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Angel Baby Music Credits

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Angel Baby Music Credits Original Music John Clifford White Additional Music & Original Song Gavin Friday & Maurice Seezer John Clifford White original score recorded and mixed by Scott Hemming at Metropolis Audio, Australia Real World Records and Peter Gabriel remixed by Steven Bray at Real World Studios, England “Until I’m In You” Composed by Gavin Friday and Maurice Seezer Published by Friday/Seezer Music © 1995 Performed by Annel M Drecker and the Big No No Produced by Tim Simenon, Gavin Friday and Maurice Seezer Recorded by Q and mixed by Tim Simenon at RAK Studios, London “Sygyt Khoomei Kargyraa” Traditional arranged by Boris Salchak Published by WOMAD Music Ltd/EMI Virgin Music Ltd Performed by Shu-de, ℗ 1994 Real World Records Ltd “Spirit in the Sky” Composed by Norman Greenbaum Published by Essex Music Australia Pty Ltd Performed by Norman Greenbaum, Courtesy of Transtone Productions Instrumental version Performed by The Muttonbirds “Very Very Hungry” Composed by Brian Eno/David Byrne Published by EQ Music/BMG Music/Warner Chappell Music Australia Performed by David Byrne and Brian Eno, Courtesy of Virgin Records “Angel Tech” Composed by Richard Norris, Dave Ball, Alex Gifford and Sheila Chandra Published by M62/BMG Music Publishing Co/WOMAD Music Ltd EMI Virgin Music Ltd/Moonsung Music, Performed by The Grid ℗ 1994 Real World Records Ltd. “My Special Angel” Composed by Jimmy Duncan Published by Vale Music Corp/J Albert & Son, Performed by The Vogues Courtesy of Warner Bros Record Inc By arrangement with Warner Special Products “Sea of Vapours” & “ Tracery” Composed by Michael Brook Published by Opal Music (except North America by Opala Music Inc/BMI) Performed by Nusrat Fateh Ali Khan,℗ 1990 Real World Records Ltd “We Do What We’re Told milgram’s 37” Composed by Peter Gabriel Published by Real World Music Ltd/EMI Virgin Music Ltd Performed by Peter Gabriel, ℗ 1986 Peter Gabriel Ltd “On Your Shore” Composed by Enya, Published by EMI Music Publishing Australia Ltd Performed by Enya, Courtesy of Warner Music UK Ltd “Astral” Composed by Dave Clayton, Performed by Dave Clayton and Renaud Pion CD: A CD of the film’s soundtrack was released in several editions. CD Icon 19951 1995 Original Music John Clifford White, Gavin Friday, Maurice Seezer Music Supervisor and album producer Chris Gough Gavin Friday, Maurice Seezer, Tim Simenon appear courtesy of Island Records Ltd. Anneli M. Drecker appears courtesy of Bel Canto & Lava Records Renaud Pion plays Selmer Pipes 1. Sygyt Khoomei Kargyraa (Trad. Arr: Boris Salchak), performed by Shu-de, published by WOMAD Music Ltd / Virgin Music Ltd., courtesy of Real World Records Ltd. 2. Spirit In The Sky (Norman Greenbaum) Vocals: Norman Greenbaum, published by Essex Music Australia Pty. Ltd., courtesy of Transtone Productions 3. Angel Tech (Richard Norris, Dave Ball, Alex Gifford, Sheila Chandra), performed by The Grid, published by M62 / BMG Music Publishing Co/WOMAD Music Ltd/EMI Virgin Music Ltd/Moonsung Music, courtesy of Real World Records Ltd. 4. Incantations (John Clifford White) Vocals: Fouard Harraka, performed by John Clifford White, published by Screensong/Mana Music Vocals - Fouard Harraka; bass guitar - Chris Pettifer; ondes martenot - Robert Clarke; timpani - Christine Turpin; trumpet - Greg Maundrell; drums - Angus Burchall; electric violin - Nigel MacLean; orchestrations - John Hawker, produced by John Clifford White and Scott Heming 5. My Special Angel (Jimmy Duncan) Vocals: The Vogues, published by Yale Music Corp/J. Albert & Son, courtesy of Warner Bros. Record Inc. by arrangement with Warner Special Products 6. Sea Of Vapours (Michael Brook) Vocals: Nusrat Fateh Ali Khan, published by Opal Music (except in North America by Opala Music Inc/BMG), courtesy of Real World Records Ltd., J. Albert & Son Pty. Ltd. 7. Blue & Green (Can Never Be Seen) (Gavin Friday, Maurice Seezer) Vocals: The Big No No, Anneli M. Drecker, published by Mana Music Publishing; vocals, backing vocals - Anneli M. Drecker; bass clarinet, bagless pipes - Renaud Pion; keyboards - Dave Clayton; drum programming - Tim Simenon, piano, accordion, keyboards, drum programming; bass - Maurice Seezer; violins - Colm McCaughey; programming - Don Hozz; backing vocals - Gavin Friday; produced by Tim Simenon, Gavin Friday, Maurice Seezer, mixed by Tim Simenon, engineered by ‘Q’ and Maurice Seezer, recorded at ‘The Morgue’, Dublin, RAK Studios, London 8. The Freak Out (John Clifford White) Vocals: Fouard Harraka, published by Screensong/Mana Music, vocals - Fouard Harraka, bass guitar - Chris Pettifer; ondes martenot - Robert Clarke; timpani - Christine Turpin; trumpet - Greg Maundrell; drums - Angus Burchall; orchestrations - John Hawker; produced by John Clifford White and Scott Hemming 9. We Do What We’re Told (Peter Gabriel) Vocals : Peter