Nuclear Physics for Cultural Heritage
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(AMS) at ATLAS
Accelerator Mass Spectrometry (AMS) at ATLAS Walter Kutschera Vienna Environmental Research Accelerator (VERA) Fakultät für Physik, Universität Wien, Austria ATLAS 25th Anniversary Celebration Physics Division, Argonne National Laboratory 22-23 October 2010 AMS at ATLAS over the years Year Radioisotope Accelerator Topic 1979 14C, 26Al, 32Si, 36Cl Tandem Detection with split-pole spectrograph 1980 32Si Tandem Half-life measurement (101 yr) 1980 26Al Tandem Cross section 26Mg(p,γ)26Al 1983 44Ti Tandem Half-life measurement (54 yr) 1984 B−−, C−−, O−− Tandem No evidence found ( <10-15) 1984 60Fe Tandem+Linac Half-life measurement (1.5x106 yr) 1984 Free quarks Injector Fermi Lab Cryogenic search for free quarks 1987 41Ca Tandem+Linac+GFM Developing a 41Ca dating method 1993 59Ni Tandem+Linac+FS Solar CR alphas in moon rocks 1994 39Ar, 81Kr ECR+Linac+GFM Developing a detection method 2000 81Kr NSCL (MSU)+FS Groundwater dating 2000 236U ECR+Linac+FMA 236U from 235U (n,γ) 2004 39Ar ECR+Linac+GFM Dating of ocean water (circulation) 2005 63Ni ECR+Linac+GFM Cross section of 62Ni(n,γ)63Ni 2008 39Ar ECR+Linac+GFM Ar with “no“ 39Ar (dark matter search) 2009 146Sm ECR+Linac+GFM Half-life meas. (~108 yr), p-process People from Argonne involved with AMS over the years I. Ahmad, D. Berkovits, P. J. Billquist, F. Borasi, J. Caggiano, P. Collon, C. N. Davids, D. Frekers, B. G. Glagola, J. P. Greene, R. Harkewicz, B. Harss, A. Heinz, D. J. Henderson, W. Henning, C. L. Jiang, W. Kutschera, M. Notani, R. C. Pardo, N. Patel, M. -
The Pear-Shaped Salvator Mundi Things Have Gone Very Badly Pear-Shaped for the Louvre Abu Dhabi Salvator Mundi
AiA Art News-service The pear-shaped Salvator Mundi Things have gone very badly pear-shaped for the Louvre Abu Dhabi Salvator Mundi. It took thirteen years to discover from whom and where the now much-restored painting had been bought in 2005. And it has now taken a full year for admission to emerge that the most expensive painting in the world dare not show its face; that this painting has been in hiding since sold at Christie’s, New York, on 15 November 2017 for $450 million. Further, key supporters of the picture are now falling out and moves may be afoot to condemn the restoration in order to protect the controversial Leonardo ascription. Above, Fig. 1: the Salvator Mundi in 2008 when part-restored and about to be taken by one of the dealer-owners, Robert Simon (featured) to the National Gallery, London, for a confidential viewing by a select group of Leonardo experts. Above, Fig. 2: The Salvator Mundi, as it appeared when sold at Christie’s, New York, on 15 November 2017. THE SECOND SALVATOR MUNDI MYSTERY The New York arts blogger Lee Rosenbaum (aka CultureGrrl) has performed great service by “Joining the many reporters who have tried to learn about the painting’s current status”. Rosenbaum lodged a pile of awkwardly direct inquiries; gained a remarkably frank and detailed response from the Salvator Mundi’s restorer, Dianne Dwyer Modestini; and drew a thunderous collection of non-disclosures from everyone else. A full year after the most expensive painting in the world was sold, no one will say where it has been/is or when, if ever, it might next be seen. -
Curriculum Vitae
10/5/2015 CURRICULUM VITAE Philippe A. Collon __________________________________________________________________________ Address Department of Physics University of Notre Dame Notre Dame, Indiana 46556 Telephone: 574-631-3540 Fax: 574-631-5952 Email: [email protected] __________________________________________________________________________ Personal Citizenship Belgium __________________________________________________________________________ Education Sep. 1987 – Jun. 1987 Université Catholique de Louvain, Belgium Undergraduate final work: “Experimental study of a multiwire X, Y gas filled detector and elaboration of an analysis and interpretation procedure.” This work (1992- 93) was part of the DEMON project at the Cyclotron of