Society of Fellow News

Total Page:16

File Type:pdf, Size:1020Kb

Society of Fellow News SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME LAUNDRY SPRING 2005 From the Editor SOF President’s Message Catherine Seavitt Nordenson FAAR’98 James L. Bodnar FAAR’80 Spring cleaning means polishing, vac- can’t wait to try this one at home. We Society of Fellows NEWS The holiday season at the American Academy in Rome is the Fellows the gifts that had been sent from the cuuming, window-washing, tossing also have the transformation of col- SPRING 2005 unique every year. A different group of Fellows, most pre- Fellows in Los Angeles. The gifts were collected at a out - evoking also a sense of the new lage images, the core samples of Published by the Society of Fellows of viously strangers to one another, come together to cele- dinner this past fall at the home of Hsin-Ming Fung - new carpets, clean sheets. For this Roman lanscapes by Cheryl Barton The American Academy in Rome brate as an extended family far away from the United FAAR’92 and Craig Hodgetts. Each SOF member attend- Spring 2005 Laundry edition of the FAAR’04 into woven tapestries, made 7 East 60 Street States in their incredible new home. The shared custom- ing was asked to bring a gift that they would like to SOF NEWS, it is a pleasure to publish by computer-driven looms in New York, NY 10022-1001 USA ary events of meals, pageants and parties unfold with all have received when they were in Rome. Of course this such a diversity of work relating to Belgium. Many Fellows submitted tel 212 751 7200 www.sof-aarome.org Editor: Catherine Seavitt Nordenson of Rome as a backdrop, and with an underlying sense that leaves a great deal open to individual interpretation, fabrics and textiles. Our cover image, images of their work, seen on the FAAR’98 something very special is leaving its mark on each individ- depending upon your year, discipline and personal a fabric miniature, Overcoat, by Charles pages of the Fellows’ News. Thank Co-Editors: Stefanie Walker FAAR’01 text ual that they will cherish and long remember. interests, which certainly became evident when the LeDray FAAR’98, powerfully evokes an you to all who contributed to this Joanne Spurza FAAR’89 news During the two short days I stayed in Rome this past gifts were opened during that lunch in Rome. They eerily empty image of the embrace of issue. Brian Curran FAAR’94 obits December I witnessed the tradition continue for this were a complete surprise! Not only that new Fellows Piero della Francesco’s Madonna della Other features in this SOF NEWS Wendy Heller FAAR’01 events were receiving them from past Fellows they had never Misericordia, symbolically gathering a include a transcript from the SOF Liaison: Megan McNamee year's class. The Fellows glowingly spoke of their past few met, but also by the strange and bizarre nature of some diversity of creative work. Academy’s The Art of Biography panel months together, the walks and talks, and trips to come, Contents of the gifts themselves. It took a little explaining in The work of our contributors this discussion, held in New York last fall, and how, unfortunately, time was moving too fast. My first SOF President’s Message 3 some cases to these occupants of the newly restored issue ranges from the restoration of and the transcript of an SOF Oral From the AAR President, New York 4 evening before dinner I noticed that the salone was Academy why they might need a flashlight, or a hot modernist textiles - the upholstery of History, with Richard Brilliant FAAR’62. From the AAR Director, Rome 6 closed; the drapes pulled and the doors shut. Obviously water bottle, or peanut butter and hot sauce, or other Frank Lloyd Wright’s Zimmerman We hope to include the Oral History News From Rome, Arts Director 7 seen as an interloper, I ventured into old, familiar territo- Spellbound by Rome 8 gifts that are beyond description here. The group then House by Deirdre Windsor FAAR’01 - to as a regular feature in upcoming ry. The furniture was pushed to the side, the lighting Recent SOF Events 9 began to barter and exchange until all felt they had the creation of new printed fabrics, newsletters, drawing from the rich SOF Oral History Richard Brilliant FAAR’62 10 bright, and Fellows, several with children, were rehearsing Napkin Folding Stefanie Walker FAAR’01 12 received a coveted prize. And at the end they turned with the screening of the Tempieto archive of SOF-sponsored interviews. for the Christmas pageant scheduled for the next after- Garden Rains and Stains Deirdre Windsor towards me, each with their gift raised high in thanks drawings by Rachel Allen FAAR’03 onto As always, the Archives of the FAAR’01 and Hetty Startup 13 noon. Each