Greece and Babylon
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Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F. -
Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Between the Cults of Syria and Arabia: Traces of Pagan Religion at Umm Al-Jimål
!"#$%&"%'#(")*%+!"$,""-%$."%/01$)%23%45#(6%6-&%7#68(69%:#6;")%23%<6=6-%>"1(=(2-%6$% % ?@@%61AB(@61*C%!"#$%&'(%)("*&(+%'",-.(/)$(0-1*/&,2,3.(,4(5,-$/)(6D%7@@6-9% % E"F6#$@"-$%23%7-$(G0($(")%23%B2#&6-%HIJJKL9%MNNAMKMD% Bert de Vries Bert de Vries Department of History Calvin College Grand Rapids, MI 49546 U.S.A. Between the Cults of Syria and Arabia: Traces of Pagan Religion at Umm al-Jimål Introduction Such a human construction of religion as a so- Umm al-Jimål ’s location in the southern Hauran cial mechanism to achieve security does not pre- puts it at the intersection of the cultures of Arabia to clude the possibility that a religion may be based the south and Syria to the north. While its political on theological eternal verities (Berger 1969: 180- geography places it in the Nabataean and Roman 181). However, it does open up the possibility of an realms of Arabia, its cultural geography locates it archaeology of religion that transcends the custom- in the Hauran, linked to the northern Hauran. Seen ary descriptions of cult centers and cataloguing of on a more economic cultural axis, Umm al-Jimål altars, statues, implements and decorative elements. is between Syria as Bilåd ash-Shåm, the region of That is, it presupposes the possibility of a larger agricultural communities, and the Badiya, the re- interpretive context for these “traces” of religion gion of pastoral nomad encampments. Life of soci- using the methodology of cognitive archaeology. ety on these intersecting axes brought a rich variety The term “traces” is meant in the technical sense of economic, political and religious cross-currents of Assmann’s theory of memory (2002: 6-11). -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Oxford Handbooks Online
The Late Bronze Age in the West and the Aegean Oxford Handbooks Online The Late Bronze Age in the West and the Aegean Trevor Bryce The Oxford Handbook of Ancient Anatolia: (10,000-323 BCE) Edited by Gregory McMahon and Sharon Steadman Print Publication Date: Sep 2011 Subject: Archaeology, Archaeology of the Near East Online Publication Date: Nov DOI: 10.1093/oxfordhb/9780195376142.013.0015 2012 Abstract and Keywords This article presents data on western Anatolia during the Late Bronze Age, wherein it was the homeland of a wide range of states and population groups. The most important and most powerful of these was a group of kingdoms that are attested in Hittite texts as the Arzawa Lands. Most scholars associate the development of these kingdoms with Luwian-speaking populations who had occupied large parts of Anatolia from (at least) the early second millennium BCE. The most enduring link between Anatolia's Late Bronze Age civilizations and their first- millennium-BCE successors is provided by the Lukka people, one of the Luwian-speaking population groups of southwestern Anatolia. They were almost certainly among the most important agents for the continuity and spread of Luwian culture in southern Anatolia throughout the first millennium BCE. Keywords: western Anatolia, Arzawa Lands, Lukka people, Luwian culture In this chapter, the phrase “western Anatolia” encompasses the regions extending along Anatolia’s western and southwestern coasts, from the Troad in the north to Lukka in the south, and inland to the regions stretching north and south of the (Classical) Hermus and Maeander Rivers. During the Late Bronze Age, these regions were occupied by an array of states and population groups known to us from numerous references to them in the tablet archives of the Hittite capital Ḫattuša. -
Terms and Facts- Hierarchical Scale
Terms and facts- Hierarchical scale From the Prehistoric and Neolithic- Post and Lintel, Megalith, tumulus, henge From Mesopotamia- The Code of Hammurabi, Shamash, Lamassu, Ziggurat, load bearing architecture, The Sumerians, the Akkadians, the Assyrians, the Babylonians, Stele or Stela From Minoa- Labrys, The myth of King Minos and the Minotaur From Mycenae- Corbelled vaults and domes, repousse, Tholos, Megaron, krater From Ancient Egypt- Ben-ben, mastaba, Imhotep, Ma’at, Canon (of artistic laws), cartouche, Canopic jars, Shabti or ushabti, the imagery of nine in connection to the pharaoh, the Amarna Period From Ancient Greece- Polykleitos, Humanism, contrapposto, Exekias, kouros and Kore, archaic smile, Praxiteles, some Greek mythology-especially the main gods and goddesses, meander (key design) Know the seven steps to lost wax casting Know the basic architecture of a Greek Temple-peristyle, the three column orders, (Doric, Ionic, Corinthian), stylobate, cella, shaft, caryatids, pediment, capital The two styles of Greek vase painting-black figure and red figure-the basic differences in look You should look up exam one of these myths and know the basic story or the main story about the character listed: Prometheus and Fire Apollo and Daphne Pygmalion and Galatea Niobe Persephone and Hades Pandora Tantalus-Son of Zeus The Danaides Alcyone and Ceyx Idas and Marpessa The Fall of Icarus Theseus and the Minotaur Perseus and the Medusa Jason and Medea Hercules and the Stymphalian Birds Chapter 2.9 Sculpture PART 2 MEDIA AND PROCESSES Seven steps in the lost-wax casting process Build and armature, sculpt the piece (clay), cover with ½ “ layer of wax, cover the entire piece with debris mixture, heat the entire work to melt out the wax through pre-drilled hole, pour the molten metal into the work through pre-drilled holes, break away the debris layer, clean and polishGateways to Art: Understanding the Visual Arts, Debra J. -
User's Guide and the Quick Start Guide Before for LIMITED PRODUCT WARRANTY DISCLAIMERS, and LIMITATIONS
