Broads Authority Annual Report 2018-19
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'British Small Craft': the Cultural Geographies of Mid-Twentieth
‘British Small Craft’: the cultural geographies of mid-twentieth century technology and display James Lyon Fenner BA MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2014 Abstract The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles— arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Many of the British Small Craft displays included accessory models and landscape settings, with human figures and painted backdrops. The majority of the models were acquired by the museum during the interwar period, with staff actively pursuing model makers and local experts on information, plans and the miniature recreation of numerous regional boat types. Under the curatorship supervision of Geoffrey Swinford Laird Clowes this culminated in the temporary ‘British Fishing Boats’ Exhibition in the summer of 1936. However the earliest models dated back even further with several originating from the Victorian South Kensington Museum collections, appearing in the International Fisheries Exhibition of 1883. 1 With the closure and removal of the Shipping Gallery in late 2012, the aim of this project is to produce a reflective historical and cultural geographical account of these British Small Craft displays held within the Science Museum. -
Ludham Character Appraisal Adopted 7 December 2020
Ludham Conservation Area Apprasial August 2020 1 Contents Introduction ............................................................................................................................... 3 Why have conservation areas? ............................................................................................. 3 Aims and Objectives .............................................................................................................. 5 What does designation mean for me? ................................................................................. 5 The Appraisal ............................................................................................................................. 7 Preamble ................................................................................................................................ 7 Summary of Special Interest ................................................................................................. 8 Location and Context ............................................................................................................ 9 General Character and Plan Form ........................................................................................ 9 Geological background ....................................................................................................... 10 Historic Development .............................................................................................................. 12 Archaeology and early development of the Parish .......................................................... -
Maud Matters
Wherry Maud Trust August 2018 Maud Matters Newsletter No.6 Your trustees are happy with Wherry Maud Trust's progress and glad that this year we have even more members who take an active part in sailing on Maud, maintaining her and showing her off to the wider public. We should all celebrate the fact that this year there are eight wherry- rigged vessels afloat. Each plays an important role in the Broadland wherry scene and your membership and support enables Maud to play her part. INSIDE THIS ISSUE Grants Awarded ...................... 2 MESSAGE FROM OUR PATRON Maud at Heritage Open Days .. 3 RICHARD JEWSON JP—LORD LIEUTENANT OF NORFOLK HAS WRITTEN AS FOLLOWS: Maud’s Winter Maintenance... 3 Maud’s Trips + Other Events .. 4 “It has been interesting for me this year to see how Wherry Maud Trust is Upcoming WMT Events .......... 7 growing and using new ways to bring "our" wherry to the attention of the Associate membership ............ 7 public and of course to generate Meet the Skippers ................... 8 funds for her upkeep. Crew Matters ........................... 8 In May I was pleased to attend the Other Historic Vessels ............ 9 Wherry Maud Trust art exhibition at Volunteering ........................... 12 Ranworth. It showcased the work of Social Media ............................ 13 local artists and was the Trust's first Other Events Upcoming.......... 13 large-scale funding event . The suc- Contact Us ............................... 14 cess of the event was due to the many volunteers who helped over the two days. Volunteers were serving light refreshments, meeting and greeting the public and explaining the purpose of the event and the im- portance of Maud in the Broads scene. -
