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Jelena Bulajic
JELENA BULAJIC Born in 1990, Vrbas, Serbia Lives and works in Serbia and London, UK SOLO EXHIBITIONS 2017 Jelena Bulajic, carlier | gebauer, Berlin, Germany 2016 Collision, Unit 1 Gallery | Workshop, London, UK 2014 Museum Collection of Cultural Centre of Vrbas, Vrbas, Serbia 2013 Old Age Cultural Centre of Belgrade, Belgrade Old Age Likovni Susret Gallery, Subotica 2012 Old Age Nadežda Petrovic Gallery,Cacak Portraits Gallery of the Association of Visual Artists of Vojvodina, Novi Sad 2011 Mladi dolaze Platoneum Gallery, Branch of Serbian Academy of Sciences and Arts, Novi Sad GROUP EXHIBITIONS 2016 Wasted Time, Ferenczy Museum Centre Art Mill, Szentendre, Hungary I Prefer Life, The Weserburg, Bremen, Germany Champagne Life, The Saatchi Gallery, London, UK 2015 New London Figurative, Charlie Smith london, London, UK Summer Exhibition 2015, Royal Academy of Arts, London, UK 2014 Premonition, Blood, Hope: Art in Vojvodina and Serbia 1914 – 2014, Künstlerhaus, Vienna, Austria Saatchi’s New Sensations and The Future Can Wait, Victoria House, London, UK BP Portrait Award 2014, National Portrait Gallery, London, UK. Travelled to Sunderland Museum & Winter Gardens, WWW.SAATCHIGALLERY.COM JELENA BULAJIC Sunderland and Scottish National Portrait Gallery, Edinburgh, UK The open west 2014, The Wilson Cheltenham Art Gallery & Museum, Cheltenham, UK Culture Escape: Toward a Better World, Galerie Nest, Geneva, Switzerland Young Gods, Charlie Smith london and The Griffin Gallery, London, UK. Curated by Zavier Ellis 2013 Young, Niš Art Foundation Art -
Programme Case Petrovaradin Small
INTERNATIONAL SUMMER ACADEMY PROGRAMME GUIDE Credits Contents Project organizers Europa Nostra Faculty of sport and Institute for the Welcome note 3 Serbia tourism TIMS protection of cultural monuments Programme overview 4 Partners Detailed programme 5 Public events 9 Practical info 11 Edinburgh World Global observatory on the Europa Nostra Lecturers 12 Heritage historic urban landscape Participants 15 Support Researchers 23 Host team 25 Radio 021 Project funders Foundation NS2021 European Capital of Culture 2 Welcome note Dear Participants, of Petrovaradin Fortress, learn from it and reimagine its future development. We are excited to present you the programme guide and welcome you to the Summer Academy on In this programme guide, we wanted to offer you plenty Managing Historic Urban Landscapes! The Academy is of useful information to get you ready for the upcoming happening at the very important time for the fortress week of the Summer Academy. In the following pages, and the city as a whole. Being awarded both a Youth you can find detailled programme of the week, some and Cultural capital of Europe, Novi Sad is going practical information for your arrival to Petrovaradin through many transformations. Some of these fortress with a map of key locations, and short transformations, including the ones related to the biographies of all the people that will share the same Petrovaradin Fortress, are more structured and place, as well as their knowledge and perspectives thoroughly planned then others. Still, we believe that in during this joint adventure: lecturers, facilitators, Višnja Kisić all of these processes knowledge, experience and participants, researchers and volunteers. -
WG Museums & Creative Industries Study Visit to Serbia from 13 to 15