English Motorcycle Bluetooth® Communication System www.harley-davidson.com User’s Guide Boom! Audio 10S CONTENTS SAFETY PRECAUTIONS ................................................................................................4 7 STEREO MUSIC .................................................................................................... 27 7.1 By Bluetooth Wireless Stereo ................................................................................................27 1 INTRODUCTION .......................................................................................................7 7.2 By Stereo Audio Cable ..........................................................................................................28 2 PACKAGE CONTENTS ............................................................................................8 7.3 Music Sharing .......................................................................................................................29 3 INSTALLING THE HEADSET ON YOUR HELMET .............................................. 10 8 INTERCOM ............................................................................................................. 29 8.1 Two-way Intercom .................................................................................................................29 3.1 Installing the Main Unit ..........................................................................................................11 8.2 Three-way Intercom ..............................................................................................................30 -
The Mythology of the Ara Pacis Augustae: Iconography and Symbolism of the Western Side
Acta Ant. Hung. 55, 2015, 17–43 DOI: 10.1556/068.2015.55.1–4.2 DAN-TUDOR IONESCU THE MYTHOLOGY OF THE ARA PACIS AUGUSTAE: ICONOGRAPHY AND SYMBOLISM OF THE WESTERN SIDE Summary: The guiding idea of my article is to see the mythical and political ideology conveyed by the western side of the Ara Pacis Augustae in a (hopefully) new light. The Augustan ideology of power is in the modest opinion of the author intimately intertwined with the myths and legends concerning the Pri- mordia Romae. Augustus strove very hard to be seen by his contemporaries as the Novus Romulus and as the providential leader (fatalis dux, an expression loved by Augustan poetry) under the protection of the traditional Roman gods and especially of Apollo, the Greek god who has been early on adopted (and adapted) by Roman mythology and religion. Key words: Apollo, Ara, Augustus, Pax Augusta, Roma Aeterna, Saeculum Augustum, Victoria The aim of my communication is to describe and interpret the human figures that ap- pear on the external western upper frieze (e.g., on the two sides of the staircase) of the Ara Pacis Augustae, especially from a mythological and ideological (i.e., defined in the terms of Augustan political ideology) point of view. I have deliberately chosen to omit from my presentation the procession or gathering of human figures on both the Northern and on the Southern upper frieze of the outer wall of the Ara Pacis, since their relationship with the iconography of the Western and of the Eastern outer-upper friezes of this famous monument is indirect, although essential, at least in my humble opinion. -
And Anti-Augustan Readings of Propertius Book Four Matthew Angelosanto Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2011 The olitP ical Properties: Pro- and Anti-Augustan Readings of Propertius Book Four Matthew Angelosanto Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Poetry Commons Recommended Citation Angelosanto, Matthew, "The oP litical Properties: Pro- and Anti-Augustan Readings of Propertius Book Four" (2011). Honors Theses. 934. https://digitalworks.union.edu/theses/934 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i The Political Propertius: Pro- and Anti-Augustan Readings of Propertius Book Four By M. Angelosanto ********* Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE March, 2011 ii ABSTRACT ANGELOSANTO, MATTHEW The Political Propertius: Pro- and anti- Augustan readings of Propertius Book Four. Department of Classics, March 2011. ADVISOR: Stacie Raucci Propertius was a Roman elegist writing during the early years of Augustus’ reign as emperor. His fourth and final book of elegies has long confounded scholars due to its drastic shift in subject matter from love elegy to aetiology. So, too, did the poet’s political stance seem to change: vehemently anti-Augustus in his earlier books, a number of poems in his fourth seem to extol both the sociopolitical climate of Augustan Rome as well as the emperor himself. -
As William Makepeace Thackeray (1811–63) Would Have Said
CONCLUSIONS Everything has its end, so does this book. “Our play is played out,” as William Makepeace Thackeray (1811–63) would have said. Our peculiar journey in space and time to the sources of Indo-European cultures and languages is also over. It is left only to draw important conclusions. The world of Indo-European cultures and languages is really huge, diverse, and marvelous. The history of the ancient Indo-Europeans and the peoples with whom they communicated in prehistory in many aspects is still shrouded in mystery. We know for sure that the Indo-Europeans were not autochthones neither in Europe nor in India. Although the word Europe is originally a prominent concept of Greek civilisation, basically used in a large number of modern languages, its etymology (as well as that of Asia) is of unknown ultimate provenance, which also speaks in favour of the later appearance of the Indo-Europeans on this continent. We also know that other civilisations flourished before them, but the origins of these civilisations or the specific circumstances of the invasion of Indo-Europeans tribes there – all this is the subject of much speculation impossible to verify. According to the Kurgan hypothesis that seems the most likely, the tribes who spoke Proto-Indo-European dialects originally occupied the territory that stretched between the Pontic steppe (the region of modern southern Russia and eastern Ukraine) and the Ural Mountains, and between the upper reaches of the Volga and the foothills of the Caucasus. Approximately during the 5th and 4th millennia BC, they split into various parts and began their movements in three main directions: to the east into Central Asia and later farther, to the south through the Caucasus into Asia Minor, and to the west into Europe.