New Fall notification date: 4/15 School for Design PROF. MATTHEW FRIDAY, Critical Theory, Environmental Art (Studio), Application fee: $50 Assistant Professor, tenure-track, MFA, Indiana State University Applications received 2015–16: 112 PROF. ANNE GALPERIN, Graphic Design, Associate Professor, MFA, Applications accepted 2015–16: 32 Cranbrook Academy of Art Students enrolled 2015–16: 16 PROF. MICHAEL GAYK, Industrial Design, Metals, Assistant Professor, tenure-track, MFA, University of Washington, 2001 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign PROF. KATHY GOODELL, Painting, Professor, MFA, San Francisco Art students (iBT 80), transcript, letters of recommendation, résumé, Institute statement of interest/personal statement, examples of personal artwork, PROF. KEELY HEUER, Greek Art, Roman Art, Assistant Professor, artist’s statement tenure-track, PhD, New York University, The Steinhardt School of Recommended: GPA (3.0), campus visit Culture, Education, and Human Development PROF. ARTHUR HOENER, Graphic Design, Associate Professor, MFA, CURRICULUM Rhode Island School of Design PROF. ANDREA KANTOWITZ, Art Education, Assistant Professor, Courses tenure-track, EdD, Teachers College, Columbia University, 2014 Number offered to graduate students each term: 45 PROF. JACLYNNE KERNER, Art of the Middle East, Assistant Professor, Number whose enrollment is limited to graduate students: 24 tenure-track, PhD, New York University, Institute of Fine Arts PROF. ELLEN KONOWITZ, Renaissance Art, Baroque Art, Professor, Average Class Size PhD, New York University, Institute of Fine Arts In graduate studios: 11–15 students PROF. JOSHUA KORENBLAT, Graphic Design, Assistant Professor, In graduate seminars: 16–20 students tenure-track, MFA, Maryland Institute College of Art PROF. CARMEN LIZARDO, Foundations, Associate Professor, Pratt Course of Study Institute Full-time residency requirement: 2 years PROF. ANN LOVETT, Photography (Studio), Professor, MFA, Temple University Maximum number of years for residency: 2 PROF. MYRA MIMLITCH-GRAY, Metals, Professor, MFA, Cranbrook Average number of years for residency: 2 Academy of Art Typical number of credit hours per term for a full-time student: 15 PROF. SUSANNA ITTY NEUHAUS, Foundations, Sculpture, Associate Total number of credit hours required for graduation: 60 Professor, MFA, Temple University PROF. AMY PAPAELIAS, Graphic Design, Assistant Professor, tenure- Total in studio art: 36 track, MFA, State University of New York at New Paltz Total in area of concentration: 36 PROF. JILL PARISI, Printmaking, Associate Professor, MFA, State Total in art history: 6 University of New York at New Paltz Total in graduate seminars: 6 PROF. EMILY PUTHOFF, Sculpture, Associate Professor, MFA, Arizona State University Electives: 12 PROF. WILLIAM RHOADS, Architectural History, Emeritus, PhD, Degree requirements: Written thesis, thesis or artist’s statement, Princeton University concentration, group exhibition, critique of thesis work, documentation PROF. NADIA SABLIN, Photography (Studio), Assistant Professor, of thesis work for program archive, oral defense of work, thesis tenure-track, MFA, Arizona State University committee/exhibition jury PROF. THOMAS SARRANTONIO, Foundations, Painting, Assistant Recommended: Professional practices course Professor, tenure-track, MFA, State University of New York at New Paltz PROF. ANAT SHIFTAN, Ceramics, Associate Professor, MFA, Cranbrook STUDENTS Academy of Art Number of students in residence: Master’s, 39 PROF. KEVIN SLIVKA, Art Education, Assistant Professor, tenure-track, PhD, Pennsylvania State University Number of male graduates fall 2015–summer 2016: Master’s, 6 PROF. SUZANNE STOKES, Foundations, Associate Professor, MFA Number of female graduates fall 2015–summer 2016: Master’s, 33 PROF. DIMITRY TETIN, Graphic Design, Assistant Professor, tenure- Student organizations within the program/department: Graduate track, MFA, Rhode Island School of Design students may join the Student Art Association, which selects visiting PROF. BETH THOMAS, Art Education, Critical Theory, Assistant artists and arranges field trips. Professor, tenure-track, PhD, Ohio State University Formal mode of student participation in academic governance: Students PROF. JAIMEE UHLENBROCK, Greek Art, Roman Art, Emeritus, PhD, can run for a seat on the Student Association, which has formal New York University, Institute of Fine Arts representation within the university. Teaching assistants are part of the PROF. CHERYL WHEAT-SCHMIDT, Foundations, Adjunct/Contingent Graduate Student Employees Union (GSEU) and have access to faculty, MFA, Brooklyn College collective bargaining. PROF. BETH WILSON, Photography (History), Contemporary Art, Assistant Professor, non-tenure, MPhil, City College of New York Students have the opportunity to join a labor union. PROF. REVA WOLF, Contemporary Art, Nineteenth-Century Art, FACULTY Professor, PhD, New York University, Institute of Fine Arts Number of faculty: 42 Recent Visiting Faculty Tenured/tenure track: 15 men, 24 women KERIANNE QUICK, Object Design, Metals, Assistant Professor, non- Part-time/adjunct lecturers: 0 men, 2 women tenure, MFA Full-time contractual: 0 men, 1 woman PROF. THOMAS ALBRECHT, Foundations, Assistant Professor, tenure- RESOURCES AND SPECIAL PROGRAMS track, MFA, University of Washington PROF. ROBIN ARNOLD, Painting, Professor, MFA, Michigan State Private studios are available with unlimited hours for all. Semiprivate University studios are available with unlimited hours for all. Students have the PROF. LYNN BATCHELDER, Metals, Assistant Professor, tenure-track, opportunity to exhibit their work in a gallery associated with the MFA department or institution, local galleries, a graduate thesis exhibition. PROF. STEVEN BRADFORD, Sculpture, Associate Professor, MFA, Resources include three up-to-date Mac labs, large-format printers, Rhode Island School of Design plotters, scanners, 3D printers, digital projectors, and a large-format PROF. ELIZABETH BROTHERTON, Chinese Art, Associate Professor, CNC router. PhD, Princeton University Libraries PROF. RIMER CARDILLO, Printmaking, Professor, MFA PROF. KERRY DEAN CARSO, Art of the United States, Associate Total volumes in library system: >500,000 Professor, PhD, Boston University Art volumes in library system: >50,000 PROF. AMY CHENG, Painting, Professor, MFA, Hunter College Art journals in library system: >200 PROF. BYRAN CZIBEZ, Ceramics, Assistant Professor, tenure-track, Students have library privileges at other institutional libraries. MFA, San Diego State University PROF. FRANCOIS DESCHAMPS, Photography (Studio), Professor, Image Resources MFA, University of Illinois at Chicago Total number of images: >500,000 PROF. JAMES FOSSET, Foundations, Video (Studio), Assistant Institution and program maintain digital-image collections. Program maintains its own slide collection. Institution subscribes to a digital- 169 image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial galleries, and on funded field trips. STUDIO ART CENTERS Program Opportunities INTERNATIONAL Additional opportunities for study within the institution: Students are encouraged to study areas within the liberal arts and sciences related to their specific research topic. The MFA curriculum allows for several MFA in Studio Art elective courses outside the art department. Studio Art Centers International Gallery or museum affiliated with the department: Samuel Dorsky Palazzo dei Cartelloni Museum of Art Via Sant’Antonino 11 Formal programs: Study abroad. The art department has an active study Florence, Tuscany, 50123 abroad program in London. The metal program visits Germany every Italy year for a 1–2 week residency project. Phone: 212-248-7225 Extracurricular opportunities for graduate students: Curate exhibitions, Fax: 212-248-7222 conduct fieldwork, research for catalogues, present public outreach www.saci-florence.edu lectures. The department sponsors 10–20 lectures per year. Contact: Racini Andres, [email protected] Other Campus Resources Private art school; nonprofit corporation Employment or career development office: Yes Accredited by: National Association of Schools of Art and Design Office/center for international students: Yes Degrees awarded: Master’s degree Housing space is available in apartments. SUNY New Paltz maintains Concentrations in: Drawing, painting an online list of available local apartments. First graduate degree granted: MFA, 2015 Planned campus changes and facility improvements: SUNY New Paltz MFA students attend Studio Art Centers International (SACI) in Florence was awarded a $10 million state grant to help establish an Engineering for two successive academic years and earn 60 credits. During their first Innovation Hub at the college. These funds will significantly expand the year, under the mentorship of their selected major professor, they put current digital fabrication facilities and include a new 20,000 sq. ft. state- together a program that balances independent study with classroom of-the-art building, making SUNY New Paltz the leader in 3D printing study. In their second year, emphasis is placed on career options for and paving the way for innovative collaborations between art, design, emerging artists. Students gain practical experience as SACI teaching and industry. assistants and their artwork is featured in major exhibitions in Florence. Working in their own individual studios in a fully renovated Renaissance Environmental Health and Safety palazzo in the heart of Florence, students will be just steps away from Occupational Safety and Health Administration (OSHA) regulations are the great works that have drawn artists past and present to Florence. in place for ventilation and respiratory protection, hazardous chemical Throughout their lives, they will be able to realize work reflecting their safety (right-to-know), personal protective equipment, machine safety, unique experience and deep understanding of Italian art and the nature hearing protection. Program meets the US Environmental Protection of the artist’s role in society. Agency (EPA) and state regulations for hazardous materials, including Students have library privileges at the SACI Worthington Library and spill procedures and material disposal. Program has performed an at other institutional libraries environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and ADMISSIONS safety include publications, instruction in class, faculty training, health This program has rolling admissions. and safety officer (full-time or part-time), shop technician, material Deadline for fall: 3/15 safety data sheets (MSDS). Fall notification date: 5/1 FINANCIAL INFORMATION Application fee: $70 Tuition Students enrolled 2015–16: 16 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Full-time student tuition is determined per semester. for foreign students, transcript, letters of recommendation, résumé, All students: $5,185 statement of interest/personal statement, examples of personal artwork, Additional institutional fees: $624 in-person or phone interview Financial Aid Recommended: Degree in subject area Types of aid available: Tuition aid/remission, stipend, guaranteed loan, CURRICULUM teaching assistantship. All accepted out-of-state and international students receive the MFA Scholarship, which grants them in-state Courses tuition rates. The Ceramic area offers a $10,000 scholarship for Number offered to graduate students each term: 38 incoming MFA students of exceptional skill. Each area offers a $1,000 Number whose enrollment is limited to graduate students: 10 scholarship to students of exceptional skill. Tuition and full stipend awarded to 2 students in the previous academic year. Tuition and partial Average Class Size stipend awarded to 10 students in the previous academic year. Partial In graduate studios: 6–10 students tuition awarded to 20 students in the previous academic year. No financial assistance awarded to 20 students in the previous academic In graduate seminars: 6–10 students year. In graduate lectures: 1–10 students Funds available for graduate student travel: Yes Independent study available: Yes Assistantships Course of Study Assistantships are available to students of all levels. Full-time residency requirement: 2 years Teaching assistantships applications received: 20 Maximum number of years for residency: 2 Teaching assistantships awarded: 10 Average number of years for residency: 2 Teaching assistantships awarded to women: 6 Typical number of credit hours per term for a full-time student: 15 Teaching assistantships awarded to minorities: 1 Total number of credit hours required for graduation: 60 Average amount of award/stipend: $2,500 Total in studio art: 48 Hours of work required per week: 20 Total in area of concentration: 36 Teaching assistantship maximum period of support: 2 years Total in graduate seminars: 12 Other benefits: Tuition remission (part or full) Electives: 12 Other financial support: The Sojourner Truth Fellowship provides Degree requirements: Written thesis, thesis or artist’s statement, minority students and those that can demonstrate economic need up to concentration, group exhibition, individual presentation of thesis work, $10,000 per year. critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, Health Insurance professional practices course. Teaching assistantships Full-time master’s students receive health insurance coverage with copayment.

170 STUDENTS time or part-time), information in student handbook. Number of students in residence: Master’s, 13 FINANCIAL INFORMATION Number of male graduates fall 2015–summer 2016: Master’s, 3 Tuition Number of female graduates fall 2015–summer 2016: Master’s, 10 Full-time student tuition is determined per semester. FACULTY All students: $14,000 Number of faculty: 10 Additional institutional fees: $5,900 Tenured/tenure track: 1 man, 0 women Financial Aid Part-time/adjunct lecturers: 7 men, 2 women Types of aid available: Tuition aid/remission, guaranteed loan. Partial Full-time contractual: 0 men, 0 women tuition awarded to 12 students in the previous academic year. No MR. DARIO ARCAMONE, Drawing (Studio), Sculpture, financial assistance awarded to 4 students in the previous academic Adjunct/Contingent faculty, MFA, Bowling Green State University, 2003 year. MR. MARCO FALLINI, Painting, Drawing (Studio), Adjunct/Contingent faculty, MFA, 1993 Fellowships MS. DARIA FILARDO, Contemporary Art, Twentieth-Century Art, Fellowships are available to students of all levels. Adjunct/Contingent faculty, Other, 2000 Fellowships applications received last year: 22 MR. PIETRO GAGLIANÒ, Contemporary Art, Curatorial Studies, Fellowships awarded: 19 Adjunct/Contingent faculty, MA, Università degli Studi di Firenze, 2003 MS. KATHY KNIPPEL, Printmaking, Fiber Arts, Adjunct/Contingent Fellowships awarded to women: 17 faculty, MA, California State University, Los Angeles, 1967 Fellowships awarded to minorities: 4 MR. GARY LISSA, Painting, Drawing (Studio), Adjunct/Contingent Fellowship maximum period of support: 2 years faculty, MA, University of Iowa, 1979 MR. MARIO PASSAVANTI, Painting, Adjunct/Contingent faculty Assistantships MR. LORENZO PEZZATINI, Painting, Performance, Adjunct/Contingent Assistantships are available to second-year students. faculty, MFA, University of Massachusetts Amherst, 1981 Other benefits: Tuition remission (part or full) DR. FILIPE ROCHA DA SILVA, Painting, Drawing (Studio), joint appointment in Printmaking (Studio), Chair, PhD, 2005 Other financial support: All students must obtain basic health insurance MR. JOHN TAYLOR, Drawing (Studio), Sculpture, Adjunct/Contingent coverage, available from a private insurer for less than €50. faculty, MA, 1990 Health Insurance No health insurance coverage is provided for full-time master’s students RESOURCES AND SPECIAL PROGRAMS and part-time master’s students. Semiprivate studios are available with limited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Mac and PC computers, large-format printers, scanners, video equipment, printmaking presses, and darkrooms are available for use by students in the MFA program. STUDIO ART CENTERS Libraries INTERNATIONAL Total volumes in library system: >500,000 Art volumes in library system: >50,000 Post-Baccalaureate Year in Studio Art Art journals in library system: >100 Students have library privileges at other institutional libraries. Studio Art Centers International Palazzo dei Cartelloni Image Resources Via Sant’Antonino 11 Institution maintains its own digital-image collection. Institution Florence, Tuscany, 50123 maintains its own slide collection. Institution subscribes to a digital- Italy image library. Students have access to image collections. Students have Phone: 212-248-7225 opportunities to view works of art in local museums, commercial Fax: 212-248-7222 galleries, private collections, and on funded field trips. www.saci-florence.edu Program Opportunities Contact: Racini Andres, [email protected] Additional opportunities for study within the institution: MFA students Private art school; nonprofit corporation have a broad range of studio art, design, and conservation courses from Accredited by: National Association of Schools of Art and Design which they may choose electives. Degrees awarded: Certificate Gallery or museum affiliated with the department: The SACI Galleries Concentrations in: Ceramics, digital media, drawing, painting, Formal programs: Museum training, conservation, study abroad photography, printmaking, sculpture, video Extracurricular opportunities for graduate students: Curate exhibitions First graduate degree granted: Graduate Certificate, 1993 Other special programs sponsored by the department: Field trips to The curriculum for the Post-Baccalaureate Certicate program in Studio other cities in Italy and Europe. The department sponsors 10–20 Art is founded on the belief that advanced art students should lectures per year. concentrate in one area, experiment in others, and complement their studio work with art-historical studies, academic studies, and/or Other Campus Resources language study. There is a graduate-student housing office. Housing space is available in apartments. In fall and spring students are required to take: Planned campus changes and facility improvements: SACI began • Graduate Seminar in Studio Art (3 credits) offering the MFA in Studio Art with an emphasis in Painting or Drawing • Graduate Seminar in Studio Art (Studio Co-Requisite) in fall 2013. The first MFA recipients graduated from the program in (3 credits) spring 2015. • One course in the major discipline (3 credits) • One studio area elective (3 credits) Environmental Health and Safety • One open elective (3 credits) Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Students have library privileges at the SACI Worthington Library and at safety (right-to-know), personal protective equipment, machine safety, other institutional libraries. hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including ADMISSIONS spill procedures and material disposal. Program has performed an This program has rolling admissions. environmental health and safety audit in the past five years. All studios Deadline for fall: 6/15 in which toxic materials might be used are equipped with full ventilation systems. Solvents and other toxic materials are stored in locked, Fall notification date: 7/1 ventilated cabinets. Methods used to familiarize students and faculty Application fee: $70 with environmental health and safety include publications, instruction in Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), class, internet or intranet, faculty training, health and safety officer (full- 171 transcript, letters of recommendation, statement of interest/personal Image Resources statement, examples of personal artwork Total number of images: >100,000 Recommended: Résumé Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- CURRICULUM image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Courses galleries, private collections, and on funded field trips. Number offered to graduate students each term: 36 Number whose enrollment is limited to graduate students: 4 Program Opportunities Additional opportunities for study within the institution: Post- Average Class Size Baccalaureate students have a broad range of studio art, design, and In graduate studios: 1–5 students conservation courses from which they may choose electives. In graduate seminars: 1–5 students Gallery or museum affiliated with the department: SACI Gallery and the In graduate lectures: 1–10 students Maidoff Gallery Formal programs: Study abroad. Instruction at all levels in a wide range Independent study available: Yes of studio art and crafts subjects Course of Study Extracurricular opportunities for graduate students: Curate exhibitions Full-time residency requirement: 1 year Other special programs sponsored by the department: Field trips to Maximum number of years for residency: 1 other cities in Italy. The department sponsors 5–10 lectures per year. Average number of years for residency: 1 Other Campus Resources Typical number of courses for a full-time student: 5 There is a graduate-student housing office. Housing space is available in Total number of courses required for graduation: 10 apartments. Total in studio art: 4 Environmental Health and Safety Total in graduate seminars: 4 Occupational Safety and Health Administration (OSHA) regulations are Electives: 2 in place for ventilation and respiratory protection, hazardous chemical Degree requirements: Written thesis, thesis or artist’s statement, safety (right-to-know), personal protective equipment, machine safety, concentration, group exhibition, individual presentation of thesis work, hearing protection. Program meets the US Environmental Protection critique of thesis work, documentation of thesis work for program Agency (EPA) and state regulations for hazardous materials, including archive, thesis committee/exhibition jury, professional practices course spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. All studios STUDENTS in which toxic materials might be used are equipped with full ventilation Number of female graduates fall 2015–summer 2016: Certificate, 3 systems. Solvents and other toxic materials are stored in locked, ventilated cabinets. Methods used to familiarize students and faculty FACULTY with environmental health and safety include publications, instruction in class, internet or intranet, health and safety officer (full-time or part- Number of faculty: 15 time), information in student handbook. Tenured/tenure track: 2 men, 0 women Part-time/adjunct lecturers: 10 men, 3 women FINANCIAL INFORMATION Full-time contractual: 0 men, 0 women Tuition MR. DARIO ARCAMONE, Sculpture, Drawing (Studio), Adjunct/Contingent faculty, MFA, Bowling Green State University, 2003 Full-time student tuition is determined per semester. MR. DEJAN ATANACKOVIC, Digital Media (Studio), All students: $12,150 Adjunct/Contingent faculty, 1999 Additional institutional fees: $5,900 MR. ROMEO DI LORETO, Photography (Studio), Adjunct/Contingent faculty, MFA, Savannah College of Art and Design, 1992 Financial Aid MR. MARCO FALLANI, Painting, Drawing (Studio), Adjunct/Contingent Types of aid available: Tuition aid/remission, guaranteed loan. Partial faculty, MFA, 1993 tuition awarded to 1 student in the previous academic year. MR. PIETRO GAGLIANÒ, Installation (Studio), Performance, Adjunct/Contingent faculty, MA, Università degli Studi di Firenze, 2003 Fellowships MS. KATHY KNIPPEL, Printmaking, Fiber Arts, Adjunct/Contingent Fellowships are available to students of all levels. faculty, MA, California State University, Los Angeles, 1967 Fellowships applications received last year: 6 MR. GARY LISSA, Painting, Drawing (Studio), Adjunct/Contingent faculty, MA, University of Iowa, 1979 Fellowships awarded: 6 MR. TIZIANO LUCCHESI, Painting, Adjunct/Contingent faculty, 2000 Fellowships awarded to women: 4 MS. LISA NOCENTINI, Ceramics, Adjunct/Contingent faculty, Other, Average amount of award/stipend: $2,000 1981 Fellowship maximum period of support: 1 year MR. LORENZO PEZZATINI, Painting, Performance, Chair, MFA, University of Massachusetts Amherst, 1981 Assistantships DR. FILIPE ROCHA DA SILVA, Painting, Drawing (Studio), joint Other benefits: Tuition remission (part or full) appointment in Printmaking (Studio), Chair, PhD, 2005 MR. JACOPO SANTINI, Photography (Studio), Adjunct/Contingent Other financial support: All students must obtain basic health insurance faculty, 1993 coverage, available from a private insurer for less than €50. MR. BRUNO SPINAZZOLA, Video (Studio), Adjunct/Contingent faculty, Health Insurance Université Paris-Sorbonne, 1989 MR. JOHN TAYLOR, Sculpture, Drawing (Studio), Adjunct/Contingent No health insurance coverage is provided for full-time master’s faculty, MA, 1990 students, part-time master’s students, and full-time certificate students. MS. KAREN YURKOVICH, Painting, Drawing (Studio), Adjunct/Contingent faculty, MFA, University of Alberta, 1987 RESOURCES AND SPECIAL PROGRAMS Semiprivate studios are available with limited hours for all. Students STUDIO ART CENTERS have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. INTERNATIONAL Mac and PC computers, large-format printers, scanners, video equipment, printmaking presses, and darkrooms are available for use by students in the Post-Baccalaureate program. MFA in Photography Libraries Studio Art Centers International Palazzo dei Cartelloni Total volumes in library system: >500,000 Via Sant’Antonino 11 Art volumes in library system: >50,000 Florence, Tuscany, 50123 Art journals in library system: >100 Italy Students have library privileges at other institutional libraries. Phone: 212-248-7225

172 Fax: 212-248-7222 RESOURCES AND SPECIAL PROGRAMS www.saci-florence.edu Semiprivate studios are available with limited hours for all. Students Contact: Racini Andres, [email protected] have the opportunity to exhibit their work in a gallery associated with the Private art school; nonprofit corporation department or institution, local galleries, a graduate thesis exhibition. Mac and PC computers, large-format printers, scanners, video Accredited by: National Association of Schools of Art and Design equipment, and darkrooms are available for use by students in the MFA Degrees awarded: Master’s degree program. Concentrations in: Photography Libraries Students in the MFA in Photography program pursue a curriculum integrating practical and critical skills that encourages individual Total volumes in library system: >500,000 innovation, creative collaboration, mentorships, and instruction from Art volumes in library system: >50,000 SACI’s outstanding faculty. Working in individual studios in a fully Art journals in library system: >100 renovated Renaissance palazzo in the heart of Florence, students are Students have library privileges at other institutional libraries. near the Alinari Archives, an internationally renowned repository of photographs taken worldwide from the 19th to the 21st century. Image Resources Students are surrounded by great works that have drawn artists and Total number of images: >100,000 photographers past and present to Florence, to seek inspiration and to Institution maintains its own digital-image collection. Institution develop their own pictorial language. maintains its own slide collection. Institution subscribes to a digital- Students have library privileges at the SACI Worthington Library and image library. Students have access to image collections. Students have at other institutional libraries. opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. ADMISSIONS Program Opportunities This program has rolling admissions. Additional opportunities for study within the institution: Students can Deadline for fall: 3/15 take electives in numerous studio areas. Fall notification date: 5/1 Formal programs: Museum training, conservation, study abroad Application fee: $70 Extracurricular opportunities for graduate students: Curate exhibitions, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL conduct fieldwork for foreign students, transcript, letters of recommendation, résumé, Other special programs sponsored by the department: Field trips to statement of interest/personal statement, examples of personal artwork, other cities in Italy and Europe. The department sponsors 10–20 in-person or phone interview lectures per year. Recommended: Degree in subject area Other Campus Resources CURRICULUM There is a graduate-student housing office. Housing space is available in Courses apartments. Planned campus changes and facility improvements: SACI began Number offered to graduate students each term: 38 offering the MFA in Photography in fall 2014. The first MFA recipients Number whose enrollment is limited to graduate students: 10 graduated from the program in spring 2016. Average Class Size Environmental Health and Safety In graduate studios: 1–5 students Occupational Safety and Health Administration (OSHA) regulations are In graduate seminars: 1–5 students in place for ventilation and respiratory protection, hazardous chemical In graduate lectures: 1–10 students safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Independent study available: Yes Agency (EPA) and state regulations for hazardous materials, including Course of Study spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. All studios Full-time residency requirement: 2 years in which toxic materials might be used are equipped with full ventilation Maximum number of years for residency: 2 systems. Solvents and other toxic materials are stored in locked, Average number of years for residency: 2 ventilated cabinets. Methods used to familiarize students and faculty Typical number of credit hours per term for a full-time student: 15 with environmental health and safety include publications, instruction in class, internet or intranet, faculty training, health and safety officer (full- Total number of credit hours required for graduation: 60 time or part-time), information in student handbook. Total in studio art: 48 Total in area of concentration: 36 FINANCIAL INFORMATION Total in graduate seminars: 12 Tuition Electives: 12 Full-time student tuition is determined per semester. Degree requirements: Written thesis, thesis or artist’s statement, All students: $14,000 concentration, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program Additional institutional fees: $5,900 archive, oral defense of work, thesis committee/exhibition jury, Financial Aid professional practices course Types of aid available: Tuition aid/remission, guaranteed loan. Partial STUDENTS tuition awarded to 3 students in the previous academic year. Number of students in residence: Master’s, 6 Fellowships Fellowships are available to students of all levels. FACULTY Fellowships applications received last year: 5 Number of faculty: 4 Fellowships awarded: 5 Tenured/tenure track: 2 men, 0 women Fellowships awarded to women: 3 Part-time/adjunct lecturers: 2 men, 0 women Fellowships awarded to minorities: 1 Full-time contractual: 0 men, 0 women Average amount of award/stipend: $4,000 MR. DEJAN ATANACKOVIC, Digital Media (Studio), joint appointment in Media, Adjunct/Contingent faculty, MFA, 1996 Fellowship maximum period of support: 2 years MR. ROMEO DI LORETO, Photography (Studio), joint appointment in Assistantships Media, Chair, MFA, Savannah College of Art and Design, 1992 MR. JACOPO SANTINI, Photography (Studio), joint appointment in Assistantships are available to second-year students. Media, Chair Other benefits: Tuition remission (part or full) MR. BRUNO SPINAZZOLA, Video (Studio), joint appointment in Media, Other financial support: All students must obtain basic health insurance Adjunct/Contingent faculty, 1989 coverage, available from a private insurer for less than €50.

173 exhibition, individual presentation of thesis work, critique of thesis work, Health Insurance oral defense of work, thesis committee/exhibition jury No health insurance coverage is provided for full-time master’s students Recommended: Business course, technology course, professional and part-time master’s students. practices course STUDENTS Number of students in residence: Master’s, 65 SYRACUSE UNIVERSITY Number of male graduates fall 2015–summer 2016: Master’s, 12 Number of female graduates fall 2015–summer 2016: Master’s, 7 Formal mode of student participation in academic governance: Students School of Art / Department of are represented in the faculty senate and on most college committees. The Graduate School and Art History program both maintain a student Transmedia organization. Syracuse University College of Visual and Performing Arts FACULTY 222 Smith Hall Number of faculty: 33 Syracuse, New York, 13244 Tenured/tenure track: 20 men, 13 women Phone: 315-443-0137 Fax: 315-443-1303 Part-time/adjunct lecturers: 0 men, 0 women http://vpa.syr.edu Full-time contractual: 0 men, 0 women YASSER AGGOUR, Photography (Studio), Assistant Professor, tenure- Contact: Teri West, [email protected] track, MFA, Yale University Private university; nonprofit corporation COOPER BATTERSBY, Video (Studio), Assistant Professor, tenure-track, Accredited by: Middle States Commission on Higher Education, MFA, University of Illinois at Chicago National Association of Schools of Art and Design PETER BEASECKER, Ceramics, Associate Professor, MFA, Alfred Degrees awarded: Master’s degree University YVONNE BUCHANAN, Digital Media (Studio), Associate Professor, Concentrations in: Art education, film, illustration, multidisciplinary, MFA, Center for Curatorial Studies, Bard College painting, photography, sculpture, video ROBERT DACEY, Drawing (Studio), Professor, BFA, Art Center College MFA programs at Syracuse University’s College of Visual and of Design Performing Arts have a tradition of excellence that goes back more than ROGER DEMUTH, Drawing (Studio), Associate Professor, BFA, 130 years. Students enjoy the benefits of a world-class art school while Rochester Institute of Technology having access to the resources of a major university. DOUG DUBOIS, Photography (Studio), Associate Professor, MFA, San The School of Art’s mission is to provide the expertise of a dynamic Francisco Art Institute faculty along with extensive studio facilities, museum collections, and SHARON GOLD, Painting, Associate Professor, BFA, Pratt Institute global connections so that students have the skills and conceptual HOLLY GREENBERG, Printmaking, Associate Professor, MFA, School of foundation for a successful career. The programs challenge students to the Art Institute of Chicago develop a disciplined practice both technically and critically. HEATH HANLIN, Animation (Studio), Associate Professor, MFA, Ohio The Department of Transmedia is a major academic center for the State University education of media arts professionals. Programs offer rewarding studio ANDREW HAVENHAND, Painting, Assistant Professor, tenure-track, experiences integrated with rigorous academic studies and challenging MFA, Virginia Commonwealth University curricula in media arts history, theory, and contemporary issues. DUSTY HERBIG, Printmaking, Assistant Professor, tenure-track, MID, University of Wisconsin-Madison ADMISSIONS KARA HEROLD, Film, Video (Studio), Assistant Professor, tenure-track, Deadline for fall: 2/1 MFA, San Francisco State University Fall notification date: 4/1 LAURA HEYMAN, Photography (Studio), Associate Professor, MFA, Cranbrook Academy of Art Application fee: $75 MARGIE HUGHTO, Ceramics, Professor, MFA, Cranbrook Academy of Applications received 2015–16: 380 Art Applications accepted 2015–16: 50 STEPHANIE JAMES, Curatorial Studies, Chair, MFA, Newcastle Students enrolled 2015–16: 25 University KEVIN LARMON, Painting, Assistant Professor, tenure-track, BFA, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.5), TOEFL Binghamton University, State University of New York for foreign students (iBT 80), transcript, letters of recommendation, ALEX MENDEZ, Film, Assistant Professor, tenure-track, MFA, Syracuse résumé, statement of interest/personal statement, examples of personal University artwork, artist’s statement JAMES RANSOME, Drawing (Studio), Assistant Professor, tenure-track, Recommended: Campus visit, in-person or phone interview BFA, Pratt Institute BORYANA ROSSA, Performance, Video (Studio), Assistant Professor, CURRICULUM tenure-track ANNINA RUST, Digital Media (Studio), Assistant Professor, tenure- Courses track, MFA, University of California, San Diego Number offered to graduate students each term: 50 SUSANNAH SAYLER, Photography (Studio), Assistant Professor, Number whose enrollment is limited to graduate students: 35 tenure-track, MFA, School of Visual Arts OWEN SHAPIRO, Film, Professor, MFA, Brooklyn College Average Class Size TOM SHERMAN, Video (Studio), Video (History), Professor, Other In graduate studios: 6–10 students MISO SUCHY, Film, Associate Professor, MFA In graduate seminars: 11–15 students SAM VAN AKEN, Sculpture, Associate Professor, MFA, University of North Carolina at Chapel Hill In graduate lectures: 11–20 students EMILY VEY DUKE, Video (Studio), Assistant Professor, tenure-track, Independent study available: Yes MFA, University of Illinois at Chicago BARBARA WALTER, Metals, Professor, MFA, Northern Illinois University Course of Study ERROL WILLETT, Ceramics, Associate Professor, MFA, Pennsylvania Full-time residency requirement: 3 years State University Maximum number of years for residency: 3 JEROME WITKIN, Painting, Professor, MFA, University of Pennsylvania Average number of years for residency: 3 ROBERT WYSOCKI, Sculpture, Associate Professor, MFA, Yale University Typical number of credit hours per term for a full-time student: 9 REBECCA RUIGE XU, Digital Media (Studio), Animation (Studio), Total number of credit hours required for graduation: 60 Assistant Professor, tenure-track, MFA, Syracuse University, 2000 Total in studio art: 12 STEPHEN ZAIMA, Painting, Professor, MFA, University of California, Total in area of concentration: 24 Davis Total in art history: 12 Total in graduate seminars: 6 Electives: 6 Degree requirements: Written thesis, thesis or artist’s statement, group

174 Hours of work required per week: 20 RESOURCES AND SPECIAL PROGRAMS Teaching assistantship maximum period of support: 3 years Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Working assistantships applications received: 380 opportunity to exhibit their work in a gallery associated with the Working assistantships awarded: 20 department or institution, a graduate thesis exhibition. In addition to Average amount of award/stipend: $10,800 university-wide resources, many programs provide resources for Hours of work required per week: 20 students, including equipment for rental, computer labs with relevant software, and printing facilities. Working assistantship maximum period of support: 3 years Other benefits: Tuition remission (part or full) Libraries Other financial support: Part time technical/administrative support Total volumes in library system: >3,000,000 positions. All admitted students receive significant merit-based awards, Art volumes in library system: >100,000 often in the form of a scholarship. Art journals in library system: >1,000 Students have library privileges at other institutional libraries. Image Resources Total number of images: >250,000 TEXAS A&M UNIVERSITY- Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have CORPUS CHRISTI opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Studio Art Program Opportunities Texas A&M University-Corpus Christi Additional opportunities for study within the institution: Students may Department of Art, Unit 5721 study in any classes that the university offers through more than 200 6300 Ocean Dr. graduate programs, as well as in other courses/programs in the College Corpus Christi, Nueces, Texas, 78412 of Visual and Performing Arts. Phone: 361-825-2317 Gallery or museum affiliated with the department: SUArt Fax: 361-825-6097 Galleries/CMAC (University); 914 Works cla.tamucc.edu/art/ Formal programs: Study abroad. Film program offers option to study 35 Contact: Rich Gere, [email protected] mm filmmaking at FAMU in , Public university; nonprofit corporation Extracurricular opportunities for graduate students: Curate exhibitions, Accredited by: Southern Association of Colleges and Schools conduct fieldwork, research for catalogues, conduct surveys for outside Degrees awarded: Master’s degree institutions, present public outreach lectures. The department sponsors 20–30 lectures per year. Concentrations in: Ceramics, drawing, graphic design, metals, painting, photography, printmaking, sculpture Other Campus Resources First graduate degree granted: MFA, 2004 Employment or career development office: Yes The graduate program offers students the opportunity to work closely Office/center for international students: Yes with professors in small classes. The university believes it is critical to Housing space is available in apartments. support graduate student attendance in regional, national, and international conferences, symposia, and workshops. Students graduate Environmental Health and Safety from Texas A&M-Corpus Christi fully prepared for the next step in their Occupational Safety and Health Administration (OSHA) regulations are careers as artists and educators. in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, ADMISSIONS hearing protection. Program meets the US Environmental Protection Deadline for fall: 2/1 Agency (EPA) and state regulations for hazardous materials, including Fall notification date: 4/15 spill procedures and material disposal. Program has performed an Application fee: $50 environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and Part-time students accepted: Yes safety include instruction in class, faculty training, shop technician, Applications received 2015–16: 15 material safety data sheets (MSDS). Applications accepted 2015–16: 9 Students enrolled 2015–16: 4 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Tuition area, GPA (3.0), transcript, letters of recommendation, résumé, Full-time student tuition is determined per credit hour. statement of interest/personal statement, examples of personal artwork, artist’s statement All students: $1,443 Recommended: Campus visit, in-person or phone interview Additional institutional fees: $450 Financial Aid CURRICULUM Types of aid available: Tuition aid/remission, stipend, teaching Courses assistantship. Tuition credit scholarships, instructional associateships. Number offered to graduate students each term: 8 Tuition and full stipend awarded to 3 students in the previous academic year. Tuition and partial stipend awarded to 45 students in the previous Number whose enrollment is limited to graduate students: 8 academic year. Partial tuition awarded to 20 students in the previous Average Class Size academic year. In graduate studios: 6–10 students Funds available for graduate student travel: Yes In graduate seminars: 6–10 students Fellowships In graduate lectures: 1–10 students Fellowships are available to first-year students. Independent study available: Yes Fellowships applications received last year: 80 Course of Study Fellowships awarded: 1 Full-time residency requirement: None Average amount of award/stipend: $18,000 Maximum number of years for residency: 7 Fellowship maximum period of support: 3 years Average number of years for residency: 3 Assistantships Typical number of credit hours per term for a full-time student: 9 Assistantships are available to students of all levels. Total number of credit hours required for graduation: 60 Teaching assistantships applications received: 200 Total in studio art: 36 Teaching assistantships awarded: 10 Total in area of concentration: 36 Average amount of award/stipend: $14,780 Total in art history: 12

175 Total in graduate seminars: 3 Environmental Health and Safety Electives: 9 Occupational Safety and Health Administration (OSHA) regulations are Degree requirements: Written thesis, thesis or artist’s statement, in place for ventilation and respiratory protection, hazardous chemical concentration, solo exhibition, individual presentation of thesis work, safety (right-to-know), personal protective equipment, machine safety, critique of thesis work, documentation of thesis work for program hearing protection. Program meets the US Environmental Protection archive, oral defense of work, thesis committee/exhibition jury Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an STUDENTS environmental health and safety audit in the past five years. Art studio Number of students in residence: Master’s, 16 facilities provide ample ventilation for fumes and dust generated in each Number of male graduates fall 2015–summer 2016: Master’s, 10 area. Methods used to familiarize students and faculty with environmental health and safety include required training course, Number of female graduates fall 2015–summer 2016: Master’s, 6 instruction in class, faculty training, health and safety officer (full-time or Student organizations within the program/department: Graduate part-time), shop technician, material safety data sheets (MSDS), students have organized groups in the printmaking, graphic design, training videos, information in student handbook. ceramics, and sculpture areas. FACULTY FINANCIAL INFORMATION Number of faculty: 10 Tuition Tenured/tenure track: 6 men, 4 women Full-time student tuition is determined per credit hour. Part-time/adjunct lecturers: 0 men, 0 women State residents: $198 Full-time contractual: 0 men, 0 women Out-of-state residents: $588 DR. AMANDA GARCIA, Graphic Design, Associate Professor, MFA, International students: $588 Savannah College of Art and Design, 2004 Additional institutional fees: $400 MR. RICH GERE, Printmaking, Professor, MFA, University of Tennessee- Part-time student tuition is determined per credit hour. Knoxville MR. JACK GRON, Sculpture, Professor, MFA, Washington University in State residents: $198 St. Louis, 1976 Out-of-state residents: $588 MR. LOUIS KATZ, Ceramics, Professor, MFA, Montana State University, International students: $588 1986 Additional institutional fees: $400 MR. RYAN O’MALLEY, Printmaking, Assistant Professor, tenure-track, MFA, Louisiana State University, 2005 Financial Aid MR. JOE PEÑA, Painting, Assistant Professor, tenure-track, MFA, Texas Types of aid available: Teaching assistantship, work-study program. A&M University-Corpus Christi, 2005 Scholarships are available. DR. LAURA PETICAN, Contemporary Art, Museum Studies, Assistant Professor, tenure-track, PhD, University of Western Ontario, 2009 Funds available for graduate student travel: Yes MR. GREG REUTER, Sculpture, Professor, MFA, University of Hawai‘i at Assistantships Mnoa, 1973 MS. BARBRA RILEY, Photography (Studio), Professor, MA, California Assistantships are available to first-year students, second-year students, State University, Sacramento, 1974 and third-year students. DR. CAREY ROTE, Latin American Art, Professor, PhD, University of Teaching assistantships applications received: 12 Texas at Austin, 1987 Teaching assistantships awarded: 12 Teaching assistantships awarded to women: 4 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to minorities: 3 Private studios are available with unlimited hours for teaching assistants. Semiprivate studios are available with unlimited hours for Average amount of award/stipend: $6,300 teaching assistants. Students have the opportunity to exhibit their work Hours of work required per week: 6 in a gallery associated with the department or institution, local galleries, Teaching assistantship maximum period of support: 3 years a graduate thesis exhibition. The photography program provides Working assistantships applications received: 3 students with access to digital technology resources. Working assistantships awarded: 3 Libraries Working assistantships awarded to women: 2 Total volumes in library system: >500,000 Working assistantships awarded to minorities: 1 Art volumes in library system: >50,000 Average amount of award/stipend: $12,600 Art journals in library system: >100 Hours of work required per week: 20 Students have library privileges at other institutional libraries. Working assistantship maximum period of support: 1 year Image Resources Health Insurance Total number of images: >100,000 Program maintains its own digital-image collection. Students have Full-time master’s students receive health insurance coverage with access to image collections. Students have opportunities to view works copayment. Health insurance coverage is available to dependents and of art in local museums, commercial galleries, and on funded field trips. spouses of full-time master’s students. Program Opportunities Gallery or museum affiliated with the department: Art Museum of South Texas Formal programs: Study abroad. Summer study-abroad programs TEXAS CHRISTIAN include art history and photography programs in Florence and Istanbul. The locations may vary from year to year. UNIVERSITY Extracurricular opportunities for graduate students: Curate exhibitions, present public outreach lectures. The department sponsors 1–4 lectures Studio Art per year. Texas Christian University Other Campus Resources School of Art Employment or career development office: Yes Box 298000 Office/center for international students: Yes Fort Worth, Texas, 76129 Graduate art students must seek out and secure their own housing Phone: 817-257-7643 accommodations. Fax: 817-257-7399 www.art.tcu.edu Planned campus changes and facility improvements: The art department has acquired the use of a large, abandoned, pedestrian tunnel in Contact: Prof. Cameron Schoepp, [email protected] downtown Corpus Christi to use as an alternative gallery space. Private university; nonprofit corporation Graduate art students have organized exhibitions and installations as Accredited by: National Association of Schools of Art and Design, well as conducted performances in this highly visible space in the center Southern Association of Colleges and Schools of the city. Degrees awarded: Master’s degree

176 Concentrations in: Ceramics, digital media, painting, photography, Assistant Professor, tenure-track, PhD, University of Michigan, 2011 printmaking, sculpture PROF. ADAM FUNG, Painting, Drawing (Studio), Assistant Professor, First graduate degree granted: MFA, 1951 tenure-track, MFA, 2013 The MFA program is a three-year, 60-credit, intensive residency. The PROF. RICHARD LANE, Photography (Studio), Associate Professor, School of Art is housed in one of the best designed and most fully MFA, 1985 equipped facilities in the Southwest: the J. M. Moudy Building for the PROF. RACHEL LIVEDALEN, Printmaking, Assistant Professor, tenure- Visual Arts and Communication, designed by Roche, Dinkeloo and track, MFA Associates of Connecticut. The campus library houses a fine collection PROF. SALLY PACKARD, Sculpture, Chair, MFA, 2011 of art and art-related books, catalogues, and journals. The art PROF. CHRIS POWELL, Ceramics, Sculpture, Associate Professor, MFA, department’s visual resources library holds nearly 250,000 slides and 1983 digital image files as well as its own collection of art books and PROF. CAMERON SCHOEPP, Sculpture, Associate Professor, MFA, periodicals. The art galleries at TCU exhibit international, national, and 1987 regional art. Fort Worth’s three major museums—the Modern Art PROF. LUTHER SMITH, Photography (Studio), Professor, MFA, 1974 Museum of Fort Worth, the Amon Carter Museum of American Art, and DR. MARK THISTLETHWAITE, Art of the United States, Professor, PhD, the Kimbell Art Museum—along with several galleries, are conveniently 1977 located near campus. Dallas, with its many galleries and excellent art museums, is just forty minutes away by car. RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Students have ADMISSIONS the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Deadline for fall: 2/1 Complete digital Mac labs with large-format printers, scanners, laser Fall notification date: 4/1 cutter, 3D printers, and a large-bed CNC are available to students. Application fee: $60 Software includes Final Cut Pro and the latest Adobe CS. Applications received 2015–16: 20 Image Resources Applications accepted 2015–16: 4 Total number of images: >250,000 Students enrolled 2015–16: 9 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL digital-image library. Students have access to image collections. for foreign students (iBT 80), transcript, letters of recommendation, Students have opportunities to view works of art in local museums, résumé, statement of interest/personal statement commercial galleries, private collections, and on funded field trips. Recommended: Degree in subject area, artist’s statement, related internship experience, related professional experience, campus visit, in- Program Opportunities person or phone interview Additional opportunities for study within the institution: Students may take limited graduate courses outside the School of Art with the CURRICULUM permission of the candidate’s graduate committee. Courses Gallery or museum affiliated with the department: Fort Worth Number offered to graduate students each term: 12 Contemporary Arts, Moudy Gallery Number whose enrollment is limited to graduate students: 6 Formal programs: Study abroad Formal relationships with local museums: The School of Art teaches Average Class Size seminars and art history courses in all three of the local museums: In graduate studios: 1–5 students Modern Art Museum of Fort Worth, Amon Carter Museum of American In graduate seminars: 6–10 students Art, and Kimbell Art Museum. In graduate lectures: 11–20 students Extracurricular opportunities for graduate students: Curate exhibitions Other special programs sponsored by the department: The department Independent study available: Yes sponsors travel grants. The department sponsors 5–10 lectures per year. Course of Study Other Campus Resources Full-time residency requirement: 3 years Employment or career development office: Yes Maximum number of years for residency: 3 Office/center for international students: Yes Average number of years for residency: 3 Typical number of credit hours per term for a full-time student: 10 Environmental Health and Safety Total number of credit hours required for graduation: 60 Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Total in studio art: 48 safety (right-to-know), personal protective equipment, machine safety, Total in area of concentration: 12 hearing protection. Program meets the US Environmental Protection Total in art history: 6 Agency (EPA) and state regulations for hazardous materials, including Total in graduate seminars: 6 spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. The recently Degree requirements: Written thesis, solo exhibition, individual renovated studios have state-of-the-art ventilation. Both painting and presentation of thesis work, critique of thesis work, documentation of printmaking have fresh-air-only conditioned room air, and sculpture has thesis work for program archive, oral defense of work, thesis its own air-handling system with a large walk-in spray booth. Methods committee/exhibition jury, professional practices course used to familiarize students and faculty with environmental health and safety include instruction in class, health and safety officer (full-time or STUDENTS part-time), material safety data sheets (MSDS). Number of students in residence: Master’s, 9 Number of male graduates fall 2015–summer 2016: Master’s, 1 FINANCIAL INFORMATION Number of female graduates fall 2015–summer 2016: Master’s, 8 Tuition FACULTY Full-time student tuition is determined per credit hour. Number of faculty: 14 All students: $1,415 Tenured/tenure track: 6 men, 8 women Additional institutional fees: $48 Part-time/adjunct lecturers: 0 men, 0 women Financial Aid Full-time contractual: 0 men, 0 women Types of aid available: Tuition aid/remission, stipend, research DR. AMANDA ALLISON, Art Education (Studio), Assistant Professor, assistantship, work-study program. Tuition and full stipend awarded to 9 tenure-track, PhD, 2008 students in the previous academic year. DR. BABETTE BOHN, Renaissance Art, Professor, PhD, 1982 Funds available for graduate student travel: Yes PROF. NICK BONTRAGER, Digital Media (Studio), Assistant Professor, tenure-track, MFA, 2012 Assistantships DR. FRANCES COLPITT, Critical Theory, Contemporary Art, Professor, Assistantships are available to students of all levels. PhD, 1982 DR. LORI BOORNAZIAN DIEL, Pre-Columbian Art, Associate Professor, Working assistantships applications received: 20 PhD, 2001 Working assistantships awarded: 9 DR. JESSICA FRIPP, Eighteenth-Century Art, Nineteenth-Century Art, Working assistantships awarded to women: 8

177 Working assistantships awarded to minorities: 1 Total in art history: 9 Average amount of award/stipend: $9,000 Total in graduate seminars: 3 Hours of work required per week: 10 Electives: 9 Working assistantship maximum period of support: 3 years Degree requirements: Thesis or artist’s statement, concentration, solo Other benefits: Tuition remission (part or full) exhibition, individual presentation of thesis work, critique of thesis work, oral defense of work, thesis committee/exhibition jury, professional Other financial support: The University covers 75% of the cost of health practices course. MFA candidates present their MFA Report and Lecture insurance for all full-time MFA students. in their fifth semester. Their MFA Exhibition takes place during their sixth and final semester. STUDENTS Number of students in residence: Master’s, 27 TEXAS TECH UNIVERSITY Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 2 Master of Fine Arts Student organizations within the program/department: Student School of Art organizations include the AGA, the Tech Art History Society, the Tech Texas Tech University Artist Society, the Clay Club, the Jewelry-Metals Club, the National Art 18th St. and Flint Ave., Box 42081 Educational Association (NAEA) student chapter, the Photography Club, Lubbock, Texas, 79409 Print Club, and The Sculpture Network of Texas (TSNT) student chapter. Phone: 806-742-3826 Formal mode of student participation in academic governance: Students Fax: 806-742-1971 have the option to participate in academic governance through the www.depts.ttu.edu/art/ Student Government Association. Contact: Juan Granados, [email protected] FACULTY Public university; nonprofit corporation Number of faculty: 18 Accredited by: National Association of Schools of Art and Design, Tenured/tenure track: 10 men, 8 women Southern Association of Colleges and Schools Part-time/adjunct lecturers: 0 men, 0 women Degrees awarded: Master’s degree Full-time contractual: 0 men, 0 women Concentrations in: Ceramics, metals, painting, photography, printmaking, sculpture WILLIAM CANNINGS, Sculpture, Associate Professor, MFA, Syracuse University, 1998 Texas Tech University’s Master of Fine Arts program is a degree in RICK DINGUS, Photography (Studio), Professor, MFA, University of which students develop unique and individual ideas and rigorously New Mexico, 1977 engage in creative activity. Specialization is possible in the areas of STACY ELKO, Printmaking, Associate Professor, MFA, Indiana ceramics, jewelry design and metalsmithing, painting, photography, or University, 2005 sculpture. Drawing may be selected as a secondary studio option or CAROL FLUECKIGER, Painting, Associate Professor, MFA, University of studio elective. The program has a state-of-the-art 3D Art Annex building New Mexico, 1994 and a strong guest lecturer/visiting artist and exhibition program. The GHISLAINE FREMAUX, Painting, Assistant Professor, tenure-track, MFA degree is the recognized terminal degree in the practice of art. It is MFA, Pennsylvania State University, 2012 offered with a major in art and requires a minimum of 60 semester TINA FUENTES, Painting, Professor, MFA, University of North Texas, hours of graduate work. 1975 ROBIN GERMANY, Photography (Studio), Professor, MFA, University of ADMISSIONS North Texas, 1985 This program has rolling admissions. ROBLY GLOVER, Metals, Professor, MFA, Indiana University, 1987 Deadline for fall: 1/15 JAIWEI GONG, Digital Media (Studio), Assistant Professor, tenure-track, Fall notification date: 3/15 MFA, Southern Illinois University Carbondale, 2007 JUAN GRANADOS, Ceramics, Professor, MFA, Ohio State University, Deadline for spring: 10/15 1991 Spring notification date: 12/15 DAVID LINDSAY, Drawing (Studio), Associate Professor, MFA, Indiana Application fee: $60 University of Pennsylvania, 2004 Part-time students accepted: Yes ANDREW MARTIN, Painting, Professor, MFA, University of California, Los Angeles, 1988 Applications received 2015–16: 24 TERRY MORROW, Printmaking, Professor, MS, Indiana University, 1967 Applications accepted 2015–16: 17 NANCY SLAGLE, Metals, Associate Professor, MFA, Indiana University, Students enrolled 2015–16: 10 1987 Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject LYDIA THOMPSON, Ceramics, Professor, MFA, Alfred University, 1985 area, TOEFL for foreign students (PBT 550), transcript, letters of VON VENHUIZEN, Ceramics, Associate Professor, MFA, Indiana recommendation, résumé, statement of interest/personal statement, University, 1996 examples of personal artwork DON WINK, Painting, Drawing (Studio), Professor, MFA, University of Washington, 1963 Recommended: Related professional experience, campus visit, in-person SANG-MI YOO, Printmaking, Associate Professor, MFA, Ohio State or phone interview University, 2001 CURRICULUM RESOURCES AND SPECIAL PROGRAMS Courses Semiprivate studios are available with limited hours for all. Students Number offered to graduate students each term: 8 have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Number whose enrollment is limited to graduate students: 8 Average Class Size Libraries Total volumes in library system: >3,000,000 In graduate studios: 6–10 students Art volumes in library system: >50,000 In graduate seminars: 11–15 students Art journals in library system: >100 In graduate lectures: 11–20 students There is a separate art library with >500 volumes and >200 journals. Independent study available: Yes Students have library privileges at other institutional libraries. Course of Study Image Resources Full-time residency requirement: 3 years Total number of images: >250,000 Maximum number of years for residency: No maximum Program maintains its own digital-image collection. Program maintains its own slide collection. Institution subscribes to a digital-image library. Average number of years for residency: 3 Students have access to image collections. Students have opportunities Typical number of credit hours per term for a full-time student: 10 to view works of art in local museums, commercial galleries, and on Total number of credit hours required for graduation: 60 funded field trips. Total in studio art: 39 Total in area of concentration: 33 178 Winter residences are offered in New York City; summer intensives take Program Opportunities place in Berlin. Students are able to keep their professional and family Additional opportunities for study within the institution: The MFA allows obligations while advancing their careers since they have access to for up to six credit hours from any graduate area of study. offsite study, critiques, and advisement regardless of where they live and Gallery or museum affiliated with the department: Landmark Arts work. The international community of students, faculty, and alumni Gallery fosters cultural exchange and forms an international collective with Formal programs: Study abroad, summer work projects performance and exhibition opportunities. Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures. The department ADMISSIONS sponsors 10–20 lectures per year. This program has rolling admissions. Deadline for fall: 7/15 Other Campus Resources Deadline for spring: 12/1 Employment or career development office: Yes Spring notification date: 12/6 Office/center for international students: Yes Application fee: $95 There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. Applications received 2015–16: 65 Applications accepted 2015–16: 30 Environmental Health and Safety Students enrolled 2015–16: 43 Occupational Safety and Health Administration (OSHA) regulations are Requirements: TOEFL for foreign students, résumé, statement of in place for ventilation and respiratory protection, hazardous chemical interest/personal statement, writing sample, examples of personal safety (right-to-know), personal protective equipment, machine safety, artwork, artist’s statement, in-person or phone interview hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Recommended: Degree in subject area, transcript spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods CURRICULUM used to familiarize students and faculty with environmental health and Courses safety include publications, required training course, instruction in class, faculty training, health and safety officer (full-time or part-time), shop Number offered to graduate students each term: 16 technician, material safety data sheets (MSDS), information in student Number whose enrollment is limited to graduate students: 16 handbook. Average Class Size FINANCIAL INFORMATION In graduate studios: 11–15 students In graduate seminars: 11–15 students Tuition In graduate lectures: 21–50 students Full-time student tuition is determined per credit hour. Independent study available: Yes State residents: $262.92 Out-of-state residents: $694.92 Course of Study Additional institutional fees: $481.65 Full-time residency requirement: None Part-time student tuition is determined per credit hour. Maximum number of years for residency: 5 Average number of years for residency: 2 Financial Aid This program has a low-residency component. Types of aid available: Tuition aid/remission, guaranteed loan, teaching assistantship, research assistantship, work-study program. Typical number of courses for a full-time student: 4 Departmental scholarships and college fellowships are available. Total number of courses required for graduation: 16 Funds available for graduate student travel: Yes Total in studio art: 4 Total in area of concentration: 2 Fellowships Total in art history: 3 Fellowships are available to students of all levels. Total in graduate seminars: 3 Assistantships Electives: 6 Assistantships are available to students of all levels. Degree requirements: Completion of three residencies and six modules in the first- and second-year studio for MFA, a creative project informed by research each year. The MPhil and PhD studies are 3–4 years low- residency. Recommended: Professional practices course TRANSART INSTITUTE Requirements for doctoral program: The PhD thesis must show systematic study, independence, critical competence, and originality, and should be suitable for publication in whole or in part. It needs to MFA/PhD in Creative Practice include a record of the practice element, contextualize the practice Transart Institute intellectually, and demonstrate its contribution to knowledge. 228 Park Ave. South, #34726 New York, New York, 10003 STUDENTS Phone: 347-410-9905 Number of students in residence: Master’s, 25; Doctorate, 15 Fax: 347-410-9905 Number of male graduates fall 2015–summer 2016: Master’s, 7 www.transart.org/ Number of female graduates fall 2015–summer 2016: Master’s, 10 Contact: Admissions, [email protected] Student organizations within the program/department: Two student Private art school; nonprofit corporation representatives per class per year Accredited by: University of Plymouth, UK Formal mode of student participation in academic governance: Each Degrees awarded: Master’s degree; Doctoral degree; Certificate class has two student representatives, who are elected by their peers. Concentrations in: Animation, artist’s books, digital media, drawing, Students have the opportunity to join a labor union. environmental art, fiber arts, film, graphic design, illustration, installation, multidisciplinary, painting, performance, photography, FACULTY printmaking, public art, sculpture, sound, video, visual studies, Number of faculty: 21 writing/word art Tenured/tenure track: 0 men, 1 woman First graduate degree granted: MFA, 2005 Part-time/adjunct lecturers: 8 men, 12 women Transart Institute offers MFA and studio PhD degrees through a Full-time contractual: 0 men, 0 women contemporary learning experience without grades or preformatted ANGELIKI AVGITIDOU, Performance, Adjunct/Contingent faculty, PhD curricula. Students design their own course of study while developing a LYNN BOOK, Sound, Adjunct/Contingent faculty, MFA, 1995 sustainable artistic praxis rather than being trained in a certain media or MICHAEL BOWDIDGE, Sculpture, Public Art (Studio), genre. Students realize their creative projects through the support of Adjunct/Contingent faculty, PhD, University of Glasgow, 2010 curators, faculty, and self-chosen advisers. Thesis exhibitions are JEAN MARIE CASBARIAN, Installation (Studio), Photography (Studio), reviewed, critiqued, and curated by established international curators. Adjunct/Contingent faculty, MEd, 2000 179 CELLA CELLA, Photography (Studio), Video (Studio), Chair, MFA, 1997 DR. ANDREW COOKS, Painting, Adjunct/Contingent faculty, PhD, Assistantships , 2014 Other financial support: Private student loans are available through GEOFF COX, Digital Media (Studio), Public Art (Studio), Sallie Mae. Adjunct/Contingent faculty, PhD, 2002 JEAN-ULRICK DESERT, Performance, Adjunct/Contingent faculty, MA Health Insurance NICOLÁS DUMIT ESTEVEZ, Performance, Adjunct/Contingent faculty, No health insurance coverage is provided for full-time doctoral students, MFA, 2000 full-time master’s students, and full-time certificate students. LAURA GONZALEZ, Installation (Studio), Performance, Adjunct/Contingent faculty, PhD, 2010 CAROLINE KOEBEL, Video (Studio), Adjunct/Contingent faculty, MFA DR. ELENA MARCHEVSKA, Performance, Adjunct/Contingent faculty, PhD UNIVERSITY AT ALBANY, HERMAN MENDOLICCHIO, Critical Theory, Adjunct/Contingent faculty, PhD LINDA MONTANO, Performance, Adjunct/Contingent faculty, MFA STATE UNIVERSITY OF NEW ECE PAZARBASI, Curatorial Studies, Adjunct/Contingent faculty SIMON POPE, Performance, Adjunct/Contingent faculty, PhD YORK DEBORAH ROBINSON, Installation (Studio), Adjunct/Contingent faculty, PhD Studio Art MERETE ROSTAD, Curatorial Studies, Adjunct/Contingent faculty, MFA RADHIKA SUBRAMANIAM, Critical Theory, Curatorial Studies, University at Albany, State University of New York Adjunct/Contingent faculty, PhD Dept. of Art and Art History, College of Arts and Sciences WOLFGANG SUETZL, Non-Artist/Non-Art Historian, 1400 Washington Ave., Fine Arts 216 Adjunct/Contingent faculty, PhD Albany, New York, 12222 MARY TING, Drawing (Studio), Installation (Studio), Phone: 518-442-4020 Adjunct/Contingent faculty, MFA, 2000 Fax: 518-442-4807 www.albany.edu/finearts RESOURCES AND SPECIAL PROGRAMS Contact: Adam Frelin, [email protected] Students have the opportunity to exhibit their work in local galleries, a graduate thesis exhibition. Students have the opportunity to exhibit their Public university work in Berlin and New York galleries and internationally in the Transart Accredited by: Middle States Association of Colleges and Schools, Collective. Studio and production spaces are available for courses. Middle States Commission on Higher Education Libraries Degrees awarded: Master’s degree Concentrations in: Digital media, drawing, multidisciplinary, painting, Students have library privileges at other institutional libraries. photography, printmaking, sculpture Image Resources First graduate degree granted: MA, 1980 Total number of images: >250,000 The Art and Art History Department at the University at Albany provides Institution maintains its own digital-image collection. Institution an environment in which students can develop their creative skills, maintains its own slide collection. Institution subscribes to a digital- stretch their limits, and grow artistically. The programs foster a image library. Students have access to image collections. Students have challenging and innovative learning environment, support creative and opportunities to view works of art in local museums, commercial academic exploration, provide technical and professional mentoring, galleries, private collections, and on funded field trips. and promote faculty and student excellence. Degrees in studio art and Program Opportunities art history help students to develop strong visual skills, keen critical reasoning, and an understanding of broad historical and social themes. Formal relationships with other academic institutions: Degrees are At both the undergraduate and graduate levels, the department awarded jointly with the University of Plymouth. encourages creativity by offering flexible programs, an open working Extracurricular opportunities for graduate students: Curate exhibitions, environment, and a committed faculty with diverse artistic backgrounds. conduct fieldwork, present public outreach lectures. The department The curriculum encourages students to develop a unique visual sponsors 5–10 lectures per year. expression and an understanding of the role art plays in contemporary Other Campus Resources culture. Office/center for international students: Yes ADMISSIONS Environmental Health and Safety This program has rolling admissions. Occupational Safety and Health Administration (OSHA) regulations are Deadline for fall: 2/17 in place for ventilation and respiratory protection, hazardous chemical Fall notification date: 5/17 safety (right-to-know), personal protective equipment, machine safety, Application fee: $75 hearing protection. Program meets the US Environmental Protection Part-time students accepted: Yes Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Applications received 2015–16: 38 environmental health and safety audit in the past five years. There is no Applications accepted 2015–16: 20 personal studio space at the residency. Methods used to familiarize Students enrolled 2015–16: 28 students and faculty with environmental health and safety include Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign publications, instruction in class, material safety data sheets (MSDS), students (iBT 100), transcript, letters of recommendation, statement of information in student handbook. interest/personal statement, examples of personal artwork Recommended: Résumé, artist’s statement, related internship FINANCIAL INFORMATION experience, related professional experience, campus visit, in-person or Tuition phone interview Full-time student tuition is determined per semester. All students: $13,650 CURRICULUM Financial Aid Courses Number offered to graduate students each term: 46 Types of aid available: Tuition aid/remission, work-study program. Partial tuition awarded to 26 students in the previous academic year. No Number whose enrollment is limited to graduate students: 46 financial assistance awarded to 6 students in the previous academic Average Class Size year. In graduate studios: 6–10 students Fellowships In graduate seminars: 11–15 students Fellowships applications received last year: 33 Independent study available: Yes Fellowships awarded: 21 Course of Study Fellowships awarded to women: 15 Full-time residency requirement: 2 terms Fellowships awarded to minorities: 8 Maximum number of years for residency: 3

