NEWSPAPER ISSN 0034 1C22 L Au.:77,2,1980,2.50

Hits of the Week

SINGLES SLEEPERS ALBUMS ELECTRIC LIGHTORCHESTRA,"ALL ROXY MUSIC, "OVER YOU" (prod.by DIONNE WARWICK, "NO NIGHT SO OVER THE WORLD" (prod. by group -Davies) (writers: Ferry- LONG." Her platinum success last MCA Lynne) (writer: Lynne) (Jet/Un- Manzanera)(E.G.,BMI)(3:24). time around demonstrated that this RE CORDS art,BMI) (4:04). A spirited chor- "I'm so lost in love-over you."lady's voice is pure magic on the us, triumphant keyboards & mul- Said so often but seldom as ef- airwaves. With the impeccable pro- titudinous handclaps carrythe fectively ason thismarvelous duction of Steve Buckingham, she joyous, uplifting message on this Ferry-Manzaneracutfromthe can do it again with the title track blockbuster from the "Xanadu" "Flesh & Blood" LP. A smashand the heavenly "How You Once soundtrack. MCA 41289. across-the-board. Atco 7301. Loved Me." Arista AL 9526 (8.98). BILLY JOEL, "DON'T ASK ME WHY" (prod. STEPHANIE MILLS, "NEVER KNEW LOVE GEORGE BENSON, "GIVE ME THE by Ramone) (writer:Joel)(Im- LIKE THIS BEFORE" (prod. byNIGHT." One of the few earthlings pulsive/April, ASCAP) (2:56). Mtume-Lucas)(writers:Mtume- blessedwithextraordinaryvocal Joel'sfirsttwohitsfromthe Lucas)(FrozenButterfly,BMI) and instrumental talents, Benson is phenomenal "Glass Houses" LP (3:29). Glistening keyboards, an tearing up the charts with the title were unabashed rockers. Here's angelic chorus & Mills'lovely single from this LP. Quincy Jones' one of his easy rollin' romantic vocaltranslateintoafairytale productionsorceryis consistent piano ballads that often become qualitywith amatching hook. throughout. Qwest/Warner Bros. HS pop standards. Col 1-11331. 20th Century -Fox 2460 (RCA). 3453 (8.98). PAUL McCARTNEY, "WATERFALLS" JAMIE SHERIFF, "MY CAR" (prod.by EDDIE MONEY, "PLAYIN' FOR (prod. by McCartney) (writer: Mc- Scott) (writer: Sheriff) (Landers - KEEPS." Money was a huge suc- QCDCartney) (MPL Communications, Roberts, BMI)(3:06). America's cess his first time out with a voice ASCAP) (3:22). This pensive bal- escape icon comes to life on this asidentifiableashis deep, dark ladisin stark contrast with the high-octane rocker from Sheriff's eyes. AOR is solidly behind his third pop buoyancy of his top 5 "Com- debut "No Heroes" LP. A great release, produced by Ron Nevison, r ing Up." Stately keyboards sur- hook and four -on -the -floor gui- and with cuts like "Trinidad," Top round his boyish falsetto for pop - tar/keyboard runs for AOR-pop. 40 will soon follow. Columbia FC A/C appeal. Col 1-11335. Polydor 2110. 36514 (8.98).

KC, "MAKE ME A STAR" (prod. by Casey - MTUME, "GIVE IT ON UP (IF YOU WANT BOB MARLEY & THE WAIL acratea, g {,..rotas Finch)(writers:Casey -Roberts) TO)"(prod.by Mtume-Lucas) "UPRISING." Marley was the one (Sherlyn/Harrick & Fedora, BMI) (writers: King - Moore - Tawatha) man capable of spearheading reg- (3:35). KC adopts atotally un- (Frozen Butterfly, BMI) (3:42). The gae conciousness in the U.S., and characteristic stance on this or- Mtume-Lucascollectiveisre- it didn't take him long to transcend 0nate ballad from his forthcoming sponsible for numerous black/ the category. "Coming In From The "Space Cadet" LP. Thick orches- pop hits. The impassioned vocals Cold" and"Pimper'sParadise" tration surrounds his tender vo- & contagious rhythm mix should further testifytohis melodic gift. cal. TK 1038. earn another. Epic 9-50917. Island ILPS 9596 (WB) (7.98).

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YODAS TEEM THE ORIGINAL SOUNDTRACK BORIS MIDNEY '"cludes: EMPIRE JAZZ STAR WARS (MAIN THEME) Includes: Includes: YHA'S THEME MUSIC FROM v.0 THE IMPERIALME ..114 The Imperial March THE IMPERIAL MARCH (DARTH VADER S THEME) DARTH VADER'S TIMF) (Darth Vader's Theme) HAN SOLO AND THE PRINCESS (LOVE THEME) jra eta HAN TOLD Star Wars (Main Theme) 1011CKE AND THE PROCESS (LORE TE EMEI Yoda's Theme 0ARCH

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AUGUST 2, 1980 House of Lords Dismisses Appeal Cambridge Institute's Kizer Tells CRT In Reversionary Rights Dispute A Royalty Increase Is Not Necessary By VAL FALLOON By BILL HOLLAND III LONDON - The House of sicpublishersheretoincludeII WASHINGTON-Even though yers as lacking in available sup- Lords has handed down a judg- songs. Redwood has always dis- the heat wave broke outside the porting data, but CRT chairman ment today(July24)thatwill puted this view, stating that so-hearing rooms of the CopyrightMary Lou Berg allowed Kizer to causerepercussions throughout called collective songs should be Royalty Tribunal this past week,continue with his testimony. thepublishingindustry.Carlin treated in the same way as jointthere was still quite a lot of heat He found that thereiscur- president Freddie Bienstock has works, which do revert. inside the rooms, as counsel for rentlya supply imbalance be- emerged victorious as a result of The ruling will not only affect theNationalMusicPublishers tween the supplyof tunes by the ruling on 50,000 songs in his the thousands of songsin the AssociationandtheAmerican songwriters and the supply of Redwood catalogue. The Houk Redwoodcatalogues,many ofGuild of Artists and Composers record releases, and "increasing of Lords dismissed the appeal by them standards such as "If Yourepeatedly objected to the testi-the rate would only exacerbate a consortium of major music pub- Knew Suzy," "Oh You Beautifulmony of one of the recording in- that imbalance and would not be lishers against an earlier court of Doll" and "April Showers." Nu-dustry's chief witnesses that an sensible economically." appealrulingin Redwood's fa- merous other works written be- increase in the mechanical royal- Secondly,he concluded that vor, with its judgment that songs fore June 1957 will now revert re- ty rate is not necessary. "there's an imbalance between are not collective works in thegardless of any deals the writer The witness was David Kizer,the risk and return enjoyed by terms of the Copyright Act. may have made with his publisher president of the Cambridge Re-the copyright users on the one This ruling only refers to copy- during his lifetime. hand and the risk and return en- This does not only apply to thesearch Institute, which conducted rightsgrantedbeforeJune1, of there- joyed by copyrightowners," Australia,New Zealand, an economic study 1957, which were effective for the U.K.; cording industry for the RIAA this pointing out later that there is Canada andSouthAfricaare life of the writer plus 25 years, past year, a study which is serv-evidence that "the demographic with the last 25 years period re- other major territories involved. bubble that this industry has be- Two major publishers here, EMI ing as the basic economic docu- verting to the estate (copyright ment in the Tribunal hearings on nefitted from a long time is now life of writer plus and Chappell, issued a joint state- period now is the possible rate increase. moving past" and the industry is fifty years). ment as aresult of the ruling, strugglingtorespondtothat The exception to the above was which said, "The music publish- Kizer's main conclusions, brought forth during direct testi- change. collective works, claimed by mu - ers, while naturally disappointed Kizer also said he did not think at the decision ... areconcerned mony this week, were six -fold. The conclusions, based on data that inflation alone is a sufficient Benedetto Acquires at the considerable complexity of reason to alter the rate. "It must fromrecordcompanies,were the law of reversionary rights the be taken into account (along with) chippedat bythe CAM Interests decision produces. constantly a number of variables" which in NEW YORK-Chairman Music, (Continued on page 43)composers' and publishers' law -later testimony he found to be Inc., a corporation controlled by that regardless of inflation "since Victor Benedetto, has announced Veteran Acts Dominate Chart Activity 1963,themechanicalroyalties that it has acquired from C.A.M.- per released tune have roughly U.S.A. Inc. that company's stock By SAM SUTHERLAND Despite concertedlabel andplaylists and label talent rosterstripled".. . a trend "greatly in interest and the worldwide rights (Continued on page 50) of Camerica Music, Inc. and Cam - radio exploitation for dance mu- weresuccessivelyadjusted in hopes of transforming disco and, ex Music, Inc. sic and then newer rock styles, Allman Bros. Band Benedetto was a founder andtoday's album and singles charts later, new wave into platforms for new artist development. De- thepresident of C.A.M.-U.S.A., are still being dominated by art- Signs with Arista ists who bowed at the beginningspite those investments, this Inc. He was also a shareholder IN NEW YORK-Clive Davis, presi- and president of both Camerica of the '70s. week's chart shows over 60 of That'sthe message emergingthe top 100 entries coming from dent of Arista Records, has an- and Camex. Under the new opera- nounced that the label has signed tion, Benedetto's company is sole froma reviewof RW's chartacts with five or more years of shares over the past three years-major label exposure. the Allman Brothers Band to a shareholder of Camerica-Camex, worldwide (Continued on page 47) a turbulent period in which radio This compares withbetween long-term,exclusive 48 and 54 of the top 100 ac - recording contract. Their first al - Record World (Continued on page 47) (Continued on page 37) Sare8-- rivellexRosencrantz Steers Steady Course Albums Singles 220.0 - For MCA's A&R, Promo Departments 200 .0 - By SAM SUTHERLAND 180.0 - LOS ANGELES-Label productjuggling myriad departmental 160.0 - hats, the growth of fully -staffed 140.0 - promotionand A&R develop- 120.0 - ment are working literally hand -labels has, in recent years, often 100.0 - in -hand for MCA Records thesefound career -oriented A&R staf- 80.0 - 0 days for a very good reason: Den- fers and hit -conscious promotion 60 .0 - ny Rosencrantz, the company's strategistsatodds.Despite a 40.0 - vice president in charge of A&R,common goal,the two sectors 6/21 6/28 7/5 7/12 7/19 7/26 6/21 6/28 7/5 7/12 7/19 7/26 is also the label's top promotioncould, and did, disagree over the The Record World Sales Index is based on a broad cross-section of quantitative sales data reported executive. finer points in a given project. to Record World from retailers, rack jobbers and one -stops across the country. The base figure for both the golden age of Rosencrantz, interviewed by the singles and album indices is a smoothed average of these quantitative reports during periods in Although June, 1979. with each weekly figure being a percentage increase or decrease on the base. The base smallerindieoperationsfre- RW here, cites several recent in - figure for both singles and albums is 100.0. quently saw a single entrepreneur (Continued on page 47)

