Film Guide March 2018
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When Dick and Nan Walden Met at A
the stallions picante jullyen v (*jullyen el jamaal x precious v) and macnificent rs (maclintock v x ravvens skylark). by GARY DEARTH hen Dick and Nan Walden met at a environmental attorney and consultant for over wedding in 1998, Dick was a lifelong fifteen years before she met Dick. Her professional W farmer and rancher, and Nan was a city background also included serving as Chief of Staff to girl. Dick grew up with ranch horses and had been Senator Bill Bradley and counsel to Senator Daniel riding since he was four years old. He attended the Patrick Moynihan. Thacher School in Ojai, California, where horses Nan was a typical horse crazy young girl. “I had are part of the curriculum. While there, he competed Breyer horses complete with handmade blankets in horse shows, gymkhanas, and packed out in the with their names embroidered on them. I read every Sespe wilderness. horse book written, including all the Walter Farley Meanwhile, Nan Stockholm Walden earned books. Dad bought me Shetland and Hackney ponies her B.A. in Environmental Studies from Stanford when I was a girl, but sadly, I had terrible childhood University. Later she graduated from the Stanford asthma,” she said. “When I was in law school at University Law School where she was the Stanford Stanford, I received a series of shots, which were Environmental Law Society President. She was an much improved by then. It changed my life.” KENNEALLY PHOTO KENNEALLY SONADO˜ > 1 < WORLD Dick was skeptical, “Green rider, high-energy horse, she will probably hurt or kill us both,” he thought. -
Film Guide April 2018
FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was -
Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason
BARBARA BAIN Born in Chicago on September 13th, Barbara Bain graduated from the University of Illinois with a Bachelor’s Degree in Sociology before relocating to New York City. Once there, Bain found gainful employment as a high fashion model and explored her life-long love of dance by studying with Martha Graham, master of American modern dance. Further exploring her interest in the arts, Bain began her acting training in the private class of the most famous and respected of all acting teachers, Lee Strasberg. After a successful audition, she accepted an invitation to become a member of his legendary The Actors Studio. Bain toured with the road company of Paddy Chayefsky's Middle of the Night, a tour which landed her in Los Angeles, and not long thereafter Bain found work on some of the most popular television shows of the day. She appeared opposite Larry Hagman in United Artists' Harbormaster and with Darrin McGavin in the popular Mike Hammer series. Perhaps her first real big break came, however, when she was cast in the recurring role of Karen Wells, love interest of David Janssen, in the seminal private-eye series, Richard Diamond, Private Detective. Bain continued to work steadily, appearing in numerous television series: Tightrope, The Law and Mr. Jones, Straightaway and Adventures in Paradise. She also had the opportunity to flex her comedy skills in one of the most memorable episodes of the classic The Dick Van Dyke Show, created by Carl Reiner. In the episode "Will You Two Be My Wife," Bain turned in a hilarious performance as "Dorie-doo," a blonde bombshell with whom Van Dyke must break-up in order to marry the ever-perky Mary Tyler Moore. -
Delegates Guide
Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival. -
Buck Henry, Who Helped Create ʻget Smartʼ and Adapt ʻthe Graduate,ʼ Dies at 89 an Unassuming Screenwriter and Actor, Mr
1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times https://nyti.ms/2N7atsQ Buck Henry, Who Helped Create ʻGet Smartʼ and Adapt ʻThe Graduate,ʼ Dies at 89 An unassuming screenwriter and actor, Mr. Henry thought up quirky characters with Mel Brooks and inhabited many more on “Saturday Night Live.” By Bruce Weber Published Jan. 9, 2020 Updated Jan. 10, 2020 Buck Henry, a writer and actor who exerted an often overlooked but potent influence on television and movie comedy — creating the loopy prime-time spy spoof “Get Smart” with Mel Brooks, writing the script for Mike Nichols’s landmark social satire “The Graduate” and teaming up with John Belushi in the famous samurai sketches on “Saturday Night Live” — died on Wednesday in Los Angeles. He was 89. His wife, Irene Ramp, said his death, at Cedars-Sinai Medical Center, was caused by a heart attack. John Belushi, left, and Mr. Henry in the 1978 “Saturday Night Live” sketch “Samurai Optometrist.” Fred Hermansky/NBCUniversal via Getty Images As a personality and a performer, Mr. Henry had a mild and unassuming aspect that was usually in contrast with the pungently satirical or broadly slapstick material he appeared in — and often wrote. Others in the room always seemed to make more noise. https://www.nytimes.com/2020/01/09/movies/buck-henry-dead.html 1/6 1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times Indeed, for almost 50 years he was a Zelig-like figure in American comedy, a ubiquitous if underrecognized presence not only in grand successes but also in grand failures. -