person rehearsed with a clear focus: reading (see photo below). bolts of cotton jersey. Stefanie Walker American Academy proved a rich Rome Prize Winners 2005-06 16 lines, coordinating choreography, and helping to move the For the first time this group of Fellows realized that FAAR’01 contributes a delightful piece source of images of Laundry - literal- Tessuto Romano Cheryl Barton FAAR’04 18 sets that seemed to grow more and more elaborate and they were not going to be alone in their experiences, on Baroque napkin folding in Italy - ly! The Academy staff laundry rooms Art of Biography Anthony Grafton RAAR’04 20 Bramante in Fashion Rachel Allen FAAR’03 24 ridiculous as dinner grew closer. I was overwhelmed by but were to be part of the larger family of Fellows - not were for some unknown reason well Recent Books by Academy Authors 26 their efforts, friendship, spirit, and unbridled commitment just in Los Angeles, but throughout the United States - documented in the 1960s, and it is News from Fellows 28 who continue to share, through the SOF, regardless of surprising to see how little things had In Memoriam 34 to make this the best Academy Christmas pageant ever, year and discipline, in the unique experience of the changed when the photo, below left, In Praise of Ironing 37 which it may have been. Recent Work 39 The next day at lunch, I had the honor of presenting to American Academy in Rome. was taken in 1994, just prior to the From the Archives 40 renovation of the McKim Mead & The Fall 2005 issue of the SOF NEWS will White building. Compare this image focus on ISLANDS. We seek contributions The Rome Fellows display their gifts from the Los Angeles Fellows, at lunch in the dinning room. Nice tablecloths! Photo by James Bodnar with the one on the back cover, taken from Academy Fellows, Residents, and 30 years earlier! Visitors about island life and work. We One of the greatest gifts of a will consider work from any medium or Fellowship at the Academy is never period. Articles and poetry are also encouraged, along with artwork. Please having to wash your own sheets, thus submit your contribution to the Editor, in gaining plenty of extra time to spend care of the American Academy in Rome’s in our studios and studies. This issue New York City office, or via email to is a grateful tribute to all the Academy [email protected] by August 1, 2005. staff who have washed and pressed COVER: our laundry for years. Charles LeDray FAAR’98 Overcoat, 2004 Left: Staff Laundry Room, pre-renovation, 1994 25 1/2” x 20” x 11” Private Collection AAR Archive Photo by Roberto Einaudi Image courtesy of Sperone Westwater Gallery, New York 2 SPRING 2005 SOF NEWS 3 From the AAR President, New York Adele Chatfield-Taylor FAAR’84 Considering that our Director, Professor Lester K. Little logical system and thus our "post-classical" fellowships were ally as President in 2003-04. He also planned and led two mem- intermediate and advanced instruction for the first three weeks. RAAR’96, and his wife, our Public Affairs Officer, Lella Gandini, renamed Medieval (6th through the 14th centuries), orable conferences in Rome that have publications under con- Often thereafter, Fellows continue studying independently. are to retire from the Academy in July of 2005, this issue of Renaissance and Early Modern Studies (14th through the 18th tract: one on curses and blessings in traditional societies, the Lella's legendary charm has made her autumn Welcome the SOF NEWS would seem a good place to begin a "laundry centuries), and Modern Italian Studies (18th century to the other on the Justinianic Plague, AD 541-750. Party a sought-after invitation among Romans, expats, former list" of their accomplishments. present). Rather than being a separate category, the history of Lester did a turn, too, as president of the Unione Fellows, and international artists and scholars resident in Lester and Lella have been at the Academy from 1998-2005, art became an intrinsic possibility across all these new cate- Internazionale degli Instituti, Instituti di Archaeologia, Storia, e Rome. This kick-off party gives new Fellows a chance to meet record service for the last 45 years of our history, and second gories as well as in Ancient Studies (Classical Studies) which Storia dell'Arte, the consortium of 23 foreign and 10 Italian kindred spirits and Romans. It also provides an introduction only in duration to Gorham Phillips Stevens (who served for 15 included the period through the 6th century, and which con- scholarly institutes in Rome. In the process, he found a way to for many crucial working relationships that persist throughout years between 1917-32) and Laurance and Isabel Roberts (who tinues to offer the most Fellowships of any sector.
