Michael Garrick Septet Black Marigolds Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Michael Garrick Septet Black Marigolds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Marigolds Country: UK Released: 2005 MP3 version RAR size: 1893 mb FLAC version RAR size: 1635 mb WMA version RAR size: 1449 mb Rating: 4.3 Votes: 928 Other Formats: XM AUD APE MP2 TTA FLAC ADX Tracklist 1 Webster's Mood 6:52 2 Jazz For Five 8:51 3 Good Times 6:55 4 Spiders 2:05 5 Ursula 5:43 6 A Jazz Nativity 3:36 7 Black Marigolds 3:33 8 What Are Little Girls? 2:43 9 Carolling 3:24 Companies, etc. Copyright (c) – Vocalion Phonographic Copyright (p) – Vocalion Copyright (c) – The Decca Record Company Limited Licensed To – Dutton Laboratories Ltd Credits Alto Saxophone – Joe Harriott Bass – Dave Green Drums – Colin Barnes (tracks: 2, 6), Trevor Tomkins (tracks: 1, 3, 5) Piano, Harpsichord, Celesta – Michael Garrick Remastered By – Michael J. Dutton Tenor Saxophone – Tony Coe Tenor Saxophone, Soprano Saxophone – Don Rendell Trumpet, Flugelhorn – Ian Carr Voice [Poetry] – John Smith (tracks: 2, 6) Written-By – Garrick* Notes Recorded February 28 to March 1, 1966. Originally issued in 1966 on Argo Records (ZDA 88). Barcode and Other Identifiers Barcode (Text): 7 65387 84112 6 Rights Society: MCPS SPARS Code: ADD Other versions Category Artist Title (Format) Label Category Country Year Michael Black Marigolds (LP, DA 88 Argo DA 88 UK 1966 Garrick Septet Album, Mono) Black Marigolds (CD, UCCM-9260, Michael Argo , UCCM-9260, Album, Ltd, RE, RM, Japan 2008 ZDA 88 Garrick Septet Argo ZDA 88 Pap) Michael Black Marigolds (LP, ZDA 88 Argo ZDA 88 UK 1966 Garrick Septet Album) Related Music albums to Black Marigolds by Michael Garrick Septet Mike Gibbs - Nonsequence Towson State College Jazz Ensemble, Hank Levy - 2 + 2 = 5, A Study In Oddd Times, Minus Tenor Saxophone Michaël Attias - Renku The Don Rendell / Ian Carr Quintet - Live In London John Wilson And His Orchestra - Shall We Dance? The Big Band Arrangements Of Geraldo The Michael Garrick Sextet - Jazz Praises Michael Garrick Quintet Featuring Joe Harriott And Shake Keane - October Woman Michael Nyman - Carrington (Bande Originale Du Film) Michael Garrick Trio With Don Weller - You've Changed Tom Scott - Born Again.

Copy Link

Recommended publications

QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
[Show full text]
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz.
[Show full text]
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs.
[Show full text]
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
[Show full text]
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
[Show full text]
Ted Heath (Bandleader) from Wikipedia, the Free Encyclopedia
Ted Heath (bandleader) From Wikipedia, the free encyclopedia Background information Birth name George Edward Heath Also known as Ted Born 30 March 1902 Wandsworth, South London, England Died 18 November 1969 (aged 67) Virginia Water, Surrey, England Genres Big Band, jazz Occupation(s) Bandleader, composer Instruments Trombone Years active 1916–1969 Labels Decca, London George Edward "Ted" Heath (30 March 1902 – 18 November 1969) was a British musician and big band leader. He led Britain's greatest post-war big band recording more than 100 albums which sold over 20 million copies. Considered the most successful band in Britain during the 1950s, it remained in existence as a ghost band long after Heath died, surviving in such a form until 2000. Musical beginnings After playing tenor horn at the age of six, encouraged by his father, the leader of the Wandsworth Town Brass Band, Heath later switched to trombone. Earning a living for his family in the post-war years he, and his brother Harold with three other musicians, formed a band that played to commuters outside London Bridge Station before winding their way along the streets in London to a location outside the Queen’s Hall Gardens venue. It was here that Heath’s professional career began as he was spotted on the street and asked to play with the Jack Hylton Band who had a residence there. He did not last long, not having the experience required, but it gave him the ambition to pursue a career as a professional musician. 1920s His first real band gig was with an American band on tour in Europe – the Southern Syncopation Orchestra – which had an engagement in Vienna, Austria and needed a trombone player.
