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Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’S Message
Société d' Opéra National Capital de la Capitale Nationale Opera Society Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’s Message It is March 15, 2021 and I am starting to feel viding a virtual Ring festival throughout optimistic that our jail sentences are coming March. The four operas, recorded in 2018, to an end. Spring is in the air and we saw a are streamed each weekend free of charge. In high of 16 C last week. The vaccines are on addition they offer a series of one hour pre- their way!! Phew! It is about time. sentations on subjects such as the History of We have postponed the next Brian Law The Ring, Dining on the Rhine, Feminism, Opera Competition until October 2022 and Grace Bumbry breaking the colour barrier at will start the planning in the fall. Also we Bayreuth etc. The fee to watch all 16 presen- decided to waive membership fees for this tations is US$99. As always, big thanks year. So do not worry about your member- for contributions from David Williams and ship. However, if you would like to make a his team for the newsletter and to Jim Bur- donation to the society, it will be gratefully gess for our website. received. I will provide you a receipt for As soon as everyone feels safe, we Income Tax purposes. should plan on a special face-to-face meet- I have some sad news to share, that one ing where we can embrace, watch opera, eat, of our long-time supporters passed away re- drink and be merry! cently, Tom McCool. -
Des Reiches Strasse
Lauchstädt Ein Tempel Weimars Wenn Goethe heute, wie so oft zwischen den Jahren 1791 und 1811, im Sommer nach Lauchstädt fahren würde, um dort den Brunnen zu trinken und das Spiel seiner Weimarer Truppe zu leiten, so müßte er zwischen Freyburg an der Unstrut und seinem Ziel in der Gegend des Geiseltales ein Stück durch die Luft fahren. Die alte Straße hört hier plötzlich auf, und das Erdreich ist tief ausgehöhlt: hier sind die Braunkohlengruben, die das Leunawerk versorgen. Bergbau hat ihn, der selbst in Ilmenau die Silbergruben wieder in Tätigkeit zu bringen versuchte, stets lebhaft interessiert. Er würde also die Anlagen höchst bemerkenswert finden und dafür auch den Umweg in Kauf nehmen, den der neue Straßenzug verlangt. Dann aber würde die Nähe von Lauchstädt ihn freuen, die Dürre der Gegend hört auf, und an dem kleinen Bach, der sich durch Wiesen und Felder zur Saale schlängelt, ist das hohe Wachstum der Bäume von Lauchstädt entfaltet, in deren Hut das kleine Theater liegt, das nach Goethes Angaben hier errichtet wurde. Goethe hat drei Bühnen gebaut: das alte und das neue Komödienhaus in Weimar sowie das Sommertheater in Bad Lauchstädt bei Halle. Der erste Bau brannte nieder, der dann errichtete Neubau wurde zu Beginn unseres Jahrhunderts pietätvoll abgerissen. Ein Zeugnis blieb bestehen: das Goethe-Theater in Lauchstädt. Durch zwei Jahrzehnte, 1791- 1811, hat Goethe – mit kurzer Unterbrechung durch die Kriegsläufte hier Sommer für Sommer die Weimarer Schauspieler gastieren lassen, auf damals kursächsischem Boden, vor einem Publikum, das zumeist aus Halle, dazu aus Leipzig und aus kleinen Städten des östlichen Thüringen kam. -
Fang Family San Francisco Examiner Photograph Archive Negative Files, Circa 1930-2000, Circa 1930-2000
http://oac.cdlib.org/findaid/ark:/13030/hb6t1nb85b No online items Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid to the Fang family San BANC PIC 2006.029--NEG 1 Francisco examiner photograph archive negative files, circa 1930-... Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Collection number: BANC PIC 2006.029--NEG The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Fang family San Francisco examiner photograph archive negative files Date (inclusive): circa 1930-2000 Collection Number: BANC PIC 2006.029--NEG Creator: San Francisco Examiner (Firm) Extent: 3,200 boxes (ca. 3,600,000 photographic negatives); safety film, nitrate film, and glass : various film sizes, chiefly 4 x 5 in. and 35mm. Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Local news photographs taken by staff of the Examiner, a major San Francisco daily newspaper. -
Concert: Ralph Dudgeon, Trumpet. Visiting Artist Series 2008-9
