Federal Lawsuit to Be Filed in Walter Deleon Shooting by Allison B
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Summer Traditions 2020 Tour
SLIGHTLY STOOPID SUMMER TRADITIONS 2020 TOUR BAND REVEALS FIRST ROUND OF SUMMER SHOWS, INCLUDING TWO NIGHTS AT RED ROCKS AMPHITHEATER ADDITIONAL DATES STILL TO BE ANNOUNCED TICKETS ON SALE FRIDAY, MARCH 13 March 9, 2020 (San Diego, CA) - Today, Billboard chart-toppers Slightly Stoopid unveil the first round of dates for their annual summer tour. Dubbed Summer Traditions 2020 (a nod to the outdoor summer tour-circuit the band has done annually since 2006), Slightly Stoopid and fans alike will travel the states, sharing good times with one another through music and community as they have done since the band’s inception 25 years ago. This 2020 edition of Slightly Stoopid’s summer amphitheater tour kicks off in Eugene, OR on June 11th, 2020 and routes the beloved So-Cal band throughout North America, including two nights at the legendary Red Rocks Amphitheatre in Morrison, CO on August 15-16, 2020. Joining Slightly Stoopid for their Summer Traditions 2020 tour are special guests Pepper, Common Kings, and Don Carlos. All currently announced dates are listed below, with additional dates to be announced soon. Fans gain first access to the artist presale beginning Tuesday, March 10th at 10 AM local at www.slightlystoopid.com. The local presale will run from 10 AM - 10 PM local time on Thursday, March 12th, and the general public on-sale will then take place on Friday, March 13th at 10 AM local time. Formed in the mid-90’s by founding members Miles Doughty and Kyle McDonald, Slightly Stoopid has steadily risen to the top - always fostering their dedicated fanbase. -
Pressrelease 2010 Hangout Waterkeeper
TENNESSEE RIVERKEEPER Press Release (May 13, 2010) – ## For Immediate Release Leading environmental activists band together at The Hangout Beach Music and Arts Festival (May 14th - 16th) in Gulf Shores, Ala to raise awareness for the inhabitants and habitats affected by the Deepwater Horizon oil spill in the Gulf Coast. The Hangout Beach, Music and Arts Festival has announced that environmental activists Erin Brockovich, Kathleen "Kick" Kennedy, David Whiteside, and Sierra Club Board President Allison Chin will participate in on-stage announcements, public panel discussion and press conferences about BP’s Deepwater Horizon oil disaster and the Waterkeeper Alliance and it’s affiliated organizations along the Gulf Coast and in Alabama. On-stage announcements from some of the nation’s top environmental leaders will take place throughout the weekend. The press conferences at the festival will occur on Saturday, May 15 at 3pm and the public panel discussion on Sunday, May 16 at 2:30pm. Additionally, various local Waterkeeper organizations will host an outreach table on the festival grounds, which will contain info about the Waterkeepers and will be managed by staff members and volunteers. As previously announced, all profits from The Hangout will be donated to Gulf Coast restoration and relief efforts. Many musicians who will be performing at The Hangout Beach Music and Arts Festival have starred in Riverkeeper promotional videos that were produced by David Whiteside of Alabama, Founder of Black Warrior Riverkeeper and Tennessee Riverkeeper and former MTV News correspondent. Musicians including Questlove from The Roots, Michael Franti and Spearhead, Ozomatli, Phish, and The Flaming Lips (cancelled), have appeared in public service announcement videos for Riverkeeper organizations in Alabama. -
Middle Eastern Group Uses Improv to Deal with Conflict
Matador baseball struggles Ariien to National A stronger "Mummy to stay alive. Day of Prayer. Returns." See page 16 · See page S See page 8 c DAILVolume -43 • N um ber I 12 UNDIALSince 1957 Tuesday, May 8, 200 I A financially independent student newspaper http://sundial.csun.<>du CSUN faculty joined byCSUs in Reed JIH aUXTON I ONU' SUNow.. Members of Viewpoints, an lmprov group made up of tradlllonally opposed hatives of the war-torn Middle East, act out conflict resolution. criticism By TONY SEYBERT Middle Eastern group uses SUN DIAL STAFF -he CSUN Faculty Senate passed a resolution April 19 enoouraging Charles B. Reed. improv to deal with conflict Tthe chancellor of the California State J ' • • . University system, to pursue ~tive """' By SANDY FIRTH Jordanian, all good friend s. Each actor had a story to tell between the two countries. if employee n!lations with CSU faculty SUNOlflL STAFF "We are a group that u_se_s about his·or her "-perii nccs in the they knew I am friends \li:'ith and their bargaining organization. the f'~Y some of them, it would cause improv and acting as a to show. • Cali(Qmi~ F'f!!Jtx~!'!li<Jr\ ,-..~ ••· ".,: uestion: How do an deal with conflicts," said '1a0mi Por Adceb Dcr'hittti;-· a ... major problelns."• • The reohlution affinned' thC impor- Israeli Jew and Israeli Ackerman, an Israeli Jew. "We Jordanian, very few people knew For Norman Issa. an Israeli tance of positive employee "'lalions to Arab cross the same are a co-existence group that tries he was coming to the U.S. -
DJ Skills the Rise of the Hip-Hop DJ 3
The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
Turntablism and Audio Art Study 2009
TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community. -
BIO Born Matthew Fowler on Feb. 17, 1975, Producer Mumbles Has Lived