Kiyoshi Kurosawa We Vanish Avant Que Nous Disparaissions
FROM THE DIRECTOR OF SHOKUZAI AND TOKYO SONATA A FILM BY BEFORE KIYOSHI KUROSAWA WE VANISH AVANT QUE NOUS DISPARAISSIONS 6/6 Jury Prize UN VRAI TSUNAMI D’HUMOUR ABSURDE À LA BECKETT SO FILM YOU WON’T SEE ANYTHING ELSE QUITE LIKE IT THIS YEAR ROGEREBERT.COM MASAMI NAGASAWA RYUHEI MATSUDA MAHIRO TAKASUGI YURI TSUNEMATSU HIROKI HASEGAWA DIRECTED BY KIYOSHI KUROSAWA ORIGINAL PLAY BY TOMOHIRO MAEKAWA “BEFORE WE VANISH AKA SANPO SURU SHINRYAKUSHA” WRITTEN BY SACHIKO TANAKA AND KIYOSHI KUROSAWA MUSIC BY YUSUKE HAYASHI PRODUCTION YOSHIO NAKAYAMA MASANARI NAGAYAMA EIJI OMURA TADASHI OSUMI MASAYA YABUSHITA YOSUKE MIYAKE HIDEKI OHYAGI MIYUKI MATSUDA YOSHIKI SAKURAI EXECUTIVE PRODUCERS DAISUKE KADOYA YOSHINORI CHIBA TAKEHIKO AOKI PRODUCERS YUJI ISHIDA NAOTO FUJIMURA YUMI ARAKAWA TOMOMI TAKASHIMA LINE PRODUCER NOBUHIRO IIZUKA ASSOCIATE PRODUCER RYO OTAKI CINEMATOGRAPHER AKIKO ASHIZAWA PRODUCTION DESIGNER NORIFUMI ATAKA LIGHTING DIRECTOR HIDENORI NAGATA SOUND MIXER SHINJI WATANABE VIDEO ENGINEER & DIGITAL IMAGING TECHNICIAN KEIGO KAGAMIHARA SET DECORATOR TOMOYA YAMADA EDITOR KOICHI TAKAHASHI SOUND EDITOR KENJI SHIBASAKI SCRIPT SUPERVISOR YUKARI YAGINUMA COSTUME DESIGNER HARUKI KOKETSU HAIR&MAKE-UP H A M A MUSIC PRODUCER TORU WADA VFX PRODUCER SHUJI ASANO VFX DIRECTOR JUN YOKOISHI ASSISTANT DIRECTOR TAKASHI KITANO PRODUCTION MANAGER AKIRA SAGARA PRESENTED BY “BEFORE WE VANISH” FILM PARTNERS (NIPPON TELEVISION/NIKKATSU/WOWOW/YOMIURI TELECASTING/PONY CANYON/NIPPON PLANNING CENTER /OFFICE SAKU/ HIRATA OFFICE) PLANNED BY NIKKATSU PRODUCTION DJANGO FILM PRESENTED BY NIKKATSU IN ASSOCIATION WITH WILD BUNCH © 2017 “BEFORE WE VANISH” FILM PARTNERS / DOLBY / 129MINS / CINEMASCOPE / JAPAN WWW.IMAGINEFILM.BE . -
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lifestyle MONDAY, NOVEMBER 10, 2014 Featurs Oscars: Will Christopher Nolan finally land a director nomination? his year’s director race is all about the other British biopic of the year, “The Not look promising Hollywood drama “Birdman or (The pair of actor-directors who could be last- the Oscar virgins. Most of the con- Theory of Everything,” directed by James But the burning question in the race Unexpected Virtue of Ignorance),” minute game changers. Clint Eastwood’s Ttenders in the running-starting Marsh. is if the Academy will finally come to its despite the film’s polarizing third act. “American Sniper” hasn’t officially with Richard Linklater (“Boyhood”) — For Marsh to land a nod, the doc film- senses and honor the Susan Lucci of the He’ll probably land the Paul Thomas screened yet, but those who have seen it have never been nominated in the cate- maker will need to campaign hard with category. At first glance, the odds might Anderson vote, since the director of “The say it’s another strong effort from the gory before. But one caveat to remem- the narrative that his Stephen Hawking not look promising for Christopher Master” will be sitting out of this year’s prolific director, who hasn’t factored into ber: predictors have been wary of declar- story isn’t just a vehicle for stars Eddie Nolan, who was snubbed for “Dark ceremony for his out-there “Inherent this category since 2007’s “Letters from ing any locks in this competition since Redmayne and Felicity Jones. Marsh laid Knight” trilogy and “Inception.” But Vice.” If Chazelle manages to grab the Iwo Jima.” (He definitely isn’t getting the Academy snubbed sure-thing con- the intricate groundwork for creating “Interstellar” is his most Academy-friend- Bennett Miller spot, will there still be nominated for “Jersey Boys.”) And then tenders Ben Affleck (“Argo”) and Kathryn such a true-to-life story that made ly film to date-and I mean that as a com- room for the real Bennett Miller? there’s Angelina Jolie, who makes her Bigelow (“Zero Dark Thirty”) two years Hawking himself cry at a screening. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
PAUL MEZEY / EXECUTIVE PRODUCER Slamdance 2010 for SEED, Which He Co-Directed and Shot