Page. CLAIMS of the PRINCIPLE of RPTATION of TURBINE ONE
Page. CLAIMS OF THE PRINCIPLE OF RPTATION OF TURBINE ONE. What to claim is: 1. Rotation is obtained of the cross axial and axial bearing mounted turbine rotors, by shielding the returnblades partially or completely and uncovering the pushblades partially or completely. 2. Rotation of horizontal and vertical mounted rotor operable in bearings comprising at least three rotor blades radial and axially projecting its form expending from the hub. Cross-axial rotation of turbine rotors by means of shielding vane, or wind screen shielding the return blades partially or completely and uncovering the pushblades partially or completely for fluid to be channelled cross axially trough the intakes and impact coaxial and horizontally on the transverse projecting turbine rotor blades causing rotation of the prime mover, drivetrain by the converting kinetic energy into mechanical energy and into electric energy by means of a constant transmission turbine gearbox and lubricant system mechanical coupled in rotational mode with the electric generator rotor, comprising a cylindrical permanent or electromagnet coupled electrically to the exciter electrically connected with the disk magnet and axially opposing stator coils or disk or plates or massive electric conductive material disk or cylinder. 3. Rotation of the horizontal and vertical turbine rotor is obtained in clockwise direction and in counterclockwiswise direction. Generating AC current or dc current. Defines the rotor by at least two axial halves exposed axially for cross-axial flow axial flow and/or for perpendicularly flow turbine rotors. A left and right axial halve, or upper and lower axial halve which form the returnblades section and the pushblades intake and exhaust sections. -
February 2010
1 THE EASTERLING JOURNAL OF THE EAST ANGLIAN WATERWAYS ASSOCIATION VOLUME EIGHT, NUMBER SIXTEEN FEBRUARY 2010 Edited by Alan H. Faulkner 43 Oaks Drive, Colchester, Essex CO3 3PS Phone 01206 767023 E-mail [email protected] A SORRY STATE OF AFFAIRS The IWA Peterborough Branch’s cruise for the Old Bedford had been planned for the weekend of Saturday 26 th September 2009. The entrance to the Old Bedford is via a tidal sluice, which can only be opened briefly when the tidal river Great Ouse is at low tide. Back in 1973, when the Old Bedford was the only open route through the Middle Level for those attending the IWA’s Ely Rally, over 40 boats were able to use the sluice on the one tide. Today, the silting of the Great Ouse below Denver has meant that it is over a year since a passage had been attempted. During the previous week the Environment Agency had brought a floating Smalley excavator and a land-based dredger, to open out the entrance into the Old Bedford, and the channel sides were re-profiled. To “test” the work on the Friday, the narrow boat cruiser OLIVE EMILY had locked out of Salter’s Lode Lock (Well Creek) just before low tide and attempted to enter the mouth of the Old Bedford, but unfortunately not enough silt had been dredged from below the waterline for the boat to enter. Not wishing to miss the “window” of opening of the tidal doors John Revell, the boater, decided to reverse in, using his propeller to carve out his own channel, and he managed to reach the Old Bedford. -
Bol-NCH2015.Pdf
NÚCLEO CULTURAL DA HORTA núcleo CULTUR LV 2015 da horta BOLETIM DO NÚCLEO CULTURAL DA HORTA EDIÇÃO / PUBLISHER NÚCLEO CULTURAL DA HORTA EDITOR / EDITOR Ricardo Manuel Madruga da Costa EDITORA-ADJUNTA / ASSISTANT EDITOR Magda Costa Carvalho CONSELHO EDITORIAL / EDITORIAL COMMITTEE Jorge Costa Pereira José Damião Rodrigues Ricardo Serrão Santos Susana Goulart Costa Urbano Bettencourt Vamberto de Freitas ASSESSORIA CIENTÍFICA / SCIENTIFIC ADVISER Berta Maria Oliveira Pimentel Miúdo ENDEREÇO POSTAL / MAILING ADDRESS Apartado 179 9900-909 HORTA E-MAIL DO EDITOR / EDITOR'S E-MAIL [email protected] [email protected] CAPA / COVER DESIGN Vítor Marques CONCEPÇÃO GRÁFICA / DESIGN PUBLITO – Estúdio de Artes Gráficas, Lda. BRAGA - Portugal TIRAGEM / CIRCULATION 350 exemplares / 350 copies DEPÓSITO LEGAL / CATALOG PUBLISHING DATA 128988/98 ISSN 1646-0022 A edição online dos números anteriores encontra-se acessível em http://www.nch.pt Online edition of previous numbers can be accessed via http://www.nch.pt CONTEÚDOS CONTENTS Editorial / Editorial POR MAGDA COSTA CARVALHO .................................................................................... 9 DIREITOS HUMANOS: ATUALIDADE E PERSPECTIVAS HUMAN RIGHTS: SOME PERSPECTIVES Nota introdutória ao dossier “Direitos Humanos: atualidade e perspetivas” Introductory remarks to the topic “Human Rights: some perspectives” POR BERTA MARIA OLIVEIRA PIMenTEL MIÚDO ......................................................... 13 Entre universalismo e relativismo: para uma ética intercultural Between universality -