180 Average number of years for residency: 2 PROF. JAMES VAN DUYNE, Sculpture, Adjunct/Contingent faculty, Typical number of credit hours per term for a full-time student: 12 MFA, University at Albany, State University of New York, 2007 PROF. JASON VAN STAVEREN, Photography (Studio), Digital Media Total number of credit hours required for graduation: 60 (Studio), Adjunct/Contingent faculty, MFA, University at Albany, State Total in studio art: 48 University of New York, 2015 Total in area of concentration: 28 DR. MICHAEL WERNER, Roman Art, Associate Professor, PhD, Stanford Total in art history: 7 University PROF. SIMEON YOUNGMANN, Painting, Drawing (Studio), Total in graduate seminars: 9 Adjunct/Contingent faculty, MFA, University at Albany, State University Electives: 5 of New York, 2016 Degree requirements: Thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, Recent Visiting Faculty documentation of thesis work for program archive, oral defense of work AMY GRIFFIN, Photography (Studio), Adjunct/Contingent faculty, MFA STUDENTS Number of students in residence: Master’s, 27 RESOURCES AND SPECIAL PROGRAMS Number of male graduates fall 2015–summer 2016: Master’s, 4 Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Number of female graduates fall 2015–summer 2016: Master’s, 3 opportunity to exhibit their work in a gallery associated with the Student organizations within the program/department: MFA students department or institution, local galleries, a graduate thesis exhibition. who are active in the university’s Graduate Student Organization are Three well-equipped digital media labs are available for students, plus eligible for grants to fund visiting artist lectures, projects, and more. exclusive discounts on laptops. Facilities include 22 high-end Apple Formal mode of student participation in academic governance: Students work stations running the latest version of OS X, and four large-format, can join the Graduate Student Organization and several undergraduate archival-pigment, fine-art inkjet printers. student organizations. MFA students elect a student representative to attend faculty meetings and to serve in an advisory capacity on the Libraries graduate admissions committee. Total volumes in library system: >3,000,000 Students have the opportunity to join a labor union. Art volumes in library system: >50,000 Art journals in library system: >100 FACULTY Students have library privileges at other institutional libraries. Number of faculty: 30 Image Resources Tenured/tenure track: 8 men, 8 women Total number of images: >100,000 Part-time/adjunct lecturers: 9 men, 4 women Institution and program maintain digital-image collections. Students Full-time contractual: 0 men, 1 woman have access to image collections. Students have opportunities to view DR. RAKHEE BALARAM, Contemporary Art, Assistant Professor, tenure- works of art in local museums, commercial galleries, private collections, track, PhD and on funded field trips. DR. ROBERTA BERNSTEIN, Contemporary Art, Art of the United States, Emeritus, PhD, 1975 Program Opportunities DR. AMY BLOCH, Renaissance Art, Associate Professor, PhD, Rutgers, Additional opportunities for study within the institution: Several faculty The State University of New Jersey, 2004 members have joint appointments in other programs, such as women’s PROF. DAVID CARBONE, Painting, Drawing (Studio), Emeritus, MFA, studies and documentary studies. Students have opportunities to work Brooklyn College with faculty in these and other graduate programs on campus, including PROF. JOANNE CARSON, Painting, Drawing (Studio), Professor, MFA, English, philosophy, communications, and Africana studies. University of Chicago Gallery or museum affiliated with the department: University Art PROF. LEONA CHRISTIE, Printmaking, Digital Media (Studio), Museum Associate Professor, MFA, University of Washington, 1994 Formal relationships with other academic institutions: Students may PROF. BARRY DALE, Greek Art, Roman Art, Adjunct/Contingent faculty, cross-register for courses in Rensselaer Polytechnic Institute’s MFA MA, 2001 program in electronic media. DR. RACHEL DRESSLER, Early Medieval Art, Associate Professor, PhD, Columbia University, 1994 Formal relationships with local museums: Albany Institute of History PROF. ROB EDELMAN, Film (History), Adjunct/Contingent faculty, BA and Art, Albany Center Galleries, Albany International Airport, Sanctuary PROF. ADAM FRELIN, Installation (Studio), Performance, Associate for Independent Media, Arts Center of the Capital Gallery Region, New Professor, MFA, University of California, San Diego, 2001 York State Museum, Collar Works Gallery PROF. PHYLLIS GALEMBO, Photography (Studio), Professor, MFA, Extracurricular opportunities for graduate students: Curate exhibitions, University of Wisconsin-Madison, 1977 conduct fieldwork, research for catalogues. The department sponsors PROF. DANIEL GOODWIN, Photography (Studio), Digital Media 5–10 lectures per year. (Studio), Associate Professor, MFA, Hunter College, 1991 PROF. MARK GREENWOLD, Painting, Emeritus, MFA, Indiana Other Campus Resources University, 1968 Employment or career development office: Yes PROF. DANIEL GREMMLER, Greek Art, Roman Art, Adjunct/Contingent Office/center for international students: Yes faculty, MA, 2002 PROF. WILLIAM JAEGER, Photography (History), Photography (Studio), Environmental Health and Safety Adjunct/Contingent faculty, MFA, Rochester Institute of Technology, Occupational Safety and Health Administration (OSHA) regulations are 1984 in place for ventilation and respiratory protection, hazardous chemical PROF. AUDREY KUPFERBERG, Film (History), Emeritus, MA, New York safety (right-to-know), personal protective equipment, machine safety, University, Tisch School of the Arts, 1976 hearing protection. Program meets the US Environmental Protection PROF. JASON MARTIN, Video (Studio), Performance, Agency (EPA) and state regulations for hazardous materials, including Adjunct/Contingent faculty, MFA, New York University, Institute of Fine spill procedures and material disposal. Program has performed an Arts environmental health and safety audit in the past five years. Modern, PROF. EDWARD MAYER, Sculpture, Professor, MFA, University of state-of-the-art ventilation facilities are installed in the new Boor Wisconsin-Madison, 1966 Sculpture Studio, and ventilation in the Fine Arts building for painting, PROF. THOM O’CONNOR, Printmaking, Digital Media (Studio), photography, and printmaking has recently been renovated. Methods Emeritus, MFA, Cranbrook Academy of Art used to familiarize students and faculty with environmental health and DR. JOHN OVERBECK, Greek Art, Emeritus, PhD, University of safety include publications, required training course, instruction in class, Cincinnati, 1963 internet or intranet, faculty research, faculty training, health and safety PROF. ALEXANDER ROSS, Painting, Drawing (Studio), officer (full-time or part-time), shop technician, material safety data Adjunct/Contingent faculty, BFA, 1983 sheets (MSDS), information in student handbook. DR. SHIRA SEGAL, Film (History), Adjunct/Contingent faculty, PhD, Indiana University-Bloomington, 2011 FINANCIAL INFORMATION PROF. ELIZABETH STRUM, General Art History, Adjunct/Contingent faculty, MA Tuition MS. MELISSA THORNE, Painting, Drawing (Studio), Full-time student tuition is determined per semester. Adjunct/Contingent faculty, MFA State residents: $6,258 PROF. REBEKAH TOLLEY, Printmaking, Adjunct/Contingent faculty, MFA, Temple University, 2002 Out-of-state residents: $11,928 Additional institutional fees: $586.50 181 the flagship institution in the State University of New York’s 64-campus Financial Aid system and supports the university art galleries on two campuses. Types of aid available: Tuition aid/remission, stipend, teaching assistantship, research assistantship. All MFA students receive ADMISSIONS assistantship support of 50% tuition waiver and a stipend. Tuition and full stipend awarded to 1 student in the previous academic year. Tuition Deadline for fall: 2/1 and partial stipend awarded to 10 students in the previous academic Fall notification date: 2/15 year. Application fee: $75 Fellowships Applications received 2015–16: 52 Fellowships are available to second-year students and third-year Applications accepted 2015–16: 17 students. Students enrolled 2015–16: 11 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Assistantships for foreign students (79 IBT), transcript, letters of recommendation, Assistantships are available to first-year students, second-year students, résumé, statement of interest/personal statement, examples of personal and third-year students. artwork, artist’s statement Teaching assistantships applications received: 8 Recommended: Degree in subject area, related professional experience, Teaching assistantships awarded: 8 campus visit, in-person or phone interview, contact the program for Teaching assistantships awarded to women: 5 additional requirements Average amount of award/stipend: $9,000 CURRICULUM Hours of work required per week: 10 Teaching assistantship maximum period of support: 2 years Courses Working assistantships applications received: 2 Number offered to graduate students each term: 12 Working assistantships awarded: 2 Number whose enrollment is limited to graduate students: 8 Working assistantships awarded to women: 1 Average Class Size Average amount of award/stipend: $9,000 In graduate studios: 11–15 students Hours of work required per week: 10 In graduate seminars: 11–15 students Working assistantship maximum period of support: 2 years Independent study available: Yes Other benefits: Tuition remission (part or full) Course of Study Other financial support: Students are eligible for funding for specific projects through the Graduate Student Organization’s competitive grant Full-time residency requirement: 2 years program. Maximum number of years for residency: 2 Average number of years for residency: 2 For more information on tuition and fees, see Typical number of credit hours per term for a full-time student: 15 www.albany.edu/studentaccounts/AY_13-14_GRAD_RATES_2.pdf Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 42 Full-time master’s students receive health insurance coverage with Total in area of concentration: 0 copayment. Total in art history: 0 Total in graduate seminars: 15 Electives: 3 Degree requirements: Written thesis, thesis or artist’s statement, solo exhibition, group exhibition, individual presentation of thesis work, UNIVERSITY AT BUFFALO, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. There THE STATE UNIVERSITY OF are no concentration requirements. This is a flexible program that encourages work across a range of disciplines in the department and the NEW YORK university. Recommended: Professional practices course Master of Fine Art STUDENTS Attn: Director of Graduate Study, MFA Program Number of students in residence: Master’s, 20 Department of Art, 202 Center for the Arts Number of male graduates fall 2015–summer 2016: Master’s, 8 University at Buffalo North Campus Buffalo, NY, New York, 14260 Number of female graduates fall 2015–summer 2016: Master’s, 14 Phone: 716-645-0546 Student organizations within the program/department: All graduate Fax: 716-645-6970 students (MA, MFA, PhD) participate in the Visual Studies Graduate art.buffalo.edu/graduate/ Student Association. Participation ensures eligibility for GSA funding of research and professional development activities. Contact: Stephanie Rothenberg, [email protected] Students have the opportunity to join a labor union. Public university; nonprofit corporation Accredited by: Association of American Universities, Middle States FACULTY Commission on Higher Education Number of faculty: 14 Degrees awarded: Master’s degree Tenured/tenure track: 6 men, 7 women Concentrations in: Artist’s books, digital media, drawing, environmental Part-time/adjunct lecturers: 1 man, 0 women art, foundations, graphic design, installation, metals, multidisciplinary, painting, paper, performance, photography, printmaking, public art, Full-time contractual: 0 men, 0 women sculpture, sound, video, visual studies, writing/word art PROF. SYLVIE BELANGER, Photography (Studio), Video (Studio), First graduate degree granted: MFA, 1972 Associate Professor, MFA, York University LAWRENCE BROSE, Film (History), Photography (History), The MFA program explores visual culture and visuality in diverse forms Adjunct/Contingent faculty, MFA, University at Buffalo, The State such as art, design, rich media, science, and technology. Concentrations University of New York, 1985 within the MFA are self-defining and flexible, supported by the diverse PROF. MILLIE CHEN, Performance, Professor, MFA range of research interests and skills of internationally renowned faculty, PROF. ADELE HENDERSON, Printmaking, Drawing (Studio), Professor, visiting artists, designers, and critics. All MFA students are given secure MFA, Arizona State University, 1982 studios with 24/7 access. Shared labs include photography (digital, b/w, PROF. GEORGE HUGHES, Painting, Performance, Associate Professor, non-silver), computer, video/sound editing, print media (lithography, MFA, Bowling Green State University, 2001 intaglio, screen, digital, relief, and letterpress), sculpture, casting PROF. JONATHAN D. KATZ, Visual Studies, Twentieth-Century Art, (foundry), installation, performance, communication design, and Associate Professor, PhD electronics/physical computing. The vibrant art scene includes the PROF. CHRISTOPHER LEE, Graphic Design, Assistant Professor, Albright-Knox, CEPA, Big Orbit and Soundlab, Hallwalls, Just Buffalo tenure-track, MFA Literary Center, Squeeky Wheel, and the WNY Book Arts Center. UB is PROF. JOAN LINDER, Drawing (Studio), Associate Professor, MFA,

182 Columbia University videos, information in student handbook. PROF. GARY NICKARD, Visual Studies, Photography (Studio), Associate Professor, PhD, University at Buffalo, The State University of New York, FINANCIAL INFORMATION 2006 PROF. REINHARD REITZENSTEIN, Sculpture, Public Art, Associate Tuition Professor, BFA Full-time student tuition is determined per semester. PROF. STEPHANIE ROTHENBERG, Graphic Design, Visual Studies, State residents: $5,435 Associate Professor, MFA, School of the Art Institute of Chicago, 2003 PROF. DAVID SCHIRM, Painting, Drawing (Studio), Professor, MFA, Out-of-state residents: $11,105 Carnegie Mellon University International students: $11,105 PROF. JASMINA TUMBAS, Visual Studies, Twentieth-Century Art, Additional institutional fees: $840 Assistant Professor, tenure-track, PhD, Duke University, 2013 Part-time student tuition is determined per credit hour. PROF. PAUL VANOUSE, Digital Media (Studio), Visual Studies, Professor, MFA, Carnegie Mellon University, 1996 State residents: $453 Out-of-state residents: $925 RESOURCES AND SPECIAL PROGRAMS International students: $765 Private studios are available with unlimited hours for all. Semiprivate Additional institutional fees: $130 studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Financial Aid department or institution, local galleries, a graduate thesis exhibition. Types of aid available: Tuition aid/remission, stipend, teaching Abundant computers and equipment are available: laser cutter; large- assistantship, work-study program. Some assistance is available to format printers; flatbed and film scanners; physical computing; video, currently enrolled students on a competitive basis for professional sound recording and editing, as well as photography darkrooms; print development. Tuition and full stipend awarded to 16 students in the media (litho, screen, etching, letterpress) and exposure units. previous academic year. No financial assistance awarded to 6 students in the previous academic year. Libraries Funds available for graduate student travel: Yes Total volumes in library system: >4,000,000 Art volumes in library system: >100,000 Fellowships Art journals in library system: >100 Fellowships are available to students of all levels. Students have library privileges at other institutional libraries. Assistantships Image Resources Assistantships are available to students of all levels. Total number of images: >250,000 Teaching assistantships applications received: 85 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Teaching assistantships awarded: 18 digital-image library. Students have access to image collections. Teaching assistantships awarded to women: 13 Students have opportunities to view works of art in local museums, Teaching assistantships awarded to minorities: 5 commercial galleries, private collections, and on funded field trips. Average amount of award/stipend: $14,000 Program Opportunities Hours of work required per week: 20 Additional opportunities for study within the institution: Opportunities Teaching assistantship maximum period of support: 2 years to study outside the department are extensive and encouraged. A joint Other benefits: Tuition remission (part or full) program with Media Studies in Emerging Practices is available. Popular Other financial support: Funding for travel related to professional programs at UB include Architecture, American Studies, Gender development is available to currently enrolled students. Studies, English and Poetics, Archeology, Philosophy, and others. Gallery or museum affiliated with the department: University at Buffalo Health Insurance Art Galleries (North Campus and Anderson Gallery) Full-time master’s students receive health insurance coverage with Formal programs: Museum training copayment. Health insurance coverage is available to dependents, Formal relationships with local museums: Albright Knox Art Gallery, spouses, unmarried domestic partners, and same-sex domestic partners Western New York Book Arts Collaborative, CEPA Gallery, Big Orbit of full-time master’s students. Gallery, among others Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach lectures Other special programs sponsored by the department: Emerging UNIVERSITY OF ALABAMA Practices is a collaboration between faculty and graduate students in the Departments of Visual Studies and Media Study. It is not a degree School of Library and Information program, but rather a structure for the exchange of ideas and resources and a mechanism facilitating students to take courses in either Studies MFA in Book Arts department. The department sponsors 30–40 lectures per year. University of Alabama Other Campus Resources Box 870252 Employment or career development office: Yes Tuscaloosa, Alabama, 35487 Phone: 205-348-1527 Office/center for international students: Yes Fax: 205-348-3746 There is a graduate-student housing office. Housing space is available in http://bookarts.ua.edu dormitories, apartments, and married student housing. Housing options can be found through UB’s University Life and Services or Contact: Steve Miller, Program Coordinator, [email protected] through the independent student association Sub-Board I. Public university; nonprofit corporation Accredited by: National Association of Schools of Art and Design, Environmental Health and Safety Southern Association of Colleges and Schools Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Degrees awarded: Master’s degree safety (right-to-know), personal protective equipment, machine safety, Concentrations in: Artist’s books, paper hearing protection. Program meets the US Environmental Protection First graduate degree granted: MFA, 1985 Agency (EPA) and state regulations for hazardous materials, including The MFA in the Book Arts program emphasizes the art and craft of spill procedures and material disposal. Program has performed an making books by hand. The program is located within the College of environmental health and safety audit in the past five years. Communication and Information Sciences, School of Library and Printmaking, photography, and sculpture labs are all equipped with Information Studies, at the University of Alabama in Tuscaloosa, a specialized exhaust units. Graduate studios and classrooms are all well verdant, traditional campus located on the banks of the mighty Black ventilated. The building is new and ventilation and safety were important Warrior River. The program leading to the MFA in the Book Arts is a 60- considerations in its design. Methods used to familiarize students and credit-hour course of study comprising four basic areas: printing and faculty with environmental health and safety include publications, publishing, bookbinding, papermaking, and the history of the book. required training course, instruction in class, internet or intranet, faculty These areas do not work in isolation, and connections between them are research, faculty training, health and safety officer (full-time or part- made as often as possible. The program focuses on developing craft time), shop technician, material safety data sheets (MSDS), training skills based on historical principles and techniques, and the creative, 183 artistic expression that surely follows. RESOURCES AND SPECIAL PROGRAMS ADMISSIONS Semiprivate studios are available with unlimited hours for all. Students This program has rolling admissions. have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Deadline for fall: 8/1 Resources include four high-end Mac computers with updated software, Fall notification date: 5/15 two scanners, and a computer-driven, bladed paper cutter. The facility is Application fee: $50 hardwired and has Wi-Fi. There is a large LCD display for presentations Part-time students accepted: Yes in the type lab. Applications received 2015–16: 5 Libraries Applications accepted 2015–16: 4 Total volumes in library system: >4,000,000 Students enrolled 2015–16: 3 Art volumes in library system: >50,000 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), GRE Art journals in library system: >1,000 (300), TOEFL for foreign students (iBT 79), transcript, letters of recommendation, résumé, statement of interest/personal statement, in- Students have library privileges at other institutional libraries. person or phone interview Image Resources Recommended: Examples of personal artwork, campus visit Total number of images: >100,000 Program maintains its own digital-image collection. Program maintains CURRICULUM its own slide collection. Students have opportunities to view works of art in local museums, commercial galleries, and on funded field trips. Courses Number offered to graduate students each term: 6 Program Opportunities Additional opportunities for study within the institution: Students often Number whose enrollment is limited to graduate students: 6 take courses through the art, art history, and creative writing Average Class Size departments. In graduate studios: 6–10 students Gallery or museum affiliated with the department: Fifth Floor Gallery In graduate seminars: 6–10 students Extracurricular opportunities for graduate students: Curate exhibitions, Independent study available: Yes conduct fieldwork, present public outreach lectures Other special programs sponsored by the department: The university Course of Study engages in local art exhibitions and sales of student work. The Full-time residency requirement: 2 years department sponsors 1–4 lectures per year. Maximum number of years for residency: 3 Other Campus Resources Average number of years for residency: 3 Employment or career development office: Yes Typical number of credit hours per term for a full-time student: 12 Office/center for international students: Yes Total number of credit hours required for graduation: 60 Total in studio art: 42 Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Total in art history: 6 in place for ventilation and respiratory protection, hazardous chemical Total in graduate seminars: 3 safety (right-to-know), personal protective equipment, machine safety. Electives: 9 Program meets the US Environmental Protection Agency (EPA) and Degree requirements: Thesis or artist’s statement, solo exhibition, state regulations for hazardous materials, including spill procedures and individual presentation of thesis work, critique of thesis work, material disposal. Program has performed an environmental health and documentation of thesis work for program archive, oral defense of work, safety audit in the past five years. There is a long, vented hood in the thesis committee/exhibition jury, professional practices course. A final type lab to remove press-cleaning fumes. Methods used to familiarize Creative Project Thesis brings together what has been learned in the students and faculty with environmental health and safety include program, plus what a student has brought to the table in life experience. required training course, instruction in class, internet or intranet, health and safety officer (full-time or part-time), material safety data sheets STUDENTS (MSDS). Number of students in residence: Master’s, 12 FINANCIAL INFORMATION Number of female graduates fall 2015–summer 2016: Master’s, 2 Student organizations within the program/department: Student Advisory Tuition Committee Full-time student tuition is determined per semester. Formal mode of student participation in academic governance: Student State residents: $4,600 Advisory Committee (SAC) International students: $11,475 FACULTY Part-time student tuition is determined per credit hour. Number of faculty: 9 State residents: $720 Tenured/tenure track: 3 men, 1 woman Out-of-state residents: $1,345 Part-time/adjunct lecturers: 0 men, 1 woman Financial Aid Full-time contractual: 3 men, 1 woman Types of aid available: Tuition aid/remission, research assistantship, PROF. ANNA EMBREE, Artist’s books, Fiber Arts, Associate Professor, work-study program. There are various scholarship opportunities. MA, University of Iowa, 1997 Tuition and partial stipend awarded to 5 students in the previous PROF. STEVE MILLER, Printmaking, Artist’s books, Professor, BA, academic year. Partial tuition awarded to 12 students in the previous University of Wisconsin-Madison, 1976 academic year. No financial assistance awarded to 5 students in the DR. ROBERT RITER, Non-Artist/Non-Art Historian, Library Science, previous academic year. Assistant Professor, tenure-track, University of Pittsburgh, 2011 Funds available for graduate student travel: Yes EMMA SOVICH, Artist’s books, Adjunct/Contingent faculty, MFA, University of Alabama, 2014 Fellowships DR. JEFFREY WEDDLE, Non-Artist/Non-Art Historian, Library Science, Fellowships are available to students of all levels. Associate Professor, PhD, University of Tennessee-Knoxville, 2003 Fellowships applications received last year: 6 Recent Visiting Faculty Fellowships awarded: 3 SARAH BRYANT, Artist’s books, Adjunct/Contingent faculty Fellowships awarded to women: 2 PAUL MOXON, Printmaking, Adjunct/Contingent faculty Fellowship maximum period of support: 2 years OMAR PEREZ, Writing, Adjunct/Contingent faculty ALEJANDRO SAINZ, Printmaking, Adjunct/Contingent faculty Assistantships Assistantships are available to first-year students and second-year students. Working assistantships applications received: 8 Working assistantships awarded: 4 Working assistantships awarded to women: 10 184 Hours of work required per week: 10 Total in graduate seminars: 3 Working assistantship maximum period of support: 2 years Electives: 6 Other benefits: Tuition remission (part or full), supplies allowance Degree requirements: Written thesis, solo exhibition, individual Other financial support: A book arts assistantship covers half of the presentation of thesis work, critique of thesis work, documentation of student’s tuition and some health insurance costs. thesis work for program archive, oral defense of work, comprehensive exam, professional practices course Health Insurance Full-time master’s students receive health insurance coverage with STUDENTS copayment. Number of students in residence: Master’s, 6 Number of female graduates fall 2015–summer 2016: Master’s, 4 Student organizations within the program/department: Student Ceramics Art Guild, Sculpture Club, Printmaking Club, Frozen Lenses UNIVERSITY OF ALASKA Photography Club FACULTY FAIRBANKS Number of faculty: 9 Tenured/tenure track: 4 men, 4 women UAF Art Department Part-time/adjunct lecturers: 0 men, 1 woman Full-time contractual: 0 men, 0 women PO Box 775640 Fairbanks, Alaska, 99775 PROF. MIHO AOKI, Digital Media (Studio), Associate Professor, MFA, Phone: 907-474-7530 Ohio State University, 1998 Fax: 907-474-5853 PROF. JAMES BRASHEAR, Ceramics, Professor, MFA, Indiana www.uaf.edu/art/ University of Pennsylvania, 1987 PROF. WENDY CROSKREY, Sculpture, Professor, MFA, Ohio State Contact: Carol Hoefler, [email protected] University, 1990 Public university PROF. ANNIE DUFFY, Painting, Printmaking, Associate Professor, Pratt Accredited by: Northwest Commission on Colleges and Universities Institute, 1999 PROF. MARECA GUTHRIE, Video (Studio), Museum Studies, joint Degrees awarded: Master’s degree appointment in Curator of Fine Art, Museum of the North, Assistant Concentrations in: Ceramics, digital media, drawing, metals, painting, Professor, tenure-track, MFA, California College of the Arts, 2007 photography, printmaking, sculpture DR. ZOË MARIE JONES, Twentieth-Century Art, General Art History, First graduate degree granted: MFA, 1999 Assistant Professor, non-tenure, PhD, Duke University, 2011 The University of Alaska Fairbanks is the northernmost American PROF. CHARLES MASON, Photography (Studio), joint appointment in graduate program in the arts and currently is the only American Journalism, Professor, MFA, Illinois State University university to offer an MFA concentration in Native Arts. Situated in PROF. DA-KA-XEEN MEHNER, Native American Art, Assistant Alaska’s interior, it provides the students access to a variety of natural Professor, tenure-track, MFA, University of Alaska Fairbanks, 2007 environments, indigenous cultures, and natural resources. The Native PROF. DAVID MOLLETT, Drawing (Studio), Printmaking, Associate Arts Studio is unique in its emphasis on traditional and contemporary Professor, BA, Reed College, 1975 indigenous techniques and pedagogy. RESOURCES AND SPECIAL PROGRAMS ADMISSIONS Semiprivate studios are available with unlimited hours for all. Students Deadline for fall: 3/1 have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Fall notification date: 4/1 Deadline for spring: 10/1 Libraries Spring notification date: 11/1 Total volumes in library system: >1,000,000 Application fee: $60 Art volumes in library system: >50,000 Part-time students accepted: Yes Art journals in library system: >100 Applications received 2015–16: 4 Students have library privileges at other institutional libraries. Applications accepted 2015–16: 2 Image Resources Students enrolled 2015–16: 6 Total number of images: >100,000 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Program maintains its own slide collection. Students have access to for foreign students, transcript, letters of recommendation, résumé, image collections. Students have opportunities to view works of art in statement of interest/personal statement, examples of personal artwork, local museums, commercial galleries, and private collections. artist’s statement Program Opportunities Recommended: Degree in subject area, GRE, writing sample, related Gallery or museum affiliated with the department: University of Alaska internship experience, related professional experience, campus visit, in- Fairbanks Art Gallery person or phone interview Formal programs: Museum training, summer work projects CURRICULUM Formal relationships with other academic institutions: UAF is a member of an extensive network of circumpolar universities known as the Courses University of the Arctic, through which exchange and research Number offered to graduate students each term: 14 opportunities are available. Number whose enrollment is limited to graduate students: 1 Formal relationships with local museums: University of Alaska Museum of the North Average Class Size Extracurricular opportunities for graduate students: Curate exhibitions, In graduate studios: 1–5 students conduct fieldwork, research for catalogues, present public outreach In graduate seminars: 6–10 students lectures In graduate lectures: 11–20 students Other special programs sponsored by the department: Special programs Independent study available: Yes include the Native Art Center, the Summer Visual Art Academy for youth in grades 7–12. The university also sponsors an active visiting artist Course of Study program, bringing in 3–6 artists per year. The department sponsors Full-time residency requirement: 3 terms 5–10 lectures per year. Maximum number of years for residency: 7 Other Campus Resources Average number of years for residency: 3 Employment or career development office: Yes Typical number of credit hours per term for a full-time student: 10 Office/center for international students: Yes Total number of credit hours required for graduation: 60 Housing space is available in apartments and married student housing. Total in studio art: 39 A variety of private rental options are available close to campus. Total in area of concentration: 21 Total in art history: 12 185 Environmental Health and Safety ADMISSIONS Occupational Safety and Health Administration (OSHA) regulations are Deadline for fall: 1/15 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Fall notification date: 3/1 hearing protection. Program meets the US Environmental Protection Application fee: CAD $115 Agency (EPA) and state regulations for hazardous materials, including Applications received 2015–16: 46 spill procedures and material disposal. Program has performed an Applications accepted 2015–16: 14 environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and Students enrolled 2015–16: 11 safety include publications, required training course, instruction in class, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL internet or intranet, faculty training, health and safety officer (full-time or for foreign students (iBT 95), transcript, letters of recommendation, part-time), material safety data sheets (MSDS), training videos. résumé, statement of interest/personal statement, examples of personal artwork, artist’s statement FINANCIAL INFORMATION Recommended: Degree in subject area Tuition CURRICULUM Full-time student tuition is determined per credit hour. State residents: $444 Courses Out-of-state residents: $907 Number offered to graduate students each term: 7 International students: $799 Number whose enrollment is limited to graduate students: 7 Additional institutional fees: $1,610 Average Class Size Part-time student tuition is determined per credit hour. In graduate studios: 1–5 students State residents: $444 In graduate seminars: 11–15 students Out-of-state residents: $907 Course of Study International students: $799 Full-time residency requirement: 2 years Additional institutional fees: $750 Maximum number of years for residency: 4 Financial Aid Average number of years for residency: 2 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Typical number of credit hours per term for a full-time student: 18 teaching assistantship, research assistantship. Tuition and full stipend Total number of credit hours required for graduation: 36 awarded to 10 students in the previous academic year. Total in studio art: 30 Funds available for graduate student travel: Yes Total in art history: 6 Fellowships Total in graduate seminars: 6 Fellowships are available to students of all levels. Electives: 0 Degree requirements: Thesis or artist’s statement, solo exhibition, Assistantships individual presentation of thesis work, documentation of thesis work for Assistantships are available to students of all levels. program archive, oral defense of work Teaching assistantships applications received: 10 Teaching assistantships awarded: 5 STUDENTS Teaching assistantships awarded to women: 3 Number of students in residence: Master’s, 38 Teaching assistantships awarded to minorities: 2 Number of male graduates fall 2015–summer 2016: Master’s, 3 Average amount of award/stipend: $12,000 Number of female graduates fall 2015–summer 2016: Master’s, 8 Hours of work required per week: 20 Student organizations within the program/department: Students can join the Graduate Students in Art and Design organization, which Teaching assistantship maximum period of support: 3 years includes MA, PhD, MFA, and MDes students. Other benefits: Tuition remission (part or full) Formal mode of student participation in academic governance: The Other financial support: Students can compete for numerous Graduate Students’ Association is a student-run, nonprofit organization scholarships and grants. that functions as the official representative body for all MA and PhD Health Insurance students at the University of Alberta. Full-time master’s students receive health insurance coverage at no Students have the opportunity to join a labor union. cost. FACULTY Number of faculty: 13 Tenured/tenure track: 8 men, 5 women Part-time/adjunct lecturers: 0 men, 0 women UNIVERSITY OF ALBERTA Full-time contractual: 0 men, 0 women PROF. TIM ANTONIUK, Industrial Design, Associate Professor, MFA, Art and Design University of Alberta, 2003 PROF. ALLEN BALL, Painting, Associate Professor, MFA, University of Department of Art and Design Alberta, 1990 University of Alberta PROF. SEAN CAULFIELD, Printmaking, Artist’s books, Professor, MFA, 3-98 Fine Arts Building University of Alberta, 1995 Edmonton, Alberta, T6G 2C9 PROF. SUE COLBERG, Graphic Design, Artist’s books, Associate Canada Professor, MFA, University of Alberta, 1991 Phone: 780-492-7866 PROF. CEZARY GAJEWSKI, Industrial Design, Foundations, Associate Fax: 780-492-7870 Professor, MFA, University of Alberta, 2003 www.artdesign.ualberta.ca PROF. TANYA HARNETT, Drawing (Studio), Multidisciplinary, joint appointment in Native Studies, Associate Professor, MFA Contact: Dawn McLean, [email protected] PROF. PETER HIDE, Sculpture, Professor, Postgraduate Diploma, Public university; nonprofit corporation Central Saint Martins, 1967 Degrees awarded: Master’s degree PROF. ROB LEDERER, Industrial Design, Associate Professor, MFA, Concentrations in: 2-dimensional design, 3-dimensional design, artist’s University of Alberta, 1998 books, drawing, graphic design, industrial design, installation, painting, PROF. MARILENE OLIVER, Printmaking, Assistant Professor, tenure- printmaking, sculpture track, MPhil DR. GAVIN RENWICK, 3-Dimensional Design, Printmaking, Associate First graduate degree granted: MFA, 1970 Professor, PhD, University of Dundee, 2005 The Department of Art and Design offers a Master of Design (MDes) in PROF. AIDAN ROWE, Graphic Design, Foundations, Associate industrial design or visual communication design, and a Master of Fine Professor, MFA, Goldsmiths, University of London, 2008 Arts (MFA) in drawing and intermedia, painting, printmaking, or DR. ROB SHIELDS, Design History, joint appointment in Sociology, sculpture. Professor, PhD, University of Sussex

186 PROF. JESSE THOMAS, Art Education, Assistant Professor, tenure- track, MFA Health Insurance Full-time master’s students receive health insurance coverage with RESOURCES AND SPECIAL PROGRAMS copayment. Health insurance coverage is available to dependents, Semiprivate studios are available with unlimited hours for all. Students spouses, unmarried domestic partners, and same-sex domestic partners have the opportunity to exhibit their work in a gallery associated with the of full-time master’s students. department or institution, local galleries, a graduate thesis exhibition. Students have access to 8 full-time technicians and a wide range of digital equipment: editing stations, large-format Epson printers, industry-standard software, a large font collection, grayscale and color laser printers, and digital rapid prototyping equipment (CNC panel UNIVERSITY OF ARIZONA router and 3D printing). Libraries Studio Art Total volumes in library system: >5,000,000 School of Art Art volumes in library system: >100,000 The University of Arizona Art journals in library system: >100 PO Box 210002 Students have library privileges at other institutional libraries. Tucson, Arizona, 85721 Phone: 520-621-8518 Image Resources Fax: 520-621-2955 Total number of images: >500,000 art.arizona.edu Institution and program maintain digital-image collections. Program maintains its own slide collection. Institution subscribes to a digital- Contact: Megan Bartel, [email protected] image library. Students have access to image collections. Students have Public university; nonprofit corporation opportunities to view works of art in local museums and commercial Accredited by: National Association of Schools of Art and Design galleries. Degrees awarded: Master’s degree Program Opportunities Concentrations in: 3-dimensional design, graphic design, illustration, Additional opportunities for study within the institution: Design painting, photography, printmaking students may take one course outside the department, as appropriate to First graduate degree granted: MFA, 1959 their research. Ranked among the top art schools in the nation, the School of Art offers Gallery or museum affiliated with the department: Fine Arts Building its students a dynamic arrangement of in-depth programs of study. (FAB) Gallery, Print Study Centre, and Mactaggart Art Collection Students will find the faculty supportive, the curriculum provocative, and Formal relationships with local museums: The Print Study Centre is a community of peers that is both challenging and inspiring. particularly strong in historical and contemporary Japanese, Canadian, and European prints. The Mactaggart Art Collection consists of 700 ADMISSIONS paintings, scrolls, calligraphy, and textiles from the Song, Ming, and Deadline for fall: 1/10 Qing dynasties. Fall notification date: 3/1 Extracurricular opportunities for graduate students: Curate exhibitions, Application fee: $85 conduct fieldwork, research for catalogues, present public outreach Applications received 2015–16: 87 lectures. The department sponsors 5–10 lectures per year. Applications accepted 2015–16: 37 Other Campus Resources Students enrolled 2015–16: 11 Employment or career development office: Yes Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Office/center for international students: Yes for foreign students (iBT 79), transcript, letters of recommendation, There is a graduate-student housing office. Housing space is available in résumé, statement of interest/personal statement, examples of personal dormitories, apartments, and married student housing. Students from artwork a far distance receive priority for housing. Recommended: Campus visit Environmental Health and Safety CURRICULUM Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Courses safety (right-to-know), personal protective equipment, machine safety, Number offered to graduate students each term: 14 hearing protection. Program meets the US Environmental Protection Number whose enrollment is limited to graduate students: 3 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Average Class Size environmental health and safety audit in the past five years. All studios In graduate studios: 16–20 students have extraction devices and ventilation hoods. Methods used to In graduate seminars: 11–15 students familiarize students and faculty with environmental health and safety include publications, instruction in class, faculty training, health and In graduate lectures: 11–20 students safety officer (full-time or part-time), shop technician, material safety Independent study available: Yes data sheets (MSDS). Course of Study FINANCIAL INFORMATION Full-time residency requirement: 3 years Tuition Maximum number of years for residency: 6 Average number of years for residency: 3 Full-time student tuition is determined per year. Typical number of courses for a full-time student: 3 State residents: CAD $5,600 Total number of courses required for graduation: 20 International students: CAD $8,789 Total in studio art: 10 Financial Aid Total in art history: 4 Types of aid available: Tuition aid/remission, stipend, teaching Total in graduate seminars: 1 assistantship, research assistantship. All of our graduate students are Electives: 5 funded by either a scholarship or an assistantship or a combination of both. Degree requirements: Thesis or artist’s statement, concentration, group exhibition, individual presentation of thesis work, critique of thesis work, Funds available for graduate student travel: Yes documentation of thesis work for program archive, oral defense of work Fellowships Fellowships are available to students of all levels. STUDENTS Number of students in residence: Master’s, 32 Assistantships Number of male graduates fall 2015–summer 2016: Master’s, 4 Assistantships are available to students of all levels. Number of female graduates fall 2015–summer 2016: Master’s, 5 Student organizations within the program/department: Graduate students have the opportunity to participate in the Wildcat Print

187 Association and the Book Art Collective, among other student groups. Image Resources Formal mode of student participation in academic governance: The Total number of images: >500,000 Graduate and Professional Student Council is the representative Institution and program maintain digital-image collections. Institution organization for graduate and professional students of the University of and program maintain slide collections. Institution subscribes to a Arizona. The council promotes the academic, economic, and social aims digital-image library. Students have access to image collections. of the graduate and professional students of the University of Arizona Students have opportunities to view works of art in local museums, and advocates on their behalf. commercial galleries, and private collections. FACULTY Program Opportunities Number of faculty: 26 Additional opportunities for study within the institution: The MFA program requires 15 units of electives. These electives can be taken Tenured/tenure track: 13 men, 10 women outside the department. Part-time/adjunct lecturers: 1 man, 1 woman Gallery or museum affiliated with the department: The University of Full-time contractual: 0 men, 1 woman Arizona Museum of Art, Center for Creative Photography, Joseph Gross PROF. SAMA ALSHAIBI, Photography (Studio), Video (Studio), Gallery, Lionel Rombach Gallery Professor, MFA, University of Colorado Boulder, 2005 Formal programs: Study abroad. Art MFA graduate students have the PROF. COLIN BLAKELY, Photography (Studio), Professor, MFA, opportunity to study for a semester in Bratislava, Slovakia, at the University of New Mexico, 2001 Academy of Fine Arts and Design (www.vsvu.sk/). Studios are provided. PROF. JACKSON BOELTS, Graphic Design, Professor, MFA, University of Arizona, 1980 Extracurricular opportunities for graduate students: Curate exhibitions, PROF. CARLTON BRADFORD, Sculpture, Associate Professor, MFA, conduct fieldwork, research for catalogues, present public outreach University of Arizona, 1986 lectures. The department sponsors 5–10 lectures per year. PROF. AURORE CHABOT, Ceramics, Sculpture, Professor, MFA, Other Campus Resources University of Arizona, 1981 PROF. DAVID CHRISTIANA, Graphic Design, Professor, MFA, Syracuse Employment or career development office: Yes University, 1989 Office/center for international students: Yes PROF. AARON COLEMAN, Printmaking, Assistant Professor, non- There is a graduate-student housing office. Housing space is available in tenure, MFA, Northern Illinois University, 2013 apartments and married student housing. PROF. JAMES COOK, Sculpture, Video (Studio), Professor, MFA, California College of the Arts, 1988 Environmental Health and Safety PROF. JOSEPH A. FARBROOK, Digital Media (Studio), Associate Occupational Safety and Health Administration (OSHA) regulations are Professor, MFA, University of Colorado Boulder, 2004 in place for ventilation and respiratory protection, hazardous chemical PROF. LAWRENCE GIPE, Painting, Associate Professor, MFA, Otis safety (right-to-know), personal protective equipment, machine safety, College of Art and Design, 1986 hearing protection. Program meets the US Environmental Protection PROF. FRANK GOHLKE, Photography (Studio), Professor, MA, Yale Agency (EPA) and state regulations for hazardous materials, including University, 1966 spill procedures and material disposal. Program has performed an BROOKE GRUCELLA, Painting, Adjunct/Contingent faculty, MFA, environmental health and safety audit in the past five years. All studios Arizona State University, 2006 are equipped with fresh air exchange and exhaust systems to meet all PROF. JOSEPH LABATE, Photography (Studio), Professor, MFA, health and safety standards. Methods used to familiarize students and University of Arizona, 1986 faculty with environmental health and safety include publications, PROF. KELLY A. LESLIE, Graphic Design, Associate Professor, MFA, required training course, instruction in class, internet or intranet, faculty University of Arizona, 1997 research, faculty training, health and safety officer (full-time or part- PROF. ELLEN MCMAHON, Graphic Design, Professor, MFA, Vermont time), shop technician, material safety data sheets (MSDS), information College of Fine Arts, 1996 in student handbook. The School of Art has a sustainability committee PROF. BARBARA PENN, Painting, Professor, MFA, University of that works with University of Arizona Risk Management to educate California, Berkeley, 1986 faculty, staff, and students on current health and safety practices. PROF. SHEILA PITT, Printmaking, Professor, MFA, University of Arizona, 1987 FINANCIAL INFORMATION PROF. ALFRED QUIROZ, Painting, Professor, MFA, University of Arizona, 1984 Tuition PROF. GARY SETZER, Video (Studio), Performance, Associate Full-time student tuition is determined per credit. Professor, MFA, Ohio University, 1999 State residents: $812 PROF. MARTINA M. SHENAL, Photography (Studio), Associate Professor, MFA, Arizona State University, 1994 Out-of-state residents: $1,729 PROF. DAVID TAYLOR, Photography (Studio), Professor, MFA, Additional institutional fees: $812.47 University of Oregon, 1994 PROF. CERESE VADEN, Printmaking, Associate Professor, MFA, Utah Financial Aid State University, 1999 Types of aid available: Tuition aid/remission, stipend, teaching PROF. ANGIE ZIELINSKI, Painting, Assistant Professor, tenure-track, assistantship, research assistantship. The School of Art offers School of MFA, Bowling Green State University, 2006 Art Endowed Scholarships, the College of Fine Arts Medici Scholarship, PROF. KAREN ZIMMERMANN, Graphic Design, Professor, MFA, College of Fine Arts Small Grants, and graduate assistant positions. Virginia Commonwealth University, 1994 Travel grants are also available. Tuition and partial stipend awarded to 3 PROF. PHILIP ZIMMERMANN, Graphic Design, Professor, MFA, students in the previous academic year. Full tuition awarded to 19 University at Buffalo, The State University of New York, 1980 students in the previous academic year. Partial tuition awarded to 10 students in the previous academic year. Recent Visiting Faculty AUDRA GRAZIANO, Painting, Adjunct/Contingent faculty, MFA, Fellowships California State University, Long Beach, 2014 Fellowships are available to students of all levels. Fellowships applications received last year: 32 Fellowships awarded: 8 RESOURCES AND SPECIAL PROGRAMS Fellowships awarded to women: 6 Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Fellowships awarded to minorities: 1 department or institution, local galleries, a graduate thesis exhibition. Average amount of award/stipend: $5,416 Students at the School of Art enjoy access to excellent academic and studio facilities, including a fully equipped digital print lab, state-of-the- Assistantships art lecture rooms, painting and printmaking studios, black-and-white Assistantships are available to students of all levels. and color photography labs, a wood and metal fabrication shop, and a Teaching assistantships applications received: 32 foundry. Teaching assistantships awarded: 15 Libraries Teaching assistantships awarded to women: 7 Total volumes in library system: >5,000,000 Teaching assistantships awarded to minorities: 5 Art volumes in library system: >100,000 Average amount of award/stipend: $3,352 Art journals in library system: >1,000 Hours of work required per week: 10 Students have library privileges at other institutional libraries. Working assistantships applications received: 32 Working assistantships awarded: 5 188 Working assistantships awarded to women: 4 Degree requirements: Written thesis, thesis or artist’s statement, Working assistantships awarded to minorities: 1 concentration, solo exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program Average amount of award/stipend: $3,242 archive, oral defense of work, thesis committee/exhibition jury. Hours of work required per week: 10 Additional program requirements include participation in two graduate Other benefits: Tuition remission (part or full) critiques each semester for two years, and a candidacy application and Other financial support: Graduate assistants receive free health review. insurance. Health insurance is available to all other graduate students for a fee. STUDENTS Number of students in residence: Master’s, 22 Number of male graduates fall 2015–summer 2016: Master’s, 2 Number of female graduates fall 2015–summer 2016: Master’s, 2 Student organizations within the program/department: Art Graduate UNIVERSITY OF ARKANSAS Student Organization Formal mode of student participation in academic governance: Students Studio Art are represented on the Campus Council by 16 student senators and on the Associated Student Government by the group’s president and chair. Department of Art Graduate students serve as members of the University Course and 1 University of Arkansas Program committee, Graduate Dean’s Student Advisory Board, and 116 Fine Arts Center Graduate Council. Fayetteville, Arkansas, 72701 Phone: 479-575-5202 FACULTY Fax: 479-575-2062 Number of faculty: 32 art.uark.edu/ Tenured/tenure track: 6 men, 7 women Contact: Bethany Springer, [email protected] Part-time/adjunct lecturers: 11 men, 5 women Public university; nonprofit corporation Full-time contractual: 1 man, 2 women Accredited by: North Central Association of Colleges and Schools MS. KARA ANDREE, Foundations, Adjunct/Contingent faculty, MFA, Degrees awarded: Master’s degree 2009 Concentrations in: Ceramics, digital media, drawing, painting, PROF. DAVID C. CHIOFFI, Graphic Design, Associate Professor, MFA, photography, printmaking, sculpture 1997 First graduate degree granted: MFA, 1954 MR. BENJAMIN CIRGIN, Ceramics, Adjunct/Contingent faculty, MFA, 2016 The Studio Art MFA program at the University of Arkansas provides an MR. JONATHAN CROMER, Sculpture, Adjunct/Contingent faculty, intensive studio environment for committed individuals planning MFA, 2016 careers as practicing artists. The MFA in Studio Art is a three-year, full MR. DYLAN DEWITT, Drawing (Studio), Adjunct/Contingent faculty, time, in-residence, 60 credit-hour program. While the individual MFA, 2009 program of study will vary, the emphasis is on studio work, MR. VINCENT EDWARDS, Object Design, Sculpture, supplemented by graduate studio seminars and coursework in art Adjunct/Contingent faculty, MFA, 2012 history. Students enter the program in one of seven media areas MR. DAVID A. GIBBS, Sculpture, Adjunct/Contingent faculty, MFA, 2010 (Drawing, Graphic Design, Ceramics, Painting, Photography, MR. ALEX HANSON, Foundations, Adjunct/Contingent faculty, MFA, Printmaking, or Sculpture) but are encouraged to explore other media 2015 and work across disciplines. PROF. THOMAS HAPGOOD, Graphic Design, Digital Media (Studio), Associate Professor, MFA, 2004 ADMISSIONS PROF. JEANNIE HULEN, Ceramics, Installation (Studio), Associate Deadline for fall: 2/1 Professor, MFA, 2000 Fall notification date: 3/15 DR. LYNN F. JACOBS, Renaissance Art, Baroque Art, Professor, PhD, Application fee: $50 1986 MR. JOHN C. KELLEY, Video (Studio), Sound, Adjunct/Contingent Applications received 2015–16: 54 faculty, MFA, 2012 Applications accepted 2015–16: 9 PROF. SAM KING, Painting, Adjunct/Contingent faculty, MFA, 2005 Students enrolled 2015–16: 14 PROF. MARTY MAXWELL LANE, Graphic Design, Assistant Professor, Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign tenure-track, MFA, 2009 students (iBT 79), transcript, letters of recommendation, résumé, DR. ANGELA LAPORTE, Art Education, 3-Dimensional Design, statement of interest/personal statement, examples of personal artwork, Associate Professor, PhD, 1998 artist’s statement MS. AMANDA LEE, Printmaking, Adjunct/Contingent faculty, MFA, 2012 Recommended: Degree in subject area, GPA (3.0) MS. LINDA LOPEZ, Ceramics, Adjunct/Contingent faculty, MFA, 2010 DR. MICHAEL MAIZELS, Contemporary Art, Assistant Professor, tenure- CURRICULUM track, PhD, 2012 Courses PROF. MATHEW MCCONNELL, Ceramics, 3-Dimensional Design, Assistant Professor, tenure-track, MFA, 2009 Number offered to graduate students each term: 20 PROF. MARC MITCHELL, Curatorial Studies, Assistant Professor, non- Number whose enrollment is limited to graduate students: 10 tenure, MFA, 2003 PROF. SEAN P. MORRISSEY, Printmaking, Assistant Professor, tenure- Average Class Size track, MFA, 2011 In graduate studios: 6–10 students PROF. KRISTIN MUSGNUG, Painting, Associate Professor, MFA, 1988 In graduate seminars: 6–10 students PROF. MICHAEL D. PEVEN, Photography (Studio), Artist’s books, In graduate lectures: 11–20 students Professor, MFA, 1977 MR. ADAM POSNACK, Ceramics, Adjunct/Contingent faculty, MFA, Independent study available: Yes 2000 Course of Study MS. KASEY RAMIREZ, Foundations, Adjunct/Contingent faculty, MFA, 2012 Full-time residency requirement: 4 terms DR. ANA PULIDO RULL, Latin American Art, Assistant Professor, Maximum number of years for residency: 6 tenure-track, PhD, Harvard University, 2012 Average number of years for residency: 3 PROF. BETHANY SPRINGER, Sculpture, Associate Professor, MFA, Typical number of credit hours per term for a full-time student: 12 2001 PROF. LARRY SWARTWOOD, Painting, Assistant Professor, non-tenure, Total number of credit hours required for graduation: 60 MFA, 1971 Total in studio art: 42 MS. CINDY WISEMAN, Painting, Adjunct/Contingent faculty, MFA, Total in area of concentration: 30 2008 Total in art history: 12 Recent Visiting Faculty Total in graduate seminars: 6 PROF. DAVID ANDREE, Painting, Assistant Professor, non-tenure, MFA, Electives: 12 2009 PROF. REBECCA DROLEN, Photography (Studio), Assistant Professor,

189 non-tenure, MFA, 2009 DR. JANINE SYTSMA, African Art (sub-Saharan), Assistant Professor, Financial Aid non-tenure, PhD, 2015 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, teaching assistantship, work-study program. Tuition and full stipend awarded to 15 students in the previous academic year. RESOURCES AND SPECIAL PROGRAMS Funds available for graduate student travel: Yes Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Fellowships opportunity to exhibit their work in a gallery associated with the Fellowships are available to students of all levels. department or institution, local galleries, a graduate thesis exhibition. Fellowships applications received last year: 14 Resources include two Mac-based computer labs with the latest design Fellowships awarded: 14 and production software and standard peripherals (scanners, printers, projection, and more), including a 44-inch wide-format printer. Fellowships awarded to women: 8 Fellowships awarded to minorities: 2 Libraries Average amount of award/stipend: $3,000 Total volumes in library system: >2,000,000 Fellowship maximum period of support: 3 years Art volumes in library system: >50,000 Art journals in library system: >200 Assistantships There is a separate art library with >10,000 volumes and >100 journals. Assistantships are available to students of all levels. Students have library privileges at other institutional libraries. Teaching assistantships applications received: 15 Image Resources Teaching assistantships awarded: 15 Total number of images: >250,000 Teaching assistantships awarded to women: 8 Institution and program maintain digital-image collections. Institution Teaching assistantships awarded to minorities: 1 and program maintain slide collections. Institution subscribes to a Average amount of award/stipend: $11,000 digital-image library. Students have access to image collections. Students have opportunities to view works of art in local museums, Hours of work required per week: 20 commercial galleries, private collections, and on funded field trips. Teaching assistantship maximum period of support: 3 years Working assistantships applications received: 6 Program Opportunities Working assistantships awarded: 11 Additional opportunities for study within the institution: MFA students can take up to six credit-hours in outside coursework with approval. Working assistantships awarded to women: 1 Gallery or museum affiliated with the department: Fine Arts Center Working assistantships awarded to minorities: 2 Gallery, sUgAr Gallery (student-run) Average amount of award/stipend: $10,000 Formal programs: Museum training. Internships are available with local Hours of work required per week: 20 art museums and galleries. Working assistantship maximum period of support: 3 years Formal relationships with other academic institutions: There is an Other benefits: Tuition remission (part or full) exchange program with Tainan National University of the Arts in Taiwan, Other financial support: Awards are based on admission to MFA and MFA Studio Berlin through American University in Washington, DC program, merit, and need. University departments and the Graduate Formal relationships with local museums: The department is closely School offer specific fellowships and awards for various constituencies. associated with the Crystal Bridges Museum of American Art. Extracurricular opportunities for graduate students: Curate exhibitions, Health Insurance research for catalogues, present public outreach lectures. The Full-time master’s students receive health insurance coverage with department sponsors 20–30 lectures per year. copayment. Health insurance coverage is available to dependents and spouses of full-time master’s students. Other Campus Resources Employment or career development office: Yes Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in dormitories and apartments. The university maintains an off-campus UNIVERSITY OF CALIFORNIA, housing website with listings for property rentals and roommates. Planned campus changes and facility improvements: In 2016, a new DAVIS 33,000 sq. ft. sculpture facility offers improved studio space, more installation and gallery spaces, classrooms, and fabrication labs for our Department of Design students’ needs. UC Davis Department of Design Environmental Health and Safety 125 Cruess Hall Occupational Safety and Health Administration (OSHA) regulations are One Shields Ave. in place for ventilation and respiratory protection, hazardous chemical Davis, California, 95616 safety (right-to-know), personal protective equipment, machine safety, Phone: 530-752-8710 hearing protection. Program meets the US Environmental Protection arts.ucdavis.edu/design Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Contact: Graduate Programs Administrator, [email protected] environmental health and safety audit in the past five years. The Public university photography, printmaking, painting, and private studios are all equipped Accredited by: Western Association of Schools and Colleges with exhaust systems for vapors. The wood shop and ceramics facilities Degrees awarded: Master’s degree have dust collection exhaust systems. Methods used to familiarize students and faculty with environmental health and safety include Concentrations in: 2-dimensional design, 3-dimensional design, digital publications, required training course, instruction in class, internet or media, fashion, graphic design, industrial design, interior design, intranet, faculty training, health and safety officer (full-time or part- multidisciplinary time), shop technician, material safety data sheets (MSDS), training First graduate degree granted: MFA, 2011 videos. The UC Davis MFA in Design unites theory and practice. This two-year program encourages an interdisciplinary approach. Design faculty FINANCIAL INFORMATION expertise includes design studies (history, theory, and criticism), exhibition, fashion, textiles, interior architecture, lighting, industrial or Tuition product design, and visual communication (environmental, information, Full-time student tuition is determined per credit hour. print, and screen-based design). Design at UC Davis is positioned State residents: $349 within the humanities as a research-based discipline. This is one of the Out-of-state residents: $826 only programs to consider all areas of design within a single department. Graduate education in design at UC Davis requires International students: $826 students to bring relevant background experiences with them, including Additional institutional fees: $500 the basic tools of design in the areas they specialize, while benefiting from the human and intellectual resources of the university. UC Davis is one of the only university programs to emphasize lighting design,

190 through the California Lighting Technology Center (CLTC). Program Opportunities ADMISSIONS Additional opportunities for study within the institution: Design MFA students are encouraged to build cross-disciplinary bridges in ways that Deadline for fall: 12/1 support the needs of their research; UCD is known for innovation in the Fall notification date: 5/15 arts, agriculture, and sciences, and design is well positioned to Application fee: $105 coordinate disciplinary intersections. Applications received 2015–16: 18 Gallery or museum affiliated with the department: UC Davis Design Applications accepted 2015–16: 12 Museum; Jan Shrem and Maria Manetti Shrem Museum of Art Students enrolled 2015–16: 12 Formal programs: Study abroad. Study abroad in England and Ireland; Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL new programs under development for foreign students (100) Formal relationships with other academic institutions: Possibilities exist Recommended: Transcript, letters of recommendation, résumé, writing for students to enroll in relevant courses at other UC campuses; consult sample, examples of personal artwork, related professional experience, with academic advisors. campus visit, in-person or phone interview, contact the program for Formal relationships with local museums: Nelson Art Gallery; Jan Shrem additional requirements and Maria Manetti Shrem Museum of Art (university art museum). Opportunities exist for coordinating with local (i.e. Crocker Art Museum, CURRICULUM Sacramento) and regional (San Francisco Bay area) museums of all types. Courses Extracurricular opportunities for graduate students: Curate exhibitions, Number whose enrollment is limited to graduate students: 0 conduct fieldwork, research for catalogues, present public outreach lectures. The department sponsors 5–10 lectures per year. Average Class Size In graduate studios: 1–5 students Other Campus Resources In graduate seminars: 11–15 students Employment or career development office: Yes Independent study available: Yes Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in Course of Study apartments. Campus offers a range of housing opportunities, including Full-time residency requirement: 2 years campus apartments, privatized apartments on campus, and co- Average number of years for residency: 2 operative housing. See housing.ucdavis.edu/ Typical number of credit hours per term for a full-time student: 12 Planned campus changes and facility improvements: The Dept of Design’s recently renovated home in Cruess Hall provides primary Total number of credit hours required for graduation: 72 spaces for teaching, design laboratories and studios, the Design Total in studio art: 0 Museum, and MFA studios. Industrial design/product design facilities Total in area of concentration: 26 and faculty will be added in 2017. The University’s Shrem Museum of Total in art history: 0 Art opened in 2016. Total in graduate seminars: 20 Environmental Health and Safety Electives: 26 Occupational Safety and Health Administration (OSHA) regulations are Degree requirements: Written thesis, thesis or artist’s statement, in place for ventilation and respiratory protection, hazardous chemical concentration, solo exhibition, individual presentation of thesis work, safety (right-to-know), personal protective equipment, machine safety, critique of thesis work, documentation of thesis work for program hearing protection. Program meets the US Environmental Protection archive, oral defense of work, thesis committee/exhibition jury, Agency (EPA) and state regulations for hazardous materials, including professional practices course. Students come to the MFA prepared with spill procedures and material disposal. Program has performed an the relevant background skills and experiences needed to define and environmental health and safety audit in the past five years. Ventilation implement thesis projects on a campus that encourages systems new in 2011. Training varies depending on student research interdisciplinary work. Teaching will generally be a part of the MFA areas. University officials are available for further consultation. experience. Thesis exhibition is required. FINANCIAL INFORMATION STUDENTS Number of students in residence: Master’s, 17 Tuition Number of female graduates fall 2015–summer 2016: Master’s, 3 Full-time student tuition is determined per quarter. Student organizations within the program/department: American State residents: $5,965 Society of Interior Designers (ASID); Design for America (DFA); Fashion Out-of-state residents: $10,999 and Design Society (FADS); Pixel (Visual Communications) International students: $10,999 Formal mode of student participation in academic governance: Graduate Student Association Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Students have the opportunity to join a labor union. teaching assistantship, research assistantship, work-study program. Tuition and salary awarded to 16 teaching students in the previous RESOURCES AND SPECIAL PROGRAMS academic year. Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Funds available for graduate student travel: Yes department or institution, local galleries, a graduate thesis exhibition. Fellowships Facilities within the department include computer labs with scanners, printers (large-format, Mimaki fabric, 3D), laser cutter, and CNC mill. Fellowships are available to students of all levels. Wood shop. Industrial design tools being added 2016+ as new faculty Fellowships applications received last year: 17 join this area. Fellowships awarded: 17 Libraries Fellowships awarded to women: 14 Total volumes in library system: >5,000,000 Fellowships awarded to minorities: 4 Art volumes in library system: >500,000 Assistantships Art journals in library system: >300 Assistantships are available to students of all levels. Students have library privileges at other institutional libraries. Teaching assistantships applications received: 0 Image Resources Teaching assistantships awarded: 15 Institution maintains its own digital-image collection. Institution Teaching assistantships awarded to women: 13 maintains its own slide collection. Institution subscribes to a digital- Teaching assistantships awarded to minorities: 4 image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Working assistantships applications received: 0 galleries, and private collections. Working assistantships awarded: 1 Working assistantships awarded to women: 1 Working assistantships awarded to minorities: 0 Other benefits: Tuition remission (part or full)

