The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Syllabus for MA (Previous) Hindustani Music Vocal/Instrumental
Syllabus for M.A. (Previous) Hindustani Music Vocal/Instrumental (Sitar, Sarod, Guitar, Violin, Santoor) SEMESTER-I Core Course – 1 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Historical and Theoretical Study of Ragas 70 Marks A. Historical Study of the following Ragas from the period of Sangeet Ratnakar onwards to modern times i) Gaul/Gaud iv) Kanhada ii) Bhairav v) Malhar iii) Bilawal vi) Todi B. Development of Raga Classification system in Ancient, Medieval and Modern times. C. Study of the following Ragangas in the modern context:- Sarang, Malhar, Kanhada, Bhairav, Bilawal, Kalyan, Todi. D. Detailed and comparative study of the Ragas prescribed in Appendix – I Internal Assessment 30 marks Core Course – 2 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Music of the Asian Continent 70 Marks A. Study of the Music of the following - China, Arabia, Persia, South East Asia, with special reference to: i) Origin, development and historical background of Music ii) Musical scales iii) Important Musical Instruments B. A comparative study of the music systems mentioned above with Indian Music. Internal Assessment 30 marks Core Course – 3 Practical Credit - 8 Practical : 70 Internal Assessment : 30 Maximum Marks : 100 Stage Performance 70 marks Performance of half an hour’s duration before an audience in Ragas selected from the list of Ragas prescribed in Appendix – I Candidate may plan his/her performance in the following manner:- Classical Vocal Music i) Khyal - Bada & chota Khyal with elaborations for Vocal Music. Tarana is optional. Classical Instrumental Music ii) Alap, Jor, Jhala, Masitkhani and Razakhani Gat with eleaborations Semi Classical Music iii) A short piece of classical music /Thumri / Bhajan/ Dhun /a gat in a tala other than teentaal may also be presented. -
HYD(SCZ) Jr. Exam, Sep17.Xlsx
Gas testing Examination s.No. Name S/Shri Father's Name S/Shri Exam Centre Date Time 1 Kancharla Aravind Kumar Kancharla Balaiah MVTC, Kothagudem 25.09.2017 08.00 am 2 Sanaboina Shivakrishna S Veerababu MVTC, Kothagudem 25.09.2017 08.00 am 3 Reddy Rajula Ajay R Venkataswamy MVTC, Kothagudem 25.09.2017 08.00 am 4 Badugu Mahesh Babu Madugu Rajesham MVTC, Kothagudem 25.09.2017 08.00 am 5 Edu Hareesh Edu Srinivas MVTC, Kothagudem 25.09.2017 08.00 am 6 Gugloth Malleshnayak G Sallu MVTC, Kothagudem 25.09.2017 08.00 am 7 Mukum Sandeep Mukum Shankar MVTC, Kothagudem 25.09.2017 08.00 am 8 Sreeramula Veeranna Sriramula Narsaiah MVTC, Kothagudem 25.09.2017 08.00 am 9 Konda Naresh Konda Veeraswamy MVTC, Kothagudem 25.09.2017 08.00 am 10 Dharavath Sateesh Dharavath Bhadru MVTC, Kothagudem 25.09.2017 08.00 am 11 Chalamala Narasimha Rao Chalamala Eswar Rao MVTC, Kothagudem 25.09.2017 08.00 am 12 Mendem Arun Dinakar Mendem China Venkateswarlu MVTC, Kothagudem 25.09.2017 08.00 am 13 Bhukya Veeraprasad Bhukya Pakeera MVTC, Kothagudem 25.09.2017 08.00 am 14 Dasari Rajkumar Dasari Rajesham MVTC, Kothagudem 25.09.2017 08.00 am 15 Bollapally Akhil Goud Bollapally Thirupathi MVTC, Kothagudem 25.09.2017 08.00 am 16 Gumasa Thirupathi Sambaiah MVTC, Kothagudem 25.09.2017 08.00 am 17 Kande Chandra Kumar Komaraiah MVTC, Kothagudem 25.09.2017 08.00 am 18 Phanthangi Hari Prasad Phanthangi Venkateshwarulu MVTC, Kothagudem 25.09.2017 08.00 am 19 Padala Vinay Goud Padala Thirupathi MVTC, Kothagudem 25.09.2017 08.00 am 20 Gundu Gopi Rayamallu MVTC, Kothagudem 25.09.2017 -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Sreenivasarao's Blogs HOME ABOUT THIS WORDPRESS.COM SITE IS the BEE's KNEES