[Show full text]
Ian Carr & Nucleus
Ian Carr & Nucleus HOME Discografia completa Gruppo Album Anno Label Nucleus Elastic Rock 1970 Vertigo Nucleus We'll Talk About It Later 1970 Vertigo Nucleus Solar Plexus 1971 Vertigo Ian Carr & Nucleus Belladonna 1972 Vertigo Nucleus Labyrinth 1973 Vertigo Nucleus Roots 1973 Vertigo Nucleus Under The Sun 1974 Vertigo Nucleus Alleycat 1975 Vertigo Nucleus Snakehips Etcetera 1975 Vertigo Nucleus In Flagrante Delicto 1977 Capitol Nucleus Out Of The Long Dark 1979 Capitol Nucleus Awakening 1980 Mood (Ian Carr's) Nucleus Live At The Theaterhaus 1985 Mood Ian Carr Feat. Nucleus Old Heartland 1988 EMI Formazione e composizioni NUCLEUS - Elastic Rock 1. 1916 (jenkins) (1:11) 2. Elastic Rock (Jenkins) (4:05) 3. Striation (Clyne/Spedding) (2:15) 4. Taranaki (Smith) (1:39) 5. Twisted Track (Brown/Spedding) (5:15) 6. Crude Blues, Pt.1 (Carr/Jenkins) (0:54) 7. Crude Blues, Pt. 2 (Carr) (2:36) 8. 1916 The Battle Of Boogaloo (Jenkins) (3:04) 9. Torrid Zone (Jenkins) (8:40) 10. Stonescape (Jenkins) (2:39) 11. Earth Mother (Carr/Clyne/Jenkins/Marshall/Smith/Spedding) (5:51) 12. Speaking For Myself, Personally, In My Own Opinion, I Think (Marshall) (0:54) 13. Persephones Jives (Carr) (2:15) Formazione: Ian Carr (tpt/flghn) Karl Jenkins (ob/bs/elp/p) Brian Smith (ts/ss/fl) Chris Spedding (g/bouzouki) Jeff Clyne (b/cb) John Marshall (d) Registrazione : gen 1970 - Località : London (Trident) - Produzione : Pete King Edizione: 1970 (Vertigo) [Rieditato in CD: Line/BGO assieme all'album successivo "We'll Talk About It Later"] NUCLEUS - We'll Talk About It Later
[Show full text]
NJA British Jazz Timeline with Pics(Rev3) 11.06.19
British Jazz Timeline Pre-1900 – In the beginning The music to become known as ‘jazz’ is generally thought to have been conceived in America during the second half of the nineteenth century by African-Americans who combined their work songs, melodies, spirituals and rhythms with European music and instruments – a process that accelerated after the abolition of slavery in 1865. Black entertainment was already a reality, however, before this evolution had taken place and in 1873 the Fisk Jubilee Singers, an Afro- American a cappella ensemble, came to the UK on a fundraising tour during which they were asked to sing for Queen Victoria. The Fisk Singers were followed into Britain by a wide variety of Afro-American presentations such as minstrel shows and full-scale revues, a pattern that continued into the early twentieth century. [The Fisk Jubilee Singers c1890s © Fisk University] 1900s – The ragtime era Ragtime, a new style of syncopated popular music, was published as sheet music from the late 1890s for dance and theatre orchestras in the USA, and the availability of printed music for the piano (as well as player-piano rolls) encouraged American – and later British – enthusiasts to explore the style for themselves. Early rags like Charles Johnson’s ‘Dill Pickles’ and George Botsford’s ‘Black and White Rag’ were widely performed by parlour-pianists. Ragtime became a principal musical force in American and British popular culture (notably after the publication of Irving Berlin’s popular song ‘Alexander’s Ragtime Band’ in 1911 and the show Hullo, Ragtime! staged at the London Hippodrome the following year) and it was a central influence on the development of jazz.