191 Other financial support: Please direct further financial aid questions to retained by the University. the graduate coordinator and the financial aid office. STUDENTS Health Insurance Number of students in residence: Master’s, 39 Full-time master’s students receive health insurance coverage with copayment. Number of male graduates fall 2015–summer 2016: Master’s, 8 Number of female graduates fall 2015–summer 2016: Master’s, 4 Student organizations within the program/department: Support is provided to a number of recognized student groups through the UCLA Student Organizations, Leadership & Engagement. UNIVERSITY OF CALIFORNIA, Students have the opportunity to join a labor union. LOS ANGELES FACULTY Number of faculty: 19 Department of Art Tenured/tenure track: 10 men, 9 women Part-time/adjunct lecturers: 0 men, 0 women UCLA Department of Art Full-time contractual: 0 men, 0 women Broad Art Center, Suite 2275 JENNIFER BOLANDE, Installation (Studio), Video (Studio), Professor Box 951615 RAYMOND BROWN, Painting, Emeritus Los Angeles, California, 90095 BARBARA DRUCKER, Painting, Drawing (Studio), Professor Phone: 310-206-7363 RUSSELL FERGUSON, Contemporary Art, Professor Fax: 310-206-6676 , Performance, Video (Studio), Professor www.art.ucla.edu ROGER HERMAN, Painting, Drawing (Studio), Professor Contact: Caron Cronin, [email protected] MARY KELLY, Installation (Studio), Critical Theory, joint appointment in Public university Art History, Professor BARBARA KRUGER, Installation (Studio), Video (Studio), Professor Accredited by: Western Association of Schools and Colleges PAUL MCCARTHY, Drawing (Studio), Emeritus Degrees awarded: Master’s degree RODNEY MCMILLIAN, Sculpture, Associate Professor Concentrations in: Ceramics, drawing, multidisciplinary, painting, CATHERINE OPIE, Photography (Studio), Professor photography, sculpture SILKE OTTO-KNAPP, Painting, Drawing (Studio), Associate Professor Headed by a faculty of internationally recognized artists and HIRSCH PERLMAN, Sculpture, Professor complemented by a roster of distinguished visiting lecturers, the UCLA LARI PITTMAN, Painting, Drawing (Studio), Professor Department of Art is committed to professional art training within the CHARLES RAY, Sculpture, Emeritus context of a liberal arts university. Within each area of study (ceramics, NANCY RUBINS, Sculpture, Emeritus interdisciplinary studio, new genres, painting and drawing, photography, ADRIAN SAXE, Ceramics, Professor sculpture), encouragement is given to explore a wide range of media. JAMES WELLING, Photography (Studio), Emeritus Students choose from diverse electives and can take classes in other PATTY WICKMAN, Painting, Drawing (Studio), Professor departments on campus. Regular interaction between the studio and the classroom creates a close-knit intellectual community that furthers RESOURCES AND SPECIAL PROGRAMS critical thinking and creative growth. Current critical and theoretical Private studios are available with unlimited hours for all. Students have thought is the focus of the seminar in art and a wide range of the opportunity to exhibit their work in a gallery associated with the contemporary issues is addressed in the visiting artists lecture series. department or institution, a graduate thesis exhibition. The UCLA The low faculty-to-student ratio facilitates regular one-on-one Department of Art’s digital studio has Mac workstations equipped for interaction. In addition, group critique and peer review are integral digital photography, video editing, and DVD/Blu ray production. In components of the program. addition, the digital studio has flatbed scanners for film and reflective media, and inkjet printers up to 64 inches in width. ADMISSIONS Libraries Deadline for fall: 1/9 Total volumes in library system: >5,000,000 Fall notification date: 3/15 Art volumes in library system: >300,000 Application fee: $105 Art journals in library system: >300 Applications received 2015–16: 677 There is a separate art library with >10,000 volumes and >300 journals. Applications accepted 2015–16: 20 Students have library privileges at other institutional libraries. Students enrolled 2015–16: 16 Image Resources Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Institution and program maintain digital-image collections. Institution for foreign students (iBT 87), transcript, statement of interest/personal subscribes to a digital-image library. Students have access to image statement, examples of personal artwork, artist’s statement collections. Students have opportunities to view works of art in local Recommended: Contact the program for additional requirements museums, commercial galleries, private collections, and on funded field trips. CURRICULUM Program Opportunities Average Class Size Additional opportunities for study within the institution: With the In graduate studios: 6–10 students consent of the instructor, students may enroll in courses outside the In graduate seminars: 11–15 students Department of Art. Independent study available: Yes Gallery or museum affiliated with the department: New Wight Gallery, Hammer Museum, Fowler Museum at UCLA Course of Study Formal programs: Study abroad Typical number of credit hours per term for a full-time student: 12 Formal relationships with other academic institutions: The UC Total number of credit hours required for graduation: 72 Intercampus Exchange Program allows graduate students to enroll in Total in studio art: 40 courses at other UC campuses while remaining registered at their home Total in area of concentration: 24 campus. Total in art history: 12 Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach Total in graduate seminars: 8 lectures Electives: 24 Other special programs sponsored by the department: The Department Degree requirements: Thesis or artist’s statement, group exhibition, of Art offers opportunities for graduate students to organize exhibitions comprehensive exam, thesis committee/exhibition jury. In addition to of artwork selected from on-site studio visits to a number of the most the completion of the required coursework, each degree is awarded on prestigious art schools and university art departments in North America the basis of the quality of the student’s work as demonstrated in the and abroad. The department sponsors 10–20 lectures per year. exhibition which is part of the comprehensive examination. The examination includes a formal exhibition and faculty review, in addition Other Campus Resources to the submission of a curriculum vitae, documentation of artwork, and Employment or career development office: Yes a statement by the artist. The document becomes the property of and is Office/center for international students: Yes 192 There is a graduate-student housing office. endeavors, and all students in the program find themselves confronted by the need to develop their intellectual and critical abilities while Environmental Health and Safety working out their artistic positions. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical ADMISSIONS safety (right-to-know), personal protective equipment, machine safety, Deadline for fall: 12/5 hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Fall notification date: 4/1 spill procedures and material disposal. Program has performed an Application fee: $105 environmental health and safety audit in the past five years. Methods Applications received 2015–16: 103 used to familiarize students and faculty with environmental health and Applications accepted 2015–16: 28 safety include publications, required training course, instruction in class, internet or intranet, faculty research, faculty training, health and safety Students enrolled 2015–16: 13 officer (full-time or part-time), shop technician, material safety data Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL sheets (MSDS), information in student handbook. for foreign students (iBT 80), transcript, letters of recommendation, statement of interest/personal statement, examples of personal artwork, FINANCIAL INFORMATION artist’s statement, in-person or phone interview Recommended: Degree in subject area, résumé, related internship Tuition experience, related professional experience, campus visit, contact the Full-time student tuition is determined per quarter. program for additional requirements State residents: $8,268 Out-of-state residents: $11,370 CURRICULUM Financial Aid Courses Types of aid available: Tuition aid/remission, stipend, teaching Number offered to graduate students each term: 32 assistantship, work-study program. All MFA students are considered for Number whose enrollment is limited to graduate students: 7 merit-based support, including teaching assistantship positions. Over the past five years, the average combined annual merit-based award Average Class Size totaled more than $20,000 per student. Additional need-based aid In graduate seminars: 11–15 students (loans, work-study) is available for those who qualify. Independent study available: Yes Funds available for graduate student travel: Yes Course of Study Fellowships Full-time residency requirement: 2 years Fellowships are available to students of all levels. Maximum number of years for residency: 3 Assistantships Average number of years for residency: 3 Assistantships are available to students of all levels. Typical number of courses for a full-time student: 3 Other financial support: Entering students may apply for university Total number of courses required for graduation: 18 fellowships in conjunction with their application for admission. Award Degree requirements: Written thesis, thesis or artist’s statement, solo recommendations are made by faculty. exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Health Insurance thesis committee/exhibition jury. Students must complete a First-Year Full-time master’s students receive health insurance coverage with Review exhibition, participate in yearly critiques, and complete an MFA copayment. thesis show. Students develop their theses under the supervision of their adviser and MFA committee. STUDENTS Number of students in residence: Master’s, 34 UNIVERSITY OF CALIFORNIA, Number of male graduates fall 2015–summer 2016: Master’s, 5 Number of female graduates fall 2015–summer 2016: Master’s, 11 SAN DIEGO Formal mode of student participation in academic governance: Graduate Student Association Visual Arts Students have the opportunity to join a labor union. University of California, San Diego FACULTY Mandeville Center Number of faculty: 35 9500 Gilman Dr., #0327 Tenured/tenure track: 15 men, 10 women La Jolla, California, 92093 Phone: 858-534-2860 Part-time/adjunct lecturers: 3 men, 0 women Fax: 858-534-8651 Full-time contractual: 3 men, 4 women http://visarts.ucsd.edu AMY ADLER, Painting, Film, Professor Contact: Graduate Coordinator, [email protected] AMY ALEXANDER, Digital Media (Studio), Associate Professor BENJAMIN BRATTON, Digital Media (History), Associate Professor Public university; nonprofit corporation SHELDON G. BROWN, Digital Media (Studio), Professor Accredited by: Western Association of Schools and Colleges W. NORMAN BRYSON, Contemporary Art, Critical Theory, Professor Degrees awarded: Master’s degree ELIZABETH CARTWRIGHT, Visual Studies, Professor Concentrations in: Digital media, drawing, film, installation, ERICA CHO, Video (Studio), Digital Media (Studio), Assistant multidisciplinary, painting, performance, photography, public art, Professor, tenure-track sculpture, sound, video JORDAN CRANDALL, Digital Media (Studio), Performance, Professor BRIAN CROSS, Photography (Studio), Film, Assistant Professor, tenure- First graduate degree granted: MFA, 1972 track The MFA program is designed to provide intensive professional training EDWIN CRUZ, Public Art (Studio), Professor for the student who proposes to pursue a career in art making. It is RICARDO DOMINGUEZ, Digital Media (Studio), Performance, unique in that the course of study encourages student mobility within Associate Professor the range of traditional and media-based areas. The areas of interest ANYA GALLACCIO, Installation (Studio), Sculpture, Professor include cinema/film/media, critical design, digital/new JACK M. GREENSTEIN, Renaissance Art, Professor media/software/hardware, nano/bio/neuro, painting/drawing, GRANT KESTER, Contemporary Art, Critical Theory, Professor participatory/collaborative, performance/site/event, public BABETTE MANGOLTE, Film, Film (History), Professor culture/architecture/urban, sculpture/object/installation, and ELIZABETH NEWSOME, Pre-Columbian Art, Native American Art, theory/text. Associate Professor SHELDON NODELMAN, Roman Art, Twentieth-Century Art, Professor The department seeks to provide an integrated and comprehensive RUBEN ORTIZ-TORRES, Painting, Installation (Studio), Professor introduction to the possibilities of contemporary art production, the KYONG PARK, Public Art (Studio), Professor intellectual structures that underlie them, and the worldview that they JORDAN ROSE, Nineteenth-Century Art, Assistant Professor, tenure- entail. All art-making activities are considered serious intellectual track

193 KUIYI SHEN, Chinese Art, Japanese Art, Professor BRETT STALBAUM, Digital Media (Studio), Adjunct/Contingent faculty Environmental Health and Safety MICHAEL TRIGILIO, Digital Media (Studio), Video (Studio), Occupational Safety and Health Administration (OSHA) regulations are Adjunct/Contingent faculty in place for ventilation and respiratory protection, hazardous chemical WILLIAM TRONZO, Renaissance Art, Adjunct/Contingent faculty safety (right-to-know), personal protective equipment, machine safety, MONIQUE VAN GENDEREN, Painting, Assistant Professor, tenure- hearing protection. Program meets the US Environmental Protection track Agency (EPA) and state regulations for hazardous materials, including MARIANA WARDWELL, Latin American Art, Assistant Professor, tenure- spill procedures and material disposal. Program has performed an track environmental health and safety audit in the past five years. Methods JOHN WELCHMAN, Contemporary Art, Critical Theory, Professor used to familiarize students and faculty with environmental health and ALENA WILLIAMS, Film (History), Assistant Professor, tenure-track safety include required training course, health and safety officer (full- time or part-time), shop technician, material safety data sheets (MSDS). Recent Visiting Faculty Students will take an Injury and Illness Prevention course before moving HUGH DAVIES, Curatorial Studies, joint appointment in Museum of into their studios in their first year. Students are required to take safety Contemporary Art San Diego, Adjunct/Contingent faculty orientations to use the wood and metal shops. MATHIEU GREGOIRE, Installation (Studio), Adjunct/Contingent faculty RAUL GUERRERO, Painting, Adjunct/Contingent faculty FINANCIAL INFORMATION HUAI LI, Installation (Studio), Painting, Adjunct/Contingent faculty TERI SOWELL, Oceanic Art, African Art (sub-Saharan), Tuition Adjunct/Contingent faculty Full-time student tuition is determined per year. RUTH WALLEN, Photography (Studio), Adjunct/Contingent faculty State residents: $16,631 ANN WOODS, Ancient Near Eastern Art, Adjunct/Contingent faculty Out-of-state residents: $31,733 International students: $31,733 RESOURCES AND SPECIAL PROGRAMS Financial Aid Private studios are available with unlimited hours for all. Students have Types of aid available: Tuition aid/remission, stipend, teaching the opportunity to exhibit their work in a gallery associated with the assistantship. Students are generally employed as Teaching Assistants department or institution, local galleries, a graduate thesis exhibition. or Readers in their first two years. There are opportunities for The university has numerous computer labs and the necessary software employment outside the department after these first two years. programs. Extensive media equipment, including cameras, lights, tripods, and so forth, for field work may be checked out for temporary Funds available for graduate student travel: Yes use. Fellowships Libraries Fellowships are available to students of all levels. Total volumes in library system: >500,000 Fellowship maximum period of support: 3 years Art volumes in library system: >50,000 Assistantships Art journals in library system: >100 Assistantships are available to first-year students and second-year There is a separate art library with >1,000 volumes and >100 journals. students. Students have library privileges at other institutional libraries. Teaching assistantship maximum period of support: 3 years Image Resources Working assistantship maximum period of support: 3 years Total number of images: >100,000 Other benefits: Tuition remission (part or full) Institution maintains its own digital-image collection. Institution Other financial support: The department awards a competitive Russell subscribes to a digital-image library. Students have access to image Grant, among other grants. Qualified domestic applicants may apply for collections. Students have opportunities to view works of art in local the San Diego Fellowship as part of the admissions application. museums and commercial galleries. Students receive calls for applications to various grants and fellowships. Program Opportunities Health Insurance Additional opportunities for study within the institution: All students are required to take one graduate course in another academic department, Full-time master’s students receive health insurance coverage with but may take as many additional courses as they wish. copayment. Gallery or museum affiliated with the department: Visual Arts Main Gallery; Visual Arts Performance Space; Commons Gallery, Presentation Lab at SME; Gallery@CaliT2 Formal programs: Study abroad. The University of California’s Education Abroad Program is available to all graduate students. UNIVERSITY OF CALIFORNIA, Formal relationships with other academic institutions: Students are able to take additional courses at other University of California campuses SANTA BARBARA through the UC Intercampus Exchange Program. Formal relationships with local museums: Our in-field partners include: Art Museum of Contemporary Art San Diego (MCASD), haudenschildGarage, Agitprop, The Periscope Project, San Diego Department of Art Museum of Art, Mingei International Museum, The Children’s New University of California, Santa Barbara Museum, Museum of Photographic Arts, Oceanside Museum of Art, Building 534, Room 1318 and numerous contemporary galleries. Santa Barbara, California, 93106 Phone: 805-893-8710 Extracurricular opportunities for graduate students: Curate exhibitions, Fax: 805-893-7117 conduct fieldwork, research for catalogues, present public outreach www.arts.ucsb.edu lectures Other special programs sponsored by the department: The department Contact: Carol Talley, [email protected] hosts its Annual Open Studios event in the winter quarter. Graduate Public university students also work with the Events Committee to invite guest lecturers Accredited by: Western Association of Schools and Colleges and artists to campus. The department sponsors 10–20 lectures per Degrees awarded: Master’s degree year. Concentrations in: Artist’s books, digital media, drawing, Other Campus Resources multidisciplinary, painting, paper, performance, photography, Employment or career development office: Yes printmaking, public art, sculpture, video Office/center for international students: Yes The MFA program is an intense, two-year course of study emphasizing interdisciplinary approaches to art making. Students work in and among There is a graduate-student housing office. Housing space is available in the areas of spatial studies, painting, digital media and electronics, dormitories, apartments, and married student housing. Housing is photography, video and animation, print, visualization, drawing, theory available to full-time students. Students with children are guaranteed and criticism, and unexpected forms. The program includes formal housing as incoming students. Partners and spouses are also eligible for studio courses, graduate seminars in studio critique, theory and housing. criticism, and independent study. The program focuses on the personal growth of students in their pursuit of careers as dedicated, professional artists.

194 opportunities to view works of art in local museums, commercial ADMISSIONS galleries, and private collections. Deadline for fall: 1/5 Fall notification date: 5/1 Program Opportunities Additional opportunities for study within the institution: Students are Application fee: $100 strongly encouraged to take courses outside the department. Applications received 2015–16: 49 Gallery or museum affiliated with the department: UCSB Art, Design & Applications accepted 2015–16: 13 Architecture Museum Students enrolled 2015–16: 7 Extracurricular opportunities for graduate students: Curate exhibitions. Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL The department sponsors 10–20 lectures per year. for foreign students (iBT 80), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal Other Campus Resources artwork, artist’s statement Office/center for international students: Yes Recommended: Degree in subject area, campus visit There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. CURRICULUM Environmental Health and Safety Courses Occupational Safety and Health Administration (OSHA) regulations are Number offered to graduate students each term: 3 in place for ventilation and respiratory protection, hazardous chemical Number whose enrollment is limited to graduate students: 2 safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Average Class Size Agency (EPA) and state regulations for hazardous materials, including In graduate studios: 11–15 students spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods In graduate seminars: 11–15 students used to familiarize students and faculty with environmental health and Independent study available: Yes safety include health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), information in student Course of Study handbook. Full-time residency requirement: 2 years Typical number of courses for a full-time student: 3 FINANCIAL INFORMATION Total number of courses required for graduation: 18 Tuition Total in studio art: 12 Full-time student tuition is determined per quarter. Total in graduate seminars: 3 State residents: $4,416 Electives: 3 Out-of-state residents: $9,450 Degree requirements: Written thesis, group exhibition, oral defense of work, thesis committee/exhibition jury International students: $9,450 Financial Aid STUDENTS Types of aid available: Tuition aid/remission, stipend, teaching Number of students in residence: Master’s, 12 assistantship, work-study program. Tuition and full stipend awarded to 2 Number of male graduates fall 2015–summer 2016: Master’s, 6 students in the previous academic year. Tuition and partial stipend Number of female graduates fall 2015–summer 2016: Master’s, 6 awarded to 13 students in the previous academic year. Students have the opportunity to join a labor union. Funds available for graduate student travel: Yes FACULTY Fellowships Number of faculty: 11 Fellowships are available to students of all levels. Tenured/tenure track: 6 men, 5 women Fellowships awarded: 2 Part-time/adjunct lecturers: 0 men, 0 women Average amount of award/stipend: $29,000 Full-time contractual: 0 men, 0 women Assistantships PROF. LAUREL BECKMAN, Public Art (Studio), Video (Studio), Assistantships are available to students of all levels. Professor, MFA, California Institute of the Arts Teaching assistantships awarded: 12 PROF. JANE CALLISTER, Painting, Professor, MFA, University of Nevada, Las Vegas Teaching assistantships awarded to minorities: 2 PROF. KIP FULBECK, Performance, Video (Studio), Professor, MFA, Average amount of award/stipend: $9,639 University of California, San Diego Hours of work required per week: 10 DR. COLIN GARDNER, Writing, Professor, PhD, University of California, Teaching assistantship maximum period of support: 2 years Los Angeles PROF. DICK HEBDIGE, Writing, joint appointment in Film and Media Other benefits: Tuition remission (part or full) Studies, Professor, MA Health Insurance PROF. LISA JEVBRATT, Digital Media (Studio), joint appointment in Media Art and Technology, Professor, MFA, San José State University Full-time master’s students receive health insurance coverage at no PROF. GEORGE LEGRADY, Digital Media (Studio), joint appointment in cost. Health insurance coverage is available to dependents, spouses, Media Art and Technology, Professor, MFA, San Francisco Art Institute unmarried domestic partners, and same-sex domestic partners of full- PROF. JANE MULFINGER, Public Art (Studio), Installation (Studio), time master’s students. Professor, MA, Royal College of Art PROF. HARRY REESE, Printmaking, Professor, MA, Brown University PROF. RICHARD ROSS, Photography (Studio), Professor, MFA, University of Florida PROF. KIM YASUDA, Sculpture, Professor, MFA, University of Southern UNIVERSITY OF CALIFORNIA, California SANTA CRUZ RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Digital Arts and New Media department or institution, local galleries, a graduate thesis exhibition. Digital Arts Research Center, Room 302 Libraries University of California, Santa Cruz 1156 High St. Students have library privileges at other institutional libraries. Santa Cruz, California, 95064 Image Resources Phone: 831-459-1919 Total number of images: >250,000 danm.ucsc.edu Institution maintains its own digital-image collection. Institution Contact: Felicia Rice, [email protected] maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Public university; nonprofit corporation

195 Accredited by: Western Association of Schools and Colleges Degrees awarded: Master’s degree FACULTY Concentrations in: Digital media, environmental art, film, installation, Number of faculty: 38 multidisciplinary, performance, sculpture, sound, video, writing/word Tenured/tenure track: 18 men, 20 women art Part-time/adjunct lecturers: 0 men, 0 women First graduate degree granted: MFA, 2006 Full-time contractual: 0 men, 0 women The Digital Arts and New Media MFA program serves as a center for the RALPH ABRAHAM, Digital Media (Studio), Animation (Studio), joint development and study of digital media and the cultures that they have appointment in Mathematics Department, Emeritus, PhD, University of helped create. The program joins faculty and students from the full Michigan, 1960 academic spectrum (arts, computer engineering, humanities, sciences, ELLIOT ANDERSON, Installation (Studio), Environmental Art (Studio), and social sciences) to pursue interdisciplinary artistic and scholarly joint appointment in Art Department, Associate Professor, MA, San research and practice. The two-year program includes required core Francisco State University, 1994 courses, the opportunity to take electives across the UCSC campus, and LAWRENCE ANDREWS, Video (Studio), Animation (Studio), joint participation in collaborative research project groups with Digital Arts appointment in Film and Digital Media Department, Associate and New Media faculty. Project groups engage in artistic, technical, and Professor, BFA, San Francisco Art Institute, 1987 theoretical research in mechatronics, participatory culture, performative NEDA ATANASOSKI, Critical Theory, Gender Studies, joint appointment technologies, or playable media. Degree candidates develop a thesis in Feminist Studies, Associate Professor, PhD, University of California, project to be presented in an MFA exhibition and produce a thesis San Diego, 2005 paper. Completion of the program results in a terminal degree in art that BRANDIN BARON-NUSBAUM, Performance, Performance Studies, enables graduates to teach at the university level. joint appointment in Theater Arts Dept., Associate Professor, MFA, University of California, San Diego, 1996 ADMISSIONS AMY C. BEAL, Sound, joint appointment in Music Department, Deadline for fall: 1/10 Professor, PhD, University of Michigan, 1999 JAMES BIERMAN, Performance, joint appointment in Theater Arts Fall notification date: 3/15 Department, Professor, PhD, Stanford University, 1968 Application fee: $105 BEN LEEDS CARSON, Sound, joint appointment in Music Department, Applications received 2015–16: 62 Associate Professor, PhD, University of California, San Diego, 2001 Students enrolled 2015–16: 20 MICHAEL CHEMERS, Performance, joint appointment in Theater Arts Department, Associate Professor, PhD, University of Washington, 2001 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA, TOEFL for CHRISTOPHER CONNERY, Non-Artist/Non-Art Historian, South Asian foreign students (iBT 83), transcript, letters of recommendation, Art, joint appointment in Literature, Professor, PhD résumé, statement of interest/personal statement, examples of personal E.G. CRICHTON, Installation (Studio), Digital Media (Studio), joint artwork appointment in Art Department, Emeritus, MFA, California College of Recommended: Degree in subject area, campus visit, in-person or the Arts, 1993 phone interview SHARON DANIEL, Digital Media (Studio), Critical Theory, joint appointment in Film and Digital Media Department, Professor, MFA, CURRICULUM University of Tennessee-Knoxville, 1985 DAVID DUNN, Performance, joint appointment in Music Department, Courses Assistant Professor, tenure-track, MFA, Danube University Krems, 2009 Number offered to graduate students each term: 9 KATE EDMUNDS, Performance, Design History, joint appointment in Number whose enrollment is limited to graduate students: 7 Theater Arts Department, Professor, MFA, Yale University, 1978 SHELLY ERRINGTON, Contemporary Art, Video (Studio), joint Average Class Size appointment in Anthropology Department, Professor, PhD, Cornell In graduate studios: 11–15 students University, 1974 In graduate seminars: 11–15 students JENNIFER A. GONZÁLEZ, Contemporary Art, Critical Theory, joint appointment in History of Art and Visual Culture Dept., Professor, PhD, In graduate lectures: 21–50 students University of California, Santa Cruz, 1996 Independent study available: Yes IRENE GUSTAFSON, Film, Critical Theory, joint appointment in Film and Digital Media Department, Associate Professor, MFA, Northwestern Course of Study University, 1999 Full-time residency requirement: 2 years HELEN HARRISON, Environmental Art (Studio), joint appointment in Maximum number of years for residency: 2 Digital Arts and New Media, Emeritus Average number of years for residency: 2 NEWTON HARRISON, Environmental Art (Studio), joint appointment in Digital Arts and New Media, Emeritus Typical number of courses for a full-time student: 3 DEE HIBBERT-JONES, Sculpture, Installation (Studio), joint Total number of courses required for graduation: 16 appointment in Art Department, Associate Professor, MFA, Mills Total in studio art: 3 College, 2001 Total in area of concentration: 3 ROBIN HUNICKE, Digital Media (Studio), Associate Professor, MS, University of Chicago, 1999 Total in art history: 3 KIMBERLY JANNARONE, Performance, Performance Studies, joint Total in graduate seminars: 5 appointment in Theater Arts Department, Professor, Other, Yale Electives: 2 University, 2000 Degree requirements: Written thesis, concentration, group exhibition, SRI KURNIAWAN, Non-Artist/Non-Art Historian, joint appointment in individual presentation of thesis work, critique of thesis work, Computer Engineering, Associate Professor, PhD, Wayne State documentation of thesis work for program archive, oral defense of work, University, 2001 thesis committee/exhibition jury, technology course, professional JOHN JOTA LEAÑOS, Film, Performance Studies, joint appointment in practices course. Coursework in the student’s concentration also Film and Digital Media Department, Associate Professor, MA, San includes participation in a three-course collaborative research project Francisco State University, 2000 group. For more information, visit danm.ucsc.edu/research IRENE LUSZTIG, Film, joint appointment in Film and Digital Media Department, Associate Professor, BFA, Center for Curatorial Studies, STUDENTS Bard College, 2006 MICHAEL MATEAS, Digital Media (Studio), joint appointment in Number of students in residence: Master’s, 23 Computer Science Department, Associate Professor, PhD, Carnegie Number of male graduates fall 2015–summer 2016: Master’s, 9 Mellon University, 2002 Number of female graduates fall 2015–summer 2016: Master’s, 4 MARGARET MORSE, Critical Theory, Film (History), joint appointment Student organizations within the program/department: Students are in Film and Digital Media Department, Emeritus, PhD, University of regularly invited to give input about the program curriculum and California, Berkeley, 1977 operations through town hall meetings, which are held twice a year. The SORAYA MURRAY, Digital Media (History), Critical Theory, joint Arts Dean has a student advisory board. appointment in Film and Digital Media Department, Assistant Professor, tenure-track, PhD, Cornell University, 2007 Formal mode of student participation in academic governance: DANM KATE O’RIORDAN, Digital Media (Studio), Associate Professor, PhD, graduate students participate in regular town hall meetings. They also University of Brighton, 2001 sit on the Arts Dean’s student advisory board. JENNIFER PARKER, Installation (Studio), Sound, joint appointment in Students have the opportunity to join a labor union. Art Department, Associate Professor, MFA, Rutgers, The State University of New Jersey, 1992 LARRY POLANSKY, Sound, joint appointment in Music Department,

196 Professor, MA, University of Illinois at Urbana-Champaign internet or intranet, faculty research, faculty training, health and safety B. RUBY RICH, Film, joint appointment in Film and Digital Media officer (full-time or part-time), shop technician, material safety data Department, Professor, BA, Yale University, 1971 sheets (MSDS), training videos. WARREN SACK, Digital Media (Studio), joint appointment in Film and Digital Media Department, Professor, PhD, Massachusetts Institute of FINANCIAL INFORMATION Technology, 2000 EDWARD SHANKEN, Digital Media (Studio), joint appointment in Art, Tuition Science, and Technology Research, Associate Professor, PhD, Duke Full-time student tuition is determined per year. University, 2001 State residents: $12,294 ELIZABETH STEPHENS, Performance, Sculpture, joint appointment in Art Department, Professor, MFA, Tufts University Out-of-state residents: $29,151 GUSTAVO VAZQUEZ, Video (Studio), Film, joint appointment in Film International students: $29,151 and Digital Media Department, Professor, MA, San Francisco State Additional institutional fees: $1,221 University, 1991 NOAH WARDRIP-FRUIN, Digital Media (Studio), Word Art, joint Financial Aid appointment in Computer Science Department, Professor, PhD, Brown Types of aid available: Tuition aid/remission, stipend, guaranteed loan, University, 2006 teaching assistantship, research assistantship. The average award for JIM WHITEHEAD, Non-Artist/Non-Art Historian, joint appointment in teaching and working assistantships is $6,426 per quarter. Tuition and Computer Science Department, Professor, PhD, University of California, partial stipend awarded to 25 students in the previous academic year. Irvine, 2000 No financial assistance awarded to 1 student in the previous academic year. RESOURCES AND SPECIAL PROGRAMS Funds available for graduate student travel: Yes Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Fellowships department or institution, local galleries, a graduate thesis exhibition. Fellowships are available to first-year students and second-year Resources include video cameras, digital audio recorders, SLR and students. digital cameras, video projectors, computers, monitors, lighting and Fellowships awarded: 23 sound equipment, game consoles, tools, laser cutter, milling machine, vacuum form machine, network gear, webcams, microphones, Fellowships awarded to women: 8 electronics lab, and more. Average amount of award/stipend: $1,000 Image Resources Assistantships Total number of images: >250,000 Assistantships are available to first-year students and second-year Institution maintains its own digital-image collection. Institution students. maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have Teaching assistantships awarded: 50 opportunities to view works of art in local museums, commercial Teaching assistantships awarded to women: 8 galleries, and on funded field trips. Average amount of award/stipend: $6,246 Program Opportunities Hours of work required per week: 20 Additional opportunities for study within the institution: Faculty and Teaching assistantship maximum period of support: 2 years students are drawn from a variety of backgrounds (such as arts, Working assistantships awarded: 7 computer engineering, humanities, sciences, and social sciences) to Working assistantships awarded to women: 4 pursue interdisciplinary artistic and scholarly research and production in Average amount of award/stipend: $6,246 the context of a broad examination of digital arts and cultures. Other benefits: Tuition remission (part or full), supplies allowance Gallery or museum affiliated with the department: Mary Porter-Sesnon Other financial support: On-campus grants, fellowships and teaching Gallery opportunities are available, as are fellowship funds upon entry to the Formal programs: Summer work projects. Opportunities exist for program. graduate student research positions and summer-session teaching positions. Health Insurance Formal relationships with other academic institutions: Students may Full-time master’s students receive health insurance coverage with take courses at other UC campuses. copayment. Health insurance coverage is available to dependents, Formal relationships with local museums: The Digital Arts and New spouses, unmarried domestic partners, and same-sex domestic partners Media program has close ties with on-campus galleries as well as the of full-time master’s students. Santa Cruz Museum of Art and History. Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, conduct surveys for outside institutions, present public outreach lectures. The department sponsors 5–10 lectures per year. UNIVERSITY OF CENTRAL Other Campus Resources OKLAHOMA Employment or career development office: Yes Office/center for international students: Yes Design There is a graduate-student housing office. Housing space is available in apartments and married student housing. The Community Rentals Department of Design Office helps students, staff, and faculty locate rental housing by making University of Central Oklahoma online rental listings easily accessible. It also serves as an information 100 N. University Dr., Box 195 resource center for matters related to renting off campus. Edmond, Oklahoma, 73034 Planned campus changes and facility improvements: DANM is housed Phone: 405-974-5200 in the six-year-old 42,000 sq. ft. Digital Arts Research Center. The Fax: 405-974-5206 campus expanded the library by 120,000 sq. ft., and plans to build the www.uco.edu/cfad/academics/design/index.asp Institute for Arts and Sciences, which will serve as a museum, Contact: Brock Wynn, [email protected] performance lab, and multidisciplinary incubator for the arts. Public university; nonprofit corporation Environmental Health and Safety Accredited by: Council for Interior Design Accreditation, National Occupational Safety and Health Administration (OSHA) regulations are Association of Schools of Art and Design in place for ventilation and respiratory protection, hazardous chemical Degrees awarded: Master’s degree safety (right-to-know), personal protective equipment, machine safety, Concentrations in: Graphic design, interior design hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including First graduate degree granted: MFA, 2004 spill procedures and material disposal. Program has performed an Designers are innovative problem-solvers who process information and environmental health and safety audit in the past five years. Ventilation user needs to improve communication and environments. The is in place for the laser cutter and rapid prototyping lab. Methods used Department of Design at UCO offers coursework in graphic design and to familiarize students and faculty with environmental health and safety interior design. The MFA in Design is a terminal degree that provides include publications, required training course, instruction in class, opportunities for students who are interested in design education,

197 research, and proficiency. Libraries ADMISSIONS Total volumes in library system: >500,000 This program has rolling admissions. Art volumes in library system: >50,000 Deadline for fall: 4/7 Art journals in library system: >100 Fall notification date: 5/7 Students have library privileges at other institutional libraries. Deadline for spring: 10/7 Image Resources Application fee: $50 Program maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Part-time students accepted: Yes image library. Students have opportunities to view works of art in local Applications received 2015–16: 20 museums and commercial galleries. Applications accepted 2015–16: 14 Students enrolled 2015–16: 10 Program Opportunities Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), TOEFL Extracurricular opportunities for graduate students: Conduct fieldwork. for foreign students, transcript, letters of recommendation, résumé, The department sponsors 1–4 lectures per year. statement of interest/personal statement, examples of personal artwork Other Campus Resources Recommended: Related professional experience Employment or career development office: Yes CURRICULUM Office/center for international students: Yes Courses Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Number offered to graduate students each term: 12 in place for ventilation and respiratory protection, hazardous chemical Number whose enrollment is limited to graduate students: 12 safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Average Class Size Agency (EPA) and state regulations for hazardous materials, including In graduate studios: 1–5 students spill procedures and material disposal. Program has performed an In graduate seminars: 6–10 students environmental health and safety audit in the past five years. Methods In graduate lectures: 1–10 students used to familiarize students and faculty with environmental health and Independent study available: Yes safety include faculty training. Course of Study FINANCIAL INFORMATION Full-time residency requirement: None Tuition Maximum number of years for residency: No maximum Full-time student tuition is determined per credit hour. Typical number of credit hours per term for a full-time student: 9 State residents: $283.10 Total number of credit hours required for graduation: 60 Out-of-state residents: $656.70 Total in area of concentration: 42 Additional institutional fees: $78.28 Electives: 18 Part-time student tuition is determined per credit hour. Degree requirements: Written thesis, oral defense of work Additional institutional fees: $78.28 STUDENTS Financial Aid Number of students in residence: Master’s, 10 Types of aid available: Tuition aid/remission, teaching assistantship, Number of male graduates fall 2015–summer 2016: Master’s, 5 research assistantship, work-study program. Partial tuition awarded to 3 Number of female graduates fall 2015–summer 2016: Master’s, 5 students in the previous academic year. Student organizations within the program/department: AIGA and SIDA Funds available for graduate student travel: Yes student chapters Assistantships Formal mode of student participation in academic governance: The Assistantships are available to students of all levels. University of Central Oklahoma’s Student Association represents all UCO students and serves as the parent organization for all student Teaching assistantships awarded: 5 organizations. Student chapters of AIGA and SIDA are active on Teaching assistantships awarded to women: 5 campus. Teaching assistantships awarded to minorities: 5 Other benefits: Tuition remission (part or full) FACULTY Other financial support: Assistantship requirements include being Number of faculty: 8 enrolled in nine graduate hours and having a minimum GPA of 3.0. Tenured/tenure track: 2 men, 6 women Scholarships for graduate students are available; the application Part-time/adjunct lecturers: 0 men, 0 women deadline is February 1. Incentive grants are available to support Full-time contractual: 0 men, 0 women research. MS. SEONMI CHOI, Interior Design, Assistant Professor, tenure-track, Health Insurance PhD, University of Minnesota, 2011 No health insurance coverage is provided for full-time master’s students MS. DELANA GABBARD, Graphic Design, Assistant Professor, tenure- and part-time master’s students. track, MFA, University of Central Oklahoma, 2010 MR. LARRY HEFNER, Painting, Graphic Design, Professor, MFA, University of Oklahoma MS. AMANDA HORTON, Design History, Graphic Design, Associate Professor, MFA, University of Central Oklahoma, 2007 MS. AMY JACOBSON-PETERS, Interior Design, Foundations, Chair, MS UNIVERSITY OF CHICAGO MS. AMY MARIE JOHNSON, Graphic Design, Object Design, Associate Professor, MFA, School of the Art Institute of Chicago Department of Visual Arts DR. VALERIE SETTLES, Interior Design, Assistant Professor, tenure- track, PhD Department of Visual Arts - The University of Chicago MR. KEITH WEBB, Graphic Design, Associate Professor, MFA, The Logan Center for the Arts University of Central Oklahoma, 2008 915 E 60th St. Chicago, Illinois, 60637 RESOURCES AND SPECIAL PROGRAMS Phone: 773-753-4821 Students have the opportunity to exhibit their work in a gallery dova.uchicago.edu associated with the department or institution, local galleries, a graduate Contact: Alison LaTendresse, [email protected] thesis exhibition. Resources include desktop computers, 24-inch and 44- inch large-format inkjet printers, color and black-and-white laser Private university; nonprofit corporation printers, paper and mat cutters, spiral binders, vacuum press, digital Degrees awarded: Master’s degree still and video cameras, and projectors. Concentrations in: Installation, painting, performance, photography, sculpture, video

198 First graduate degree granted: MFA, 1975 PROF. CATHERINE SULLIVAN, Film, joint appointment in Cinema and The University of Chicago offers a Master of Fine Arts degree through Media Studies, Associate Professor, MFA, Art Center College of Design, the Department of Visual Arts, located at The Reva and David Logan 1997 Center for the Arts. The MFA student body is composed of artists MR. SCOTT WOLNIAK, Sculpture, Drawing (Studio), MFA, University of working in sculpture, photography, painting, installation, performance, Illinois at Chicago, 2002 video, and new media. Students are expected to work with all faculty Recent Visiting Faculty members, whose expertise spans a number of disciplines. Students are UTE META BAUER, Curatorial Studies admitted to the program based on the quality of their art and their AA BRONSON, Art Education interest in working in an interdisciplinary art program within a university DOUGLAS CRIMP, Contemporary Art environment. The department believes that art should not be an LIAM GILLICK, Installation (Studio) isolating activity and that students/artists benefit from the cross- SHARON HAYES, Performance fertilization of daily contact with people dealing with similar sets of PIERRE HUYGHE, Video (Studio) issues but working in different media. Art is a cultural product and, as ILYA & EMILIA KABAKOV, Art Education such, the program encourages students to explore not only the specific GLENN LIGON, Painting artistic issues pertinent to their work, but also the theoretical, social, JOSIAH MCELHENY, Glass and historical ones. BARRY SCHWABSKY, Critical Theory KITTY SCOTT, Curatorial Studies ADMISSIONS AMY SILLMAN, Painting Deadline for fall: 12/15 JAN VERWOERT, Critical Theory Fall notification date: 4/15 Application fee: $90 Students enrolled 2015–16: 8 RESOURCES AND SPECIAL PROGRAMS Requirements: TOEFL for foreign students, transcript, letters of Private studios are available with unlimited hours for all. Students have recommendation, résumé, statement of interest/personal statement, the opportunity to exhibit their work in local galleries, a graduate thesis examples of personal artwork exhibition. There is a state-of-the-art computer lab with video and Recommended: Bachelor’s degree (BA, BFA, or BSA), related internship imaging media equipment, large- and small-scale printers, scanners, experience, related professional experience, campus visit, in-person or computers, 3D printers, and workshop. phone interview Libraries CURRICULUM Total volumes in library system: >5,000,000 Art volumes in library system: >200,000 Average Class Size Students have library privileges at other institutional libraries. In graduate studios: 11–15 students Image Resources In graduate seminars: 6–10 students Total number of images: >250,000 Independent study available: Yes Institution maintains its own digital-image collection. Institution maintains its own slide collection. Institution subscribes to a digital- Course of Study image library. Students have access to image collections. Students have Full-time residency requirement: 2 years opportunities to view works of art in local museums and commercial Typical number of courses for a full-time student: 3 galleries. Total number of courses required for graduation: 18 Program Opportunities Total in studio art: 9 Additional opportunities for study within the institution: Students may Total in art history: 3 take electives outside the Department of Visual Arts. Electives: 6 Gallery or museum affiliated with the department: Smart Museum of Degree requirements: Written thesis, group exhibition, oral defense of Art, Renaissance Society, Logan Center Exhibitions, Gray Center for Arts work. Abstract and Inquiry Extracurricular opportunities for graduate students: Present public STUDENTS outreach lectures Number of students in residence: Master’s, 16 Other special programs sponsored by the department: Special programs Number of male graduates fall 2015–summer 2016: Master’s, 4 include a contemporary arts workshop and the Open Practice Committee (a visiting artist committee). The department sponsors 5–10 Number of female graduates fall 2015–summer 2016: Master’s, 4 lectures per year. Formal mode of student participation in academic governance: Graduate Student Association Other Campus Resources Employment or career development office: Yes FACULTY Office/center for international students: Yes DR. CHARLES COHEN, Renaissance Art, Baroque Art, Professor, PhD, Harvard University Environmental Health and Safety MS. KATHERINE DESJARDINS, Painting, MFA, Accademia di Belle Arti Occupational Safety and Health Administration (OSHA) regulations are di Firenze in place for ventilation and respiratory protection, hazardous chemical PROF. THEASTER GATES, Sculpture, joint appointment in Social safety (right-to-know), personal protective equipment, machine safety, Practice, Professor, MA hearing protection. Program meets the US Environmental Protection MS. AMBER GINSBURG, Ceramics, Sculpture, MFA, School of the Art Agency (EPA) and state regulations for hazardous materials, including Institute of Chicago spill procedures and material disposal. Program has performed an MS. JUDY HOFFMAN, Film, Northwestern University environmental health and safety audit in the past five years. Methods MR. SHANE HUFFMAN, Photography (Studio), Sculpture, MFA, used to familiarize students and faculty with environmental health and University of Illinois at Chicago safety include publications, required training course, instruction in class, PROF. MATTHEW JESSE JACKSON, Contemporary Art, Critical Theory, health and safety officer (full-time or part-time), material safety data Associate Professor, PhD, University of California, Berkeley sheets (MSDS). PROF. LAURA LETINSKY, Photography (Studio), Professor, MFA, Yale University, 1991 FINANCIAL INFORMATION PROF. GEOF OPPENHEIMER, Sculpture, Associate Professor, MFA, University of California, Berkeley, 2001 Tuition PROF. ROBERT PETERS, Sculpture, Emeritus, MFA, University of Full-time student tuition is determined per year. California, Santa Barbara, 1970 PROF. WILLIAM POPE.L, Performance, Sculpture, Associate Professor, All students: $46,000 MFA, Rutgers, The State University of New Jersey, 1981 Additional institutional fees: $3,000 PROF. JASON SALAVON, Digital Media (Studio), Film, joint appointment in Computation Institute, Associate Professor, MFA, Financial Aid School of the Art Institute of Chicago Types of aid available: Tuition aid/remission, teaching assistantship, PROF. DAVID SCHUTTER, Painting, Associate Professor, MFA, research assistantship, work-study program University of Chicago, 2003 Funds available for graduate student travel: Yes PROF. JESSICA STOCKHOLDER, Painting, Drawing (Studio), Professor, MFA, Yale University, 1985

199 Fellowships STUDENTS Fellowships are available to students of all levels. Number of students in residence: Master’s, 33 Assistantships Number of male graduates fall 2015–summer 2016: Master’s, 15 Assistantships are available to students of all levels. Number of female graduates fall 2015–summer 2016: Master’s, 18 Other financial support: Half tuition awarded to first year students. Full tuition awarded to second year students. FACULTY Number of faculty: 11 Students receive 2–3 teaching assistantships per year, which pay $2,000 Tenured/tenure track: 6 men, 4 women per class. Part-time/adjunct lecturers: 0 men, 1 woman Health Insurance Full-time contractual: 0 men, 0 women Full-time master’s students receive health insurance coverage with BENJAMIN BRITTON, Digital Media (Studio), Video (Studio), Professor copayment. Health insurance coverage is available to dependents, DENISE BURGE, 2-Dimensional Design, Fiber Arts, Associate Professor spouses, and same-sex domestic partners of full-time master’s students. KIM BURLEIGH, Printmaking, Painting, Professor AMANDA CURRERI, Multidisciplinary, Assistant Professor, tenure-track JOE GIRANDOLA, Sculpture, Public Art (Studio), Associate Professor MARK HARRIS, 2-Dimensional Design, Professor MATT LYNCH, Sculpture, Public Art (Studio), Associate Professor KATIE PARKER, Ceramics, Associate Professor UNIVERSITY OF CINCINNATI JORDAN TATE, Photography (Studio), Assistant Professor, tenure-track JENNY USTICK, Multidisciplinary, Assistant Professor, non-tenure Fine Arts CHARLES WOODMAN, Digital Media (Studio), Performance, Associate Professor University of Cincinnati College of Design, Architecture, Art, and Planning RESOURCES AND SPECIAL PROGRAMS PO Box 210016 Semiprivate studios are available. Students have the opportunity to Cincinnati, Ohio, 45221 exhibit their work in a gallery associated with the department or Phone: 513-556-2962 institution, local galleries, a graduate thesis exhibition. Studio facilities Fax: 513-556-2887 include workshops for wood, metal, ceramics and plastic; a fully http://daap.uc.edu/academics/art/m_fine_arts.html outfitted photography area with traditional black/white, color, and digital Contact: Joe Girandola, [email protected] printing facilities; a Computer Graphics Center that offers state-of-the art computers with extensive software libraries; a state-of-the-art Rapid Public university; nonprofit corporation Prototyping Center for 3D printing, computer-controlled milling and Accredited by: National Association of Schools of Art and Design laser cutting; and an experimental technology laboratory that houses Degrees awarded: Master’s degree additional 2D and 3D input and output equipment. Concentrations in: Ceramics, drawing, painting, performance, Libraries photography, printmaking, sculpture Total volumes in library system: >4,000,000 The Master of Fine Arts (MFA) is a two-year studio program with specialization in the areas of two-dimensional studies (painting, Art volumes in library system: >300,000 drawing, printmaking), three-dimensional studies (sculpture, ceramic Art journals in library system: >400 sculpture), and media studies (photography, electronic art). The primary There is a separate art library with >10,000 volumes and >1,000 journals. goal of graduate education in the visual arts is professional excellence, Students have library privileges at other institutional libraries. and interdisciplinary work is supported. On average, 40 graduate students are enrolled. The program is housed in excellent facilities that Image Resources include individual studios for graduate students and studios for etching, Institution maintains its own digital-image collection. Institution lithography, relief printing, silkscreen, metal fabrication, ceramics, metal maintains its own slide collection. Institution subscribes to a digital- casting, sculpture, digital printing, darkroom work, electronic art and image library. Students have access to image collections. Students have video, woodworking, rapid prototyping, and and opportunities to view works of art in local museums, commercial modeling. Three galleries are connected to the school and college and galleries, and private collections. they showcase student work, thesis work, faculty work, and visiting artist Program Opportunities work. Gallery or museum affiliated with the department: Philip M. Meyers, Jr. ADMISSIONS Memorial Gallery, Dorothy W. and C. Lawson Reed, Jr. Gallery Deadline for fall: 1/15 Formal programs: Museum training Fall notification date: 5/1 Extracurricular opportunities for graduate students: Curate exhibitions, research for catalogues. The department sponsors 5–10 lectures per Application fee: $65 year. Applications accepted 2015–16: 20 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Other Campus Resources students, transcript, letters of recommendation, résumé, statement of Employment or career development office: Yes interest/personal statement, examples of personal artwork, artist’s Office/center for international students: Yes statement Recommended: Degree in subject area Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are CURRICULUM in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Courses hearing protection. Program meets the US Environmental Protection Number offered to graduate students each term: 6 Agency (EPA) and state regulations for hazardous materials, including Number whose enrollment is limited to graduate students: 10 spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Methods Course of Study used to familiarize students and faculty with environmental health and Full-time residency requirement: 2 years safety include instruction in class, faculty training, shop technician, material safety data sheets (MSDS). Maximum number of years for residency: 5 Average number of years for residency: 2 FINANCIAL INFORMATION Typical number of credit hours per term for a full-time student: 12 Tuition Total number of credit hours required for graduation: 60 Full-time student tuition is determined per year. Degree requirements: Written thesis, thesis or artist’s statement, individual presentation of thesis work, critique of thesis work, oral State residents: $14,182 defense of work, thesis committee/exhibition jury Out-of-state residents: $25,696 International students: $25,696 Additional institutional fees: $400 Part-time student tuition is determined per credit.

200 State residents: $710 Total in studio art: 40 Out-of-state residents: $1,285 Total in art history: 12 International students: $1,285 Total in graduate seminars: 6 Degree requirements: Thesis or artist’s statement, concentration, solo Financial Aid exhibition, individual presentation of thesis work, critique of thesis work, Types of aid available: Tuition aid/remission, teaching assistantship documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, professional practices course. To earn Assistantships MA (30 hours) and MFA (30 additional hours) degrees, students are Assistantships are available to first-year students and second-year required to complete solo exhibitions with oral reviews and students. documentation. Health Insurance Recommended: Technology course Full-time master’s students and part-time master’s students receive health insurance coverage with copayment. STUDENTS Number of students in residence: Master’s, 10 Number of male graduates fall 2015–summer 2016: Master’s, 4 Number of female graduates fall 2015–summer 2016: Master’s, 6 Student organizations within the program/department: University of UNIVERSITY OF DALLAS Dallas Art Association Formal mode of student participation in academic governance: The Studio Art and Design Braniff Graduate Student Association (BGSA) of the University of Dallas was established to further the interests of the student body of the Braniff Braniff Graduate School of Liberal Arts Graduate School of Liberal Arts within the University of Dallas University of Dallas community. All students enrolled in the Braniff Graduate School are 1845 East Northgate Dr. members of the BGSA. The BGSA is composed of a Senate and an Irving, Texas, 75062 Executive Board. Phone: 972-721-5106 Fax: 972-721-5280 FACULTY www.udallas.edu/braniff/ma/art Number of faculty: 5 Contact: Marie Azcona, [email protected] Tenured/tenure track: 2 men, 1 woman Private university; nonprofit corporation Part-time/adjunct lecturers: 1 man, 1 woman Accredited by: Southern Association of Colleges and Schools Full-time contractual: 0 men, 0 women Degrees awarded: Master’s degree DR. CATHERINE CAESAR, Contemporary Art, Assistant Professor, non- Concentrations in: Ceramics, painting, printmaking, sculpture tenure, PhD, Emory University, 2005 PROF. STEVEN FOUTCH, Printmaking, Drawing (Studio), Assistant First graduate degree granted: MFA, 1967 Professor, non-tenure, MFA, University of Notre Dame, 2007 The university offers MA and MFA degrees in art with concentrations in PROF. DAN R. HAMMETT, Ceramics, 3-Dimensional Design, Professor, ceramics, painting, printmaking, and sculpture. Students have access to MFA, Alfred University, 1974 a private Mac computer lab. A full tuition waiver is available on a PROF. KIM CADMUS OWENS, Painting, Digital Media (Studio), competitive basis. The MA in art is a concentrated, three-semester Associate Professor, MFA, Towson University, 2002 program of study with personal and intensive guidance from the PROF. PHILLIP A. SHORE, Sculpture, Drawing (Studio), Associate graduate art faculty. Students and faculty members engage in critical Professor, MFA, University of Notre Dame, 2003 interaction through formal reviews and studio critiques. The program presents students with the theoretical and practical knowledge RESOURCES AND SPECIAL PROGRAMS necessary to make art of a professional quality. The MFA three-semester Semiprivate studios are available with unlimited hours for all. Students program strives to develop students with superior competence in their have the opportunity to exhibit their work in a gallery associated with the studio area, knowledge of a spectrum of studio procedures, proficiency department or institution, local galleries, a graduate thesis exhibition. A in art history, and an understanding of the responsibilities of the artist Mac lab is designated solely for art department use. It includes scanning or the teaching artist. equipment, printers, and Adobe software. Students also have access to the university computer center and computers in the graduate-area ADMISSIONS studios. Deadline for fall: 2/15 Fall notification date: 3/1 Libraries Application fee: $50 Total volumes in library system: >500,000 Applications received 2015–16: 10 Art volumes in library system: >50,000 Applications accepted 2015–16: 4 Art journals in library system: >100 Students enrolled 2015–16: 4 Students have library privileges at other institutional libraries. Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Image Resources students (PBT 600), transcript, letters of recommendation, statement of Total number of images: >1,000,000 interest/personal statement, examples of personal artwork Institution maintains its own digital-image collection. Program Recommended: Artist’s statement, campus visit, in-person or phone maintains its own slide collection. Institution subscribes to a digital- interview image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial CURRICULUM galleries, private collections, and on funded field trips. Courses Program Opportunities Number offered to graduate students each term: 20 Additional opportunities for study within the institution: Up to six credit hours may be taken in any area approved by a professor in the student’s Number whose enrollment is limited to graduate students: 9 major and by the graduate dean. Average Class Size Gallery or museum affiliated with the department: Beatrice M. Haggerty In graduate studios: 1–5 students Art Gallery In graduate seminars: 11–15 students Formal programs: Summer work projects In graduate lectures: 21–50 students Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures Independent study available: Yes Other special programs sponsored by the department: Biannually, the Course of Study university holds a regional ceramics exhibition and a “best of show” Full-time residency requirement: 3 years ceramics exhibition. A Matrix print show is held each semester. The department sponsors 5–10 lectures per year. Maximum number of years for residency: 6 Average number of years for residency: 3 Other Campus Resources Typical number of credit hours per term for a full-time student: 10 Employment or career development office: Yes Total number of credit hours required for graduation: 60 Office/center for international students: Yes 201 Environmental Health and Safety Average Class Size Occupational Safety and Health Administration (OSHA) regulations are In graduate studios: 11–15 students in place for ventilation and respiratory protection, hazardous chemical In graduate seminars: 11–15 students safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection Independent study available: Yes Agency (EPA) and state regulations for hazardous materials, including Course of Study spill procedures and material disposal. Program has performed an environmental health and safety audit in the past five years. Studios are Full-time residency requirement: 3 years equipped with local exhaust vents in appropriate areas. Methods used to Average number of years for residency: 3 familiarize students and faculty with environmental health and safety Typical number of credit hours per term for a full-time student: 9 include publications, instruction in class, internet or intranet, faculty Total number of credit hours required for graduation: 60 training, health and safety officer (full-time or part-time), material safety data sheets (MSDS), training videos, information in student handbook. Total in studio art: 42 Total in area of concentration: 30 FINANCIAL INFORMATION Total in art history: 6 Tuition Total in graduate seminars: 24 Full-time student tuition is determined per credit hour. Electives: 12 Degree requirements: Thesis or artist’s statement, group exhibition, All students: $625 critique of thesis work, documentation of thesis work for program Additional institutional fees: $410 archive, oral defense of work, thesis committee/exhibition jury, Financial Aid professional practices course Types of aid available: Tuition aid/remission. Graduate students are STUDENTS awarded full tuition waivers on a competitive basis. Studio assistantships with full tuition waivers are available. Full tuition awarded Number of students in residence: Master’s, 46 to 10 students in the previous academic year. Number of male graduates fall 2015–summer 2016: Master’s, 4 Number of female graduates fall 2015–summer 2016: Master’s, 8 Assistantships Student organizations within the program/department: Vox Graphis, Assistantships are available to students of all levels. Alagarto Printmaking Guild, Handbuilt Or Thrown (HOT) Clay, Working assistantships awarded: 6 Graduate Arts Association, Fine Arts College Council, National Art Other benefits: Tuition remission (part or full) Education Association student chapter, Painting & Drawing Association Formal mode of student participation in academic governance: The Health Insurance Graduate Student Council serves as a liaison between graduate No health insurance coverage is provided for full-time master’s students, the administration, and student government. Students also students. have representation at faculty meetings and on college-wide awards, research, and curriculum committees. Students have the opportunity to join a labor union. FACULTY UNIVERSITY OF FLORIDA Number of faculty: 37 Tenured/tenure track: 12 men, 18 women Studio Art and Design Part-time/adjunct lecturers: 0 men, 3 women Full-time contractual: 0 men, 4 women School of Art and Art History University of Florida LINDA ARBUCKLE, Ceramics, Emeritus, MFA, Rhode Island School of PO Box 115801 Design, 1983 Gainesville, Florida, 32611 5801 ANTHEA BEHM, Photography (Studio), Assistant Professor, tenure- Phone: 352-392-0201 track, MFA, School of the Art Institute of Chicago, 2009 Fax: 352-392-8453 DR. KAIRA CABAÑAS, Contemporary Art, Twentieth-Century Art, arts.ufl.edu/academics/art-and-art-history/graduate-admissions/ Associate Professor, PhD, Princeton University ANNA CALLUORI HOLCOMBE, Ceramics, Professor, MFA, Louisiana Contact: Maria Rogal, [email protected] State University, 1977 Public university; nonprofit corporation AMY FREEMAN, Visual Studies, Assistant Professor, non-tenure, MFA, Accredited by: National Association of Schools of Art and Design, University of Massachusetts Amherst, 2002 Southern Association of Colleges and Schools DR. COCO FUSCO, Art Education (Studio), Critical Theory, Professor, PhD, Middlesex University, 2007 Degrees awarded: Master’s degree KATERIE GLADDYS, Digital Media (Studio), Environmental Art (Studio), Concentrations in: Ceramics, drawing, graphic design, painting, Associate Professor, MFA, University of Illinois at Urbana-Champaign, photography, printmaking, sculpture 2005 First graduate degree granted: MFA, 1968 RICHARD HEIPP, Painting, Professor, MFA, University of Washington, The School of Art and Art History offers the MFA degree with 1979 concentrations in: ceramics, creative photography, art + technology, DR. MELISSA HYDE, Eighteenth-Century Art, Nineteenth-Century Art, drawing, graphic design, painting, printmaking, and sculpture. For a Professor, PhD, University of California, Berkeley, 1996 complete description of each program, see LISA IGLESIAS, Drawing (Studio), Painting, Assistant Professor, tenure- http://arts.ufl.edu/academics/art-and-art-history/programs/ track, MFA, University of Florida, 2006 RON JANOWICH, Painting, Associate Professor, MFA, Maryland Institute College of Art, 1972 ADMISSIONS DR. ASHLEY JONES, Early Medieval Art, Assistant Professor, tenure- Deadline for fall: 2/1 track, PhD, Yale University, 2011 Fall notification date: 3/16 ELLEN KNUDSON, Artist’s books, Assistant Professor, non-tenure, Application fee: $30 MFA, University of Alabama, 2006 Applications received 2015–16: 122 DR. GOULONG LAI, Chinese Art, Associate Professor, PhD, University of California, Los Angeles, 2002 Applications accepted 2015–16: 26 SEAN MILLER, Foundations, Installation (Studio), Assistant Professor, Students enrolled 2015–16: 18 tenure-track, MFA, University of Colorado Boulder, 1994 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL JULIA MORRISROE, Drawing (Studio), Painting, Associate Professor, for foreign students (iBT 80), transcript, letters of recommendation, MFA, University of Washington, 1998 résumé, statement of interest/personal statement ROBERT MUELLER, Printmaking, Drawing (Studio), Associate Professor, MFA, Arizona State University, 1988 CURRICULUM DR. ROBIN POYNOR, African Art (sub-Saharan), Oceanic Art, Emeritus, PhD, Indiana University, 1978 Courses DR. BRILEY RASMUSSEN, Museum Studies, joint appointment in Number offered to graduate students each term: 50 Program Head Museum Studies, Assistant Professor, non-tenure, PhD, Number whose enrollment is limited to graduate students: 30 University of Leicester, 2015 CELESTE ROBERGE, Sculpture, Environmental Art (Studio), Emeritus,