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 9-15-2008 Concert: Ralph Dudgeon, trumpet. Visiting Artist Series 2008-9 Ralph Dudgeon Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Dudgeon, Ralph, "Concert: Ralph Dudgeon, trumpet. Visiting Artist Series 2008-9" (2008). All Concert & Recital Programs. 6547. https://digitalcommons.ithaca.edu/music_programs/6547 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. __ - ITHACA COLLEGE l VISITING ARTISTS SERIES 2008-9 Ralph Dudgeon, trumpet William Cowdery, piano Music for Trumpet and Piano by American Composers Hockett Family Recital Hall ~onday,SeptemberlS,2008 7:00p.m. PROGRAM Fanfare for the Women for solo trumpet (1993) Libby Larsen (b. l950 Red White and Blues (1976) Leonard Bernstein (1918-1990) Sonata for Trumpet and Piano (1953) George Antheil (1900-1959) I. Allegretto II. Dolce-expressivo Ill. Scherzo IV. Allegretto Cries and Whispers (2001) Ned Rorem (b. 1923) Breeze from Alabama Scott Joplin (1868-1917) Arranged by Ralph Dudgeon Quiet City (1941) Aaron Copland (1900-1990) Arranged by Peter Was tall Three Preludes George Gershwin (1898-1937) Arranged by Anthony Kerns Scherzo David Ahlstrom (1945-1993) r Photographic, :video, and sound recording and/ or transmitting devices are not permitted 'in the Whalen Center concert halls. Please turn off all cell phone r\ngtones. PROGRAM NOTES Libby Larsen composed the two-minute Fanfare for the Women in 1994 for the opening of the University of Minnesota's Women's Sports Pavilion. -
Season-Programws2.Pdf
Grant Support Cheyenne Kiwanis Foundation Kiwanis is a global organization of volunteers dedicated to changing the world one child and one community at a time. It is one of the largest community-service organizations dedicated primarily to helping the children of the world. The Cheyenne Kiwanis club was organized and charted on Janu- ary 22, 1922. The Cheyenne Kiwanis Foundation was founded on September 24, 1971 to be a vehicle by which individuals and clubs in the Cheyenne area could make tax-deductible contributions to further Kiwanis goals and purposes. The foundation provides services and support to the activities of the Cheyenne Kiwanis Club, The Rocky Mountain District and Kiwanis International. Every member of the Cheyenne Kiwanis Club is a member of the Cheyenne Kiwanis Foundation. Nine members of the Cheyenne Kiwanis Club are elected to serve on the foundation’s board of trustees on a revolving basis for three year terms. The Foundation has given to the Cheyenne community and the world including but not limited to Kiwanis International Worldwide Service Project to eliminate Iodine Deficiency Disorder (IDD) around the world, Youth Alternatives, NEEDS, Inc., YMCA, Boys and Girls Club of Cheyenne, HICAP, Attention Homes, CASA of Laramie County and Wyoming Leadership Seminar. Walmart The Walmart Foundation strives to provide opportunities that improve the lives of individuals in our communities including our customers and associates. Through financial contributions, in-kind donations and volunteerism, the Walmart Foundation supports initiatives focused on enhancing opportunities in our four main focus areas: · Education · Workforce Development · Economic Opportunity · Environmental Sustainability · Health and Wellness The Walmart Foundation has a particular interest in supporting the following populations: veterans and military families, traditionally under-served groups, individuals with disabilities and people impacted by natural disasters. -
Goethe's Urfaust and the Enlightenment
Goethe’s Urfaust and the Enlightenment: Gottsched, Welling and the “Turn to Magic” By Copyright 2014 James Michael Landes Submitted to the graduate degree program in Germanic Languages and Literatures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Professor Leonie Marx ________________________________ Co-Chairperson Professor Frank Baron ________________________________ Professor Maria Carlson ________________________________ Professor William Keel ________________________________ Professor Per Øhrgaard Date Defended: 10 March 2014 The Dissertation Committee for James Michael Landes certifies that this is the approved version of the following dissertation: Goethe’s Urfaust and the Enlightenment: Gottsched, Welling and the “Turn to Magic” ________________________________ Chairperson Professor Leonie Marx ________________________________ Co-Chairperson Professor Frank Baron Date approved: 10 March 2014 ii Abstract The Urfaust, composed in the early 1770s, is the first draft of Johann Wolfgang von Goethe’s (1749-1832) masterpiece, Faust, Teil I (1808). While this early draft is relatively unexamined in its own right, an examination of this work in the context of its original creation offers insights into Goethe’s creative processes at the time in relation to the Enlightenment poetic debates of the eighteenth century, through which literary critics, such as J.C. Gottsched (1700-1766) attempted to define the rules by which poetic construction should operate. In examining the Urfaust, one can see how Goethe’s poetic aims transcended those of the Enlightenment debate, going far beyond the Enlightenment critics of Gottsched, such as J.J. Bodmer (1698-1783) and J.J. Breitinger (1701-1776) in making the case for additional room for the fantastic in poetic construction. -