sreenivasarao's blogs HOME ABOUT THIS WORDPRESS.COM SITE IS THE BEE'S KNEES ← Music of India – a brief outline – Part fifteen Music of India – a brief outline – Part Seventeen → Music of India – a brief outline – Part sixteen Continued from Part Fifteen – Lakshana Granthas– Continued Part Sixteen (of 22 ) – Lakshana Granthas – Continued Pages 8. Sangita-ratnakara by Sarangadeva About Archives January 2016 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 February 2015 January 2014 December 2013 Sarangadeva’s Sangita-ratnakara (first half of 13th century) is of particular importance, because it was written November 2013 just before influence of the Muslim conquest began to assert itself on Indian culture. The Music discussed in Sangita-ratnakara is free from Persian influence. Sangita-ratnakara therefore marks the stage at which the October 2013 ‘integrated’ Music of India was before it branched into North-South Music traditions. October 2012 It is clear that by the time of Sarangadeva, the Music of India had moved far away from Marga or Gandharva, as September 2012 also from the system based on Jatis (class of melodies) and two parent scales. By his time, many new August 2012 conventions had entered into the main stream; and the concept of Ragas that had taken firm roots was wielding considerable authority. Sarangadeva brought together various strands of the past music traditions, defined almost 267 Ragas, established a sound theoretical basis for music and provided a model for the later Categories musicology (Samgita Shastra). Abhinavagupta (3) Sarangadeva’s emphasis was on the ever changing nature of music, the expanding role of regional (Desi) Agama (6) influences on it, and the increasing complexity of musical material that needed to be systemised time and again. -
The Madras Presidency, with Mysore, Coorg and the Associated States
: TheMADRAS PRESIDENG 'ff^^^^I^t p WithMysore, CooRGAND the Associated States byB. THURSTON -...—.— .^ — finr i Tin- PROVINCIAL GEOGRAPHIES Of IN QJofttell HttinerHitg Blibracg CHARLES WILLIAM WASON COLLECTION CHINA AND THE CHINESE THE GIFT OF CHARLES WILLIAM WASON CLASS OF 1876 1918 Digitized by Microsoft® Cornell University Library DS 485.M27T54 The Madras presidencypresidenc; with MysorMysore, Coor iliiiiliiiiiiilii 3 1924 021 471 002 Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Provincial Geographies of India General Editor Sir T. H. HOLLAND, K.C.LE., D.Sc, F.R.S. THE MADRAS PRESIDENCY WITH MYSORE, COORG AND THE ASSOCIATED STATES Digitized by Microsoft® CAMBRIDGE UNIVERSITY PRESS HonBnn: FETTER LANE, E.G. C. F. CLAY, Man^gek (EBiniurBi) : loo, PRINCES STREET Berlin: A. ASHER AND CO. Ji-tipjifl: F. A. BROCKHAUS i^cto Sotfe: G. P. PUTNAM'S SONS iBomlaj sriB Calcutta: MACMILLAN AND CO., Ltd. All rights reserved Digitized by Microsoft® THE MADRAS PRESIDENCY WITH MYSORE, COORG AND THE ASSOCIATED STATES BY EDGAR THURSTON, CLE. SOMETIME SUPERINTENDENT OF THE MADRAS GOVERNMENT MUSEUM Cambridge : at the University Press 1913 Digitized by Microsoft® ffiambttige: PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS. Digitized by Microsoft® EDITOR'S PREFACE "HE casual visitor to India, who limits his observations I of the country to the all-too-short cool season, is so impressed by the contrast between Indian life and that with which he has been previously acquainted that he seldom realises the great local diversity of language and ethnology. -
4 Broadcast Sector
MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06. -
Oap Pensions
VIJAYAWADA MUNICIPAL CORPORATION ELIGIBLE OAP WAITING LIST Sl.No Div.no Name and Address Gender Age Ration Card No PENNERU SAKKUBAI, W/O VENKATESWARARAO, 49-1-68, 1 1 FEMALE 66 WAP068424900181 GUNADALA 2 1 S. NAGESWARAMMA, RANGARAO, 49-2-153, GUNADALA FEMALE 70 WAP0684255D0455 3 1 T. VENKATESWARA RAO, RANGAIAH, 53-1-45, GUNADALA MALE 80 WAP0684271B0003 4 1 SATTU SITHARAMAIAH, RAMAKOTAIAH, 49-3-41, GUNADALA MALE 69 WAP0684248C0262 5 1 P.KAVAMMA, APPAIAH, 44-15-18, GUNADALA FEMALE 68 WAP0684255A0306 6 1 D.MANGAMMA, VENKATESWARARAO, 44-14/7, GUNADALA FEMALE 65 WAP0684255D318 7 1 RAMASWAMY, VENKATA NARASAIAH, 49-1-12, GUNADALA MALE 72 WAP0684255D0340 CHINTA KAMALAMMA, VENKATESWARARAO, 44-14-60/1, 8 1 FEMALE 74 