202 MFA, Nova Scotia College of Art & Design, 1986 MARIA ROGAL, Graphic Design, Professor, MFA, Virginia Environmental Health and Safety Commonwealth University, 1995 Occupational Safety and Health Administration (OSHA) regulations are DR. CRAIG ROLAND, Art Education, Professor, PhD, Illinois State in place for ventilation and respiratory protection, hazardous chemical University, 1983 safety (right-to-know), personal protective equipment, machine safety, DR. ELIZABETH ROSS, Renaissance Art, Baroque Art, Associate hearing protection. Program meets the US Environmental Protection Professor, PhD, Harvard University, 2004 Agency (EPA) and state regulations for hazardous materials, including BRIAN SLAWSON, Graphic Design, Associate Professor, MFA, spill procedures and material disposal. Program has performed an University of Michigan, 1991 environmental health and safety audit in the past five years. Methods DR. CRAIG SMITH, Photography (Studio), Performance, Associate used to familiarize students and faculty with environmental health and Professor, PhD, Goldsmiths, University of London, 2007 safety include publications, required training course, instruction in class, NAN SMITH, Ceramics, Professor, MFA, Ohio State University, 1977 faculty training, health and safety officer (full-time or part-time), shop DR. MAYA STANFIELD-MAZZI, Pre-Columbian Art, Latin American Art, technician, material safety data sheets (MSDS), information in student Associate Professor, PhD, University of California, Los Angeles, 2006 handbook. DR. JACK STENNER, Digital Media (Studio), Associate Professor, PhD, Texas A&M University-Commerce, 1985 FINANCIAL INFORMATION BETHANY TAYLOR, Foundations, Drawing (Studio), Assistant Professor, tenure-track, MFA, University of Colorado Boulder, 1994 Tuition DR. MICHELLE TILLANDER, Art Education, Associate Professor, PhD, Full-time student tuition is determined per year. Pennsylvania State University, 2008 State residents: $8,077 DR. JOYCE TSAI, Contemporary Art, Twentieth-Century Art, Assistant Out-of-state residents: $22,518 Professor, tenure-track, PhD, Johns Hopkins University, 2010 SERGIO VEGA, Sculpture, Environmental Art (Studio), Professor, MFA, Additional institutional fees: $800 Yale University, 1996 Financial Aid DR. GLENN WILLUMSON, Art of the United States, Photography Types of aid available: Tuition aid/remission, stipend, guaranteed loan, (History), Emeritus, PhD, University of California, Santa Barbara, 1988 teaching assistantship, research assistantship, work-study program. Recent Visiting Faculty Tuition and full stipend awarded to 46 students in the previous DR. NIKA ELDER, Twentieth-Century Art, Assistant Professor, non- academic year. tenure, PhD, Princeton University Funds available for graduate student travel: Yes ARIELLA MOSTKOFF, Graphic Design, Assistant Professor, non-tenure, North Carolina State University, 2012 Fellowships NANCY SCHRECK, Graphic Design, Assistant Professor, non-tenure, Fellowships are available to students of all levels. University of Florida, 2010 Fellowships applications received last year: 26 DR. ANNIINA SUOMINEN, Art Education, Assistant Professor, non- tenure, PhD, Ohio State University, 2003 Fellowships awarded: 6 Fellowships awarded to women: 5 Average amount of award/stipend: $16,000 RESOURCES AND SPECIAL PROGRAMS Fellowship maximum period of support: 3 years Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the Assistantships opportunity to exhibit their work in a gallery associated with the Assistantships are available to students of all levels. department or institution, local galleries, a graduate thesis exhibition. Teaching assistantships applications received: 26 Resources include a digital fabrication lab, computer labs with large- Teaching assistantships awarded: 11 format printers and scanners, and teaching lab specialist. Teaching assistantships awarded to women: 4 Libraries Teaching assistantships awarded to minorities: 2 Total volumes in library system: >5,000,000 Average amount of award/stipend: $6,500 Art volumes in library system: >100,000 Hours of work required per week: 10 Art journals in library system: >1,000 Teaching assistantship maximum period of support: 3 years There is a separate art library with >10,000 volumes and >1,000 journals. Working assistantships applications received: 0 Students have library privileges at other institutional libraries. Working assistantships awarded: 0 Image Resources Working assistantships awarded to women: 0 Total number of images: >1,000,000 Working assistantships awarded to minorities: 0 Institution and program maintain digital-image collections. Institution and program maintain slide collections. Institution subscribes to a Average amount of award/stipend: $6,500 digital-image library. Students have access to image collections. Hours of work required per week: 10 Students have opportunities to view works of art in local museums, Working assistantship maximum period of support: 3 years commercial galleries, private collections, and on funded field trips. Other benefits: Tuition remission (part or full) Program Opportunities Health Insurance Additional opportunities for study within the institution: Nine credits of Full-time master’s students receive health insurance coverage at no electives allow students to explore other disciplines. cost. Health insurance coverage is available to dependents, spouses, Gallery or museum affiliated with the department: University Galleries, unmarried domestic partners, and same-sex domestic partners of full- WARPhaus Gallery time master’s students. Formal programs: Study abroad. 4Most Gallery Residency Formal relationships with local museums: Samuel P. Harn Museum of Art Extracurricular opportunities for graduate students: Curate exhibitions Other special programs sponsored by the department: The Harn UNIVERSITY OF GEORGIA Eminent Scholars program brings to campus scholars whose work represents a range of fields. In addition the program offers a visiting Studio Art and Design artists and scholars series, an annual Art Bash, and community engagement. The department sponsors 10–20 lectures per year. The University of Georgia Lamar Dodd School of Art Other Campus Resources 270 River Rd. Employment or career development office: Yes Athens, Georgia, 30602 Office/center for international students: Yes Phone: 706-542-1631 Fax: 706-542-0226 There is a graduate-student housing office. Housing space is available in www.art.uga.edu dormitories, apartments, and married student housing. See www.housing.ufl.edu. Contact: Isabelle Wallace, [email protected] Public university Accredited by: Council for ID Accreditation (formerly known as FIDER),

203 National Association of Schools of Art and Design, Southern JENNIFER CRENSHAW, Fiber Arts, Assistant Professor, tenure-track, Association of Colleges and Schools MFA, Rhode Island School of Design Degrees awarded: Master’s degree DIANE EDISON, Painting, Drawing (Studio), Professor, MFA, University of Pennsylvania, 1980 Concentrations in: 2-dimensional design, 3-dimensional design, artist’s CHRIS GARVIN, 2-Dimensional Design, Digital Media (Studio), Chair books, ceramics, drawing, fiber arts, installation, metals, TAD GLOECKLER, Interior Design, Associate Professor, MArch, multidisciplinary, object design, painting, paper, photography, University of Wisconsin-Milwaukee, 1987 printmaking, sculpture MELISSA HARSHMAN, Printmaking, Associate Professor, MFA, First graduate degree granted: MFA, 1941 University of Wisconsin-Madison, 1992 MFA students concentrate in ceramics, drawing and painting, fabric CHRISTOPHER HOCKING, Foundations, Painting, Associate Professor, design, jewelry and metals, photography, printmaking, or sculpture. MFA, Louisiana State University, 1985 While areas of concentration are offered, MFA students are encouraged THOM HOUSER, Interior Design, Associate Professor, MS, University to explore across media and the expanded forms of art consistent with of Tennessee-Knoxville, 1976 contemporary practice. Most students complete the program in three IMI HWANGBO, Sculpture, Foundations, Professor, MFA, Stanford years, but it is possible to complete it in two years. Well-equipped University, 1991 studios and access to a wide variety of tools, media technologies, and ROB JACKSON, Metals, Emeritus, MFA, University of Georgia, 1982 excellent library facilities provide a variety of opportunities for study. STEFANI JACKSON, Painting, Drawing (Studio), Associate Professor, MFA, Cornell University, 1988 ADMISSIONS MOON JUNG JANG, Graphic Design, Assistant Professor, tenure-track, Deadline for fall: 1/1 MFA, Rhode Island School of Design, 2008 JAIN KWON, Interior Design, Assistant Professor, tenure-track, PhD, Application fee: $75 University of Minnesota Part-time students accepted: Yes MICHAEL MARSHALL, Photography (Studio), Professor, MFA, Arizona Applications received 2015–16: 109 State University, 2000 Students enrolled 2015–16: 50 LARRY MILLARD, Sculpture, Foundations, Emeritus, MFA, Washington University in St. Louis, 1975 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign MARGARET MORRISON, Painting, Drawing (Studio), Associate students (iBT 80), transcript, letters of recommendation, résumé, Professor, MFA, University of Utah, 1988 statement of interest/personal statement, examples of personal artwork ALEX MURAWSKI, Graphic Design, Professor, BFA, School of the Art Recommended: Degree in subject area, GPA (3.0) Institute of Chicago, 1970 JOE NORMAN, Drawing (Studio), Professor, MFA, University of CURRICULUM Cincinnati, 1986 MICHAEL OLIVERI, Digital Media (Studio), Associate Professor, MFA, Courses University of California, Los Angeles, 1995 Number offered to graduate students each term: 50 MARY PEARSE, Metals, Associate Professor, MFA, State University of Number whose enrollment is limited to graduate students: 8 New York at New Paltz, 2004 SUSAN ROBERTS, Graphic Design, Professor, MFA, University of Average Class Size Georgia, 1986 In graduate studios: 6–10 students TED SAUPE, Ceramics, Professor, MFA, University of Wisconsin- In graduate seminars: 6–10 students Madison, 1979 STEPHEN SCHEER, Photography (Studio), Professor, MFA, Yale In graduate lectures: 11–20 students University, 1980 Independent study available: Yes MARNI SHINDELMAN, Photography (Studio), Assistant Professor, tenure-track, MFA, University of Florida Course of Study JULIE SPIVEY, Graphic Design, Associate Professor, MFA, East Carolina Full-time residency requirement: 4 terms University, 1999 Average number of years for residency: 3 GEORGIA STRANGE, Sculpture, Professor, MFA, Indiana University, Typical number of credit hours per term for a full-time student: 12 1979 SARAL SURAKUL, Interior Design, Associate Professor, MFA Total number of credit hours required for graduation: 60 JON SWINDLER, Printmaking, Associate Professor, MFA, Southern Total in studio art: 36 Illinois University Carbondale, 2003 Total in area of concentration: 21 MARTIJN VAN WAGTENDONK, Digital Media (Studio), Sculpture, Total in art history: 9 Associate Professor, MFA GENE WRIGHT, Drawing (Studio), Graphic Design, Professor, MS, 1990 Total in graduate seminars: 3 SUNKOO YUH, Ceramics, Professor, MFA, Alfred University, 1997 Electives: 12 Degree requirements: Thesis or artist’s statement, group exhibition, RESOURCES AND SPECIAL PROGRAMS individual presentation of thesis work, critique of thesis work, Private studios are available with unlimited hours for all. Semiprivate documentation of thesis work for program archive, oral defense of work, studios are available with unlimited hours for all. Students have the thesis committee/exhibition jury. A written report that describes the opportunity to exhibit their work in a gallery associated with the candidate’s artistic research (which culminates in the final exhibition) is department or institution, local galleries, a graduate thesis exhibition. required instead of a formal thesis. Each studio discipline has the necessary digital and media resources for student use. Art X provides a number of courses relevant to various STUDENTS studio concentrations. Number of students in residence: Master’s, 50 Number of male graduates fall 2015–summer 2016: Master’s, 14 Libraries Number of female graduates fall 2015–summer 2016: Master’s, 36 Total volumes in library system: >5,000,000 Student organizations within the program/department: Each studio area Art volumes in library system: >100,000 has a student organization, some of which are extremely active. Art journals in library system: >1,000 Formal mode of student participation in academic governance: Students Students have library privileges at other institutional libraries. are appointed to faculty search committees on a regular basis. The Image Resources active student advisory board meets regularly with the director of the Total number of images: >250,000 School of Art. Institution and program maintain digital-image collections. Institution and program maintain slide collections. Students have access to image FACULTY collections. Students have opportunities to view works of art in local Number of faculty: 34 museums, commercial galleries, private collections, and on funded field Tenured/tenure track: 22 men, 12 women trips. Part-time/adjunct lecturers: 0 men, 0 women Program Opportunities Full-time contractual: 0 men, 0 women Additional opportunities for study within the institution: The MFA RON ARNHOLM, Graphic Design, Professor, MFA, Yale University, program allows for 12 semester hours of elective courses. 1961 Gallery or museum affiliated with the department: Georgia Museum of SCOTT BELVILLE, Painting, Emeritus, MFA, 1977 Art, Lamar Dodd School of Art Galleries BEN BRITTON, Painting, Assistant Professor, tenure-track, MFA, University of California, Los Angeles, 2008 Formal programs: Study abroad. Programs in Cortona, Italy (year R.G. BROWN, Sculpture, Emeritus, MFA, Harvard University, 1976 round), and Costa Rica (summer) offer unique studio opportunities. 204 Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures Other special programs sponsored by the department: The visiting artist UNIVERSITY OF HAWAI‘I AT and scholar lecture series, established in 1997, has brought more than 60 distinguished guests to the Lamar Dodd School of Art. Visiting artists MANOA and scholars spend three days on campus interacting with students and faculty, culminating in a public lecture. The department sponsors 5–10 Studio Art lectures per year. Department of Art and Art History Other Campus Resources University of Hawai‘i at Manoa Employment or career development office: Yes 2535 McCarthy Mall, Room 142 Office/center for international students: Yes Honolulu, Hawaii, 96822 There is a graduate-student housing office. Housing space is available in Phone: 808-956-8251 apartments and married student housing. UGA’s family and graduate Fax: 808-956-9043 housing facilities are designed to provide convenient and comfortable www.hawaii.edu/art living at minimal expense. Nearly 1,300 graduate students and their Contact: Associate Professor Mary Babcock, [email protected] families live in one- and two-bedroom apartments in three on-campus Public university; nonprofit corporation communities: University Village, Rogers Road, and Brandon Oaks. Accredited by: Western Association of Schools and Colleges Environmental Health and Safety Degrees awarded: Master’s degree Occupational Safety and Health Administration (OSHA) regulations are Concentrations in: Ceramics, digital media, drawing, fiber arts, glass, in place for ventilation and respiratory protection, hazardous chemical multidisciplinary, painting, photography, printmaking, sculpture, sound, safety (right-to-know), personal protective equipment, machine safety, video hearing protection. Program meets the US Environmental Protection First graduate degree granted: MFA, 1965 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an The University of Hawai‘i at Manoa is an RU/VH: Research University, environmental health and safety audit in the past five years. State which is a Carnegie classification for very high research activity. The regulations are in place for ventilation and respiratory protection. The department of art is a comprehensive and diverse center for the program meets all EPA guidelines. All studio areas have had training in graduate study of art and art history. It is the only institution in Hawai‘i how to properly ventilate the work space. Methods used to familiarize that offers an MA in Asian and/or Pacific art history and an MFA, an students and faculty with environmental health and safety include advanced degree in studio art practice. The MFA curriculum is focused required training course, instruction in class, internet or intranet, faculty on creative practice based in experimentation and scholarly research. training, health and safety officer (full-time or part-time), shop Students are expected to be informed practitioners of contemporary art technician, material safety data sheets (MSDS), training videos, who are able to discuss and write about their practice in both specific information in student handbook. and broad contexts. The normal period of study is three years. FINANCIAL INFORMATION ADMISSIONS Deadline for fall: 1/15 Tuition Fall notification date: 3/15 Full-time student tuition is determined per semester. Application fee: $70 State residents: $4,246 Applications received 2015–16: 18 Out-of-state residents: $12,045 Applications accepted 2015–16: 7 Additional institutional fees: $1,135 Students enrolled 2015–16: 2 Part-time student tuition is determined per credit hour. Requirements: TOEFL for foreign students (PBT 550), transcript, letters State residents: $354 of recommendation, statement of interest/personal statement, Out-of-state residents: $1004 examples of personal artwork Additional institutional fees: $1,135 Recommended: Bachelor’s degree (BA, BFA, or BSA), degree in subject area, résumé, related professional experience, campus visit, in-person or Financial Aid phone interview Types of aid available: Tuition aid/remission, stipend, teaching assistantship, research assistantship. Tuition and full stipend awarded CURRICULUM to 46 students in the previous academic year. Partial tuition awarded to 2 students in the previous academic year. No financial assistance Courses awarded to 9 students in the previous academic year. Number offered to graduate students each term: 28 Funds available for graduate student travel: Yes Number whose enrollment is limited to graduate students: 4 Fellowships Average Class Size Fellowships awarded: 41 In graduate studios: 6–10 students Fellowships awarded to women: 14 In graduate seminars: 6–10 students Fellowships awarded to minorities: 1 In graduate lectures: 1–10 students Assistantships Independent study available: Yes Assistantships are available to students of all levels. Course of Study Teaching assistantships awarded: 20 Full-time residency requirement: 3 years Teaching assistantships awarded to women: 10 Maximum number of years for residency: 7 Teaching assistantships awarded to minorities: 3 Average number of years for residency: 3 Average amount of award/stipend: $12,195 Typical number of courses for a full-time student: 3 Hours of work required per week: 13 Total number of courses required for graduation: 12 Working assistantships awarded: 21 Total in studio art: 4 Working assistantships awarded to women: 17 Total in area of concentration: 4 Working assistantships awarded to minorities: 6 Total in art history: 2 Average amount of award/stipend: $12,195 Total in graduate seminars: 5 Hours of work required per week: 13 Electives: 5 Other benefits: Tuition remission (part or full) Degree requirements: Written thesis, thesis or artist’s statement, concentration, solo exhibition, group exhibition, critique of thesis work, Health Insurance documentation of thesis work for program archive, oral defense of work, Full-time master’s students receive health insurance coverage with comprehensive exam, thesis committee/exhibition jury copayment. Health insurance coverage is available to dependents, Recommended: Individual presentation of thesis work, professional spouses, and unmarried domestic partners of full-time master’s practices course students.

205 STUDENTS collections. Number of students in residence: Master’s, 12 Program Opportunities Number of male graduates fall 2015–summer 2016: Master’s, 4 Additional opportunities for study within the institution: Graduate students may receive credits for courses taken outside their area at the Number of female graduates fall 2015–summer 2016: Master’s, 8 three-hundred-level and above, with adviser approval. Student organizations within the program/department: The Graduate Arts Council has a student president, vice president, secretary, and Gallery or museum affiliated with the department: University of Hawai’i treasurer who coordinate the annual MFA exhibition in the art gallery. Department of Art Gallery, Commons Gallery, John Young Museum Formal mode of student participation in academic governance: The Formal programs: Museum training, study abroad. The university offers Graduate Art Council (GAC) represents all graduate art students in the certificates in museum studies and cultural studies. department of art and art history and the Graduate Student Formal relationships with local museums: Honolulu Museum of Art, Organization across the UH system. GAC members sit on faculty Bernice Pauahi Bishop Museum committees and have voting rights on the Graduate Committee and Extracurricular opportunities for graduate students: Curate exhibitions, Gallery Committee. conduct fieldwork, research for catalogues, present public outreach lectures FACULTY Other special programs sponsored by the department: Special programs Number of faculty: 22 include the Intersections Visiting Artist/Scholar Program, the East-West Tenured/tenure track: 13 men, 8 women Ceramics Collaboration, and the International Shoebox Sculpture Exhibition (a traveling, biannual exhibition). The department sponsors Part-time/adjunct lecturers: 0 men, 0 women 5–10 lectures per year. Full-time contractual: 1 man, 0 women DR. LEW ANDREWS, Renaissance Art, Photography (History), Professor Other Campus Resources DR. MARY BABCOCK, Fiber Arts, Performance, Professor, PhD, Office/center for international students: Yes University of Pennsylvania, 1988 Housing space is available in dormitories and apartments. Students ROD BENGSTON, Museum Studies, Assistant Professor, tenure-track, from a far distance receive priority for housing. MFA, Kent State University, 1982 PROF. ANNE BUSH, Graphic Design, Professor, MFA, Yale University, Environmental Health and Safety 1989 Occupational Safety and Health Administration (OSHA) regulations are PROF. PETER CHAMBERLAIN, Sound, Professor, MFA, State University in place for ventilation and respiratory protection, hazardous chemical of New York at New Paltz, 1975 safety (right-to-know), personal protective equipment, machine safety, PROF. GAYE CHAN, Photography (Studio), Professor, MFA, San hearing protection. Program meets the US Environmental Protection Francisco Art Institute, 1982 Agency (EPA) and state regulations for hazardous materials, including PROF. CHARLES COHAN, Printmaking, Professor, MFA, Cranbrook spill procedures and material disposal. Program has performed an Academy of Art, 1988 environmental health and safety audit in the past five years. There are PROF. DEBRA DREXLER, Painting, Drawing (Studio), Professor, MFA, overhead exhaust systems in the kiln room and for welding, electrostatic 1986 filters in the clay rooms, 540K hot-shop exhaust system and downdraft PROF. SCOTT GROENIGER, Digital Media (Studio), Associate HEPA-filtered dust booths, a vacuum booth in the glaze room, and an Professor, MFA, School of the Art Institute of Chicago, 1996 acid room with an isolated exhaust system. Methods used to familiarize DR. JAIMEY HAMILTON FARIS, Contemporary Art, Associate Professor, students and faculty with environmental health and safety include PhD required training course, instruction in class, faculty research, faculty PROF. WENDY KAWABATA, Painting, Drawing (Studio), Associate training, health and safety officer (full-time or part-time), shop Professor, MFA, University of New Mexico, 2002 technician, material safety data sheets (MSDS), information in student DR. PAUL LAVY, Southeast Asian Art, South Asian Art, Associate handbook. Professor PROF. CHAE HO LEE, Graphic Design, Associate Professor, MFA, FINANCIAL INFORMATION Rhode Island School of Design, 1999 DR. KATE LINGLEY, Chinese Art, Associate Professor Tuition PROF. RICHARD MILLS, Glass, Professor, MFA, University of Hawai‘i at Full-time student tuition is determined per credit hour. Mnoa, 1986 PROF. FRED ROSTER, Sculpture, Professor, MFA, University of Hawai‘i State residents: $637 at Mnoa, 1970 Out-of-state residents: $1,532 SHAWN SPANGLER, Ceramics, Assistant Professor, tenure-track, MFA, International students: $1,532 Alfred University DR. JOSEPH STANTON, Art of the United States, Professor, PhD Financial Aid DR. JOHN SZOSTAK, Japanese Art, Associate Professor, PhD Types of aid available: Tuition aid/remission, stipend, teaching PROF. BRAD EVAN TAYLOR, Ceramics, Associate Professor, MFA, assistantship, work-study program. Graduate assistantships, Alfred University, 1992 competitive awards, and scholarships are available. DR. DEBORAH WAITE, Oceanic Art, Professor, PhD Fellowships Recent Visiting Faculty Fellowships applications received last year: 0 PHILLIP JUNG, Photography (Studio), Assistant Professor, non-tenure, MFA, Massachusetts College of Art and Design, 2009 Fellowships awarded: 0 Fellowships awarded to women: 0 Fellowships awarded to minorities: 0 RESOURCES AND SPECIAL PROGRAMS Average amount of award/stipend: $0 Private studios are available with unlimited hours for all. Semiprivate Fellowship maximum period of support: 0 years studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Assistantships department or institution, local galleries, a graduate thesis exhibition. Assistantships are available to students of all levels. There are two electronic media labs with Mac and PC computers and a Teaching assistantships applications received: 4 graduate student multipurpose room for email and word processing. Students who have taken Introduction to Digital Imaging can use an 18- Teaching assistantships awarded: 2 station Mac lab with an Epson V750 flatbed scanner and Canon iPF8300, Teaching assistantships awarded to women: 2 iPF8100, and iPF6100 printers. Teaching assistantships awarded to minorities: 0 Libraries Average amount of award/stipend: $18,000 Total volumes in library system: >3,000,000 Hours of work required per week: 20 Art volumes in library system: >50,000 Teaching assistantship maximum period of support: 3 years Art journals in library system: >100 Working assistantships applications received: 10 Working assistantships awarded: 4 Image Resources Total number of images: >100,000 Working assistantships awarded to women: 3 Program maintains its own digital-image collection. Program maintains Working assistantships awarded to minorities: 2 its own slide collection. Institution subscribes to a digital-image library. Average amount of award/stipend: $18,000 Students have access to image collections. Students have opportunities Hours of work required per week: 20 to view works of art in local museums, commercial galleries, and private 206 Working assistantship maximum period of support: 3 years Electives: 12 Other benefits: Tuition remission (part or full) Degree requirements: Written thesis, concentration, group exhibition, Other financial support: Students are may apply for a range of critique of thesis work, documentation of thesis work for program Department of Art and Art History Scholarships and Graduate archive Achievement Scholarships annually. STUDENTS Health Insurance Number of students in residence: Master’s, 22 Full-time master’s students receive health insurance coverage with Number of male graduates fall 2015–summer 2016: Master’s, 4 copayment. Health insurance coverage is available to dependents, spouses, unmarried domestic partners, and same-sex domestic partners Number of female graduates fall 2015–summer 2016: Master’s, 6 of full-time master’s students. Student organizations within the program/department: The MFA program has two student-driven organizations: Mutual Interpretations and the FormFit Lecture Series. Also student driven is "Film Rescue," a 16mm programming series centered on the 16mm print collection. Formal mode of student participation in academic governance: The Graduate and Professional Student Assembly (GAPSA) is the student UNIVERSITY OF ILLINOIS AT government for all graduate and professional students. CHICAGO FACULTY Number of faculty: 13 MFA Art with concentrations in Studio Tenured/tenure track: 4 men, 8 women Arts, Photography, Moving Image, and Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 0 men, 1 woman New Media Arts DIANNA FRID, Drawing (Studio), Associate Professor, MFA, School of the Art Institute of Chicago 929 W. Harrison St. M/C 201 BEATE GEISSLER, Photography (Studio), Associate Professor, MFA, Chicago, Illinois, 60607 Staatliche Hochschule für Gestaltung Karlsruhe Phone: 312-996-3337 DOUG ISCHAR, Photography (Studio), Associate Professor, MFA artandarthistory.uic.edu/art SILVIA MALAGRINO, Photography (Studio), Associate Professor, MFA, Contact: Matthew Metzger, [email protected] University of Illinois at Chicago Public university; nonprofit corporation MATTHEW METZGER, Painting, Assistant Professor, tenure-track, MFA DAN PETERMAN, Sculpture, Associate Professor, MFA Accredited by: North Central Association of Colleges and Schools SABRINA RAAF, Digital Media (Studio), Associate Professor, MFA, Degrees awarded: Master’s degree School of the Art Institute of Chicago Concentrations in: Animation, art education, digital media, drawing, JENNIFER REEDER, Film, Associate Professor, MFA film, installation, painting, photography, public art, sculpture, sound, LAURIE JO REYNOLDS, Public Art (Studio), Assistant Professor, tenure- video, visual studies track, MFA First graduate degree granted: MFA, 1978 CAULEEN SMITH, Video (Studio), Assistant Professor, tenure-track, MFA, University of California, Los Angeles UIC’s MFA degree is an intense, exhilarating, and expansive program. DEBORAH STRATMAN, Film, Associate Professor, MFA, California The curriculum is designed to provide a rigorous theoretical and Institute of the Arts conceptual background to augment students’ studio practice and help NATE YOUNG, Foundations, Assistant Professor, tenure-track, MFA, develop their work within an interdisciplinary context that reflects the California Institute of the Arts global art world. This is a small and intimate program, and every student occupies Recent Visiting Faculty studio space in Art & Exhibition Hall. Because of the size of the CAULEEN SMITH, Video (Studio), Assistant Professor, non-tenure, department, each student receives extensive feedback, critique, and MFA, University of California, Los Angeles dialogue. The dynamic viewpoints of the faculty and students at this urban public university foster a rich intellectual and artistic ecology. Students will work with active, committed and demanding artists and faculty, develop lasting peer relationships, and have opportunities to RESOURCES AND SPECIAL PROGRAMS engage in the classroom with diverse undergraduates. These Private studios are available with unlimited hours for all. Students have experiences will empower students to transform themselves—and the the opportunity to exhibit their work in a graduate thesis exhibition. world—through their work. Libraries ADMISSIONS Total volumes in library system: >2,000,000 Deadline for fall: 2/17 Art volumes in library system: >50,000 Fall notification date: 4/17 Art journals in library system: >1,000 Application fee: $60 Image Resources Applications received 2015–16: 94 Institution maintains its own digital-image collection. Institution subscribes to a digital-image library. Students have access to image Applications accepted 2015–16: 12 collections. Students have opportunities to view works of art in local Students enrolled 2015–16: 12 museums, commercial galleries, and private collections. Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.00), TOEFL for foreign students (iBT 6.5), transcript, letters of recommendation, Program Opportunities résumé, examples of personal artwork Gallery or museum affiliated with the department: Gallery 400, Jane Addams Hull House Museum CURRICULUM Other Campus Resources Courses Employment or career development office: Yes Number offered to graduate students each term: 15 Office/center for international students: Yes Number whose enrollment is limited to graduate students: 9 There is a graduate-student housing office. Housing space is available in Average Class Size dormitories, apartments, and married student housing. In graduate seminars: 11–15 students Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Course of Study in place for ventilation and respiratory protection, hazardous chemical Full-time residency requirement: 2 years safety (right-to-know), personal protective equipment, machine safety, Average number of years for residency: 2 hearing protection. Program meets the US Environmental Protection Typical number of credit hours per term for a full-time student: 16 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Total number of credit hours required for graduation: 64 environmental health and safety audit in the past five years. Methods Total in area of concentration: 36 used to familiarize students and faculty with environmental health and Total in graduate seminars: 16 safety include required training course, instruction in class, health and safety officer (full-time or part-time), shop technician, material safety 207 data sheets (MSDS), information in student handbook. ADMISSIONS FINANCIAL INFORMATION Deadline for fall: 1/9 Tuition Fall notification date: 3/15 Full-time student tuition is determined per credit hour. Application fee: $70 State residents: $5,740 Applications received 2015–16: 143 Out-of-state residents: $11,860 Applications accepted 2015–16: 23 Additional institutional fees: $4,426 Students enrolled 2015–16: 13 Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Financial Aid area, GPA (2.75), TOEFL for foreign students (iBT 96), transcript, letters Types of aid available: Tuition aid/remission, stipend, teaching of recommendation, résumé, statement of interest/personal statement, assistantship, work-study program. Tuition and full stipend awarded to 9 examples of personal artwork students in the previous academic year. Full tuition awarded to 6 Recommended: Related internship experience, related professional students in the previous academic year. Partial tuition awarded to 5 experience, campus visit, in-person or phone interview students in the previous academic year. No financial assistance awarded to 2 students in the previous academic year. CURRICULUM Fellowships Courses Fellowships are available to students of all levels. Number offered to graduate students each term: 25 Fellowships applications received last year: 23 Number whose enrollment is limited to graduate students: 8 Fellowships awarded: 2 Average Class Size Fellowships awarded to women: 1 In graduate studios: 6–10 students Average amount of award/stipend: $22,000 In graduate seminars: 11–15 students Fellowship maximum period of support: 2 years In graduate lectures: 21–50 students Assistantships Independent study available: Yes Assistantships are available to students of all levels. Course of Study Teaching assistantships awarded: 10 Full-time residency requirement: 3 years Teaching assistantships awarded to women: 7 Maximum number of years for residency: 3 Average amount of award/stipend: $8,032 Average number of years for residency: 3 Hours of work required per week: 10 Typical number of credit hours per term for a full-time student: 12 Teaching assistantship maximum period of support: 1 year Total number of credit hours required for graduation: 64 Other benefits: Tuition remission (part or full) Total in studio art: 40 Health Insurance Total in area of concentration: 40 Full-time master’s students receive health insurance coverage with Total in art history: 0 copayment. Health insurance coverage is available to dependents, Total in graduate seminars: 8 spouses, unmarried domestic partners, and same-sex domestic partners of full-time master’s students. Electives: 16 Degree requirements: Written thesis, thesis or artist’s statement, concentration, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, thesis committee/exhibition jury, professional practices course UNIVERSITY OF ILLINOIS AT Recommended: Solo exhibition STUDENTS URBANA-CHAMPAIGN Number of students in residence: Master’s, 41 Number of male graduates fall 2015–summer 2016: Master’s, 3 Studio Art and Design Number of female graduates fall 2015–summer 2016: Master’s, 5 School of Art and Design Student organizations within the program/department: Art Graduate University of Illinois at Urbana-Champaign Student Organization (AGSO) members mentor first-year students, 408 E. Peabody Dr. create fundraising events for their programs, organize exhibition Champaign, Illinois, 61820 opportunities, and create a supportive environment for their colleagues. Phone: 217-333-0642 Formal mode of student participation in academic governance: The Fax: 217-244-7688 Illinois Student Senate (ISS), a campus-wide initiative, aims to improve www.art.illinois.edu/ student life and the university, based on student participation: there is a Contact: Ellen de Waard, [email protected] committee for academic affairs, campus affairs, financial affairs, community and governmental affairs, internal affairs and public Public university; nonprofit corporation relations. Accredited by: National Association of Schools of Art and Design Students have the opportunity to join a labor union. Degrees awarded: Master’s degree Concentrations in: 2-dimensional design, 3-dimensional design, digital FACULTY media, graphic design, industrial design, installation, metals, Number of faculty: 22 multidisciplinary, painting, performance, photography, public art, Tenured/tenure track: 16 men, 6 women sculpture, video Part-time/adjunct lecturers: 0 men, 0 women First graduate degree granted: MFA, 1955 Full-time contractual: 0 men, 0 women The MFA programs offer interdisciplinary study, although the applicant will apply to one of the concentrations in Graphic Design, Industrial PROF. CONRAD BAKKER, Public Art (Studio), Critical Theory, Associate Design, Photography, Metals, Painting, Sculpture, and a specialization Professor, MFA, Washington University in St. Louis, 1996 in New Media. The degree requires 64 credit hours, a final public PROF. LUKE BATTEN, Photography (Studio), Installation (Studio), exhibition, and a written thesis that is deposited in the last semester of Associate Professor, School of the Art Institute of Chicago, 2000 the third year of study. The programs are based on self-directed PROF. ERIC BENSON, Graphic Design, Associate Professor, MFA, research. A minor in art history, museum studies, gender studies, University of Texas at Austin, 2006 among others, is available. Private studios and use of all labs (metal, PROF. WILLIAM BULLOCK, Industrial Design, Professor, MFA, wood, ceramics, printmaking, 2D and 3D print labs) are available to all University of Kansas, 1973 students. PROF. STEPHEN CARTWRIGHT, Sculpture, 3-Dimensional Design, Associate Professor, MFA, Temple University, 1998 PROF. RYAN GRIFFIS, Performance, Digital Media (Studio), Associate Professor, MFA, East Carolina University, 1999 PROF. KEVIN HAMILTON, Digital Media (Studio), Critical Theory, Associate Professor, MS, Massachusetts Institute of Technology, 2000

208 PROF. PATRICK HAMMIE, Drawing (Studio), Painting, Associate off campus, through graduate student housing, or through individual Professor, MFA, University of Connecticut, 2008 renting options, in both Urbana and Champaign. Many students bike PROF. LAURIE HOGIN, Painting, Visual Studies, Professor, MFA, and use the (free) MTD bus system to get around. School of the Art Institute of Chicago, 1989 Planned campus changes and facility improvements: In 2013 a number PROF. RON KOVATCH, Ceramics, Drawing (Studio), Professor, MFA, of classroom were turned into smart rooms. Southern Illinois University Edwardsville, 1987 In 2014/2015: expansion of computer labs, 3D labs, painting studios, PROF. DEANA MCDONAGH, Industrial Design, Associate Professor, number of design classrooms, and addition and expansion of the metals PhD, , 2006 lab to the school building (it used to be elsewhere). PROF. MELISSA POKORNY, Sculpture, Public Art (Studio), Associate Professor, MFA, University of California, Davis, 1988 Environmental Health and Safety PROF. KEVIN REEDER, Industrial Design, Drawing (Studio), Associate Occupational Safety and Health Administration (OSHA) regulations are Professor, MA, Georgia Institute of Technology, 1983 in place for ventilation and respiratory protection, hazardous chemical PROF. RACHELE RILEY, Graphic Design, Assistant Professor, tenure- safety (right-to-know), personal protective equipment, machine safety, track, MFA hearing protection. Program meets the US Environmental Protection PROF. LINDA ROBBENNOLT, Photography (Studio), Video (Studio), Agency (EPA) and state regulations for hazardous materials, including Associate Professor, MFA, University of Kansas, 1982 spill procedures and material disposal. Program has performed an PROF. JOEL ROSS, Sculpture, Painting, Associate Professor, MFA, environmental health and safety audit in the past five years. All vents Cranbrook Academy of Art, 1992 and equipment meet OSHA and EPA requirements. Methods used to PROF. ERNESTO SCOTT, Photography (Studio), Associate Professor, familiarize students and faculty with environmental health and safety MFA, University of California, Los Angeles, 1988 include required training course, instruction in class, internet or PROF. CLIFF SHIN, Industrial Design, Associate Professor, MA, Purdue intranet, health and safety officer (full-time or part-time), shop University, 2004 technician, material safety data sheets (MSDS), training videos, PROF. BILLIE THEIDE, Metals, Professor, MFA, Indiana University, 1982 information in student handbook. PROF. TIM VAN LAAR, Painting, Drawing (Studio), Professor, MFA, Wayne State University, 1975 FINANCIAL INFORMATION PROF. DEKE WEAVER, Performance, Video (Studio), Professor, MFA, University of Colorado Boulder, 1988 Tuition PROF. DAVID WEIGHTMAN, Industrial Design, Professor, MA, Royal Full-time student tuition is determined per semester. College of Art, 1970 State residents: $6,708 RESOURCES AND SPECIAL PROGRAMS Out-of-state residents: $13,826 Private studios are available with unlimited hours for all. Semiprivate International students: $13,826 studios are available with unlimited hours for all. Students have the Additional institutional fees: $1,920 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Financial Aid The computer labs, which house more than 100 machines, provide Types of aid available: Tuition aid/remission, stipend, teaching students access to a wide range of hardware, including Macintosh and assistantship, research assistantship, work-study program. Teaching Windows workstations, professional film and flatbed scanners, seven assistantship packages provide a stipend ($8,000), full tuition-waiver, large-format photo-quality inkjet printers, as well as a 3D printer and partial student fee waiver, 10 hrs. of weekly service. Competitive waiver- laser cutter. Software available includes industry standard applications generating fellowships for incoming top students are available. Tuition for video editing, sound design, page layout, photo manipulation, 3D and full stipend awarded to 34 students in the previous academic year. modeling and rendering, and animation. Funds available for graduate student travel: Yes Libraries Fellowships Total volumes in library system: >5,000,000 Fellowships are available to students of all levels. Art volumes in library system: >500,000 Fellowships applications received last year: 4 Art journals in library system: >300 Fellowships awarded: 4 There is a separate art library with >10,000 volumes and >300 journals. Fellowships awarded to women: 1 Students have library privileges at other institutional libraries. Fellowships awarded to minorities: 0 Image Resources Average amount of award/stipend: $10,000 Total number of images: >250,000 Institution and program maintain digital-image collections. Institution Fellowship maximum period of support: 3 years maintains its own slide collection. Institution subscribes to a digital- Assistantships image library. Students have access to image collections. Students have opportunities to view works of art in local museums, commercial Assistantships are available to students of all levels. galleries, private collections, and on funded field trips. Teaching assistantships applications received: 34 Teaching assistantships awarded: 34 Program Opportunities Teaching assistantships awarded to women: 23 Additional opportunities for study within the institution: Students may take courses outside the MFA program, in Art History or Art Education, Teaching assistantships awarded to minorities: 1 or take classes in other departments on campus (foreign languages, Average amount of award/stipend: $8140.50 psychology, business, museum studies, and gender studies, among Teaching assistantship maximum period of support: 3 years others). A graduate minor in Art History is also offered, and can be Other benefits: Tuition remission (part or full) added to the MFA degree. Other financial support: Assistantship packages include a stipend Gallery or museum affiliated with the department: Figure One ($8,000), full tuition waiver, 10 hrs. of weekly service, partial campus fee Formal programs: Museum training. The School of Art + Design waiver. The campus fees cover health insurance, health facilities collaborates with KAM (Krannert Art Museum) next door in offering (doctors and counseling), transportation, gym, library, and so forth. classes concerning museum practice. Formal relationships with local museums: The program is connected in Health Insurance several ways to the Krannert Art Museum, which is next door. Full-time doctoral students, part-time doctoral students, full-time master’s students, and part-time master’s students receive health Extracurricular opportunities for graduate students: Curate exhibitions, insurance coverage with copayment. Health insurance coverage is conduct fieldwork, research for catalogues, conduct surveys for outside available to dependents, spouses, unmarried domestic partners, and institutions, present public outreach lectures same-sex domestic partners of full-time doctoral students, part-time Other special programs sponsored by the department: Lecturers from doctoral students, full-time master’s students, and part-time master’s other institutions regularly host a workshop while they are here. They are students. also involved in MFA (Public) Critiques sessions. The department sponsors 10–20 lectures per year. Other Campus Resources Employment or career development office: Yes Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. Students from a far distance receive priority for housing. Housing is available on and

209 BARRY BARNES, Ceramics, Assistant Professor, non-tenure, MFA JONATHAN DIBLASI, Digital Media (Studio), Photography (Studio), UNIVERSITY OF Assistant Professor, tenure-track, MFA KATHERINE FRIES, Foundations, Printmaking, Assistant Professor, INDIANAPOLIS tenure-track, MFA JIM VIEWEGH, Painting, Drawing (Studio), Chair, MFA Studio Art and Design RESOURCES AND SPECIAL PROGRAMS Department of Art and Design Semiprivate studios are available with unlimited hours for all. Students University of Indianapolis have the opportunity to exhibit their work in a gallery associated with the 1400 East Hanna Ave. department or institution, a graduate thesis exhibition. Resources Indianapolis, Indiana, 46227 include four Mac labs, large-format printers, scanners, lighting Phone: 317-788-3253 equipment, and more. art.uindy.edu/ Libraries Contact: James Viewegh, [email protected] Total volumes in library system: >1,000,000 Private university; nonprofit corporation Art volumes in library system: >50,000 Accredited by: Commission on Higher Education, National Association Art journals in library system: >100 of Schools of Art and Design Degrees awarded: Master’s degree Image Resources Institution maintains its own digital-image collection. Institution Concentrations in: Ceramics, drawing, painting subscribes to a digital-image library. Students have access to image First graduate degree granted: MA, 1978 collections. Students have opportunities to view works of art in local The Master of Arts degree is an initial program designed to provide for museums, commercial galleries, private collections, and on funded field improved artistic skills and technical abilities. The program offers trips. opportunities to improve critical thinking and research skills that apply to art methods, materials, and processes. Students complete the MA Program Opportunities program for many reasons: to extend a teaching license, to prepare for Gallery or museum affiliated with the department: The Christel DeHaan an MFA program, to professionalize their artistic skills, or for personal Fine Arts Center Gallery enrichment. Formal programs: Museum training, study abroad ADMISSIONS Other Campus Resources This program has rolling admissions. Employment or career development office: Yes Deadline for fall: 6/30 Office/center for international students: Yes Fall notification date: 8/1 Environmental Health and Safety Application fee: $30 Occupational Safety and Health Administration (OSHA) regulations are Part-time students accepted: Yes in place for ventilation and respiratory protection, hazardous chemical Applications received 2015–16: 3 safety (right-to-know), machine safety. Program meets the US Applications accepted 2015–16: 3 Environmental Protection Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Students enrolled 2015–16: 3 Program has performed an environmental health and safety audit in the Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign past five years. There is a dust collection system in the ceramics area, students (PBT 550), transcript, letters of recommendation, statement of and the ceramics and painting studios have constant air circulation and interest/personal statement, examples of personal artwork evacuation for fumes. Methods used to familiarize students and faculty Recommended: Degree in subject area, résumé, related internship with environmental health and safety include required training course, experience, related professional experience, campus visit, in-person or instruction in class, faculty research, faculty training, health and safety phone interview officer (full-time or part-time), material safety data sheets (MSDS). CURRICULUM FINANCIAL INFORMATION Courses Tuition Number offered to graduate students each term: 9 Full-time student tuition is determined per credit hour. Number whose enrollment is limited to graduate students: 7 All students: $407 Average Class Size Additional institutional fees: $500 In graduate studios: 1–5 students Financial Aid In graduate seminars: 1–5 students Types of aid available: Work-study program Course of Study Assistantships Full-time residency requirement: None Other financial support: The program has limited teaching Maximum number of years for residency: 6 opportunities. Average number of years for residency: 2 Health Insurance Typical number of credit hours per term for a full-time student: 3 No health insurance coverage is provided for full-time master’s students Total number of credit hours required for graduation: 30 and part-time master’s students. Total in studio art: 30 Degree requirements: Concentration, solo exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury UNIVERSITY OF IOWA Recommended: Written thesis, thesis or artist’s statement, business course Studio Art STUDENTS School of Art and Art History Number of students in residence: Master’s, 3 Studio Arts Building 1375 Highway 1 West Number of female graduates fall 2015–summer 2016: Master’s, 1 Iowa City, Iowa, 52242 Phone: 319-335-1758 FACULTY Fax: 319-384-2715 Number of faculty: 4 www.art.uiowa.edu Tenured/tenure track: 2 men, 1 woman Contact: Laura Jorgensen, [email protected] Part-time/adjunct lecturers: 1 man, 0 women Public university; nonprofit corporation Full-time contractual: 0 men, 0 women Degrees awarded: Master’s degree

210 Concentrations in: 2-dimensional design, 3-dimensional design, animation, ceramics, digital media, drawing, environmental art, graphic FACULTY design, industrial design, installation, interior design, metals, Number of faculty: 22 multidisciplinary, object design, painting, performance, photography, Tenured/tenure track: 11 men, 8 women printmaking, sculpture, video Part-time/adjunct lecturers: 0 men, 0 women First graduate degree granted: MA, 1924 Full-time contractual: 2 men, 1 woman The Studio Division is composed of ten different programs configured ISABEL BARBUZZA, Sculpture, Associate Professor, MFA, University of into four areas: California, Santa Barbara, 1990 Dimensional Practice (ceramics, 3D design, jewelry and metal arts, and PETER CHANTHANAKONE, Animation (Studio), Associate Professor, sculpture) integrates the parameters of sustainability, commitment to MFA, Academy of Art University, 2006 concept and material explorations, and the fabrication of RONALD COHEN, Painting, Drawing (Studio), Associate Professor, objects/installation with new technologies and traditional processes. MFA, Queens College, 1973 Media, Social Practice, and Design (photography, graphic design, MONICA CORREIA, 3-Dimensional Design, Associate Professor, MFA, animation, and intermedia) provides students the opportunity to The University of Iowa, 2000 develop visual vocabulary, social responsibility, and cross-media BRADLEY DICHARRY, Graphic Design, Associate Professor, MFA, The literacies. University of Iowa, 2005 Painting and Drawing Area, which is first in the nation to hire artists as JOHN DILG, Painting, Drawing (Studio), Professor, BFA, Rhode Island teachers based on their professional record, has five faculty members School of Design, 1969 who teach drawing and painting at all levels. LAUREL FARRIN, Painting, Drawing (Studio), Associate Professor, MFA, For nearly 50 years, Printmaking has ranked among the best programs University of Maryland, College Park, 1993 in the country. AB GRATAMA, Graphic Design, Professor, MA, 1962 3D Design received the 2015 Editors’ Award for Best School by the SUE HETTMANSPERGER, Painting, Drawing (Studio), Professor, MA, International Contemporary Furniture Fair. University of New Mexico, 1974 ANITA JUNG, Printmaking, Professor, MFA, University of Wisconsin- ADMISSIONS Madison, 1990 Deadline for fall: 2/1 STEVE MCGUIRE, 3-Dimensional Design, Professor, PhD, The Fall notification date: 4/1 University of Iowa, 1990 Application fee: $60 DANIEL MILLER, Sculpture, Assistant Professor, tenure-track, MFA, School of the Art Institute of Chicago, 1997 Applications received 2015–16: 160 JEFF RICH, Photography (Studio), Assistant Professor, tenure-track, Applications accepted 2015–16: 45 MFA, Savannah College of Art and Design, 2008 Students enrolled 2015–16: 35 JAMES SNITZER, Photography (Studio), Printmaking, Professor, MFA, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL School of the Art Institute of Chicago, 1976 for foreign students (iBT 81), transcript, letters of recommendation, MARGARET STRATTON, Photography (Studio), Professor, MFA, statement of interest/personal statement, examples of personal artwork, University of New Mexico, 1985 artist’s statement SUSAN WHITE, Painting, Drawing (Studio), Associate Professor, MFA, University of California, Davis, 1980 Recommended: Résumé RACHEL WILLIAMS, Digital Media (Studio), joint appointment in Gender, Women’s, and Sexuality Studies, Associate Professor, PhD, CURRICULUM Florida State University, 2000 Courses JON WINET, Digital Media (Studio), joint appointment in The Digital Studio for Public Humanities, Associate Professor, MA, San Francisco Number offered to graduate students each term: 34 State University, 1978 Number whose enrollment is limited to graduate students: 7 KEE-HO YUEN, Metals, Professor, MFA, The University of Iowa, 1989 Average Class Size Recent Visiting Faculty In graduate studios: 11–15 students WON-JAE LEE, 3-Dimensional Design, Adjunct/Contingent faculty, In graduate seminars: 11–15 students MFA, University of Iowa, 2012 DAVID RATCLIFF, Painting, Assistant Professor, non-tenure, BFA, Pratt Independent study available: Yes Institute, 1992 Course of Study SERINA SULENTIC, Graphic Design, Adjunct/Contingent faculty, MFA, Full-time residency requirement: 3 years The University of Iowa, 2007 Maximum number of years for residency: 3 Average number of years for residency: 3 RESOURCES AND SPECIAL PROGRAMS Typical number of credit hours per term for a full-time student: 9 Private studios are available with unlimited hours for all. Semiprivate Total number of credit hours required for graduation: 60 studios are available with unlimited hours for all. Students have the Total in studio art: 36 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Total in area of concentration: 24 Resources include Mac Pros and PCs with Adobe CS and RIP software, Total in art history: 6 inkjet printers up to 44 inches wide, film scanners, Autodesk suite, Electives: 18 Rhino, VR programming and virtual modeling software, 3D printers, Degree requirements: Written thesis, thesis or artist’s statement, access to CNC machinery (laser cutter, router, knee mill, lathe) and concentration, solo exhibition, group exhibition, individual presentation thermoformer. of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. Libraries Students are accepted into the MA program and during their second Total volumes in library system: >5,000,000 year are selected for the MFA program for a total of three years for both Art volumes in library system: >100,000 degrees. Art journals in library system: >300 There is a separate art library with >10,000 volumes and >200 journals. STUDENTS Students have library privileges at other institutional libraries. Number of students in residence: Master’s, 58 Image Resources Number of male graduates fall 2015–summer 2016: Master’s, 17 Total number of images: >750,000 Number of female graduates fall 2015–summer 2016: Master’s, 24 Program maintains its own digital-image collection. Program maintains Student organizations within the program/department: Graduate Art its own slide collection. Institution subscribes to a digital-image library. Congress Students have access to image collections. Students have opportunities Formal mode of student participation in academic governance: The to view works of art in local museums, commercial galleries, private Graduate Student Senate serves as the voice of the graduate student collections, and on funded field trips. population to the university administration, faculty, and all other organizations at the university and within the Iowa City community. Program Opportunities Additional opportunities for study within the institution: Students may Students have the opportunity to join a labor union. pursue other fields of study or certificate programs with their elective hours. Gallery or museum affiliated with the department: The University of

211 Iowa Museum of Art and Levitt, Drewelowe, Porch and Kendall galleries Working assistantships awarded to women: 1 Formal programs: Study abroad Working assistantships awarded to minorities: 0 Formal relationships with local museums: Des Moines Art Center. Other benefits: Tuition remission (part or full) Students participate in artist’s lectures, studio visits, and exhibition Other financial support: The Iowa Arts Fellowship includes a stipend opportunities. Occasionally students help artists set up exhibits, such as plus tuition remission for the first year. Andy Goldsworthy’s "Three Cairns" piece. Extracurricular opportunities for graduate students: Curate exhibitions, Health Insurance conduct fieldwork, research for catalogues, present public outreach Full-time master’s students and part-time master’s students receive lectures health insurance coverage with copayment. Health insurance coverage Other special programs sponsored by the department: The University of is available to dependents, spouses, unmarried domestic partners, and Iowa School of Art and Art History participates in the Skowhegan School same-sex domestic partners of full-time master’s students and part-time of Painting and Sculpture Matching Scholarship Program. The master’s students. department sponsors 20–30 lectures per year. Other Campus Resources Employment or career development office: Yes Office/center for international students: Yes UNIVERSITY OF KANSAS There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. Studio Art Planned campus changes and facility improvements: The university is currently building a 126,000 sq. ft. Studio Arts Building (2016) to The University of Kansas, Department of Visual Art complement Art Building West (2006). Following Art Building West’s Art and Design Building concept of “hybrid instrument of open edges and open center,” architect 1467 Jayhawk Blvd., Rm. 300 Steven Holl has designed a new building with flexible open spaces to Lawrence, Kansas, 66045 enhance students’ interdisciplinary art practices. Phone: (785) 864-2957 Fax: (785) 864-4404 Environmental Health and Safety www.art.ku.edu Occupational Safety and Health Administration (OSHA) regulations are Contact: Norman Akers, [email protected] in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Public university; nonprofit corporation hearing protection. Program meets the US Environmental Protection Accredited by: National Association of Schools of Art and Design Agency (EPA) and state regulations for hazardous materials, including Degrees awarded: Master’s degree spill procedures and material disposal. Program has performed an Concentrations in: Ceramics, digital media, drawing, fiber arts, environmental health and safety audit in the past five years. installation, metals, painting, performance, printmaking, sculpture Fabrication/foundry: 2 exhaust hoods, 6400 CFM. Sculpture: 3 Airflow portable Mini-Pacs; 600 CFM. Ceramic Shell/plaster: AR1-3 extractor; First graduate degree granted: MFA, 1950 1050 CFM. Wax: side-draw vents; 500 CFM. Paint/solvents: spray booth; The University of Kansas graduate programs provide continuous 6400 CFM. Wood shop equipment and down-draft units attached to AR exchange with the faculty through tutorials, seminars, teaching and 2-7.5 extraction unit; 2000CFM. CNC plasma and laser: DCH-3, 3hp professional development courses, assistantship opportunities, lectures, extractor; 1400CFM. Methods used to familiarize students and faculty and a wide range of studio experiences. The programs are flexible and with environmental health and safety include publications, required supportive of each student’s creative pursuits. Students may choose to training course, instruction in class, internet or intranet, faculty training, explore their medium in a traditional context or with an interdisciplinary health and safety officer (full-time or part-time), shop technician, or cross-disciplinary approach. The programs are well funded; many material safety data sheets (MSDS), training videos, information in offer scholarships and teaching assistantships. MFA degrees are offered student handbook. in drawing and painting, ceramics, expanded media, jewelry and metalsmithing, printmaking, sculpture, and textiles and fibers. FINANCIAL INFORMATION ADMISSIONS Tuition Deadline for fall: 1/15 Full-time student tuition is determined per semester. Fall notification date: 4/1 State residents: $4,428 Application fee: $65 Out-of-state residents: $13,230 Applications accepted 2015–16: 10 Additional institutional fees: $750.50 Students enrolled 2015–16: 10 Part-time student tuition is determined per credit hour. Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL State residents: $492 for foreign students, transcript, letters of recommendation, résumé, Out-of-state residents: $1,470 statement of interest/personal statement, examples of personal artwork Financial Aid Recommended: Degree in subject area, campus visit Types of aid available: Tuition aid/remission, stipend, teaching CURRICULUM assistantship, research assistantship. The program offers a series of internal fellowships and awards, including minority fellowships. Tuition Courses and full stipend awarded to 17 students in the previous academic year. Number offered to graduate students each term: 44 Tuition and partial stipend awarded to 35 students in the previous Number whose enrollment is limited to graduate students: 31 academic year. Funds available for graduate student travel: Yes Average Class Size Fellowships In graduate studios: 1–5 students In graduate seminars: 16–20 students Fellowships are available to students of all levels. Independent study available: Yes Fellowships awarded: 20 Fellowships awarded to women: 11 Course of Study Fellowships awarded to minorities: 1 Full-time residency requirement: 3 years Average amount of award/stipend: $6,200 Maximum number of years for residency: 3 Assistantships Average number of years for residency: 3 Typical number of credit hours per term for a full-time student: 10 Assistantships are available to students of all levels. Total number of credit hours required for graduation: 60 Teaching assistantships awarded: 68 Total in studio art: 23 Teaching assistantships awarded to women: 49 Total in area of concentration: 10 Teaching assistantships awarded to minorities: 2 Total in art history: 9 Average amount of award/stipend: $9,408 Total in graduate seminars: 12 Hours of work required per week: 10 Electives: 6 Working assistantships awarded: 1

212 Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, documentation of Other Campus Resources thesis work for program archive, oral defense of work, thesis Employment or career development office: Yes committee/exhibition jury Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in STUDENTS dormitories, apartments, and married student housing. Number of students in residence: Master’s, 24 Number of male graduates fall 2015–summer 2016: Master’s, 4 Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are Number of female graduates fall 2015–summer 2016: Master’s, 4 in place for ventilation and respiratory protection, hazardous chemical Student organizations within the program/department: Studio safety (right-to-know), personal protective equipment, machine safety, organizations in ceramics, jewelry/metals, printmaking, and hearing protection. Program meets the US Environmental Protection textiles/fibers Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an FACULTY environmental health and safety audit in the past five years. Methods Number of faculty: 24 used to familiarize students and faculty with environmental health and Tenured/tenure track: 10 men, 9 women safety include publications, instruction in class, faculty training, shop technician, material safety data sheets (MSDS), information in student Part-time/adjunct lecturers: 1 man, 0 women handbook. Full-time contractual: 2 men, 2 women NORMAN AKERS, Painting, Associate Professor, MFA FINANCIAL INFORMATION SHAWN BITTERS, Printmaking, Associate Professor, MFA RUTH BOWMAN, Foundations, Associate Professor, MFA Tuition DAVID BRACKETT, Fiber Arts, Associate Professor, MFA Full-time student tuition is determined per credit. MATTHEW BURKE, Sculpture, Associate Professor, MFA State residents: $395 SARAH GROSS, Ceramics, Assistant Professor, tenure-track, MFA JOHN HACHMEISTER, Sculpture, Associate Professor, MFA Out-of-state residents: $924 TANYA HARTMAN, Painting, Associate Professor, MFA Additional institutional fees: $910 JON HAVENER, Metals, Professor, MFA LUKE JORDAN, Photography (Studio), Assistant Professor, non-tenure, Financial Aid MFA Types of aid available: Tuition aid/remission, stipend, guaranteed loan, MARY ANNE JORDAN, Fiber Arts, Chair, MFA teaching assistantship, work-study program. The department offers MICHAEL KRUEGER, Printmaking, Professor, MFA scholarship awards for incoming and continuing students. Tuition and MARSHALL MAUDE, Ceramics, Associate Professor, MFA full stipend awarded to 18 students in the previous academic year. JUDITH MCCREA, Painting, Professor, MFA Funds available for graduate student travel: Yes YOONMI NAM, Printmaking, Associate Professor, MFA BEN ROSENTHAL, Digital Media (Studio), Assistant Professor, tenure- Assistantships track, MFA Assistantships are available to students of all levels. LIN STANIONIS, Metals, Professor, MFA Teaching assistantships awarded: 14 JON KEITH SWINDELL, Sculpture, Professor, MFA MARIA VELASCO, Installation (Studio), Associate Professor, MFA Teaching assistantships awarded to women: 5 GINA WESTERGARD, Metals, Associate Professor, MFA Teaching assistantships awarded to minorities: 5 Recent Visiting Faculty Average amount of award/stipend: $5,600 WHITNEY MAHONEY, Foundations, Adjunct/Contingent faculty, MFA Hours of work required per week: 17 MICHAEL MCCAFFERY, Painting, Drawing (Studio), Teaching assistantship maximum period of support: 3 years Adjunct/Contingent faculty, MFA Other benefits: Tuition remission (part or full) CARLA TILGHMAN, Fiber Arts, Adjunct/Contingent faculty, MFA TOM TIVOL, Metals, Adjunct/Contingent faculty, MFA Health Insurance Full-time master’s students receive health insurance coverage with copayment. RESOURCES AND SPECIAL PROGRAMS Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. A UNIVERSITY OF KENTUCKY digital imaging lab consisting of a large-scale printer and scanner is located in the building. Studio Art Libraries School of Art & Visual Studies Total volumes in library system: >4,000,000 University of Kentucky Art volumes in library system: >200,000 236 Bolivar St. Art journals in library system: >500 Lexington, Kentucky, 40506 There is a separate art library with >10,000 volumes and >300 journals. Phone: 859-257-8151 Students have library privileges at other institutional libraries. Fax: 859-257-3042 finearts.uky.edu/art Image Resources Institution maintains its own digital-image collection. Institution Contact: Doreen Maloney, [email protected] maintains its own slide collection. Institution subscribes to a digital- Public university; nonprofit corporation image library. Students have access to image collections. Students have Accredited by: National Association of Schools of Art and Design, opportunities to view works of art in local museums, commercial Southern Association of Colleges and Schools galleries, private collections, and on funded field trips. Degrees awarded: Master’s degree Program Opportunities Concentrations in: Artist’s books, ceramics, digital media, drawing, fiber Additional opportunities for study within the institution: Students have arts, installation, metals, multidisciplinary, painting, performance, access to a wide range of graduate-level courses in the institution. photography, printmaking, sculpture, sound, video Gallery or museum affiliated with the department: Art and Design First graduate degree granted: MFA, 1973 Gallery and Spencer Museum of Art The MFA degree will be awarded upon completion of 60 hours of Formal programs: Museum training, study abroad, summer work graduate coursework. Of these, 30 hours must be at or above the 600 projects level and 40 hours must be in regular courses (not independent study). In addition, the 60 credit hours will include 30–36 credit hours in art Extracurricular opportunities for graduate students: Curate exhibitions, studio courses (including graduate studio seminar and studio thesis conduct fieldwork, research for catalogues, present public outreach project), 6–12 credit hours in art history and/or art education (a total of lectures. The department sponsors 10–20 lectures per year. 24 credit hours of undergraduate and graduate art history study is required), and up to 18 credit hours in related graduate courses, which may be taken outside the Department of Art in the College of Fine Arts

