Program Guide

Total Page:16

File Type:pdf, Size:1020Kb

Program Guide REGISTERED BY AUSTRALIAN PUBLICATION NO QBH 4509 PROGRAM May 2008 GUIDE SPECIAL EVENT! Meet André Rieu and Mirusia in their contents debut Brisbane appearance! 2 See inside Feature Article – for details… Mirusia 4 15th Annual 4MBS Festival of Classics 8 Alexander Gavrylyuk 11 CD Reviews HOW THIS YOUNG LOCAL SINGER GOT TOMirusia RECORD WITH THE KING OF THE WALTZ NEWS From the General Manager Three weeks of composer. We provide you with opportunities that no other festival offers – such as A Day of Classics PROGRAM GUIDE the world’s greatest at QPAC on Sunday 25th May – when you can Editor music – the 15th hear three of Beethoven’s greatest symphonies rd Wendy Lang annual 4MBS Festival in the one afternoon – the groundbreaking 3 th [email protected] Symphony ‘Eroica’ , the mighty 5 Symphony of Classics. and the remarkable ‘Choral Symphony’ in the Reviewers his is one of the Concert Hall QPAC. Two choirs – the Queensland Jenny Dawson, Wendy Lang, Tmost exciting times Choir and the UQ Chorale – combine for the final Laura Mathison of the year for us here movement of the exhilarating Choral Symphony, at 4MBS Classic FM and we hope for everyone with four brilliant soloists Sarah Crane, Sophie Typists – Program Listings who loves great music. Wotton, Rosario La Spina and Jeffrey Black. This Carmel Gooding, Trish Johnson, is the first time anywhere in Australia that such Kathy Kao, Rachel Matthews, It’s time for the 4MBS Festival of Classics – in th an event has been presented so make sure you’re Marita Parkinson, Sarah Pirotta fact the 15 annual Festival of Classics – from the 11th to 31st May. This is a major milestone for there to enjoy it. Proofreader – Program Listings any festival and we continue with the format that Another unique festival experience is Beethoven Mark Bazeley has set the Festival of Classics apart from all other – Revolution and Romance at the State Library festivals in Australia. of Queensland on Saturday 17th May. The day 4MBS CLASSIC FM We select a composer to feature in the Festival starts with a free illustrated presentation by General Manager of Classics – this year it’s Beethoven. Twenty Stephen Emmerson from the Queensland Conservatorium, Griffith University entitled Gary Thorpe of the Festival’s twenty one events feature Beethoven, making it one of the largest Festivals Beethoven the Revolutionary. Then Angela Turner Broadcasts Manager ever presented in Australia celebrating this most and Brieley Cutting perform the Symphony No 1 Howard Ainsworth remarkable of composers. of Beethoven in the piano four hands arrangement Marketing Manager as well as the Appassionata Sonata. The day ends You will have the opportunity to hear all 9 of with another unique experience – a performed Peter McCahon Beethoven’s symphonies over the three weeks of [email protected] reading by actors from the 4MBS Classic Players, the Festival – a rare opportunity for music lovers including Tama Matheson recently returned Administration Manager anywhere. from engagements in Europe – of Shelley’s epic Maggie Findlay Six symphony orchestras are involved - a Prometheus Unbound. This will be accompanied by [email protected] wonderful display of co-operation between the music from Beethoven’s Creatures of Prometheus. Board Members various music organisations here in Queensland This is going to be a brilliant day of words and Bob Biggs to provide you with this marvellous experience. music at the State Library. Gordon Dean We welcome to the Festival of Classics The As well as the symphonies this year’s Festival of Derek Dixon Queensland Orchestra with their exciting new Classics brings you Beethoven’s great chamber Matthew Farrell Chief Conductor Johannes Fritzsch for two works including the remarkable ground-breaking concerts featuring Beethoven. Debbie Price String Quartet No 13 ‘Grosse Fugue’ as well as Colin Rich Treasurer Two of the symphonies – numbers 1 and 4 concertos – Piano Concerto No 4 and 5 ‘Emperor’ Warren Tegg – are to be performed in the piano four hands and the Triple Concerto. Beethoven’s religious Wendy Tyson Hon. Secretary arrangements. This is how most people became music is represented by his Mass in C performed Dr Kerry Vann familiar with the symphonies before the invention by the Brisbane Chorale in City Hall on Saturday 17th May – please note the starting time is 7.30pm Bill Yarrow AO Chairman of recorded sound and radio. Two brilliant Queensland pianists, Angela Turner and Brieley not 8pm as shown in the Festival brochure. Address 384 Old Cleveland Road Cutting, will be giving you this rare opportunity to This year marks the 