Recommended publications
  • Abstracts of Technical Papers, Presented at the 104Th Annual Meeting, National Shellfisheries Association, Seattle, Ashingtw On, March 24–29, 2012
    W&M ScholarWorks VIMS Articles 4-2012 Abstracts of Technical Papers, Presented at the 104th Annual Meeting, National Shellfisheries Association, Seattle, ashingtW on, March 24–29, 2012 National Shellfisheries Association Follow this and additional works at: https://scholarworks.wm.edu/vimsarticles Part of the Aquaculture and Fisheries Commons Recommended Citation National Shellfisheries Association, Abstr" acts of Technical Papers, Presented at the 104th Annual Meeting, National Shellfisheries Association, Seattle, ashingtW on, March 24–29, 2012" (2012). VIMS Articles. 524. https://scholarworks.wm.edu/vimsarticles/524 This Article is brought to you for free and open access by W&M ScholarWorks. It has been accepted for inclusion in VIMS Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Journal of Shellfish Research, Vol. 31, No. 1, 231, 2012. ABSTRACTS OF TECHNICAL PAPERS Presented at the 104th Annual Meeting NATIONAL SHELLFISHERIES ASSOCIATION Seattle, Washington March 24–29, 2012 231 National Shellfisheries Association, Seattle, Washington Abstracts 104th Annual Meeting, March 24–29, 2012 233 CONTENTS Alisha Aagesen, Chris Langdon, Claudia Hase AN ANALYSIS OF TYPE IV PILI IN VIBRIO PARAHAEMOLYTICUS AND THEIR INVOLVEMENT IN PACIFICOYSTERCOLONIZATION........................................................... 257 Cathryn L. Abbott, Nicolas Corradi, Gary Meyer, Fabien Burki, Stewart C. Johnson, Patrick Keeling MULTIPLE GENE SEGMENTS ISOLATED BY NEXT-GENERATION SEQUENCING
    [Show full text]
  • JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and Works in Connecticut and New York, NY
    JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and works in Connecticut and New York, NY Training 1988 MFA School of the Art Institute of Chicago, Chicago, IL 1985 BFA Rhode Island School of Design, Providence, RI Solo Exhibitions 2018 The Club, Tokyo, JP Solo booth, ADAA Art Show, Van Doren Waxter, New York, NY 2017 Spectral Hole, Rhona Hoffman Gallery, Chicago, IL Sharp Objects & Apocalypse Confetti, Eleven Rivington, New York, NY 2015 Degree of Tilt, Eleven Rivington, New York, NY Degree of Tilt, Van Doren Waxter, New York, NY Echo, Corbett vs. Dempsey, Chicago, IL 2014 Jackie Saccoccio, Eleven Rivington, New York, NY Portraits, Brand New Gallery, Milan, IT Portrait Gallery, Museo d'Arte Contemporanea VILLA CROCE, Genoa, IT 2013 Portraits, Corbett vs Dempsey, Chicago, IL 2012 Portraits, Eleven Rivington, New York, NY Paintings, Philip Slein Gallery, St. Louis, MO 2010 One to One, Eleven Rivington, New York, NY 2008 Interrupted Grid, Eleven Rivington, New York, NY Wall Intervention, Beatrice Room, RISD Gallery, Rome, IT 2006 In Transparency, Black & White Gallery, New York, NY 2003 Portage, Galerie Michael Neff, Frankfurt, Germany Bowery Poetry Club, (curated by Elizabeth Murray), New York, NY 2001 White Columns, White Room Project, New York, NY 1997 Lauren Wittels Gallery, Project Room, New York, NY Two Person Exhibitions 2013 Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS Group Exhibitions 2017 Annual Invitational Exhibition, American Academy of Arts & Letters, New
    [Show full text]
  • JULIA CZERNIAK Associate Dean and Professor, Syracuse University
    JULIA CZERNIAK 2 0 020 9 Associate Dean and Professor, Syracuse University School of Architecture Founding Principal, CLEAR EDUCATION Princeton University School of Architecture Masters of Architecture, June 1992 Glasgow School of Art Mackintosh School of Architecture Research Masters of Architecture with Commendation, September 1988 Pennsylvania State University School of Environmental Design, Shreyer Honors College Bachelor of Science with Honors, Landscape Architecture, May 1984 ACADEMIC APPOINTMENTS Syracuse University Associate Dean, School of Architecture July 2014–present Chief Academic Officer. 