INTERNATIONAL PRESS INTERNATIONAL SALES Wolf Consultants +33 7 6119 0120 [email protected] www.wolf-con.com Entertainment One Films International FRENCH PRESS In Cannes Bossa-Nova THE GRAND HOTEL +336 07 555 888 (Bengali entrance, Apt 2D) [email protected] 45 Boulevard de la Croisette T: +33 (0) 493 30 1226 SCREENINGS Fri 18th May 11:00 Debussy Official Fri 18th May 16:45 Debussy Press Click For Sat 19th May 11:00 Bazin Additional PRESS MATERIAL TRAILER FACEBOOK Director: Benh Zeitlin Screenwriters: Lucy Alibar, Benh Zeitlin Cast: Quvenzhané Wallis, Dwight Henry Producers: Michael Gottwald, Dan Janvey, Josh Penn Executive Producers: Philipp Engelhorn, Paul Mezey, Michael Raisler Running Time: 92 minutes Location: Filmed in English on location in the USA Shot on: Super 16mm and RED Exhibited on HDCam Aspect Ratio: 1:1.85 AUDIO EXHIBIT FORMAT Logline Waters gonna rise up, wild animals gonna re-run from the grave, and everything south of the levee is goin’ under, in this tale of a six year-old named Hushpuppy, who lives with her daddy at the edge of the world. Wink and Hushpuppy collect the other holdouts, and as is custom, greet their disposition with celebration instead Synopsis of remorse: they throw a party with all the shrimp, crab, and beer that’s left. Miss Bathsheba kills the mood by reminding Wink that the excess of salt water in the Bathtub has likely killed all the flora and fauna that usually In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee, six year-old provides them with their sustenance; they could be consuming the last the bayou has to offer. -
Corporate Profile Movies, Music, Sports, Anime - Entertainment Comes in Many Forms
www.wowow.co.jp Corporate Profile Movies, music, sports, anime - entertainment comes in many forms. The red of burning passion, the blue of the clear sky, energetic orange, Entertainment has more than one color. bewitching purple, sorrowful black - all of these can be found in WOWOW. As long as there is expression in humanity, to deliver excitement to the whole world, we aim to be a comprehensive entertainment and media group. Becoming a comprehensive entertainment and media group All entertainment in every form WOWOW started broadcasting in 1991 as the first private satellite broadcasting ■Delivering WOWOW appeal through a variety of media station in Japan, and for the past quarter As the ways people enjoy TV diversify, so do too the ways to enjoy WOWOW. of a century has been a frontrunner in Accessibility through various media is one of WOWOW's strengths. pay TV. With WOWOW PRIME, LIVE, CINEMA and WOWOW MEMBERS ON Customers DEMAND, we are delivering Japanese BS and international entertainment gems on TV and other devices. CS In the past few years, changes in lifestyle ● SKY PerfecTV! have diversified how people enjoy video content. We are responding to these CATV changing customer needs by evolving ● Cable TV providers our services. We will produce unique content that sets WOWOW apart from IPTV T V・P C・T A B L E T the competition. As a group of top ● Platform providers ● Telecommunications SMARTPHONE producers, we will lead Japan's creativity operators and give birth to new expression. We will also work with creators inside and WEB outside the country to offer to offer fresh surprises and emotion to Japan and the rest of the world. -
Us Press Coverage
CUSTODY a XAVIER LEGRAND picture US PRESS COVERAGE EW REVIEWS Xavier Legrand's Custody is a harrowing, heartbreaking French import: EW review KINO LORBER CHRIS NASHAWATY July 06, 2018 at 03:23 PM EDT Custody TYPE Movie GENRE Drama RELEASE DATE 06/29/18 PERFORMER Denis Ménochet, Léa Drucker DIRECTOR Xavier Legrand MPAA Unrated E GAVE IT AN A- Xavier Legrand’s French import, Custody, isn’t technically a horror movie. But it’s as harrowing and stressful as Hereditary or A Quiet Place. In a way, it’s even more terrifying because its monster is a father who, at first, seems like a tragic figure deprived of the right to see his children only to reveal himself as the unrelenting brute his wife claims he is. We’ve all seen these sorts of domestic bogeymen before in any number of Lifetime movies. But rarely are they presented with the matter-of-fact naturalism that Legrand brings to his Venice Silver Lion winner. It’s not a pleasant film to sit through by any means – you engage with it at your own risk. Still, it is undeniably powerful. And, more than that, exquisitely acted thanks to a set of performances that don’t feel like performances at all. You feel its horror in your bones so deeply that it’s impossible to shake it off when it’s over. The film opens in the drab bureaucratic chambers of a French civil-court judge who’s hearing both sides of a custody dispute between a warring pair of exes. Miriam (Lea Drucker) claims that she should be the sole guardian of her two children – 18-year-old Joséphine (Mathilde Auneveux) and 11-year-old Julien (Thomas Gioria).