Dr. Oliver Bronson House and Estate
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Dutch Reformed Church, Newburgh
HISTORIC AMERICAN BUILDINGS SURVEY, NY,36-NEWB, LIBRARY 12-12, OF CONGRESS Dutch Reformed Church, Newburgh 12 The Hudson River Valley Review Conspicuous but Endangered Landmarks: Alexander Jackson Davis’s Dutch Reformed Church and Plumb-Bronson House William Krattinger July 2003 marked the 200th anniversary of the birth of architect Alexander Jackson Davis (1803-1892), a figure of considerable interest in the cultural and architectural history of the Hudson River Valley. Many of the works that define Davis’s maturation as a professional and attest to his skill as an “architectural composer”—the title he once used to describe his vocation1—were designed for clients in the Valley. It was here that Davis embraced the opportunity to evolve his ideas regarding Picturesque-inspired domestic architecture,2 which were bol- stered by his visibility as a designer of considerable reputation, a fertile field of potential clientele, and an interest in new trends in domestic architecture among this group of clients. Here Davis cultivated what he termed “connexion [sic] with site,”3 the interrelationship between house and environment that formed the essence of contemporary Picturesque design philosophy and reveled in the diverse natural features that characterize the region. Heritage tourism destinations such as Montgomery Place and Lyndhurst, and privately owned resources such as the Delamater House in Rhinebeck, attest to Davis’s talent as an innovator in American architectural design and his perceptible influence in the evolution of domestic architecture in the Hudson Valley of the nineteenth century. Like his informal associate Andrew Jackson Downing (1815-1852) and his friend Thomas Cole (1801-1848), Davis found great pleasure in the varied moods and emotive potential of the Valley landscape and here received some of his most noteworthy commissions. -
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THE HUDSON RIVER VA LLEY REVIEW A Journal of Regional Studies MARIST Publisher Thomas S. Wermuth, Director, Hudson River Valley Institute, Marist College Editors Reed Sparling, Editor in Chief, Hudson Valley Magazine Christopher Pryslopski, Program Director, Hudson River Valley Institute, Marist College Creative Director Leslie Bates Art Director Richard Deon Business Manager Jean DeFino The Hudson River Valley Review (ISSN 1546-3486) is published twice a year by the Hudson River Valley Institute at Marist College. Thomas S. Wermuth, Director James M. Johnson, Executive Director Anthony Messina, Research Assistant Hudson River Valley Institute Advisory Board Todd Brinckerhoff, Chair Maureen Kangas Peter Bienstock, Vice Chair Barnabas McHenry T. Jefferson Cunningham III Alex Reese J. Patrick Dugan Denise Doring VanBuren Patrick Garvey Copyright ©2004 by the Hudson River Valley Institute Post: The Hudson River Valley Review c/o Hudson River Valley Institute Marist College 3399 North Road Poughkeepsie, NY 12601-1387 Tel: 845-575-3052 Fax: 845-575-3176 E-mail: [email protected] Web: www.hudsonrivervalley.net Subscription: The annual subscription rate is $20 a year (2 issues), $35 for two years (4 issues). A one-year institutional subscription is $30. Subscribers are urged to inform us promptly of a change of address. POSTMASTER: Send address changes to Hudson River Valley Institute, Marist College, 3399 North Road, Poughkeepsie, NY 12601-1387 The Hudson River Valley Review was founded and published by Bard College, 1984-2002. Founding Editors, David C. Pierce and Richard C. Wiles The Hudson River Valley Review is underwritten by the Hudson River Valley National Heritage Area. ii From the Editors The varied styles of architecture in the Hudson River Valley are both a visible link to our past (even our immediate past, as you will see in this issue) and a boon to tourism. -
The Hudson River Valley Review (ISSN 1546-3486) Is Published Twice a Year by the Hudson River Valley Institute at Marist College