213 or elsewhere in the university. ARTURO SANDOVAL, Ceramics, Professor, MFA, Cranbrook Academy of Art ADMISSIONS BOBBY SCROGGINS, Ceramics, Professor, MFA, Kansas City Art Deadline for fall: 1/6 Institute ROBERT SHAY, Ceramics, Professor, MFA, University of Wisconsin- Fall notification date: 3/15 Madison, 1973 Spring notification date: 5/15 BRANDON SMITH, Drawing (Studio), Foundations, Assistant Application fee: $100 Professor, non-tenure, MFA, University of Cincinnati, 2004 Applications received 2015–16: 10 JAMES ROBERT SOUTHARD, Photography (Studio), Assistant Professor, non-tenure, MFA, Carnegie Mellon University Applications accepted 2015–16: 2 HUNTER STAMPS, Sculpture, Ceramics, Associate Professor, MFA, Students enrolled 2015–16: 9 Indiana University Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), GRE, DMITRY STRAKOVSKY, Digital Media (Studio), Sculpture, Associate TOEFL for foreign students (PBT 550), transcript, letters of Professor, MFA, School of the Art Institute of Chicago, 2006 recommendation, statement of interest/personal statement, examples HEATHER STRATTON, Digital Media (Studio), Photography (Studio), of personal artwork Adjunct/Contingent faculty, MFA, Maryland Institute College of Art, Recommended: Résumé 2012 JAMES WADE, Sculpture, Assistant Professor, non-tenure, MFA, CURRICULUM University of Georgia, 1996 DAVID WISCHER, Digital Media (Studio), Assistant Professor, non- Course of Study tenure, MFA, Purdue University, 2012 Full-time residency requirement: 3 years Maximum number of years for residency: No maximum RESOURCES AND SPECIAL PROGRAMS Semiprivate studios are available with unlimited hours for all. Students Average number of years for residency: 3 have the opportunity to exhibit their work in a gallery associated with the Typical number of credit hours per term for a full-time student: 10 department or institution, local galleries, a graduate thesis exhibition. A Total number of credit hours required for graduation: 60 state-of-the-art facility with 60 G5 Macs is maintained by IT staff and Total in studio art: 30 updated every three years. Total in area of concentration: 12 Libraries Total in art history: 12 Total volumes in library system: >3,000,000 Total in graduate seminars: 9 Art volumes in library system: >50,000 Electives: 18 Art journals in library system: >100 Degree requirements: Thesis or artist’s statement, concentration, solo There is a separate art library with >10,000 volumes and >100 journals. exhibition, individual presentation of thesis work, documentation of Students have library privileges at other institutional libraries. thesis work for program archive, oral defense of work, thesis committee/exhibition jury. Students must also complete a final solo Image Resources MFA exhibition with documentation. Total number of images: >100,000 Institution maintains its own digital-image collection. Institution STUDENTS subscribes to a digital-image library. Students have access to image collections. Students have opportunities to view works of art in local Number of students in residence: Master’s, 9 museums, commercial galleries, private collections, and on funded field Number of male graduates fall 2015–summer 2016: Master’s, 6 trips. Number of female graduates fall 2015–summer 2016: Master’s, 3 Student organizations within the program/department: Undergraduate Program Opportunities and graduate student organizations and specialized groups in ceramics, Additional opportunities for study within the institution: Students may art education, sculpture, and photography take elective courses anywhere within the university. Formal mode of student participation in academic governance: Student Gallery or museum affiliated with the department: Tuska Center for Government Association with elected officers; a student representative Contemporary Art and UK Art Museum on the university’s board of trustees Formal programs: Museum training. An introduction to museum studies course is offered in conjunction with the university art museum FACULTY staff on a regular basis. Opportunities for museum internships are Number of faculty: 24 available to students who have completed this course. Tenured/tenure track: 10 men, 3 women Formal relationships with local museums: In addition to museum studies courses at the University of Kentucky Art Museum, internships Part-time/adjunct lecturers: 8 men, 3 women are available in local museums and arts organizations. Full-time contractual: 0 men, 0 women Extracurricular opportunities for graduate students: Curate exhibitions, RUTH ADAMS, Photography (Studio), Digital Media (Studio), Associate present public outreach lectures Professor, MFA, University of Miami, 1999 BECKY ALLEY, Curatorial Studies, joint appointment in University Other special programs sponsored by the department: An endowment Gallery, Director, Assistant Professor, non-tenure, MFA, University of funds a departmental visiting artists series that includes art historians Kansas, 2005 as well as contemporary artists. Each year, the Robert C. May GARRY BIBBS, Sculpture, Associate Professor, MFA, University of Photography Endowment lecture series, sponsored with the UK Art Kentucky, 1986 Museum, brings four internationally recognized photographers to speak. JEREMY COLBERT, Sculpture, Adjunct/Contingent faculty, MFA, Florida The department sponsors 10–20 lectures per year. State University, 2002 Other Campus Resources ROBERT DICKES, Photography (Studio), Foundations, Assistant Professor, non-tenure, MFA, University of Kentucky, 2009 Employment or career development office: Yes JOEL FELDMAN, 2-Dimensional Design, Printmaking, Professor, MFA, Office/center for international students: Yes Indiana University, 1967 There is a graduate-student housing office. Housing space is available in RAE GOODWIN, Foundations, Associate Professor, MFA, Winthrop apartments and married student housing. University, 2006 GARRETT HANSEN, Photography (Studio), Assistant Professor, tenure- Environmental Health and Safety track, MFA, Indiana University, 2011 Occupational Safety and Health Administration (OSHA) regulations are DOREEN MALONEY, Digital Media (Studio), Performance, Associate in place for ventilation and respiratory protection, hazardous chemical Professor, MFA, University of Wisconsin-Madison safety (right-to-know), personal protective equipment, machine safety, JONATHAN MCFADDEN, Printmaking, Assistant Professor, tenure- hearing protection. Program meets the US Environmental Protection track, MFA, University of Edinburgh, 2009 Agency (EPA) and state regulations for hazardous materials, including MATT PAGE, Digital Media (Studio), Foundations, Assistant Professor, spill procedures and material disposal. Program has performed an non-tenure, MFA, Vermont College of Fine Arts, 2006 environmental health and safety audit in the past five years. The EBONY PATTERSON, Painting, Drawing (Studio), Associate Professor, following kinds of ventilation are available in studios: a dust-collection MFA, 2006 system in the woodworking shop; a new, room-sized paint spraying LEE ANN PAYNTER, Digital Media (Studio), Photography (Studio), booth; and vented hoods in darkrooms and printmaking facilities. Adjunct/Contingent faculty, MFA, California Institute of the Arts, 2011 Methods used to familiarize students and faculty with environmental PAUL RODGERS, Digital Media (Studio), Adjunct/Contingent faculty, health and safety include instruction in class, health and safety officer MFA, University of Cincinnati, 2012 (full-time or part-time), shop technician, material safety data sheets

214 (MSDS). Applications accepted 2015–16: 5 Students enrolled 2015–16: 5 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Tuition students (iBT 94), transcript, letters of recommendation, statement of Full-time student tuition is determined per semester. interest/personal statement, in-person or phone interview State residents: $5,386 Recommended: Degree in subject area Out-of-state residents: $11,419 CURRICULUM Part-time student tuition is determined per credit hour. State residents: $552 Courses Out-of-state residents: $1,168 Number offered to graduate students each term: 7 Number whose enrollment is limited to graduate students: 7 Financial Aid Types of aid available: Tuition aid/remission, stipend, teaching Average Class Size assistantship, research assistantship, work-study program. Graduate In graduate studios: 1–5 students internships with campus and local arts organizations are available. In graduate seminars: 1–5 students Tuition and full stipend awarded to 8 students in the previous academic year. Partial tuition awarded to 1 student in the previous academic year. Course of Study Funds available for graduate student travel: Yes Full-time residency requirement: 1 year Maximum number of years for residency: No maximum Fellowships Average number of years for residency: 1 Fellowships are available to students of all levels. Typical number of courses for a full-time student: 5 Assistantships Total number of courses required for graduation: 5 Assistantships are available to students of all levels. Total in studio art: 3 Teaching assistantships applications received: 20 Total in art history: 1 Teaching assistantships awarded: 8 Total in graduate seminars: 5 Teaching assistantships awarded to women: 4 Electives: 1 Average amount of award/stipend: $10,200 Degree requirements: Written thesis, thesis or artist’s statement, solo Hours of work required per week: 20 exhibition, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program Teaching assistantship maximum period of support: 3 years archive, oral defense of work Other benefits: Tuition remission (part or full) Requirements for doctoral program: Thesis Health Insurance Full-time master’s students and part-time master’s students receive STUDENTS health insurance coverage with copayment. Health insurance coverage Number of students in residence: Master’s, 3; Doctorate, 8 is available to spouses, unmarried domestic partners, and same-sex Number of male graduates fall 2015–summer 2016: Master’s, 1; domestic partners of part-time master’s students. Doctorate, 2 Number of female graduates fall 2015–summer 2016: Master’s, 3; Doctorate, 2 Student organizations within the program/department: Centre for Critical Studies in Museums, Galleries, and Heritage. UNIVERSITY OF LEEDS Formal mode of student participation in academic governance: Student union and student representation in the senate and on some faculty and Fine Art school committees Students have the opportunity to join a labor union. School of Fine Art, History of Art and Cultural Studies University of Leeds FACULTY Leeds, West Yorkshire, LS2 9JT Number of faculty: 6 United Kingdom Phone: 44-113-343-5274 Tenured/tenure track: 4 men, 2 women www.fine-art.leeds.ac.uk Part-time/adjunct lecturers: 0 men, 0 women Contact: Ms. Emma Rushton, [email protected] Full-time contractual: 0 men, 0 women Public university; nonprofit corporation MR. RICHARD BELL, Sculpture, Assistant Professor, tenure-track DR. CATHERINE FERGUSON, Painting, Assistant Professor, tenure- Degrees awarded: Master’s degree; Doctoral degree track Concentrations in: 2-dimensional design, 3-dimensional design, artist’s MR. SIMON LEWANDOWSKI, Artist’s books, Assistant Professor, books, digital media, drawing, film, installation, painting, performance, tenure-track photography, sculpture, video, writing/word art MS. EMMA RUSHTON, Performance, Film, Assistant Professor, tenure- First graduate degree granted: PhD, 1998 track The Masters in Fine Art is a one-year program of full-time study DR. CHRISTOPHER TAYLOR, Artist’s books, Associate Professor designed to equip students with the advanced skills needed for the MR. NICK THURSTON, Artist’s books, Associate Professor development of a critically informed, professional fine art practice. Content is tailored precisely to objectives, the central concerns relating RESOURCES AND SPECIAL PROGRAMS to professional accomplishments in the making of art in contextual, Private studios are available with unlimited hours for all. Semiprivate critical, and theoretical understanding. The program helps students to studios are available with unlimited hours for all. Students have the identify and negotiate personal and shared positions within a broad opportunity to exhibit their work in a gallery associated with the arena of contemporary practice, criticism, and theory. A tutorial department or institution, local galleries, a graduate thesis exhibition. schedule is developed during the first year in consultation between the Resources include eight Mac workstations with video editing, animation, program/module leaders and the individual student. Instruction is and high-end photographic manipulation capability, as well as scanners provided in a range of technical areas as and when appropriate. PhD and printers. Students have access to large-format printers. students pursue their individual projects under the close guidance of their supervisory team. Libraries Total volumes in library system: >4,000,000 ADMISSIONS Art volumes in library system: >100,000 This program has rolling admissions. Art journals in library system: >300 Deadline for fall: 6/1 Students have library privileges at other institutional libraries. Fall notification date: 6/15 Image Resources Application fee: £0 Total number of images: >1,000,000 Part-time students accepted: Yes Institution and program maintain digital-image collections. Institution Applications received 2015–16: 27 subscribes to a digital-image library. Students have access to image 215 collections. Students have opportunities to view works of art in local university on a competitive basis. museums, commercial galleries, private collections, and on funded field trips. Health Insurance Full-time doctoral students, part-time doctoral students, full-time Program Opportunities master’s students, part-time master’s students, full-time certificate Additional opportunities for study within the institution: Specialist students, and part-time certificate students receive health insurance training may be provided outside the department. coverage at no cost. Gallery or museum affiliated with the department: Stanley and Audrey Burton Gallery, Leeds Museums and Galleries, The Tetley, Leeds, The Hepworth Wakefield Formal relationships with local museums: The university offers collaborative doctoral degrees with a number of museums and galleries. UNIVERSITY OF LOUISVILLE Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, conduct surveys for outside Master of Arts in Studio Art institutions, present public outreach lectures Other special programs sponsored by the department: Please see University of Louisville www.leeds.ac.uk/fine_art for a list of events, activities and news. The Department of Fine Arts department sponsors 30–40 lectures per year. 104 Schneider Hall Louisville, Kentucky, 40292 Other Campus Resources Phone: 502-852-6794 Employment or career development office: Yes Fax: 502-852-6791 Office/center for international students: Yes louisville.edu/art/ There is a graduate-student housing office. Housing space is available in Contact: Ché Rhodes, [email protected] dormitories and apartments. Students from a far distance receive Public university; nonprofit corporation priority for housing. Accredited by: Southern Association of Colleges and Schools Planned campus changes and facility improvements: In 2016 we will Degrees awarded: Master’s degree move to a completely refurbished, grade 2 listed building at the heart of the campus, with improved student spaces, our own gallery which Concentrations in: 2-dimensional design, 3-dimensional design, students will help to programme, excellent studio and technical spaces ceramics, drawing, fiber arts, glass, painting, photography, printmaking, and conference and seminar spaces for events. sculpture First graduate degree granted: MA, 1953 Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are ADMISSIONS in place for ventilation and respiratory protection, hazardous chemical Deadline for fall: 1/15 safety (right-to-know), personal protective equipment, machine safety, Fall notification date: 5/15 hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Application fee: $60 spill procedures and material disposal. Program has performed an Part-time students accepted: Yes environmental health and safety audit in the past five years. All Applications received 2015–16: 4 ventilation is in accordance with university and industry guidelines. Applications accepted 2015–16: 2 Methods used to familiarize students and faculty with environmental health and safety include publications, required training course, Students enrolled 2015–16: 2 instruction in class, internet or intranet, faculty training, health and Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject safety officer (full-time or part-time), shop technician, training videos, area, GPA (3.0), GRE (300), transcript, letters of recommendation, information in student handbook. statement of interest/personal statement, examples of personal artwork, artist’s statement FINANCIAL INFORMATION Recommended: Campus visit, in-person or phone interview, contact the Tuition program for additional requirements Full-time student tuition is determined per year. CURRICULUM State residents: £5,500 Courses Out-of-state residents: £5,500 Number offered to graduate students each term: 30 International students: £15,000 Number whose enrollment is limited to graduate students: 25 Part-time student tuition is determined per year. State residents: £2,750 Average Class Size Out-of-state residents: £2,750 In graduate studios: 6–10 students International students: £7,500 In graduate seminars: 6–10 students Financial Aid Independent study available: Yes Types of aid available: Tuition aid/remission, stipend, teaching Course of Study assistantship. Tuition and full stipend awarded to 4 students in the Full-time residency requirement: None previous academic year. Tuition and partial stipend awarded to 1 Maximum number of years for residency: 6 student in the previous academic year. No financial assistance awarded to 13 students in the previous academic year. Average number of years for residency: 2 Funds available for graduate student travel: Yes Typical number of credit hours per term for a full-time student: 9 Total number of credit hours required for graduation: 31 Fellowships Total in studio art: 15 Fellowships are available to first-year students. Total in area of concentration: 15 Fellowships applications received last year: 8 Total in art history: 6 Fellowships awarded: 3 Electives: 3 Fellowships awarded to women: 1 Degree requirements: Written thesis, solo exhibition, individual Fellowship maximum period of support: 3 years presentation of thesis work, oral defense of work Assistantships STUDENTS Assistantships are available to second-year students, third-year students, Number of students in residence: Master’s, 2 fourth-year students, fifth-year students, and sixth-year students. Number of female graduates fall 2015–summer 2016: Master’s, 1 Teaching assistantships applications received: 3 Student organizations within the program/department: Aegis is the Teaching assistantships awarded: 2 association of fine arts graduate students at the Hite Art Institute at the Teaching assistantships awarded to women: 1 University of Louisville. Its goal is to foster professional growth in Teaching assistantship maximum period of support: 4 years academic excellence within a community of artists, curators, and art Other financial support: Additional fellowships are offered by the historians. The name Aegis was adopted for its connotations of support,

216 endorsement, and guidance. It is hoped that through Aegis’s activities, used to familiarize students and faculty with environmental health and including a biennial symposium and journal publication, the exchange of safety include publications, instruction in class, faculty research, faculty new ideas and cultivate academic freedom is encouraged. training, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS). FACULTY Number of faculty: 18 FINANCIAL INFORMATION Tenured/tenure track: 12 men, 5 women Tuition Part-time/adjunct lecturers: 0 men, 1 woman Full-time student tuition is determined per credit hour. Full-time contractual: 0 men, 0 women State residents: $681 PROF. RICHARD TODD BURNS, Ceramics, Associate Professor, MFA Out-of-state residents: $1,417 PROF. TIFFANY CALVERT, Painting, Assistant Professor, tenure-track, MFA, Rutgers, The State University of New Jersey, 2005 Part-time student tuition is determined per credit hour. PROF. MARY CAROTHERS, Photography (Studio), Associate Professor, State residents: $681 MFA Out-of-state residents: $1,417 PROF. YING KIT CHAN, Drawing (Studio), Professor, MFA PROF. MITCH ECKERT, Photography (Studio), Associate Professor, Financial Aid MFA Types of aid available: Tuition aid/remission, stipend, teaching DR. CHRISTOPHER FULTON, Renaissance Art, Associate Professor, assistantship, research assistantship. No financial assistance awarded PhD to 2 students in the previous academic year. PROF. JAMES GRUBOLA, Drawing (Studio), Professor, MFA Funds available for graduate student travel: Yes PROF. BARBARA HANGER, Art Education (Studio), Associate Professor, MFA Assistantships DR. BENJAMIN HUFBAUER, Architectural History, Associate Professor, Assistantships are available to students of all levels. PhD DR. SUSAN JAROSI, Contemporary Art, Associate Professor, PhD Teaching assistantships applications received: 6 DR. PEARLIE JOHNSON, African Art (sub-Saharan), Folk Art, Assistant Teaching assistantships awarded: 4 Professor, non-tenure, PhD Teaching assistantships awarded to women: 3 DR. JONGWOO KIM, Nineteenth-Century Art, Gender Studies, Average amount of award/stipend: $12,000 Associate Professor, PhD DR. DELIN LAI, Chinese Art, Japanese Art, Associate Professor, PhD Working assistantships applications received: 10 PROF. SCOTT MASSEY, Sculpture, Associate Professor, MFA Working assistantships awarded: 10 PROF. MARK PRIEST, Painting, Professor, MFA Working assistantships awarded to women: 10 DR. CHRIS REITZ, Curatorial Studies, joint appointment in Director, Average amount of award/stipend: $10,000 Galleries & Curatorial Studies, Assistant Professor, tenure-track, PhD, Princeton University, 2015 Hours of work required per week: 7 PROF. CHE RHODES, Glass, Associate Professor, MFA Working assistantship maximum period of support: 3 years PROF. RACHEL SINGEL, Printmaking, Assistant Professor, tenure-track, Other benefits: Tuition remission (part or full) MFA, University of Iowa, 2013 Health Insurance RESOURCES AND SPECIAL PROGRAMS Full-time master’s students and part-time master’s students receive Semiprivate studios are available with unlimited hours for all. Students health insurance coverage with copayment. have the opportunity to exhibit their work in a gallery associated with the department or institution, a graduate thesis exhibition. Computers, large-format printers, and scanners are available for student use. Libraries UNIVERSITY OF LOUISVILLE Total volumes in library system: >2,000,000 Art volumes in library system: >100,000 Master of Fine Arts in Studio Art and Art journals in library system: >300 There is a separate art library with >10,000 volumes and >300 journals. Design Students have library privileges at other institutional libraries. Hite Art Institute, Department of Fine Arts Image Resources University of Louisville Total number of images: >500,000 104 Schneider Hall Institution maintains its own digital-image collection. Institution Louisville, Kentucky, 40292 maintains its own slide collection. Institution subscribes to a digital- Phone: 502-852-6794 image library. Students have access to image collections. Students have Fax: 502-852-6791 opportunities to view works of art in local museums, commercial louisville.edu/art/ galleries, private collections, and on funded field trips. Contact: Ché Rhodes, [email protected] Program Opportunities Public university; nonprofit corporation Additional opportunities for study within the institution: Students may Accredited by: Southern Association of Colleges and Schools take courses outside the department. Three credit-hours outside the department are required for degree completion. Degrees awarded: Master’s degree Concentrations in: Artist’s books, ceramics, digital media, drawing, fiber Gallery or museum affiliated with the department: Hite Galleries arts, glass, graphic design, installation, multidisciplinary, painting, Formal programs: Museum training, study abroad paper, performance, photography, printmaking, public art, sculpture, Formal relationships with local museums: Speed Art Museum visual studies Extracurricular opportunities for graduate students: Curate exhibitions, First graduate degree granted: MA, 1953 research for catalogues. The department sponsors 5–10 lectures per The program focuses on the interdisciplinary nature of the most current year. art practices that transcend the traditional division of media. At the same time, students have the flexibility to concentrate on one medium, Other Campus Resources choosing from courses in ceramics, drawing, fibers, glass, painting, Employment or career development office: Yes photography, printmaking, sculpture, graphic design, mixed-media, and Office/center for international students: Yes new media. Housing space is available in dormitories and apartments. Louisville is the largest city in Kentucky and students have access to the rich arts and cultural environment of a thriving metropolitan area. Environmental Health and Safety Students in the program interact with the wider arts community. The Occupational Safety and Health Administration (OSHA) regulations are program collaborates with metropolitan museums, notably the Speed in place for ventilation and respiratory protection, hazardous chemical Museum, the 21c Museum, Kentucky Museum of Arts and Design, the safety (right-to-know), personal protective equipment, machine safety, Frazier History Museum, the Louisville Science Museum, and the hearing protection. Program meets the US Environmental Protection Muhammad Ali Museum. Joint projects and internship programs with Agency (EPA) and state regulations for hazardous materials, including these organizations strengthen ties between the university and the spill procedures and material disposal. Program has performed an community and give students unique opportunities to participate in environmental health and safety audit in the past five years. Methods civic life.

217 Professor, PhD, Duke University ADMISSIONS DR. PEARLIE JOHNSON, African Art (sub-Saharan), Folk Art, joint Deadline for fall: 1/15 appointment in Pan-African Studies, Assistant Professor, tenure-track, Fall notification date: 5/15 PhD, University of Missouri-Kansas City, 2008 DR. JONGWOO JEREMY KIM, Nineteenth-Century Art, Gender Studies, Application fee: $60 Associate Professor, PhD, New York University, Institute of Fine Arts, Applications received 2015–16: 0 2007 Applications accepted 2015–16: 0 DR. DELIN LAI, Chinese Art, Associate Professor, PhD, University of Students enrolled 2015–16: 0 Chicago, 2007 PROF. SCOTT MASSEY, Sculpture, Associate Professor, MFA, 1997 Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject PROF. MARK PRIEST, Painting, Drawing (Studio), Professor, MFA, Yale area, GPA (3.0), TOEFL for foreign students (PBT 550), transcript, University, 1989 letters of recommendation, statement of interest/personal statement, DR. CHRIS REITZ, Curatorial Studies, joint appointment in Director, examples of personal artwork, artist’s statement Galleries & Curatorial Studies, Assistant Professor, tenure-track, PhD, Recommended: Related professional experience, campus visit, in-person Princeton University, 2015 or phone interview, contact the program for additional requirements PROF. CHE RHODES, Glass, Associate Professor, MFA, Temple University, 1998 CURRICULUM PROF. RACHEL SINGEL, Printmaking, Assistant Professor, tenure-track, Courses MFA, University of Iowa, 2013 Number offered to graduate students each term: 30 RESOURCES AND SPECIAL PROGRAMS Number whose enrollment is limited to graduate students: 25 Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Average Class Size department or institution, local galleries, a graduate thesis exhibition. In graduate studios: 6–10 students Computers, large format printers, and scanners are available for student In graduate seminars: 6–10 students use. Independent study available: Yes Libraries Course of Study Total volumes in library system: >2,000,000 Full-time residency requirement: 3 years Art volumes in library system: >100,000 Maximum number of years for residency: 3 Art journals in library system: >300 Average number of years for residency: 3 There is a separate art library with >10,000 volumes and >300 journals. Typical number of credit hours per term for a full-time student: 12 Students have library privileges at other institutional libraries. Total number of credit hours required for graduation: 60 Image Resources Total in studio art: 36 Total number of images: >500,000 Institution and program maintain digital-image collections. Program Total in area of concentration: 36 maintains its own slide collection. Institution subscribes to a digital- Total in art history: 12 image library. Students have access to image collections. Students have Total in graduate seminars: 4 opportunities to view works of art in local museums, commercial Electives: 8 galleries, private collections, and on funded field trips. Degree requirements: Written thesis, thesis or artist’s statement, solo Program Opportunities exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Additional opportunities for study within the institution: Students may comprehensive exam, thesis committee/exhibition jury, professional take courses outside the department. practices course Gallery or museum affiliated with the department: Hite Galleries Formal programs: Museum training, study abroad, summer work STUDENTS projects Number of students in residence: Master’s, 3 Formal relationships with local museums: Speed Art Museum, Kentucky Student organizations within the program/department: Aegis is the Arts and Crafts Museum association of fine-arts graduate students at the Hite Art Institute at the Extracurricular opportunities for graduate students: Curate exhibitions, University of Louisville. Its goal is to foster professional growth in conduct fieldwork, research for catalogues, conduct surveys for outside academic excellence within a community of artists, curators, and art institutions, present public outreach lectures historians. The name Aegis was adopted for its connotations of support, Other special programs sponsored by the department: Recent visiting endorsement, and guidance. It is hoped that through Aegis’s activities, artists and scholars include Linda Nochlin, Wu Hung, Kristine Stiles, including a biennial symposium and journal publication, the exchange of Maya Lin, Ann Hamilton, David William Foster, Rudy Pozzatti, Matthew new ideas and cultivate academic freedom is encouraged. Higgs, James Crump, Caroline Arscott, Matthew Ronay, and William FACULTY Bailey. The department sponsors 5–10 lectures per year. Number of faculty: 18 Other Campus Resources Tenured/tenure track: 12 men, 5 women Employment or career development office: Yes Part-time/adjunct lecturers: 0 men, 1 woman Office/center for international students: Yes Full-time contractual: 0 men, 0 women Housing space is available in dormitories and apartments. PROF. RICHARD TODD BURNS, Ceramics, Associate Professor, MFA, Environmental Health and Safety Indiana University-Bloomington PROF. TIFFANY CALVERT, Painting, Drawing (Studio), Assistant Occupational Safety and Health Administration (OSHA) regulations are Professor, non-tenure, MFA, Rutgers, The State University of New in place for ventilation and respiratory protection, hazardous chemical Jersey, 2005 safety (right-to-know), personal protective equipment, machine safety, PROF. MARY CAROTHERS, Photography (Studio), Public Art (Studio), hearing protection. Program meets the US Environmental Protection Associate Professor, MFA, Rhode Island School of Design Agency (EPA) and state regulations for hazardous materials, including PROF. YING KIT CHAN, Drawing (Studio), Digital Media (Studio), spill procedures and material disposal. Program has performed an Professor, MFA, University of Cincinnati environmental health and safety audit in the past five years. Methods PROF. MITCH ECKERT, Photography (Studio), Associate Professor, used to familiarize students and faculty with environmental health and MFA, Ohio University, 1993 safety include publications, instruction in class, faculty research, faculty DR. CHRISTOPHER FULTON, Renaissance Art, Associate Professor, training, health and safety officer (full-time or part-time), shop PhD, Columbia University, 1993 technician, material safety data sheets (MSDS). PROF. JAMES GRUBOLA, Drawing (Studio), Printmaking, Professor, MFA, Indiana University-Bloomington, 1975 FINANCIAL INFORMATION PROF. BARBARA HANGER, Art Education, Drawing (Studio), Associate Tuition Professor, MFA, Ohio University, 1979 DR. BENJAMIN HUFBAUER, Art of the United States, Architectural Full-time student tuition is determined per credit hour. History, Associate Professor, PhD, University of California, Santa State residents: $681 Barbara, 1999 Out-of-state residents: $1,417 DR. SUSAN JAROSI, Contemporary Art, Performance Studies, Associate Part-time student tuition is determined per credit hour.

218 State residents: $681 Students enrolled 2015–16: 6 Out-of-state residents: $1,417 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), transcript, letters of recommendation, résumé, statement of Financial Aid interest/personal statement, writing sample, examples of personal Types of aid available: Tuition aid/remission, stipend, teaching artwork, artist’s statement assistantship, research assistantship Recommended: Degree in subject area, related professional experience, Funds available for graduate student travel: Yes campus visit, in-person or phone interview, contact the program for additional requirements Fellowships Fellowships are available to students of all levels. CURRICULUM Fellowships applications received last year: 1 Courses Fellowships awarded: 1 Number offered to graduate students each term: 10 Fellowships awarded to women: 1 Number whose enrollment is limited to graduate students: 5 Average amount of award/stipend: $12,000 Fellowship maximum period of support: 3 years Average Class Size In graduate studios: 16–20 students Assistantships In graduate seminars: 11–15 students Assistantships are available to second-year students and third-year students. In graduate lectures: 1–10 students Teaching assistantship maximum period of support: 3 years Course of Study Working assistantships applications received: 2 Full-time residency requirement: 1 term Working assistantships awarded: 2 Maximum number of years for residency: No maximum Working assistantships awarded to women: 1 Average number of years for residency: 3 Average amount of award/stipend: $12,000 Typical number of credit hours per term for a full-time student: 10 Working assistantship maximum period of support: 3 years Total number of credit hours required for graduation: 60 Other benefits: Tuition remission (part or full) Total in studio art: 12 Other financial support: Each admitted student will receive either a Total in area of concentration: 18 minimum $12,000 per year scholarship or a teaching assistantship. Total in art history: 8 Health Insurance Total in graduate seminars: 18 Full-time master’s students and part-time master’s students receive Electives: 14 health insurance coverage with copayment. Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury, technology course. All MFA thesis students publish a solo issue in the IMDA Journal, a professionally designed and edited series. The content includes their written thesis, UNIVERSITY OF MARYLAND, artwork and influences, and MFA thesis exhibition display. Recommended: Solo exhibition, business course, professional practices BALTIMORE COUNTY course Intermedia and Digital Arts STUDENTS Number of students in residence: Master’s, 15 1000 Hilltop Circle UMBC, FA #111 Number of male graduates fall 2015–summer 2016: Master’s, 7 Baltimore, Maryland, 21209 Number of female graduates fall 2015–summer 2016: Master’s, 8 Phone: 410-455-2490 Student organizations within the program/department: Students Fax: 410-455-1093 participate in Graduate Student Association and Graduate Student imda.umbc.edu Organization. These are granting bodies that offer graduate students Contact: Lisa Moren, [email protected] funding to support their creative research. Public university Formal mode of student participation in academic governance: A graduate student representative for the graduate program director’s Accredited by: Middle States Association of Colleges and Schools meetings has a voice in the academic governance process. Degrees awarded: Master’s degree Students have the opportunity to join a labor union. Concentrations in: Digital media, environmental art, installation, multidisciplinary, performance, public art, visual studies FACULTY First graduate degree granted: MFA, 1996 Number of faculty: 23 IMDA is for interdisciplinary artists seeking to expand or reinvent their Tenured/tenure track: 7 men, 12 women practice. Committed to art that poses unique conceptual and social Part-time/adjunct lecturers: 0 men, 0 women challenges, IMDA offers an environment that provides artists a studio, state-of-the-art facilities, contemporary art and theory, and high-end Full-time contractual: 3 men, 1 woman research centers. Prominent visiting artists present their work regularly PROF. GUENET ABRAHAM, Graphic Design, Associate Professor, MFA and give one-on-one feedback to graduate students. PROF. DAN BAILEY, Animation (Studio), Photography (Studio), Professor, MFA Graduate students take advantage of Baltimore’s vibrant art scene, PROF. KELLEY BELL, Graphic Design, Digital Media (Studio), Associate pursuing issues such as food justice, the environment, transportation, Professor, MFA, University of Maryland, Baltimore County urban communities, translation, race and gender identity, gift PROF. STEVE BRADLEY, Foundations, Associate Professor, MFA economies, and a broad range of science and technology in both PROF. LYNN CAZABON, Photography (Studio), Installation (Studio), intellectual and formal terms. Projects take the form of installations, Associate Professor, MFA, Cranbrook Academy of Art, 1990 performances, objects, videos, interactive pieces, public displays, and IRENE CHAN, Printmaking, Performance, Assistant Professor, tenure- other socially engaged works. track, MFA PROF. CATHY COOK, Film, Video (Studio), Associate Professor, MFA Financial support is available for those who qualify. PROF. MARK DURANT, Photography (Studio), Performance, Professor, MFA, San Francisco Art Institute ADMISSIONS PROF. ERIC DYER, Animation (Studio), Installation (Studio), Associate This program has rolling admissions. Professor, MFA, Maryland Institute College of Art VIN GRABILL, Video (Studio), joint appointment in Visual Art, Chair, Deadline for fall: 2/1 Associate Professor, MAT Fall notification date: 5/1 PROF. PREMINDA JACOBS, Contemporary Art, South Asian Art, Application fee: $50 Associate Professor, PhD, University of California, Los Angeles Applications received 2015–16: 40 PROF. KATHY MARMOR, Digital Media (Studio), Installation (Studio), Associate Professor, MFA Applications accepted 2015–16: 6 219 PROF. LISA MOREN, Installation (Studio), Sculpture, Professor, MFA, spill procedures and material disposal. Program has not performed an Cranbrook Academy of Art, 1991 environmental health and safety audit in the past five years. Spray Book PROF. TIM NOHE, Sound, Performance, joint appointment in Director in Print Media has overhead vent system. Studios have an industrial fan. of CIRCA, Professor, MFA, University of California, San Diego, 1995 Methods used to familiarize students and faculty with environmental DR. KATHY O’DELL, Contemporary Art, Critical Theory, joint health and safety include instruction in class, internet or intranet, faculty appointment in Special Arts Assistant to the Dean, Associate Professor, research, faculty training, material safety data sheets (MSDS). PhD PEGGY RE, Graphic Design, Associate Professor, MFA FINANCIAL INFORMATION PROF. SARAH SHARP, Foundations, Assistant Professor, tenure-track ERIC SMALLWOOD, Animation (Studio), Digital Media (Studio), Tuition Assistant Professor, tenure-track Full-time student tuition is determined per credit. PROF. CALLA THOMPSON, Photography (History), Installation State residents: $585 (Studio), Associate Professor, MFA, Syracuse University Out-of-state residents: $922 Recent Visiting Faculty International students: $922 GUELLERMO GOMEZ PEÑA, Multidisciplinary, joint appointment in Additional institutional fees: $1,220 Artist, Adjunct/Contingent faculty MICHAEL RAKOWITZ, Multidisciplinary, joint appointment in Artist, Financial Aid Adjunct/Contingent faculty Types of aid available: Tuition aid/remission, stipend, teaching PAUL RUCKER, Sculpture, Installation (Studio), joint appointment in assistantship, research assistantship. GSA awards $1,000 twice annually Artist, Adjunct/Contingent faculty for students to pursue creative research. GSO awards $1,000 per year for NEJA TOMŠI, Public Art (Studio), joint appointment in Museum of a group event, project, or travel opportunity. 1 student per year receives Transitory Art, Adjunct/Contingent faculty $1,500 in an RTKL Fellowship toward their MFA thesis exhibition. Tuition and full stipend awarded to 14 students in the previous academic year. Full tuition awarded to 14 students in the previous RESOURCES AND SPECIAL PROGRAMS academic year. No financial assistance awarded to 1 student in the Private studios are available with unlimited hours. Students have the previous academic year. opportunity to exhibit their work in a gallery associated with the Funds available for graduate student travel: Yes department or institution, local galleries, a graduate thesis exhibition. IMDA grads have editing facilities for video, sound, and recording, Mac Fellowships mini computers, and projectors and cameras; a physical computing lab; Fellowships are available to second-year students and third-year an imaging lab; and a maker lab. They also have access to all students. undergraduate facilities, such as photography, printmaking, and digital Fellowships applications received last year: 14 output. Assistantships Libraries Assistantships are available to first-year students, second-year students, Total volumes in library system: >5,000,000 and third-year students. Art volumes in library system: >300,000 Working assistantships applications received: 14 Art journals in library system: >100 Working assistantships awarded: 15 There is a separate art library with >3,000 volumes and >100 journals. Working assistantships awarded to women: 11 Students have library privileges at other institutional libraries. Working assistantships awarded to minorities: 6 Image Resources Average amount of award/stipend: $25,000 Total number of images: >250,000 Institution maintains its own digital-image collection. Institution Hours of work required per week: 20 subscribes to a digital-image library. Students have opportunities to Working assistantship maximum period of support: 3 years view works of art in local museums and on funded field trips. Other benefits: Tuition remission (part or full), supplies allowance Other financial support: All graduate students receive a half research Program Opportunities assistantship (RA) or a full RA. Both allow them to pay in-state tuition. A Additional opportunities for study within the institution: Students have full RA is 8 credits of tuition remission, health insurance, and an hourly the opportunity to work with Engineering Capstone students on their stipend. creative projects. Exchanges with Human Centered Computing and community FabLabs are available. Students and faculty make Health Insurance connections throughout the university on research and other Full-time master’s students receive health insurance coverage at no collaborative projects. cost. Gallery or museum affiliated with the department: Center for Art Design and Visual Culture (CADVC) Formal programs: Study abroad, summer work projects Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, present public outreach lectures UNIVERSITY OF MIAMI Other special programs sponsored by the department: The Department of Visual Arts hosts a Visiting Artists Lecture Series in which national Department of Art and Art History and international artists work give a public lecture and one-on-one with graduate students. CIRCA also hosts numerous guest lectures, including 1540 Levante Ave. artists, professional development opportunities, and panels. The Coral Gables, Florida, 33146 department sponsors 10–20 lectures per year. Phone: 305-284-2542 Fax: 305-284-2115 Other Campus Resources www.as.miami.edu/art/ Employment or career development office: Yes Contact: Perri Lee Roberts, [email protected] Office/center for international students: Yes Private university; nonprofit corporation There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. Students from Accredited by: Southern Association of Colleges and Schools a far distance receive priority for housing. Degrees awarded: Master’s degree Planned campus changes and facility improvements: The Fine Arts Concentrations in: Ceramics, digital media, painting, photography, Building is in the process of renovation. The Graduate Studios are printmaking, sculpture moving the 5,650 sq. ft. graduate studio facilities to a more prominent First graduate degree granted: MFA, 1969 downtown arts district with cultural visibility, HVAC, and free The Master of Fine Arts degree is offered in Ceramics, Painting, transportation. Printmaking, Sculpture (including glass), and Photography/Digital Environmental Health and Safety Imaging (including multimedia and video). Classes are small, with one- on-one instruction. Teaching assistants, with the supervision of the Occupational Safety and Health Administration (OSHA) regulations are faculty, are expected to teach a minimum of three undergraduate classes in place for ventilation and respiratory protection, hazardous chemical in the course of their second and third years. MFA students are safety (right-to-know), personal protective equipment, machine safety, encouraged to participate in Miami’s vibrant art community by showing hearing protection. Program meets the US Environmental Protection their work in the department’s on- and off-campus exhibition spaces, Agency (EPA) and state regulations for hazardous materials, including

220 and in local art fairs and commercial galleries. Professor, MFA, University of South Florida, 1982 PROF. BILLIE GRACE LYNN, Sculpture, Associate Professor, MFA, San ADMISSIONS Francisco Art Institute, 1989 Deadline for fall: 2/15 PROF. KAREN ROSE MATHEWS, Romanesque Art, Gothic Art, Assistant Professor, tenure-track, PhD, University of Chicago, 1995 Fall notification date: 3/15 PROF. GERARDO OLHOVICH, Painting, Drawing (Studio), Application fee: $65 Adjunct/Contingent faculty, MFA, University of Miami, 2014 Part-time students accepted: Yes PROF. PERRI LEE ROBERTS, Renaissance Art, Museum Studies, Applications received 2015–16: 38 Professor, PhD, Bryn Mawr College, 1982 PROF. LANI SHAPTON, Printmaking, Adjunct/Contingent faculty, MFA, Applications accepted 2015–16: 7 Southern Illinois University Carbondale, 2010 Students enrolled 2015–16: 6 PROF. KYLE TROWBRIDGE, Painting, Adjunct/Contingent faculty, MFA, Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign University of Miami, 1999 students (80), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal artwork, artist’s RESOURCES AND SPECIAL PROGRAMS statement Private studios are available with unlimited hours for teaching Recommended: Degree in subject area, related professional experience, assistants. Semiprivate studios are available with unlimited hours for campus visit, in-person or phone interview teaching assistants. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, CURRICULUM a graduate thesis exhibition. The department maintains four digital classrooms (15 seats each) and four smaller work areas for 1–4 Courses students. The computers are Macintosh and replaced on a regular Number offered to graduate students each term: 18 schedule. The department also has several printers that can print up to Number whose enrollment is limited to graduate students: 18 40 inches in width, several scanners, and a CNC cutting machine. Average Class Size Libraries In graduate studios: 11–15 students Total volumes in library system: >3,000,000 In graduate seminars: 11–15 students Art volumes in library system: >100,000 In graduate lectures: 21–50 students Image Resources Independent study available: Yes Total number of images: >100,000 Institution maintains its own digital-image collection. Institution Course of Study subscribes to a digital-image library. Students have access to image Full-time residency requirement: 3 years collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field Maximum number of years for residency: 7 trips. Average number of years for residency: 3 Typical number of credit hours per term for a full-time student: 10 Program Opportunities Total number of credit hours required for graduation: 60 Additional opportunities for study within the institution: The 12 credits Total in studio art: 36 of electives may be taken outside of the department. Gallery or museum affiliated with the department: College of Arts and Total in area of concentration: 24 Sciences Gallery and the U of Miami Gallery @ Wynwood Total in art history: 9 Formal programs: Museum training, summer work projects. Internships Total in graduate seminars: 9 for credit are available in local museums and arts organizations for Electives: 12 qualified students. A small number of summer work projects, which vary Degree requirements: Written thesis, thesis or artist’s statement, from year to year, is offered. concentration, solo exhibition, individual presentation of thesis work, Formal relationships with local museums: Lowe Art Museum, University critique of thesis work, documentation of thesis work for program of Miami archive, oral defense of work, thesis committee/exhibition jury, Extracurricular opportunities for graduate students: Present public professional practices course outreach lectures Recommended: Group exhibition Other special programs sponsored by the department: The department assists in arranging the graduate students’ participation in local art fairs. STUDENTS The department sponsors 5–10 lectures per year. Number of students in residence: Master’s, 9 Number of male graduates fall 2015–summer 2016: Master’s, 4 Other Campus Resources Number of female graduates fall 2015–summer 2016: Master’s, 1 Employment or career development office: Yes Student organizations within the program/department: Graduate Office/center for international students: Yes students participate in the Graduate Student Association. Environmental Health and Safety Formal mode of student participation in academic governance: A Occupational Safety and Health Administration (OSHA) regulations are student sits on the Board of Trustees. in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety. FACULTY Program meets the US Environmental Protection Agency (EPA) and Number of faculty: 15 state regulations for hazardous materials, including spill procedures and Tenured/tenure track: 5 men, 5 women material disposal. Program has performed an environmental health and safety audit in the past five years. Printmaking has a vented area for Part-time/adjunct lecturers: 3 men, 2 women acids, solvents, and spray paints. Sculpture has a dust collection system Full-time contractual: 0 men, 0 women in the wood shop. Ceramics has a spray booth. Methods used to PROF. ALEX ADAMS, Glass, Sculpture, Adjunct/Contingent faculty, familiarize students and faculty with environmental health and safety MFA, Temple University, 2008 include instruction in class, faculty training, health and safety officer PROF. CARLOS ILERENA AGUIRRE, Graphic Design, Video (Studio), (full-time or part-time), shop technician, material safety data sheets Associate Professor, MFA, University of Illinois at Urbana-Champaign, (MSDS). 1994 PROF. IVAN ALBREHT, Ceramics, Sculpture, Associate Professor, MFA, FINANCIAL INFORMATION Southern Illinois University Carbondale, 2004 PROF. DARBY BANNARD, Painting, Professor, BA, Princeton University, Tuition 1956 Full-time student tuition is determined per credit hour. PROF. BRIAN CURTIS, Painting, Drawing (Studio), Associate Professor, All students: $1,900 MFA, University of Houston, 1978 PROF. HEATHER DIACK, Contemporary Art, Photography (History), Additional institutional fees: $356 Assistant Professor, tenure-track, PhD, University of Toronto, 2010 Part-time student tuition is determined per credit hour. PROF. LISE DROST, Printmaking, Drawing (Studio), Associate All students: $1,900 Professor, MFA, Southern Illinois University Edwardsville, 1983 Additional institutional fees: $232 PROF. JENNA EFREIN, Glass, Sculpture, Adjunct/Contingent faculty, MFA, Alfred University, 2009 PROF. J. TOMAS LOPEZ, Photography (Studio), Digital Media (Studio), 221 Financial Aid ADMISSIONS Types of aid available: Tuition aid/remission, stipend, teaching Deadline for fall: 2/15 assistantship, work-study program. Funding is available from the department, college, and Graduate Student Association to support Fall notification date: 5/15 summer residencies and travel to professional conferences. Tuition and Application fee: $60 full stipend awarded to 13 students in the previous academic year. Full Applications received 2015–16: 30 tuition awarded to 1 student in the previous academic year. Applications accepted 2015–16: 4 Funds available for graduate student travel: Yes Students enrolled 2015–16: 4 Fellowships Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), transcript, letters of recommendation, statement of interest/personal Fellowships applications received last year: 0 statement, examples of personal artwork, artist’s statement Fellowships awarded: 0 Recommended: TOEFL for foreign students Fellowships awarded to women: 0 Fellowships awarded to minorities: 0 CURRICULUM Average amount of award/stipend: $0 Courses Fellowship maximum period of support: 0 years Number offered to graduate students each term: 12 Assistantships Number whose enrollment is limited to graduate students: 12 Assistantships are available to first-year students, second-year students, and third-year students. Average Class Size Teaching assistantships applications received: 23 In graduate studios: 6–10 students Teaching assistantships awarded: 4 In graduate seminars: 11–15 students Teaching assistantships awarded to women: 4 In graduate lectures: 21–50 students Teaching assistantships awarded to minorities: 0 Independent study available: Yes Average amount of award/stipend: $11,628 Course of Study Hours of work required per week: 15 Full-time residency requirement: 3 years Teaching assistantship maximum period of support: 3 years Maximum number of years for residency: 3 Working assistantships applications received: 0 Average number of years for residency: 3 Working assistantships awarded: 0 Typical number of credit hours per term for a full-time student: 10 Working assistantships awarded to women: 0 Total number of credit hours required for graduation: 60 Working assistantships awarded to minorities: 0 Total in studio art: 39 Average amount of award/stipend: $0 Total in area of concentration: 3 Hours of work required per week: 0 Total in art history: 9 Working assistantship maximum period of support: 0 years Degree requirements: Written thesis, solo exhibition, oral defense of Other benefits: Tuition remission (part or full) work, thesis committee/exhibition jury Other financial support: Students who have paid the Health and Counseling Centers Fee ($360 per annum) are eligible to receive care at STUDENTS the Student Health Service and Counseling Center. Students are Number of students in residence: Master’s, 12 required to obtain adequate health insurance. Number of male graduates fall 2015–summer 2016: Master’s, 4 Number of female graduates fall 2015–summer 2016: Master’s, 8 Formal mode of student participation in academic governance: Consolidated Students of the University of Nevada, Las Vegas (CSUN) is UNLV’s undergraduate student government. The purpose of CSUN is UNIVERSITY OF NEVADA, LAS to represent the voice of students, build a campus community, and VEGAS enhance the college experience for all UNLV Rebels. FACULTY Studio Art and Design Number of faculty: 10 Tenured/tenure track: 7 men, 3 women Art Department Part-time/adjunct lecturers: 0 men, 0 women University of Nevada, Las Vegas Full-time contractual: 0 men, 0 women 4505 S. Maryland Pkwy., Box 455002 Las Vegas, Nevada, 89154 CATHERINE ANGEL, Photography (Studio), Professor, MFA Phone: 702-895-3237 TIMOTHY BAVINGTON, 2-Dimensional Design, Drawing (Studio), Fax: 702-895-4346 Associate Professor, MFA, University of Nevada, Las Vegas, 1999 art.unlv.edu, http://finearts.unlv.edu/MFA/index.html JOSE BELLVER, Painting, Drawing (Studio), Assistant Professor, tenure- track, MFA Contact: Pasha Rafat, Graduate Coordinator, [email protected] JEFF BURDEN, Drawing (Studio), Printmaking, Professor, MFA Public university; nonprofit corporation LOUISA MCDONALD, Japanese Art, Chinese Art, Associate Professor, Accredited by: National Association of Schools of Art and Design PhD SUSANNA NEWBURY, Contemporary Art, Assistant Professor, tenure- Degrees awarded: Master’s degree track, PhD Concentrations in: Drawing, painting, photography, printmaking, PASHA RAFAT, Photography (Studio), Multidisciplinary, joint sculpture appointment in Artist Residency Program Coordinator, Professor, MFA First graduate degree granted: MFA, 1988 DAVE ROWE, Sculpture, Assistant Professor, tenure-track, MFA The UNLV MFA in studio art, the College of Fine Arts is an experiential, SANG-DUCK SEO, Graphic Design, Chair, PhD research-based program, using a seminar system as the primary basis ROBERT TRACY, Twentieth-Century Art, Associate Professor, PhD for teaching. In this small and intimate program, graduate students come in direct contact with studio art/art history faculty, whose personal RESOURCES AND SPECIAL PROGRAMS work is focused in a variety of media. The possibility for the Private studios are available with unlimited hours for all. Students have student/faculty interaction increases by the Fall Artist Lecture Series and the opportunity to exhibit their work in a gallery associated with the Artist in Residence seminars in spring semesters. Individual graduate department or institution, local galleries, a graduate thesis exhibition. student is provided with 300 square feet of studio space and a $15,000 Apple computers, scanners, large format printer. assistantship, to support with his/her creative research activities. Lastly, the geographical placement of this studio art program, minutes from Libraries the Las Vegas Strip and spectacular desert surrounding, provides Total volumes in library system: >1,000,000 unlimited aesthetic opportunities. Art volumes in library system: >50,000 Art journals in library system: >1,000 Students have library privileges at other institutional libraries.

222 Image Resources Total number of images: >250,000 Institution maintains its own digital-image collection. Institution UNIVERSITY OF NEW maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have HAMPSHIRE opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Painting Program Opportunities The University of New Hampshire Additional opportunities for study within the institution: Students are Department of Art and Art History free to enroll in any course offered by the university. 30 Academic Way Gallery or museum affiliated with the department: Donna Beam Fine Art Durham, New Hampshire, 03824 Gallery, Grant Hall Gallery, and the Barrick Museum Phone: 603-862-2190 Formal relationships with local museums: The Neon Museum and the Fax: 603-862-2191 Bellagio Gallery of Fine Art offer internships and opportunities for www.cola.unh.edu/art-and-art-history professional practice. Las Vegas Strip and desert surroundings also Contact: Eileen Wong, [email protected] provide continuous aesthetic possibilities. Public university; nonprofit corporation https://mitpress.mit.edu/books/learning-las-vegas Degrees awarded: Master’s degree Extracurricular opportunities for graduate students: Curate exhibitions, present public outreach lectures Concentrations in: Painting Other special programs sponsored by the department: Visiting artist First graduate degree granted: MFA, 2002 lecture series in the fall and artist-in-residence program in each spring The Department of Art and Art History offers a program of courses semester. Students have the opportunity to exhibit mid-way exhibition at leading to an MFA degree in painting. The MFA program is selective and Grant Gallery, and thesis exhibition at Donna Beam Gallery on UNLV directed at students who are prepared to complete their professional campus. The department sponsors 10–20 lectures per year. training at the highest level. The candidate for the MFA must complete sixty hours of work and receive a minimum grade of B– in all courses. Other Campus Resources Twenty-eight credits of work will be in the area of concentration Employment or career development office: Yes (painting), leading toward a thesis exhibition. Sixteen credits will be in Office/center for international students: Yes graduate-level drawing, eight credits will be in graduate-level art history, and the final eight credits will be in graduate-level art electives to be Housing space is available in dormitories and apartments. chosen from drawing, printmaking, painting, and/or art history. Along Environmental Health and Safety with the thesis exhibition, degree candidates will be required to submit a written statement (2 pages minimum) focusing on aesthetic, technical, Occupational Safety and Health Administration (OSHA) regulations are and historical issues related to the student’s own work. in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection ADMISSIONS Agency (EPA) and state regulations for hazardous materials, including Deadline for fall: 2/15 spill procedures and material disposal. Program has performed an Fall notification date: 4/1 environmental health and safety audit in the past five years. The Application fee: $65 ventilation available in studios is in accordance with EPA standards. Applications received 2015–16: 14 Methods used to familiarize students and faculty with environmental health and safety include publications, required training course, Applications accepted 2015–16: 9 instruction in class, internet or intranet, faculty training, health and Students enrolled 2015–16: 2 safety officer (full-time or part-time), material safety data sheets Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject (MSDS). area, GPA (2.6), transcript, letters of recommendation, statement of interest/personal statement, examples of personal artwork, artist’s FINANCIAL INFORMATION statement Tuition Recommended: TOEFL for foreign students, résumé, campus visit Full-time student tuition is determined per credit. CURRICULUM State residents: $331.17 Out-of-state residents: $910.75 Courses Number offered to graduate students each term: 6 Financial Aid Number whose enrollment is limited to graduate students: 4 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, teaching assistantship, work-study program. Additional scholarships are Average Class Size available. Tuition and full stipend awarded to 2 students in the previous In graduate studios: 6–10 students academic year. Full tuition awarded to 12 students in the previous In graduate seminars: 1–5 students academic year. In graduate lectures: 1–10 students Funds available for graduate student travel: Yes Independent study available: Yes Assistantships Course of Study Assistantships are available to students of all levels. Full-time residency requirement: 4 terms Teaching assistantships awarded: 12 Maximum number of years for residency: 2 Teaching assistantships awarded to women: 5 Average number of years for residency: 2 Teaching assistantships awarded to minorities: 2 Typical number of courses for a full-time student: 3 Average amount of award/stipend: $25,000 Total number of courses required for graduation: 11 Hours of work required per week: 20 Total in studio art: 0 Other benefits: Tuition remission (part or full) Total in area of concentration: 6 Other financial support: For out-of-state and international students there is a $6,955 nonresident fee per semester. There is also a $409 Total in art history: 2 required fee and $500 required health insurance fee for international Total in graduate seminars: 1 students. Electives: 2 Health Insurance Degree requirements: Thesis or artist’s statement, group exhibition, individual presentation of thesis work, critique of thesis work Full-time master’s students receive health insurance coverage with copayment. STUDENTS Number of students in residence: Master’s, 4 Number of male graduates fall 2015–summer 2016: Master’s, 1 Number of female graduates fall 2015–summer 2016: Master’s, 1

223 FACULTY Assistantships Number of faculty: 6 Assistantships are available to second-year students. Tenured/tenure track: 4 men, 2 women Teaching assistantships applications received: 4 Part-time/adjunct lecturers: 0 men, 0 women Teaching assistantships awarded: 4 Full-time contractual: 0 men, 0 women Teaching assistantships awarded to women: 3 BENJAMIN CARIENS, Installation (Studio), Associate Professor, MFA, Average amount of award/stipend: $3,700 Boston University, 1993 Hours of work required per week: 10 BRIAN CHU, Painting, Professor, MFA, Queens College, 1993 Teaching assistantship maximum period of support: .5 years GRANT DRUMHELLER, Painting, Professor, MFA, Boston University, 1978 Other financial support: The program provides $100 in funding for a trip PATRICIA EMISON, Renaissance Art, Baroque Art, Professor, PhD, to New York City and assistance with enrollment in the UNH-in-Italy Columbia University, 1995 Summer Painting program. CRAIG HOOD, Painting, Professor, MFA, Indiana University, 1981 Health Insurance JENNIFER MOSES, Painting, Drawing (Studio), Professor, MFA, Indiana No health insurance coverage is provided for full-time master’s University, 1987 students. RESOURCES AND SPECIAL PROGRAMS Semiprivate studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. UNIVERSITY OF NEW MEXICO Libraries Total volumes in library system: >1,000,000 Studio Art Art volumes in library system: >50,000 Art journals in library system: >100 Department of Art and Art History, The University of New Mexico MSC04 2560 Image Resources 1 University of New Mexico Total number of images: >100,000 Albuquerque, New Mexico, 87131 Program maintains its own digital-image collection. Program maintains Phone: 505-277-6672 its own slide collection. Institution subscribes to a digital-image library. Fax: 505-277-5955 Students have access to image collections. Students have opportunities art.unm.edu to view works of art in local museums, commercial galleries, private collections, and on funded field trips. Contact: Kat Heatherington, Graduate Program Coordinator, [email protected] Program Opportunities Public university; nonprofit corporation Additional opportunities for study within the institution: Students Accredited by: North Central Association of Colleges and Schools occasionally enroll in courses in other programs or disciplines. Degrees awarded: Master’s degree Gallery or museum affiliated with the department: Museum of Art - Concentrations in: Ceramics, digital media, drawing, environmental art, University of New Hampshire metals, multidisciplinary, painting, photography, printmaking, public art, Formal programs: Study abroad. The department has a summer sculpture, sound, video painting program located in Ascoli-Piceno, Italy. Undergraduate and First graduate degree granted: MA, 1957 graduate painting students participate. Two UNH painting faculty accompany the students. The MFA program requires three years of intensive study and research beyond the bachelor’s degree. The MFA represents strong creative Formal relationships with local museums: Free admission for students attainment in studio art, an assured grasp of an area of concentration, a to Museum of Fine Arts, Boston sound knowledge of critical and historical artistic thought, and Other Campus Resources demonstrated expertise in conceiving and executing a significant body of creative work. Students concentrate on the creative aspects of the studio Employment or career development office: Yes work culminating in a dissertation: planning, installing, and Office/center for international students: Yes documenting a solo exhibition of the student’s own art, as well as There is a graduate-student housing office. Housing space is available in producing a catalogue and giving an oral public presentation. Though dormitories and married student housing. interdisciplinary work is encouraged, applicants must select the area to which they are applying: photography, printmaking, painting and Environmental Health and Safety drawing, sculpture and ceramics, electronic arts, or art and ecology. Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical ADMISSIONS safety (right-to-know), personal protective equipment, machine safety, Deadline for fall: 1/15 hearing protection. Program meets the US Environmental Protection Fall notification date: 2/20 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Application fee: $50 environmental health and safety audit in the past five years. A modern Applications received 2015–16: 101 system installed ten years ago serves all painting and drawing studios. Applications accepted 2015–16: 25 Methods used to familiarize students and faculty with environmental Students enrolled 2015–16: 12 health and safety include required training course, instruction in class, faculty training, health and safety officer (full-time or part-time), shop Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL technician. for foreign students (PBT 550), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal FINANCIAL INFORMATION artwork, artist’s statement Recommended: Degree in subject area Tuition Full-time student tuition is determined per semester. CURRICULUM State residents: $6,920 Courses Out-of-state residents: $13,565 Number offered to graduate students each term: 20 Additional institutional fees: $1,040 Number whose enrollment is limited to graduate students: 5 Financial Aid Average Class Size Types of aid available: Tuition aid/remission, teaching assistantship, In graduate studios: 6–10 students work-study program. Full tuition awarded to 2 students in the previous academic year. In graduate seminars: 11–15 students Funds available for graduate student travel: Yes In graduate lectures: 11–20 students Independent study available: Yes

224 Course of Study RESOURCES AND SPECIAL PROGRAMS Full-time residency requirement: 3 years Private studios are available with unlimited hours for all. Semiprivate Maximum number of years for residency: 3 studios are available with unlimited hours for all. Students have the Average number of years for residency: 3 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Typical number of credit hours per term for a full-time student: 9 Resources include a fully equipped digital lab for electronic art and a Total number of credit hours required for graduation: 60 digital and print lab for producing large-format color prints. Students Total in studio art: 24 may check out photography and lighting equipment and digital Total in art history: 6 projectors from the department. Electives: 12 Libraries Degree requirements: Thesis or artist’s statement, concentration, solo Total volumes in library system: >3,000,000 exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Art volumes in library system: >200,000 thesis committee/exhibition jury. Incoming graduate student exhibit in Art journals in library system: >1,000 the first semester. First- and second-semester reviews of current work There is a separate art library with >10,000 volumes and >1,000 journals. with a faculty panel; second-year qualifying examination with a 10-page Students have library privileges at other institutional libraries. paper. Image Resources Total number of images: >1,000,000 STUDENTS Institution and program maintain digital-image collections. Institution Number of students in residence: Master’s, 44 maintains its own slide collection. Institution subscribes to a digital- Number of male graduates fall 2015–summer 2016: Master’s, 2 image library. Students have access to image collections. Students have Number of female graduates fall 2015–summer 2016: Master’s, 7 opportunities to view works of art in local museums, commercial Student organizations within the program/department: The Graduate galleries, private collections, and on funded field trips. Art Association is open to all graduate students in the department. It Program Opportunities produces an annual juried exhibition and catalogue each spring, which Additional opportunities for study within the institution: MFA students is funded through an art auction in the fall. must take six hours of electives outside the department as part of their Formal mode of student participation in academic governance: Students degree program. Students have the opportunity to enroll in the museum and organizations such as the Graduate Art Association can participate studies minor. in the Graduate and Professional Student Association, which has Gallery or museum affiliated with the department: John Sommers representation with the president’s office and the Board of Regents. Gallery, Masley Gallery, University Art Museum FACULTY Formal programs: Museum training. A graduate minor in museum Number of faculty: 27 studies is offered, as is a graduate minor in arts management. Extracurricular opportunities for graduate students: Curate exhibitions, Tenured/tenure track: 11 men, 14 women conduct fieldwork, research for catalogues. The department sponsors Part-time/adjunct lecturers: 0 men, 0 women 5–10 lectures per year. Full-time contractual: 0 men, 2 women MR. SCOTT ANDERSON, Painting, Assistant Professor, tenure-track, Other Campus Resources MFA Employment or career development office: Yes MS. ELLEN BABCOCK, Sculpture, Assistant Professor, tenure-track, Office/center for international students: Yes MFA There is a graduate-student housing office. Housing space is available in MR. SUBHANKER BANERJEE, Environmental Art (Studio), Professor dormitories, apartments, and married student housing. Many rentals of MS. GINA BOBROWSKI, Ceramics, Associate Professor, MFA, 1985 all kinds are available in the university area. Most students choose off- MS. LIGIA BOUTON, Foundations, Associate Professor, MFA campus housing, which is affordable and readily available. MR. MICHAEL COOK, Painting, Professor, MFA, 1978 MS. KATHY CYMAN, Ceramics, Assistant Professor, tenure-track, MFA Environmental Health and Safety MS. CONSTANCE DEJONG, Sculpture, Professor, MFA, 1981 Occupational Safety and Health Administration (OSHA) regulations are MR. BART EXPOSITO, Painting, Assistant Professor, tenure-track, MFA, in place for ventilation and respiratory protection, hazardous chemical California Institute of the Arts, 2000 safety (right-to-know), personal protective equipment, machine safety, MR. BILL GILBERT, Environmental Art (Studio), Professor, MFA, 1978 hearing protection. Program meets the US Environmental Protection MS. MEGGAN GOULD, Photography (Studio), Assistant Professor, Agency (EPA) and state regulations for hazardous materials, including tenure-track, MFA, University of Massachusetts Dartmouth, 2005 spill procedures and material disposal. Program has performed an MS. CATHERINE HARRIS, Environmental Art (Studio), Assistant environmental health and safety audit in the past five years. Both studio Professor, tenure-track, MFA buildings have air-exchange ventilation systems. The photography and MS. KATHLEEN JESSE, Painting, Associate Professor, MFA, 1989 sculpture labs are vented outdoors, and the Mattox Sculpture Center has MR. PATRICK MANNING, Photography (Studio), Associate Professor, a spray booth with its own ventilation for solvents. The ceramics studio MFA, 2001 has its own ventilation for dust and particle management. Methods MR. LEE MONTGOMERY, Digital Media (Studio), Assistant Professor, used to familiarize students and faculty with environmental health and tenure-track, MFA safety include required training course, instruction in class, health and MS. ANDREA POLLI, Digital Media (Studio), Associate Professor, MFA safety officer (full-time or part-time), shop technician, material safety MR. MATTHEW RANGEL, Printmaking, Assistant Professor, tenure- data sheets (MSDS), information in student handbook. track, MFA MS. ADRIENNE SALINGER, Printmaking, Professor, MFA FINANCIAL INFORMATION MS. YOSHIKO SHIMANO, Printmaking, Associate Professor, MFA, 1991 Tuition MS. RAYCHAEL STINE, Painting, Assistant Professor, tenure-track, MFA Full-time student tuition is determined per credit hour. MR. JIM STONE, Photography (Studio), Professor, MFA MS. MARY TSIONGAS, Digital Media (Studio), Associate Professor, State residents: $246.85 MFA, 1993 Out-of-state residents: $833.42 MS. CLAUDIA VALDES, Digital Media (Studio), Associate Professor, International students: $833.42 MFA Additional institutional fees: $495 MR. RANDALL GENE WILSON, Sculpture, Assistant Professor, tenure- track, MFA, Otis College of Art and Design, 1997 Part-time student tuition is determined per credit. MR. BAOCHI ZHANG, Painting, Associate Professor, MFA, 1990 Financial Aid Recent Visiting Faculty Types of aid available: Tuition aid/remission, teaching assistantship, MS. JESSAMYN LOVELL, Photography (Studio), Adjunct/Contingent research assistantship, work-study program. A variety of small faculty, MFA, California College of the Arts scholarships is available for continuing students. All students are MS. MOLLY STURGES, Sound, Adjunct/Contingent faculty, MA encouraged to apply for grant funding through the University’s Graduate & Professional Student Association. Tuition and full stipend awarded to 40 students in the previous academic year. Partial tuition awarded to 1 student in the previous academic year. No financial assistance awarded to 3 students in the previous academic year.