WAP0684255B0390 GUNADALA KANCHARLA SITARAVAMMA, NARASIMHARAO, 44-14-96, 9 1 FEMALE 80 WAP0684255D0446 GUNADALA 10 1 V.SUSEELA, LAXMAIAH, 49-2-182, GUNADALA FEMALE 78 WAP0684249B0202 11 1 DHARMARAO, NARAYANARAO, 49-2-150, GUNADALA MALE 70 WAP0684255D0456 12 1 RAMULU, VENKATA DASU, 49-4/1-14C, GUNADALA MALE 74 YAP0684248B0334 13 1 PARVATHAMMA, POTURAJU, 49-3-164A, GUNADALA FEMALE 73 WAP0684255D0197 14 1 RAJA GOPALA KRISHNA, RAGHAVAIAH, 49-4/1-29, GUNADALA MALE 67 WAP0684255B0228 M.RAVEENDRA NADH TAGUR, BRAMHAM, 44-15-159/1, 15 1 MALE 69 WAP0684043A0035 GUNADALA 16 1 SITHARAMARAJU, NARASIMHARAO, 44-14/3-15/4, GUNADALA MALE 68 WAP0684255D0130 17 1 A. SANDHYAVALI, VEERABHADRARAO, , 52-1-16, GUNADALA FEMALE 72 WAP068427100145 P.LAKSHMI KOTESWARAMMA,V.P.CHANDRARAO,44-15- 18 1 FEMALE 69 WAP068425500070 112/A,GUNADALA DIVI LAXMI NARASIMHARAO,ANJANEYULU,61-2- 19 1 MALE 72 WAP0684126A0487 83,RAMALINGESWARA NAGAR K.VENKATA KRISHNAMRAJU,RAMARAJU,MIG-12/8,BHAVANI 20 1 MALE 70 WAP0684126C0597 PURAM, H.B.COLONY 21 1 G. -
Sri Siva Vishnu Temple
S S r r i i S S ii vv aa VViisshhnnuu TTeemmppllee 6905 Cipriano Road, Lanham MD 20706 28th Annual Thyagaraja Aradhana Raju Soundararajan Memorial Concert by Madurai R. Sundar Rajna Swaminathan Madurai R. Sundar Srikanth Mallajosyula (Mridangam) (Vocal) (Violin) Saturday Jan 29, 2011 5PM Admission free Madurai R Sundar was initiated at a very early age into Carnatic music by his aunt Mrs. Ananthalakshmi Sadagopan, herself a musician of repute. Later Sundar came under the tutelage of the musical legend Madurai T.N.Seshagopalan in 1972 and made his debut in 1974.. He has won numerous prizes including Sangeetha Rathna, Sarada Krishna Iyer memorial award. Sundar has performed extensively in India, Australia, USA and the Middle East. He is regularly featured in the prime time by Madras Music Academy. He is an A-grade artiste of the All India Radio. He has released audiocassettes and CDs through Kalavardhani and Sangeetha. Sundar, and his wife Padma Sundar run a music school called ‘Trinity Academy of Fine Arts’ in the metropolitan Detroit area. Sundar is a B.Tech from IIT-Madras and secured his MBA from the reputed IIM-Ahmedabad. He has a Master’s degree in Information Technology Project Management from George Washington University. Currently he works for the automobile giant Chrysler at their Information Technology division in Detroit. Srikanth Mallajosyula started his music lessons early in violin and was a recipient of the National Talent Search Scholarship from the Govt. of India, in the field of violin and has won several prizes. He has learnt under the front ranking violinist A. -
STS-2016 Revised Application Result.Pdf
SHORT TERM STUDENTSHIP (STS 2016) Result General Information 1. The final list of students selected for STS 2016 program is displayed in order of their reference ID’s. There will be no second list. Please note your reference number and quote the same in case of any future correspondence by email with the Council. 2. Each application was reviewed independently by group of experts for its scientific value and selections have been made as per scores obtained. Specific queries on reasons for rejection will not be entertained. 3. The selected students are expected to carry out their project work in any two months between April to August, 2016 and prepare and submit the detailed report latest by September- October. Students are requested to visit the ICMR website from time to time and comply with the updated instructions. 4. The research carried out by the student must be in compliance with ICMR’s “Ethical Guidelines for Biomedical Research on Human Participants, 2006” which may be downloaded from ICMR website (http://icmr.nic.in/ethical_guidelines.pdf). 5. Before beginning the research a clearance from an appropriately constituted (as per ICMR Ethical guidelines) Institutional Ethics Committee (IEC) / or Institutional Animal Ethics Committee (IAEC) should be obtained, as applicable. If the ethics committee composition is not as per ICMR guidelines, the completed report of the student may not be accepted by ICMR. 6. If the Ethics Committee does not approve the student’s project OR does not hold a meeting or the student does not have the approval due to any reason, he/ she should not carry out his/ her research till he/ she receives the approval. -