3

AmericanRadioHistory.Com Tucker Motions Denied; Record Goody Trial Delayed II NEW YORK - U.S.District %Voogd Page 18. Only 29 years old, Philadel- Judge John Platt denied four pre- phia International Records and TSOP Rec- trial motions last week (23) filed ords president Larry Depte occupies a priv- by convicted tape counterfeiter 1700 Broadway, New York, N.Y. 10019 George Tuckerinthe govern- Phone: (212) 765.5020 ileged and key position in the music in- PUBLISHER EDITOR IN CHIEF ment's case charging Tucker with BOB AUSTIN SID PARNES dustry. In an RW Dialogue, Depte discusses perjury before a grand jury and the reactivation of the TSOP label,his in- SR. VICE PRESIDENT/MANAGING EDITOR obstruction of justice. MIKE SIGMAN terest in the video and film markets and Each of the motions involved SR. VICE PRESIDENT/WEST COAST MGR. futurerecordingprojectsslatedby the dropping all or part of the gov- SPENCE BERLAND labels. HOWARD LEVITT/SENIOR EDITOR ernment's indictments against MIKE VALLONE/ RESEARCH DIRECTOR Tucker. After filinghis decision STEPHEN KLING/ART DIRECTOR David McGee/Associate Editor of denial Platt was to have set a Doree Berg/Associate Research Director Page 38. As limited tour support and date for Tucker's trial to begin. David Skinner/Associate Art Director tight marketing budgets become the order The charges of perjury against Sophia Midas/Assistant Editor of the day, labels are faced with the prob- Joseph lanello/Assistant Editor Tucker stem from testimony he Jeffrey Peisch/Assistant Editor lem of finding more efficient ways of de- gave last November after he had Phil DiMauro/Assistant Editor veloping new talent. A current U.S. tour by pleaded guilty to charges of wire Carl Skiba/Assistant Research Editor Greg Brodsky/Assistant Research Editor Jo Jo Zep (picturedleft) and the Falcons fraudand copyrightinfringe- Ben Liemer/Assistant Editor will test Columbia Records' latest promotion ment. While awaiting sentencing Ken Smikle/Black Music Editor innovation, as RW details in this issue. for these crimes Tucker offered Joyce Reitzer Panzer/Production Speight Jenkins/Classical Editor cooperation to the court with in- Brian Chin/Discotheque Editor vestigations believed to be linked Bill Holland/Washington Correspondent

to Tucker. The government be- Stan Soifer/Advertising Sales lieves Tucker lied when he de- WEST COAST niedanybusinessrelationship SAM SUTHERLAND JACK FORSYTHE departments NIMME1101111M,withNorton Verner. Verner is WEST COAST EDITOR MARKETING DIR. Samuel Graham/Associate Editor A/C Chart Page 30 Cover Story Page 12 alleged to have channeled Tuck- Terry Droltz/Production er's counterfeit tapes to the Sam Louisa Westerlund/Asst. Research Editor Album Airplay Disco Pages 20-21 Goody retail chain. 6255 Sunset Boulevard Disco File Page 20 Hollywood, Calif. 90028 Report Pages 26-27 Inthe Disco File Top 50 Page 21 ongoing Sam Goody Phone: (213) 465-6126 Album Chart Page 32 Discotheque Hit case, Judge Platt was scheduled NASHVILLE TOM RODDEN Parade Page 20 to announce lastFriday(25)a Album Picks Page 16 VICE PRESIDENT postponementofthestarting SOUTHEASTERN MANAGER Gospel Pages 48-49 date for the trial. The trial was to Al Cunniff/Southeastern Editor Black Oriented Marie Ratliff/Research Editor Music Pages 35-36 International Pages 42-43 have started September 2.Platt Margie Barnett/Assistant Editor Picks of the Week Page 35 England Page 42 was to have reached a decision 49 Music Square West England's Top 25 Page 43 concerning four motions filed by Nashville, Tenn. 37203 Black Oriented Phone: (615) 329-1111 Germany Page 42 the defendants (Sam Goody) but Singles Chart Page 36 LATIN AMERICAN OFFICE healsodelayedthisdecision. Black Oriented Jazz LP Chart Page 37 THOMAS FUNDORA Platt is scheduled to start a four - SR. VICE PRESIDENT Album Chart Page 35 3120 W. 8th Ave., Hialeah, Fla. 33012 Latin American Pages 44-45 week vacation this week. Upon Black Music Report Page 35 Phone: (305) 821-7900 Album Picks Page 44 his return he plans to have a de- ENGLAND Hit Parade Page 45 cision on the Goody motions and VAL FALLOON Classical Page 39 Manager Radio Action Page 45 a new date for the trial to begin. Suite 22/23, Longhorn House 308 Regent Street London WI Coast Page 19 Nashville Report Page 52 Phone: 01 580 1486 Judas Priest Wins JAPAN Country Pages 51-55 ORIGINAL CONFIDENCE New York, N.Y. 'Page 12 CBON Queen Building Country Album Injunction Against 18-12 Roppongi 7-chome Minataku, Tokyo Chart Page 54 Radio GERMANY Country Album Picks Page 53 Marketplace Pages 39-40 Bogus Concert T-shirts JIM SAMPSON Liebherrstrasse 19 Country Hot Line Page 52 II NEW YORK-Columbia record- 8000 Muenchen 22, Germany Radio World Page 28 Phone: (089) 22 77 46 Country 'Picks of the ing group Judas Priest scored a Telex: 05-216622 Retail Rap Page 30 Week Page 51 victory recently against unlicensed AUSTRALIA PETER CONYNGHAM Country Singles Retail Report Page 31 sellers of concert T-shirts, posters P.O. Box 678, Crows Nest, N.S.W. Australia Phone: 2.92.6045 Chart Page 55 and other merchandise who sell Singles Picks Page 14 FRANCE imitationmerchandise featuring GILLES PETARD Country Singles 8, Quai de Stalingrad, Boulogne 92, France Picks Page 54 Singles Chart Page 25 performers'name,likenessor Phone: 527-7190 SPAIN logo outside concert halls. JAVIER ALONSO Harley Lewin and Daniel Res. Madrid-Parcela A Portal 2A-4ro A Aharoni, attorneys for Judas Priest, Maiadahonda their merchandiser Great South Madrid, Spain Pommthouse Picks MEXICO ern Company, Inc., and the band's VILO ARIAS SILVA Apartado Poste! 94-281 personal manager, Arnakata Man- Mexico 10, D.F. (Due to airplay and sales in projectable markets, these records agement, Inc., won a nationwide Phone: (905) 294-1941 CIRCULATION DEPT. exhibit top five potential) preliminaryinjunction in U.S MICHAEL MIGNEMI CIRCULATION MGR. (Continued on page 50) 1697 Broadway, New York, N.Y. 10019 Irene Cara (RSO) "Fame." Phone: (212) 586-0913 RECORD WORLD (ISSN0034-1622) IS PUB- Exhibiting major gains this week, this soundtrack LISHED WEEKLY, EXCEPT TWO ISSUES COM- Rick Smith Leaves BINEDINONE ATYEAR-END.SUBSCRIP- TIONS: ONE YEAR U.S. AND CANADA -5110; theme is quickly proving itself at all levels of radio. AIR MAIL -5175; FOREIGN AIR MAIL-$185. April/Blackwood SECOND CLASS POSTAGEPAID AT NEW YORK, N.Y. AND AT ADDITIONAL MAILING Diana Ross (Motown) "Upside Down." NEW YORK - Rick Smith has OFFICES. DEADLINE: NEGATIVES AND COPY MUST BE IN NEW YORK BY 12 NOON FRIDAY. The lightning success of this single on the B.O.S. chart resigned from the position of vice Postmaster: Please send Form 3579 to Record World, 1697 Broadway, New York, N.Y. 10019. is carrying over to the pop side. Crossover sales are president and general manager of Copyright © 1980 by following up the airplay. April/Blackwood Music, the CBS RECORD WORLD PUBLISHING CO., INC. music publishing division. At the VOL. 37, NO. 1723 time ofhisresignation, no re- placement had been named.

4 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com HALL DARYLOATIES voeJOHN

&Direction: ManagementMottola Tommy Cates &John Hal' byDaryi ENGLANDOxford 10/10Croydon Produced AUSTRALIA 10/12Poole Sydney 10/16Brighton 9/12Sydney 9/25 10/17Birmingham Fest!val Sydney 10/20London Music 9/26Melbourne 9/13 10/21London OH Melbourne 10/22 BlossomFalls, 9/18 Manchester 8/10 Adelaide 10/23Liverpool CuyahogaAgora 9/15Adelaide matid The 9/16 10/24 8/11 OH Pavillion Brisbane the Theatre Toledo, NY Post 9/22Brisbane in.80 CaIderone 9/23 PhoenixCA 8/14 and 7/26 Pavirlion Hempstead.MerriweatherMC Center Petaluma, CA 8/15 JAPANTokyo aria Concord Music Center 9/29 7/27Francisco,Theatre Columbia,Mann PA Arts Tokyo Raceway Hall SanGreekCA 8/16 State 9/30Tokyo Music 7/28 Philadelphia, 10/6 Freehold Argeles, GardenNJ Hall Tokyo 7/5 NJ LosPalladium 8/17 10/7Osaka American 7/31 TX Holmdel, 10/2 Freehold,GreatCT OK OrpheumMA Nagoya 7/12 Datias,Amphitheatre 8i49 University/Stabler 10/3 Haven, Zoo City.Fun Boston, NewColiseumMA 8/1 of LehighPA 7/13 OklahomaWorldsMO a/20 Fair S.Yarmouth.Playpen 8/2 City Bethlehem,Melody NY The NJ KansasKnob Theatre 7/14 PineMI Theatre 8/21Tonawanda, Wildwood.CasinoNH 8/4 Star N. ClubBeach, StanleyPA 7/16 Clarkston. 8/22 Park Sam's HolidayiN Pittsburgh, NY HamptonUncle 8/5 Place Hall Centra"City 7/17MA Nail Merriville,Ontario Music 8/23York Hull, Rusty 8/7 Canada New The MA NorthernMI 7/18 Toronto,Great West 8/8 Rapids, Sunderland.StageCT 7/19 City GrandPalaceCH Hartford,CrystalMD 8/9 7/20 City. Columbus, OceanCatalystCA 7/24Cruz. Square SantaRaincrossCA 7/25 Riverside,