225 Recommended: Degree in subject area, GPA (3.0), campus visit, contact Fellowships the program for additional requirements Fellowships are available to students of all levels. Assistantships CURRICULUM Assistantships are available to students of all levels. Courses Teaching assistantships applications received: 90 Number offered to graduate students each term: 10 Teaching assistantships awarded: 45 Number whose enrollment is limited to graduate students: 4 Teaching assistantships awarded to women: 30 Average Class Size Teaching assistantships awarded to minorities: 10 In graduate studios: 1–5 students Average amount of award/stipend: $3,500 In graduate seminars: 16–20 students Hours of work required per week: 10 In graduate lectures: 1–10 students Teaching assistantship maximum period of support: 2.5 years Independent study available: Yes Working assistantships applications received: 90 Working assistantships awarded: 15 Course of Study Working assistantships awarded to women: 6 Full-time residency requirement: 4 terms Working assistantships awarded to minorities: 6 Maximum number of years for residency: 2 Average amount of award/stipend: $3,500 Average number of years for residency: 2 Hours of work required per week: 10 Typical number of credit hours per term for a full-time student: 15 Working assistantship maximum period of support: 2.5 years Total number of credit hours required for graduation: 60 Other benefits: Tuition remission (part or full) Total in studio art: 34 Other financial support: Students may apply for research, project, and Total in area of concentration: 34 travel grants from the Office of Graduate Studies and from the Graduate Total in art history: 3 and Professional Student Association. Total in graduate seminars: 12 Health Insurance Electives: 3 Full-time doctoral students and full-time master’s students receive Degree requirements: Thesis or artist’s statement, solo exhibition, group health insurance coverage at no cost. exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work. Other requirements include a first-year qualifying review in order to proceed to second year. A teaching practicum is required to be eligible for teaching fellowships in second year. UNIVERSITY OF NORTH STUDENTS Number of students in residence: Master’s, 17 CAROLINA AT CHAPEL HILL Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 8 Studio Art Student organizations within the program/department: Art Student The University of North Carolina at Chapel Hill Graduate Organization Department of Art Formal mode of student participation in academic governance: The Hanes Art Center CB# 3405 Student Government is the governing body of the UNC-CH student Chapel Hill, North Carolina, 27599 body. Student Congress is the legislative branch of UNC Student Phone: 919-962-0724 Government. Every member of the student body has representation in Fax: 919-962-0722 Student Congress. There is also a Graduate and Professional Student art.unc.edu Federation. Contact: William Thomas, [email protected] FACULTY Public university; nonprofit corporation Number of faculty: 14 Accredited by: Southern Association of Colleges and Schools Tenured/tenure track: 3 men, 7 women Degrees awarded: Master’s degree Part-time/adjunct lecturers: 0 men, 2 women Concentrations in: Animation, ceramics, digital media, drawing, Full-time contractual: 1 man, 1 woman environmental art, installation, multidisciplinary, painting, paper, performance, photography, printmaking, public art, sculpture, video PROF. JOY COX, Digital Media (Studio), Photography (Studio), Adjunct/Contingent faculty, MFA, University of Florida The MFA program in Studio Art is a community of dedicated and PROF. YUN DONG-NAM, Ceramics, Sculpture, Professor, MFA, diverse professionals. It recognizes and responds to the universal Cranbrook Academy of Art human need for visual expression, and the indispensable role of the PROF. BETH GRABOWSKI, Printmaking, Artist’s books, Professor, MFA, visual arts and visual communication in contemporary society. It University of Wisconsin-Madison recognizes the necessity of intellectual curiosity and creative discipline PROF. SABINE GRUFFAT, Digital Media (Studio), Animation (Studio), as components of a quality learning environment and respects the Associate Professor, MFA, School of the Art Institute of Chicago conversation between intuition and intellect that contributes to PROF. JIM HIRSCHFIELD, Public Art (Studio), Installation (Studio), transformative art-making. It encourages exploration and Chair, MFA, University of Oregon experimentation that crosses intellectual and methodological PROF. MARIO MARZAN, Painting, Installation (Studio), Associate boundaries while respecting and engaging the history and traditions of Professor, MFA, Carnegie Mellon University art. The MFA program stands as a site of synthesis, where intellectual PROF. ELIN O’HARA SLAVICK, Photography (Studio), Professor, MFA, and creative resources are available to students in their pursuit of self- School of the Art Institute of Chicago expression. Faculty members work closely with students to encourage PROF. ROXANA PEREZ-MENDEZ, Sculpture, Installation (Studio), aesthetic and intellectual inquiry, and are resolved to help students Associate Professor, MFA, Temple University create outstanding works of art within or across media. PROF. HONG-AN TRUONG, Video (Studio), Photography (Studio), Associate Professor, MFA, University of California, Irvine ADMISSIONS PROF. LIEN TRUONG, Painting, Drawing (Studio), Assistant Professor, Deadline for fall: 1/20 tenure-track, MFA, Mills College Fall notification date: 3/15 PROF. JINA VALENTINE, Paper, Sculpture, Assistant Professor, tenure- Application fee: $85 track, MFA, Stanford University PROF. GESCHE WURFEL, Photography (Studio), Adjunct/Contingent Applications received 2015–16: 91 faculty, MFA, University of North Carolina at Chapel Hill Applications accepted 2015–16: 9 Recent Visiting Faculty Students enrolled 2015–16: 6 PROF. BECKY BROWN, Painting, Adjunct/Contingent faculty, MFA, Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign Hunter College students (iBT 79), transcript, letters of recommendation, résumé, PROF. BRIAN GARNER, Printmaking, Adjunct/Contingent faculty, MFA, statement of interest/personal statement, examples of personal artwork, University of Maryland, Baltimore County artist’s statement 226 Commissions. Tuition and full stipend awarded to 16 students in the previous academic year. Tuition and partial stipend awarded to 3 RESOURCES AND SPECIAL PROGRAMS students in the previous academic year. Private studios are available with unlimited hours for all. Students have Funds available for graduate student travel: Yes the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Fellowships Access to Mac-based labs with Adobe Creative Cloud; 24- and 44-inch Fellowships are available to students of all levels. Epson printers, video cameras, still digital cameras, and sound Fellowships awarded: 11 equipment. Metal, wood, ceramic, and print shops with laser cutter and CNC router. BeAM - Be A Maker Creator Spaces with wood, metal, and Fellowships awarded to women: 6 digital fabrication equipment. Fellowships awarded to minorities: 1 Average amount of award/stipend: $12,000 Libraries Total volumes in library system: >5,000,000 Assistantships Art volumes in library system: >100,000 Assistantships are available to students of all levels. Art journals in library system: >300 Teaching assistantships awarded: 6 There is a separate art library with >10,000 volumes and >300 journals. Teaching assistantships awarded to women: 3 Students have library privileges at other institutional libraries. Teaching assistantships awarded to minorities: 1 Image Resources Average amount of award/stipend: $11,500 Total number of images: >500,000 Hours of work required per week: 15 Institution and program maintain digital-image collections. Institution Other benefits: Tuition remission (part or full) and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Other financial support: Full-time master’s students with teaching Students have opportunities to view works of art in local museums, assistantships receive health insurance coverage at no cost. commercial galleries, private collections, and on funded field trips. Program Opportunities Gallery or museum affiliated with the department: Ackland Art Museum/ John and June Allcott Gallery UNIVERSITY OF NORTH Formal relationships with other academic institutions: Duke University Extracurricular opportunities for graduate students: Curate exhibitions TEXAS Other special programs sponsored by the department: Alumni Commissions. Other campus resources include the Center for Studio Arts Department, Design Faculty Excellence; The Writing Center; The Learning Center; Postgraduate Toolbox; UNC Graduate Funding Information Center; Department Carolina Business Institute; UNC Campus Y; Carolina Center for Public Service; Carolina Women’s Center; University Career Services; and Job College of Visual Arts and Design and Intern Search Databases. The department sponsors 5–10 lectures University of North Texas per year. 1155 Union Circle #305100 Denton, Texas, 76203 Other Campus Resources Phone: 940-565-4001 Employment or career development office: Yes Fax: 940-565-4717 Office/center for international students: Yes art.unt.edu There is a graduate-student housing office. Housing space is available in Contact: Annette Lawrence (Studio Art) Chair, Cynthia Mohr (Design) dormitories, apartments, and married student housing. Graduate Chair, [email protected] Students and students with families are eligible to apply for housing. Public university; nonprofit corporation Graduate assignments are made on a rolling basis. We reserve Accredited by: Council for Interior Design Accreditation, National approximately 120 graduate student spaces in one- and two-bedroom Association of Schools of Art and Design, Southern Association of apartments (all with private bedrooms, and all near other graduate Colleges and Schools students). Degrees awarded: Master’s degree Planned campus changes and facility improvements: This year the Concentrations in: Ceramics, digital media, drawing, fashion, fiber arts, department upgraded and increased the size of its digital lab. The new graphic design, interior design, metals, object design, painting, 3D Makerspace opened April 2015. photography, printmaking, sculpture Environmental Health and Safety First graduate degree granted: MA, 1937 Occupational Safety and Health Administration (OSHA) regulations are The Department of Studio Art offers the MFA degree in Studio Art with in place for ventilation and respiratory protection, hazardous chemical concentrations in ceramics, fibers, drawing and painting, metalsmithing safety (right-to-know), personal protective equipment, machine safety, and jewelry, photography, printmaking, sculpture, and new media. The hearing protection. Program meets the US Environmental Protection mission is to promote excellence through a comprehensive educational Agency (EPA) and state regulations for hazardous materials, including program designed to transmit artistic heritage, build a foundation of spill procedures and material disposal. Program has performed an basic skills and concepts, foster critical thinking, and inspire creativity. environmental health and safety audit in the past five years. Acid room The aim is to help students identify their unique vision and voices to has ventilation. Each wood shop tool has separate ventilation. Ceramic create original artwork. and metal area has individual and overhead ventilation. Photo labs have overhead ventilation. Painting studios have floor-level ventilation for The Department of Design offers the MFA in Design, with heavy metals. Methods used to familiarize students and faculty with concentrations in fashion design, design research, and interior design. environmental health and safety include required training course, The MA in Design Research is also offered. The curriculum is divided instruction in class, internet or intranet, faculty training, health and into two sequences: pedagogy and research. MFA students learn basic safety officer (full-time or part-time), shop technician, material safety educational best practices, such as the development of outcome data sheets (MSDS). objectives, grading criteria, and presentation. There is also a Master of Arts in Design with Concentration in Interior Design for Sustainability. FINANCIAL INFORMATION ADMISSIONS Tuition This program has rolling admissions. Full-time student tuition is determined per semester. Deadline for fall: 1/5 State residents: $4,822 Fall notification date: 3/15 Out-of-state residents: $13,427 Deadline for spring: 10/1 International students: $13,427 Spring notification date: 11/15 Additional institutional fees: $981.58 Application fee: $60 Financial Aid Part-time students accepted: Yes Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Applications received 2015–16: 93 teaching assistantship, research assistantship, work-study program. Applications accepted 2015–16: 43

227 Students enrolled 2015–16: 62 MFA, Alfred University, 2009 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.8), TOEFL PROF. ALEX EGNER, Graphic Design, Associate Professor, MFA, for foreign students, transcript, letters of recommendation, résumé, Virginia Commonwealth University, 2009 statement of interest/personal statement, writing sample, examples of PROF. VINCENT FALSETTA, Painting, Professor, MFA, Temple personal artwork, related professional experience University, 1974 PROF. LARI GIBBONS, Printmaking, Professor, MFA, University of Recommended: GRE, campus visit, in-person or phone interview Nebraska-Lincoln, 1997 PROF. MICHAEL ROBERT GIBSON, Graphic Design, Professor, MFA, CURRICULUM University of Michigan, 1993 Courses PROF. ZAHID ISLAM, Interior Design, Assistant Professor, tenure-track, PhD, University of Missouri, 2015 Number offered to graduate students each term: 25 PROF. ROBERT JESSUP, Painting, Professor, MFA, University of Iowa, Number whose enrollment is limited to graduate students: 25 1979 PROF. JUDE LANDRY, Graphic Design, Assistant Professor, tenure- Average Class Size track, MFA, Louisiana Tech University, 2006 In graduate studios: 6–10 students PROF. ANNETTE LAWRENCE, Painting, Professor, MFA, Maryland In graduate seminars: 11–15 students Institute College of Art, 1990 Independent study available: Yes PROF. JOHN ERIC LIGON, Graphic Design, Professor, MFA, University of North Texas, 1997 Course of Study PROF. ANA LOPEZ, Metals, Associate Professor, MFA, Cranbrook Full-time residency requirement: 3 years Academy of Art, 1999 PROF. PAHO MANN, Photography (Studio), Associate Professor, MFA, Average number of years for residency: 3 Arizona State University, 2006 Typical number of courses for a full-time student: 3 PROF. CYNTHIA MOHR, Interior Design, Professor, MS, Oklahoma Total number of courses required for graduation: 20 State University, 1978 Total in studio art: 12 PROF. BRUCE NACKE, Interior Design, Associate Professor, MA, 1984 PROF. DEANNA OOLEY, Metals, Assistant Professor, non-tenure, MFA, Total in area of concentration: 10 University of North Texas, 2011 Total in art history: 3 PROF. MARIAN O’ROURKE-KAPLAN, Fashion Studies, Associate Electives: 4 Professor, MBA, National University, 1978 Degree requirements: Written thesis, concentration, solo exhibition, oral PROF. KEITH OWENS, Graphic Design, Associate Professor, MFA, West defense of work, thesis committee/exhibition jury, professional practices Texas A&M University, 1989 course DR. JIN GYU “PHILLIP” PARK, Interior Design, Associate Professor, PhD, 2007 STUDENTS PROF. ELAINE PAWLOWICZ, Painting, Associate Professor, MFA, School of the Art Institute of Chicago, 1998 Number of students in residence: Master’s, 77 PROF. LESLI ROBERTSON, Fiber Arts, Assistant Professor, non-tenure, Number of male graduates fall 2015–summer 2016: Master’s, 17 MFA, University of North Texas, 2002 Number of female graduates fall 2015–summer 2016: Master’s, 12 PROF. ELISSA SHEPPARD, Digital Media (Studio), Assistant Professor, Student organizations within the program/department: Student tenure-track, MFA, Emerson College, 2014 Government Association; Graduate Student Council; and student PROF. JOHNNIE STARK, Interior Design, Associate Professor, MFA, organizations and clubs associated with areas of study, including University of North Texas, 1991 chapters of national organizations (AIGA, SNAG, NCECA, among DR. JANIE KIRK STIDHAM, Fashion Studies, Associate Professor, PhD, others) Texas Woman’s University, 1997 PROF. DAVID STOUT, Film, Video (Studio), joint appointment in Formal mode of student participation in academic governance: Student Music, Professor, MFA, California Institute of the Arts, 1985 Government Association, Graduate Student Council PROF. JAMES THURMAN, Metals, Associate Professor, MFA, Cranbrook Academy of Art, 2001 FACULTY PROF. MYRA WALKER, Fashion Studies, Professor, MFA, Southern Number of faculty: 43 Illinois University Carbondale, 1984 Tenured/tenure track: 19 men, 17 women RUTH WEST, Digital Media (Studio), joint appointment in Library and Part-time/adjunct lecturers: 2 men, 5 women Information Sciences, Associate Professor, MFA, University of Full-time contractual: 0 men, 0 women California, Los Angeles, 2002 PROF. AMIE ADELMAN, Fiber Arts, Associate Professor, MFA, RESOURCES AND SPECIAL PROGRAMS University of Kansas, 1998 PROF. JERRY AUSTIN, Ceramics, Associate Professor, MFA, Louisiana Private studios are available with unlimited hours for all. Semiprivate State University, 1979 studios are available with unlimited hours for all. Students have the MARTIN BACK, Digital Media (Studio), Assistant Professor, non-tenure, opportunity to exhibit their work in a gallery associated with the MFA, University of North Texas, 2013 department or institution, local galleries, a graduate thesis exhibition. PROF. LAURA BEARD, Painting, Associate Professor, MFA, University of The College of Visual Arts and Design offers a variety of well-equipped Washington, 1990 computer labs and plotters, printers, and scanners, and retains a PROF. RACHEL BLACK, Painting, Assistant Professor, non-tenure, MFA, professional IT staff and student workers to support faculty, students, University of North Texas, 2006 and staff needs. PROF. MATTHEW BOURBON, Painting, Associate Professor, MFA, Libraries School of Visual Arts, 1999 PROF. JAMES BURTON, Painting, Assistant Professor, non-tenure, Total volumes in library system: >500,000 MFA, University of North Texas, 2004 Art volumes in library system: >50,000 PROF. HARLAN BUTT, Metals, Professor, MFA, Southern Illinois Art journals in library system: >100 University Carbondale, 1974 Students have library privileges at other institutional libraries. PROF. CLINTON CARLSON, Graphic Design, Assistant Professor, tenure-track, MFA, University of Alberta, 2008 Image Resources PROF. LI-FEN ANNY CHANG, Fashion Studies, Associate Professor, Total number of images: >100,000 MA, Texas Woman’s University, 1996 Institution subscribes to a digital-image library. Students have access to PROF. SUSAN CHEAL, Painting, Associate Professor, MFA, University image collections. Students have opportunities to view works of art in of Texas at San Antonio, 1987 local museums, commercial galleries, private collections, and on funded PROF. KATHERINE COLIN, Drawing (Studio), Assistant Professor, non- field trips. tenure, MFA, University of Dallas, 2012 PROF. RICHARD DAVIS, Sculpture, Professor, MA, University of Program Opportunities Wyoming, 1968 Additional opportunities for study within the institution: Interdisciplinary PROF. ANDREW DECAEN, Printmaking, Associate Professor, MFA, study and projects are encouraged through electives. Specific programs, University of South Dakota, 2000 such as the MA and MFA Innovation Studies programs, focus on PROF. DORNITH DOHERTY, Photography (Studio), Professor, MFA, collaboration and building partnerships with diverse disciplines and Yale University, 1988 organizations. PROF. KAREN DORFF, Graphic Design, Assistant Professor, non- Gallery or museum affiliated with the department: UNT Gallery, Texas tenure, BFA, University of North Texas, 1985 Fashion Collection, Fashion on Main, Cora Stafford Gallery, UNT Art PROF. ALICIA EGGERT, Sculpture, Assistant Professor, tenure-track, Path, Lightwell Gallery, North Gallery

228 Formal programs: Study abroad. Opportunities are available through the offices, and with faculty research projects on campus and abroad are University of North Texas, as well as through the College of Visual Arts available. and Design. Recent student travel was facilitated through the Contemporary Arab and Muslim Cultural Studies Institute (CAMCSI) Health Insurance and the Department of Design. Full-time doctoral students and full-time master’s students receive Formal relationships with other academic institutions: The University of health insurance coverage with copayment. North Texas is a member of the Federation of North Texas Area Universities, allowing students to enroll in courses at Texas Woman’s University and Texas A&M University. Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach UNIVERSITY OF NOTRE DAME lectures Other special programs sponsored by the department: With the IAA and Studio Art and Design Nasher Sculpture Center in Dallas, the Nasher Salon Lecture Series brings artists and critics to the program each year. Recent visitors and Department of Art, Art History, & Design speakers include Nick Cave, Guillermo Arriaga, Teresita Fernández, University of Notre Dame David Bates, Joel Shapiro, and Magdalena Abakanowicz. The Visiting 306 Riley Hall of Art Artist/Scholar Series hosts diverse programs. The department sponsors Notre Dame, Indiana, 46556 10–20 lectures per year. Phone: 574-631-7602 Fax: 574-631-6312 Other Campus Resources artdept.nd.edu Employment or career development office: Yes Contact: Maria Tomasula, [email protected] Office/center for international students: Yes Private university There is a graduate-student housing office. Housing space is available in apartments and married student housing. Accredited by: National Association of Schools of Art and Design, North Central Association of Colleges and Schools Environmental Health and Safety Degrees awarded: Master’s degree Occupational Safety and Health Administration (OSHA) regulations are Concentrations in: Ceramics, digital media, drawing, graphic design, in place for ventilation and respiratory protection, hazardous chemical illustration, industrial design, metals, painting, photography, safety (right-to-know), personal protective equipment, machine safety, printmaking, sculpture hearing protection. Program meets the US Environmental Protection First graduate degree granted: MFA, 1958 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an The graduate program in the Department of Art, Art History, and Design environmental health and safety audit in the past five years. The college is small but excellent. This sixty-two-hour, three-year program prepares meets EPA and state regulations for spill procedures and material waste. the student for future studio and design careers and teaching. All MFA Methods used to familiarize students and faculty with environmental students in studio and design receive full tuition scholarships and health and safety include publications, required training course, teaching assistantships that include a generous stipend and health instruction in class, internet or intranet, health and safety officer (full- benefits. MFA students are able to work in any medium. time or part-time), shop technician, material safety data sheets (MSDS), Interdisciplinary study is encouraged. Students have private studios with training videos, information in student handbook. 24-hour access. The department has comprehensive studio and design facilities for digital imaging and large-scale printing, computing, and 3D rendering; a wood and metal shop, foundry, and forge; a print shop; FINANCIAL INFORMATION nonsilver and traditional print facilities and a lighting studio for Tuition photography; gas and electric kilns and an anagama kiln. Funds are Full-time student tuition is determined per credit hour. available for travel for research, workshops, and conferences. State residents: $227.79 ADMISSIONS Out-of-state residents: $635.79 Deadline for fall: 2/1 International students: $635.79 Fall notification date: 4/10 Additional institutional fees: $1,030 Application fee: $75 Financial Aid Applications received 2015–16: 101 Types of aid available: Tuition aid/remission, stipend, teaching Students enrolled 2015–16: 19 assistantship, research assistantship, work-study program. Scholarships Requirements: TOEFL for foreign students (iBT 80), transcript, letters of may be available. In the distribution of aid, merit is the most important, recommendation, résumé, statement of interest/personal statement, in- federal guidelines are second, and need is third. person or phone interview Funds available for graduate student travel: Yes Recommended: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), Fellowships campus visit Fellowships are available to students of all levels. CURRICULUM Fellowships applications received last year: 32 Courses Fellowships awarded: 26 Number offered to graduate students each term: 95 Fellowships awarded to women: 18 Number whose enrollment is limited to graduate students: 54 Average amount of award/stipend: $22,000 Fellowship maximum period of support: 1 year Average Class Size Assistantships In graduate studios: 6–10 students In graduate seminars: 1–5 students Assistantships are available to students of all levels. In graduate lectures: 11–20 students Teaching assistantships applications received: 168 Independent study available: Yes Teaching assistantships awarded: 153 Teaching assistantships awarded to women: 92 Course of Study Average amount of award/stipend: $3,300 Full-time residency requirement: 3 years Hours of work required per week: 10 Maximum number of years for residency: 3 Teaching assistantship maximum period of support: 5 years Average number of years for residency: 3 Working assistantships applications received: 10 Typical number of credit hours per term for a full-time student: 10 Working assistantships awarded: 4 Total number of credit hours required for graduation: 60 Working assistantships awarded to women: 1 Total in studio art: 39 Average amount of award/stipend: $2,800 Total in art history: 12 Hours of work required per week: 10 Total in graduate seminars: 9 Other financial support: Stipend varies according to seniority in Degree requirements: Written thesis, thesis or artist’s statement, program. Hourly employment opportunities in studios, university concentration, group exhibition, documentation of thesis work for

229 program archive, oral defense of work, thesis committee/exhibition jury Image Resources Total number of images: >1,000,000 STUDENTS Institution and program maintain digital-image collections. Institution Number of students in residence: Master’s, 19 and program maintain slide collections. Institution subscribes to a Number of male graduates fall 2015–summer 2016: Master’s, 12 digital-image library. Students have access to image collections. Students have opportunities to view works of art in local museums, Number of female graduates fall 2015–summer 2016: Master’s, 7 commercial galleries, and on funded field trips. Student organizations within the program/department: AIGA, Graphic and Industrial Design Alumni, NDesign Program Opportunities Formal mode of student participation in academic governance: Graduate Additional opportunities for study within the institution: With approval, Student Union, one member of which is elected to participate in the students take courses in other humanities-related disciplines for credit. Faculty Senate Gallery or museum affiliated with the department: ISIS Gallery, Snite Museum of Art FACULTY Extracurricular opportunities for graduate students: Curate exhibitions, Number of faculty: 21 conduct fieldwork, research for catalogues, conduct surveys for outside Tenured/tenure track: 9 men, 6 women institutions, present public outreach lectures. The department sponsors Part-time/adjunct lecturers: 2 men, 3 women 10–20 lectures per year. Full-time contractual: 1 man, 0 women Other Campus Resources PROF. EMILY BECK, Foundations, Assistant Professor, non-tenure, Office/center for international students: Yes MFA, University of North Carolina at Chapel Hill, 2006 PROF. ANNE H. BERRY, Graphic Design, Environmental Art (Studio), There is a graduate-student housing office. Housing space is available in Assistant Professor, non-tenure, MFA, Kent State University, 2008 apartments and married student housing. Housing is available on a DR. ROBERT RANDOLF COLEMAN, Renaissance Art, Baroque Art, joint first-come, first-served basis. appointment in Medieval Institute, Associate Professor, PhD, University Environmental Health and Safety of Chicago, 1988 PROF. AUSTIN I. COLLINS, C.S.C., Sculpture, Public Art (Studio), Occupational Safety and Health Administration (OSHA) regulations are Professor, MFA, Claremont Graduate University, 1985 in place for ventilation and respiratory protection, hazardous chemical PROF. ANN-MARIE CONRADO, Industrial Design, Assistant Professor, safety (right-to-know), personal protective equipment, machine safety, tenure-track, MA, University of Chicago, 2003 hearing protection. Program meets the US Environmental Protection PROF. JEAN A. DIBBLE, Printmaking, Painting, Professor, MFA, Agency (EPA) and state regulations for hazardous materials, including University of Wisconsin-Madison, 1988 spill procedures and material disposal. Program has performed an DR. DENNIS DOORDAN, Architectural History, Design History, joint environmental health and safety audit in the past five years. Newly appointment in School of Architecture, Professor, PhD, Columbia installed are a dust collection system in the wood shop; a ventilation University, 1983 system for the gas-fired kilns; and a hood for localized evacuation of air PROF. MICHAEL ELWELL, Industrial Design, Assistant Professor, non- in the printmaking area, as well as a general ventilation system for the tenure, MFA, University of Illinois at Urbana-Champaign, 2011 room. Also in place are a general ventilation system for painting, with PROF. RICHARD L. GRAY, Photography (Studio), Contemporary Art, three spray-booth ventilation systems. Methods used to familiarize Associate Professor, MFA, Rochester Institute of Technology, 1982 students and faculty with environmental health and safety include PROF. WILLIAM JAMES KREMER, Ceramics, 3-Dimensional Design, publications, required training course, instruction in class, health and Professor, MFA, University of Wisconsin-Milwaukee, 1971 safety officer (full-time or part-time), shop technician, material safety PROF. JASON R. LAHR, Painting, Drawing (Studio), Assistant Professor, data sheets (MSDS), training videos, information in student handbook. tenure-track, MFA, Pennsylvania State University, 1999 PROF. MARTINA A. LOPEZ, Photography (Studio), Digital Media FINANCIAL INFORMATION (Studio), Associate Professor, MFA, School of the Art Institute of Tuition Chicago, 1990 DR. HEATHER HYDE MINOR, Twentieth-Century Art, Architectural Full-time student tuition is determined per semester. History, Associate Professor, PhD, Princeton University, 2002 All students: $24,843 PROF. ANDRÉ CHRISTOPHER MURNIEKS, Graphic Design, Digital Additional institutional fees: $450 Media (Studio), Assistant Professor, tenure-track, MFA, Ohio State University, 2005 Financial Aid PROF. MARTIN LAM NGUYEN, C.S.C., Painting, Installation (Studio), Types of aid available: Tuition aid/remission, stipend, guaranteed loan, Associate Professor, MFA, University of California, Berkeley, 1995 teaching assistantship. Tuition and full stipend awarded to 20 students DR. ROBIN F. RHODES, Greek Art, Architectural History, joint in the previous academic year. appointment in Department of Classics, Associate Professor, PhD, Funds available for graduate student travel: Yes University of North Carolina at Chapel Hill, 1984 DR. ELYSE SPEAKS, Twentieth-Century Art, Contemporary Art, Assistant Assistantships Professor, non-tenure, PhD, Brown University, 2005 Assistantships are available to students of all levels. PROF. GEORGE TISTEN, Industrial Design, Adjunct/Contingent faculty, MFA, University of Illinois at Urbana-Champaign, 1973 Teaching assistantships awarded to minorities: 6 PROF. MARIA C. TOMASULA, Painting, Drawing (Studio), Professor, Average amount of award/stipend: $12,500 MFA, Northwestern University, 1989 Hours of work required per week: 9 DR. NICOLE WOODS, Twentieth-Century Art, Contemporary Art, Teaching assistantship maximum period of support: 3 years Assistant Professor, tenure-track, PhD, University of California, Irvine, 2010 Other benefits: Tuition remission (part or full) Other financial support: Teaching assistantships require one year of Recent Visiting Faculty assisting a professor in teaching one class each semester and then DR. ROBERT GLASS, Renaissance Art, Assistant Professor, non-tenure, teaching as the instructor of record for the second and third years. PhD, Princeton University, 2011 Health Insurance Full-time master’s students receive health insurance coverage with RESOURCES AND SPECIAL PROGRAMS copayment. Health insurance coverage is available to dependents and Private studios are available with unlimited hours for all. Students have spouses of full-time master’s students. the opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Three digital labs are housed in Riley and West Lake halls. The Design Center Studio has 20 Mac workstations and several Epson flatbed scanners. The 3D Design Studio features 17 workstations (supporting OSX and Windows) and 17 Wacom tablets. The Riley Photo-Imaging Studio has 15 Mac workstations. Libraries Total volumes in library system: >3,000,000 Art volumes in library system: >100,000 Art journals in library system: >200 Students have library privileges at other institutional libraries. 230 STUDENTS UNIVERSITY OF OREGON Number of students in residence: Master’s, 22 Number of male graduates fall 2015–summer 2016: Master’s, 9 Department of Art Number of female graduates fall 2015–summer 2016: Master’s, 13 Department of Art Student organizations within the program/department: The UO Art University of Oregon Scene is a student-run club dedicated to helping those artists and 5232 University of Oregon designers looking to extend their experience beyond the classroom. The Eugene, Oregon, 97403 purpose of the organization is for students to help each other better Phone: 541-346-3610 prepare for the professional world. Fax: 541-346-3626 Formal mode of student participation in academic governance: The art.uoregon.edu Associated Students of University of Oregon is a student group that seats five members on the University of Oregon Senate, the governing Contact: Department Reception, [email protected] body of the university. Public university Students have the opportunity to join a labor union. Accredited by: Association of American Universities, National Association of Schools of Art and Design FACULTY Degrees awarded: Master’s degree Number of faculty: 27 Concentrations in: Ceramics, digital media, drawing, fiber arts, Tenured/tenure track: 9 men, 9 women foundations, metals, painting, photography, printmaking, sculpture Part-time/adjunct lecturers: 4 men, 4 women First graduate degree granted: MFA, 1925 Full-time contractual: 1 man, 0 women The MFA program prepares students for serious, engaged artistic CARLA BENGTSON, Painting, Associate Professor, MFA, Yale practice. Its objectives are for students not only to arrive at an University, 1983 accomplished body of work, but also to develop the practices and critical MICHAEL P. BRAY, Digital Media (Studio), Adjunct/Contingent faculty, thinking skills necessary to sustain and grow the work beyond school. MFA, University of Oregon, 2008 The program focuses on individual studio practice and on the REBECCA CHILDERS, Writing, Printmaking, Adjunct/Contingent faculty, cultivation of a visual language, material process, and conceptual MFA, University of Iowa, 1995 approach relevant to each student’s intentions and sensibility. Students ISAMI CHING, 3-Dimensional Design, Digital Media (Studio), are challenged to develop strategies of experimentation and research, as Adjunct/Contingent faculty, MFA, Columbia University School of the well as an ability to articulate ideas and critical responses to work. As Arts, 2002 contributors to a larger community, students are expected to have a COLLEEN CHOQUETTE-RAPHAEL, Photography (Studio), significant understanding of the historical frameworks and the Adjunct/Contingent faculty, MFA, University of Washington, 1996 contemporary discourse of art. TANNAZ FARSI, Sculpture, Associate Professor, MFA, Ohio University, 2007 ADMISSIONS BRIAN GILLIS, Ceramics, Associate Professor, MFA, Alfred University, Deadline for fall: 1/5 2002 Fall notification date: 3/15 COLIN IVES, Digital Media (Studio), Associate Professor, MFA, Application fee: $60 University of Iowa, 1994 RON JUDE, Photography (Studio), Associate Professor, MFA, Louisiana Applications received 2015–16: 135 State University, 1992 Applications accepted 2015–16: 10 ANYA KIVARKIS, Metals, Associate Professor, MFA, State University of Students enrolled 2015–16: 22 New York at New Paltz, 2004 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign JENNY LIN, Chinese Art, joint appointment in History of Art & students (PBT 575), transcript, letters of recommendation, résumé, Architecture, Assistant Professor, tenure-track, PhD, University of statement of interest/personal statement, examples of personal artwork, California, Los Angeles artist’s statement SYLVAN LIONNI, 2-Dimensional Design, Painting, Assistant Professor, tenure-track, MFA, Bard Graduate Center, 1998 Recommended: Degree in subject area CHARLENE LIU, Printmaking, Associate Professor, MFA, Columbia University, 2003 CURRICULUM CHRISTOPHER MICHLIG, Foundations, Assistant Professor, tenure- Courses track, MFA, Art Center College of Design, 2007 DONALD MORGAN, Foundations, Assistant Professor, tenure-track, Number offered to graduate students each term: 12 MFA, Art Center College of Design, 2001 Number whose enrollment is limited to graduate students: 2 JOHN J. PARK, Digital Media (Studio), Adjunct/Contingent faculty, MFA, University at Buffalo, The State University of New York, 2006 Average Class Size JAN REAVES, Painting, Drawing (Studio), Adjunct/Contingent faculty, In graduate studios: 11–15 students MFA, University of Oregon, 1983 In graduate seminars: 11–15 students JACK RYAN, Foundations, Associate Professor, MFA, University of Independent study available: Yes Georgia, 2000 MICHAEL SALTER, Digital Media (Studio), Associate Professor, MFA, Course of Study University of North Carolina at Chapel Hill, 1994 Full-time residency requirement: 3 years RICK SILVA, Digital Media (Studio), Assistant Professor, tenure-track, MFA, University of Colorado Boulder, 2007 Maximum number of years for residency: 7 JESSICA BERG SWANSON, Ceramics, 3-Dimensional Design, Average number of years for residency: 3 Adjunct/Contingent faculty, MFA, School of the Art Institute of Chicago, Typical number of credit hours per term for a full-time student: 15 2002 Total number of credit hours required for graduation: 90 YING TAN, Digital Media (Studio), Associate Professor, MFA, 1986 LAURA VANDENBURGH, Drawing (Studio), Associate Professor, MFA, Total in studio art: 33 Hunter College, 1993 Total in area of concentration: 18 TERRI WARPINSKI, Photography (Studio), Professor, MFA, University of Total in art history: 8 Iowa, 1983 Total in graduate seminars: 31 TYRRAS WARREN, Digital Media (Studio), Adjunct/Contingent faculty, MFA, University of Oregon, 2008 Electives: 0 AMANDA WOJICK, Sculpture, Associate Professor, MFA, Alfred Degree requirements: Written thesis, group exhibition, individual University, 2000, 1999 presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis Recent Visiting Faculty committee/exhibition jury EUAN MACDONALD, Video (Studio), Assistant Professor, non-tenure, Recommended: Professional practices course MFA, The European Graduate School

231 RESOURCES AND SPECIAL PROGRAMS Fellowships Private studios are available with unlimited hours for all. Semiprivate Fellowships awarded to women: 64 studios are available with unlimited hours for all. Students have the Fellowships awarded to minorities: 9 opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Assistantships Students have access to state-of-the-art Mac and PC labs with a full suite Assistantships are available to students of all levels. of industry-standard imaging, video, and sound software. The digital Teaching assistantships applications received: 25 arts and photography facilities have large-format printers, laser and vinyl cutters, and CNC routers. Full printing and scanning services are Teaching assistantships awarded: 61 available. Average amount of award/stipend: $1,356 Hours of work required per week: 19 Libraries Teaching assistantship maximum period of support: 3 years Total volumes in library system: >5,000,000 Working assistantships awarded: 6 Art volumes in library system: >50,000 Average amount of award/stipend: $1,107 Art journals in library system: >1,000 Hours of work required per week: 16 There is a separate art library with >10,000 volumes and >1,000 journals. Students have library privileges at other institutional libraries. Working assistantship maximum period of support: 3 years Other benefits: Tuition remission (part or full) Image Resources Total number of images: >250,000 Other financial support: Assistantships are awarded only to students Institution and program maintain digital-image collections. Institution accepted into the MFA program, and are generally available most terms maintains its own slide collection. Institution subscribes to a digital- during the three-year program. image library. Students have access to image collections. Students have Health Insurance opportunities to view works of art in local museums and commercial Full-time master’s students receive health insurance coverage with galleries. copayment. Health insurance coverage is available to dependents, Program Opportunities spouses, unmarried domestic partners, and same-sex domestic partners Additional opportunities for study within the institution: Students can of full-time master’s students. take advantage of elective course credits outside the department within the university’s broad range of course offerings. Gallery or museum affiliated with the department: LaVerne Krause Gallery (Eugene); White Box Gallery (Portland) Formal programs: Study abroad. The department offers study abroad UNIVERSITY OF SOUTH opportunities through the University of Oregon office of International Affairs, as well as a spring break course in New York City. DAKOTA Formal relationships with local museums: There is an on-campus museum, the Jordan Schnitzer Museum of Art. Studio Art Extracurricular opportunities for graduate students: Curate exhibitions. The department sponsors 10–20 lectures per year. Department of Art University of South Dakota Other Campus Resources 414 E. Clark St. Employment or career development office: Yes Vermillion, South Dakota, 57069 Phone: 605-677-5636 Office/center for international students: Yes Fax: 605-677-5988 There is a graduate-student housing office. Housing space is available in www.usd.edu/fine-arts/art/graduate.cfm dormitories, apartments, and married student housing. All student housing residents must be enrolled full-time in a matriculated program Contact: Art Office, [email protected] at the university during the term of check-in and must remain so for at Public university; nonprofit corporation least three of the four academic terms each year. Accredited by: National Association of Schools of Art and Design Environmental Health and Safety Degrees awarded: Master’s degree Occupational Safety and Health Administration (OSHA) regulations are Concentrations in: Graphic design, painting, photography, printmaking, in place for ventilation and respiratory protection, hazardous chemical sculpture safety (right-to-know), personal protective equipment, machine safety, First graduate degree granted: MFA, 1981 hearing protection. Program meets the US Environmental Protection The Master of Fine Arts degree program is a 60-credit terminal degree Agency (EPA) and state regulations for hazardous materials, including that involves a minimum of two-and-one-half years of intensive study. In spill procedures and material disposal. Program has performed an addition to meeting all the graduation requirements of the graduate environmental health and safety audit in the past five years. Each room school, MFA candidates must satisfy all degree program requirements, and studio has fresh air ventilation and exhaust systems in the ceilings, including the passing of a preliminary oral examination, presentation of as well as exhaust units concentrated in particular areas of the studios. a comprehensive thesis exhibition, completion of a final oral Virtually all studio spaces have windows that open for extra fresh air examination, and the passing of the written art theory and history exit ventilation. Methods used to familiarize students and faculty with exam. Located in southeastern South Dakota, the University of South environmental health and safety include publications, required training Dakota is the flagship institution for the state of South Dakota course, instruction in class, faculty training, health and safety officer (enrollment 8,000). The Department of Art is housed in the distinctive (full-time or part-time), shop technician, material safety data sheets Warren M. Lee Center for the Fine Arts, the designated center for the (MSDS). study of the arts within the South Dakota system of higher education, organized to provide comprehensive educational programs, research FINANCIAL INFORMATION opportunities, and cultural service activities to the people of the state Tuition and beyond. Full-time student tuition is determined per term. ADMISSIONS State residents: $5,654 Deadline for fall: 2/1 Out-of-state residents: $9,045 Fall notification date: 3/10 Additional institutional fees: $617.25 Application fee: $35 Financial Aid Applications received 2015–16: 35 Types of aid available: Tuition aid/remission, stipend, teaching Applications accepted 2015–16: 5 assistantship, work-study program. Federal financial aid is available. Students enrolled 2015–16: 15 Tuition and full stipend awarded to 15 students in the previous Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.5), TOEFL academic year. Tuition and partial stipend awarded to 11 students in the for foreign students, transcript, letters of recommendation, résumé, previous academic year. statement of interest/personal statement, in-person or phone interview Funds available for graduate student travel: Yes Recommended: Degree in subject area, campus visit

232 Other special programs sponsored by the department: USD hosts CURRICULUM Frogman’s Print and Paper Workshop, which is an annual summer workshop, recognized as one of the most prestigious printmaking Courses intensives in the world, drawing professional artists, educators, and Number offered to graduate students each term: 10 college students from all over the United States and abroad. The Number whose enrollment is limited to graduate students: 10 department sponsors 5–10 lectures per year. Average Class Size Other Campus Resources In graduate studios: 1–5 students Employment or career development office: Yes In graduate seminars: 6–10 students Office/center for international students: Yes In graduate lectures: 1–10 students There is a graduate-student housing office. Housing space is available in Independent study available: Yes dormitories, apartments, and married student housing. Course of Study Environmental Health and Safety Full-time residency requirement: 3 years Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical Maximum number of years for residency: 3 safety (right-to-know), personal protective equipment, machine safety, Average number of years for residency: 3 hearing protection. Program meets the US Environmental Protection Typical number of credit hours per term for a full-time student: 9 Agency (EPA) and state regulations for hazardous materials, including Total number of credit hours required for graduation: 60 spill procedures and material disposal. Program has not performed an environmental health and safety audit in the past five years. Methods Total in studio art: 8 used to familiarize students and faculty with environmental health and Total in area of concentration: 32 safety include publications, instruction in class, faculty research, health Total in art history: 9 and safety officer (full-time or part-time), material safety data sheets Total in graduate seminars: 6 (MSDS), information in student handbook. Electives: 3 FINANCIAL INFORMATION Degree requirements: Thesis or artist’s statement, concentration, solo exhibition, critique of thesis work, oral defense of work, comprehensive Tuition exam, professional practices course Full-time student tuition is determined per credit. STUDENTS State residents: $219.35 Number of students in residence: Master’s, 15 Out-of-state residents: $464.25 Number of male graduates fall 2015–summer 2016: Master’s, 5 Additional institutional fees: $137.20 Number of female graduates fall 2015–summer 2016: Master’s, 10 Financial Aid Student organizations within the program/department: Midwest Press, Types of aid available: Tuition aid/remission, stipend, teaching AIGA, Art History Society. The Student Art Association is a student assistantship, research assistantship. Tuition and full stipend awarded group that conducts student art sales and offers community services. to 12 students in the previous academic year. FACULTY Assistantships PROF. JOHN BANASIAK, Painting, Professor, MFA, School of the Art Assistantships are available to students of all levels. Institute of Chicago Teaching assistantships awarded: 6 PROF. CAROL GEU, World Art, MFA, University of South Dakota Teaching assistantships awarded to women: 4 MR. MICHAEL HILL, Ceramics, Assistant Professor, non-tenure PROF. PHILLIP MICHAEL HOOK, Foundations, Painting, Assistant Average amount of award/stipend: $7,256 Professor, tenure-track, MFA, University of Missouri Hours of work required per week: 19 PROF. YOUNG AE KIM, Graphic Design, Assistant Professor, tenure- Teaching assistantship maximum period of support: 3 years track, MFA, Savannah College of Art and Design Working assistantships awarded: 5 PROF. CORY KNEDLER, Art Education (Studio), Drawing (Studio), Associate Professor, MFA Working assistantships awarded to women: 2 PROF. CHRIS MEYER, Sculpture, Assistant Professor, tenure-track, Working assistantships awarded to minorities: 1 MFA, University of Montana Average amount of award/stipend: $7,256 PROF. JOHNTIMOTHY PIZZUTO, Drawing (Studio), Associate Hours of work required per week: 20 Professor, MFA, University of South Dakota Working assistantship maximum period of support: 3 years RESOURCES AND SPECIAL PROGRAMS Other benefits: Tuition remission (part or full) Semiprivate studios are available with unlimited hours for all. Students Other financial support: Scholarships are available above and beyond have the opportunity to exhibit their work in a gallery associated with the the assistantship amount. department or institution, local galleries, a graduate thesis exhibition. A Mac lab and wireless opportunities are available throughout the college, Health Insurance with large-format printers and laser cutters. No health insurance coverage is provided for full-time master’s students. Libraries Total volumes in library system: >1,000,000 Art volumes in library system: >50,000 Art journals in library system: >100 UNIVERSITY OF SOUTH Image Resources Total number of images: >100,000 Institution and program maintain digital-image collections. Institution FLORIDA and program maintain slide collections. Institution subscribes to a digital-image library. Students have access to image collections. Studio Art and Design Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field trips. University of South Florida School of Art and Art History Program Opportunities 4202 East Fowler Ave. FAH 110 Gallery or museum affiliated with the department: University Art Tampa, Florida, 33620 Galleries Phone: 813-974-2360 Formal programs: Study abroad, summer work projects. Summer work Fax: 813-974-9226 projects include Frogman’s Print and Paper Workshop and Graphic www.art.usf.edu Design summer workshop. Contact: Maureen Slossen, [email protected] Extracurricular opportunities for graduate students: Curate exhibitions, Public university; nonprofit corporation conduct fieldwork, research for catalogues, present public outreach Accredited by: National Association of Schools of Art and Design, lectures Southern Association of Colleges and Schools

233 Degrees awarded: Master’s degree MFA, University of Florida, 2000 Concentrations in: Animation, ceramics, digital media, drawing, film, PROF. NEIL BENDER, Painting, Associate Professor, MFA, University of multidisciplinary, painting, performance, photography, printmaking, Georgia, 2002 sculpture, video PROF. JOHN BYRD, Ceramics, Associate Professor, MFA, University of Washington, 2000 First graduate degree granted: MFA, 1969 PROF. SHAWN CHEATHMAN, Film, Assistant Professor, non-tenure, The University of South Florida’s nationally ranked Master of Fine Arts MFA, University of South Florida degree is an idea-centered program encouraging broad media DR. CESAR CORNEJO, Sculpture, Installation (Studio), Assistant exploration, interdisciplinary projects, and engagement with current Professor, tenure-track, PhD, Tokyo Geijutsu Daigaku, 2008 theoretical and cultural issues. It provides a dynamic atmosphere with PROF. MCARTHUR FREEMAN, Animation (Studio), Assistant ongoing opportunities for dialogue with the faculty, other graduate Professor, tenure-track, MFA, Cornell University, 2008 students, and frequent visiting artists, critics, and scholars. The MFA PROF. GREGORY GREEN, Sculpture, Professor, MFA, School of the Art students enjoy individual studios that provide both privacy and Institute of Chicago, 1984 opportunity to learn from one another. With recent expansion of MFA PROF. SUE HAVENS, Painting, Drawing (Studio), Assistant Professor, studios and shops into a 10,000 sq. ft. indoor-outdoor research and tenure-track, MFA, Bard College, 2004 fabrication center plus 40,000 sq. ft. of renovated space, opportunities PROF. EZRA JOHNSON, Painting, Assistant Professor, tenure-track, for students are unparalleled. The school features two endowed chairs: MFA, Hunter College, 2006 the Golding Endowed Chair in Modern and Contemporary Art and the PROF. ROBERT LAWRENCE, Video (Studio), Associate Professor, MFA, Kennedy Endowed Resident Artist/Scholar. University of California, San Diego, 1987 PROF. JASON LAZARUS, Photography (Studio), Assistant Professor, ADMISSIONS tenure-track, MFA, Columbia College Chicago, 2003 Deadline for fall: 1/15 PROF. NOELLE MASON, Sculpture, Assistant Professor, tenure-track, Fall notification date: 2/15 MFA, School of the Art Institute of Chicago, 2005 PROF. ANAT POLLACK, Video (Studio), Digital Media (Studio), Application fee: $30 Associate Professor, MFA, Carnegie Mellon University, 2003 Applications received 2015–16: 46 PROF. BRADLEE SHANKS, Printmaking, Associate Professor, MFA, Applications accepted 2015–16: 12 Arizona State University, 1986 Students enrolled 2015–16: 27 PROF. WALLACE WILSON, Photography (Studio), Professor, MFA, Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL School of the Art Institute of Chicago, 1975 for foreign students (iBT 79), transcript, letters of recommendation, résumé, statement of interest/personal statement, examples of personal RESOURCES AND SPECIAL PROGRAMS artwork, artist’s statement, related internship experience, related Private studios are available with unlimited hours for all. Semiprivate professional experience studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Recommended: Campus visit department or institution, local galleries, a graduate thesis exhibition. Available resources include Mac workstations, digital cameras, film CURRICULUM cameras, Imacon film scanners, digital video cameras, 42-inch printer, Courses 19-inch printers, tabloid scanner, digital audio recorders, and microphones. Private studios are available, with unlimited hours for all Number offered to graduate students each term: 10 students. Students have opportunities to exhibit their work in galleries Number whose enrollment is limited to graduate students: 6 associated with the department and the institution, in local galleries, Average Class Size and in a graduate thesis exhibition. In graduate seminars: 6–10 students Libraries In graduate lectures: 11–20 students Total volumes in library system: >2,000,000 Independent study available: Yes Art volumes in library system: >50,000 Course of Study Art journals in library system: >200 There is a separate art library with >1,000 volumes and >100 journals. Full-time residency requirement: 3 years Students have library privileges at other institutional libraries. Maximum number of years for residency: 5 Image Resources Average number of years for residency: 3 Total number of images: >250,000 Typical number of credit hours per term for a full-time student: 9 Institution and program maintain digital-image collections. Institution Total number of credit hours required for graduation: 60 subscribes to a digital-image library. Students have access to image Total in art history: 8 collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field Total in graduate seminars: 9 trips. Electives: 3 Degree requirements: Written thesis, group exhibition, individual Program Opportunities presentation of thesis work, documentation of thesis work for program Additional opportunities for study within the institution: Students have archive, oral defense of work, thesis committee/exhibition jury, worked with faculty in music, dance, and set design to incorporate these professional practices course. A thesis exhibition and an oral defense of elements into performance exhibitions. the research paper are required. Students are also required to take one Gallery or museum affiliated with the department: Contemporary Art studio-directed study course per semester. These courses vary from one Museum, USF Graphicstudio, William and Nancy Oliver Gallery to four credit hours. Formal programs: Museum training, study abroad. The Contemporary Art Museum offers internships for MFA students. Graduate students STUDENTS also have employment opportunities at the museum in different Number of students in residence: Master’s, 27 capacities, such as production, website support, installation of Number of male graduates fall 2015–summer 2016: Master’s, 3 exhibitions, and documenting exhibitions through videotaping. Number of female graduates fall 2015–summer 2016: Master’s, 8 Formal relationships with local museums: Reduced rates and Student organizations within the program/department: An organization internships are available. for MFA students is available. Extracurricular opportunities for graduate students: Curate exhibitions, Formal mode of student participation in academic governance: USF has research for catalogues a student government that is elected by the students. It advocates for Other special programs sponsored by the department: Residencies. The student interests and concerns to the university administration and the department sponsors 10–20 lectures per year. Florida state government. Students have the opportunity to join a labor union. Other Campus Resources Employment or career development office: Yes FACULTY Office/center for international students: Yes Number of faculty: 15 There is a graduate-student housing office. Housing space is available in Tenured/tenure track: 10 men, 4 women apartments and married student housing. Students from a far distance receive priority for housing. Graduate students who are employed as Part-time/adjunct lecturers: 1 man, 0 women graduate or teaching assistants qualify for special pricing at many Full-time contractual: 0 men, 0 women apartment complexes. PROF. WENDY BABCOX, Photography (Studio), Associate Professor,

