On the Jersey Shore
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Jess Glynne's
CHART WEEK 16 CLUB CHARTS UPFRONT CLUB TOP 30 URBAN TOP 20 COOL CUTS TOP 20 TW LW WKS ARTIST/TITLE/LABEL TW LW WKS ARTIST/TITLE/LABEL TW ARTIST/TITLE 1 9 5 Lucas & Steve Say Something / Atlantic/Spinnin' 1 Mike Mago Wake Up 2 3 4 Friend Within Waiting / Toolroom 2 Becky Hill & Weiss 3 18 5 Tom Budin Undercontrol / Onelove I Could Get Used To This , online and retail stores distributors. 4 12 3 Mybadd + Sam Gray Sugar / Humble Angel 3 Jax Jones & Martin Solveig Present 5 1 4 Ferreck Dawn, Robosonic & Nikki Ambers In My Arms / Defected Europa Ft Maddison Beer 6 27 4 Lee Dagger & Courtney Harrell So Lost Hearted / Tazmania All Day & Night 7 25 3 Purple Disco Machine Body Funk / Positiva 4 Hot Chip Hungry Child 8 13 3 Majestic I Wanna Be Down / 3 Beat 5 Peggy Gou Starry Night 9 RE 2 Rika Wanna Know / Virgin 6 Kove Ft Ben Duffy Echoes 10 20 3 Snakehips Ft Rivers Cuomo & Kyle Gucci Rock N Rolla / Hoffman West & J BALVIN SEAN PAUL 7 Leftwing : Kody I Feel It 11 30 2 Ina Wroldsen X Dynoro Obsessed / Ministry Of Sound 1 5 3 Sean Paul & J Balvin Contra La Pared / Island 8 The Chemical Brothers 12 22 2 Jay Pryor So What / Positiva/Selected 2 1 4 Mariah Carey A No No / Epic No Geography 13 11 4 Sean Finn & Corona The Rhythm Of The Night / Nitron 3 8 4 T Mulla Link Up / Virgin 9 Chase & Status Ft Irah Program 14 31 2 Jax Jones & Martin Solveig Ft Madison Beer All Day And Night / Polydor 4 4 5 Col3trane x DJDS x Raye The Fruits / Island 10 Tom Hall Lifeline 15 19 3 Jack Back Survivor/Put Your Phone Down (Low) / DFTD 5 10 2 Tory Lanez Freaky / Mad Love/Interscope 11 Kokiri Ft Joe Killington Friends 16 14 3 Keelie Walker This Is What It's Like / 2220 6 7 3 Jay Sean Ft Gucci Mane & Asian Doll With You / Republic 12 Lee Foss, Eli Brown & Anabel 17 15 2 RTEN Volume 1 (EP): Cheeky One (Freak)/I Think.. -
Fēnix® 6 Series Owner's Manual
FĒNIX® 6 SERIES Owner’s Manual © 2019 Garmin Ltd. or its subsidiaries All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Garmin. Garmin reserves the right to change or improve its products and to make changes in the content of this manual without obligation to notify any person or organization of such changes or improvements. Go to www.garmin.com for current updates and supplemental information concerning the use of this product. Garmin®, the Garmin logo, ANT+®, Approach®, Auto Lap®, Auto Pause®, Edge®, fēnix®, inReach®, QuickFit®, TracBack®, VIRB®, Virtual Partner®, and Xero® are trademarks of Garmin Ltd. or its subsidiaries, registered in the USA and other countries. Body Battery™, Connect IQ™, Garmin Connect™, Garmin Explore™, Garmin Express™, Garmin Golf™, Garmin Move IQ™, Garmin Pay™, HRM-Run™, HRM-Tri™, tempe™, TruSwing™, TrueUp™, Varia™, Varia Vision™, and Vector™ are trademarks of Garmin Ltd. or its subsidiaries. These trademarks may not be used without the express permission of Garmin. Android™ is a trademark of Google Inc. Apple®, iPhone®, iTunes®, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The BLUETOOTH® word mark and logos are owned by the Bluetooth SIG, Inc. and any use of such marks by Garmin is under license. The Cooper Institute®, as well as any related trademarks, are the property of The Cooper Institute. Di2™ is a trademark of Shimano, Inc. Shimano® is a registered trademark of Shimano, Inc. The Spotify® software is subject to third-party licenses found here: https://developer.spotify.com/legal/third- party-licenses. -
D2™ Delta/Delta S/Delta PX Owner's Manual