AmericanRadioHistory.Com Famous' Cane Bullishon 'Popeye,' ShogunSecurity Surrounds Presley Pressings By JOSEPHIANELLO NEW YORK - Famous Music music, we'reexpectinggreat president andchiefoperating things." The mini-series will officer Marvin Cane sitsinhis kick-off NBC -TV'sfallschedule spacious office at midtown Man- on September 14and runsix hattan's Gulf & Western building consecutive nights in prime time with the same kind of contented for two hours each night.It will anticipation as an umbrella ven- be distributed overseas as a two dor awaiting the start of a thun- and one-half hour feature film. derstorm 16 floors below. And Jarre, who wrote the scores for with goodreasonfor Famous "Lawrence Of Arabia" and "Dr. Music, one of the world's leading Zhivago,"iscurrentlyfinishing pop music publishers, owns two thesoundtrackwhichincludes original soundtrack properties two distinct themes that Cane is that will be ready for mass con- making available forsinglere- sumption withinthenextfour cording. "The main title theme Because offan interest for the limited edition months. Coming at a time when is 8 -record Elvis Presley album RCA is very exciting while thelove releasing to celebrate the 25th anniversary of Elvis' signing with the label, five original soundtracks are the com- themeisbeautiful music that's pany added tightsecuritymeasures atitsIndianapolis pressing plant and ware- firmly ensconed among the top very pop -oriented," Cane added. house to prevent outsiders from possibly getting in to steal albums for theirown use or 20 of RW's Album Chart, the two "Shogun" by James Clavallis counterfeiting purposes. As first copies bearing the lowest numbers of the250,000 scores promise to continue the one of the best selling novels of numbered sets were being transferred from the factory to the warehouse,a Brinks armored truck was used to prevent hi -jacking enroute. Handingone of the first albums deluge of commercially success- alltime.It recently returned to tothe Brinks guard on the truck is Joan Deary, who produced the album forRCA. fulfilm -disctie-insofrecent thepaperbackbest-sellinglist Personally supervising the transfer and checking off each setis Joe McHugh, division months (RW May 17, 1980). with an advance pressing of two vice president, manufacturing, RCA Records. Scheduledfor November re- million copies.Although the lease is the Harry Nilsson original scope and magnitudeofthe Boardwalk OpensJeff Aldrich Named soundtrackto theParamount "Shogun"projectarebeyond film "Popeye," which will open anything Famous has done ina L.A. Offices Chrysalis A&R VP for Christmas. The Robert Evans - television -relatedventure, Cane LOS ANGELES-Boardwalk En- LOS ANGELES- SalLicata, produced,Robert Altman -direc- readily admits that he iswell - tertainment Company has opened presidentofChrysalisRecords, ted filmisa musical love story versed in that area with the pub- itsLos Angeles headquartersin has announced the appointment starring Robin Williams as Popeye lishing rights for themes to "Mis- Century City, according to com- of Jeff Aldrich to the position of and Shelly Duvall as Olive Oyl. sion Impossible," "Happy Days" pany president Neil Bogart. The vice president of A&R and artist Even before Cane begins direct- and "Laverne and Shirley" offices, located at 2029 Century development. ing allhis energies on the Nils- among his many successes. Park East, Suite 1595, will serve son score, he will focus his at- Cane's musicindustry career asthe new company's interim tention on theoriginal sound- spans the past three decades -headquarters until this fall, when track to the Paramount television the last 11as presidentof Fa- Boardwalk will move to its per- mini-series, "Shogun," written by mous - asa manager (Vic Da- manent location. Maurice Jarre and starring Rich- mone) andindependent music Presently operatingfrom the ard Chamberlain. publisher(GeorgePaxton-Win- new offices with Bogart are Scott "The record deal is being ne- netton which was the first indie Kranzberg, VP, promotion; Ellen gotiated right now and should be tostartitsown recordlabel, Wolff, VP, creative services, and completed in the nexttwo Coed, and score a series of hits David Shein, VP, business affairs. weeks,"Caneprojected."Be- includingtheCrests'"Sixteen They can be reached at (213) 557- cause of the romantic nature of Candles"), but nothing has ex- 2628. Boardwalk east coast gen- theshow andthesoundtrack cited him more than the "Pop - eral manager Iry Biegel can be (Continued on page 50)contacted at (212) 879-3786. Jeff Aldrich Handshake Sets Offices, Prior to his appointment, Ald- rich served in Chrysalis' New York Introduces New Logo office as east coast manager of NEW YORK-Handshake Rec- areallamitscA&R. Aldrich will relocate to the ords, the new Manhattan -based Los Angeles headquarters while label helmed by Ron Alexenburg, maintaininghisofficeinNew has moved intothe company's Singles Albums York as he will be traveling be- permanent headquartersinthe tween the two locations. penthouse of 25 West 56 Street, New York 10019 (212-245-3600). East: East: Joel Newman, director of west Robbie Dupree (Elektra) Chipmunks (Excelsior) Gartenberg Appointed coast operations, has established Diana Ross (Motown) Poco (MCA) Handshake Records' California of- Billy Joel (Columbia) Tom Browne (Arista) To Financial Group fices at 8304 Beverly Boulevard, Robert John (EMI -America) Dave Davies (RCA) NEW YORK-Seymour Garten- Los Angeles 90048 (213-852-0771). Maze (Capitol) berg, senior South: vice president, At the same time, Alexenburg South: finance and administration, CBS/ introduced the Handshake logo. Jackson Browne (Aslyum) Rec -ds Group has been appoint- Commodores (Motown) Chipmunks (Excelsior) edtothe financialaccounting Hall & Oates (RCA) Poco (MCA) Maze (Capitol) standards board task force, which Midwest: will examine specialized account- ing, reporting and auditing princi- Air Supply (Arista) Midwest: Fred Knoblock (Scotti Bros.) Chipmunks (Excelsior) ples and practices the enter- Johnny Lee (Full Moon/Asylum) Poco (MCA) tainment industry. Hall & Oates (RCA) Henry Paul (Atlantic) Gartenberg will' represent the Dave Davies (RCA) interests of the recording indus- Maze (Capitol) West: try,onthe10 -member panel, George Benson (Warner/Qwest) West: which consists of executives from Chipmunks (Excelsior) the broadcast, film and cable in- Poco (MCA) dustries as well as major account- Handshake logo Henry Paul (Atlantic) ing firms.

6 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com THISALBUMISA

The Statler Brothers are celebrating their 10th anniversary with Mercury records with a brand new album of 10 perfect songs, including "Charlotte's Web,"57031 the hit single from the movie, "Smokey & the Bandit 2." "The Statler Brothers 10th Anniversary." It's one album that's a perfect 10.

"The, Statler Brothers 10th Anniversary'

PHONOGRAM, INC. A POLYGRAM COMPANY DISTRIBUTED BY POLYGRAM DISTRIBUTION. INC Wum ar WI yam local Polymers Duo luso sales ollic'e 101 d.1,81r3 .00 ...,1,0r^..0^0, (.00 Produced by Jerry Kennedy ON MERCURY RECORDS AND TAPES

AmericanRadioHistory.Com Musexpo Sets Panels 'No Nukes' Opening For 1980 Convention NEW YORK-Roddy S.Sha- Records; and Bob Summer, presi- shoua, Musexpo president,has dent, RCA Records. announced this year's expanded Radio Programming and Record seminar program and the panel-Industry Seminar (Sunday, Sep- ists selected for seven seminarstember 28, 1980, 10 a.m.-11:15 to take place at the 6th Annual a.m.).Panelists include:Frankie InternationalRecord/Video and Crocker, program director, WBLS- Music Industry Market-Musexpo FM; Richard Logan, VP Sales & '80 -September 26-30, 1980, Amer- Marketing, Arbitron; Dave Graves, ican Bal Harbour Hotel, Miami. dir. of programming and promo- Lawyers Meeting/International tion, Westinghouse Broadcasting Licensing Seminar (Friday, Sep- Corp.; John Young, program tember 26,1980, 3 p.m. -4:45 director, WXGC-FM; Al Hersko- p.m.).Panelistsinclude:Allan vitz, programdirector, WIP; Arrow, Esq., Arrow,Edelstein, Glenn Morgan, music program- Gross & MargolisP.C.;Gerald ming director, Mutual Broadcast- F. Edelstein,Esq., Arrow, Edel- ing Corp.; Morris Burkowitz, VP, stein,Gross& MargolisP.C.; LIN Broadcasting Corp.; and David Franklin, Esq.; Fred Gaines, James Kefford, executive VP & Esq., Gang, Tyre & Brown; Steven general manager, Drake-Chenault E. Machat, Esq., Machat & Machat; Inc. Paul Marshall, Esq., Marshall, Promotion and Marketing (Sun- Morris, Powell, Silfen & Cinque; day, September 28, 1980, 11:30 Barry Menes, Esq., Goner, Gillin,a.m.-12:45p.m.). Panelistsin- Gottesman & Menes; Marty clude: Harold Childs, sr. VP, A&M VP Bus. RCA Olinek, Affairs, RecordsInc.;John C. Chinn, The long-awaited film "No Nukes" opened in New York last week to packed houses Records; and Lee L. Phillips, Esq., director audio programming, In- at the Cinema I theatre. The feature-length film, distributed by Warner Bros. Pictures, Manatt,Phelps,Rothenberg & flight Services Inc.; Tom Draper, is comprised of concert footage from the 1979 MUSE Concerts atMadison Square Tunney. VP marketing, Warner Bros. Rec- Garden, footage from the Battery Park Rally which drew over 250,000, and documen- Video Programming and Mar- tary footage concerning nuclear energy. Among the artists who star in the film are Bruce ords Inc.; Mike Lushka, VP sales Springsteen, Jackson Browne, Bonnie Raitt, Graham Nash, James Taylor, The Doobie keting Seminar (Friday, Septem- & general manager,Motown Brothers, Crosby Stills 8 Nash, John Hall, Jesse Colin Young, GilScott -Heron, Carly ber 26, 1980, 5 p.m. -6:30 p.m.). Records Inc.; and Charlie Minor, Simon and others. Shown here at the opening of the film at CinemaI are, from left: Panelistsinclude:HenryBrief, VP promotion, A&M Records, Inc. John Hall; Jesse Colin Young; Julian Schlossberg and Danny Goldberg, co -producers president, International Tape As- A&R Seminar (Monday, Sep- and co -directors of "No Nukes"; Bonnie Raitt, and Graham Nash. sociation(ITA);RichardChilds, tember 29, 1980, 10 a.m.-11:30 president, Paramount Pictures a.m.).Panelistsinclude:Ed dePowell Columbia NARAS Home Entertainment; Austin Joy, VP A&R, RCA Records Inc.; NEW YORK - Bruce Lundvall, Furst, president, Time Life Video JordanHarris, VP & gen. mgr. president, CBS Records Division, Grammy Entry Forms Div., Time Life FilmsInc.; RonA&R, A&M Records Inc.; Denny has announced the appointment E LOS ANGELES - The National Hill, VP Disco/Vision Div., Mag- Rosencrantz, VP A&R, MCA Rec- of Terry Powell as vice president, Academy of Recording Arts and navox Consumer Electronics Co.; ords Inc.; and Don Wasley, Dir.A&R, contemporary music, west Sciences has mailed the firstof and Bud O'Shea, VP marketing, of A&R, Casablanca Records. coast, Columbia Records. He will two sets of semi-annual entering MCA Discovision. Music Publishing Seminar reportdirectlyto MichaelDil- forms torecord companies for Presidential Panel (Saturday, (Tuesday, September 30,1980, beck, vice president, A&R, west the 23rd Annual Grammy Awards. September 27,1980,10a.m.- 10a.m.-11:30 a.m.). Panelists coast, Columbia Records. A record number of 60 categories 11:45a.m.).Panelistsinclude: selectedinclude:Freddie Bien - are included in this year's ballot- Bruce Bird, president, Casablanca stock, managing director, Hudson ing due to several changes voted Records; Larry Depte, president, Bay Music Publ.; Marvin Cane, by the National Trustees. PhiladelphiaInternational Rec- chiefexecutiveofficer,Famous The changes include: the addi- ords; Jeff Franklin,president, MusicPubl.Co.;Chuck Kaye, tion of a Best Video Disc cate- AmericanTalentInternational; president, Irving / Almo / Rondor gory, the division for the Best Jazz Peter Gallo, president, Gallo Music Inc.; Lester Sill, president, Vocal Performance into male and (Africa) Ltd. (South Africa); Bruce Screen Gems -EMIMusic,Inc.; female segments, and the rein- Lundvall, president, CBS Records HeinzVoight,president,Inter - stitution of acategory for Best Div.; Jim Mazza, president, EMI- songIntl.Music Group(Ger- Arrangement for Vocal Groups. America/UA Records; Doug Mor- and Simons, Each record company is requested many); Jonathan Terry Powell ris,president, Atlantic Records; managing director, Chappell Mu- to enter a limited number of what RobertSiner,president,MCA sic (UK). Since 1978, Powellhas held it considers its outstanding crea- thepositionofdirector, A&R, tive product released during the Ohio Court Dismisses Charges Against Roth westcoast,ColumbiaRecords. first half of the Grammy Awards He joined Columbia in 1967 as An Ohio Court has dismissed "the court having been advised eligibilityperiod (October 1, localpromotionmanager, Los all charges pending against David by the acting city prosecutor that, 1979 through March 31, 1980). Angeles market, and subse- LeeRoth,leadsingerof Vanafter a review of the charging An August 8 deadline has been Halen. Following an April concert documents, theproof and thequently was promoted to west- set for all forms. at Cincinnati's Riverfront Col. the law, the prosecution can not pro - ern regional promotion manager. In lateSeptember,another singer had been accused of in- ceed, hereby orders the dismissal entry will be mailed for the sec- citing the crowd to smoke during of the charges at the request of CBS Bows $5.98 ond half of the eligibility period his performanceinviolationof the prosecuting attorney." andall Academy members will an Ohio law that makes illegal A spokesman forDavidLee S'track, Theatre LPs be mailedtheirannualentry "soliciting aiding or abetting an-Roth, who iscurrentlyinthe NEW YORK-CBS Records has forms covering the full eligibility other in committing an offense,midst of a national concert tour introduced 23 original cast, period. Any recordcompanies to wit: smoking." He had been with VanHalen,reportedthat soundtrack and musical theaterthat have not received their forms freed on a $5,000 bond. strongconsideration would be "recreation" albums at a suggest- shouldcontacttheRecording JudgeRalph Winkler of thegiven to an Ohio Civil Suit for ed list price of $5.98. The albums Academy's national office at 4444 Hamilton County Municipal court violation of civil rights and rights were available at suggestedlist RiversideDrive,Burbank, CA dismissed the charges stating that of free speech. prices of $8.98. 91505, 213-843-8233.