WG Museums & Creative Industries study visit to Serbia From 13th to 15th of May, 2020 Wednesday, 13th of May – Belgrade Visit of several national museums: National Museum in Belgrade http://www.narodnimuzej.rs/) – presentation of the WG Museums & Creative Industries Museum of Contemporary Art (https://www.msub.org.rs/) Museum of Yugoslavia (https://www.muzej-jugoslavije.org/) – presentation of the Council for Creative Industries – Serbia Creates (under the auspices of the Prime Minister's Cabinet https://www.serbiacreates.rs/) Thursday, 14th of May – Novi Sad Visit to: The Gallery of Matica Srpska (http://www.galerijamaticesrpske.rs/) Museum of Vojvodina (https://www.muzejvojvodine.org.rs/) Foundation ”Novi Sad 2021 – European Capital of Culture” (https://novisad2021.rs/) In the late afternoon departure for Mokrin (accommodation in Mokrin House https://www.mokrinhouse.com/) – we will book the accommodation when we get the exact number of WG members - participants; also, we will check with Mokrin House if there is any possibility to make a discount for the WG members) Friday, 15th of May – Mokrin House 10.00 – 12.00: WG Museum & Creative Industries meeting If there is enough time (it depends on your departure time) visit to the Kikinda National Museum (http://www.muzejkikinda.org.rs/) The end of the study visit – organized transfer from Mokrin/Kikinda to Belgrade or to the airport. Organization: Netork of Euorpean Museum Organisations - NEMO WG Museums & Creative Industries and The Gallery of Matica Srpska with the support of the Council for Creative Industries – Serbia Creates and Foundation ”Novi Sad 2021 – European Capital of Culture”. Accommodation Recommended accommodation (in the city center) you may find on booking.com: Five Points Square – City Center Hotel Savoy Hotel Majestic Or any other accommodation on your choice Accommodation will be in Belgrade (1 or 2 nights) and in Mokrin House (1 night). -
Journal.Pone.0237608
This is a repository copy of Living off the land : Terrestrial-based diet and dairying in the farming communities of the Neolithic Balkans. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/164722/ Version: Published Version Article: Stojanovski, Darko, Živaljević, Ivana, Dimitrijević, Vesna et al. (16 more authors) (2020) Living off the land : Terrestrial-based diet and dairying in the farming communities of the Neolithic Balkans. PLoS ONE. e0237608. e0237608. ISSN 1932-6203 https://doi.org/10.1371/journal.pone.0237608 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ PLOS ONE RESEARCH ARTICLE Living off the land: Terrestrial-based diet and dairying in the farming communities of the Neolithic Balkans 1 1 1,2 3 Darko StojanovskiID *, Ivana Zˇ ivaljevićID , Vesna Dimitrijević , Julie Dunne , Richard P. Evershed3, Marie Balasse4, Adam Dowle5, Jessica Hendy6, Krista McGrath6, 7 6,8 1,2 3 Roman Fischer , Camilla Speller , Jelena JovanovićID , Emmanuelle -
Novi-Sad 2021 Bid Book
CREDITS Published by City of Novi Sad Mayor: Miloš Vučević City Minister of Culutre: Vanja Vučenović Project Team Chairman: Momčilo Bajac, PhD Project Team Members: Uroš Ristić, M.Sc Dragan Marković, M.Sc Marko Paunović, MA Design: Nada Božić Logo Design: Studio Trkulja Photo Credits: Martin Candir KCNS photo team EXIT photo team Candidacy Support: Jelena Stevanović Vuk Radulović Aleksandra Stajić Milica Vukadinović Vladimir Radmanović TABLE OF CONTENT 7 BASIC PRINCIPLES 7 Introducing Novi Sad 9 Why does your city wish to take part in the I competition for the title of European Capital of CONTRIBUTION TO THE Culture? LONG-TERM STRATEGY 14 Does your city plan to involve its surrounding 20 area? Explain this choice. Describe the cultural strategy that is in place in your city at the Explain the concept of the programme which 20 18 time of the application, as well as the city’s plans to strengthen would be launched if the city designated as the capacity of the cultural and creative sectors, including European Capital of Culture through the development of long term links between these sectors and the economic and social sectors in your city. What are the plans for sustaining the cultural activities beyond the year of the title? How is the European Capital of Culture action included in this strategy? 24 If your city is awarded the title of Europian Capital of Culture, II what do you think would be the long-term cultural, social and economic impact on the city (including in terms of urban EUROPEAN development)? DIMENSION 28 25 Describe your plans for monitoring and evaluating the impact of the title on your city and for disseminating the results of the evaluation. -