650 UG students, 100 G, 20 MS (Design Energy Futures) Oversee curriculum, staffing, junior faculty mentoring and review (18 tenure tracks); Collaborate with Provost’s Office and represent SOA on university committees; Oversee international programming (Florence, London, New York Centers), exchange students and summer short courses; Manage Visiting Critics Program; Academic Integrity cases and Grade Appeals; Lead NAAB review and Academic Strategic Planning; Organize and program Faculty Retreats; Run Faculty Meetings; Collaborate on developing School’s Diversity, Equity and Inclusion initiatives; Liaise with Vice President for Research; Program Junior Faculty development events; Manage AD Office budget; Participate in school’s advancement efforts and Advisory Board; Oversee and coordinate faculty leaves; Review internal grants; faculty & students Director, UPSTATE: A Center for Design, Research and Real Estate January 2008–June 2012 Initiate, facilitate, and showcase projects that apply innovative design research to challenges faced by urban communities, weak markets and shrinking cities Professor, School of Architecture, August 1995–Present (Tenure May 2001; Promotion 2012) University of Southern California Distinguished Visitor in Landscape Architecture, School of Architecture, Winter 2010 Tulane University Harvey Wadsworth Visiting Adjunct Professor in Landscape Urbanism, School of Architecture Spring 2010 University of Michigan The Max M.
    [Show full text]
  • JEFFREY GIBSON B. 1972, Colorado Lives and Works in New York
    JEFFREY GIBSON b. 1972, Colorado Lives and works in New York EDUCATION 2016 Honorary Doctorate, Claremont Graduate University, Claremont, CA 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2019 Jeffrey Gibson: Like a Hammer, Seattle Art Museum, Seattle, WA, catalogue Jeffrey Gibson: Like a Hammer, Madison Museum of Art, Madison, WI, catalogue Jeffrey Gibson: This is the Day, Blanton Museum of Art, Austin, TX, 2018 Jeffrey Gibson: Like a Hammer, Denver Art Museum, Denver, CO, catalogue (touring) Jeffrey Gibson: Like a Hammer, Mississippi Museum of Art, Jackson, MS, catalogue Jeffrey Gibson: This is the Day, Ruth and Elmer Wellin Museum of Art, Clinton, New York, catalogue (touring) DON'T MAKE ME OVER, The de la Cruz Gallery of Art, Georgetown University, Washington, DC 2017 In Such Times, Roberts & Tilton, Culver City, CA Look How Far We've Come!, Haggerty Museum of Art, Milwaukee, WI Jeffrey Gibson: Speak to Me, Oklahoma Contemporary Arts Center, Oklahoma City, OK 2016 A Kind of Confession, Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter
    [Show full text]
  • Historic Erie Canal Aqueduct & Broad Street Corridor
    HISTORIC ERIE CANAL AQUEDUCT & BROAD STREET CORRIDOR MASTER PLAN MAY 2009 PREPARED FOR THE CITY OF ROCHESTER Copyright May 2009 Cooper Carry All rights reserved. Design: Cooper Carry 2 Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan HISTORIC ERIE CANAL AQUEDUCT & BROAD STREET CORRIDOR 1.0 MASTER PLAN TABLE OF CONTENTS 5 1.1 EXECUTIVE SUMMARY 23 1.2 INTRODUCTION 27 1.3 PARTICIPANTS 33 2.1 SITE ANALYSIS/ RESEARCH 53 2.2 DESIGN PROCESS 57 2.3 HISTORIC PRECEDENT 59 2.4 MARKET CONDITIONS 67 2.5 DESIGN ALTERNATIVES 75 2.6 RECOMMENDATIONS 93 2.7 PHASING 101 2.8 INFRASTRUCTURE & UTILITIES 113 3.1 RESOURCES 115 3.2 ACKNOWLEDGEMENTS Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan 3 A city... is the pulsating product of the human hand and mind, reflecting man’s history, his struggle for freedom, creativity and genius. - Charles Abrams VISION STATEMENT: “Celebrating the Genesee River and Erie Canal, create a vibrant, walkable mixed-use neighborhood as an international destination grounded in Rochester history connecting to greater city assets and neighborhoods and promoting flexible mass transit alternatives.” 4 Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan 1.1 EXECUTIVE SUMMARY CREATING A NEW CANAL DISTRICT Recognizing the unrealized potential of the area, the City of the historic experience with open space and streetscape initiatives Rochester undertook a planning process to develop a master plan which coordinate with the milestones of the trail. for the Historic Erie Canal Aqueduct and adjoining Broad Street Corridor. The resulting Master Plan for the Historic Erie Canal Following the pathway of the original canal, this linear water Aqueduct and Broad Street Corridor represents a strategic new amenity creates a signature urban place drawing visitors, residents, beginning for this underutilized quarter of downtown Rochester.