Gabriel, published by Real World Music Ltd/EMI Virgin Music Ltd., courtesy of Peter Gabriel Ltd. 10. Tracery (Michael Brook) Vocals: Nusrat Fateh Ali Khan, published by Opal Music (except in North America by Opala Music Inc/BMG), courtesy of Real World Records Inc. 11. Escape (John Clifford White) Vocals: Fouard Harraka, published by Screensong/ Mana Music; vocals - Fouard Harraka; bass Guitar - Chris Pettifer; ondes martenot - Robert Clarke; timpani - Christine Turpin; trumpet - Greg Maundrell; drums - Angus Burchal; electric violin - Nigel MacLean; orchestrations - John Hawker; produced by John Clifford White and Scott Hemming 12. Until I’m In You (Gavin Friday, Maurice Seezer) Vocals : Anneli M. Drecker, published by Mana Music Publishing; vocals, backing vocals - Anneli M. Drecker; bass clarinet, bagless pipes - Renaud Pion; keyboards - Dave Clayton; drum programming - Tim Simenon; piano, accordion, keyboards, drum programming, bass - Maurice Seezer; violins - Colm McCaughey; programming - Don Hozz; backing vocals - Gavin Friday; produced by Tim Simenon, Gavin Friday, Maurice Seezer; mixed by Tim Simenon; engineered by ‘Q’ and Maurice Seezer; recorded at ‘The Morgue’, Dublin, RAK Studios, London. 13. Astral (Dave Clayton), performed by Dave Clayton, Renaud Pion Lyrics: Head credits: The head credits are accompanied by Norman Greenbaum’s classic song Spirit in the Sky. Lyrics as heard in the film: When I die and they lay me to rest Gonna go to the place that's the best When I lay me down to die Goin' up to the spirit in the sky Goin' up to the spirit in the sky (chorus “spirit in the sky’) That's where I'm gonna go when I die (‘when I die’) When I die and they lay me to rest I’m gonna go to the place that's the best (short instrumental interlude) Prepare yourself you know it's a must Gotta have a friend in Jesus So you know that when you die He's gonna recommend you To the spirit in the sky (‘spirit in the sky’) Gonna recommend you To the spirit in the skies That's where you're gonna go when you die (‘when you die’) When you die and they lay you to rest You're gonna go to the place that's the best (Short instrumental interlude as David Argue fools about in the ten pin bowling lane) Never been a sinner I never sinned (with chorus) I got a friend in Jesus So you know that when I die He's gonna set me up with The spirit in the sky (with chorus) Oh set me up with the spirit in the sky That's where I'm gonna go when I die (‘when I die’) When I die and they lay me to rest I'm gonna go to the place that's the best Go to the place that's the best … (Instrumental, which fades down as Jacqueline McKenzie’s Kate sits smoking in a drug treatment clinic, and then John Lynch’s Harry is telling Colin Friels’ Morris in the kitchen that she’s beautiful, fiery and mysterious, he worships her ... even if he hasn’t met her yet) Tail credits: As Harry’s walking up to the top of the West Gate Bridge, Until I’m In You begins playing on the soundtrack. Harry stands on the bridge railing, fantasising that Jacqueline McKenzie is standing next to him and they make bird noises and flap their arms, as if flying. Until I’m In You plays on the soundtrack, though the lyrics are sometimes obscured by the bird noises: Bright and shiny lonely star Take my prayers Under your wing Blow a kiss, a magic spell Gently roll the clouds away Ah hahh Mmmm mmm With Godspeed, an angel sings Your very soul is mine to keep Gravity's imaginary With your white big fluffy feathered wings Ah hahh Mmmmm … mmmmm …mmmm (With the Yarra river below, McKenzie asks Harry, “shall we do it?” and they begin the bird routine) Hold me closer And closer, closer still Until I'm in you Until I’m lost in you Secret world Heaven sent Is calling you and me Where blue and green can never be seen Without a colour in between (Harry is still poised on bridge edge flapping and cawing away with Kate as the image cuts to black and end titles begin) Yeeaah ooooh …( and similar sounds as the music builds, then cuts back to) Hold me closer And closer, closer still Until I'm in you Until I'm lost in you … Oh, hold me closer Never, never true Until I’m in you I’m in you, I’m in you Oooh aahaah Yeah yeah yeah Oooh haah yeah Secret world Heaven sent Is calling you And me Where blue and green can be seen Without a colour in between (The song turns instrumental with a wailing didge-like sound, and synth noises and this carries on until it fades down with the last title) Composer: John Clifford White had worked at Crawfords as a music editor, putting library music to cop show images, and then worked with director Geoffrey Wright on Lover Boy, before going on to craft perhaps one of the best scores for an Australian film with his brooding, pulsating work for Wright’s first full-length feature, Romper Stomper (incidentally bringing fame and controversy to Russell Crowe in his best early role, as a neo-Nazi skinhead thug).
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