Louvain-La-Neuve, Belgium. Supervisor: Prof. Youssef El Masri June 1993 Licencié en Sciences Physiques – Distinction Nov. 1993 – Oct. 1999 Universität Wien – Institut Für Radiumforschung und Kernphysik, VERA Laboratory, Vienna, Austria Ph.D. thesis: “Developing a dating technique for groundwater with 81Kr using Accelerator Mass Spectrometry.” The AMS detection method was developed (1994-98) at the Superconducting Cyclotron Laboratory at Michigan State University. Supervisor: Prof. Walter Kutschera July 1999 Ph.D. Thesis defense passed with distinction 1 10/5/2015 __________________________________________________________________________ Languages French, English, German, and Dutch __________________________________________________________________________ Positions July 2013 – present Director of Undergraduate Study -
Highlights APS March Meeting Heads North to Montréal
December 2003 Volume 12, No. 11 NEWS http://www.physics2005.org A Publication of The American Physical Society http://www.aps.org/apsnews APS March Meeting Heads North to Montréal California Physics Departments Face More The 2004 March Meeting will Physics; International Physics; Edu- be organizing a host of special For those who want to Budget Cuts in an be held in lively and cosmopolitan cation and Physics; and Graduate events, including receptions, explore, there will be tours of Uncertain Future Montréal, Canada’s second largest Student Affairs, as well as topical alumni reunions, a students’ Montréal, highlighting the city’s city. The meeting runs from March groups on Instrument and Mea- lunch with the experts, and an history, cultural heritage, cosmo- The California recall election 22nd through the 26th at the surement Science; Magnetism and opportunity to meet the editors politan nature, and European was a laughing matter to many, Palais des Congrès de Montréal. Its Applications; Shock Compres- of the APS and AIP journals. flavor. a veritable circus of replace- Approximately 5,500 papers sion of Condensed Matter; and ment candidates of dubious will be presented in more than 90 Statistical and Nonlinear Physics. celebrity and questionable invited sessions and 550 contrib- An exhibit show will round out APS Honors Two Undergrads qualifications for the job. But for uted sessions in a wide variety of the program during which attend- physics departments across the categories, including condensed ees can visit vendors who will be With Apker Award state, the ongoing budget woes matter, materials, polymer physics, displaying the latest products, that spurred angry voters to chemical physics, biological phys- instruments and equipment, and Peter Onyisi of the University action in the first place remain ics, fluid dynamics, laser science, software, as well as scientific pub- of Chicago received the award deadly serious. -
Present and Future Prospects of Accelerator Mass Spectrometry
JUU0 6198L CONF-870498—8 DE87 011413 PRESENT AND FUTURE PROSPECTS OF ACCELERATOR MASS SPECTROMETRY Walter Kutschera Argonne National Laboratory, Argonne, IL 60439, USA DISCLAIMER This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government nor any agency thereof, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsi- bility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately ovvrcd rights. Refer- ence herein to any specific commercial product, process, or service by trade nu.sie, trademark, manufacturer, or otherwise docs not necessarily constitute or imply its endorsement, recom- mendation, or favoring by the United States Government or any agency thereof. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof. Invited Paper, Seventh Tandem Conference, Berlin, April 6-10, 1987 DISTRIBUTION OF TJ!!S Dll'JUMEH! IS PRESENT AMD FUTURE PROSPECTS OF ACCELERATOR MASS SPECTROHETRY* Walter Kutschera Argonne National Laboratory, Argonne, IL 60439, USA Abstract Accelerator Mass Spectroraetry (AMS) has become a powerful technique for measur- ing extremely low abundances (10~10 to 10"15 relative to stable isotopes) of long-lived radiolsotopes with half-lives in the range from 102 to 108 years. With a few exceptions, tandem accelerators turned out to be the most useful instruments for AHS measurements. Both natural (mostly cosmogenic) and man- made (anthropogenic) radiolsotopes are studied with this technique. -