150th anniversary of the Coorparoo QLD 4151 enjoy these two symphonies in this form. birth of Puccini so we are presenting a Puccini Phone 3847 1717 The 4MBS Festival of Classics is more than a Spectacular in St John’s Cathedral. You’ll hear collection of concerts brought together under the many of Puccini’s best loved arias as well as the Fax 3847 2773 banner of a festival. It is a unique opportunity to hauntingly beautiful Humming Chorus with the Email [email protected] immerse yourself in the life and music of a great Queensland Choir. The second half of the concert will be the entire Act 1 of Tosca with Jacqueline NUMBER ONE SUBSCRIBERS Mabardi as Tosca, Rosario La Spina as the painter Ian Heap and Kevin Burdon Cavaradossi and Jeffrey Black as Scarpia, the evil Chief of Police. The Brisbane Symphony Orchestra 4MBS Classic FM is supported by plus organ, church bells and chorus will all subscriptions, donations and sponsorships. combine for the Te Deum that brings Act 1 of this For further information visit our website powerful opera to a spectacular close. at: www.4mbsclassicfm.com.au So I hope to see you at this year’s Festival of Program Guides Classics – come along and share the love of the are produced by world’s greatest music with us. PC Graphic Art Thank-you to our 300+ volunteers who work around the clock to keep 4MBS Classic FM on the air! Gary Thorpe General Manager 4MBS CLAssIc FM PROGRAm GUIDE mAY 2008 1 UNIVERSAL mUSIc fEATURE The Mirusian Dream Performing to the masses and brings the massive crowd to silence, her pure voice soaring through the melody at a very slow, but recording a new album with André beautifully sustained tempo. Rieu; it’s a dream come true for So, was it her goal to be an opera star all along? Brisbane singer Mirusia. “As a singer you go from day to day, and you think, ‘Oh, where is it going to take me tomorrow?’. But onsidering it’s 8am in Holland and the temperature in the end, I just want to be a solo artist, I want is minus two outside, Mirusia Louwerse is C to be doing concerts like what I’m doing now with sounding awfully cheery over the phone. But then, André“. she has good reason. This young singer from the Brisbane suburb of Birkdale has recently turned 23, Her first major break came in 2006 when she won is in the midst of a world tour, and has just released the national Dame Joan Sutherland award for an album with one of the most popular classical performing the ‘Piangero’ aria from Handel’s Giulio musicians ever, Dutch violinist André Rieu. Cesare - she was the youngest singer ever to win. It gave her media exposure, and not long after, With striking eyes and golden locks, everything she recorded a demo album with the Cleveland about her story sounds like a fairytale. Legend has Symphony Orchestra. It was this recording, it that, after hearing her voice, the ‘King of the capturing the richness and warmth of her voice - I think when you’ve heard the whole CD, and the Waltz’ made a surprise phone call to her home that caught the attention of André Rieu. way that it flows together, you kind of understand and asked her to be his princess. (Actually, she had the meaning of it.” to fly to Holland first and audition, but she was Little did she know, on the other side of the world soon chosen to be a soloist in his massive musical her aunt had emailed André, suggesting he look So, what’s next for Mirusia? From here, she performs extravaganzas. And she did later play the role of at Mirusia’s website and listen to her recordings. with André in his World Stadium Tour ‘A Romantic a princess in his ‘André Rieu in Wonderland’ DVD It was André’s wife who first read the email and Night in Vienna’, hitting Amsterdam, Leipzig, Paris – complete with prince and white horse.) heard Mirusia’s voice, but she passed it on to André, and Brussels in the next few months. It’s no tiny show. Involving over 200 artists, including André’s The journey to be this princess of song was not quite and both were impressed with her talent. Back Johann Strauss Orchestra and Choir, vocal soloists, that simple of course, and Mirusia admits there was in Brisbane, Mirusia received a phone call from a dancers and ice-skaters, the production is set a lot of hard work involved. But the result is a dream strange Dutch man. against a life-size reproduction of the Schönbrunn come true for this charming soprano. It’s a dream “Suddenly I got this call at home, but I didn’t think it Castle in Vienna. The tour also has two ice rinks, she’s had for many years, and it all started once could be a prank because who would call and say, ‘I’m a golden coach with six white horses, and lots of upon a time… with a nursery rhyme.