234 Environmental Health and Safety Public university Occupational Safety and Health Administration (OSHA) regulations are Accredited by: National Association of Schools of Art and Design in place for ventilation and respiratory protection, hazardous chemical Degrees awarded: Master’s degree safety (right-to-know), personal protective equipment, machine safety, Concentrations in: 2-dimensional design, 3-dimensional design, hearing protection. Program meets the US Environmental Protection animation, artist’s books, ceramics, digital media, drawing, film, glass, Agency (EPA) and state regulations for hazardous materials, including graphic design, illustration, installation, multidisciplinary, painting, spill procedures and material disposal. Program has performed an paper, performance, photography, printmaking, public art, sculpture, environmental health and safety audit in the past five years. Methods sound, video, visual studies used to familiarize students and faculty with environmental health and First graduate degree granted: MFA, 2010 safety include publications, required training course, instruction in class, The Master of Fine Arts is a professional degree in the practice of art. internet or intranet, faculty research, faculty training, health and safety The program of study is designed to guide and encourage students in officer (full-time or part-time), shop technician, material safety data the development of their skills, the definition of their goals, and the sheets (MSDS), training videos, information in student handbook. recognition of their responsibilities as artists. The educational objective is to provide training that makes it possible for each student in the FINANCIAL INFORMATION program to achieve professional excellence. The program emphasizes Tuition theory, research, and critical thinking, and an awareness of the function of art and design in the world today. The MFA degree is unique in that it Full-time student tuition is determined per credit. is the artist’s terminal degree. The UTA MFA requires the CAA- State residents: $431.43 suggested 60 credit hours and a two- to three-year commitment. The Out-of-state residents: $877.17 MFA program will provide a demanding educational environment International students: $877.17 appropriate for strongly motivated students. Artists and designers are chosen for the program on the basis of work that demonstrates artistic Additional institutional fees: $1,000 individuality and promise. Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan, ADMISSIONS teaching assistantship, research assistantship. Travel and research This program has rolling admissions. grants are available. Tuition and full stipend awarded to 34 students in Deadline for fall: 1/15 the previous academic year. Fall notification date: 2/28 Funds available for graduate student travel: Yes Deadline for spring: 10/15 Fellowships Spring notification date: 11/30 Fellowships are available to first-year students. Application fee: $40 Fellowships applications received last year: 15 Part-time students accepted: Yes Fellowships awarded: 10 Applications received 2015–16: 60 Fellowships awarded to women: 5 Applications accepted 2015–16: 10 Fellowships awarded to minorities: 2 Students enrolled 2015–16: 25 Average amount of award/stipend: $5,000 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL for foreign students, transcript, letters of recommendation, résumé, Fellowship maximum period of support: 1 year statement of interest/personal statement, in-person or phone interview Assistantships Recommended: Related professional experience, campus visit Assistantships are available to first-year students, second-year students, and third-year students. CURRICULUM Teaching assistantships awarded: 19 Courses Teaching assistantships awarded to women: 6 Number offered to graduate students each term: 29 Teaching assistantships awarded to minorities: 1 Number whose enrollment is limited to graduate students: 29 Average amount of award/stipend: $2,650 Hours of work required per week: 10 Average Class Size Teaching assistantship maximum period of support: 3 years In graduate studios: 1–5 students Other benefits: Tuition remission (part or full) In graduate seminars: 6–10 students Other financial support: To be eligible for assistantships and In graduate lectures: 1–10 students fellowships, a student must display exceptional merit in his/her artistic Independent study available: Yes and academic records. To maintain the award, the student is required to maintain satisfactory progress through the program, maintain a 3.0 Course of Study GPA, and take a full course load of nine credit hours. Students are Full-time residency requirement: 3 terms eligible for three years of support with a combination of working and Average number of years for residency: 3 teaching assistantships. This program has a low-residency component. Health Insurance Typical number of credit hours per term for a full-time student: 9 Full-time master’s students receive health insurance coverage with Total number of credit hours required for graduation: 60 copayment. Health insurance coverage is available to dependents, Total in studio art: 9 spouses, unmarried domestic partners, and same-sex domestic partners Total in area of concentration: 39 of full-time master’s students. Total in art history: 9 Electives: 3 Degree requirements: Written thesis, thesis or artist’s statement, concentration, group exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program UNIVERSITY OF TEXAS AT archive, oral defense of work, professional practices course. Creative ARLINGTON Strategies course STUDENTS Studio Art and Design Number of students in residence: Master’s, 28 Number of male graduates fall 2015–summer 2016: Master’s, 4 Art and Art History Department The University of Texas at Arlington Number of female graduates fall 2015–summer 2016: Master’s, 3 502 S. Cooper St., #335, Box 19089 Student organizations within the program/department: Master of Art Arlington, Texas, 76019 Student Society, Student Art Association, Student Film/Video Phone: 817-272-2891 Organization, Organization for Visual Communicators, Art History Fax: 817-272-2805 Student Union, FOCUS (student photo organization), MACHINE www.uta.edu/art Contact: Nancy Palmeri, [email protected]

235 Image Resources FACULTY Total number of images: >250,000 Number of faculty: 31 Institution and program maintain digital-image collections. Institution Tenured/tenure track: 14 men, 8 women and program maintain slide collections. Institution subscribes to a Part-time/adjunct lecturers: 4 men, 2 women digital-image library. Students have access to image collections. Students have opportunities to view works of art in local museums, Full-time contractual: 2 men, 1 woman commercial galleries, private collections, and on funded field trips. DR. AMANDA ALEXANDER, Art Education, Assistant Professor, tenure- track, PhD, Ohio State University Program Opportunities MR. MATTHEW CLARK, Painting, Drawing (Studio), Gallery or museum affiliated with the department: The Gallery at UTA, Adjunct/Contingent faculty, MFA, Cranbrook Academy of Art, 2002 Gallery West PROF. MARK CLIVE, Film (History), Digital Media (Studio), Adjunct/Contingent faculty, University of Alabama at Birmingham, 1985 Formal programs: Study abroad PROF. GREGORY SCOTT COOK, Digital Media (Studio), Assistant Formal relationships with local museums: The graduate student Professor, non-tenure, MFA, University of Nebraska-Lincoln, 2014 lectureship program gives local graduate students the opportunity to PROF. BEN DOLEZAL, Digital Media (Studio), Assistant Professor, present public lectures on works on view at the Modern Art Museum of tenure-track, MFA, University of Texas at Arlington, 2011 Fort Worth. After close observation, rigorous research, and original CARLOS DONJUAN, 2-Dimensional Design, Assistant Professor, analysis, students design an interactive tour. tenure-track, MFA Extracurricular opportunities for graduate students: Curate exhibitions, PROF. BRYAN FLORENTIN, Photography (Studio), Assistant Professor, conduct fieldwork, research for catalogues tenure-track, MFA, University of North Texas, 1998 Other special programs sponsored by the department: Special programs PROF. LISA GRAHAM, Graphic Design, Professor, MFA, Iowa State include an art history symposium and a student film festival. The University, 1992 department sponsors 10–20 lectures per year. PROF. SCOTT HILTON, Photography (Studio), Adjunct/Contingent faculty, MFA, California State University, Long Beach, 2005 Other Campus Resources PROF. ROBERT HOWER, Graphic Design, Painting, Professor, MFA, Employment or career development office: Yes Cranbrook Academy of Art, 1975 PROF. SEDRICK HUCKABY, Painting, Assistant Professor, tenure-track, Office/center for international students: Yes MFA, Yale University There is a graduate-student housing office. Housing space is available in PROF. PAULINE HUDEL SMITH, Graphic Design, Adjunct/Contingent dormitories and apartments. Housing priority is based on date of faculty, MFA, Texas A&M University-Commerce, 1990 application. PROF. BENITO HUERTA, Painting, Professor, MA, New Mexico State University, 1978 Environmental Health and Safety PROF. SEIJI IKEDA, Digital Media (Studio), Associate Professor, MFA, Occupational Safety and Health Administration (OSHA) regulations are Kansas State University, 2008 in place for ventilation and respiratory protection, hazardous chemical PROF. MARILYN JOLLY, Painting, Associate Professor, MFA, University safety (right-to-know), personal protective equipment, machine safety, of Oklahoma, 1983 hearing protection. Program meets the US Environmental Protection PROF. MI HYUN KIM, Graphic Design, Adjunct/Contingent faculty, Agency (EPA) and state regulations for hazardous materials, including MFA, University of Massachusetts Dartmouth, 2006 spill procedures and material disposal. Program has performed an PROF. STEPHEN LAPTHISOPHON, Painting, Drawing (Studio), environmental health and safety audit in the past five years. Methods Assistant Professor, tenure-track, MFA, School of the Art Institute of used to familiarize students and faculty with environmental health and Chicago, 1979 safety include required training course, instruction in class, health and PROF. DARRYL LAUSTER, Sculpture, Associate Professor, MFA, safety officer (full-time or part-time), shop technician, material safety University of Houston, 1998 data sheets (MSDS), information in student handbook. PROF. LEIGHTON MCWILLIAMS, Photography (Studio), Associate Professor, MFA, Florida State University, 1982 FINANCIAL INFORMATION PROF. KENDA NORTH, Photography (Studio), Professor, MFA, University at Buffalo, The State University of New York, 1976 Tuition PROF. ANDREW ORTIZ, Photography (Studio), Associate Professor, Full-time student tuition is determined per semester. MFA, Visual Studies Workshop, 1995 PROF. NANCY PALMERI, Printmaking, Professor, MFA, University of Financial Aid Nebraska-Lincoln, 1993 Types of aid available: Tuition aid/remission, stipend, guaranteed loan, PROF. YA’KE SMITH, Film, Associate Professor, MFA, University of teaching assistantship, research assistantship, work-study program. Texas at Austin Tuition and full stipend awarded to 8 students in the previous academic PROF. SALVATORE TERRASI, Digital Media (Studio), Associate year. Tuition and partial stipend awarded to 2 students in the previous Professor, MFA, University of Massachusetts Dartmouth, 2005 academic year. No financial assistance awarded to 1 student in the DR. MARY VACCARO, Renaissance Art, Professor, PhD, Columbia previous academic year. University, 1994 Funds available for graduate student travel: Yes PROF. BARTON WEISS, Film, Associate Professor, MFA, Columbia University, 1978 Fellowships PROF. NICHOLAS WOOD, Ceramics, Professor, MFA, Alfred University, Fellowships are available to students of all levels. 1977 Fellowships awarded: 0 DR. BETH WRIGHT, Eighteenth-Century Art, Nineteenth-Century Art, Professor, PhD, University of California, Berkeley, 1978 Fellowships awarded to women: 0 Average amount of award/stipend: $0 Recent Visiting Faculty Fellowship maximum period of support: 3 years JUSTIN GINSBERG, Glass, Sculpture, Assistant Professor, non-tenure, MFA, University of Texas at Arlington Assistantships DEBBIE MILLMAN, Graphic Design, Adjunct/Contingent faculty Assistantships are available to students of all levels. CARLOS SEGURA, Graphic Design, Adjunct/Contingent faculty Teaching assistantships awarded: 19 Teaching assistantships awarded to women: 10 RESOURCES AND SPECIAL PROGRAMS Teaching assistantships awarded to minorities: 3 Semiprivate studios are available with unlimited hours for all. Students Average amount of award/stipend: $6,000 have the opportunity to exhibit their work in a gallery associated with the Hours of work required per week: 20 department or institution, local galleries, a graduate thesis exhibition. Teaching assistantship maximum period of support: 3 years Libraries Working assistantships awarded: 4 Total volumes in library system: >2,000,000 Working assistantships awarded to women: 1 Art volumes in library system: >50,000 Working assistantships awarded to minorities: 2 Art journals in library system: >200 Average amount of award/stipend: $3,000 There is a separate art library with >1,000 volumes and >300 journals. Hours of work required per week: 10 Students have library privileges at other institutional libraries. Working assistantship maximum period of support: 3 years Other benefits: Tuition remission (part or full) Other financial support: Enhanced Graduate Teaching Assistantship (EGTA) 236 students can participate in the Graduate and Professional Student Health Insurance Senate and the associated Students of the University of Washington. No health insurance coverage is provided for full-time master’s students. Students have the opportunity to join a labor union. FACULTY Number of faculty: 18 Tenured/tenure track: 10 men, 7 women UNIVERSITY OF Part-time/adjunct lecturers: 0 men, 1 woman Full-time contractual: 0 men, 0 women WASHINGTON PROF. DAVID BRODY, Painting, Drawing (Studio), Professor, MFA, Yale University PROF. REBECCA CUMMINS, Photography (Studio), Professor, PhD Division of Art PROF. ANN GALE, Painting, Drawing (Studio), Professor, MFA, Yale School of Art + Art + History University University of Washington PROF. ELLEN GARVENS, Photography (Studio), Professor, MFA, Box 353440 University of New Mexico Seattle, Washington, 98195 PROF. LAYNE GOLDSMITH, Fiber Arts, Professor, MFA, Cranbrook Phone: 206-543-0646 Academy of Art Fax: 206-685-1657 PROF. PHILIP GOVEDARE, Painting, Drawing (Studio), Professor, MFA art.washington.edu/ PROF. DENZIL HURLEY, Painting, Drawing (Studio), Professor, MFA, Yale University Contact: Graduate Program Assistant, [email protected] PROF. AARON FLINT JAMISON, Digital Media (Studio), Assistant Public university Professor, tenure-track, MFA, San Francisco Art Institute Degrees awarded: Master’s degree PROF. DOUG JECK, Sculpture, Associate Professor, MFA, School of the Art Institute of Chicago Concentrations in: Ceramics, drawing, glass, painting, photography, PROF. CURT LABITZKE, Printmaking, Associate Professor, MFA, sculpture, video University of Notre Dame The University of Washington School of Art offers advanced degrees PROF. ZHI LIN, Painting, Drawing (Studio), Professor, MFA, University (MFA) in three areas; painting and drawing, photomedia, and 3D4M (3- of Delaware Dimensional Forum). The MFA program is an intensive two-year course PROF. AMIE MCNEEL, Sculpture, Associate Professor, MFA, University of study in which students work closely with the dedicated faculty. It of California, Berkeley culminates in the Master of Art Thesis exhibition at the Henry Art PROF. HELEN O’TOOLE, Painting, Drawing (Studio), Professor, MFA, Gallery. Advanced students are highly motivated, self-directed, and School of the Art Institute of Chicago committed to their art practice. They are encouraged to take advantage PROF. SHIRLEY SCHEIER, Drawing (Studio), Printmaking, Associate of the considerable additional resources available to them; The Center Professor, MFA, University of Wisconsin-Madison for Digital Arts and Experimental Media (DXArts); the active exhibition PROF. MICHAEL SWAINE, Ceramics, Assistant Professor, tenure-track, schedule of shows, lectures, and events at the Henry Art Gallery and MA, University of California, Berkeley Jacob Lawrence Gallery; and the wide range of classes offered quarterly. PROF. TIMEA THANYI, Sculpture, Adjunct/Contingent faculty, PhD Faculty, staff, and students are also highly active in the dynamic Seattle PROF. JAMIE WALKER, Ceramics, Professor, MFA, Rhode Island School artistic community. of Design PROF. MARK ZIRPEL, Glass, Associate Professor, MFA, San Francisco ADMISSIONS Art Institute Deadline for fall: 1/15 Fall notification date: 3/15 RESOURCES AND SPECIAL PROGRAMS Application fee: $85 Private studios are available with unlimited hours. Students have the opportunity to exhibit their work in a gallery associated with the Applications received 2015–16: 200 department or institution, local galleries, a graduate thesis exhibition. Students enrolled 2015–16: 12 Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL Libraries for foreign students (iBT 92), transcript, letters of recommendation, Total volumes in library system: >5,000,000 résumé, statement of interest/personal statement, examples of personal Art volumes in library system: >100,000 artwork, artist’s statement Art journals in library system: >400 Recommended: Degree in subject area There is a separate art library with >10,000 volumes and >300 journals. CURRICULUM Students have library privileges at other institutional libraries. Image Resources Average Class Size Total number of images: >500,000 In graduate studios: 6–10 students Institution and program maintain digital-image collections. Institution In graduate seminars: 6–10 students maintains its own slide collection. Institution subscribes to a digital- image library. Students have access to image collections. Students have In graduate lectures: 21–50 students opportunities to view works of art in local museums, commercial Course of Study galleries, private collections, and on funded field trips. Full-time residency requirement: 3 terms Program Opportunities Maximum number of years for residency: 2 Additional opportunities for study within the institution: The MFA Average number of years for residency: 2 programs allow limited coursework outside art to be counted toward the Typical number of credit hours per term for a full-time student: 15 degere. Total number of credit hours required for graduation: 90 Gallery or museum affiliated with the department: The Jacob Lawrence Gallery, The Henry Art Gallery Total in studio art: 35 Formal programs: Study abroad. The Art History Seminars in Rome and Total in area of concentration: 10 the Netherlands are annual programs open to undergraduates and Total in art history: 10 graduates. Participants study works of art and architecture in their Total in graduate seminars: 25 original settings and in museums. Electives: 10 Formal relationships with local museums: The Seattle Art Museum and Degree requirements: Group exhibition, professional practices course the Frye Art Museum provide internships to graduate students. Instructors may obtain student passes for classes each quarter. Recommended: Written thesis, solo exhibition, individual presentation of thesis work, critique of thesis work Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, present public outreach STUDENTS lectures Number of students in residence: Master’s, 21 Other special programs sponsored by the department: The Division of Art has developed an initiative, called the Nebula Project, to address a Number of male graduates fall 2015–summer 2016: Master’s, 3 number of critical needs as well as advance and invigorate its Number of female graduates fall 2015–summer 2016: Master’s, 8 educational and research mission. The project received a grant from The Formal mode of student participation in academic governance: Graduate New Foundation Seattle, which, coupled with generous support from 237 the College of Arts & Sciences, will fund the hiring of visiting artists, instruction and supervision in the studio arts and art history. All MA and scholars, curators, and others to teach classes, create new work, and MFA students take core courses in art theory together, thereby providing organize exhibits that will expose School of Art students to new voices. opportunities for exchange between historical and contemporary The department sponsors 10–20 lectures per year. perspectives.The PhD in Art and Visual Culture at the University of Western Ontario is a new program focused on research in art history Other Campus Resources and visual culture and on creative practices in contemporary art and new Employment or career development office: Yes media. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in ADMISSIONS dormitories, apartments, married student housing, and subsidized Deadline for fall: 1/15 housing. Fall notification date: 3/1 Environmental Health and Safety Application fee: CAD $100 Occupational Safety and Health Administration (OSHA) regulations are Applications received 2015–16: 53 in place for ventilation and respiratory protection, hazardous chemical Applications accepted 2015–16: 8 safety (right-to-know), personal protective equipment, machine safety, Students enrolled 2015–16: 10 hearing protection. Program meets the US Environmental Protection Requirements: Bachelor’s degree (BA, BFA, or BSA), master’s degree, Agency (EPA) and state regulations for hazardous materials, including GPA (3.3), TOEFL for foreign students (iBT 86), transcript, letters of spill procedures and material disposal. Program has performed an recommendation, résumé, statement of interest/personal statement, environmental health and safety audit in the past five years. Methods writing sample used to familiarize students and faculty with environmental health and safety include required training course, instruction in class, health and Recommended: Undergraduate research paper, related internship safety officer (full-time or part-time), shop technician, training videos. experience, related professional experience FINANCIAL INFORMATION CURRICULUM Tuition Courses Full-time student tuition is determined per quarter. Number offered to graduate students each term: 5 State residents: $5,069 Number whose enrollment is limited to graduate students: 5 Out-of-state residents: $9,085 Average Class Size Additional institutional fees: $350 In graduate studios: 6–10 students Part-time student tuition is determined per quarter. In graduate seminars: 6–10 students State residents: $1,606 Independent study available: Yes Out-of-state residents: $2,757 Course of Study Financial Aid Full-time residency requirement: 2 years Types of aid available: Tuition aid/remission, teaching assistantship, Typical number of courses for a full-time student: 6 research assistantship, work-study program. Recruitment grants given Total number of courses required for graduation: 6 to entering students vary from one quarter of tuition remission to one year of tuition remission, plus stipend and insurance. Total in graduate seminars: 5 Funds available for graduate student travel: Yes Electives: 1 Degree requirements: Written thesis, thesis or artist’s statement, group Fellowships exhibition, individual presentation of thesis work, critique of thesis work, Fellowships are available to students of all levels. documentation of thesis work for program archive, oral defense of work, comprehensive exam, thesis committee/exhibition jury Assistantships Requirements for doctoral program: Students are required to take five Assistantships are available to first-year students, second-year students, half courses, pass two comprehensive examinations (a minor and a third-year students, fourth-year students, fifth-year students, and sixth- major exam), and orally defend their research prospectus. They must year students. decide between three streams: project, dissertation, or an adapted project-based stream. Health Insurance No health insurance coverage is provided for full-time master’s students STUDENTS and part-time master’s students. Number of students in residence: Master’s, 10; Doctorate, 7 Number of male graduates fall 2015–summer 2016: Master’s, 4; Doctorate, 3 Number of female graduates fall 2015–summer 2016: Master’s, 6; Doctorate, 6 UNIVERSITY OF WESTERN Student organizations within the program/department: Visual Arts Graduate Students Association ONTARIO Formal mode of student participation in academic governance: Department meetings, Graduate Committee meeting representation, Art Fine Arts Lab representation Students have the opportunity to join a labor union. Department of Visual Arts The University of Western Ontario 1151 Richmond St. FACULTY London, Ontario, N6A 5B7 Number of faculty: 9 Canada Tenured/tenure track: 5 men, 3 women Phone: 519-661-3440 Part-time/adjunct lecturers: 0 men, 1 woman Fax: 519-661-2020 Full-time contractual: 0 men, 0 women www.uwo.ca/visarts PROF. SKY GLABUSH, Painting, Associate Professor, MFA Contact: Paula Dias, [email protected] PROF. KELLY JAZVAC, Sculpture, Contemporary Art, Associate Public university Professor, MFA Accredited by: Ontario Council on Graduate Studies PROF. TRICIA JOHNSON, Drawing (Studio), Printmaking, Assistant Professor, non-tenure, MFA Degrees awarded: Master’s degree; Doctoral degree PROF. PATRICK MAHON, Printmaking, Installation (Studio), Professor, Concentrations in: Digital media, drawing, installation, painting, MFA photography, printmaking, sculpture, video, visual studies PROF. DAVID MERRITT, Drawing (Studio), Installation (Studio), First graduate degree granted: MFA, 1997 Professor, MFA The Department of Visual Arts at the University of Western Ontario DR. CHRISTOF MIGONE, Performance Studies, Assistant Professor, offers three graduate degrees: MFA, MA (art history), and PhD (art tenure-track, PhD, New York University, Tisch School of the Arts, 2007 history). These programs are unique in Canada because they combine PROF. KIM MOODIE, Drawing (Studio), Painting, Associate Professor, an emphasis on current and historical art theory with traditional MFA 238 PROF. DANIELA SNEPPOVA, Digital Media (Studio), Associate International students: CAD $5,834 Professor, MFA Additional institutional fees: CAD $618 PROF. KELLY WOOD, Photography (Studio), Associate Professor, MFA Financial Aid RESOURCES AND SPECIAL PROGRAMS Types of aid available: Tuition aid/remission, stipend, teaching Semiprivate studios are available with unlimited hours for all. Students assistantship, research assistantship, work-study program. Several have the opportunity to exhibit their work in a gallery associated with the internal competitions for travel research funding are held at the faculty department or institution, local galleries, a graduate thesis exhibition. A and departmental levels. Tuition and full stipend awarded to 8 students number of computers, one large-format printer, a few scanners, and a in the previous academic year. Partial tuition awarded to 7 students in large variety of audio and visual equipment are available. the previous academic year. Libraries Funds available for graduate student travel: Yes Total volumes in library system: >3,000,000 Fellowships Art volumes in library system: >50,000 Fellowships are available to students of all levels. Art journals in library system: >500 Fellowships applications received last year: 21 Students have library privileges at other institutional libraries. Fellowships awarded: 10 Image Resources Fellowships awarded to women: 5 Total number of images: >100,000 Fellowships awarded to minorities: 0 Program maintains its own digital-image collection. Program maintains Average amount of award/stipend: CAD $12,600 its own slide collection. Institution subscribes to a digital-image library. Students have access to image collections. Students have opportunities Assistantships to view works of art in local museums, commercial galleries, private Assistantships are available to students of all levels. collections, and on funded field trips. Teaching assistantships awarded: 15 Program Opportunities Teaching assistantships awarded to women: 9 Additional opportunities for study within the institution: Students may Teaching assistantships awarded to minorities: 1 take a course outside the department with the permission of the Average amount of award/stipend: CAD $13,000 graduate chair. Hours of work required per week: 10 Gallery or museum affiliated with the department: The Art Lab and McIntosh Gallery Teaching assistantship maximum period of support: 4 years Formal programs: Museum training, study abroad, summer work Other benefits: Tuition remission (part or full) projects. Internship courses set up on an individual basis facilitate Other financial support: There are several internal competitions for museum training. The university has exchange programs with numerous travel research funding at the faculty and departmental levels. international universities. Students are often employed during summers to assist faculty with funded research projects. Health Insurance Full-time doctoral students and full-time master’s students receive Formal relationships with other academic institutions: With the approval health insurance coverage with copayment. Health insurance coverage of their program and the School of Graduate and Postdoctoral Studies, is available to dependents, spouses, unmarried domestic partners, and students may take courses, without additional tuition, at other Ontario same-sex domestic partners of full-time doctoral students and full-time universities under the Ontario Visiting Graduate Student program. master’s students. Formal relationships with local museums: The program works closely with Museum London and Forest City Gallery. Students have regularly taken internship courses at the former and other regional galleries and museums. Extracurricular opportunities for graduate students: Curate exhibitions, conduct fieldwork, research for catalogues, conduct surveys for outside UNIVERSITY OF WISCONSIN- institutions, present public outreach lectures Other special programs sponsored by the department: Every year at least MADISON two or three major special events are hosted, such as graduate student exhibitions and conferences, as well as symposia and public events Art associated with professional exhibitions. The department sponsors 10–20 lectures per year. Art Department University of Wisconsin–Madison Other Campus Resources 455 North Park St., Room 6241 Employment or career development office: Yes Madison, Wisconsin, 53706 Office/center for international students: Yes Phone: 608-262-1660 www.art.wisc.edu There is a graduate-student housing office. Housing space is available in dormitories, apartments, and married student housing. In addition to Contact: Branden Martz, [email protected] university-owned residences, apartments, and townhouses, the Public university university provides an off-campus housing service, where listings of Accredited by: National Association of Schools of Art and Design available housing throughout London are maintained. Degrees awarded: Master’s degree Environmental Health and Safety Concentrations in: 2-dimensional design, 3-dimensional design, Occupational Safety and Health Administration (OSHA) regulations are animation, artist’s books, ceramics, digital media, drawing, foundations, in place for ventilation and respiratory protection, hazardous chemical glass, graphic design, installation, metals, multidisciplinary, painting, safety (right-to-know), personal protective equipment, machine safety, paper, performance, photography, printmaking, sculpture, sound, video hearing protection. Program meets the US Environmental Protection First graduate degree granted: MFA, 1958 Agency (EPA) and state regulations for hazardous materials, including The Art Department at the University of Wisconsin–Madison is spill procedures and material disposal. Program has performed an committed to teaching art in the context of a major research university environmental health and safety audit in the past five years. There are and a vibrant intellectual community. The department strives to provide spray booths for working in the painting studio and a dust collection both a fertile and challenging environment for aesthetic and critical unit in sculpture. Methods used to familiarize students and faculty with engagement, and the technical skills necessary for the practice of art in environmental health and safety include publications, required training the changing landscape of the 21st century. It encourages innovation course, instruction in class, internet or intranet, faculty training, health and cross-disciplinary activity, and believes that students should utilize and safety officer (full-time or part-time), shop technician, material the vast academic resources of the university to inform and deepen their safety data sheets (MSDS). There is a Workplace Hazardous Materials artistic vision. The graduate program in art annually enrolls nearly 100 Information System (WHMIS) and safety seminars run by the building graduate students and has 31 full-time faculty members. The faculty is a manager. distinguished group of professional artists who are not only active in the research and exhibition of their work, but are also devoted teachers. An FINANCIAL INFORMATION important strength of the graduate program lies in the breadth and Tuition diversity of its faculty. Full-time student tuition is determined per term. State residents: CAD $2,305

239 PROF. JOHN HITCHCOCK, Printmaking, Associate Professor, MFA ADMISSIONS PROF. TOM JONES, Photography (Studio), Associate Professor, MFA Deadline for fall: 1/5 PROF. HELEN LEE, Glass, Assistant Professor, tenure-track, MFA Fall notification date: 2/1 PROF. TOM LOESER, 3-Dimensional Design, Professor, MFA PROF. DENNIS MILLER, Graphic Design, Associate Professor, MFA Application fee: $75 PROF. MEG MITCHELL, Installation (Studio), Digital Media (Studio), Applications received 2015–16: 171 Assistant Professor, tenure-track, MFA Applications accepted 2015–16: 48 PROF. NANCY MLADENOFF, Painting, Associate Professor, MFA Students enrolled 2015–16: 16 PROF. MICHAEL PETERSON, Performance, Installation (Studio), Professor, MFA Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL PROF. DOUG ROSENBERG, Video (Studio), Performance, Professor, for foreign students (iBT 80), transcript, letters of recommendation, MFA résumé, statement of interest/personal statement, examples of personal PROF. ELAINE SCHEER, Foundations, Professor, MFA artwork, artist’s statement PROF. GAIL SIMPSON, Foundations, Sculpture, Associate Professor, Recommended: Degree in subject area, related professional experience, MFA campus visit PROF. LESLIE SMITH III, Painting, Drawing (Studio), Assistant Professor, tenure-track, MFA CURRICULUM PROF. T. L. SOLIEN, Painting, Drawing (Studio), Professor, MFA PROF. FRED STONEHOUSE, Painting, Drawing (Studio), Associate Average Class Size Professor, BFA In graduate studios: 6–10 students PROF. JOSE CARLOS TEIXEIRA, Video (Studio), Performance, joint In graduate seminars: 6–10 students appointment in Installation (Studio), Assistant Professor, tenure-track, In graduate lectures: 11–20 students MFA Independent study available: Yes RESOURCES AND SPECIAL PROGRAMS Course of Study Private studios are available with unlimited hours for all. Semiprivate Full-time residency requirement: 3 years studios are available with unlimited hours for all. Students have the opportunity to exhibit their work in a gallery associated with the Maximum number of years for residency: 3 department or institution, local galleries, a graduate thesis exhibition. Average number of years for residency: 3 Typical number of credit hours per term for a full-time student: 10 Libraries Total number of credit hours required for graduation: 60 Total volumes in library system: >5,000,000 Total in studio art: 42 Art volumes in library system: >200,000 Total in art history: 6 Art journals in library system: >400 Total in graduate seminars: 9 There is a separate art library with >10,000 volumes and >400 journals. Electives: 3 Students have library privileges at other institutional libraries. Degree requirements: Thesis or artist’s statement, solo exhibition, Image Resources individual presentation of thesis work, critique of thesis work, oral Institution maintains its own digital-image collection. Institution defense of work, thesis committee/exhibition jury. Students must maintains its own slide collection. Institution subscribes to a digital- complete three credits of an academic course that is outside both the art image library. Students have access to image collections. Students have and art history departments and has no studio component. opportunities to view works of art in local museums, commercial Recommended: Group exhibition, documentation of thesis work for galleries, private collections, and on funded field trips. program archive, professional practices course Program Opportunities Gallery or museum affiliated with the department: Chazen Museum of STUDENTS Art Number of students in residence: Master’s, 61; Doctorate, 2 Formal programs: Study abroad, summer work projects Number of male graduates fall 2015–summer 2016: Master’s, 12 Extracurricular opportunities for graduate students: Curate exhibitions, Number of female graduates fall 2015–summer 2016: Master’s, 14 conduct fieldwork, research for catalogues, present public outreach Student organizations within the program/department: Mad Gaffers; lectures. The department sponsors 30–40 lectures per year. Fresh Hot Press; Friends of Metal Formal mode of student participation in academic governance: ASM Other Campus Resources (Associated Students of Madison) -- UW-Madison Student Government Employment or career development office: Yes Students have the opportunity to join a labor union. Office/center for international students: Yes There is a graduate-student housing office. Housing space is available in FACULTY apartments. Number of faculty: 29 Environmental Health and Safety Tenured/tenure track: 18 men, 11 women Occupational Safety and Health Administration (OSHA) regulations are Part-time/adjunct lecturers: 0 men, 0 women in place for ventilation and respiratory protection, hazardous chemical Full-time contractual: 0 men, 0 women safety (right-to-know), personal protective equipment, machine safety, PROF. FAISAL ABDU’ALLAH, Printmaking, Associate Professor, PhD hearing protection. Program meets the US Environmental Protection PROF. EMILY ARTHUR, Printmaking, Assistant Professor, tenure-track, Agency (EPA) and state regulations for hazardous materials, including MFA spill procedures and material disposal. Program has performed an PROF. MATTHEW BAKKOM, Photography (Studio), Assistant Professor, environmental health and safety audit in the past five years. Methods tenure-track, MFA used to familiarize students and faculty with environmental health and PROF. LYNDA BARRY, Drawing (Studio), Writing, joint appointment in safety include required training course, instruction in class, internet or Wisconsin Institute for Discovery, Assistant Professor, tenure-track, BFA intranet, faculty research, faculty training, shop technician, material PROF. DERRICK BUISCH, Painting, Associate Professor, MFA safety data sheets (MSDS), information in student handbook. PROF. JEFFREY CLANCY, Metals, Assistant Professor, tenure-track, MFA FINANCIAL INFORMATION PROF. LAURIE BETH CLARK, Performance, Installation (Studio), Professor, MFA Tuition PROF. MICHAEL CONNORS, Printmaking, Associate Professor, MFA Full-time student tuition is determined per semester. PROF. JIM ESCALANTE, Artist’s books, Photography (Studio), State residents: $5,971 Professor, MFA Out-of-state residents: $12,635 PROF. SARAH FITZSIMONS, Sculpture, Assistant Professor, tenure- track, MFA Part-time student tuition is determined per credit. PROF. ARIS GEORGIADES, Sculpture, Professor, MFA State residents: $791 PROF. LISA GRALNICK, Metals, Professor, MFA Out-of-state residents: $1,624 PROF. GERIT GRIMM, Ceramics, Assistant Professor, tenure-track, MFA, Alfred University, 2004 Financial Aid PROF. STEPHEN HILYARD, Digital Media (Studio), Associate Types of aid available: Tuition aid/remission, stipend, teaching Professor, MFA assistantship, research assistantship, work-study program

240 Funds available for graduate student travel: Yes Independent study available: Yes Fellowships Course of Study Fellowships are available to students of all levels. Full-time residency requirement: 1 term Assistantships Maximum number of years for residency: 5 Assistantships are available to students of all levels. Average number of years for residency: 3 Other benefits: Tuition remission (part or full) Typical number of credit hours per term for a full-time student: 10 Total number of credit hours required for graduation: 60 Health Insurance Total in studio art: 42 Full-time master’s students receive health insurance coverage with Total in area of concentration: 0 copayment. Health insurance coverage is available to dependents, spouses, unmarried domestic partners, and same-sex domestic partners Total in art history: 9 of full-time master’s students. Total in graduate seminars: 9 Electives: 0 Degree requirements: Written thesis, thesis or artist’s statement, group exhibition, critique of thesis work, documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury. UNIVERSITY OF WISCONSIN- Graduate-level coursework in area related to student research interest. MILWAUKEE STUDENTS Number of students in residence: Master’s, 21 Art and Design Number of male graduates fall 2015–summer 2016: Master’s, 12 Number of female graduates fall 2015–summer 2016: Master’s, 9 Peck School of the Arts, Department of Art and Design Student organizations within the program/department: Students can University of Wisconsin–Milwaukee join groups such as the Graduate Art Student Association (SOFKAG), PO Box 413 CASA Ceramics, Object Metals, AIGA, Organization of Painting Milwaukee, Wisconsin, 53201 Students, and Focus Photography. Phone: 414-229-6053 Formal mode of student participation in academic governance: Student Fax: 414-229-2973 representation is found across campus on various committees. www4.uwm.edu/psoa/artdesign/ Students have the opportunity to join a labor union. Contact: Director of Graduate Studies, [email protected] Public university; nonprofit corporation FACULTY Accredited by: National Council for Accreditation of Teacher Education Number of faculty: 22 Degrees awarded: Master’s degree Tenured/tenure track: 7 men, 14 women Concentrations in: 2-dimensional design, 3-dimensional design, Part-time/adjunct lecturers: 1 man, 0 women ceramics, digital media, drawing, fiber arts, graphic design, installation, Full-time contractual: 0 men, 0 women metals, multidisciplinary, painting, photography, printmaking, sculpture, PROF. ADREAM BLAIR, Graphic Design, Associate Professor, MGD sound, video, visual studies PROF. KYOUNG AE CHO, Fiber Arts, Chair, MFA First graduate degree granted: MS, 1951 DR. KIM COSIER, Art Education (Studio), Professor, PhD The graduate program encourages interdisciplinary activity and PROF. CHRISTOPHER DAVIS-BENAVIDES, Ceramics, Associate exploratory models of thinking and production. Theory and practice are Professor, MFA closely linked through graduate seminars and art history offerings, as PROF. RAOUL DEAL, Printmaking, Adjunct/Contingent faculty, MFA well as an active visiting artist and scholar program. Graduate students PROF. FRANKIE FLOOD, Metals, Associate Professor, MFA are encouraged to explore an area of study in depth and to experiment PROF. LEE ANN GARRISON, Painting, Emeritus, MFA across media and discipline, opportunities to explore hybrid processes PROF. ROBERT GRAME, Graphic Design, Associate Professor through and engage in the history and traditions of art. The program is DR. SHELLEEN GREENE, Visual Studies, Critical Theory, Associate structured to ensure a broad and balanced integration of media, Professor, PhD processes, and concerns, allowing a rich combination of tradition and PROF. KAREN GUNDERMAN, Ceramics, Emeritus, MFA innovation. Engagement with disciplines outside art and design and PROF. YEVGENIYA KAGANOVICH, Metals, Professor, MFA within the local, national, and international community is also PROF. KAY KNIGHT, Painting, Associate Professor, MFA encouraged, expected, and supported. The hallmark of the department DR. RINA KUNDU, Art Education (Studio), Assistant Professor, tenure- is its commitment to diverse ideas and approaches to art that foster an track, PhD experimental attitude in keeping with contemporary art practice. PROF. RYAN MANDELL, Sculpture, Assistant Professor, tenure-track, MFA ADMISSIONS PROF. JESSICA MEUNINCK-GANGER, Printmaking, Assistant Deadline for fall: 2/1 Professor, tenure-track, MFA PROF. LISA MOLINE, Graphic Design, Associate Professor, MFA Fall notification date: 3/1 PROF. JOSEPH MOUGEL, Photography (Studio), Assistant Professor, Application fee: $56 tenure-track, MFA Part-time students accepted: Yes PROF. DENIS SARGENT, Painting, Emeritus, MFA Applications received 2015–16: 25 DR. NATHANIEL STERN, Digital Media (Studio), Associate Professor, PhD Applications accepted 2015–16: 8 DR. LAURA TRAFI-PRATS, Art Education (Studio), Associate Professor, Students enrolled 2015–16: 5 PhD Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (2.75), TOEFL PROF. LESLIE VANSEN, Painting, Professor, MFA for foreign students (PBT 550), transcript, letters of recommendation, DR. CHRISTINE WOYWOD, Art Education (Studio), Assistant statement of interest/personal statement, examples of personal artwork, Professor, tenure-track, PhD artist’s statement Recommended: Résumé, campus visit, contact the program for RESOURCES AND SPECIAL PROGRAMS additional requirements Private studios are available with unlimited hours for all. Semiprivate studios are available with unlimited hours for all. Students have the CURRICULUM opportunity to exhibit their work in a gallery associated with the department or institution, local galleries, a graduate thesis exhibition. Courses Resources include computers, scanners, digital cameras, video cameras, Number offered to graduate students each term: 26 large-format printers, lighting equipment, and a photography Number whose enrollment is limited to graduate students: 14 documentation lab. The university campus provides 24-hour computer access, computer store with tech support for Mac and PC platforms, Average Class Size and large-format printing. In graduate studios: 11–15 students Libraries In graduate seminars: 11–15 students Total volumes in library system: >4,000,000 In graduate lectures: 21–50 students Art volumes in library system: >50,000

241 Art journals in library system: >300 Funds available for graduate student travel: Yes Image Resources Fellowships Total number of images: >250,000 Institution and program maintain digital-image collections. Institution Fellowships are available to students of all levels. and program maintain slide collections. Institution subscribes to a Fellowships applications received last year: 3 digital-image library. Students have access to image collections. Fellowships awarded: 1 Students have opportunities to view works of art in local museums and Fellowships awarded to women: 1 commercial galleries. Fellowships awarded to minorities: 1 Program Opportunities Average amount of award/stipend: $25,000 Additional opportunities for study within the institution: Students can Fellowship maximum period of support: 3 years take general electives in any area of interest. Gallery or museum affiliated with the department: INOVA (Institute of Assistantships the Visual Arts) Assistantships are available to students of all levels. Formal programs: Museum training, study abroad. Various study-abroad Teaching assistantships applications received: 25 programs are available through the department in conjunction with the Teaching assistantships awarded: 13 Center for International Education. Students may earn a museum Teaching assistantships awarded to women: 6 studies certificate through the Art History department. Teaching assistantships awarded to minorities: 1 Formal relationships with local museums: Milwaukee Art Museum, Milwaukee Public Museum, John Michael Kohler Art Center and Villa Average amount of award/stipend: $23,000 Terrace Hours of work required per week: 13 Extracurricular opportunities for graduate students: Curate exhibitions, Teaching assistantship maximum period of support: 3 years conduct fieldwork, research for catalogues, present public outreach Working assistantships applications received: 25 lectures Working assistantships awarded: 6 Other special programs sponsored by the department: The Institute of Working assistantships awarded to women: 3 Visual Art and the Artists Now! Visiting Artist and Scholar Lecture Series are designed for a broad audience interested in contemporary art. These Working assistantships awarded to minorities: 0 nationally and internationally recognized practitioners explore and Average amount of award/stipend: $22,000 expand the boundaries of creative visual practice today. The department Hours of work required per week: 13 sponsors 20–30 lectures per year. Working assistantship maximum period of support: 3 years Other Campus Resources Other benefits: Tuition remission (part or full) Employment or career development office: Yes Other financial support: A limited number of graduate school fellowships provide stipend and tuition totaling $23,000. Advanced Office/center for international students: Yes Opportunity Program fellowships for members of groups There is a graduate-student housing office. Housing space is available in underrepresented in graduate study or otherwise disadvantaged provide dormitories and apartments. stipend and tuition totaling $25,000. Planned campus changes and facility improvements: With floor-to- ceiling windows, private and group studios, large display areas, seminar Health Insurance and meeting rooms, and fabrication facilities, including the highly Full-time master’s students receive health insurance coverage with esteemed Digital Craft Research Lab (DCRL), the Kenilworth Studios copayment. Health insurance coverage is available to dependents, Complex is but one of many unique buildings available for graduate spouses, unmarried domestic partners, and same-sex domestic partners students. The DCRL is dedicated to fostering innovative creative of full-time master’s students. research in the areas of design, craft, and art by combining advanced digital technology with traditional crafts practice. Environmental Health and Safety Occupational Safety and Health Administration (OSHA) regulations are in place for ventilation and respiratory protection, hazardous chemical UNIVERSITY OF WISCONSIN- safety (right-to-know), personal protective equipment, machine safety, hearing protection. Program meets the US Environmental Protection STOUT Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an MFA in Design environmental health and safety audit in the past five years. OSHA regulations are in place for ventilation and respiratory protection, 415 13th Ave. East hazardous chemical safety, personal protective equipment, machine 235 Applied Arts safety, and hearing protection. Methods used to familiarize students Menomonie, Dunn, Wisconsin, 54751 and faculty with environmental health and safety include publications, Phone: 715-232-3490 required training course, instruction in class, internet or intranet, faculty Fax: 715-232-1669 training, health and safety officer (full-time or part-time), shop www.uwstout.edu/programs/mfad/ technician, material safety data sheets (MSDS), training videos. Contact: Dr. Julie E. Peterson, [email protected] FINANCIAL INFORMATION Public university Accredited by: National Association of Schools of Art and Design, North Tuition Central Association of Colleges and Schools, Institutional Membership Full-time student tuition is determined per credit. in the Midwestern Association of Graduate Schools State residents: $1,065 Degrees awarded: Master’s degree Out-of-state residents: $1,844 Concentrations in: Animation, digital media, film, graphic design, International students: $1,844 industrial design, interior design, multidisciplinary, video Additional institutional fees: $440.95 The Master of Fine Arts in Design was developed in response to shifts in Part-time student tuition is determined per credit. the world economy that have moved the boundaries of design. Global competition, a workplace that increasingly values creative workers, the State residents: $1,065 increasing role of inquiry-based design, and the search for sustainability Out-of-state residents: $1,844 have created the need for a new model for graduate education in design. International students: $1,844 The MFA in Design prepares students to become transformational Additional institutional fees: $440.95 practitioners and/or educators with a focus on innovation, breaking boundaries, design leadership, and sustainable models of practice. Financial Aid Types of aid available: Tuition aid/remission, stipend, guaranteed loan, The University of Wisconsin–Stout is uniquely positioned to offer this teaching assistantship, research assistantship, work-study program. cross-disciplinary graduate program with courses delivered using Fellowship awards and assistantships are available through the traditional daytime, hybrid, evening, weekend, and online methods. department. The campus offers additional fellowship awards and Contributing areas include graphic, industrial, entertainment, game, and Chancellor’s Awards. Tuition and full stipend awarded to 21 students in interior design, interactive media, studio art, and art history. The School the previous academic year. of Art and Design provides a highly collaborative and productive environment. 242 DR. SARAH DIEBEL, World Art, joint appointment in Department of Art ADMISSIONS and Art History, Assistant Professor, non-tenure, PhD Deadline for fall: 4/1 MR. ERIK EVENSON, Foundations, joint appointment in Design, Fall notification date: 4/30 Program Director Industrial, Assistant Professor, tenure-track, MFA PROF. AMY FICHTER, Drawing (Studio), joint appointment in Application fee: $56 Department of Art and Art History, Professor, MFA Part-time students accepted: Yes MR. ROBERT FRAHER, Digital Media (Studio), joint appointment in Applications received 2015–16: 6 Department of Design, Assistant Professor, tenure-track, MFA Applications accepted 2015–16: 5 MR. VADIM GERSHMAN, Graphic Design, joint appointment in Department of Design, Assistant Professor, tenure-track, MFA Students enrolled 2015–16: 10 MR. THOMAS HOLLENBACK, Sculpture, joint appointment in Requirements: Bachelor’s degree (BA, BFA, or BSA), degree in subject Department of Art and Art History, Associate Professor, MFA area, GPA (3.0), TOEFL for foreign students (iBT 79), transcript, letters DR. URSULA HUSTED, Digital Media (Studio), joint appointment in of recommendation, résumé, statement of interest/personal statement, Program Director Entertainment Design, Assistant Professor, tenure- examples of personal artwork track, PhD MR. MARK JARMAN, Digital Media (Studio), joint appointment in CURRICULUM Game Design and Department of Design, Assistant Professor, tenure- track Courses MS. WENDY JEDLICKA, Industrial Design, joint appointment in Number offered to graduate students each term: 21 Department of Design, Adjunct/Contingent faculty, MS Number whose enrollment is limited to graduate students: 4 MS. KIM LOKEN, Digital Media (Studio), joint appointment in Department of Design, Assistant Professor, tenure-track, Other Average Class Size PROF. CHARLES LUME, Painting, joint appointment in Department of In graduate studios: 1–5 students Art and Art History, Professor, MFA In graduate seminars: 1–5 students PROF. KATE MAURY, Ceramics, joint appointment in Department of Art and Art History, Professor, MFA In graduate lectures: 1–10 students PROF. MAUREEN MITTON, Interior Design, joint appointment in Independent study available: Yes Department of Design, Professor, MA MS. COLLEEN MURPHY, Animation (Studio), joint appointment in Course of Study Department of Design, Assistant Professor, tenure-track, MFA Full-time residency requirement: 3 years MR. NOAH NORTON, Industrial Design, joint appointment in Maximum number of years for residency: 7 Department of Design, Associate Professor, MFA Average number of years for residency: 3 MS. KELLY O’BRIEN, Sculpture, joint appointment in Department of Design, Assistant Professor, tenure-track, MFA, Georgia State This program has an online learning component. University, 2012 Typical number of credit hours per term for a full-time student: 9 MS. ANNE OLSON, Interior Design, joint appointment in Department Total number of credit hours required for graduation: 60 of Design, Adjunct/Contingent faculty, BA Total in studio art: 21 MS. MASAKO ONODERA, Metals, joint appointment in Department of Art and Art History, Assistant Professor, tenure-track, MFA Total in area of concentration: 9 MS. SHELLEY PECHA, Interior Design, joint appointment in Total in art history: 6 Department of Design, Associate Professor, MFA Total in graduate seminars: 15 DR. JULIE PETERSON, Interior Design, joint appointment in Program Electives: 9 Director of Design, Chair, PhD MR. KEVIN PONTUTI, Digital Media (Studio), joint appointment in Degree requirements: Written thesis, solo exhibition, individual Department of Design, Associate Professor, MFA presentation of thesis work, critique of thesis work, documentation of PROF. BENJAMIN PRATT, Industrial Design, joint appointment in thesis work for program archive, oral defense of work, thesis Department of Design, Professor, MID committee/exhibition jury. To support the creative thesis project and MS. KRISTINE RECKER, Foundations, joint appointment in Department visual exhibition, MFA in Design candidates develop a written thesis. of Design, Adjunct/Contingent faculty, MArch PROF. BRYAN RITCHIE, Printmaking, joint appointment in Department STUDENTS of Art and Art History, Chair, Professor, MFA Number of students in residence: Master’s, 10 PROF. NAGESH SHINDE, Graphic Design, joint appointment in Student organizations within the program/department: University of Department of Design, Professor, MFA Wisconsin–Stout graduate students can participate in any of the campus MS. KARI TARR, Painting, joint appointment in Department of Art and student organizations. Graduate students are often asked to sit on Art History, Adjunct/Contingent faculty, MFA university committees and program advisory committees. MR. TIMOTHY TOZER, Drawing (Studio), joint appointment in Department of Art and Art History, Associate Professor, MFA FACULTY MS. MAUREEN URAVITCH, Foundations, joint appointment in Number of faculty: 50 Department of Art and Art History, Adjunct/Contingent faculty, MFA PROF. GEOFFREY WHEELER, Ceramics, joint appointment in Tenured/tenure track: 19 men, 13 women Department of Art and Art History, Professor, MFA Part-time/adjunct lecturers: 3 men, 8 women MR. JOSHUA WILICHOWSKI, Foundations, joint appointment in Full-time contractual: 4 men, 3 women Department of Design, Adjunct/Contingent faculty, MFA MR. TIMOTHY ALBERG, Foundations, joint appointment in DR. ANDREW WILLIAMS, World Art, joint appointment in Department Department of Art and Art History, Adjunct/Contingent faculty, MFA of Art and Art History, Assistant Professor, tenure-track, PhD MS. JENNIFER ASTWOOD, Industrial Design, joint appointment in Recent Visiting Faculty Department of Design, Associate Professor, MFA MR. ROBERT ATWELL, Foundations, joint appointment in Department MS. RACHEL BRUYA, Printmaking, Adjunct/Contingent faculty, MFA of Art and Art History, Associate Professor, MFA MR. KARL KOEHLE, Digital Media (Studio), joint appointment in MR. DANIEL ATYIM, Foundations, joint appointment in Department of Entertainment/Game Design, Adjunct/Contingent faculty, BS Art and Art History, Assistant Professor, tenure-track, MFA MR. JASON LITTLE, Digital Media (Studio), Adjunct/Contingent faculty, MR. DAVID BECK, Digital Media (Studio), joint appointment in BA Associate Dean, Chair, MFA MS. KATHERINE LUPTON, Graphic Design, Adjunct/Contingent faculty, MS. EMILY BECK, Foundations, joint appointment in Department of Art MFA and Art History, Adjunct/Contingent faculty, MFA MR. DAVID RICHTER-O’CONNELL, Industrial Design, DR. CYNTHIA BLAND, World Art, joint appointment in Department of Adjunct/Contingent faculty, MFA Art and Art History, Chair, PhD MR. JOSHUA SEAVER, Digital Media (Studio), joint appointment in MR. SHANNON BRADY, Graphic Design, joint appointment in Entertainment/Game Design, Adjunct/Contingent faculty Department of Design, Adjunct/Contingent faculty, MFA DR. JANE VENES, Graphic Design, Adjunct/Contingent faculty, PhD MS. TAMARA BRANTMEIER, Painting, joint appointment in Department of Art and Art History, Associate Professor, MFA DR. JAMES BRYAN, World Art, joint appointment in Department of Art RESOURCES AND SPECIAL PROGRAMS and Art History, Associate Professor, PhD Private studios are available with limited hours for all. Students have the MS. CAREY DEAN, Foundations, joint appointment in Department of opportunity to exhibit their work in a gallery associated with the Art and Art History, Adjunct/Contingent faculty, MFA department or institution, local galleries, a graduate thesis exhibition. MR. ALEX DEARMOND, Graphic Design, joint appointment in The School of Art and Design has extensive computing, digital, and Department of Design, Chair, MFA media equipment. Plans are underway to enhance digital technology and

243 digital-rendering systems to support the program as it grows. Libraries VERMONT COLLEGE OF FINE Total volumes in library system: >500,000 Art volumes in library system: >50,000 ARTS Art journals in library system: >500 Students have library privileges at other institutional libraries. Visual Art Image Resources Vermont College of Fine Arts Total number of images: >250,000 36 College St. Program maintains its own digital-image collection. Program maintains Montpelier, Vermont, 05602 its own slide collection. Institution subscribes to a digital-image library. Phone: 802-828-8600 Students have access to image collections. Students have opportunities www.vcfa.edu to view works of art in local museums, commercial galleries, and on funded field trips. Contact: David Markow, [email protected] Private college Program Opportunities Accredited by: New England Association of Schools and Colleges Gallery or museum affiliated with the department: The Furlong Gallery & Degrees awarded: Master’s degree Gallery 209 Concentrations in: 2-dimensional design, 3-dimensional design, Formal programs: Study abroad. The MFA in Design program is building ceramics, digital media, drawing, environmental art, glass, installation, international relationships and offers study-abroad opportunities. metals, painting, paper, performance, photography, printmaking, public Formal relationships with local museums: Mabel Tainter Center for the art, sculpture, sound, video, visual studies, writing/word art Arts First graduate degree granted: MFA, 1993 Extracurricular opportunities for graduate students: Curate exhibitions, The Master of Fine Arts in Visual Art program at Vermont College of conduct fieldwork, research for catalogues, present public outreach Fine Arts allows students to earn a sixty-credit MFA degree over a period lectures. The department sponsors 5–10 lectures per year. of two years through a combination of ten-day, on-campus residencies Other Campus Resources followed by six-month semesters of self-designed studio practice. Students work from their home studios in the context of the Employment or career development office: Yes communities in which they live, work, and make art. Since 1991 the MFA Office/center for international students: Yes in Visual Art program has based its educational success on the principle Off-campus housing is utilized for graduate students. of individualized learning. In the program, students complete a series of Planned campus changes and facility improvements: UW-Stout has been interdisciplinary writing projects with a faculty member and pursue their continually upgrading facilities; a few highlights are the Memorial studio work with a local artist chosen in collaboration with the program. Student Center, Harvey Hall Theater, Jarvis Hall Science Building, and This system encourages artists to develop their own mentoring system North Point Dining/Fitness Center. Harvey Hall finished a proposed $28 and determine educational values and expectations according to self- million renovation and opened fall 2016. initiated ideas of progress and professionalism. Environmental Health and Safety ADMISSIONS Occupational Safety and Health Administration (OSHA) regulations are Deadline for fall: 3/1 in place for ventilation and respiratory protection, hazardous chemical Fall notification date: 3/15 safety (right-to-know), personal protective equipment, machine safety, Deadline for spring: 10/1 hearing protection. Program meets the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including Spring notification date: 10/15 spill procedures and material disposal. Program has performed an Application fee: $75 environmental health and safety audit in the past five years. Regulated Applications received 2015–16: 82 ventilation for solvents and dust is provided in studios. Methods used Applications accepted 2015–16: 48 to familiarize students and faculty with environmental health and safety include required training course, instruction in class, internet or Students enrolled 2015–16: 27 intranet, faculty training, health and safety officer (full-time or part- Requirements: Transcript, letters of recommendation, résumé, time), shop technician, material safety data sheets (MSDS), training statement of interest/personal statement, examples of personal artwork videos. Recommended: Bachelor’s degree (BA, BFA, or BSA), related professional experience, campus visit, in-person or phone interview FINANCIAL INFORMATION Tuition CURRICULUM Full-time student tuition is determined per credit. Course of Study All students: $925 Full-time residency requirement: None Financial Aid This program has a low-residency component. Typical number of credit hours per term for a full-time student: 15 Types of aid available: Graduate assistantships. Opportunities are available to serve as a resident advisor on a floor community or as Total number of credit hours required for graduation: 60 assistant hall director. Resident advisors receive remuneration in the Degree requirements: Written thesis, thesis or artist’s statement, group form of room and board. Annual scholarships offered via Stout exhibition, documentation of thesis work for program archive, oral University Foundation: www.uwstout.edu/foundation/scholarships/. defense of work Funds available for graduate student travel: Yes STUDENTS Assistantships Number of students in residence: Master’s, 60 Assistantships are available to students of all levels. Number of male graduates fall 2015–summer 2016: Master’s, 13 Working assistantships applications received: 3 Number of female graduates fall 2015–summer 2016: Master’s, 12 Working assistantships awarded: 3 Average amount of award/stipend: $3,488 FACULTY Hours of work required per week: 6.7 Number of faculty: 9 Other financial support: Graduate students who hold a research Tenured/tenure track: 0 men, 0 women assistantship appointment for one semester and for at least 33 percent Part-time/adjunct lecturers: 4 men, 5 women of full-time enrollment are eligible to receive health insurance coverage Full-time contractual: 0 men, 0 women with copayment. Coverage is available to dependents, spouses, DALIDA MARIA BENFIELD, Digital Media (Studio), Adjunct/Contingent unmarried domestic partners, and same-sex domestic partners. faculty, PhD MICHELLE DIZON, Film, Adjunct/Contingent faculty LUIS JACOB, Curatorial Studies, Adjunct/Contingent faculty, University of Toronto MICHAEL MINELLI, Sculpture, Adjunct/Contingent faculty HUMBERTO RAMIREZ, Video (Studio), Adjunct/Contingent faculty DONT RHINE, Sound, Adjunct/Contingent faculty

244 MARIE SHURKUS, Contemporary Art, Adjunct/Contingent faculty ability, to build fluency in design discourse and visual culture, and to CAULEEN SMITH, Film, Adjunct/Contingent faculty, MFA help students to claim agency in the larger context of design. Students FAITH WILDING, Performance, Adjunct/Contingent faculty begin each semester with a week-long residency with faculty, peers, and guest designers at the Montpelier campus for lectures, critiques, RESOURCES AND SPECIAL PROGRAMS workshops, and discussions. Students and advisors work closely Students have the opportunity to exhibit their work in a gallery together during the course of the semester via Skype, file-sharing, associated with the department or institution, a graduate thesis phone, and email. exhibition. ADMISSIONS Libraries This program has rolling admissions. Total volumes in library system: >500,000 Deadline for fall: 7/5 Art volumes in library system: >50,000 Fall notification date: 8/1 Art journals in library system: >200 Deadline for spring: 1/15 Students have library privileges at other institutional libraries. Spring notification date: 2/1 Image Resources Application fee: $75 Institution subscribes to a digital-image library. Applications received 2015–16: 34 Program Opportunities Applications accepted 2015–16: 31 Additional opportunities for study within the institution: Postgraduate Students enrolled 2015–16: 42 Semesters Requirements: Bachelor’s degree (BA, BFA, or BSA), transcript, letters of Gallery or museum affiliated with the department: VCFA Gallery recommendation, résumé, statement of interest/personal statement, Other special programs sponsored by the department: As a low- examples of personal artwork residency program, students are encouraged to utilize opportunities Recommended: Degree in subject area, campus visit, in-person or outside the curriculum in their own geographic areas, as well as visiting phone interview, contact the program for additional requirements galleries and museums far and wide. CURRICULUM Other Campus Resources Housing space is available in dormitories. Students from a far distance Average Class Size receive priority for housing. This is an entirely low-residency campus. Independent study available: Yes During residencies, students stay on campus. Course of Study Planned campus changes and facility improvements: Significant renovations and upgrades to existing exhibition space will be complete Full-time residency requirement: None in 2015. Maximum number of years for residency: No maximum Average number of years for residency: 2 Environmental Health and Safety This program has a low-residency component. Program does not meet the US Environmental Protection Agency (EPA) and state regulations for hazardous materials, including spill procedures Typical number of credit hours per term for a full-time student: 15 and material disposal. Program has not performed an environmental Total number of credit hours required for graduation: 60 health and safety audit in the past five years. Methods used to Degree requirements: Thesis or artist’s statement, solo exhibition. Over familiarize students and faculty with environmental health and safety the course of four to six semesters, students create a portfolio of design include information in student handbook. work and research, concluding the program with a thesis project consisting of a body of creative work and a critical text. FINANCIAL INFORMATION STUDENTS Tuition Number of students in residence: Master’s, 42 Full-time student tuition is determined per semester. Student organizations within the program/department: Graduation All students: $10,831 Committee, Diversity Committee Financial Aid FACULTY Types of aid available: Federal student loans and merit scholarships are available. Number of faculty: 14 Tenured/tenure track: 7 men, 5 women Part-time/adjunct lecturers: 0 men, 0 women Full-time contractual: 1 man, 1 woman TASHEKA ARCENEAUX-SUTTON, Graphic Design, Professor VERMONT COLLEGE OF FINE GEOFF HALBER, Graphic Design, Professor NATALIA ILYIN, Critical Theory, Design History, Professor ARTS NICOLE JUEN, Art Education, Graphic Design, Professor BETHANY KOBY, Graphic Design, Professor YOON SOO LEE, Art Education, Graphic Design, Professor Masters of Fine Arts, Graphic Design IAN LYNAM, Graphic Design, Design History, Chair MATTHEW MONK, Graphic Design, Arts Administration, Professor Vermont College of Fine Arts ZIDDI MSANGI, Art Education, Graphic Design, Professor 36 College St. DAVE PEACOCK, Graphic Design, Chair Montpelier, Vermont, 05602 SEREINA ROTHENBERGER, Graphic Design, Professor Phone: 802-828-8535 DAVID SCHATZ, Graphic Design, Professor www.vcfa.edu/graphic-design Recent Visiting Faculty Contact: Jenn Renko, [email protected] SILAS MUNRO, Graphic Design, Critical Theory, Professor Private college ANNE WEST, Graphic Design, Professor, Rhode Island School of Design Accredited by: New England Association of Schools and Colleges Degrees awarded: Master’s degree Concentrations in: Graphic design RESOURCES AND SPECIAL PROGRAMS First graduate degree granted: MFA, 2013 Students have the opportunity to exhibit their work in a gallery The MFA in Graphic Design at VCFA allows students to earn a master’s associated with the department or institution, a graduate thesis degree through a combination of weeklong residencies on campus and exhibition. The VCFA library houses a digital media lab that has large- six-month semesters of concentrated work that is guided by faculty and standard-format printers, scanners, and Mac hardware fully loaded advisors. with Adobe Creative Suite and other design software. VCFA now offers two-year and three-year programs. The two-year MFA is Libraries designed for students with backgrounds or degrees in a graphic design field; the three-year MFA is designed for students with backgrounds in Total volumes in library system: >500,000 liberal arts, fine arts, and sciences. The MFA has four objectives: to Art volumes in library system: >50,000 develop design skills in form, content, and craft, to deepen critical Art journals in library system: >200