D2™ DELTA/DELTA S/DELTA PX Owner’s Manual © 2018 Garmin Ltd. or its subsidiaries All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Garmin. Garmin reserves the right to change or improve its products and to make changes in the content of this manual without obligation to notify any person or organization of such changes or improvements. Go to www.garmin.com for current updates and supplemental information concerning the use of this product. Garmin®, the Garmin logo, ANT+®, Auto Lap®, Auto Pause® ,Connext®, Edge®, inReach®, TracBack®, VIRB®, and Virtual Partner® are trademarks of Garmin Ltd. or its subsidiaries, registered in the USA and other countries. Connect IQ™, D2™, Garmin Connect™, Garmin Explore™, Garmin Express™, Garmin Golf™, Garmin Move IQ™ , Garmin Pay™, Garmin Pilot™, HRM-Run™, HRM-Tri™, QuickFit™, tempe™, TruSwing™, TrueUp™, Varia™, Varia Vision™, and Vector™ are trademarks of Garmin Ltd. or its subsidiaries. These trademarks may not be used without the express permission of Garmin. American Heart Association® is a registered trademark of American Heart Association, Inc. Android™ is a trademark of Google Inc. Apple® and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Bluetooth® word mark and logos are owned by the Bluetooth SIG, Inc. and any use of such marks by Garmin is under license. The Cooper Institute®, as well as any related trademarks, are the property of The Cooper Institute. Di2™ is a trademark of Shimano, Inc. Shimano® is a registered trademark of Shimano, Inc. -
Teatro Comunale Di Dozza Via Xx Settembre, 51 - 40060 - Dozza (Bo)
teatro comunale di dozza via xx settembre, 51 - 40060 - dozza (bo) Direzione Artistica: COMPAGNIA TEATRALE DELLA LUNA CRESCENTE Per informazioni (abbonamenti e biglietti) e prenotazioni: Tel. 347 5548522 - 339 2294412 Fax: 0542 684825 - Email: [email protected] Internet: www.comune.dozza.bo.it Teatro Comunale di Dozza - Programma 2009 La stagione del Teatro Comunale di Dozza, in accordo con il Comune di Dozza, punta a preservare la possibilità di presentare produzioni ed artisti accomunati dalla originalità e dalla serietà della loro ricerca (teatrale e musicale). Lo sforzo, ogni anno, è quello di costruire un cartellone di proposte particolari, ricerche espressive originali, sguardi inconsueti sul mondo. Riteniamo importante ribadire queste vocazioni del Teatro Comunale di Dozza e, in un anno in cui la condizione dei finanziamenti è particolarmente difficile e la fatica del “fare” cultura pesa particolarmente, dichiariamo ancora, con rinnovato orgoglio, l’identità di questo luogo come spazio di incontro e preziose contaminazioni. Questa stagione è stata costruita pensando ad un pubblico “vario”, e infatti si offrono spettacoli molto diversi, ma racchiude anche l’idea di proporre ad un pubblico affezionato, un percorso ricco di spunti, di stimolanti opportunità culturali. Annunciando, come sempre, la seconda parte della stagione, in autunno, dedicata nel 2009 al tema del CORPO (che attraversa le arti, la filosofia, le scienze, le religioni, la comunicazione, i generi, le classi sociali, le generazioni...), ringraziamo, ancora una volta, -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
KELOWNA COURIER REGATTA EXTRA H U G H C R O W D S
he elowna ourier :Jirst:»aliSKr.-,lr;;. T K C tirrereiicrr::. Trr-r:::-.-;:r: rx-• VOLUME 34 Kelowna, l?ritisli C:oluinl)ia. M'nesday, August 2 i k 1, 1938 N U M I U 'k k 3 2 nd R^iatta Promises be Best on Record < X. ^ ^ , < Hugh Crowds E xpected to Throng IV. m City for Annual Aquatic Event KELOWNA COURIER O n V(^ednesday and Thursday f REGATTA ROWING CREWS Canadian and B.C. Championship Swim and Diving Events Head Attractive List of Contests for Two Big Days EXTRA FROM NELSON TO in Kelowna—Novelty Features Galore Arranged by Energetic Regatta Officials—Competitors Coming COMPETE HERE from All Parts of B.C. and State of Washington—Big Wrestling Card Wednesday Night—Many Coast Vis 16-PAGES-16 Senior Fours and Doubles to Take itors Expected—Dances as Usual will be Big Feature on Energetic Crews from Ke 1st SECTION lowna Club During Regatta K a y Hill, Lady of the Lake, will Officially Regatta Paecs 1 “ 12 OTHER CREWS ACTIVE Changes Made in Set-up of Sen r o m the moment that Kay Hill, 1936 Lady of the Lake, officially ior W a r Canoe Race— Pentic F opens the 32nd annual Kelowna Regatta until the last note of ton and Summerland Disagree dance music fades into the breaking dawn of Friday morning, the two biggest days in the history of Kelowna’s summer' seasons will be ®ivXv«4>vlNV.V> ( 5>'\W Numerous crews are training stead- packed with more thrills and events than has ever been experienced.' thVbig^M^nu2^°ReiSa^S That is no“ r idle boast,«-, the«•««: xvvguiiaRegatta oinciaisofficials srate,state, anaand it covers a wide I" day and Thursday, and some sterling for the Kelowna Regatta has long been known as the pre RECUPERATING FROM INJURIES J battles should be observed the two event of its kind in western Canada. -