List of References For
LIST OF REFERENCES FOR HOSPITALS AND HEALTH INSTITUTIONS Accident and Emergency clinic, UKC, Banja Luka, Bosnia and Herzegovina Accident and Emergency, Belgrade, Serbia Accident and Emergency, hospital building, Novi Sad, Serbia Angio KSW, Cantonal hospital, Winterthur, Switzerland Bacteriological institute, Kirov, Russia Beolab, laboratory, Belgrade, Serbia Care for elderly and inferm, Osijek, Croatia Cleangrad, Ljutomer, Slovenia Clinical center Dr Dragisa Misovic, Belgrade, Serbia Clinical center of Nis, Nis, Serbia Clinical center Zemun, Zemun, Serbia Clinical center of Montenegro, Laboratory, Podgorica, Montenegro Clinical center of Serbia, Belgrade, Serbia Clinical center Sofie Medgroup, Aktau, Kazakhstan Community Health Centre Ugrinovci, Belgrade, Serbia Community Health Centre Borča, Belgrade, Serbia Community Health Centre Veliko Gradište, Veliko Gradište, Serbia Day surgery complex Jedro, Belgrade, Serbia Day surgery of Railway, Belgrade, Serbia Dental surgery, Novi Sad, Serbia DNA laboratory of Police, Belgrade, Serbia ETH laboratory, Zürich, Switzerland FPC, hospital, Antwerpen, Belgium General Hospital, Požarevac, Serbia General Hospital, Aranđelovac, Serbia General hospital Nevesinje, Nevesinje, Bosnia and Herzegovina General hospital, Subotica, Serbia General hospital, Loznica, Serbia Gerontology center, Sombor, Serbia Gerontology center, Belgrade, Serbia Gerontology center “Oaza”, Novi Sad, Serbia Health center, Sremska Kamenica, Serbia Healthcare center, Neder Over Heembeek, Belgium Hematology hospital, Wrocław, Poland -
MUSEUMS AS CULTURAL HUBS the FUTURE of TRADITION MUSEUMS AS CULTURAL HUBS the Future of Tradition
THE NATIONAL COMMITTEE MAGAZINE NO 9 | JUNE 2019 | ISSN 2683-5282 MUSEUMS AS CULTURAL HUBS THE FUTURE OF TRADITION MUSEUMS AS CULTURAL HUBS The Future of Tradition May 13-19, 2019 FOR MUSEUMS MUSEUMS OF SERBIA International Museum Day - European Night of Museums - National Museum Week Free Admission 2 ICOM SRBIJA A WORD FROM PRESIDENT Jubilee Year From content This year, museum pro- fessionals will gather at the jubilee, 25th ICOM General Conference in magical Kyoto. There is plenty of symbol- 4 ism in the fact that the ICOM 25th General Conference - Kyoto 2019 Land of the Rising Sun is hosting 3,000 partic- Redefined Future of Tradition ipants who are going to discuss important is- sues of concern to the international museum 6 Interview community. This will be the right opportunity for Suay Aksoy, the new museum defi- nition to “rise” so as to ICOM President reflect the changed role of museums which have developed a closer bond 16 with the audience and New Museums become a more active part of the community The Largest Serbian Museum they belong to. Abroad The central theme of this year’s Conference, Museums as Cultural Hubs: The Future of Tradition, was exactly the thread that bonded 26 museums all over Serbia during the event Museums for 10, coor- International Cooperation dinated by ICOM Serbia. For the fifth time, the largest museum ini- Museum Connections tiative in Serbia presented museums as places where creativity and On The Silk Road knowledge unite, and visitors take an active part in creating and -ex changing ideas, and interact with each other, prioritizing the quality of knowledge exchange and development of critical awareness of major issues. -
Art and Culture, an Investment for Serbia's