BIO Born Matthew Fowler on Feb. 17, 1975, producer Mumbles has lived a life rich with musical diversity and spiritual inspiration. Raised in a family of professional jazz musicians along with older brother Marvin Fowler (Dj Marvski) of the U.N.I.T.Y. Committee, Mumbles developed an ear for jazz and hip-hop music from an early age. His father, Steve Fowler, a professional flute and sax player, along with uncles Bruce, Tom, Walt, and Ed formed a musical legacy spanning from the early 70's with the band, the Fowler Brothers. They played with Frank Zappa and the Mothers of Invention, Bobby McFerrin, Linda Rondstadt, Ray Charles, Diana Ross, James Taylor and Brian Setzer, to name just a few. Being raised in such a diverse and musically stimulating environment, Mumbles tuned his ear early to the complexity of rhythm, melody and harmony. With the influence of his brother Marvski, he turned his attention to hip-hop music from the age of 5 (1980) and never turned back. In the late 1980's, Marvski along with Cut Chemist, Chali 2na, and Marc 7 formed the innovative group U.N.I.T.Y. Committee, which later along with the Rebels of Rhythm turned into the group Jurassic 5. It was during these pivotal years that Mumbles, being inspired by the production and record collections of Marvksi and Cut Chemist, decided to embark on his own mission of record digging, sampling, and beat construction. What started out lightly quickly turned into the digging obsession that most hip-hop producers are familiar with. -
The Historical and Cultural Meanings of American Music Lyrics from the Vietnam War
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The historical and cultural meanings of American music lyrics from the Vietnam War. Erin Ruth McCoy University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation McCoy, Erin Ruth, "The historical and cultural meanings of American music lyrics from the Vietnam War." (2013). Electronic Theses and Dissertations. Paper 940. https://doi.org/10.18297/etd/940 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIETNAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, KY May 2013 Copyright 2013 by Erin R. McCoy All Rights Reserved THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIENTAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Approved on April 5, 2013 by the following Dissertation Committee: _______________________________________________________ Dr. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A. -
Korea Morning Focus
August 16, 2019 Korea Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) KEPCO (015760/Trading Buy/TP: W29,000) Upgrade rating & Present TP KOSPI 1,938.37 12.54 0.65 Earnings improve on easing cost pressures KOSPI 200 254.86 2.03 0.80 KOSDAQ 597.15 6.40 1.08 Korean Air (003490/Buy/TP: W30,000) Lower TP Attractive valuation vs. weak earnings momentum Turnover ('000 shares, Wbn) Volume Value Hanwha Corp. (000880/Buy/TP: W34,000) Lower TP KOSPI 687,077 5,076 Plant issue resolved; Revenue to normalize from 4Q19 KOSPI 200 80,776 3,177 KOSDAQ 781,543 4,106 SK Holdings (034730/Buy/TP: W300,000) Lower TP Market Cap (Wbn) Share prices at rock bottom Value KOSPI 1,293,002 LS (006260/Buy/TP: W57,300) Lower TP KOSDAQ 207,101 LSCS on the mend; LS Mtron in need of growth engines KOSPI Turnover (Wbn) Buy Sell Net Partron (091700/Buy/TP: W20,000) Lower TP Foreign 1,528 1,578 -50 Record-high quarterly results Institutional 1,001 1,025 -24 Retail 2,497 2,445 52 Spigen Korea (192440/Buy/TP: W76,000) Lower TP Revenue growth vs. inevitable margin erosion KOSDAQ Turnover (Wbn) Buy Sell Net Amotech (052710/Buy/TP: W23,500) Foreign 415 480 -65 Navigating rough waters Institutional 197 191 5 Retail 3,466 3,403 62 Iljin Materials (020150/Buy/TP: W64,000) Program Buy / Sell (Wbn) Elecfoils in hot demand Buy Sell Net KOSPI 1,187 1,339 -152 JYP Entertainment (035900/Buy/TP: W28,000) Lower TP KOSDAQ 394 447 -53 Margin recovery in 3Q19 will be key Advances & Declines Advances Declines Unchanged Vieworks (100120/Buy/TP: W34,000) Lower TP KOSPI 508 -
ENGE 2018 Program Book.Pdf
CONTENTS 003 Conference Information 007 Technical Programs 003 Welcome Message 007 Program at a Glance 004 Overview 008 Venue Layout 005 Committee 009 Poster Session Layout 010 Session Timetable 013 Conference Topics 026 Useful Information 018 Plenary Speakers 019 Key Speakers 026 Registration 023 Sponsor Session 027 Useful Tips 024 Satellite Session 028 Social Programs 025 Presentation Guidelines 029 Presentation Schedule 030 1. Materials and devices for VLSI applications 038 2. Materials, processes and devices for wearable and stretchable electronic applications 049 3. Materials for frontier displays and optoelectronics 060 4. Two-dimensional materials and their heterostructures 070 5. Materials and processes for nanofabrication 077 6. Materials for renewable solar energy 086 7. Electrochemical and photoelectrochemical energy conversion materials 093 8. Materials for sustainable energy storage 101 9. Energy harvesting materials 112 10. Biomaterials 118 11. Computational materials science 126 12. Advanced materials characterization 133 13. General program 155 Author Index WELCOME MESSAGE “We hope you will join us for a symphony of outstanding sciences, and enjoy the bonus of the spectacular beauty of Jeju island.” Dear Colleagues and Friends, On behalf of the organizing committee, I am delighted to welcome you to ENGE 2018, the 5th International Conference on Electronic Materials and Nanotechnology for Green Environment running from November 11 to 14, 2018 in Jeju, Korea. ENGE has been held biennially since 2010 to provide a special platform for researchers to share their latest progresses in and explore future directions of studies of electronic materials and nanotechnology. ENGE stands as a highly acclaimed meeting with the reputation of pursuing high standards particularly in oral presentations as well as an atmosphere of close interactions with world-renowned scientists.