Atom Counting of Noble Gas Radioisotopes with Accelerators
Atom Counting of Noble Gas Radioisotopes with Accelerators: Sucesses and Limitations Walter Kutschera VERA Laboratory, Faculty of Physics, University of Vienna, Austria Accelerator Mass Spectrometry (AMS) evolved primarily around tandem accelerators because 14N does not form negative ions, which was the key for the detection of 14C [1,2]. For a few other radioisotopes of interest (26Al, 41Ca, 129I), a similar suppression of stable isobars is 26 – 41 – 129 – possible (no Mg , KH3 , Xe ) . Since most elements form negative ions, almost all AMS facility (~100 world-wide) are based on tandem accelerators, and AMS became a versatile tool to measure minute traces of a variety of long-lived radioisotopes in the environment at large. However for radioisotopes where the stable isobar also forms negative ions, an isobar separation has to be achieved after the accelerator. 81Kr: Stable-isobar suppression becomes particularly difficult for AMS of noble gas radioisotopes. Nobel gases do not form stable negative ions, and consequently accelerators with positive ions have to be used [3]. Since any element can form positive ions, a selective suppression of stable isobars in most ion sources is not possible (except, perhaps, in laser resonance ionization ion sources). But high energy and special detection techniques allow an isobar separation. This led to the first detection of 81Kr with the Superconducting Cyclotron at MSU after separation of fully-stripped 81Kr36+ ions at 3.6 GeV from the 81Br35+ background in a spectrograph. With this method 81Kr/Kr ratios in the 10-13 range were measured for the first time in groundwater samples from the Great Artesian Basin of Australia [4, 5]. -
Leonardo Da Vinci's
National Gallery Technical Bulletin volume 32 Leonardo da Vinci: Pupil, Painter and Master National Gallery Company London Distributed by Yale University Press TB32 prelims exLP 10.8.indd 1 12/08/2011 14:40 This edition of the Technical Bulletin has been funded by the American Friends of the National Gallery, London with a generous donation from Mrs Charles Wrightsman Series editor: Ashok Roy Photographic credits © National Gallery Company Limited 2011 All photographs reproduced in this Bulletin are © The National Gallery, London unless credited otherwise below. All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including BRISTOL photocopy, recording, or any storage and retrieval system, without © Photo The National Gallery, London / By Permission of Bristol City prior permission in writing from the publisher. Museum & Art Gallery: fig. 1, p. 79. Articles published online on the National Gallery website FLORENCE may be downloaded for private study only. Galleria degli Uffizi, Florence © Galleria deg li Uffizi, Florence / The Bridgeman Art Library: fig. 29, First published in Great Britain in 2011 by p. 100; fig. 32, p. 102. © Soprintendenza Speciale per il Polo Museale National Gallery Company Limited Fiorentino, Gabinetto Fotografico, Ministero per i Beni e le Attività St Vincent House, 30 Orange Street Culturali: fig. 1, p. 5; fig. 10, p. 11; fig. 13, p. 12; fig. 19, p. 14. © London WC2H 7HH Soprintendenza Speciale per il Polo Museale Fiorentino, Gabinetto Fotografico, Ministero per i Beni e le Attività Culturali / Photo Scala, www.nationalgallery. org.uk Florence: fig. 7, p. -
Christie's Has Announced That It Will Auction on November 15 the Only Painting by Leonardo Da Vinci in Private Hands, Salavato
