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Pontificia Universidad Católica Del Ecuador Facultad De Comunicación, Lingüística Y Literatura Escuela De Comunicación
PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR FACULTAD DE COMUNICACIÓN, LINGÜÍSTICA Y LITERATURA ESCUELA DE COMUNICACIÓN DISERTACIÓN PREVIA A LA OBTENCIÓN DEL TÍTULO DE LICENCIATURA EN COMUNICACIÓN CON MENCIÓN EN PERIODISMO PARA PRENSA, RADIO Y TELEVISIÓN ANÁLISIS NARRATIVO DE LA FIGURA DEL ANTIHÉROE EN LA SERIE BREAKING BAD AUTOR: CHRISTIAN ALEJANDRO DÍAZ FLORES DIRECTOR: MSG. CARLOS AULESTIA QUITO, 2018 Agradecimientos A mis padres, por su constante esfuerzo y por ser la guía de mi vida. A mi hermana, por bancarme siempre. A mis amigos, por compartir este viaje. A Carlos Aulestia, por la confianza. 1 ÍNDICE Agradecimientos ............................................................................................................. 1 Introducción .................................................................................................................... 4 Capítulo 1: ....................................................................................................................... 6 Nociones básicas del antihéroe ...................................................................................... 6 1. ¿Qué es un antihéroe? ........................................................................................ 6 1.1.Construcción del personaje .......................................................................... 9 2. Antecedentes de la representación del antihéroe en TV .................................. 11 2.1.Nueva narrativa en la televisión ................................................................. 11 2.2.Los -
The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
NOT ASHAMED a Pastor, a Boy Scout, and a Scientist Were the Only
NOT ASHAMED A pastor, a boy scout, and a scientist were the only passengers on a small plane. The pilot came back to the cabin and explained that the plane was going down but there were only three parachutes and four people. The pilot then added, "I should have one of the parachutes because I have a wife and three small children." So he took one and jumped. The scientist jumped up almost immediately and said, "I should have one of the parachutes because I am the smartest man in the world and everyone needs me." So he took one and jumped. The pastor turned to the Boy Scout and with a sad smile said, as I am sure that all of you would, "You are young and I have lived a rich life, so you take the remaining parachute, and I’ll go down with the plane." Then the Boy Scout said, "Relax, pastor, the world’s smartest man just jumped out of the plane with my backpack!" One man’s boast can be another man’s salvation. Paul had many reasons to boast but he chose to boast in the Gospel. Rom 1:16 I am not ashamed of the gospel, because it is the power of God for the salvation of everyone who believes: first for the Jew, then for the Gentile. 17 For in the gospel a righteousness from God is revealed, a righteousness that is by faith from first to last, just as it is written: "The righteous will live by faith." Today we are starting a new series called Romans -Unashamed, Undeserved, Unstoppable. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
HP Smart Web Printing
What's on tap this month that executives won't want to miss - USATODAY.com Page 1 of 5 Cars Auto Financing Event Tickets Jobs Real Estate Online Degrees Business Opportunities Shopping Search How do I find it? Subscribe to paper Become a member of the USA Home News Travel Money Sports Life Tech Weather TODAY community now! Log in | Become a member What's this? Money » Executive Suite Weekly Features Company News Company Calendars Annual Reports GET A Enter symbol(s) or Keywords QUOTE: What's on tap this month that executives Related Advertising Links What's This? Obama Is Giving You Money Read How I Got a $12k Check From The Economic… won't want to miss www.ObamasEconomicStimulus.com Updated 7h 49m ago | Comment | Recommend 1 E-mail | Save | Print | CALENDAR $37,383 Stimulus Checks It's Official. The Gov Is Giving Out Billions. I… www.GovGrantFunds.com Monday: The Commerce Department Yahoo! Buzz reports whether consumer spending was up Advertisement at the first of the year after a dismal fourth Digg quarter. Newsvine Reddit MEDIA HAPPENINGS: Watch, listen & read IN MAGAZINES THIS MONTH: Check it out Facebook FIVE QUESTIONS: For ... utility exec David What's this? Ratcliffe WHAT I READ: With eco-friendly exec Jeffrey Hollender CORPORATE PULSE: Executive Suite front page Enlarge By Ron Batzdorff, Starz Original Actors Lizzy Caplan and Adam Scott in an episode of Friday: Did job losses exceed 600,000 last month? The Labor the clever workplace sitcom "Party Down," airing on Department tally tells. Starz. March 8: Daylight Saving Time begins. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
Detectives with Pimples: How Teen Noir Is Crossing the Frontiers of the Traditional Noir Films1
