An Aesthetic of the Cool Author(s): Robert Farris Thompson Source: African Arts, Vol. 7, No. 1 (Autumn, 1973), pp. 40-43+64-67+89-91 Published by: UCLA James S. Coleman African Studies Center Stable URL: http://www.jstor.org/stable/3334749 . Accessed: 19/10/2014 02:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. UCLA James S. Coleman African Studies Center and Regents of the University of California are collaborating with JSTOR to digitize, preserve and extend access to African Arts. http://www.jstor.org This content downloaded from 142.104.240.194 on Sun, 19 Oct 2014 02:46:11 AM All use subject to JSTOR Terms and Conditions An Aesthetic of the Cool ROBERTFARRIS THOMPSON T he aim of this study is to deepen the understandingof a of elements serious and pleasurable, of responsibility and of basic West African/Afro-American metaphor of moral play. aesthetic accomplishment, the concept cool. The primary Manifest within this philosophy of the cool is the belief metaphorical extension of this term in most of these cultures that the purer, the cooler a person becomes, the more ances- seems to be control,having the value of composurein the indi- tral he becomes.