Christie’s has announced that it will auction on November 15 the only painting by Leonardo da Vinci in private hands, Salavator Mundi. Here is an excerpt on that painting from Walter Isaacson’s new biography, Leonardo da Vinci, published in October. SALVATOR MUNDI In 2011 a newly rediscovered work by Leonardo surprised the art world. It was a painting known as Salvator Mundi (Savior of the World), which showed Jesus gesturing in blessing with his right hand while holding a solid crystal orb in his left. The Salvator Mundi motif, which features Christ with an orb topped by a cross, known as a globus cruciger, had become very popular by the early 1500s, especially among northern European painters. Leonardo’s version contains some of his distinctive features: a figure that manages to be at once both reassuring and unsettling, a mysterious straight-on stare, an elusive smile, cascading curls, and sfumato softness. Before the painting was authenticated, there was historic evidence that one like it existed. In the inventory of Salai’s estate was a paint- ing of “Christ in the Manner of God the Father.” Such a piece was catalogued in the collections of the English king Charles I, who was beheaded in 1649, and also Charles II, who restored the monarchy Salvator Mundi. 5P_Isaacson_daVinci_EG.indd 330 8/7/17 3:35 PM in 1660. The historical trail of Leonardo’s version was lost after the painting passed from Charles II to the Duke of Buckingham, whose son sold it in 1763. But a historic reference remained: the widow of Charles I had commissioned Wenceslaus Hollar to make an etching of the painting. -
What Is the Art Law on Authenticating Works by Old Masters – Artnet
AiA Art News-service What is the Art Law on Authenticating W orks by Old Masters? Ronald D. Spencer, Sunday, August 9, 2015 This essay addresses the process by which experts determine an Old Master painting to be an autograph work or a copy by another hand. This process is described here, not by an art historian, but by an English judge, who felt herself called to combine legal analysis with her impressive level of art historical understanding. Her opinion is a model for judicial writing about art. In 2015, a High Court justice in London wrote a 50-page decision, brilliantly and densely reasoned, articulating the process by which connoisseurs arrive at an opinion about the authenticity of a work of art. In coming to her decision, Ju stice Rose was obliged, in effect, to become the deciding expert, utilizing expert testimony from connoisseurs provided at trial, but finally, having to articulate her informed visual perception (not a usual exercise for a judge). The result is an all - too-rare, in-depth view of the authentication process—a process which often leaves many art owners confused and unhappy. Art historian Bendor Grosvenor, writing in The Art Newspaper describing this important court decision, asked, “How much does it cost to pro ve that a painting is not by Caravaggio? Answer: ₤6 [million] (at least)"—the legal fees for Sotheby's and the owner of the putative Caravaggio—perhaps the “most expensive Old Master trial ever . ." 1 Authenticating a work of art is often difficult, and more difficult when the art is four or five hundred years old, and at least one tool for the expert, to wit, provenance, is often limited or non-existent. -
Salvator Mundi Steven J. Frank ([email protected])
A Neural Network Looks at Leonardo’s(?) Salvator Mundi Steven J. Frank ([email protected]) and Andrea M. Frank ([email protected])1 Abstract: We use convolutional neural networks (CNNs) to analyze authorship questions surrounding the works of Leonardo da Vinci in particular, Salvator Mundi, the world’s most expensive painting and among the most controversial. Trained on the works of an artist under study and visually comparable works of other artists, our system can identify likely forgeries and shed light on attribution controversies. Leonardo’s few extant paintings test the limits of our system and require corroborative techniques of testing and analysis. Introduction The paintings of Leonardo da Vinci (1452-1519) represent a particularly challenging body of work for any attribution effort, human or computational. Exalted as the canonical Renaissance genius and polymath, Leonardo’s imagination and drafting skills brought extraordinary success to his many endeavors from painting, sculpture, and drawing to astronomy, botany, and engineering. His pursuit of perfection ensured the great