December 1941) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1941 Volume 59, Number 12 (December 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 12 (December 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/60 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. w** tiijr'f >> d \r*s imHimmm VA M U ^l These magnifieenf, incredibly S®ra = pir0@®d] completely uh% tl@ problem @f Christmas ghh% The American Home Piano Album One hundred and twenty-five fascinating classic, modern, operatic and dance pieces, written by eighty-five famous composers, make this book a nemhne treasury of piano music with which no one who once owns it will evfrTart- Redd the Complete Contents tn your August “Etude.” 192 na(r« 3? music size. F sneet D , “rice, 75 m tl A • ~ cents. The American tvHome Song Album Three hundred songs of every description - concert, love, grand opera light opera pa not, c sacred children’s, minstrel, college, Stephen FosteF SOn ~ — "ged for Ringing or playing make this book the greatest song F collection in the world. -
La Jeune France, 3 Mars 1861, P. 52-53. Au Moment Où Le
La Jeune France, 3 mars 1861, p. 52-53. Au moment où le Tannhäuser va faire en France sa première apparition, il n’est peut-être pas inutile d’étudier, non point les qualités puisque nous ne les connaissons pas encore, mais du moins les tendances musicales de M. Richard Wagner. Cela sera d’autant plus facile que M. Wagner – qui aime beaucoup à faire parler de lui, il faut l’avouer, et qui sait battre la caisse ailleurs que dans son orchestre – a publié il y a quelques mois une Lettre sur la musique dans laquelle il fait connaître ses idées sur la musique dramatique et développe les théories qu’il a cru devoir mettre en pratique dans la composition de ses opéras. Mais d’abord, quelques mots sur l’auteur lui-même et sur sa personnalité. M. Wagner est né à Leipsick, le 22 mai 1813. Encore au berceau, il perdit son père et, un peu plus tard, partit pour Dresde avec sa mère, qui s’était remariée. Il commença ses études littéraires dans cette ville, puis, étant retourné à Leipsick, les termina à l’école Nicolaï ; en même temps il suivait régulièrement les cours du conservatoire musical de Leipsick, établissement fondé par Mendelssohn et l’un des premiers en ce genre que possède l’Allemagne. Il composa à cette époque le poème et la partition d’une pièce rustique dont il avait emprunté l’idée première aux Caprices des amoureux [Die Laune des Verliebten] de Goethe. A la suite d’une maladie grave, il alla passer quelques mois à Würtzburg, auprès de son frère : il composa là son premier opéra : les Fées [Die Feen]. -
Mmtmwsmm. Us About Him- at Lebanon, Pa
-- is - ' ' , - . - . THEASHINGTX)NyHEBaMWj8PaATrf 26., 1.-- 'W "? '' - .3'MA- waa cosspelied'tc-- ' t an 'encore. Mrs. ,Orosb and "FruWltagsBACBCT tlflM 'WMUkar --1 Hear m, Thrus atvs"a "Somswbtre a, Vote Is Cailier" "Kr. Jett "Dear Religion mi&iSocidt Service MUSIC Heart" aol "Mother.,"Machree." Mr. ANMUra Joaes "Oat on the BMn'stf ribstwnf,". and Mrs. Ormsby and mm Whltaker spoken objet la Toa-ca;- M Waldensian Church, and he ha a closer fellowship araoac dab xnusleirJa rna'ljLTti,""traa Puccini's "La purpose, as .ta"tibjotI U rejarded,by f'Pasaage Bird .Farewell" ' "Bpring Bl. 0, C. M0MAN TO HAD: , ;.. The fifth (TeniBC of tha Xatte jof urn s4 in" several of the principal cities', of men. the establishment of a headquar- Cbamlaade's 'Men Coeur Chaste," tVe offlcials .the mo as" one. of Tims Is Bo Charming.". x eVery Study given' tha Washington h America, and vlsiteditbWuraeroua .farm- ters in important city for traveUng aab. at i-- Thought of Ton." by Natalie highly educational value,,, ' MailWilTJlat KBIE- COIPHUCI uui - A featare.of ithe'ereninsT was the ren- j ing colonies in. Mis- members; Club, last'WedTwdayjrvealnir. waa,cea-sldere- d Glbbs- lyric soprano waa ' From the title, Mr. FreuM'a talk win of tha Waldenaes and a elosa affiliation between -- TowBMBd, Mrs. dering of the difficult accompaniments by conference," souri, Colorado, Utah, arc His' subject church and social organisations. The plan meat very CJte-.'- ana mam revponaea 10 an ba one both interesting ana Deaesciai. as Miss Visa Behsie Humphreys, The midwinter Bible by those in ajtendance tha Jeffries. Washington Is: Struggles and tha Work-- of the includes the selection in city encore Carrie Jacobs Bond's it will 'deal la part upon "America's place Mr. -