A Poetic Essay Or an Essay with Poems New Zealand Poetry Society Kristina Jensen Te Hunga Tito Ruri O Aotearoa GROWING UP, I Never Saw My Parents Stop Much
The MagazIne OF The New ZealanD POETRY SOCIETY MARCH 2012 Te Hungaa Tito Ruri o Aotearoafine with the assistance of Creative New Zealand line1178-3931 Doing nothing, being something – a poetic essay or an essay with poems NEW ZEALAND POETRY SOCIETY Kristina Jensen Te Hunga Tito Ruri o Aotearoa GROWING UP, I never saw my parents stop much. Stop doing. There were New ZealanD POETRY SOCIETY appointed times for stopping. Like clockwork the kettle was switched on PO BOX 5283 and the biscuit tin would come out. Not before or after. It was not written LAMBTON QuaY down or stated in an obvious way – ‘At 3 p.m. we shall have Afternoon Tea’ WellIngTON – but pretty much on the dot every day, that’s what happened. And I watch PATROns them now, retired and still the appointed times are in action. Dame Fiona Kidman Not so for me. I rejected the notion of having to have a time for Vincent O’Sullivan anything apart from maybe sleeping and spring planting. I let our children eat when they said they were hungry. I let them go to bed when PRESIDENT & NATIONAL COORDINATOR they wanted to. I used their ideas to home school them rather than Laurice Gilbert cram in useless facts and boring creeds that I thought they should learn. As a writer, I would possibly be more ‘productive’ (and by this I mean EMAIL: [email protected] financially) if I set myself appointed times but I prefer to go with Thoreau www.poetrysociety.org.nz when he said, “Write while the heat is in you. -
On Board a Wherry We're Sailing, Sailing!
ON BOARD A WHERRY WE'RE SAILING, SAILING! 1 His verse Alan All I'll sing you now a wherryman's song 1 The mast goes up The mast goes up On board a wherry The sail goes up The sail goes up I'll tell you how we get along. The wind will blow The wind will blow On board a wherry All: We're sailing, sailing! We need the tide and the wind to blow and one more thing to make us go, 2 Our Dad will steer Our Dad will steer that's a tea-pot boiling down below. Our Mum makes tea Our Mum makes tea On board a Norfolk wherry. And we all help And we all help We're brewing, brewing! 2 Her verse I've always lived on board a boat; 3 The river flows The river flows On board a wherry The river bends The river bends I've brought me children up afloat. We work her round We work her round On board a wherry We're steering, steering! And when that's coming on to blow we send the children down below, 4 A bridge appears A bridge appears but the tea-pot's always on the go. The sail comes down The sail comes down On board a Norfolk wherry. The mast does too The mast does too We're shooting, shooting! 3 His verse Just keep your eye on the wind and sky; 5 The bridge is past The bridge is past On board a wherry The mast goes up The mast goes up there's always some-one passing by. -
30 March 2018 Page 1 of 13
Radio 4 Listings for 24 – 30 March 2018 Page 1 of 13 SATURDAY 24 MARCH 2018 high-welfare food production; Nick von Westenholz, Director Paul Waugh of the Huff Post asks if the NHS pay deal means of EU Exit and International Trade at the NFU; and Emily austerity is over. He hears reaction to the latest Brexit summit. SAT 00:00 Midnight News (b09vyw7y) Norton, a Norfolk farmer who also works as an agricultural And what do local elections hold in store for the two main The latest national and international news from BBC Radio 4. researcher for a UKIP MEP. parties? Followed by Weather. Presented by Sybil Ruscoe and produced by Emma Campbell. Editor: Peter Mulligan. SAT 00:30 Book of the Week (b09x0fw9) The Wood SAT 06:57 Weather (b09vyw8f) SAT 11:30 From Our Own Correspondent (b09vyw8k) Over twelve months, this is the story of Cockshutt Wood in The latest weather forecast. The USA's Invisible Army Shropshire, representative of all the small woods in our The US Air Force has a third of its drones stationed at landscape and the sanctuary they provide. Kandahar airbase in Afghanistan. Kate Adie introduces stories, SAT 07:00 Today (b09wlmrz) insight, and analysis from correspondents around the world: From January through to December, John Lewis-Stempel News and current affairs. Including Yesterday in Parliament, records the passage of the seasons in exquisite prose, as the Sports Desk, Weather and Thought for the Day. During almost two weeks with US Forces in Afghanistan, Justin cuckoo flits through the green shade in the silence and the wind Rowlatt gets a glimpse of the intensity of the air war that is a of winter. -