[Show full text]
Derick Cordoba Dissertation
© 2017 Derick Cordoba LITURGICAL JAZZ: THE LINEAGE OF THE SUBGENRE IN THE MUSIC OF EDGAR E. SUMMERLIN BY DERICK CORDOBA DISSERTATION Submitted in partial fuLfiLLment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate CoLLege of the University of IlLinois at Urbana-Champaign, 2017 Urbana, IlLinois Doctoral Committee: Associate Professor Lawrence Gray, Chair Professor GabrieL SoLis, Director of Research Associate Professor Tito CarriLLo Professor Erik Lund ABSTRACT This dissertation discusses the Lineage of Liturgical jazz with a particuLar focus on Edgar Eugene “Ed” SummerLin (1928-2006). This Lineage stretches back into the Late 1950s, but has LargeLy been unexplored beyond a seLect few high-profiLe artists. I trace the evoLution of Liturgical jazz from several composers’ earLiest attempts to the present day. ALthough the Liturgical jazz movement began in the Late 1950s, it was primariLy a product of the turbuLent 1960s in America. This was a period of great change and expLoration not onLy in jazz but in organized reLigion as weLL. A deep and frank discussion emerged as to what Liturgical music shouLd and wouLd be alLowed to sound Like. These decisions at the highest LeveLs of denominations had ramifications that are stiLL being feLt today in the churches of America; however, the primary focus of this dissertation is on the formative period of Liturgical jazz during the 1960s and earLy 1970s. These years give a basis for better understanding and appreciating the deveLopment and defining features of Liturgical jazz. SummerLin is a figure that is often cited as a pioneer in Liturgical jazz, but no one has offered a history of his Life, his music, or why his Liturgical music was so revoLutionary.
[Show full text]
Kent Jazz News Comes out in September
NEW KENT free by post And members of Medway JazzSo- News from Kent/U.K. Autumn 2014 ciety December 2013 The Derek Nash Jazz / Funk Extravaganza Coming to Kent September 19 At the Anchorians Ruby Club Darland Ave, Gillingham Derek is always a welcome visitor to Medway, and he never fails to excite and get your feet tapping weather you wish or not. So we can expect a night to remember, some great funk and swinging jazz, fast and furious but also slow with feeling on ballads. Make a note in your diary and make sure you come Derek Nash Early. (see What Where When) CC Les Freres Smith C C Les Freres Smith, are returning after their last tour in 2012, if you heard them, and wish to see them again, or missed then in 2012, now is your second chance. CC Les Freres Smith are a 12 piece Afrobeat band from Paris who are coming to the UK for a 3 date tour C C in action at one of their concerts in October 23-25. See What Where When Greg Abate Published by Medway Jazz Society Established 1997 KJN is published four times a year. Page 3, What-When-Where. Plus newsletter in between issues of KJN. 4, This and That. Join Medway Jazz Society. Receive our newsletter + Kent Jazz 5, Jazz in London ‘London Jazz News. Festival’ For Jazz news, information, listings. 6 Jazz around the UK All of this, and more can be found on our on internet site. www.medwayjazz.co.uk 7 to 10, Listings Please send your letters, information, 11 Blasts form the past 1, The to the above address, or Email Fred Cogger Band [email protected] Deadline for Winter issue, November 12 Jazz in Kent 2 Advertising on the internet You can advertise on the our website 13 Two exciting bands-appearing at www.medwayjazz.co.uk Two Traditional jazz, £5 quarter page ad A5 Page per 14 Blasts from the past Don Rendell month Sextet send your copy to me.