Recommended publications
  • Live-Electronic Music
    live-Electronic Music GORDON MUMMA This b()oll br.gills (lnd (')uis with (1/1 flnO/wt o/Ihe s/u:CIIlflli01I$, It:clmulogira{ i,m(I1M/;OIn, find oC('(uimwf bold ;lIslJiraliml Iltll/ mm"k Ihe his­ lory 0/ ciec/muir 111111';(", 8u/ the oIJt:ninf!, mui dosing dlll/J/er.f IIr/! in {art t/l' l)I dilfcl'CIIt ltiJ'ton'es. 0110 Luerd ng looks UfI("/,- 1,'ulIl Ihr vll l/laga poillt of a mnn who J/(u pel'smlfl.lly tui(I/I'sscd lite 1)Inl'ch 0/ t:lcrh'Ollic tccJlIlulogy {mm II lmilll lIellr i/s beg-ilmings; he is (I fl'ndj/l(lnnlly .~{'hooletJ cOml)fJj~l' whQ Iws g/"lulll/llly (lb!Jfll'ued demenls of tlli ~ iedmoiQI!J' ;11(0 1111 a/rc(uiy-/orllleti sCI al COlli· plJSifion(l/ allillldes IInti .rki{l$. Pm' GarrlOll M umma, (m fllr. other IWfI((, dec­ lroll;c lerllll%gy has fllw/lys hetl! pre.telll, f'/ c objeci of 01/ fl/)sm'uillg rlln'osily (mrl inUre.fI. lu n MmSI; M 1I11111W'S Idslur)l resltllle! ",here [ . IIt:1lillg'S /(.;lIve,( nff, 1',,( lIm;lI­ i11g Ihe dCTleiojJlm!lIls ill dec/m1/ ;,. IIII/sir br/MI' 19j(), 1101 ~'/J IIIlIrli liS exlell­ siom Of $/ili em'fier lec1m%gicni p,"uedcnh b111, mOw,-, as (upcclS of lite eCQllol/lic lind soci(ll Irislm)' of the /.!I1riotl, F rom litis vh:wJ}f)il1/ Ite ('on,~i d ".r.f lHU'iQII.f kint/s of [i"t! fu! r/urmrl1lcI' wilh e/cclnmic medifl; sl/)""m;ys L'oilabomlive 1>t:rformrl1lce groU/JS (Illd speril/f "heme,f" of cIIgilli:C'-;lIg: IUltl ex/,/orcs in dt:lllil fill: in/tulmet: 14 Ihe new If'dllllJiolO' 011 pop, 10/1(, rock, nllrl jllu /Ill/SIC llJi inJlnwu:lI/s m'c modified //till Ille recording studio maltel'
    [Show full text]
  • Participating Artists
    The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia.
    [Show full text]
  • BNE20 Aida FINAL
    MEDIA RELEASE 13 June 2019 Verdi | Director & Choreographer Davide Livermore | Conductor Francesco Lanzillotta Spectacular digital Aida to complement Ring Cycle Brisbane 2020 17 November – 4 December 2020 | Opera Australia | Opera Queensland Starring | Elena Gabouri |Natalie Aroyan | Diego Torre | Amartuvshin Enkhbat | Roberto Scandiuzzi Opera Australia and Opera Queensland today announced they will co-present Davide Livermore’s critically acclaimed digital production of Verdi’s mighty Aida alongside the Ring Cycle in 2020 at Queensland Performing Arts Centre. This spectacular production played to rapturous audiences and rave reviews when it premiered in Sydney in 2018. Opera Australia’s Artistic Director Lyndon Terracini believes presenting, arguably the world’s most popular opera in Brisbane alongside the Ring, will be yet another reason for audiences to embrace opera in the 21 st century. “Co-presenting this work with Opera Queensland has given us the opportunity to further showcase our digital development program to the people of Queensland, and we’re proud to have again assembled an amazingly talented cast of singers and musicians.” Patrick Nolan, Artistic Director and CEO of Opera Queensland said, “We are thrilled to be partnering with Opera Australia to bring this very fine production to audiences in Brisbane. The visual brilliance and very fine cast in this Aida is not to be missed.” This new interpretation by Livermore of Verdi’ Egyptian world conveys the scale, depth and magnificence demanded by this monumental opera using the
    [Show full text]
  • (WA Opera Society
    W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • AMRC Journal Volume 21
    American Music Research Center Jo urnal Volume 21 • 2012 Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder The American Music Research Center Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Dominic Ray, O. P. (1913 –1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Eric Hansen, Editorial Assistant Editorial Board C. F. Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert Fink Katherine Preston William Kearns Laurie Sampsel Karl Kroeger Ann Sears Paul Laird Jessica Sternfeld Victoria Lindsay Levine Joanne Swenson-Eldridge Kip Lornell Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25 per issue ($28 outside the U.S. and Canada) Please address all inquiries to Eric Hansen, AMRC, 288 UCB, University of Colorado, Boulder, CO 80309-0288. Email: [email protected] The American Music Research Center website address is www.amrccolorado.org ISBN 1058-3572 © 2012 by Board of Regents of the University of Colorado Information for Authors The American Music Research Center Journal is dedicated to publishing arti - cles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and proposals from the scholarly community, ranging from 3,000 to 10,000 words (exclud - ing notes). All articles should be addressed to Thomas L. Riis, College of Music, Uni ver - sity of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two double-spaced, single-sided hard copies.