Detectives with pimples: How teen noir is crossing the frontiers of the traditional noir films1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Teen noir, Veronica Mars, cinema noir, reinvenção, feminismo Keywords: Teen noir, Veronica Mars, noir cinema, reinvention, feminism 1. “If you’re like me, you just keep chasing the storm” In the last ten years, films and TV series such as Heathers (1999), Donnie Darko (2001), Brick (2005) or Veronica Mars (2004-2007) have become increasingly popular and captivated cult audiences, both in the United States and in Europe, while arousing the curiosity of critics. These productions present characters, plots, motives and a visual aesthetic that resemble the noir films created between 1941, when The Maltese Falcon premiered, and 1958, when Touch of Evil was released. The new films and series retain, for instances, characters like the femme fatale, who drags men to a dreadful destiny; the good-bad girl, who does not hesitate in resorting to dubious methods in order to achieve morally correct objectives; and the lonely detective, now a troubled adolescent — as if Sam Spade had gone back to High School. In the first decade of our century, critics coined the expression teen noir to define this new genre or, in my opinion, subgenre, since it retains numerous traits of the classic film noir, especially in its contents, thus not creating a significant rupture. In this article, I intend to a) examine the common elements between teen noir series and classic noir films; b) analyze how this new production reinvents or subverts the characteristics of the old genre, generating a sense of novelty; c) detect some of the numerous intertextual references present in Veronica Mars, which may lead young viewers to investigate other series, movies or books. -
The Izombie Omnibus Online
3x45F [Read free] The iZombie Omnibus Online [3x45F.ebook] The iZombie Omnibus Pdf Free Michael Allred ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #345496 in Books imusti 2015-12-08 2015-12-08Original language:EnglishPDF # 1 11.20 x 1.70 x 7.60l, .0 #File Name: 1401262031646 pagesDiamond Comics | File size: 51.Mb Michael Allred : The iZombie Omnibus before purchasing it in order to gage whether or not it would be worth my time, and all praised The iZombie Omnibus: 4 of 4 people found the following review helpful. Different than what i was expecting, but still good.By Kindle CustomerI'm a big fan of the t.v. series, so I decided to read the comic it was based on. I like the t.v. series a lot more, but this is still a really good story. Just wish it could have been longer.2 of 2 people found the following review helpful. Grandma says thumbs upBy Betty JeanNot the typical audience for these books (at 68) but I love the TV show and wanted to read the graphic novels. Definitely not disappointed.2 of 2 people found the following review helpful. Exactly what I wanted it to be.By Randolph WallerShipped on time. Nice hardbook edition collected series for any fan. Told from a female zombie's perspective, IZOMBIE is a smart, witty detective series with a mix of urban fantasy and romantic dramedy. Gwendolyn "Gwen" Dylan is a 20-something gravedigger in an eco-friendly cemetery. Once a month she must eat a human brain to keep from losing her memories, but in the process she becomes consumed with the thoughts and personality of the dead person until she eats the next brain. -
Editorial Guidelines for Digitens Entries
EDITORIAL GUIDELINES FOR DIGITENS ENTRIES 1. The first bibliographical reference will be given in a footnote then further references will be i n - text references . Ex.: Andrew states “...” (p. 189) Or (Andrew, p. 189) - For 2 - 3 authors, all the names can be listed along with the page number in the following format: (Mitchell, Thomson, and Smith, p. 189 ) - For 3+ authors, only the surname of the first author should be listed followed by ‘et al’: (Mitchell et al., p. 189 ) - If there are no authors, the whole title italicized, a shortened title within quotation marks or an article or webpage in quotation marks should be used in place of the author. - Title: A Guide to Citation states “..” (p. 189) Or ( A Guide to Citation, p . 189) - Article Title: “APA Citation Guide” states “...” (189) Or (“APA Citation Guide”, p. 189) 2. Book referencing Note: Author name, Title (Location: Publisher, Year of Publication) * Footnote: Donna T. Andrew , Aristocratic Vice: The Attack on Duelling, Suicide, Adultery , and Gambling in Eighteenth - Century England (New Haven & London: Yale University Press, 201 2) * Further reading: Andrew , Donna T. , Aristocratic Vice: The Attack on Duelling, Suicide, Adultery , and Gambling in Eighteenth - Century England (New Haven & London: Yale University Press, 2012) 3. Edited and Translated Books (1) Note: Author name, Title, ed. name editor (Place: Publisher, year) * Footnote: William Shakespeare , Hamlet , ed. Harold Jenkins (London: Methuen, 1982) * Further reading: Shakespeare , William , Hamlet , ed. Harold Jenkins (London: Methuen, 1982) (2) Note: Author name, Title, trans. name translator (Place: Publisher, year) * Footnote: Kate Coyne and Nick A. Smith, MLA Citation Rules , trans. -