8 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com The American rock'n'roll performer with the magazinecoverlooks, the instinct, the charisma and the will to belong to his audience that makeastar. THE NEW MONEY The new album shows more sides of Eddie Money than ever before. There's classic Money bit radio tunes: "Trinidad," "The Wish"and"Satin Angel." "Running Back"is a loose and limber Eddie in reggae rhythm!'Wlen You Took My Heart" is pure romance. It's all there in "Playing for Keeps."

"Playing On Columbia for Keeps." Records and Tapes.

Give tbe gift of music. Produced by Ron Nevinson for Gadget Productions, Inc. Direction: Bill Graham Management. "Columbia" is a trademark of CBS Inc. © 1980 CBS Inc.

Eddie Money Tour 8/1 Dayton, OH Dayton Harah Date Location Venue 7/23 South Bend, IN Morris Civic Auditorium 8/2 Flint, MI Atwood Stadium 7/18 East Troy, WI Alpine Valley Music Theater 7/25 New York City, NY Central Park 8/11-12 Los Angeles, CA Universal Amphitheatre 7/21 Grand Rapids, MIGreat Northern Music Hall 7/30 Toledo, OH Sports Arena 8/14 Riverside, CA Raincross Square 7/22 Alpena, MI Alpena Fairgrounds 7/31 Ft. Wayne, IN Foelinger Theater 8/ 15 Oakland, CA Oakland Auditorium

AmericanRadioHistory.Com Forum Examines Statusof Indie LabelsMCA Bows New By SAMUEL GRAHAM great, but we ran headlong intoords in stores - they do some Midline Series III LOS ANGELES-Although a re- the Eagles." Since "Alice" was "a promotion as well, but that's notII LOS ANGELES-A new Midline cent glutof independently -pro-work record," and not an auto- theirmain function."Forthat Series from MCA Records, featur- duced and manufactured record- maticseller, Jack contended, reason, a reasonable amount of ing 80 titles by major recording ings has somewhat diluted con-Elektra "spent little or no timeself -promotion - actually deliv- artists,will debut August 8, ac- sumer interestinthat product, on 'Alice.' " As aresult,"they eringrecordstostationsand cording to Sam Passamano, ex- and while securing airplay, effec- toldus that they'd put out 50press yourself - is not only an ecutive vice presidentof MCA tive distribution and other practi-thousand records and sold a total advantage butin some cases a Distributing Corporation. calities remains a formidable of 49 copies. We eventually de- necessity. Theseries,called"Platinum task, independent records remain cided thatif we could put out Most panelists noted with Plus"andlistedat$5.98, will a viable alternative to those is-five thousand records ourselves some dismay that radio airplay feature prominent recording ar- sued by major labels. and sellallof them, then we remains perhaps the most elusive tists and well-known product and That's the consensus of a forum stood as good a chance of doing variable in the formula for creat- willbepromotedtoretailers heldhererecentlytodiscuss something with our own record ing a successful independent rec- with the slogan: "We're the ones "How to Make andSellYour (an album followed "Alice")as ord. Said Dusty Street, "Gettingyou've been waiting for -80 new Own Record." The July 10 forum anyone." your own record on the airis ways to keep your business from was sponsoredbySongwriters TheNaughtySweeties'high realdifficult. Radio is really going out of business." Resources and Services, alocal, visibility here enabled them to afraidofanythingnew," she The serieswill be differenti- non-profit organization, and selltheirrecords,Jack added; added; and even if a station has ated from thelabel'sprevious moderated by Diana Rapaport, asince the band works an average a so-called "seeds show," where Midline projects, including "Ris- former artists manager who has offournights a week,such tapesofunsignedtalent are ingStar," on the basisof the written a book on that subject chains as Wherehouse and Music playedon theair,those tapes major stature of each artistin- (also called "How to Make and Plus were willing to pay cash for orrecordsarerarely,ifever, volved. Sell Your Own Record"). Othercopies of "Alice," but only be- added to a station's regular rota- Included will be: Elton John, Ly- panelists included Harold Bron- causethosestores knewthe tion.Street mentioned that she nyrdSkynyrd,OliviaNfewton- son of Rhino Records, a local in- group had a large local following andseveralother discjockeys John, The Who, Jerry Jeff Walker, dependent label; Ian Jack, leader thatwouldbuytheproduct. are attempting to syndicate David Crosby & Graham Nash, of a local band calledthe That kind of "grassroots develop- showsthattheywillproduce Poco, Steven Bishop, Jimmy Buf- Naughty Sweeties; Dusty Street, mentofan audience,"noted themselves, thereby allowing fet, Roger Daltry, Rufus and Cha- disc jockey at KLOS-FM; and Bob Rapaport,is essential to any lo- them considerably more freedom ka Khan, Cher, Steely Dan, Neil Say,representing JemRecords, calrecord's success; withoutit, to program new wave rock and Diamond, The Crusaders, Crystal the distributor now doubling as nostation willplay the recordother styles that commercial ra- Gayle, Loretta Lynn, Conway a manufacturer as well. and no store will be willing to dio often avoids. Twitty, TanyaTucker, Steppen- wolf,Joe Walsh,Bing Crosby, Case Study stock it. Even so, noted both Jack and recording, For any record to succeed on Say, "You can make and sell rec- John Klemmer, the soundtrack to An independent "Battlestar Galactica," and Star- said Rapaport, is "any kind of re- anationallevel,some kind ofords without airplay." ASlash cording made independent of the organized distribution isa must, Records album by a local group gard. the panelists agreed. "Right X, said the latter, has sold some Passamanonotedthatthere major labels."That category might be an additional 30 to 40 might include productsoldat now," said Say, "we're handling20 thousand copies without any alot more independent records major airplay whatsoever. titles added at the beginning of live performances, by mail order next year and every six months than we ever have, but I think The more technical aspects of or consignment, or records han- thereafter."PlatinumPlus"will dled by small labels such as those stores are getting more leery ofthe forum dealt with the nuts and carrying them," due to the hugebolts of the recording and mas- also continue to draw upon ma- comprising themembership of jor product in the pop, R&B and amount of such product and the terprocessesandthespecific the National Association of Inde- jazz fields. pendent Record Distributors. In- lack of returnrefunds available costs involved in making lacquers A major selling point of the to stores forit. And evenifa and stampers, album jackets and cludedinthe panel discussion seriesisthatallreturns on the were such elements as the spe- distributor does agree to carry a so on. These were detailed by line will be credited at the ori- cifics of recording, printing and local record,Rapaportnoted, Bronson, whose label has manu- ginal price the dealer paid. Also, pressing costs; independent dis- "peopleexpect distributors,or factured both singles and albums the titlesin the new series will tribution by companies like Jem; smalllabels, or even major la- in the areas of new wave, nov- be marked with a #37,000 code the importance of (and problems bels, to sell their labels for them. elty recordings, comedy and re-to distinguish them from previ- in) obtaining airplay for a record It's really the other way around. issues of "classic bands" like the ous productthat was originally once ithas been manufactured; A distributor's job is to put rec- Turtles and Love. sold to dealers at retail prices. and some alternatives to the con- ventional methodsofselling Spinners Celebrate 25th Anniv. E/A Names Smith product. That independent distribution Singles Promo Dir. can sometimes be more success- IIII LOS ANGELES-Bill Smith has ful than that provided by the ma- been promoted to director of na- jors was illustrated by Jack, who tional singles promotion for Elek- noted that a single by his band tra/Asylum Records, according to ("Alice"), whichthey manufac- BurtStein,nationalpromotion tured on their own Dauntless la- director. bel,soldsomefivethousand copies in the L.A. area primarily on the basis of the recognition sparked by the Naughty Sweeties' numerous public appearances here. By also managing toget "Alice"playedonKLOS, Jack said, the band attracted the at- tention of Elektra Records, who Atlantic recording group the Spinners recently played a two-week engagement at the agreed to distribute the single. MGM Grand inLas Vegas, an occasion which marked the beginning of their 25th "They(Elektra)promised us year of making music. On stage during one of their performances,bill -sharing artist nationaldistributionandhelp, Burt Bacharach took the opportunity to present the group with a special 25th An- Bill Smith and an album option," said Jack. niversary cake. Shown backstage at the MGM Grand in Las Vegas are, from left: At- SmithjoinedE/AinMarch lantic west coast general manager Les Garland, national publicity director Paul Cooper, "They gave us some money and Spinner Boobie Smith, Burt Bacharach, and Spinners John Edwards, Billy Henderson 1979 as the label's Atlanta -based told us that everything would be and Pervis Jackson. regional promotion director.

10 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Warner Bros. regrets the omission of the following music credits which should have appeared on the end credits of "Honeysuckle Rose"

"LOVING HER WAS EASIER" "YOU SHOW ME YOURS" by KRIS KRISTOFFERSON

"A SONG FOR YOU" by LEON RUSSELL

"MAKE THE WORLD GO AWAY" by HANK COCHRAN

"SO YOU THINK YOU'RE A COWBOY" by WILLIE NELSON & HANK COCHRAN

"WHISKEY RIVER" by JOHN BUSH SHINN

"EIGHTH OF JANUARY" 'JUMPIN' COTTON EYED JOE" "UNDER THE 'X' IN TEXAS" by JOHNNY GIMBLE

"TILL I GAIN CONTROL AGAIN" "ANGEL EYES (ANGEL EYES)" by RODNEY CROWELL

"COMING BACK TO TEXAS" "SINGING THE YODELLING BLUES" by KENNETH THREADGILL, CHUCK JOYCE and JULIE PAUL

"IF YOU COULD TOUCH HER AT ALL" by LEE CLAYTON

"I DIDN'T WRITE THE MUSIC" by MICKEY ROONEY JR.