quality, but also the small quantity, of his finished paintings. Experts have identified fewer than 20 attributable in whole or in large part to him. For the connoisseur or scholar, this narrow body of work severely restricts analysis based on signature stylistic expressions or working methods (Berenson, 1952). For automated analysis using data-hungry convolutional neural networks (CNNs), this paucity of images tests the limits of a “deep learning” methodology. Our approach to analysis is based on the concept of image entropy, which corresponds roughly to visual diversity. While simple geometric shapes have low image entropy, that of a typical painting is dramatically higher. -
Caravaggio, Second Revised Edition
CARAVAGGIO second revised edition John T. Spike with the assistance of Michèle K. Spike cd-rom catalogue Note to the Reader 2 Abbreviations 3 How to Use this CD-ROM 3 Autograph Works 6 Other Works Attributed 412 Lost Works 452 Bibliography 510 Exhibition Catalogues 607 Copyright Notice 624 abbeville press publishers new york london Note to the Reader This CD-ROM contains searchable catalogues of all of the known paintings of Caravaggio, including attributed and lost works. In the autograph works are included all paintings which on documentary or stylistic evidence appear to be by, or partly by, the hand of Caravaggio. The attributed works include all paintings that have been associated with Caravaggio’s name in critical writings but which, in the opinion of the present writer, cannot be fully accepted as his, and those of uncertain attribution which he has not been able to examine personally. Some works listed here as copies are regarded as autograph by other authorities. Lost works, whose catalogue numbers are preceded by “L,” are paintings whose current whereabouts are unknown which are ascribed to Caravaggio in seventeenth-century documents, inventories, and in other sources. The catalogue of lost works describes a wide variety of material, including paintings considered copies of lost originals. Entries for untraced paintings include the city where they were identified in either a seventeenth-century source or inventory (“Inv.”). Most of the inventories have been published in the Getty Provenance Index, Los Angeles. Provenance, documents and sources, inventories and selective bibliographies are provided for the paintings by, after, and attributed to Caravaggio. -
Atom Counting of Noble Gas Radioisotopes with Accelerators – Successes and Limitations
Atom Counting of Noble Gas Radioisotopes with Accelerators – Successes and Limitations Walter Kutschera Vienna Environmental Research Accelerator (VERA) Faculty of Physics, University of Vienna Production rate of long-lived radionuclides 39 -16 t1/2 = 269 y, Ar/Ar = 8.1x10 in the atmosphere W.K. et al, NIMB 92 (1994) 241 5 81 -13 t1/2 = 2.3x10 y Kr/Kr = 5.2x10 Production rate of long-lived cosmogenic radionuclides Successes Dating old groundwater with 81Kr in the Great Artesian Basin by measuring 81Kr/Kr atom ratios in the 10-13 range Dating ocean water with 39Ar in the Southern Atlantic by measuring 39Ar/Ar atom ratios in the 10-16 range Limitations Attempts to measure 39Ar/Ar ratios down to the 10-18 range to test underground argon for its suitibility for Dark Matter Searches USA EUROPE Physics Department, University of Notre Dame VERA Laboratory, University of Vienna P. Collon, M. Bowers, D. Robertson, C. Schmitt W. Kutschera, R. Golser Physics Division, Argonne National Laboratory Atom Institute, Technical University of Vienna J. Caggiano, J.L. Jiang, A. Heinz, D. Henderson, H.Y. M. Bichler Lee, Richard Pardo, K.E. Rehm, R.H. Scott, R. Isotope Hydrology Section, IAEA Viennna Vondrasek M. Gröning National Superconducting Cyclotron Laboratory, Institute of Physics, University of Bern Michigan State University B.E. Lehmann, H.H. Loosli, R. Purtschert T. Antaya, D. Anthony, D. Cole, B. Davids, M. Fauerbach, R. Harkewicz, M. Hellstrom, D.L. Morrissey, B.M. Sherrill, Swiss Federal Institute of Environmental Science and M. Steiner Technology (EAWAG) Dübendorf W. Aschbach-Hertig, R.