    [Show full text]
  • English Prgram
    Biennale Team Director of the Arts Center Maestro Sherif Mohie Eldin Deputy Director of the Arts Center Dr. Azza Madian Curator of Biennale Sherif El Razzaz Compiling & Editiing Biennale's Booklet Dr. Nahla Mattar Executive Assistant Iman Hosny Reem Kassem Budget Officer Rasha Eid Graphic Designer Asmaa Haggag Head of Technical Unit Eng. Mohamed Taha Specialist Mostafa Saad Stage Manager Mayada Saeed Technicians Ahmed Aly Ahmed Ezzat Atef Sabry Essam Fathy Hamada Elkomi Mohamed Farrag Remon Kadry Aly Mahmoud Saeed Mohamed Documentary Film-maker Ahmed Nabil PR Officer Yasmin Aly Special thanks to: Mr. Yahia Mansour- Head of Finance and Administration Sector The mission of the Alexandrina Contemporary Music Biennale is consistent with the mission of the Bibliotheca to be “the window of the world on Egypt, and the window of Egypt on the world.” This Biennale is another addition to the Arts Center unique international activities. Without doubt, the founding of the Alexandrina Contemporary Music Ensemble is a real contribution to the musical life in Egypt, as well as an attempt to connect the present with the future and at the same time connect to the past. We hope it would prove successful and become a permanent event in our calendar. Dr. Ismail Serageldin Director Bibliothca Alexandrina It has always been a source of pleasure to be part of the support process devoted to the contemporary arts in our Arts Center. In the field of Theater, we did establish “The Creative Forum for Independent Theater Groups”, to make sure that a fair chance is given to the experimental and contemporary theatrical groups.
    [Show full text]
  • Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
    Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film.
    [Show full text]
  • British and Commonwealth Concertos from the Nineteenth Century to the Present
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
    [Show full text]
  • House Programme
    13.11.2018 JC Cube Rare and Important Piano Collection HOUSE PROGRAMME House Rules 1 The performance will last for approximately 1 hour 20 minutes with one intermission. 2 Latecomers may only be admitted at a suitable break. 3 Recommended for ages 6 and above. 4 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. Eating, drinking, audio or video recording and unauthorised photography are strictly prohibited in the auditorium. Thank you for your co-operation. All About Mozart Fortepiano | Geoffrey Lancaster Sonata in B-flat major KV 570 (Vienna 1789) | Allegro | Adagio | Allegretto Sonata in E-flat major KV 282 (Munich early-1775) | Adagio | Menuet I / Menuet II | Allegro – intermission – Rondo in A minor KV 511 (Vienna 1787) | Andante Sonata in B-flat major KV 333 (Linz 1783–4) | Allegro | Andante cantabile | Allegretto grazioso Learn more about the programme and the instruments in the programme notes written by Professor Lancaster: Photo by Kathy Wheatley-2 Geoffrey Lancaster Geoffrey Lancaster has been at the forefront of the historically-informed performance practice movement for 40 years. He was the first Australian to win a major international keyboard competition, receiving First Prize in the 23rd Festival van Vlaanderen International Fortepiano Competition, Brugge. He is Artistic Director with Ensemble of the Classic Era and a member of the Council of the Australian Youth Orchestra, and was Director of the Tasmanian Symphony Chamber Players, and Chief Conductor and Artistic Director of La Cetra Barockorchester Basel.
    [Show full text]
  • Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
    Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ...................................................................................................................................................
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1984, Tanglewood
    m~ p. - . i j- fjffii V .*& - "lli s -» «*: W . mr jrr~r *hi W **VtitH°** "Bk . Less than a mile from Tanglewood . White Pines offers all of the carefree convenience of condominium living in truly luxurious contemporary in- White teriors. The White Pines buildings, four-season swimming pool, Har-Tru tennis courts and private beach on Stockbridge Bowl are all set in the Pines magnificence of a traditional French Provincial country estate. $180,000 country estate and up. Our model is open seven days a week. condominiums at Stockbridge P. O. Box 949 Dept. T Hawthorne St. Stockbridge MA 01262 (413)637-1140 or Reinholt Realty. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. Michael H. Davis Thomas D. Perry, Jr. David B. Arnold, Jr. Archie C. Epps III William J. Poorvu J.R Barger Mrs. John H. Fitzpatrick Irving W. Rabb Mrs. John M. Bradley Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Norman L. Cahners E. James Morton Mrs. George Lee Sargent George H.A. Clowes, Jr. David G. Mugar William A. Selke Mrs. Lewis S. Dabney Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs.
    [Show full text]