We wish to extend our apologies for this oversight to these fine artists whose talents have contributed so much to the picture.

WARNER BROS., INC.

AmericanRadioHistory.Com Cover Story: A Shift in Style Pays Off for PPL In a June interview with Recordthe decision when they came to By DAVID McGEE World, Casablanca Records presi- Casablanca, the band and myself, dent Bruce Bird discussed the po- that we were going to go after II:As ON THE CAMPAIGN TRAIL WITH ROB STONER, PART tential risks inherent in the label's the soft rock area, which they mentioned last week, the current phase of Rob Stoner's solo careersignings of certain acts-includ- hadn't been in," said Bird. "They began to take shape during Stoner's time with Robert Gordon. Another were also one of the first signings person also played a key role in shaping Stoner's "game plan," and ing the five -man band called Pure PrairieLeague - whose careersto bring us into a new area for that was his wife, Ruby. Stoner had been playing local clubs for Casablanca, and that's rock and several months and had run through a succession of four top industryhad been on the wane in recent years. "The only risk," Bird said, roll. Pure Prairie Leagueissoft managers without generating much label interest in his music. Long rock and roll, but it's rock and the dutiful, silent housewife, Ruby saw her husband becoming in- "was the risk you have with any roll all the same." creasingly frustrated and finally spoke her mind. Stoner recalls thenew artist that you sign, and that is the financial risk of making an PurePrairieLeague's line-up incident: "Ruby said, 'Forget it, these guys are driving you crazy. I can do a better job of managing.' So by default she took over,and album, puttingitout and pro- includesveteran members Mi- she got instant results because she was working full-time for me. She moting it. You have to be able to chaelReilly(bassandvocals), began by calling up all the clubs in town and completely changing see something in an act, and know Billy Hinds (drums) and Michael that they have it, and then be able Connor (keyboards), as well as my booking around. I started getting better gigs for more money. She redid my wardrobe, threw out half my clothes, got my stage gearto talk to the act and channel relativenewcomers VinceGill together, redid my hair, restructured my stage act. She was the extra their energies in the direction that (guitar,fiddle, banjo and other you think is going to be profita-string instruments) and Jeff Wil- input I needed. "Then she set about getting me a record deal. First thing she did ble.People thought they wereson (guitar and vocals). Much of was make me aware that I'd had my earlier success as acountry over-we didn't, and that's why I the material on "Firin' Up" was singer. She decided we should redo the demo, resequence it and signed them." contributed by the newer mem- put some of the more countryish songs earlier and do a separate Bird can now takejustifiable bers, and despite theshift to- mailing to Nashville. And sure enough we got more response fromprideinthisparticular signing, wards the soft rock sound, they've Nashville than we ever did from New York. That's what ultimatelysince Pure Prairie League-a group maintained some ofthe C&W got me the deal." whose profile had been, shall we bent of the earlier band-songs say, fairly low since their RCA hit "Patriotic Duty"isthe upshot. Recorded in three weeks atthe like"I'll FixYour FlatTire, Record Plant, with Stoner producing and Thom Panunzio engineering,"Arnie" of some half a dozen Merle" remain staples of their live the album represents Stoner's attempt to recapitulate traditional rock years ago-has reappeared on the performances-while also includ- and roll/rockabilly styles in contemporary terms. "Rock and roll has chartsin style. Their firstsingle ing harder rock styles. The "Firin' gotten into alot of far-flung reaches today, many of which havefor the label, "Let Me Love You Up" album was produced by John nothing to do with what American rock androllisto me," he Tonight," spent four weeks in the Ryan. top ten of the RW Singles Chart, explains. "So I consider it my patriotic duty to remind people of where all this stuff that's going on today came from, what itevolved matched by an equally impressive showing on the Adult Contempo- Arista Taps Three from. I think that by doing songs in the classical manner on a record that is, from musical, production and engineering standpoints, state rarylist;the album from which NEW YORK-Richard Palmese, of the art, I'm fulfilling my patriotic duty to show peoplethat real thatsinglewasculled,"Firin' vice president of national promo- Up,"alsomade its presence American rock and rollis not a bunch of oldies, not some parody tion,AristaRecords, hasan- isone act by Sha Na Na or Robert Gordon or whoever mightbe doing what known. Clearly, PPL nounced three new appointments they're doing. This is a living American art form that's just asviable that was far from "over." to the label's promotion depart- as new wave music-in factitis new wave music! I'm just trying to According to Bird, PPL's success ment. may well have been effectedin make the connection a little clearer for everybody." Lana Dengrove has been named around, large part after a very conscious Hype? Stoner is certainly one of the more voluble artists Arista'sdirector,nationalsec- his credentials musicalshift, from thecountry but his fervor is both genuine and infectious. Were ondary promotion. She willbe and western soundtypifiedby any less impeccable, he would be easy towrite off: who in the basedinArista's LosAngeles music business hasn't been exposed to an artist whobelieves his their homespun Norman Rock- well album covers to somethingoffice, and will be responsible for firstrecord is a rock androllgodsend?Few, however,share all pop promotion for secondary Stoner's sense of mission or couch itin such jingoistic but laudable with a broader appeal. "We made market radio stations across the need to look to terms. "This is a time in American history when we country.Prior to joining Arista, our own identity as Americans,"he states forcefully. "People are she worked for Start Promotions, So RCA Names Deutsch saying we're not the number one power in the world anymore. and she has also held a promotion what isitthat makes Amerita a special place and gives Americans Pop Publicity Admin. position for Anti-Muscolo. that special feeling that we're really number onein the world? I think rock and roll has something to do with it, and themusic that NEW YORK-Didier C. Deutsch Palmese has also named Dave came before rock and roll too. Everyone saysjazz is America's great has been appointed administrator, Loncao the label's midwest album contribution to the world of music and art. Well hell,what about pop publicity for RCA Records. promotiondirector, based in rock and roll?! You never hear people talking aboutit-maybe that's Deutsch will be responsible for Clevelandandresponsiblefor because the English did such a good job copying itfrom us! This is publicity campaigns on RCA pop all AOR promotion activities really a time when Americans have to look to their ownculture to artists, and will work closely with throughout the midwest area. He get their identity straight, and 'PatrioticDuty' is my contribution to the company's associated labels. comes to AristafromA&M the cause." He will report to Barbara Pepe Records. Rob Stoner for President anyone? manager, publicity, pop music for Peter Schwartz has been ap- CONTEST NEWS: Michael Lembo's Deli Platterslabel has initiated RCA, andtakedirectionfrom pointed to the positionof Los Herb Heiman, division vice presi- Angeles promotion director for a contest in hopes that atleast one person in the music industry will be well fed. In 25 words or less tell the folks atDP what the words dent,publicaffairs,on RCA's Arista.Inhis new capacity, he "Deli Platter" mean to you. If you win and liveoutside New York, overall press activities. will be working in close conjunc- you will receive, by Air Express, aHebrew National Salami. If you Prior to his RCA appointment, tionwithArista'swestcoast live in New York City you may choose betweenlunch for two at Deutsch had pursued a number regionalalbumdirector Rick Wolf's Delicatessen on 57th Street or a deliplatter of "mystery of freelance activities, including Galliani, and will coordinate west meats" hand delivered by Lembo himself. Thethree winners will producing a series of Broadway coast promotionactivitieswith also receive a complete set of Deli Platterssingles, including the original cast repackages for CBS Arista's Seattle/San Francisco now -rare Robin Lane EP. Records. Recently, he was product representative Greg Feldman. Deadline for entries is September 1. Mail them toContest, c/o manager for Bob James' Tappan Schwartz joins Arista from RSO Deli Platters Records, Room 910, 119 W. 57th Street,New York, N.Y., Zee label, havingpreviously Records, and has held promotion 10019. Winners will be announced on September15. Please include served as publicity director for positions at Infinity Records and (Continued on page 50) CTI Records. Epic/CBS Associated Records.

RECORD WORLD AUGUST 2, 1980 12

AmericanRadioHistory.Com THEY BROKE THEIR OWN RULES. Chicago The spirited new album. Produced by Tom Dowd. On Columbia Records and Tapes. FC 36517

CHICAGO and OW marks registered in the U.S. Pat. OP -Columbia- is a trademark of CBS The. 01980 CBS Inc Buy it once. Enjoy it a lifetime. Recorded music is your best entertainment value

AmericanRadioHistory.Com Record Wodd 1/4:::21L1(2,1 L-14

IRON CITY HOUSEROCKERS- THE KINKS-Arista 0541 THE BROTHERS JOHNSON- GUS-Nemperor 9-7533 (CBS) MCA 41290 A&M 2254 CELLULOID HEROES (prod. SWEET DELIGHT (prod. by HYPNOTIZED (prod. by by Davies) (writer: Leonetti) (writer: Gus) TREASURE (prod. by MCA Hunter) (writers: Davies) (DAVRAY, (Magnetic Movements/ Grushecky-Snyder) Jones) (writer: Partner Ship, ASCAP/ RECORDS P.R.S.) (4:34) (Cleveland Intl./Brick Temperton) (Rodsongs) CAPAC) (3:04) Alley, ASCAP) 43:19) Fromthe double "One For The (4:09) The Toronto -born, L.A.-based The sheer power, both vocally Road" LP comes this live remake RichardHeath isthefeatured and rhythmically,ofthissong of the early seventies tune which singer / songwriter / guitarist de- lead vocalist here with the John - buts with this first single from his has, as the title says, hypnotic im- isperhaps one of Ray Davies' sons providing songbird back-up plications. Joe Grushecky's tense, finestcompositions. The pretty harmonies and the result is out- new "Convicted"LP andhe's manic vocals border on the scary piano / drum statements and likely to become aregular on yet EddieBritt's back-up vocal shades give Ray all standing. Relaxed keyboards flow riveting guitar AOR-pop playlists.Threatening, work and GilSnyder'schilling the support he needs on this on- in asoft undercurrent but the keyboard environment make one stage tourde force.Brother focus is on the warm vocal show- concise guitar work and stinging crave more. Some of the finest Dave'sfinalguitarstinghelps case that's perfect for pop -A/C social commentary highlight this rock issued this year. make this an AOR-pop bonus. and, of course, black audiences. powerful rocker.