Inspirational Songs for Vocals, Piano, and Guitar. Melody, Chords and Lyrics to Accompany the Album
Inspirational songs for vocals, piano, and guitar. Melody, chords and lyrics to accompany the album. Joy In Our Hearts Greetings to you music lovers! Thank you so much for wanting to sing and/or play the songs on my new CD, “Joy In Our Hearts.” I am honored and blessed that you are helping me get my music out into the world! I truly believe that positive music is a healing force and that spreading positive affirmations and messages is a noble act. So whether you are singing or playing for your own enjoyment, or performing these songs to an audience, you are helping to heal the world – one song at a time. As I have said with all my other CDs and songbooks, I encourage you to make these songs or chants your own. I give you permission to change the words, alter the melody, change the key – whatever it takes for you to “own” it as your own. The chords and keys to all of this music is in the key that I sang it on the CD, but at the end of this book I have included my “Karen Drucker Handy Dandy Easy Music Method,” which will help you transpose the key to a key that works for you, help you figure out the chords, and maybe a few other tidbits you didn’t know. As you will see I have written quite a lot of these songs and chants with other New Thought artists. I would encourage you to check out their websites and find more wonderful music from each of them! Thank you again for supporting my music and I hope you enjoy these songs and chants! Musically, Karen CREDITS John Hoy: guitar, keyboard on track 5, bass on tracks 3, 4, 5, 7, 11, 12 John R Burr: -
Southside Johnny and the Asbury Jukes Return to Hard Rock Hotel & Casino Atlantic City Saturday, November 10 at 8 Pm
For Immediate Release SOUTHSIDE JOHNNY AND THE ASBURY JUKES RETURN TO HARD ROCK HOTEL & CASINO ATLANTIC CITY SATURDAY, NOVEMBER 10 AT 8 PM Atlantic City, NJ (September 25, 2018) – After a mind-blowing performance in early August, Southside Johnny and The Asbury Jukes will be returning to Sound Waves at Hard Rock Hotel & Casino Atlantic City on November 10 at 8 p.m. Tickets are on sale this Friday, September 28 at 10 a.m. Southside Johnny and the Asbury Jukes are a Jersey Shore music group led by the band’s namesake, Southside Johnny. They have been recording albums since 1976 and are closely associated with Bruce Springsteen & the E Street Band. They have recorded or performed several Springsteen songs, including "The Fever" and "Fade Away". Springsteen has also performed with the band on numerous occasions and in 1991 guested on their Better Days album. During the band's formative years Miami Steve Van Zandt, aka Little Steven, acted as the band's co-leader, guitarist, songwriter, arranger and producer while other E Streeters including Clarence Clemons, Max Weinberg, Garry Tallent, Ernest Carter, Patti Scialfa and Soozie Tyrell have all performed, toured or recorded with the Jukes. The band's horn section, the Miami Horns, has also toured and recorded with Springsteen. More than one hundred musicians can claim to have been members of the Asbury Jukes, including Jon Bon Jovi who toured with the band as a special guest during 1990. Bon Jovi has also cited the band as an influence for him. Jukes' Bobby Bandiera and Jeff Kazee have also toured with Bon Jovi. -
Count Basie Theater Kicks Off the NJ350 with Southside Johnny Annual Concert Celebration