Cultural Policy Peer Review of Serbia Report of the Council of Europe Experts1 ART AND CULTURE, AN INVESTMENT FOR SERBIA’S FUTURE Rapporteur: Philippe KERN 26 August 20152 Experts: Kimmo Aulake – Ministerial advisor, Ministry of Education and Culture, Finland Philippe Kern – Rapporteur, Managing Director of KEA European Affairs, Belgium Lars Seeberg – Independent artistic advisor, board member of the Royal Theatre, Denmark Council of Europe representative: Kathrin Merkle – Head of Culture and Democracy Division 1. General considerations 1.1. Essential facts Population: 7.1 million - Capital: Belgrade (population: 1.6 million) A parliamentary democracy 25 administrative regions, 167 municipalities Around 17,000 employees in the public culture sector – 76 work at the Ministry of Culture and Media 900 cultural events and festivals - mainly in the field of dance and folk music (strong tradition) 533 public cultural institutions - 400 civil society cultural organisations 1 The opinions expressed in this work are the responsibility of the independent experts who produced the report and do not necessarily reflect the official policy of the Council of Europe. 2 This is the second version of the expert report replacing the previous version from April 2015. 1 1.2. Introduction3 The Republic of Serbia is still confronted with the consequences of the devastation of the nineties and the difficulties of the present decade. Yet many of the surviving strengths of Serbian cultural life are derived from a long tradition of cultural investment. The country is still relying on infrastructure dating from the defunct Federal Socialist Republic of Yugoslavia, in which decentralisation and institutional self-government were key characteristics of cultural policy. -
From Noise to Sound 5 from Noise to Sound
Sadržaj / Contents Projekat The Project From Noise to Sound 5 From Noise to Sound Kako zvuči How does a skulptura!? 9 Sculpture Sound?! Umesto destrukcije Instead of Destruction – - konstrukcija zvuka 17 Sound Construction razgovor sa Nikolom Macurom interview with Nikola Macura Političari nikada neće Politicians will Never razumeti javni prostor 33 Understand Public Space! razgovor sa Filipom Jurkovičem interview with Filip Jurkovič This project is co-financed by the Governments Zahvaljujući umetničkoj Pool Restored of Czechia, Hungary, Poland and Slovakia through instalaciji obnovljen bazen 41 Thanks to Art Installation Visegrad Grants from International Visegrad Fund. razgovor sa Petrom Vališkom-Timečkim interview with Peter Valiská-Timečko The mission of the fund is to advance ideas for sustainable regional cooperaton in Central Europe. Javni prostor Public Space Is je stalno na udaru 49 Constantly under Attack razgovor sa Tomašom Drevičem interview with Tomasz Drewics Kič je u porastu Kitsch is on the u celoj Evropi 57 Rise across Europe razgovor sa Anjom Ingland interview with Ania England Istoriju ne možemo History Cannot Be samo izbrisati gumicom 65 Erased with an Eraser! razgovor sa Galom Tamašom interview with Gaál Tamás i Čilom Berkeš and Csilla Berkes Impresum 72 Impressum This publication is part The of the project From Noise to Sound supported by Project the International Visegrad Fund, coordinated by From the Academy of Arts, University of Novi Sad Noise to (Serbia) in partnership with the University of Sound Arts in Poznań (Poland), the Faculty of Music and Visual Arts, the University of Pécs (Hungary) and the Academy of Arts in Banská Bystrica (Slovakia). -
Sarah Lucas Biography
Sadie Coles HQ Sarah Lucas Biography 1962 Born in London, England 1982-83 Working Men's College, London, England 1983-84 London College of Printing, London, England 1984-87 Goldsmiths College, London, England Solo Exhibitions 2021 SEX LIFE, The Perimeter, London, England Project 1, NGA National Gallery of Australia, Canberra, Australia 2020 HURRICANE DORIS, CFA Berlin, Berlin, Germany NOT NOW DARLING, Le Consortium, Dijon, France HONEY PIE, Sadie Coles HQ, Kingly Street, London, England HONEY PIE, Gladstone 64, Gladstone Gallery, New York NY, USA 2019 Red Brick Art Museum, Beijing, China Supersensible, Works 1991-2012, Jason Haam, Seoul, South Korea Au Naturel, Hammer Museum, Los Angeles CA, USA (touring) 2018 Au Naturel, New Museum, New York NY, USA (touring) Dame Zero, kurimanzutto, Mexico City, Mexico Familias Felices, Salón Silicón, Mexico City, Mexico 2017 Good Muse, Legion of Honor, Fine Arts Museums of San Francisco, San Francisco CA, USA