RAY GOMEZ-Col 1-11332 GLADYS KNIGHT & THE PIPS- MANU DIBANGO-Mango 104 Pop SUMMER IN THE CITY (prod. by Gomez) Col 1-11330 (Island) (writers: Sebastian -Boone -Sebastian) (prod. by Ashford -Simpson) (writers: REGGAE MAKOSSA (prod. by Chung) (The Hudson Bay, BMI) (3:18) Ashford -Simpson) (Mick -O -Val, (writer: Dibango) (Radmus, ASCAP) SEALS & CROFTS-WB 49522 Gomez is one of the most tal- ASCAP) (3:41) (3:50) ented, FIRST LOVE (prod. by Shelton) (writers - experiencedandin -de- "Landlord" crossed over for mid - DiBango hit the top 40 in'73 Seals -Brown) (Dawnbreaker/Favor, mand fusionguitarists. He ap- chart pop success and this follow- withhis"SoulMakossa." This BMI) (3:42) plies his sweltering signatures to up from the "About Love" LP is timely single from the new "Gone This initial release from the new this pop vacation anthem from headedinthe samedirection. Clear" LP should further popu- "The Longest Road" LP should another era. Gladys' vocals sound radiant on larize the genre while it capital- go into the upper reaches of pop - THE LEFT BANKE-Camerica the Pips' smooth background & izes on the current dance craze. A/Clistswithits picturesque 0005 thepercussion -clad rhythm is DiBango's deep harmonies and exhilarating vocals & airy QUEEN OF PARADISE (prod. by Feria) pure dance. vibes enthrall. chorus hook. (writer: Smith) (Comex, BMI) (2:58) Three of the original members THE DELLS -20th Century -Fox FRANKIE MILLER-Chrysalis who gave us "Walk Away Renee" 2463 (RCA) TTF-RSO/Curtom 1035 2451 & "Pretty Ballerina" are back to- I TOUCHED A DREAM (prod. by Davis - (BABY) I CAN'T GET OVER LOSING YOU WHY DON'T YOU SPEND THE NIGHT Record) (writer: Record) (Angelshell/ (prod. by Wade) (writer: Gaines) (prod, by Hitmen-Miller) (writer: gether for this lilting pop -rocker. Six Continents, BMI) (4:01) (Mayfield, BMI) (3:53) McDill) (Hall -Clement, BMI) (3:15) Once again the vocals are out-The fabled quintet is celebrating The Florida -based, teenage sep- Miller's Scottishancestry some- standing, especially on the me- its 28th soulful anniversary withtet features Debra Ann Peevy's how makes a lot of sense with a morable chorus hook. this initial self -titled release from spectacular vocals andthiscut Nashville connection on this first D. B. COOPER-WB 49532 the consistently fine LP. Stunning should start them on a long and single from his new "Easy FOREVER ROCK'N'ROLL (prod. by Earnest) vocalleads and harmony reach successful career. A superb, high- Money" LP. The Bob McDill tune (writer: Cooper) (One Ten, ASCAP) dramatic intensity over the delib-energy ballad that's already get- gets an honestreadingwith (3:37) erate ballad beat. ting pop airplay. plenty of energy for pop fans. The influence (in this case posi- tive) of the first wave of brash, COFFEE-De-Lite 806 GLASS MOON-Radio 423 toughandoftenangry young (Phonogram) SOLSBURY HILL (prod. by Silva) (writer: Britishrockersisdefinitely no- SLIP AND DIP (prod. by Johnson -Williams) Gabriel) (Hidden Pun, BMI) (3:57) ticeable here. Cooper, although (writers: Shelton -Commander) (Double -F/ Country/Pop The N.C.-based trio covers one of Manage De Trois, ASCAP) (3:41) derivative, shows enough lyrical The sweet and sassy female trio PeterGabriel'sstrongest songs SLIM WHITMAN-Cleve. Intl./ originality, melodic sense, & gui- debutswiththisinitial with satisfying results. The drama single Epic 9-50912 tar technique to deserve repeated from the new "Slippin' And Dip - andintensityarebuilt-inand listening. WHEN (prod. by Drake) (writer: Bouwens) well -handled by thekeyboards pin'" LP with plenty of impres- (Burning Rivers/The Company of the and vocals. AL MARTINO-Capitol 4897 sive soprano interaction. Two Peters, B.V./Blue Moon, B.V., BMI) (2:33) ALMOST GONE (prod. by DeAngelis) EDMUND SYLVERS-Casa blanca GRAHAM GOULDMAN-A&M (writers: Mann -Weil) (Screen Gems- Whitman's albums are mega -seller EMI/Summerhill, BMI) (3:15) 2270 2251 Martino's voice is, by now, a pop THAT BURNING LOVE (prod. by Wright) items in Europe and as TV pack- AWAY FROM IT ALL (prod. by Gouldman) institution. Without overstate- (writers: Moore-Winbush) (Algre/Moore ages. This label debut is a light, (writer: Gouldman) (Man -Ken, BMI) ment he has a natural sense for & Moore, BMI) (3:38) easy flowing ballad with a latin (2:32) Young Edmund isa member of tinge. His distinctivefalsetto Gouldman's association with drama that few others use so ef- the hot Sylvers family and he'scruises into a yodel at times with 1 Occis more than apparent on fectively.It'sallhere onthis got the groove on this first single enough appeal for pop & A/C. this down -filled ballad from the Mann -Weil classic. from his new "Have You Heard" "Animalympics" film soundtrack. LP.Percussionrattlesand key- Lovely pop -A/C fare. JOE SUN-Ovation 1152 B.O.S./Pop board coolers join a sparkling BOMBED, BOOZED, AND BUSTED (prod. by CATS-Elektra 47010 female chorus. Fisher) (writers: Knutson -Sun) (ATV & Blue Lake, BMI) (3:06) IT DOESN'T MATTER ANYMORE (prod. by ROBERTA FLACK-Atlantic 3753 McFADDEN & WHITEHEAD- The young and exuberant singer/ Young) (writer: Carr) (Pawsongs, DON'T MAKE ME WAIT TOO LONG (prod. TSOP 9-4788 (CBS) ASCAP) (2:48) songwriter/guitarist is by Flack -Mercury) (writer: Wonder) I HEARD IT IN A LOVE SONG (prod. by fastbe- The Philly-based sextet is young (Jobete/Black Bull, ASCAP) (5:30) McFadden -Whitehead -Cohen) (Assorted/ coming one of the biggest names andstreet -wisewithyearsof From her self -titledLP featuring Mighty Three, BMI) (3:35) in country music. This new release studio experienceto go along Donny Hathaway comes this Theduo'sverse/chorusvocal from his forthcoming LP has an with their rock'n'roll enthusiasm. Stevie Wonder -penned tune. The trades are truly captivating as they endearing theme and some earthy The soaring vocalsrise over a bigbass & background vocals skim over the trademark Philly instrumental breaks. A crossover bulldozer rhythm. adornRoberta'sloving reading.strings and punchy rhythm mix. sleeper.

14 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com ROBBIE DUPREE

You got to know him with "Steal Away."

You'll grow to love him with "Hot Rod Hearts " (E 47005)

It's the new single from BOBBIE DUPREE... (6E-273) The new album on Elektra Records & Tapes.

Produced by Rick Chudacoff and Peter Bunetta Direction: Al Bunetta Management

Give tie gift of mus c. e e tra 01980 Elektra/Asylum Records ® A Warner Co omo amatIons Co

AmericanRadioHistory.Com Record World i__ V ZI I2 L 121d

METRO MUSIC I TOUCHED A DREAM PATRIOTIC DUTY TERMS AND CONDITIONS MARTHA AND THE MUFFINS-Virgin/ THE DELLS -20th Century Fox T-618) ROB STONER-MCA 5118 (8.98) JAY FERGUSON-Capitol ST 12083 (7.98) Dindisc VA 13145 (At!) (7.98) (RCA) (7.98) Best known forhis work with With a historythatincludes Released on Virgin's affiliatela- This legendary vocal ensemble is Dylan and Robert Gordon, Stoner celebrating an amazing 28 years Spirit, Jo Jo Gunne and solo hits bel, Dindisc, this had been one has channelled his fanaticism forlike "Thunder Island," Ferguson of the hottest imports of the year in the business, and they're right in step with 1980 on this album traditionalAmericanrockabilly moves to a new label with trade- until the current U.S. release. No produced by Carl Davis and for- into delightful original songwrit- markriff -based tunes that slide wonder: the danceable beat and mer Chi-lite Eugene Record. "All ing. The sparse arrangements for easily into AOR lists and have a alluring female voices exemplified About The Paper" summons up guitar and horns display his voice way of attracting top 40atten- by "Echo Beach" and "Hide And superhuman vocal energy, while atitsbest on AOR-primed cuts tion.Hooksabound,andthe Seek" create an inescapable mu- "Just A Little Love" breathes thelike "Your Own Heartbeat" and eerie "Missing Persons" is espe- sical world of their own. pure emotion of the blues. Dylan's "Seven Days." cially haunting.

NO RESPECT CURRENT EVENTS SIAMESE FRIENDS POP ART RODNEY DANGERFIELD-Casablanca THE ELEKTRICS-Capitol ST 12093 (7.98) IAN MATTHEWS-Mushroom MRS 5014 ELTON MOTELLO-Passport PB 9846 NBLP 7229 (7.98) Don't let the (7.98) (JEM) (7.98) Without facial mechanistic Bouyed by the In addition to expressions name fool commercial doing Elvis C. (and this guy you-this acceptance of one better on has some debut covers his last album, the name doozies) many an extraordi- former folkie game, Motello a standup nary range of Matthews pro- has perfected comedian has pop styles. Catchy cuts like vides more of the technique ailed in making the transition to "Tonight," and "Boardwalk the same with this endeavor. The of writing pop music while on vinyl, but Rodney's inflection and Beauty" are the ideal ammunition self -penned cuts are nice, but he the edge of a nervous break- timing are perfectly suited to the for an all -points radio attack. really shines on Stevie Nicks' down. Discordisprevalent, but aural medium. Don't we all have "Crying In The Night." so are brilliant hooks such as trouble getting "respect?" CLEAR NEW DAYS "Falling Like A Domino." THE VAPORS-United Artists LT 1049 TOMMY WOLF CAN REALLY GET READY (7.98) HANG YOU UP THE MOST GREATEST HITS VOL. 2 DARREL MANSFIELD BAND-Polydor BOBBI ROGERS-Focus 337 (7.98) PD -1-6288 (7.98) Fronted by the HERB ALPERT & THE T.J.B.-A&M songwriting Discovered in SP4627 (7.98) Power guitars, talents of lead a Waterbury, The band that a sinewey vocalist David Connecticut put Tijuana on rhythm section Fenton, this piano bar, map is back and thickly band's new Rogers debuts with part two spread lead wave offering with a collec- of a "best of" and harmony includes a bevy of musical topics. tion of songs package. This vocals mark "Turning Japanese" is already by the late Tommy Wolf. Light one includes his debut. "Above The Water" picking up airplay. and pretty, this album is a "must "What Now My Love" and "This is the tune that could take it hear" for easy -listening. Guy's In Love With You" among all the way. SPORTS CAR other such classics. 4C11 JUDIE TZUKE-Rocket PIG 3249 (MCA) STARPOINT JIMMY CASTOR-Long Distance LDR 1201 (7.98) Chocolate City CCLP 2013 (Casablanca) UNDER THE BOULEVARD LIGHTS (7.98) Judie Tzuke (7.98) CHUCK FRANCOUR-EMI-America The beauty of writes and With a perfect SW 17032 (7.98) Castor has sings about balance vocally Guided by the always been boys from between Ernest able hand of his open-mind- Chinatown and and George producer edness and boys behind Phillips and George Tobin, sense of the wheels of Renee Digs, this album is a humor. The fast cars. With songs ranging from thisis an lesson in tough vocalist/reedman's latest the moody "Nightline" to the album for people who like to urban rock. potpourri includes an offbeat uptempo "The Choices You've dance. "I Just Wanna Dance With The titlecut is an excellent National Anthem and a strange Made," she offers something for You"isa natural for black -ori- example, as is the cover version version of "Stairway To Heaven." everyone. ented stations. of Elvis' "Don't Be Cruel."