Thursday, November 14th, 2013 Count Basie Theater Kicks off the NJ350 with Southside Johnny Annual Concert Celebration Red Bank, NJ – Count Basie Theater in Red Bank will kick off the start of New Jersey’s 350th anniversary year with its annual New Year’s Eve concert bash featuring New Jersey’s own Southside Johnny and the Asbury Jukes. This New Year’s Eve event has become a New Jersey tradition and this year the Count Basie Theatre at 99 Monmouth Street in Red Bank is also celebrating its own 15 Year Anniversary. With a decades-long successful career, Southside Johnny and the Asbury Jukes delivers their soul- searing brand of raucous blues and R&B. They’ve recorded over 30 albums and became known for huge hits like “I Don’t Want To Go Home,” “Love On The Wrong Side Of Town,” “The Fever,”“This Time It’s For Real” and “Got To Get You Off My Mind.” Southside Johnny Lyon shares his views on history, music and New Jersey’s 350th anniversary in a special Q and A session: Q. New Jersey celebrates 350 years of innovation, diversity and liberty in 2014. We live in a state of strong, determined people whose diverse talents and accomplishments have helped to shape both the nation and the world. How do you see the development of music in New Jersey as shaping the nation and the world? A. Let’s never forget that all the music you hear on CD, radio, television and over the internet was made possible by the invention of the phonograph, which happened right here in New Jersey at the Edison labs. -
A Ram Sam Sam Wada-Lee-Ah-Cha
21 22 A Ram Sam Sam Wada-lee-ah-cha A ram sam sam, a ram sam sam, Please sing for me that sweet melody, called doodely-doo, Gooly gooly gooly gooly gooly ram sam sam, doddley-doo, A ram sam sam, a ram sam sam, I love it so, and wherever I go, it’s doodely doo, doodely Gooly gooly gooly gooly gooly ram sam sam, doo. A rah fee, a rah fee, It’s the simplest thing, there isn’t much to it, Gooly gooly gooly gooly gooly ram sam sam, All you have to do is doodely do it. A rah fee, a rah fee, I like the rest, but the part I like best is doodely doodely doo. Gooly gooly gooly gooly gooly ram sam sam. Oh, wada lee ah cha, wada-lee-ah-cha, Movements: Doodely doo, doodely doo, A ram sam sam – fists on top of one another Wada lee ah cha, wada-lee-ah-cha, Gooly gooly – fingers together as if you are making a snowball A rah fee – hands up near your shoulders as if you are surprised Doodely doo, doodely doo, It’s the simplest thing, there isn’t much to it, A Pizza Hut, a Pizza Hut, All you have to do is doodely do it. Kentucky Fried Chicken and a Pizza Hut, I like the rest, but the part I like best is doodely doodely doo. A Pizza Hut, a Pizza Hut, Kentucky Fried Chicken and a Pizza Hut, Movements Oh – raise your hands about shoulder level McDonald’s, McDonald’s, Wadda-lee – tap your legs twice Kentucky Fried Chicken and a Pizza Hut, Ah-cha – clap hands twice McDonald’s, McDonald’s, Wadda-lee – pass flat hands over each other twice, right hand on Kentucky Fried Chicken and a Pizza Hut. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
CITY HALL MAY 12, 2020 CALL to ORDER: 6:00 Pm
AGENDA REGULAR MEETING OF THE AMES CITY COUNCIL COUNCIL CHAMBERS - CITY HALL MAY 12, 2020 *DUE TO THE COVID-19 PANDEMIC, CITY HALL IS CLOSED TO THE PUBLIC THROUGH MAY 15, 2020. THEREFORE, THIS WILL BE AN ELECTRONIC MEETING. IF YOU WISH TO PROVIDE INPUT ON ANY ITEM, YOU MAY DO SO AS A VIDEO PARTICIPANT BY GOING TO: https://zoom.us/j/826593023 OR BY TELEPHONE BY DIALING (for higher quality, dial the following number: US:1-312-626-6799 Zoom Meeting ID: 826 593 023 YOU MAY VIEW THE MEETING ONLINE AT THE FOLLOWING SITES: https://www.youtube.com/ameschannel12 https://www.cityofames.org/channel12 or watch the meeting live on Mediacom Channel 12 NOTICE TO THE PUBLIC: The Mayor and City Council welcome comments from the public during discussion. If you wish to speak, please see the instructions listed above. The normal process on any particular agenda item is that the motion is placed on the floor, input is received from the audience, the Council is given an opportunity to comment on the issue or respond to the audience concerns, and the vote is taken. On ordinances, there is time provided for public input at the time of the first reading. CALL TO ORDER: 6:00 p.m. PROCLAMATION: 1. Proclamation for “Peace Officers’ Memorial Day,” May 15, 2020 2. Proclamation for “National Public Works Week,” May 17-23, 2020 CONSENT AGENDA: All items listed under the consent agenda will be enacted by one motion. There will be no separate discussion of these items unless a request is made prior to the time the Council members vote on the motion.