Gotham Season 1 Episode 1 Download Free Gotham - Season 1
gotham season 1 episode 1 download free Gotham - Season 1. A new recruit in Captain Sarah Essen's Gotham City Police Department, Detective James Gordon is paired with Harvey Bullock to solve one of Gotham's highest-profile cases: the murder of Thomas and Martha Wayne. During his investigation, Gordon meets the Waynes' son Bruce, now in the care of his butler Alfred Pennyworth, which further compels Gordon to catch the mysterious killer. Along the way, Gordon must confront mobstress Fish Mooney, mafia led by Carmine Falcone, as well as many of Gotham's future villains such as Selina Kyle, Edward Nygma, and Oswald Cobblepot. Eventually, Gordon is forced to form an unlikely friendship with Wayne, one that will help shape the boy's future in his destiny of becoming a crusader. Streaming, rent, or buy Gotham – Season 1: Currently you are able to watch "Gotham - Season 1" streaming on Netflix, Amazon Prime Video. Watch Gotham Season 1 Episode 1 Online. Watch Gotham Season 1 Episode 1 Online to see the origin stories of Bruce Wayne, Jim Gordan and more of the Batman universe begin. Watch Similar Shows FREE Amazon Watch Now iTunes Watch Now Vudu Watch Now Netflix Watch Now YouTube Purchase Watch Now Google Play Watch Now Verizon On Demand Watch Now. Watch Gotham Season 1 Episode online right now and here via TV Fanatic. Witness the origins of Bruce Wayne after his parents are killed and the rookie detective, Jim Gordan, trying to solve the case. And did I mention there's an amazing Penguin and various other nods to the Batman universe? Check it out! Episode Details. -
Small-Screen Courtrooms a Hit with Lawyers - Buffalo - Buffalo Business First
9/18/2018 Small-screen courtrooms a hit with lawyers - Buffalo - Buffalo Business First MENU Account FOR THE EXCLUSIVE USE OF [email protected] From the Buffalo Business First: https://www.bizjournals.com/buffalo/news/2018/09/17/small-screen-courtrooms-a-hit-with-lawyers.html Small-screen courtrooms a hit with lawyers Sep 17, 2018, 6:00am EDT For many, TV shows are an escape from reality. For attorneys, that’s no different – even when they’re watching lawyers on TV. “Better Call Saul” is the latest in a long line of TV shows about the legal profession. A prequel to AMC’s “Breaking Bad,” the show stars Bob Odenkirk as a crooked-at-times attorney named Jimmy McGill. “He’s a likable guy and you like his character,” said Patrick Fitzsimmons, senior associate at Hodgson Russ LLP in Buffalo. “It’s a great show. I think it’s the one BEN LEUNER/AMC show compared to the others where it’s not about a big firm.” “Better Call Saul” puts a new spin on legal drama as the slippery Jimmy McGill (played by Bob Odenkirk) Also a fan is Michael Benz, an associate at HoganWillig who recently returned to builds his practice. his native Buffalo after working in the Philadelphia public defender’s office and in his own practice as a criminal defense attorney. “(Odenkirk’s character is) the classic defense attorney who will do anything to make a buck or help his client,” Benz said, adding that he often binge-watches shows with his wife, Carla, an attorney in the federal public defender’s office in Buffalo. -
NEW RESUME Current-9(5)
DEEDEE BRADLEY CASTING DIRECTOR [email protected] 818-980-9803 X2 TELEVISION PILOTS * Denotes picked up for series SWITCHED AT BIRTH* One hour pilot for ABC Family 2010 Executive Producers: Lizzy Weiss, Paul Stupin Director: Steve Miner BEING HUMAN* One hour pilot for Muse Ent./SyFy 2010 Executive Producers: Jeremy Carver, Anna Fricke, Michael Prupas Director: Adam Kane UNTITLED JUSTIN ADLER PILOT Half hour pilot for Sony/NBC 2009 Executive Producers: Eric Tannenbaum, Kim Tannenbaum, Mitch Hurwitz, Joe Russo, Anthony Russo, Justin Adler, David Guarascio, Moses Port Directors: Joe Russo and Anthony Russo PARTY DOWN * Half hour pilot for STARZ Network 2008 Executive Producers: Rob Thomas, Paul Rudd Director: Rob Thomas BEVERLY HILLS 90210* One hour pilot for CBS/Paramount and CW Network. Executive Producers: Gabe Sachs, Jeff Judah, Mark Piznarski, Rob Thomas Director: Mark Piznarski MERCY REEF aka AQUAMAN One hour pilot for Warner Bros./CW 2006 Executive Producers: Miles Millar, Al Gough, Greg Beeman Director : Greg Beeman Shared casting..Joanne Koehler VERONICA MARS* One hour pilot for Stu Segall Productions/UPN 2004 Executive Producers: Joel Silver, Rob Thomas Director: Mark Piznarski SAVING JASON Half hour pilot for Warner Bros./WBN 2003 Executive Producer: Winifred Hervey Director: Stan Lathan NEWTON One hour pilot for Warner Bros/UPN 2003 Executive Producers: Joel Silver, Gregory Noveck, Craig Silverstein Director: Lesli Linka Glatter ROCK ME BABY* Half hour pilot for Warner Bros./UPN 2003 Executive Producers: Tony Krantz, Tim Kelleher