THE HUDSON RIVER VA LLEY REVIEW A Journal of Regional Studies MARIST Publisher Thomas S. Wermuth, Director, Hudson River Valley Institute, Marist College Editors Reed Sparling, Editor in Chief, Hudson Valley Magazine Christopher Pryslopski, Program Director, Hudson River Valley Institute, Marist College Creative Director Leslie Bates Art Director Richard Deon Business Manager Jean DeFino The Hudson River Valley Review (ISSN 1546-3486) is published twice a year by the Hudson River Valley Institute at Marist College. Thomas S. Wermuth, Director James M. Johnson, Executive Director Anthony Messina, Research Assistant Hudson River Valley Institute Advisory Board Todd Brinckerhoff, Chair Maureen Kangas Peter Bienstock, Vice Chair Barnabas McHenry T. Jefferson Cunningham III Alex Reese J. Patrick Dugan Denise Doring VanBuren Patrick Garvey Copyright ©2004 by the Hudson River Valley Institute Post: The Hudson River Valley Review c/o Hudson River Valley Institute Marist College 3399 North Road Poughkeepsie, NY 12601-1387 Tel: 845-575-3052 Fax: 845-575-3176 E-mail: [email protected] Web: www.hudsonrivervalley.net Subscription: The annual subscription rate is $20 a year (2 issues), $35 for two years (4 issues). A one-year institutional subscription is $30. Subscribers are urged to inform us promptly of a change of address. POSTMASTER: Send address changes to Hudson River Valley Institute, Marist College, 3399 North Road, Poughkeepsie, NY 12601-1387 The Hudson River Valley Review was founded and published by Bard College, 1984-2002. Founding Editors, David C. Pierce and Richard C. Wiles The Hudson River Valley Review is underwritten by the Hudson River Valley National Heritage Area. ii From the Editors The varied styles of architecture in the Hudson River Valley are both a visible link to our past (even our immediate past, as you will see in this issue) and a boon to tourism. -
Kiki Smith, 1954 —
Kiki Smith, 1954 — Kiki Smith’s practice addresses the philosophical, social and spiritual aspects of human nature. By manipulating everyday materials such as glass, ceramic, fabric and paper, Smith’s work examines the dichotomy between the psychological and physiological power of the body. As a young girl, one of Smith’s first experiences with art was helping her father – American sculptor Tony Smith – make cardboard models for his geometric sculptures. This training in formalist systems, combined with her upbringing in the Catholic Church, would later resurface in Smith’s evocative sculptures, drawings, and prints. The recurrent subject matter in Smith’s work has been the body as a receptacle for knowledge, belief, and storytelling. In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system. This body of work evolved to incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales. Life, death, and resurrection are thematic signposts in many of Smith’s installations and sculptures. In 2003, The Museum of Modern Art, New York exhibited a survey of Smith’s printed art, Kiki Smith: Prints, Books & Things. In 2005, Smith’s retrospective A Gathering: 1980- 2005 was held at the Walker Art Center, Minneapolis, and toured to the San Francisco Museum of Modern Art; Contemporary Arts Museum, Houston; Whitney Museum of American Art, New York and La Colección Jumex, Mexico City. The same year, to coincide with the 2005 Venice Biennale, Smith exhibited Homespun Tales at the Fondazione Querini Stampalia, Venice. -
DR. OLIVER, HOUSE and ESTATE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-8 OMB No. 1024-0018 BRONSON, DR. OLIVER, HOUSE AND ESTATE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Dr. Oliver Bronson House and Estate Other Name/Site Number: Plumb-Bronson House and Estate 2. LOCATION Street & Number: West of U.S. Route 9 Not for publication: City/Town: City of Hudson Vicinity: State: New York County: Columbia Code: 021 Zip Code: 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): X Public-Local: _ District: __ Public-State: X Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 4 4 buildings 1 _ sites 4 structures _ objects 8 Total Number of Contributing Resources Previously Listed in the National Register: 4 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BRONSON, DR. OLIVER, HOUSE AND ESTATE Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60.