Society for Ethnomusicology 60Th Annual Meeting, 2015 Abstracts
Society for Ethnomusicology 60th Annual Meeting, 2015 Abstracts Walking, Parading, and Footworking Through the City: Urban collectively entrained and individually varied. Understanding their footwork Processional Music Practices and Embodied Histories as both an enactment of sedimented histories and a creative process of Marié Abe, Boston University, Chair, – Panel Abstract reconfiguring the spatial dynamics of urban streets, I suggest that a sense of enticement emerges from the oscillation between these different temporalities, In Michel de Certeau’s now-famous essay, “Walking the City,” he celebrates particularly within the entanglement of western imperialism and the bodily knowing of the urban environment as a resistant practice: a relational, development of Japanese capitalist modernity that informed the formation of kinesthetic, and ephemeral “anti-museum.” And yet, the potential for one’s chindon-ya. walking to disrupt the social order depends on the walker’s racial, ethnic, gendered, national and/or classed subjectivities. Following de Certeau’s In a State of Belief: Postsecular Modernity and Korean Church provocations, this panel investigates three distinct urban, processional music Performance in Kazakhstan traditions in which walking shapes participants’ relationships to the past, the Margarethe Adams, Stony Brook University city, and/or to each other. For chindon-ya troupes in Osaka - who perform a kind of musical advertisement - discordant walking holds a key to their "The postsecular may be less a new phase of cultural development than it is a performance of enticement, as an intersection of their vested interests in working through of the problems and contradictions in the secularization producing distinct sociality, aesthetics, and history. For the Shanghai process itself" (Dunn 2010:92). -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
3.Hindu Websites Sorted Country Wise
Hindu Websites sorted Country wise Sl. Reference Country Broad catergory Website Address Description No. 1 Afghanistan Dynasty http://en.wikipedia.org/wiki/Hindushahi Hindu Shahi Dynasty Afghanistan, Pakistan 2 Afghanistan Dynasty http://en.wikipedia.org/wiki/Jayapala King Jayapala -Hindu Shahi Dynasty Afghanistan, Pakistan 3 Afghanistan Dynasty http://www.afghanhindu.com/history.asp The Hindu Shahi Dynasty (870 C.E. - 1015 C.E.) 4 Afghanistan History http://hindutemples- Hindu Roots of Afghanistan whthappendtothem.blogspot.com/ (Gandhar pradesh) 5 Afghanistan History http://www.hindunet.org/hindu_history/mode Hindu Kush rn/hindu_kush.html 6 Afghanistan Information http://afghanhindu.wordpress.com/ Afghan Hindus 7 Afghanistan Information http://afghanhindusandsikhs.yuku.com/ Hindus of Afaganistan 8 Afghanistan Information http://www.afghanhindu.com/vedic.asp Afghanistan and It's Vedic Culture 9 Afghanistan Information http://www.afghanhindu.de.vu/ Hindus of Afaganistan 10 Afghanistan Organisation http://www.afghanhindu.info/ Afghan Hindus 11 Afghanistan Organisation http://www.asamai.com/ Afghan Hindu Asociation 12 Afghanistan Temple http://en.wikipedia.org/wiki/Hindu_Temples_ Hindu Temples of Kabul of_Kabul 13 Afghanistan Temples Database http://www.athithy.com/index.php?module=p Hindu Temples of Afaganistan luspoints&id=851&action=pluspoint&title=H indu%20Temples%20in%20Afghanistan%20. html 14 Argentina Ayurveda http://www.augurhostel.com/ Augur Hostel Yoga & Ayurveda 15 Argentina Festival http://www.indembarg.org.ar/en/ Festival of