Worlds in Miniature
Worlds in Miniature Worlds in Miniature Contemplating Miniaturisation in Global Material Culture Edited by Jack Davy and Charlotte Dixon First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Text © Contributors, 2019 Images © Contributors and copyright holders named in the captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International license (CC BY 4.0).This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Davy, J. and Dixon, C. (eds.). 2019. Worlds in Miniature: Contemplating Miniaturisation in Global Material Culture. London: UCL Press. DOI: https://doi.org/10.14324/111. 9781787356481 Further details about Creative Commons licenses are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. If you would like to re-use any third-party material not covered by the book’s Creative Commons license, you will need to obtain permission directly from the copyright holder. ISBN: 978-1-78735-650-4 (Hbk.) ISBN: 978-1-78735-649-8 (Pbk.) ISBN: 978-1-78735-648-1 (PDF) ISBN: 978-1-78735-651-1 (epub) ISBN: 978-1-78735-652-8 (mobi) ISBN: 978-1-78735-653-5 (html) DOI: https://doi.org/10.14324/111.9781787356481 Contents List of figures vi List of tables x Contributors xi Acknowledgements xiv 1. -
Creative Writing on Place and Nature
Creative Writing on Place and Nature Jean Sprackland A thesis submitted in partial fulfilment of the requirements of Manchester Metropolitan University for the degree of Doctor of Philosophy by Published Work (Route 2) Department of English Manchester Metropolitan University 2016 i Abstract This PhD by Publication (Route 2) brings together a series of three books of which I am the sole author, and which share common ground in terms of theme and preoccupation. I seek to demonstrate how these three publications have contributed to the existing body of work in creative writing about place and nature, and specifically how they might be seen to address three key research questions. The submission includes my two most recent poetry collections, Tilt (2007) and Sleeping Keys (2013), both of which are characterised by an awareness of place and an acute attention to the natural world. These two collections explore two very different kinds of location: the poems in Tilt are mostly situated in the wide open spaces of the coast, whereas those in Sleeping Keys are largely located indoors, in the rooms of houses, occupied or abandoned. The third item in the submission is Strands: A Year of Discoveries on the Beach (2012), a book of essays or meditations which collectively describe a year’s walking on the wild estuarial beaches between Formby and Southport, charting the changing character of place through different weathers and seasons. This text might be classified as ‘creative non-fiction’ or ‘narrative non-fiction’ (neither of these terms is entirely uncontroversial or clearly defined). These three books have achieved a large and international readership. -
Subject: Geography Year: 7
Subject: Geography Year: 7 Dear Students, Each week in Geography you will be expected to complete a piece of Geography work that should take you between 1 to 2 hours. This is the minimum expectation and there are lots of other useful things you could spend your time completing in your free time as listed below: Watching Documentaries: Explore the following websites: Read the following books: Chasing Ice BBC Bitesize Our Place by Mark Cocker Blue Planet Geoguessr Adventures of a young naturalist by Planet Earth Google Maps David Attenbrough Life Gapminder Prisoners of Geography by Tim Marshall Severn Worlds One Planet Kids World Travel Guide Population and Development – Tim Horizons: We need to talk World Atlas Dyson about population Earthtime.org Factfulness by Hans Rosling National Geographic Adventures through the Anthrpocene by Gaia Vince Week Title of work Learning Intentions: Deadline for work 1 One planet, many people: how are To know how the world’s population has changed over time Friday 27th March 2020 populations changing? To understand reasons for the change in the world’s population growth To be able to present and analyse data 2 How can we describe the structure To know what the demographic transition model is Friday 3rd April 2020 of a population? To understand how the population of a country changes as it develops To be able to interpret data using population pyramids 3 Where is Chongqing and why is it To know the location of Chongqing Friday 10th April 2020 growing so rapidly? To understand why Chongqing