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Australian Archaeology
    Flinders Academic Commons Archived at Flinders University: dspace.flinders.edu.au Full Citation Details: Delgado, J. & Staniforth, M. 2002. 'Underwater Archaeology' In The Encyclopedia of Life Support Systems. (online encyclopedia) UNESCO, Paris. Online at: http://www.eolss.co.uk/ Article 6.21.1.10. UNDERWATER ARCHAEOLOGY b) Brief addresses of authors James P. Delgado, Vancouver Maritime Museum, 1905 Ogden Avenue, Vancouver, B.C. V6J 1A3, Canada Dr. Mark Staniforth, Department of Archaeology, Flinders University, GPO Box 2100, Adelaide, 5001, Australia c) Keywords Underwater archaeology, maritime archaeology, marine archaeology, nautical archaeology, conservation, underwater cultural heritage management and legislation. d) Short contents list 1. Introduction 2. Aims 3. The Environment 3.1 Preservation 3.2 Deterioration 4. Methodology, techniques and equipment 4.1 Regional and site inventory 4.2 Site survey and recording 4.3 Excavation 5. Sites and structures 5.1 Submerged or inundated terrestrial sites 5.2 Shipwrecks 6. Artifacts 6.1 Conservation 6.2 Curation 6.3 Display 7. Publications, organizations and conferences 8. Key Issues Archived at Flinders University: dspace.flinders.edu.au e) Glossary of terms, abbreviations, symbols, etc AIMA: Australian Institute for Maritime Archaeology. ACUA: Advisory Council on Underwater Archaeology. Assemblage: CAMM: Council of American Maritime Museums. Conservation: the scientific process of preserving cultural material; in the case of artifacts from underwater archaeological sites conservation usually involves waterlogged material often with high chloride concentrations. Conservator: person qualified and experienced in the treatment and preservation of cultural material - in this case, cultural material from underwater archaeological sites. Curator: person qualified and experienced in the storage, interpretation and exhibition of cultural material – in this case, cultural material from underwater archaeological sites.
    [Show full text]
  • 2011 Annual Report
    2011 ANNUAL REPORT A I of A from the president Daniel Radcliffe, the British actor who is better known as Harry Potter in the just-completed fi lm series, has announced that he now plans to study archaeology at university. What with all the technological “wizardry”—from GIS to laser scanning to electron spin resonancing— that has transformed archaeological fi eldwork in the last decade, Radcliffe will no doubt feel completely at home. Here at the AIA we embrace a mix of old and new as we look toward our future. Our print publications, American Journal of Archaeology and ARCHAEOLOGY magazine, remain as strong as ever, but we also are developing plans for an enhanced website and digital publications, including an online journal devoted to best practices in conservation. We recognize that such media will play an ever more dominant role in education and communication and we want to continue to reach the next generation of archaeologists. Throughout North America, our 108 societies present programs of astonishing diversity and creativity. Many owe their success to partnering with other local organizations such as universities and museums. Indeed, our partnerships with groups that share our mission— among them Global Heritage Fund, the American Philological Association, and the Registry of Professional Archaeologists—help expand our ability to save and record the material record. Our coordinated efforts with them maximizes our impact in recessionary times like the present. Yet new initiatives can still be launched even when budgets are constrained. Two of the AIA’s most exciting recent efforts, our Site Preservation Program and our Troop Lectures, refl ect the vision of leaders who sought innovative ways to answer needs in the cultural heritage fi eld.