James T. Farrell Papers Ms
James T. Farrell papers Ms. Coll. 886 Finding aid prepared by Alexis Morris. Last updated on October 17, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2017 May 1 James T. Farrell papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 6 Administrative Information........................................................................................................................... 8 Related Materials........................................................................................................................................... 9 Controlled Access Headings..........................................................................................................................9 Collection Inventory.................................................................................................................................... 10 I. Correspondence.................................................................................................................................. 10 II. Diaries and personal writings.........................................................................................................471 -
Brass Chamber Music
BRASS CHAMBER MUSIC in LYCEUM and CHAUTAUQUA P R E M I E R E P R E S S DEDICATION For chamber brass lovers everywhere. TABLE OF CONTENTS List of Abbreviations x List of Figures xi Acknowledgments xiii Preface xvi INTRODUCTION 1 Chapter 1. BRASS CHAMBER MUSIC 3 Brass Instruments 4 Chamber Music 7 Brass Chamber Music, Brass Ensembles, and Bands 11 Brass Chamber Ensemble Instrumentation 17 Brass Chamber Music Scholarship 21 Overview of Brass Chamber Music History from the Renaissance to 1813 23 Overview of the French Chamber Brass School, 1814 to ca. 1870 24 Overview of the Russian Chamber Brass School, ca. 1870 to the 1940s 29 Overview of Brass Chamber Music in America to 1939 32 Remarks on Brass Chamber Music in the Twentieth Century and Beyond 46 2. LYCEUM AND CHAUTAUQUA 50 Lyceum 51 Chautauqua 53 Talent 60 3. SOURCES, DISCOVERIES, PROBLEMS 68 “Traveling Culture: Circuit Chautauqua in the Twentieth Century” 69 Redpath Chautauqua Collection 71 State Historical Society of Iowa 72 Dr. Frederick B. Crane 73 John T. Weatherwax 73 Floyd County Museum and Archives 74 Chatfield Brass Band Music Lending Library 74 National Music Museum 75 Chautauqua Institution Archives 75 Sibley Music Library: Archives of Carl Fischer, LLC 76 Sibley Music Library: Edna White Collection 77 Library of Congress 77 Bibliothèque nationale de France 78 C. L. Barnhouse 79 Brooklyn Daily Eagle Online 79 Ebay.com 80 Facebook.com 81 Ancestry Library Edition 81 4. BRASS CHAMBER MUSIC IN LYCEUM AND CHAUTAUQUA 83 The Spaulding Novelty Company 85 Park Sisters 86 The Fadettes -
Tackitt DMA Dissertation Final Document
Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice by Elliott N. Tackitt A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Conducting) in The University of Michigan 2019 Doctoral Committee: Professor Michael Haithcock, Chair Professor Colleen Conway Professor David Jackson Assistant Professor Courtney Snyder Professor Gregory Wakefield Elliott N. Tackitt [email protected] ORCID iD: 0000-0002-3296-8839 ©Elliott N. Tackitt 2019 DEDICATION Firstly, this is dedicated to my grandmother, Sonia June Mayer, who was adamant that the best investment one could make was in one’s own education. She believed knowledge is humanity’s most treasured acquisition. This is also dedicated to my grandmother Dottie Polich, my parents, Patricia and Stephen Tackitt, Amy Tackitt, numerous mentors, friends, and colleagues who have helped shape my thoughts and my musicianship, and of course my most scrupulous four-legged editors, Bruce Wayne and Harley Quinn. ii ACKNOWLEDGMENTS The author would like to acknowledge the Rackham Graduate College Fellowships Office for generously supporting the rehearsals and performance of the third recital by way of a Student Research Grant. iii TABLE OF CONTENTS DEDICATION ii ACKNOWLEDGEMENTS iii LIST OF FIGURES vi ABSTRACT vii CHAPTER I. Recital 1: In their Words 1 Recital 1 Program 1 Recital 1 Program Notes 2 Bibliography 19 II. Recital 2: Revisiting Traditions 22 Recital 2 Program 22 Recital 2 Program Notes 23 Bibliography 36 III. Recital 3: Sacred | Profane 38 Recital 3 Program 38 iv Recital 3 Program Notes 39 Bibliography 59 v LIST OF FIGURES FIGURE 1.