16 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com MUSEXPO PARTIAL LIST OF PARTICIPANTS (As of June 30, 1980) ASCAP (USA) Der Musikmarkt (Germany) Love Records (Venezuela) Record World (USA) ATV Music (Canada) Dig It Int'l Records (Italy) Lin Broadcasting Corp. (USA) Regency Records (USA) AWA Radio Network (Australia) Disc Disk Joint Records (USA) M Productions (USA) Remipa (France) A & M Records (USA) Disco Expo (Italy) MCA Discovision (USA) Rhoz Productions (Canada) Actual Music (USA) Disconet (USA) MCA Records (USA) Rifi Records (Italy) Album Report (USA) Dist. Sonografica Magnex S.p.A. (Italy) Rio Records of Canada (Canada) Amphonic Music (UK) Venezolana (Venezuela) Marcus Music (UK) Rock Steady Productions (USA) Antenna & Video Co. (USA) Drake-Chenault Inc. (USA) Margaret Brace Copyright Rockoko Productions Arista Music Publishing Edimusica (Columbia) Bureau (UK) (Germany/USA) Group (USA) Editio Musica Budapest Mark -Cain Music (Canada) Roemer and Nadler Ars Polana (Poland) (Hungary) Martin -Coulter Music (UK) (Attorneys) (USA) Arts & Music Organization Eleven Music (Italy) Media Communications (USA) Ron Hays Music -Image (USA) (Nigeria) Emergency Records (USA) Media 92 (Canada) SMV Schacht Musik Associated Music Pty. Ltd. The Entertainment Mento Music Group (Germany) Verlage (Germany) '80 (Australia) Company (USA) Met Richmond Seeco SWS Organization (USA/Sweden) Atoll Music (France) Esmond Industries Inc. (USA) Records(USA) Salsoul Records (USA) SEPTEMBER 26-30 Aucoin Management, Inc. (USA) I.D.O.F. (Yugoslavia) Missing Link Records San Juan Records & Tapes (USA) Audio Latino Recording Co. (USA) F.LLI de Angelis (Italy) Pty. Ltd. (Australia) Schlesinger & Guggenheim Australian Government Falcon Records (Canada) Monash Records (Australia) (Attorneys) (USA) MIAMI BEACH Trade Commission (Australia) Paul Farberman, Esq. (Canada) Morning Music (USA) Schulke Radio Productions (USA) B K Music (UK) Florida Record Pool (USA) Music Box Record Co. (Greece) Screen Gems -EMI (USA) BBC Radioplay (UK) Les Disques Fontane (Canada) Music Labo (Japan) Lloyd Segal Law Offices (USA) BAL HARBOUR BMI (USA) 4 M Records (USA) Music Publishing SESAC (USA) BRT & Assoc. Studios (USA) Friday Morning Consultants (USA) 7 Records Pty. Ltd. (Australia) AMERICANA HOTEL Baby Records (Italy) Quarterback (USA) Music Resources Show Business (USA) Bagatelle S.A. (France) Fabrica de Discos Int'l Corp. (USA) SHOWpress (Spain) Barber & Ross Co. (USA) Fuentes Ltda. (Colombia) Music Retailer (USA) Siegel Music Companies Beat Records (Italy) GMG Records (Germany) Music Week (UK/USA) (Germany) Belgian Music Publishers GPR Pty. Ltd. (Australia) Musica E Dischi (Italy) Skyfield Productions (USA) Association (Belgium) G.R.A.F. Records (Canada) Musicosas (Argentina) Sogedi (Belgium) 6th Annual Bellaphon Records (Germany) Gallo (Africa) Ltd. (South Africa) Musicues (USA) Song Farm Music (USA) Bellver Music (Germany) Glinert & Lipson Musikverlag Oktave (Germany) Southern Broadcasting (USA) Bo Crane's Disco Report (USA) (Attorneys) (Canada) Musikverlage Hans Sparta Florida Music Group (UK) International Bonneville Broadcast Global Music Group (Germany) Gerig (Germany) Spector Records Intl (USA) Consultants (USA) Goller, Gitlin & Mutual Broadcasting Network Starborne productions (USA) Briarmede Music (USA) Menes (Attorneys) (USA) (Canada) State Records(UK) RecordNideo Broadcast (UK) Gopher Music (UK) National N (USA) Sting Records (USA) CBS Records (USA) Hans -Schmid National Black Network (USA) Sunrise Theatrical and Music CBS Records Intl (USA) Musik-Verlage (Germany) Nessandra Promotions & Enterprises (USA)

CRC Records (USA) Hansa Productions Inc. (USA) Productions (UK) Swedish Radio Co. (Sweden) Cameo Records (Canada) Happy Face Music (UK) New On the Charts (USA) Syscom Lighting (USA) Industry Market Canso (Canada) Harrison Music Corp. (USA) Niocua Merchandising Ltd. T.P. Productions (USA) Cantabria Music (Germany) G. Hill and Co. (USA) (USA) Tamiro Consultants Inc. (Canada) Capitol Magnetic Hilversum Music B.V. Nova Entertainment (Australia) Tracatal Productions Ltd. (UK) Products (USA) (Netherlands) OS Studios (USA) Trema Disques (France) Capital Video (USA) Hooker Enterprises (USA) Orange Blossom Music (USA) Troy Cory Entertainments (USA) Carrere Records (UK) House of Lord Records Orion Master Recording (USA) Tumbleweed Music Casablanca Records & (Canada) Oshungbure Music Pty. Ltd. (Australia) FilMworks (USA) IBC Records (USA) Promotions (Nigeria) 20th Century -Fox

Cash Box (USA) IFESA (Ecuador) Paramount Pictures Music Publishing (USA) Century Broadcasting Inc. (USA) Image Records Pty. Ltd. (USA) Home Entertainment (USA) Ultra Records (Canada) Chappell Music (UK) Industrias Famoso (Ecuador) Paul Clinch Valentine Music (UK) Chipping Norton Inflight Services (USA) Productions (Canada) Viacom International (USA) Recording Studios (UK) Les Disques Interim (Canada) Peer Southern Michel Vincino Co. (Italy) Chopper Records (UK) Intl Book & Record Organization (USA) Video Marketing (USA) Cinevox Records (Italy) Distributors (USA) Pegasus International Video Store (USA) Coal Miners Music (USA) Int' I Conferences & Records (USA) WEA International (USA) Collector's Classics (USA) Exhibitions (UK) Penjane Music Westinghouse Broadcasting Columbia Pictures Home Intersong/Basart Publishing Pty. Ltd. (Australia) Corp. (USA) Entertainment (USA) Group (Netherlands) Perren Vibes Music (USA) WBLS-FM Radio (USA) Columbia Pictures Intersong (UK) Phonogram B.V. (Holland) Walter Hale Enterprises (USA) Publications (USA) Irving/Almo Music (USA) Poplight Records Warner Bros. Music

Continental Consult A/S (Norway) J & R Music World (USA) (Switzerland) (Australia) Control Data (USA) JDC Records (USA) Prensario (Argentina) Warner Bros. Records (USA)

COPRODISA (Ecuador) Jessica Music (USA) Quantum Records (Canada) West Edizioni Musicali Coral Blossom Music (USA) Jonathan Records (France) RCA Records (Australia) (Italy) Core Music (Canada) Jupiter Records (Germany) RCA Records (Canada) Westworld Productions (USA) Country Music Association Just Friends Distribution RCA Records (USA) Weyman Productions (Italy) (USA) (USA) RPM Publications (Canada) Wilson Editions (UK) Crossover Promotions (USA) Kenmar Music (UK) Radio CHIN AM & FM Witachi & Company Edizioni Curci (Italy) Kenron Productions (USA) (Canada) (Switzerland) D.I. Music (UK) Kensington Sound (Canada) Radio Walkata/903 Yazumi Electronics (USA) Decca Record Co. Ltd. (UK) Leradean Ltd. (UK) (New Zealand) Dee Jay International (USA) Lollipop Music Corp. (USA) Radmus Music (USA) etc IF YOU'RE To register, call or write immediately: IN THE MUSIC MUSEXPO '80 BUSINESS International Music Industries, Ltd. YOU CAN'T 1414 Avenue of the Americas, New York, N.Y. 10019 U.S.A. Tel: (212) 489-9245 Telex: 234107 AFFORD NOT TO Roddy Shashoua, President and Chairman Anne Stephenson, Director of Operations BE THERE