    [Show full text]
  • Marc Straus Gallery.” Droste Effect
    MARC STRAUS Jeffrey Gibson b. 1972, Colorado Lives and Works in New York EDUCATION 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2018 Jeffrey Gibson, Ruth and Elmer Wellin Museum of Art, Clinton, New York (forthcoming) 2017 Travelling Retrospective, Denver Art Museum (forthcoming) 2016 Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter Park, Florida The Spirits Refuse Without a Body, Shoshana Wayne Gallery, Santa Monica, California 2012 MARC STRAUS, New York, New York one becomes the other, Participant Inc, New York, New York one becomes the other, American Contemporary, New York, New York 2011 Jeffrey Gibson, 222 Shelby Street, Santa Fe, New Mexico 2010 Submerge, Arin Contemporary Art, Laguna Beach, California 2009 Totems, Sala Diaz, San Antonio, Texas 2007 Scope, Samson Projects, New York, New York 2006 Talkin’ Smack, Samson Projects, Boston, Massachusetts 2005 Indigenous Anomaly, American Indian Community House, New York, New York curated by Kathleen Ash-Milby 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts, curated
    [Show full text]
  • Cultural Resources and Tribal and Native American Interests
    Giant Sequoia National Monument Specialist Report Cultural Resources and Tribal and Native American Interests Signature: __________________________________________ Date: _______________________________________________ The U. S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14 th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. Giant Sequoia National Monument Specialist Report Table of Contents Introduction ................................................................................................................................................ 1 Current Management Direction ................................................................................................................. 1 Types of Cultural Resources .................................................................................................................... 3 Objectives ..............................................................................................................................................
    [Show full text]
  • The Creative Society Environmental Policymaking in California,1967
    The Creative Society Environmental Policymaking in California,1967-1974 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Denning Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Paula M. Baker, Advisor Dr. William R. Childs Dr. Mansel Blackford Copyright By Robert Denning 2011 Abstract California took the lead on environmental protection and regulation during Ronald Reagan‟s years as governor (1967-1974). Drawing on over a century of experience with conserving natural resources, environmentally friendly legislators and Governor Reagan enacted the strongest air and water pollution control programs in the nation, imposed stringent regulations on land use around threatened areas like Lake Tahoe and the San Francisco Bay, expanded the size and number of state parks, and required developers to take environmental considerations into account when planning new projects. This project explains why and how California became the national leader on environmental issues. It did so because of popular anger toward the environmental degradation that accompanied the state‟s rapid and uncontrolled expansion after World War II, the election of a governor and legislators who were willing to set environmental standards that went beyond what industry and business believed was technically feasible, and an activist citizenry that pursued new regulations through lawsuits and ballot measures when they believed the state government failed. The environment had a broad constituency in California during the Reagan years. Republicans, Democrats, students, bureaucrats, scientists, and many businessmen tackled the environmental problems that ii threatened the California way of life.
    [Show full text]
  • Archaeology and Classics
    CHICAGO, ILLINOIS JANUARY 2 – 5, 2014 WELCOME TO CHICAGO! Dear AIA Members and Colleagues, Welcome to Chicago for the 115th Annual Meeting of the Archaeological Institute of America. This year’s meeting combines an exciting program presenting cutting-edge research with the unique opportunity to socialize, network, and relax with thousands of your peers from the US, Canada, and more than 30 foreign countries. Appropriately for an urban venue settled in the 19th century by ethnic Europeans, this year’s meeting will feature several sessions on East European archaeology. And sessions devoted to heritage and preservation and digital methodologies in archaeology touch upon increasingly central concerns in the discipline. Back by popular demand are the undergraduate paper session and the Lightning Session. We are indebted to Trustee Michael L. Galaty and the Program for the Annual Meeting Committee that he chairs for fashioning such a stimulating program. Table of Contents Some of the other highlights of this year’s meeting include: General Information ......4-5 Opening Night Lecture and Reception (Thursday, 6:00–9:00 pm) Program-at-a-Glance 10-11 We kick off the meeting with a public lecture by Dr. Garrett Fagan, Professor of Ancient History at Penn State University. In “How to Stage a Bloodbath: Theatricality and Artificiality at the Roman Arena” Fagan explores Exhibitors .................. 12-13 the theatrical aspects of Roman arena games – the stage sets, equipment of the fighters, etc–that created an artificial landscape in which the violence of the spectacle was staged. Fagan will also consider what these Thursday, January 2 features tell us about Roman attitudes toward the violence of the games, and how spectators reacted to them Day-at-a-Glance ..........14 psychologically (Thursday, 6 pm).
    [Show full text]