245 Students have library privileges at other institutional libraries. Concentrations in: 2-dimensional design, 3-dimensional design, Image Resources animation, art education, ceramics, digital media, drawing, Total number of images: >100,000 environmental art, fiber arts, film, glass, graphic design, installation, Institution and program maintain digital-image collections. Institution interior design, metals, multidisciplinary, painting, photography, subscribes to a digital-image library. Students have access to image printmaking, sculpture, sound, visual studies collections. Students have opportunities to view works of art in local First graduate degree granted: MFA, 1959 museums, commercial galleries, and private collections. The School of the Arts, located in Richmond, Virginia, is composed of 16 programs and more than 3,200 students. The VCU campus in Doha, Program Opportunities Qatar, adds an additional five undergraduate programs, one graduate Extracurricular opportunities for graduate students: Curate exhibitions, program, and another 300 students. Graduate students in eleven degree conduct fieldwork, present public outreach lectures programs and 20 concentrations dedicate time in their studios while Other special programs sponsored by the department: The MFA in interacting with graduate faculty and an international roster of visiting Graphic Design at VCFA is one of the nation’s first low-residency artists. The graduate programs thrive in a collegial atmosphere of high programs in graphic design that is built around a student’s individual expectations and have received national and international recognition design interests and goals. Students come from diverse creative for the quality of their students and the success of alumni. VCUarts was backgrounds and can earn a master’s degree without leaving their the top-ranked public university school of arts and design in the country community. The department sponsors 5–10 lectures per year. by “U.S. News & World Report” in 2016. Other Campus Resources ADMISSIONS Housing space is available in dormitories. Students from a far distance Deadline for fall: 1/15 receive priority for housing. This is an entirely low-residency campus. Fall notification date: 4/15 During residencies, students stay on campus. Application fee: $65 Planned campus changes and facility improvements: The MFA in Graphic Design Program continues to grow and graduated its first class Applications received 2015–16: 662 of 16 students in October 2013. NASAD accreditation is being pursued. Applications accepted 2015–16: 96 The library collections and digital facilities have grown substantially with Students enrolled 2015–16: 54 regard to design resources, and the gallery facilities are being upgraded. Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign students (PBT 600), transcript, letters of recommendation, résumé, Environmental Health and Safety statement of interest/personal statement, writing sample, examples of Occupational Safety and Health Administration (OSHA) regulations are personal artwork in place for hazardous chemical safety (right-to-know). Program meets the US Environmental Protection Agency (EPA) and state regulations for Recommended: Degree in subject area, GPA (3.0), artist’s statement, hazardous materials, including spill procedures and material disposal. related internship experience, related professional experience, campus Program has not performed an environmental health and safety audit in visit the past five years. On-campus private or semiprivate studios or work spaces are not available due to the low-residency model of education. CURRICULUM The digital studio is where students make work while on campus for Average Class Size residencies. In graduate studios: 11–15 students FINANCIAL INFORMATION In graduate seminars: 11–15 students In graduate lectures: 11–20 students Tuition Independent study available: Yes Full-time student tuition is determined per semester. All students: $11,740 Course of Study Additional institutional fees: $1,295 Full-time residency requirement: 1 year Average number of years for residency: 2 Financial Aid Typical number of credit hours per term for a full-time student: 15 Types of aid available: Tuition aid/remission. Federal graduate loan programs. Total number of credit hours required for graduation: 60 Total in studio art: 60 Fellowships Total in area of concentration: 32 Fellowships awarded: 3 Total in graduate seminars: 16 Assistantships Electives: 12 Working assistantships awarded: 3 Degree requirements: Written thesis, thesis or artist’s statement, concentration, solo exhibition, critique of thesis work, oral defense of Other benefits: Tuition remission (part or full) work, oral art history exam, thesis committee/exhibition jury, Other financial support: Merit and need-based program scholarships are professional practices course available. Recommended: Group exhibition, individual presentation of thesis work, documentation of thesis work for program archive STUDENTS Number of students in residence: Master’s, 99 VIRGINIA COMMONWEALTH Number of male graduates fall 2015–summer 2016: Master’s, 17 UNIVERSITY Number of female graduates fall 2015–summer 2016: Master’s, 28 Student organizations within the program/department: VCU Graduate Student Organization, School of the Arts Graduate Student Advisory Studio Art and Design Committee School of the Arts Virginia Commonwealth University FACULTY 325 North Harrison St. Number of faculty: 77 Richmond, Virginia, 23284 Tenured/tenure track: 37 men, 29 women Phone: 804-828-2787 Part-time/adjunct lecturers: 4 men, 7 women Fax: 804-828-6469 Full-time contractual: 0 men, 0 women www.arts.vcu.edu ELISSA ARMSTRONG, Arts Administration, joint appointment in Art Contact: Susan Martin or Margaret Lindauer, [email protected], Foundation, Assistant Professor, tenure-track, MFA, Alfred University [email protected] PETER BALDES, Digital Media (Studio), Associate Professor, MFA, Public university; nonprofit corporation Alfred University Accredited by: Council for Interior Design Accreditation, National DINA BANGDEL, South Asian Art, Associate Professor, PhD, Ohio State Association of Schools of Art and Design, National Council for University Accreditation of Teacher Education, Southern Association of Colleges CARA BENEDETTO, Printmaking, Assistant Professor, tenure-track, and Schools MFA, Columbia University RUTH BOLDUAN, Painting, Drawing (Studio), Professor, MFA, Degrees awarded: Master’s degree 246 American University track, MFA MELANIE BUFFINGTON, Art Education (Studio), Associate Professor, MARY BETH REED, Film, Associate Professor, MFA PhD, Ohio State University CATHERINE ROACH, Nineteenth-Century Art, Assistant Professor, DAVID BURTON, Art Education, Professor, PhD, Pennsylvania State tenure-track, PhD, Columbia University University SEMI RYU, Digital Media (Studio), Associate Professor, MFA KENDALL BUSTER, Sculpture, Public Art (Studio), Professor, MFA JON-PHILLIP SHERIDAN, Photography (Studio), Assistant Professor, ROBERT CARTER, Graphic Design, Professor, MFA, University of Illinois non-tenure, MFA at Urbana-Champaign DAVID SHIELDS, Graphic Design, Associate Professor, MFA, Cranbrook KATHLEEN CHAPMAN, Nineteenth-Century Art, Twentieth-Century Art, Academy of Art Assistant Professor, tenure-track, PhD, University of Southern California EMILY SMITH, Interior Design, Assistant Professor, non-tenure, MFA, LAURA CHESSIN, Graphic Design, Associate Professor, MFA, Rhode Virginia Commonwealth University Island School of Design ROBERT SMITH, Interior Design, Assistant Professor, non-tenure, MFA, MELANIE CHRISTIAN, Arts Administration, Painting, Assistant Virginia Commonwealth University Professor, non-tenure, MFA JAVIER TAPIA, Painting, Associate Professor, MFA, University of Texas SONYA CLARK, Fiber Arts, Associate Professor, MFA, Cranbrook at Austin Academy of Art PAM TAYLOR, Art Education (Studio), Associate Professor, PhD, ALFRED BLAIR CLEMO, Ceramics, Assistant Professor, tenure-track, Pennsylvania State University MFA, Alfred University LAUREN THORSON, Graphic Design, Assistant Professor, non-tenure, ANDREA CONNELL, Ceramics, Assistant Professor, tenure-track, MFA, MFA, Minneapolis College of Art and Design Ohio State University PAUL THULIN, Photography (Studio), Assistant Professor, tenure-track, SARAH CUNNINGHAM, Art Education, Assistant Professor, non- MFA, Virginia Commonwealth University tenure, PhD, Vanderbilt University STEPHANIE THULIN, Photography (Studio), joint appointment in JAMES FARMER, Pre-Columbian Art, Associate Professor, PhD, Digital Imaging, Assistant Professor, non-tenure, MFA, Maryland University of Texas at Austin Institute College of Art JOHN FREYER, Photography (Studio), Assistant Professor, tenure-track, ROBERT TREGENZA, Film, Professor, PhD, University of California, Los MFA Angeles SUSIE GANCH, Metals, Associate Professor, MFA, University of PAM TURNER, Animation (Studio), Associate Professor, MFA, Virginia Wisconsin-Madison Commonwealth University ERIC GARBERSON, Nineteenth-Century Art, Associate Professor, PhD, ROBERTO VENTURA, Interior Design, Assistant Professor, tenure-track, Johns Hopkins University MArch, Miami University HOPE GINSBURG, Performance, Installation (Studio), Associate STEPHEN VITIELLO, Sound, Associate Professor, BA Professor, MS, Massachusetts Institute of Technology GREGORY VOLK, Contemporary Art, Associate Professor, MA RENI GOWER, Painting, Drawing (Studio), Professor, MFA, Syracuse SASHA WATERS FREYER, Film, Associate Professor, MFA, Temple University University SONALI GULATI, Film, Associate Professor, MFA, Temple University JACK WAX, Glass, Professor, MFA, Rhode Island School of Design CORIN HEWITT, Sculpture, Photography (Studio), Associate Professor, SANDY WHEELER, Graphic Design, Associate Professor, MFA, Virginia MFA, Center for Curatorial Studies, Bard College Commonwealth University ROBERT HOBBS, Contemporary Art, Professor, PhD CAMDEN WHITEHEAD, Interior Design, Associate Professor, MA, STEVE HOSKINS, Graphic Design, Associate Professor, MFA, Rhode Vladimir Polytechnic Institute Island School of Design HILARY WILDER, Painting, Associate Professor, MFA, University of ANDREW ILLNICKI, Graphic Design, Assistant Professor, non-tenure, Wisconsin-Madison MFA, Virginia Commonwealth University SARA WILSON MCKAY, Art Education (Studio), Associate Professor, RON JOHNSON, Painting, Assistant Professor, non-tenure, MFA, PhD, Pennsylvania State University Virginia Commonwealth University COURTNIE WOLFGANG, Art Education, Assistant Professor, tenure- BOB KAPUTOF, Video (Studio), Associate Professor, MFA, University of track, PhD, Ohio State University California, Berkeley MATT WOOLMAN, Graphic Design, Associate Professor, MFA, Virginia NICOLE KILLIAN, Graphic Design, Assistant Professor, tenure-track, Commonwealth University MFA, Cranbrook Academy of Art BOHYUN YOON, Glass, Assistant Professor, tenure-track, MFA, Rhode MATT KING, Sculpture, Associate Professor, MFA, Center for Curatorial Island School of Design Studies, Bard College CHRISTIANA LAFANZANI, Interior Design, Associate Professor, MFA, RESOURCES AND SPECIAL PROGRAMS Virginia Commonwealth University Private studios are available with unlimited hours for all. Students have COLIN LANG, Contemporary Art, Assistant Professor, tenure-track, the opportunity to exhibit their work in a gallery associated with the PhD, Yale University department or institution, local galleries, a graduate thesis exhibition. BABATUNDE LAWAL, African Art (sub-Saharan), Professor, PhD, Resources include large format printing, photographic quality digital Indiana University output, 3-D printing, metal and wood workshops, laser cutting, CNC PAMELA LAWTON, Art Education, Associate Professor, EdD, Columbia routing, letterpress, ceramics, glassblowing, metalworking and many University other specialized equipment. The newly renovated Depot building is MASSA LEMU, Sculpture, Assistant Professor, tenure-track, MA, home to 3-D printing facilities, a motion capture studio, a cyc wall and Savannah College of Art and Design green screen facilities, as well as interdisciplinary working space. MARGARET LINDAUER, Museum Studies, Associate Professor, PhD, Arizona State University Libraries JAMIE MAHONEY, Graphic Design, Assistant Professor, non-tenure, Total volumes in library system: >2,000,000 MFA, Virginia Commonwealth University HEATH MATYSEK-SNYDER, Sculpture, Assistant Professor, tenure- Art volumes in library system: >400,000 track, MFA, University of Wisconsin-Madison Art journals in library system: >1,000 RAB MCCLURE, Interior Design, Associate Professor, MA, Yale Students have library privileges at other institutional libraries. University ORLA MCHARDY, Film, Assistant Professor, tenure-track, MFA, School Image Resources of the Art Institute of Chicago Total number of images: >1,000,000 AARON MCINTOSH, Fiber Arts, Assistant Professor, tenure-track, MFA, Institution maintains its own digital-image collection. Institution Virginia Commonwealth University maintains its own slide collection. Institution subscribes to a digital- MICHAEL MCKEAN, Sculpture, Associate Professor, MFA, Alfred image library. Students have access to image collections. Students have University opportunities to view works of art in local museums, commercial ROY MCKELVEY, Graphic Design, Associate Professor, MS, Carnegie galleries, and private collections. Mellon University Program Opportunities IRVIN MORAZAN, Sculpture, Assistant Professor, tenure-track, MFA, Hunter College Additional opportunities for study within the institution: VCU’s School HOLLY MORRISON, Printmaking, Associate Professor, MFA, Cranbrook of the Arts is housed within a RU/VH institution (very high research Academy of Art activity) in the Carnegie classification. Many options for students to CARLTON NEWTON, Sculpture, Associate Professor, MFA, San study outside the School of the Arts curriculum are available. Francisco Art Institute Gallery or museum affiliated with the department: Anderson Gallery BOB PARIS, Video (Studio), Associate Professor, MA, University of Formal programs: Museum training California, Berkeley Formal relationships with other academic institutions: Design students RYAN PATTON, Art Education, Assistant Professor, tenure-track, PhD can arrange exchanges at the VCUarts campus in Doha, Qatar. DEBORAH QUICK, Ceramics, Assistant Professor, non-tenure, MFA Formal relationships with local museums: VCUarts has a consortial JUSTIN J. REED, Photography (Studio), Assistant Professor, tenure- relationship with the Virginia Museum of Fine Arts for the museum 247 studies/curatorial program in the art history department. There are also Public university; nonprofit corporation many informal collaborations with museum staff and curators. Accredited by: Southern Association of Colleges and Schools Extracurricular opportunities for graduate students: Curate exhibitions, Degrees awarded: Master’s degree; Doctoral degree; Certificate conduct fieldwork, research for catalogues Concentrations in: Animation, digital media, installation, Other special programs sponsored by the department: Each year multidisciplinary, sound, video, visual studies graduate research grants and many travel grants are awarded, in addition to a host of other forms of institutional support specifically for First graduate degree granted: MFA, 2013 graduate students. The department sponsors 50–60 lectures per year. The MFA in Creative Technologies prepares students to use digital and new media technologies to create, communicate, and shape information Other Campus Resources and knowledge. The program addresses emerging trends in scientific Employment or career development office: Yes and research arenas, art and design, and industrial/commercial contexts. The program is cross-disciplinary, designed to work with Office/center for international students: Yes individual students on an individual basis. Students make original work Abundant local housing options are available for graduate students. in animation, data visualization, interactive environments, video, motion Richmond has a relatively inexpensive housing market and graduate graphics, creative coding, and app development. Students connect with students can easily find a place to live. faculty not only in SOVA but also in sciences, engineering, and Planned campus changes and facility improvements: The School of the performing arts. The school is integrally related to the Institute for Arts is building an Institute for Contemporary Art, designed by Stephen Creativity, Arts, and Technology and the new Center for the Arts at Holl Architects, scheduled to open in 2017. Virginia Tech. MFA students in SOVA build a unique connection with technology-based faculty in art and design, which bridges to the larger Environmental Health and Safety community of creative researchers, educators, and Occupational Safety and Health Administration (OSHA) regulations are commercial/industrial practitioners. in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, ADMISSIONS hearing protection. Program meets the US Environmental Protection Deadline for fall: 2/15 Agency (EPA) and state regulations for hazardous materials, including spill procedures and material disposal. Program has performed an Fall notification date: 3/18 environmental health and safety audit in the past five years. The fine arts Application fee: $75 building, built in 2000, was provisioned with state-of-the-art ventilation. Part-time students accepted: Yes Labs are in compliance with OSHA regulations. Methods used to Applications received 2015–16: 21 familiarize students and faculty with environmental health and safety include instruction in class, faculty research, shop technician. Applications accepted 2015–16: 7 Students enrolled 2015–16: 6 FINANCIAL INFORMATION Requirements: Bachelor’s degree (BA, BFA, or BSA), GPA (3.0), TOEFL for foreign students (iBT 80), transcript, letters of recommendation, Tuition résumé, statement of interest/personal statement, examples of personal Full-time student tuition is determined per semester. artwork, contact the program for additional requirements State residents: $5,447 Recommended: Degree in subject area, artist’s statement, related Out-of-state residents: $11,198 internship experience, related professional experience, campus visit International students: $11,198 CURRICULUM Additional institutional fees: $2,363 Part-time student tuition is determined per credit. Courses Number offered to graduate students each term: 20 Financial Aid Number whose enrollment is limited to graduate students: 4 Types of aid available: Tuition aid/remission, stipend, teaching assistantship, research assistantship. Tuition and full stipend awarded Average Class Size to 46 students in the previous academic year. Partial tuition awarded to In graduate studios: 6–10 students 5 students in the previous academic year. In graduate seminars: 6–10 students Funds available for graduate student travel: Yes In graduate lectures: 11–20 students Fellowships Independent study available: Yes Fellowships are available to students of all levels. Course of Study Assistantships Full-time residency requirement: 3 terms Assistantships are available to students of all levels. Maximum number of years for residency: No maximum Teaching assistantships awarded: 34 Average number of years for residency: 3 Teaching assistantships awarded to women: 15 Typical number of credit hours per term for a full-time student: 12 Average amount of award/stipend: $10,000 Total number of credit hours required for graduation: 60 Hours of work required per week: 20 Total in studio art: 30 Teaching assistantship maximum period of support: 2 years Total in area of concentration: 12 Working assistantships awarded: 12 Total in art history: 9 Working assistantships awarded to women: 9 Electives: 9 Average amount of award/stipend: $10,000 Degree requirements: Thesis or artist’s statement, concentration, group Hours of work required per week: 20 exhibition, individual presentation of thesis work, critique of thesis work, documentation of thesis work for program archive, oral defense of work, Working assistantship maximum period of support: 2 years thesis committee/exhibition jury, technology course Other benefits: Tuition remission (part or full) Recommended: Written thesis, professional practices course STUDENTS Number of students in residence: Master’s, 19 VIRGINIA TECH Number of male graduates fall 2015–summer 2016: Master’s, 3 Number of female graduates fall 2015–summer 2016: Master’s, 4 Formal mode of student participation in academic governance: School of Visual Arts Membership in Graduate Student Assembly; five graduate students 203 Draper Rd. serve the University Commission on Graduate Studies and Policies; one Virginia Tech graduate student serves on the University Board of Visitors; one student Blacksburg, Virginia, 24061 serves on program’s steering committee. Phone: 540-231-5547 Fax: 540-231-5760 ct.sova.vt.edu Contact: Associate Professor Thomas Tucker, [email protected]

248 FACULTY FINANCIAL INFORMATION Number of faculty: 9 Tuition Tenured/tenure track: 6 men, 3 women Full-time student tuition is determined per semester. Part-time/adjunct lecturers: 0 men, 0 women State residents: $7,266 Full-time contractual: 0 men, 0 women Out-of-state residents: $13,882 PROF. SAM BLANCHARD, Sculpture, Digital Media (Studio), joint appointment in Inst for Creativity, Arts, & Technology, Assistant Additional institutional fees: $1,033 Professor, tenure-track, MFA, Rhode Island School of Design Part-time student tuition is determined per credit hour. DR. KEVIN CONCANNON, Contemporary Art, Chair, PhD, Virginia State residents: $692.50 Commonwealth University Out-of-state residents: $1,394 PROF. MEAGHAN DEE, Graphic Design, Assistant Professor, tenure- track, MFA, Virginia Commonwealth University Additional institutional fees: $474.50 PROF. TRAVIS HEAD, Drawing (Studio), Painting, Assistant Professor, Financial Aid tenure-track, MFA, University of Iowa DR. SIMONE PATERSEN, Digital Media (Studio), joint appointment in Types of aid available: Tuition aid/remission, stipend, teaching Women’s Studies, Gender, Bodies & Tech, Associate Professor, PhD, assistantship, research assistantship. Tuition and full stipend awarded Newcastle University to 12 students in the previous academic year. PROF. ERIC STANDLEY, Object Design, Foundations, Associate Assistantships Professor, MFA, Savannah College of Art and Design PROF. THOMAS TUCKER, Digital Media (Studio), joint appointment in Assistantships are available to students of all levels. Inst for Creativity, Arts, & Technology, Associate Professor, MFA, School Teaching assistantships applications received: 0 of the Art Institute of Chicago Teaching assistantships awarded: 0 PROF. RACHEL WEAVER, Digital Media (Studio), joint appointment in Teaching assistantships awarded to women: 0 Inst. for Creativity, Arts, & Technology, Assistant Professor, tenure-track, MFA, Indiana University Average amount of award/stipend: $16,542 PROF. DANE WEBSTER, Digital Media (Studio), Photography (Studio), Hours of work required per week: 20 joint appointment in Inst for Creativity, Arts, & Technology, Associate Teaching assistantship maximum period of support: 3 years Professor, MFA, Washington State University Working assistantships applications received: 12 RESOURCES AND SPECIAL PROGRAMS Working assistantships awarded: 12 Studios are available with unlimited hours for all. Students have the Working assistantships awarded to women: 9 opportunity to exhibit their work in a gallery associated with the Average amount of award/stipend: $16,542 department or institution, local galleries, a graduate thesis exhibition. Hours of work required per week: 20 Digital Arts and Animation Lab (DAAS) provides a high-end digital Working assistantship maximum period of support: 3 years environment for animation, digital video, data visualization, and interactivity. Extensive digital studios are available for research projects Other benefits: Tuition remission (part or full) through the Institute for Creativity, Arts, and Technology. Health Insurance Libraries Full-time master’s students receive health insurance coverage with copayment. Health insurance coverage is available to dependents, Total volumes in library system: >2,000,000 spouses, unmarried domestic partners, and same-sex domestic partners Art volumes in library system: >50,000 of full-time master’s students. Art journals in library system: >200 There is a separate art library with >10,000 volumes and >200 journals. Students have library privileges at other institutional libraries. Image Resources Institution and program maintain digital-image collections. Students WASHINGTON UNIVERSITY have access to image collections. Students have opportunities to view works of art in local museums. IN ST. LOUIS Program Opportunities Additional opportunities for study within the institution: Interdisciplinary Visual Art research and studio project development through the Institute for Washington University in St. Louis Creativity, Arts, and Technology Sam Fox School of Design and Visual Arts, Graduate School of Art Gallery or museum affiliated with the department: Armory Art Gallery One Brookings Dr., Campus Box 1031 Formal programs: Summer work projects. Animation, motion capture, St. Louis, Missouri, 63130 data visualization, motion graphics, visual asset development related to Phone: 314-935-8423 faculty research grants Fax: 314-935-8412 Extracurricular opportunities for graduate students: Conduct fieldwork, www.samfoxschool.wustl.edu/gradart conduct surveys for outside institutions, present public outreach Contact: Patricia Olynyk, [email protected] lectures. The department sponsors 10–20 lectures per year. Private university; nonprofit corporation Other Campus Resources Accredited by: National Association of Schools of Art and Design, North Office/center for international students: Yes Central Association of Colleges and Schools Housing space is available in dormitories. The Graduate Life Center is a Degrees awarded: Master’s degree comprehensive facility for graduate students, including dormitories for Concentrations in: Multidisciplinary single students, services and programming, academic and First graduate degree granted: MFA, 1972 administrative staff, and meeting spaces. The university has an off- The Graduate School of Art offers a two-year, critically engaged studio campus housing office and website to assist students seeking program that provides the framework for collaboration and both apartments and condos. disciplinary-specific and interdisciplinary study. Upon successful Environmental Health and Safety completion of their studies, students are granted the MFA in Visual Art. Graduate seminars provide students opportunities to study theory Occupational Safety and Health Administration (OSHA) regulations are through the lens of studio practice. The curriculum offers a thesis in place for ventilation and respiratory protection, hazardous chemical component in which students are mentored and supported in their safety (right-to-know), personal protective equipment, machine safety. writing and in the development of their ideas. The public lecture series Program meets the US Environmental Protection Agency (EPA) and brings nationally and internationally recognized artists, architects, state regulations for hazardous materials, including spill procedures and historians, and critics to campus, promoting new ideas in practice, material disposal. Program has performed an environmental health and theory, and technology in art, architecture, and design. Speakers often safety audit in the past five years. Methods used to familiarize students come to graduate students’ studios for reviews of their work. The and faculty with environmental health and safety include health and graduate program prepares students to incite progressive social change, safety officer (full-time or part-time). to address challenges in the environment, and to assume their roles as global citizens.

249 ADMISSIONS track, MFA Deadline for fall: 1/15 Recent Visiting Faculty MARIAM GHANI, Video (Studio), Adjunct/Contingent faculty, MFA Fall notification date: 2/15 JAN TUMLIR, Curatorial Studies, Adjunct/Contingent faculty Application fee: $85 JEFFREY USLIP, Curatorial Studies, Adjunct/Contingent faculty, MA Applications received 2015–16: 100 Students enrolled 2015–16: 24 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign RESOURCES AND SPECIAL PROGRAMS students, transcript, letters of recommendation, résumé, statement of Semiprivate studios are available with unlimited hours for all. Students interest/personal statement, examples of personal artwork have the opportunity to exhibit their work in a gallery associated with the Recommended: GPA (3.0) department or institution, local galleries, a graduate thesis exhibition. CURRICULUM Libraries Total volumes in library system: >4,000,000 Courses Art volumes in library system: >100,000 Number offered to graduate students each term: 12 Art journals in library system: >1,000 Number whose enrollment is limited to graduate students: 4 There is a separate art library with >10,000 volumes and >200 journals. Average Class Size Students have library privileges at other institutional libraries. In graduate studios: 21+ students Image Resources Institution maintains its own digital-image collection. Institution In graduate seminars: 21+ students maintains its own slide collection. Students have access to image In graduate lectures: 21–50 students collections. Students have opportunities to view works of art in local museums, commercial galleries, private collections, and on funded field Course of Study trips. Full-time residency requirement: 2 years Maximum number of years for residency: 2 Program Opportunities Average number of years for residency: 2 Additional opportunities for study within the institution: Graduate art Typical number of credit hours per term for a full-time student: 15 students have access to all resources within the university. Gallery or museum affiliated with the department: Mildred Lane Kemper Total number of credit hours required for graduation: 60 Art Museum Total in studio art: 44 Formal programs: Study abroad. Berlin Sommerakademie Total in graduate seminars: 6 Extracurricular opportunities for graduate students: Curate exhibitions, Electives: 10 conduct fieldwork, research for catalogues, conduct surveys for outside Degree requirements: Written thesis, thesis or artist’s statement, group institutions, present public outreach lectures. The department sponsors exhibition, individual presentation of thesis work, critique of thesis work, 5–10 lectures per year. documentation of thesis work for program archive, oral defense of work, thesis committee/exhibition jury Other Campus Resources Employment or career development office: Yes STUDENTS Office/center for international students: Yes Number of students in residence: Master’s, 51 Housing space is available in apartments and married student housing. Number of male graduates fall 2015–summer 2016: Master’s, 20 There is no on-campus graduate housing, but there is an apartment Number of female graduates fall 2015–summer 2016: Master’s, 31 referral service, and the university owns off-campus apartments that it Student organizations within the program/department: GAO (Graduate rents to graduate students. Art Organization) run by graduate art students with elected Environmental Health and Safety representatives. Occupational Safety and Health Administration (OSHA) regulations are Formal mode of student participation in academic governance: Each in place for ventilation and respiratory protection, hazardous chemical department with a graduate program has a graduate student safety (right-to-know), personal protective equipment, machine safety, representative to the Graduate Council, which considers and votes on hearing protection. Program meets the US Environmental Protection changes to policy in the graduate school. A school-wide Graduate Agency (EPA) and state regulations for hazardous materials, including Student Senate and a university-wide Graduate Professional Council are spill procedures and material disposal. Program has performed an also in place. environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and FACULTY safety include required training course, instruction in class, health and Number of faculty: 22 safety officer (full-time or part-time), shop technician, material safety Tenured/tenure track: 8 men, 6 women data sheets (MSDS), information in student handbook. Part-time/adjunct lecturers: 3 men, 2 women FINANCIAL INFORMATION Full-time contractual: 2 men, 1 woman JAMES ADAMS, Drawing (Studio), Associate Professor, MFA Tuition JESSICA BARAN, Writing, Adjunct/Contingent faculty, MFA Full-time student tuition is determined per year. HEATHER BENNETT, Photography (Studio), Adjunct/Contingent All students: $34,620 faculty, MFA LISA BULAWSKY, Printmaking, Associate Professor, MFA Additional institutional fees: $525 MICHAEL BYRON, Painting, Professor, MFA Financial Aid CARMON COLANGELO, Printmaking, Professor, MFA ZLATKO COSIC, Video (Studio), Performance, Adjunct/Contingent Types of aid available: Tuition aid/remission, guaranteed loan, teaching faculty, MFA assistantship, research assistantship, work-study program RONALD FONDAW, Sculpture, Professor, MFA Funds available for graduate student travel: Yes NOAH KIRBY, Sculpture, Adjunct/Contingent faculty, MFA RICHARD KRUEGER, Photography (Studio), Associate Professor, MFA Fellowships RONALD LEAX, Sculpture, Professor, MFA Fellowships are available to students of all levels. ARNY NADLER, 3-Dimensional Design, Associate Professor, MFA JONATHAN NAVY, 3-Dimensional Design, Adjunct/Contingent faculty, Assistantships MFA Assistantships are available to students of all levels. PATRICIA OLYNYK, Installation (Studio), Sculpture, Professor, MFA BUZZ SPECTOR, Sculpture, Writing, Professor, MFA Health Insurance ROBIN VERHAGE-ABRAMS, 3-Dimensional Design, Associate Full-time master’s students receive health insurance coverage with Professor, MFA copayment. Health insurance coverage is available to dependents and DENISE WARD-BROWN, Film, Sculpture, Associate Professor, MFA spouses of full-time master’s students. CHERYL WASSENAAR, 2-Dimensional Design, Associate Professor, MFA MONIKA WEISS, Digital Media (Studio), Assistant Professor, tenure-

250 FACULTY WESTERN CONNECTICUT Number of faculty: 15 Tenured/tenure track: 0 men, 3 women STATE UNIVERSITY Part-time/adjunct lecturers: 1 man, 2 women Full-time contractual: 5 men, 4 women Master of Fine Arts in Visual Arts MR. RILEY BREWSTER, Painting, Adjunct/Contingent faculty, MFA, Yale 181 White St. University, 1982 Danbury, Connecticut, 06810 MS. DARBY CARDONSKY, Curatorial Studies, joint appointment in Phone: 203-837-8881 Coordinator, MFA in Visual Arts, Assistant Professor, tenure-track, MA, Fax: 203-837-8031 Hunter College, 1975 www.wcsu.edu/art/mfa/ MS. LESLIE COBER-GENTRY, Graphic Design, Drawing (Studio), Adjunct/Contingent faculty, MFA, University of Hartford, 2011 Contact: Darby Cardonsky, [email protected] CHRISTINE HARTMAN, Painting, Adjunct/Contingent faculty, MFA, Public university; nonprofit corporation Brooklyn College, 1982 Accredited by: Assessed by NASAD as appropriate for accreditation SABRINA MARQUES, Painting, Assistant Professor, tenure-track, MFA, Yale University, 2003 Degrees awarded: Master’s degree MS. MARJORIE PORTNOW, Painting, Professor, MFA, Brooklyn Concentrations in: Illustration, multidisciplinary, painting College, 1972 First graduate degree granted: MFA, 2002 Recent Visiting Faculty The core of the program is the student’s individual progress in the MR. WILLIAM BAILEY, Painting, Emeritus, MFA, Yale University, 1957 studio, leading to a professional level of mastery. The objective of the MS. SUSANNA COFFEY, Painting, Adjunct/Contingent faculty, MFA, program is to strengthen the development of each individual artist by Yale University, 1982 providing a period of consistent, focused studio practice under the MS. JUDY GLANTZMAN, Painting, Adjunct/Contingent faculty, BFA, guidance of established professionals. Student work is evaluated Rhode Island School of Design, 1978 through a series of individual and group critiques with resident faculty MR. GLENN GOLDBERG, Painting, Adjunct/Contingent faculty, MFA, and visiting artists. Students also participate in professional internships, Queens College individual research, and thesis exhibitions in Connecticut and New York MR. JAMES GRASHOW, Sculpture, Drawing (Studio), Professor, MFA, City (located 1.5 hours away). Pratt Institute, 1965 MR. STANLEY LEWIS, Painting, Adjunct/Contingent faculty, MFA, Yale ADMISSIONS University This program has rolling admissions. MR. JERRY PINKNEY, Drawing (Studio), Emeritus, MFA, University of Deadline for fall: 8/19 the Arts Fall notification date: 8/26 DR. JENNIFER SAMET, Twentieth-Century Art, Adjunct/Contingent faculty, PhD, City College of New York, 2010 Application fee: $50 MS. SUSAN JANE WALP, Painting, Drawing (Studio), Applications received 2015–16: 20 Adjunct/Contingent faculty, BA, 1970 Applications accepted 2015–16: 10 Students enrolled 2015–16: 12 Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign RESOURCES AND SPECIAL PROGRAMS students (iBT 79), transcript, examples of personal artwork, in-person or Semiprivate studios are available with unlimited hours for all. Students phone interview have the opportunity to exhibit their work in a gallery associated with the Recommended: Degree in subject area, GPA (3.0), letters of department or institution, local galleries, a graduate thesis exhibition. recommendation, résumé, statement of interest/personal statement, Libraries artist’s statement, campus visit Total volumes in library system: >500,000 CURRICULUM Art volumes in library system: >50,000 Average Class Size Art journals in library system: >100 Students have library privileges at other institutional libraries. In graduate studios: 11–15 students In graduate seminars: 11–15 students Image Resources Institution subscribes to a digital-image library. Students have In graduate lectures: 11–20 students opportunities to view works of art in local museums, commercial Course of Study galleries, private collections, and on funded field trips. Full-time residency requirement: 2 years Program Opportunities Maximum number of years for residency: 2 Gallery or museum affiliated with the department: WCSU Art Gallery, Average number of years for residency: 2 Danbury; The Blue Mountain Gallery, NYC Typical number of credit hours per term for a full-time student: 15 Formal programs: Museum training. Internships with the Aldrich Total number of credit hours required for graduation: 60 Contemporary Art Museum Total in studio art: 6 Formal relationships with local museums: The Aldrich Contemporary Art Museum—internships and short-term project work Total in area of concentration: 34 Extracurricular opportunities for graduate students: Curate exhibitions, Total in art history: 9 conduct fieldwork, research for catalogues, conduct surveys for outside Total in graduate seminars: 8 institutions, present public outreach lectures Electives: 3 Other special programs sponsored by the department: Each year the Degree requirements: Written thesis, thesis or artist’s statement, group MFA program sponsors a second MFA Thesis Exhibition at The Blue exhibition, individual presentation of thesis work, critique of thesis work, Mountain Gallery in New York City. The department sponsors 10–20 oral defense of work, written art history exam, thesis lectures per year. committee/exhibition jury, professional practices course. One course in Teaching Assistantship or other Internship is required for graduation. Other Campus Resources Recommended: Documentation of thesis work for program archive, oral Office/center for international students: Yes art history exam, technology course There is a graduate-student housing office. Housing space is available in dormitories and apartments. Students from a far distance receive STUDENTS priority for housing. For students who prefer to live off campus, the Number of students in residence: Master’s, 15 Housing Office provides a listing service of off-campus facilities via its website: www.wcsu.edu/housing Number of female graduates fall 2015–summer 2016: Master’s, 8 Planned campus changes and facility improvements: All departments of Formal mode of student participation in academic governance: Each The School of Visual and Performing Arts have moved into a new facility year the graduate program coordinators are asked to nominate two in the fall 2014. For more information, visit www.wcsu.edu/svpa/svpa- graduate students to the Graduate Council, a standing committee of the center.asp University Senate, advisor to the faculty and administration.

251 Environmental Health and Safety ADMISSIONS Occupational Safety and Health Administration (OSHA) regulations are Deadline for fall: 1/4 in place for ventilation and respiratory protection, hazardous chemical safety (right-to-know), personal protective equipment, machine safety, Fall notification date: 2/15 hearing protection. Program meets the US Environmental Protection Application fee: $100 Agency (EPA) and state regulations for hazardous materials, including Applications received 2015–16: 1,008 spill procedures and material disposal. Program has not performed an Applications accepted 2015–16: 67 environmental health and safety audit in the past five years. Methods used to familiarize students and faculty with environmental health and Students enrolled 2015–16: 126 safety include instruction in class, health and safety officer (full-time or Requirements: Bachelor’s degree (BA, BFA, or BSA), TOEFL for foreign part-time). students, transcript, letters of recommendation, statement of interest/personal statement, artist’s statement, in-person or phone FINANCIAL INFORMATION interview Recommended: Résumé, campus visit Tuition Full-time student tuition is determined per semester. CURRICULUM State residents: $3,931 Courses Out-of-state residents: $10,252 Number offered to graduate students each term: 27 Additional institutional fees: $2,474 Number whose enrollment is limited to graduate students: 17 Financial Aid Average Class Size Types of aid available: Tuition aid/remission, teaching assistantship. Scholarships, campus employment. Partial tuition awarded to 6 In graduate studios: 11–15 students students in the previous academic year. In graduate seminars: 11–15 students In graduate lectures: 11–20 students Fellowships Fellowships are available to first-year students and second-year Course of Study students. Full-time residency requirement: 4 terms Fellowships applications received last year: 6 Maximum number of years for residency: 2 Fellowships awarded: 6 Average number of years for residency: 2 Fellowships awarded to women: 6 Typical number of credit hours per term for a full-time student: 15 Average amount of award/stipend: $2,000 Total number of credit hours required for graduation: 60 Fellowship maximum period of support: 2 years Total in studio art: 12 Assistantships Total in area of concentration: 42 Assistantships are available to first-year students and second-year Electives: 6 students. Degree requirements: Written thesis, group exhibition. A written catalogue raisonné is required for candidates in the graphic design Teaching assistantships applications received: 4 concentration only. Teaching assistantships awarded: 4 Teaching assistantships awarded to women: 2 STUDENTS Average amount of award/stipend: $2,500 Number of students in residence: Master’s, 126 Hours of work required per week: 5 Number of male graduates fall 2015–summer 2016: Master’s, 30 Teaching assistantship maximum period of support: 1 year Number of female graduates fall 2015–summer 2016: Master’s, 31 Other financial support: Campus jobs are available to graduate Formal mode of student participation in academic governance: Graduate students. School students are represented and served by two student governments: the School of Art Dean’s Student Advisory Board and the University Graduate and Professional School Senate. FACULTY YALE UNIVERSITY Number of faculty: 83 Tenured/tenure track: 6 men, 3 women Studio Art and Design Part-time/adjunct lecturers: 36 men, 32 women Full-time contractual: 4 men, 2 women School of Art KEIRA ALEXANDRA, Graphic Design, Adjunct/Contingent faculty, BFA, Yale University Rhode Island School of Design, 1990 PO Box 208339 JONATHAN ANDREWS, Film, Adjunct/Contingent faculty, BA, Yale New Haven, Connecticut, 065208339 University, 1996 Phone: 203-432-2600 MARK ARONSON, Museum Studies, Adjunct/Contingent faculty, MS, http://art.yale.edu University of Delaware Contact: Patricia DeChiara, [email protected] DOUG ASHFORD, Painting, Associate Professor, BFA, Cooper Union, Private art school; nonprofit corporation 1981 COLLEEN ASPER, Painting, Adjunct/Contingent faculty, MFA, Yale Accredited by: New England Association of Schools and Colleges University Degrees awarded: Master’s degree MICHEL AUDER, Film, Adjunct/Contingent faculty Concentrations in: Graphic design, painting, photography, printmaking, ANNA BETBEZE, Painting, Adjunct/Contingent faculty, MFA, Yale sculpture University, 2006 First graduate degree granted: MFA, 1936 MICHAEL BIERUT, Graphic Design, Adjunct/Contingent faculty JULIAN BITTINER, Graphic Design, Adjunct/Contingent faculty, MFA, The Yale University School of Art offers professional instruction in four Yale University, 2008 interrelated areas of study: graphic design, painting/printmaking, NAYLAND BLAKE, Sculpture, Adjunct/Contingent faculty photography, and sculpture. Artists and designers of unusual promise IRMA BOOM, Graphic Design, Adjunct/Contingent faculty, BFA and strong motivation are provided an educational context in which they SANDRA BURNS, Digital Media (Studio), Adjunct/Contingent faculty, can explore the potential of their own talents in the midst of an intense MFA, Yale University, 2001 critical dialogue. This dialogue is generated by their peers, by MATTHEW CARTER, Graphic Design, Adjunct/Contingent faculty distinguished visitors, and by a faculty made up of professional artists of YEJU CHOI, Graphic Design, Adjunct/Contingent faculty, MFA, Yale acknowledged accomplishment. The graduate student’s primary University, 2009 educational experience at Yale is centered on his or her own studio ALICE CHUNG, Graphic Design, Adjunct/Contingent faculty, MFA activity. Supporting this enterprise are the experience, knowledge, and GREGORY CREWDSON, Photography (Studio), Associate Professor, skills gained from rigorous, structured courses. Each student is routinely MFA, Yale University, 1988 exposed to many aesthetic positions through encounters with faculty SHEILA LEVRANT DEBRETTEVILLE, Graphic Design, Professor, MFA, members and visitors. The school is devoted not only to the refinement Yale University, 1964 of visual skills, but also to the cultivation of the mind. 252 ELIZABETH DESCHENES, Photography (Studio), Adjunct/Contingent NANCY SPECTOR, Drawing (Studio), Critical Theory, faculty Adjunct/Contingent faculty, MPhil, 1997 JOHANNES DEYOUNG, Digital Media (Studio), Adjunct/Contingent ROBERT STORR, Painting, Writing, Professor, MFA, School of the Art faculty, MFA, Cranbrook Academy of Art Institute of Chicago, 1978 LESLIE DICK, World Art, Adjunct/Contingent faculty, BA, University of SCOTT STOWELL, Graphic Design, Adjunct/Contingent faculty, BFA, Sussex, 1977 Rhode Island School of Design, 1990 BENJAMIN DONALDSON, Photography (Studio), Adjunct/Contingent KA-MAN TSE, Photography (Studio), Adjunct/Contingent faculty faculty, MFA, Yale University, 2001 MASAMICHI UDAGAWA, Graphic Design, Adjunct/Contingent faculty, TORKWASE DYSON, Painting, Adjunct/Contingent faculty, MFA, Yale MFA, Cranbrook Academy of Art University HENK VAN ASSEN, Graphic Design, Adjunct/Contingent faculty, MFA, PAUL ELLIMAN, Graphic Design, Adjunct/Contingent faculty Yale University, 1993 ANOKA FARUQEE, Painting, Associate Professor, MFA, Temple LINDA VAN DEURSEN, Graphic Design, Adjunct/Contingent faculty, University, 1997 Gerrit Rietveld Academie, 1986 ROCHELLE FEINSTEIN, Painting, Professor, MFA, University of ANAHITA VOSSOUGHI, Digital Media (Studio), Adjunct/Contingent Minnesota, 1978 faculty, MFA, Yale University, 2010 JOHN GAMBELL, Graphic Design, Adjunct/Contingent faculty, MFA, JONATHAN WEINBERG, Contemporary Art, Adjunct/Contingent faculty Yale University, 1981 NATALIE WESTBROOK, Digital Media (Studio), Adjunct/Contingent JULIAN GILBERT-DAVIS, Sculpture, Adjunct/Contingent faculty, BFA, faculty, MFA, Yale University, 2010 California Institute of the Arts ROBERT WIESENBERGER, 2-Dimensional Design, Adjunct/Contingent BARBARA GLAUBER, Graphic Design, Adjunct/Contingent faculty, MFA, faculty California Institute of the Arts, 1990 FOREST YOUNG, 2-Dimensional Design, Adjunct/Contingent faculty NEIL GOLDBERG, 3-Dimensional Design, Adjunct/Contingent faculty CURRAN HATLEBERG, Photography (Studio), Adjunct/Contingent Recent Visiting Faculty faculty MARINA ABRAMOVIC, Performance, Adjunct/Contingent faculty JESSICA HELFAND, Graphic Design, Adjunct/Contingent faculty, MFA, , Photography (Studio), Adjunct/Contingent faculty, MFA Yale University, 1989 THOMAS GEISMAR, Graphic Design, Adjunct/Contingent faculty ELANA HERZOG, Sculpture, Adjunct/Contingent faculty, MFA, Alfred WANGECHI MUTU, Sculpture, Adjunct/Contingent faculty, MFA University, 1979 RICHARD TUTTLE, Painting, Sculpture, Adjunct/Contingent faculty ALLEN HORI, Graphic Design, Adjunct/Contingent faculty, MFA, LYNETTE YIADOM-BOAKYE, Painting, Adjunct/Contingent faculty Cranbrook Academy of Art PAMELA HOVLAND, Graphic Design, Adjunct/Contingent faculty, MFA, Yale University, 1993 RESOURCES AND SPECIAL PROGRAMS BRENT HOWARD, Sculpture, Adjunct/Contingent faculty, MFA, Hunter Private studios are available with unlimited hours for all. Students have College, 2002 the opportunity to exhibit their work in a gallery associated with the DAVID ISRAEL, Graphic Design, Adjunct/Contingent faculty, MFA, Yale department or institution, local galleries, a graduate thesis exhibition. University, 1995 Resources include a Mac-based digital lab and departmental computer LISA KERESZI, Photography (Studio), Assistant Professor, non-tenure, labs, including 11-by-17-inch scanners, laser printers, video editing MFA, Yale University, 2000 stations, slide scanners, digital projectors, cameras, and additional MARTIN KERSELS, Sculpture, Professor, MFA, University of California, equipment. Students have access to the multimedia Digital Media Los Angeles, 1995 Center for the Arts. PATRICK KILLORAN, Sculpture, Adjunct/Contingent faculty, BFA, Temple University, 1995 Libraries BYRON KIM, Painting, Adjunct/Contingent faculty, BA, Yale University, Total volumes in library system: >5,000,000 1983 BARBARA LONDON, Film (History), Adjunct/Contingent faculty Art volumes in library system: >100,000 SANDRA LUCKOW, Film, Adjunct/Contingent faculty, MFA, New York Art journals in library system: >1,000 University, Tisch School of the Arts, 1988 There is a separate art library with >10,000 volumes and >1,000 journals. ROXANA MARCOCI, Curatorial Studies, Adjunct/Contingent faculty, Students have library privileges at other institutional libraries. PhD, New York University, Institute of Fine Arts, 1998 KAREL MARTENS, Graphic Design, Adjunct/Contingent faculty Image Resources LESLEY MARTIN, Photography (Studio), Adjunct/Contingent faculty Total number of images: >500,000 SAMUEL MESSER, Painting, Professor, MFA, Yale University, 1981 Institution and program maintain digital-image collections. Institution DAN MICHAELSON, Graphic Design, Adjunct/Contingent faculty, MFA, maintains its own slide collection. Institution subscribes to a digital- Yale University, 2002 image library. Students have access to image collections. Students have MANUEL MIRANDA, Graphic Design, Adjunct/Contingent faculty, MFA, opportunities to view works of art in local museums, commercial Yale University, 2005 galleries, and private collections. SIGI MOESLINGER, Graphic Design, Adjunct/Contingent faculty, MFA, Program Opportunities New York University, Tisch School of the Arts RICK MOODY, Writing, Adjunct/Contingent faculty, MFA, Columbia Additional opportunities for study within the institution: Students may University, 1986 elect courses throughout the university, including the Graduate School GISELA NOACK, Graphic Design, Adjunct/Contingent faculty, of Arts and Sciences and ten professional schools. Chemieschule Dr. Erwin Elhardt Gallery or museum affiliated with the department: Green Hall Gallery EDDIE OPARA, Graphic Design, Adjunct/Contingent faculty, MFA, Yale Formal programs: Study abroad, summer work projects. School University, 1997 fellowships offer opportunities to study abroad. Summer work through SARAH OPPENHEIMER, Painting, Adjunct/Contingent faculty, MFA, teaching assistantships and limited in-house, work-study projects are Yale University, 1999 also available. JOHN PILSON, Photography (Studio), Adjunct/Contingent faculty, Extracurricular opportunities for graduate students: Curate exhibitions MFA, Yale University, 1993 CHRISTOPHER PULLMAN, Graphic Design, Adjunct/Contingent Other special programs sponsored by the department: The program faculty, MFA, Yale University, 1966 hosts a Monday night lecture series, at which prominent artists present MELINDA RING, Sculpture, Adjunct/Contingent faculty and talk about their work. There are also invitational exhibitions in the MICHAEL ROCK, Graphic Design, Adjunct/Contingent faculty, MFA, school gallery. The department sponsors 50–60 lectures per year. Rhode Island School of Design, 1983 Other Campus Resources HALSEY RODMAN, Painting, Adjunct/Contingent faculty MICHAEL ROEMER, Film, Professor, BA, Harvard University, 1949 Employment or career development office: Yes CAROLYN SALAS, Sculpture, Adjunct/Contingent faculty, MFA, Hunter Office/center for international students: Yes College, 2005 There is a graduate-student housing office. Housing space is available in COLLIER SCHORR, Photography (Studio), Adjunct/Contingent faculty, dormitories, apartments, and married student housing. Students from BFA, School of Visual Arts, 1985 a far distance receive priority for housing. DOUGLASS G. A. SCOTT, Graphic Design, Adjunct/Contingent faculty, MFA, Yale University, 1974 Environmental Health and Safety SUSAN SELLERS, Graphic Design, Adjunct/Contingent faculty, MA, Yale Occupational Safety and Health Administration (OSHA) regulations are University in place for ventilation and respiratory protection, hazardous chemical LAURIE SIMMONS, Photography (Studio), Adjunct/Contingent faculty, safety (right-to-know), personal protective equipment, machine safety, BFA, Temple University, 1971 hearing protection. Program meets the US Environmental Protection ELIZABETH SLEDGE, Writing, Adjunct/Contingent faculty, MA, Agency (EPA) and state regulations for hazardous materials, including University of North Carolina at Chapel Hill, 1969 spill procedures and material disposal. Program has performed an

253 environmental health and safety audit in the past five years. Most studios have windows that open. A new ventilation system in the main studio building was installed in 2002. Methods used to familiarize students and faculty with environmental health and safety include publications, required training course, instruction in class, health and safety officer (full-time or part-time), shop technician, material safety data sheets (MSDS), information in student handbook. FINANCIAL INFORMATION Tuition Full-time student tuition is determined per year. All students: $36,359 Additional institutional fees: $2,000 Financial Aid Types of aid available: Tuition aid/remission, guaranteed loan, teaching assistantship, work-study program. Tuition and partial stipend awarded to 35 students in the previous academic year. Partial tuition awarded to 70 students in the previous academic year. No financial assistance awarded to 16 students in the previous academic year. Funds available for graduate student travel: Yes Fellowships Fellowships are available to students of all levels. Fellowships awarded: 90 Assistantships Assistantships are available to second-year students. Teaching assistantships awarded: 61 Working assistantships awarded: 79 Other benefits: Tuition remission (part or full), housing allowance, supplies allowance Other financial support: In the distribution of aid, need is most important and federal guidelines are second. Health Insurance Full-time master’s students receive health insurance coverage at no cost. Health insurance coverage is available to dependents, spouses, and same-sex domestic partners of full-time master’s students.

254 ART & ARCHITECTURAL HISTORY INDEXES ALPHABETICAL INDEX OF SCHOOLS A M U Alfred University 62 Maine College of Art 115 University at Albany, State University of American University 63 Maryland Institute College of Art 14, 116 New York 180 Anglia Ruskin University 50 Massachusetts College of Art and Design University at Buffalo, The State University 15, 118 of New York 182 B Minneapolis College of Art and Design University of Alabama 183 Boston University 64 120, 122 University of Alaska Fairbanks 185 Bowling Green State University 66 Missouri State University 123 University of Alberta 186 Brooklyn College 2 Montana State University 124 University of Arizona 25, 187 Burren College of Art 67 N Univrsity of Arkansas 189 University of California, Davis 190 C National University 54 University of California, Los Angeles 192 New Jersey City University 126 California College of the Arts 50 University of California, San Diego 193 California Institute of the Arts 68, 70 New York Academy of Art 127 University of California, Santa Barbara 194 California State University, Chico 71 New York School of Interior Design 128 University of California, Santa Cruz 195 California State University, Long Beach New York Studio School of Drawing, 2, 73 Painting and Sculpture 129 University of Central Oklahoma 197 California State University, Los Angeles New York University, The Steinhardt University of Chicago 198 3, 74, 75, 76 School of Culture, Education, and University of Cincinnati 200 Case Western Reserve University 4 Human Development 16, 131 University of Dallas 201 City College of New York 77, 78 Newcastle University 132 University of Delaware 45 Northern Illinois University 17 Clemson University 79 University of Florida 26, 202 Colorado State University 80 Northwestern State University 134 University of Georgia 28, 203 Columbia College Chicago 51, 82 Northwestern University 135 Columbia University School of the Arts 53 University of Hawai'i at Manoa 205 Columbus College of Art & Design 83 O University of Illinois at Chicago 207 Concordia University 5, 85 Ohio University 136 University of Illinois at Cranbrook Academy of Art 86 Oregon College of Art and Craft 137 Urbana-Champaign 29, 208 E Otis College of Art and Design 139 University of Indianapolis 210 University of Iowa 210 East Carolina University 87 P University of Kansas 30, 212 Eastern Michigan University 6 Parsons The New School for Design University of Kentucky 31, 213 Emily Carr University of Art + Design 89 140, 141, 142, 143, 144, 145, 147 University of Leeds 215 Pennsylvania State University 19, 147 F University of Louisville 216, 217 Pratt Institute 20, 40, 149 Framingham State University 7 University of Maryland, Florida State University 91 Purchase College, State University of Baltimore County 219 New York 151 University of Massachusetts Dartmouth 32 G Q University of Miami 220 George Mason University 92 Queens College 152 University of Nevada, Las Vegas 222 George Washington University 93 University of New Hampshire 223 Glasgow School of Art 95 R University of New Mexico 224 Goddard College 96 Radford University 154 University of North Carolina at Rhode Island School of Design 21 H Chapel Hill 226 Hunter College 97 Ryerson University 41 I University of Northern Colorado 35 S University of North Texas 33, 227 Illinois State University 8, 99 San Diego State University 155 University of Notre Dame 229 Indiana State University 100 San Francisco Art Institute 156 University of Oregon 231 Indiana University of Pennsylvania 102 Savannah College of Art and Design University of South Dakota 232 Indiana University-Bloomington 103 42, 55, 158 University of South Florida 233 Institute for Doctoral Studies in the School of Visual Arts 159, 160, 162, 163 Visual Arts 104 Southern Illinois University Carbondale 164 University of Texas at Arlington 57, 235 Iowa State University 106 Southwest University of Visual Arts 166 University of Washington 237 J Stanford University 56, 167 University of Western Ontario 238 Jacksonville University 10, 107 State University of New York at University of Wisconsin-Madison 239 James Madison University 11 New Paltz 22, 168 University of Wisconsin-Milwaukee 241 Johnson State College 108 Studio Art Centers International University of Wisconsin-Stout 242 43, 170, 171, 172 University of York 45 K Syracuse University 23, 174 V Kendall College of Art and Design of T Vermont College of Fine Arts 36, 244, 245 Ferris State University 12, 109, 110 Temple University 24 Virginia Commonwealth University 246 L Texas A&M University- Virginia Tech 248 Lesley University College of Art and Corpus Christi 175 W Design 111, 113 Texas Christian University 176 Washington University in St. Louis 249 Long Island University-Post Campus Texas Tech University 178 Transart Institute 179 Western Connecticut State University 251 13, 114 Y Yale University 252

257 GEOGRAPHICAL INDEX OF SCHOOLS

Alabama Kentucky CANADA University of Alabama 183 Nevada University of Kentucky 31, 213 Concordia University 5, 85 University of Nevada, Las Vegas 222 Alaska University of Louisville 216, 217 Emily Carr University of Art + Design 89 University of Alaska Fairbanks 185 Louisiana North Carolina Ryerson University 41 Arizona East Carolina University 87 University of Alberta 186 Northwestern State University 134 Southwest University of Visual Arts 166 University of North Carolina at University of Western Ontario 238 University of Arizona 25, 187 Maine Chapel Hill 226 IRELAND Arkansas Institute for Doctoral Studies in the Visual Ohio Burren College of Art 67 Univrsity of Arkansas 189 Arts 104 Bowling Green State University 66 ITALY California Maine College of Art 115 Case Western Reserve University 4 Studio Art Centers International California College of the Arts 50 Columbus College of Art & Design 83 Maryland 43, 170, 171, 172 California Institute of the Arts 68, 70 Maryland Institute College of Art 14, 116 Ohio University 136 California State University, Chico 71 University of Maryland, University of Cincinnati 200 UNITED KINGDOM California State University, Long Beach 2, 73 Baltimore County 219 Oklahoma Anglia Ruskin University 50 California State University, Los Angeles Massachusetts University of Central Oklahoma 197 Glasgow School of Art 95 Newcastle University 132 3, 74, 75, 76 Boston University 64 University of Leeds 215 National University 54 Massachusetts College of Art and Design Oregon Otis College of Art and Design 139 University of York 45 15, 118 Oregon College of Art and Craft 137 San Diego State University 155 Framingham State University 7 University of Oregon 231 San Francisco Art Institute 156 Pennsylvania Stanford University 56, 167 Lesley University College of Art and Pennsylvania State University 19, 147 University of California, Davis 190 Design 111, 113 Temple University 24 University of California, Los Angeles 192 University of Massachusetts Dartmouth 32 University of California, San Diego 193 Michigan Rhode Island University of California, Santa Barbara 194 Cranbrook Academy of Art 86 Rhode Island School of Design 21 University of California, Santa Cruz 195 Eastern Michigan University 6 South Dakota Colorado Kendall College of Art and Design of University of South Dakota 232 Colorado State University 80 Ferris State University 12, 109, 110 University of Northern Colorado 35 Minnesota Texas Connecticut Minneapolis College of Art and Texas A&M University- Western Connecticut State University 251 Design 120, 122 Corpus Christi 175 Yale University 252 Texas Christian University 176 Delaware Missouri Texas Tech University 178 University of Delaware 45 Missouri State University 123 University of Dallas 201 District of Columbia Washington University in St. Louis 249 University of North Texas 33, 227 American University 63 Montana University of Texas at Arlington George Washington University 93 Montana State University 124 57, 235 Florida New Hampshire Virginia Florida State University 91 University of New Hampshire 223 George Mason University 92 Jacksonville University 10, 107 New Jersey James Madison University 11 University of Florida 26, 202 Radford University 154 New Jersey City University 126 University of Miami 220 New Mexico Virginia Commonwealth University 246 University of South Florida 233 Virginia Tech 248 University of New Mexico 224 Georgia Vermont Savannah College of Art and Design New York Goddard College 96 42, 55 158 Alfred University 62 Johnson State College 108 University of Georgia 28, 203 Brooklyn College 2 Vermont College of Fine Arts 36, 244, 245 Hawaii City College of New York 77, 78 Washington Columbia University School of the Arts 53 University of Hawai'i at Manoa 205 University of Washington 237 Illinois Hunter College 97 Columbia College Chicago 51, 82 Long Island University-Post Campus Wisconsin Illinois State University 8, 99 13, 114 University of Wisconsin-Madison 239 New York Academy of Art 127 Northern Illinois University 17 University of Wisconsin-Milwaukee 241 New York School of Interior Design 128 Northwestern University 135 University of Wisconsin-Stout 242 New York Studio School of Drawing, Southern Illinois University Carbondale 164 Painting and Sculpture 129 University of Chicago 198 New York University, The Steinhardt University of Illinois at Chicago 207 School of Culture, Education, and University of Illinois at Human Development 16, 131 Urbana-Champaign 29, 208 Indiana Parsons The New School for Design 140, 141, 142, 143, 144, 145, 147 Indiana State University 100 Pratt Institute 20, 40, 149 Indiana University of Pennsylvania 102 Purchase College, State University of Indiana University-Bloomington 103 New York 151 University of Indianapolis 210 Queens College 152 University of Notre Dame 229 Iowa School of Visual Arts 159, 160, 162, 163 State University of New York at Iowa State University 106 University of Iowa 210 New Paltz 22, 168 Kansas Syracuse University 23, 174 University of Kansas 30, 212 Transart Institute 179 University at Albany, State University of New York 180 258 University at Buffalo, The State University of New York 182 Graduate Programs in Art History is your indespensible guide to schools that offer a master’s, doctoral, or related degree in arts studies, including: art & architectural history arts administration curatorial & museum studies library science

Listings provide: curriculum & class size faculty names & specializations admission & degree requirements library & studio facilities opportunities for fellowships & assistantships details on housing, health insurance, & other practical matters

Compiled by CAA 2016