FunQroc, CFA Contemporary Fine Arts, Berlin, Germany POWER IN WOMAN, Humber Street Gallery, Hull, England 2016 INNAMEMORABILIAMUMBUM, Fondazione Nicola Trussardi off-site: Albergo Diurno Venezia, Milan, Italy, curated by Massimiliano Gioni and Vincenzo de Bellis Father Time, Sadie Coles HQ, Davies Street, London, England POWER IN WOMAN, Sir John Soane’s Museum, London, England 2015 I SCREAM DADDIO, The British Pavilion, 56th International Art Exhibition, Venice Biennale, Venice, Italy (cat.) Whitworth Art Gallery, Manchester, England 2014 Florian and Kevin, Aspen Art Museum, Aspen CO, USA Fried -
Selected Works from the Art Collection
SELECTED WORKS FROM THE ART COLLECTION TABLE OF CONTENTS RESPONSIBLY IN CULTURE............................................5 ON THE ART COLLECTION OF VOJVOĐANSKA BANKA....7 CATALOG OF WORKS JOVANA POPOVIĆ BENIŠEK............................................ 12 ZDRAVKO MANDIĆ........................................................... 58 JOVAN BIKICKI.................................................................. 14 ŽIVOJIN ŽIKA MIŠKOV..................................................... 60 PAVLE BLESIĆ................................................................... 16 PETAR MOJAK.................................................................. 62 ISIDOR BATA VRSAJKOV.................................................. 18 MILIVOJ NIKOLAJEVIĆ.................................................... 64 BRANISLAV BANE VULEKOVIĆ........................................20 ANKICA OPREŠNIK.......................................................... 66 NIKOLA GRAOVAC............................................................. 22 BOŠKO PETROVIĆ............................................................ 72 VERA ZARIĆ.......................................................................26 ZORAN PETROVIĆ............................................................ 74 BOGOMIL KARLAVARIS....................................................28 MIODRAG MIĆA POPOVIĆ................................................76 MILAN KERAC................................................................... 30 MILAN SOLAROV............................................................. -
Adventures of the Spirit CULTURAL HERITAGE of SERBIA Adventures of the Spirit NATIONAL TOURISM ORGANISATION the CULTURAL HERITAGE of SERBIA of SERBIA
NATIONAL TOURISM ORGANISATION of SERBIA www.serbia.travel Free Copy Adventures of the Spirit CULTURAL HERITAGE OF SERBIA Adventures of the Spirit NATIONAL TOURISM ORGANISATION THE CULTURAL HERITAGE OF SERBIA of SERBIA Archaeological sites At the sources of the human spirit 4 Serbia in the era of the Roman Empire Following the paths of Roman emperors 6 Monasteries of Serbia Sanctuaries of spirituality 8 Catholic churches in Serbia The spirit of Catholicism 14 Ottoman cultural heritage A new cultural circle 16 Synagogues Gathering places 18 Fortresses Places of action! 20 Folk architecture Life in harmony with nature 22 Industrial heritage in Serbia Go on a retro science fiction adventure 24 European refreshment 26 Art Nouveau 20th-century architecture 28 Where have the decorations gone? UNESCO in Serbia We are the World 32 Cultural Routes of the Council of Europe in Serbia Spiritual connections 36 Museums in Serbia 38 Galleries in Serbia Accelerators of culture 42 Graffiti, murals and street art Street spirit 44 Novi Sad 2021 – European Capital of Culture Open-minded city 46 New venues for cultural offerings How to plan the unexpected? 48 Gradac Monastery, 13th century, Photograph on the cover page: Kadinjača Memorial Park, XX century fresco detail Ready for a great adventure? Set off on an unprecedented expedition – from the place where the first monumental art in Europe was created and the cities where Roman emperors lived and whose walls changed rulers over the centuries only to eventually become the sites of popular festivals to the manufacturing facilities that are creating new ideas for the future today.