[Show full text]
Main Artist (Group) Album Title Other Artists Date Cannonball Adderley
Julian Andrews Collection (LPs) at the Pendlebury Library of Music, Cambridge list compiled by Rachel Ambrose Evans, August 2010 Main Artist (Group) Album Title Other Artists Date Cannonball Adderley Coast to Coast Adderley Quintet 1959/62 and Sextet (Nat Adderley, Bobby Timmons, Sam Jones, Louis Hayes, Yusef Lateef, Joe Zawinul) Cannonball Adderley The Cannonball Wes Montgomery, 1960 Adderley Victor Feldman, Collection: Ray Brown, Louis Volume 4 Hayes Nat Adderley Work Songs Wes Montgomery, 1978 Cannonball Adderley, Yusef Lateef Larry Adler Extracts from the film 'Genevieve' Monty Alexander Monty Strikes Ernest Ranglin, 1974 Again. (Live in Eberhard Weber, Germany) Kenny Clare Monty Alexander, Ray Brown, Herb Triple Treat 1982 Ellis The Monty Alexander Quintet Ivory and Steel Monty Alexander, 1980 Othello Molineux, Robert Thomas Jr., Frank Gant, Gerald Wiggins Monty Alexander Ivory and Steel (2) Othello Molineux, 1988 Len Sharpe, Marshall Wood, Bernard Montgomery, Robert Thomas Jr., Marvin Smith Henry Allen Henry “Red” 1929 Allen and his New York Orchestra. Volume 1 (1929) Henry Allen The College Steve Kuhn, 1967 Concert of Pee Charlie Haden, Wee Russell and Marty Morell, Henry Red Allen Whitney Balliett Mose Allison Local Color Mose Allison Trio 1957 (Addison Farmer, Nick Stabulas) Mose Allison The Prestige Various 1957-9 Collection: Greatest Hits Mose Allison Mose Allison Addison Farmer, 1963 Sings Frank Isola, Ronnie Free, Nick Stabulas Mose Allison Middle Class Joe Farrell, Phil 1982 White Boy Upchurch, Putter Smith, John Dentz, Ron Powell Mose Allison Lessons in Living Jack Bruce, Billy 1982 Cobham, Lou Donaldson, Eric Gale Mose Allison Ever Since the Denis Irwin, Tom 1987 World Ended Whaley Laurindo Almeida Laurindo Almeida Bud Shank, Harry quartet featuring Babasin, Roy Bud Shank Harte Bert Ambrose Ambrose and his Various 1983 Orchestra: Swing is in the air Albert Ammons, Pete Johnson Boogie Woogie 1939 Classics Albert Ammons, Pete Johnson, Jimmy Boogie Woogie James F.
[Show full text]
The Jazz Rag
THE JAZZ RAG ISSUE 135 WINTER 2015 UK £3.25 CONTENTS FESTIVALS 2015 JAZZ RAG'S PICK OF THE 2015 JAZZ FESTIVALS (PAGES 18-21) PEPPER OF PEPPER AND THE JELLIES PHOTOGRAPHED BY MERLIN DALEMAN AT THE 2014 BIRMINGHAM JAZZ AND BLUES FESTIVAL. THE ITALIAN GROUP IS DUE TO RETURN TO BIRMINGHAM THIS YEAR. 4 NEWS 6 UPCOMING EVENTS 8 DIGBY'S HALF DOZEN AT 20 10 VIC ASH (1930-2014) 11 MIKE BURNEY REMEMBERED 12 2014'S TOP TRUMPET: SUBSCRIBE TO THE JAZZ RAG STEVE WATERMAN THE NEXT SIX EDITIONS MAILED 14 BERNARD 'ACKER' BILK (1929-2014) DIRECT TO YOUR DOOR FOR ONLY A LIFE IN PHOTOGRAPHS £17.50* Simply send us your name. address and postcode along with your 16 HAPPY 100TH BIRTHDAY TO THE payment and we’ll commence the service from the next issue. JAZZ KIDS OF 1915 OTHER SUBSCRIPTION RATES: SCOTT YANOW CUTS THE CAKE FOR EU £20.50 USA, CANADA, AUSTRALIA £24.50 BILLIE, FRANK AND THE REST Cheques / Postal orders payable to BIG BEAR MUSIC 22 CD REVIEWS Please send to: JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 NOW LISTEN TO JAZZ RAG! Fax: 0121 454 9996 London’s first internet jazz radio station jazzlondonradio.com covers a wide range Email: [email protected] of music, with extended programmes of both classic and contemporary jazz every Web: www.jazzrag.com afternoon. Former Director of Jazz Services Chris Hodgkins is the presenter of Jazz Then and Now on Mondays and Wednesdays at 3.00 pm and 8.00 pm.
[Show full text]