AmericanRadioHistory.Com Record World LL:LL L.,7 The Viewpoints of the Industry

Larry Depte on PIR, TSOP, Video and Black Music By KEN SMIKLE that'sfilled with true entertainers. Just to mention a few, Teddy Larry Depte, at just 29 years of Pendergrassisexcellent. The O'Jays are dynamic performers. Lou age, is president of Philadelphia Rawls isa quality, class performer. The Jones Girls are poetry in International and TSOP Records, motion. So we have a roster that's packed with performers who are exciting visually. I the second largest black -owned think allof our artists lend themselves well to recording company in the country. the video medium. RW: What do you have planned to aggressively pursue more pop In1975, the Temple University graduate left the public accounting action on your records? firm of Coopers & Lybrand to be- Depte: A couple of things. We've expanded our publicity depart- come PIR's comptroller. Shortly ment. It's our intent to deal with mass media to educate the entire thereafter, he was appointed exec- market about acts, about their successes, about their music, their utive vice president of finance and life styles. This is a very important part of establishing acts in the business affairs and negotiated 90 general marketplace, so this expansion is going to be very helpful to us. percent of the current contracts We have increased our promotion staff. We're using independents in with artists, writers and producers. conjunction with our staff and CBS has a very large promotion staff. In October of 1979, Depte assumed We feel that our creative people are coming up with music that has mass appeal. And in spite of all the other things that we can do to help his current position of president. Larry Depte get the music across, the basic thing is to have mass appeal music. That's what we have. Our music can entertain to all segments of the market. Record World: Let's begin by talking about the reason for reactivat- RW: Is there a specific campaign directed at pop radio? ing the TSOP label. Why was that done? Depte: The recordindustry isseeing the correlation between Larry Depte: Basically, over the years the amount of talent that has black music's exposure and its sales. And this results in profit -making been put together on the Philly International label has been massive. for them and the artists and enhances the entire business. Everyone We've been very, very successful with continuing the success of our who desires to see the record industry thrive and grow, is desirous established acts.For example Teddy Pendergrass,the Mays, Lou of seeing black music get more exposure at top 40 radio, at R&B Rawls. As a result of that we have also been very successful in estab- radio, at alllevels of radio because we know thatit's the kind of lishing new acts; McFadden and Whitehead, the Jones Girls. Moremusic that will have a return for the exposure thatit gets. and more artists are being attracted to the label and in order to give RW: PIR was in the process of developing offices overseas. What's these artists the proper focus and attention, and at the same timethe current status of that? to balance the make-up of the label, we decided to reactivate TSOP. TSOP is being launched as a first rate, quality label. It's going to have artists that are superstars, that already have had success in the record ...In spite of all the other things that business. It's one of the few labels in the business that has 80 percent of its roster composed of artists who have had gold records. There we can do to help get the music across, are very few labels that have these kinds of percentages of success 44the basic thing is to have mass appeal with their roster. So TSOP is going to be a real solid, strong label.I think the timing of the introduction is right. It's time to give artists music. the personal attention. It's time to balance the label. And it's also time to continue to develop new artists. RW: How will new artists enter both labels? Depte: CBS International,as you know, represents usinthe Depte: It will be balanced, based on how the artist fits, the type of foreign territories. We establish liaisons with them and they have music that the artist is involved in. Similarities to other artists on the offices inall the major European and Asian markets. We're very labels, etc. will be a factor as to which label artists will be placed on. interested in Africa ... RW: As well as you can define it at this point, what sort of sound RW: How are you pursuing that interest? Depte:It's being pursued jointly by us and CBS at this point. will each label have? I think you will see PIR's foreign sales continue to increase. Depte: They both run the gamut of sounds. In the future they will do that also. I think you'll find good music of various types on both labels. RW: There were plans at one time to open either a sales or promo- tion office in London under PIR's own jurisdiction. RW: Are there any major agreements or projects to be under- Depte: That's right. That plan is based on a timetable, and we're still taken with CBS as a result of your new contract with them? moving towards that timetable. Depte: Well, Philly International,in conjunction with CBS, will RW: What was the reason for choosing London to make a move continue to promote and market the product. It's a close relation- independently? ship, asithas been over the last ten years, with joint effortsin Depte: We've had great success in the English market. Our music the areas of promotion, marketing and merchandising . . . has been received well there. London is the gateway, in many ways, RW: What about the video possibilities? to Europe and Japan [where they also have plans to open an office] is Depte: Those possibilities definitely exist. Our intentis to move the gateway to Asia. So that's the reason for looking at those countries into those areas when the time is right. for potential offices. RW: Will you be exploring video independently of your relation- RW: Pendergrass, independent of PIR, was involved in a film, project ship with CBS? at one time. Have you given any thought to the idea of making films, Depte: Basically our view of video right now is to watch it develop; especially inlight of the success that others like RSO have had? watch the distribution systems, watch the pattern of sales, and watch Depte: Yes, we've given thought to that. We are, in many ways, a as hardware is laid out in sufficient numbers to cause it to be a viable conservative company and we take pride in what we do. We are business. Our intent will be to provide our artists with the very best interested in films but it has to be the right film. It has to be one that video situations that exist. My understanding, as we look at the CBS will enhance the artist's career. And it has to be successful. Rather video situation, is that it's definitely growing and CBS is at the fore- than do something that is not successful, we prefer to wait for the front.It's our intent to be with the best and CBS appears to be right film. developing as well as anyone at this point. RW: Other black -owned labels, such as Motown, found the need to RW: Is any artist being groomed specifically for the advent of your diversify musically from just producing black music or R&B. Is there involvement in video? going to be an exporation here of other styles of music, such as fusion Depte: All our artistsare extremely good at transmitting what or rock? they do on record to their personal performance. We've got a roster (Continued on page 29)

18 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com ASCAP Names Deems Taylor Winners IF NEW YORK - The American temporary Magazine; Walter za Societyof Composers, Authors Schenkman of American Music t andPublishershasannounced Teacher; Lloyd Schwartz of the the winners of the 13th Annual Boston Phoenix;andMichae ASCAP-Deems Taylor Awards for Walsh ofthe San Francisco By SAM SUTHERLAND and SAMUEL GRAHAM outstanding books and articles on Examiner and Chronicle. A NEW FACE MAKES GOOD: A lot of smug observers of the rock music published in 1979. ASCAP The winning writers for articles and roll scene probably would have snickered knowingly to them- president Hal David will presenton popular music include: Whit-selves had the recentL.A. debut of the Rossington-Collins Band a total of $10,000 to the winners ney Balliet of The New Yorker;been an abject failure. After all, here's a band that includes several in cash awards plus plaques at a Michele Kort of Songwriter Maga- former members of Lynyrd Skynyrd, attempting to pick up the pieces after the plane crash that took the lives of singer Ronnie Van Zant reception to be held in the fall zine; John LahrofHarper's at the Society's New York City Magazine; and Diane Sward Rapa- and others some three years ago; and Rossington-Collins' new vo- isa female, man. How can some girl singer offices. port of Contemporary Keyboard. calist, for Chrissakes, The authors of eleven books ever fill the shoes of the guy who made "Free Bird," "Sweet Home The judges for the competition Alabama" and all the others anthems for the blooze and boogie gene- will be honored at the ceremon- were ASCAP composers Gerald ies. They are: Samuel Lipman for ration? No way, right? Marks, Chairman of ASCAP's Pub- Well, it turns out that Dale Krantz isn't trying to fill Van Zant's or "Music After Modernism" pub- lic RelationsCommittee; Dr. lished by BasicBooks;Hans anyone else's shoes-and, happily, it seems that few people are ex- Vincent Persichetti of the Juilliard pecting her to. Those same pundits who predicted failure for this Moldenhauer and Rosaleen Mol- faculty; Professor Hugo Weisgall denhauer for "Anton Von new outfit must have been surprised when Dale walked onstage at Webern" published by Alfred A. of Queens College; Professor Ezra the Santa Monica Civic, just a month into her first -ever tour as lead Laderman of the State Universitysinger for a major new band, and simply took over, handling the Knopf; Daniel W. Patterson forof New York at Binghamton and "The Shaker Spiritual" published scene, the crowd and especially the music with enviable ease.If Sam Coslow, noted popular there were any ghosts of Lynyrd Skynyrd waiting to come out of the byPrincetonUniversityPress; songwriter. Ispel Pope and Masakata Kana- woodwork and ruin the proceedings, chances are that they them- zawa for "The Musical Manu- selves were scared off by the utter confidence of this woman's per- script-Montecassino871"pub- PIR Taps Two formance. Offstage, Dale Krantz is bright (she earned a music degree at In- lished by Oxford University Press; II PHILADELPHIA - Connie Ann Roger Sessions for "Roger Ses- Johnson, national director of pro- diana University) and positive, a genuinely fresh and enthusiastic per- son and easy on the eyes as well, which surely won't hurt. Thus far, sions on Music" publishedby motions for Philadelphia Interna- Princeton University Press; Solo- tional Records, has announced the she's pretty much in the clouds about her new gig-not too surpris- appointment of Valerie Hampton ing, perhaps, when one considers that her previous rock and roll mon Volkov and Antonina W. experience was limited to backup jobs with Leon and Mary Russell Bouis for "Testimony -The Mem- as assistant to the national pro- motion director and Terri Rossi to and 38 Special (whose singeris Van Zant's brother, Donnie) and oirs ofDmitri Shostakovich" the position of disco coordinator. that not long ago she was typing wills for a Beverly Hills lawyer. byHarper & Row; published Hampton was previously with "I'mstillpinching myself over this whole thing," she laughs."I David Baskerville for"Music guess at first I had a few nightmares about having eggs thrown at Business Handbook and Career Philadelphia's WDAS Radio in an administrativecapacity.Before me and so on, but everyone has been great. The audiences have Guide" published by Sherwood that, she was regional promotion been very, very accepting. They know thisisn't Lynyrd Skynyrd- Company; Xavier M. Frascogna, manager with Ariola Records in they know by now that we won't do any old songs except 'Free Bird,' Jr. and H. Lee Hetherington for and that's an instrumental now. I'm just the luckiest person I know." Artist Management" California.In her new position, "Successful Hampton willassist Johnson in The former Skynyrds, she says, especially guitarists (Gary) Rossing- publishedbyBillboardBooks; various promotional responsibili- ton and (Allen) Collins, were "terribly beaten by the accident for Nolan Porterfieldfor "The Life ties and activities for the label. a long, long time. Even Ididn't think they had it in 'em to overcome andTimesofAmerica'sBlue Terri Rossi has been with the it," she admits. "I figured after the crash that that would be it for Yodeler -JimmieRodgers"pub- PIR family of music for a year in these guys." Was she surprised to be asked to front the new band lishedby University ofIllinois the R&B promotion department. when it became apparent that there would be one? "Very. Gary and Press;William P. Gottliebfor Before joining Philadelphia Inter- Allen just banged on my door late one night-terrified me-and "The Golden Age of Jazz" pub- national, Rossi was project direc- said, 'Sing for us.'I was flabbergasted for at least a couple of months. lished by Simon & Schuster and tor in marketing research at Co- But I think it was very farsighted of them to think of a lady as the Eric von Schmidt and Jim Rooney lonial Penn Group. answer to the inevitable comparison problem. They've always had for "Baby,Let Me Follow You Hampton and Rossi will report a lot more going for them than I ever realized." Down"publishedbyAnchor directly to Johnson. Krantz wanted the gig so badly, she recalls, that she told them Books. she was a lyricist, although at the time that was not actually the case. Among those writers honored Now, however, itis the case, and her role as principal word -writer for the general excellence of their Skopp Exits Casablanca for Rossington-Collins is among the most gratifying aspects of the articles on serious music are Dr. III Roberta Skopp haslefther job. In fact, about the toughest adjustment Dale Krantz has had to Margaret Mary Barela of College position as vice president of pub- make isre -learning to sing right on the beat after her years as a Music Symposium, Tulane Uni- licrelationsat Casablanca Rec- backup singer. We should all have such problems, Dale. versity; Samuel Lipman of Con- ords due to policy differences. DRAFT AGE: Only a decade ago, rock'n'roll and military service were decidedly at odds. No self-respecting rocker would even con- UA Inks Unity cede his national duty, let alone willingly head for the induction center, and everyone from Eric Burdon to The Byrds was pointedly cutting anti -war sagas to help fuel public dissent over U.S. military involvement in Southeast Asia. Times have changed. Now it's the mideast, and the rock com- munity is apparently closer to center. With registration for a new draft launched last week, a number of area musicians are reportedly ready, willing and able. First, Leif Garrett is scheduled to register some time this coming week, indicating yesterday's teen dream could be tomorrow's G. I. As for the local new/no/you-name-it wave, they may be fed up with mainstream culture but they're even more irritated by our waning martial image: Neo Paris, lead singer of Neo Paris and The Futures, reportedly got so carried away he tried to register, only to be re- minded he was a bit more, uh, seasoned than his image suggested. Jim Mazza, presidentof EMI America/United ArtistsRecords, has announced the signing of Unity to UA. Pictured at the signing are (from left) Mark King, Larry Butle If he's been taking his publicity too seriously, at least he's patriotic. and Wanda Butler of Unity; Terry Philips, producer/manager of Unity; Varnell Johnson Taking honors for the most concerted display of grim resolve is director, black talent acquisition, Capitol, EMI/UA; Don Mac, national R&B promotion (Continued on page 46) manager, Capitol/EMI/UA.

19 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com to funk and roll in the big time." Also try: the lighthearted "Mary - go Record VIorld Go -Round" (6:59). DISCO DISCS: Just as last week's column was closed, we were pleased to receive a twelve inch extended version of the Dells' "All About the Paper" (20th Century Fox, commercially). As noted, the cut hearkens very strongly to the Philadelphian oldies that offered gentle social commentary with the sweet soulbeat:the added piano breakdown intensifies thisidentification, and, at 7:11, "All About the Paper" is indispensable. Also remixed: Herbie Hancock's rollicking, Latinesque "Saturday Night," 7:02 on Columbia, non- commercially. This version, redone by David Rubinson and Don Disco File Miley,isbetter all around: there's more of an introduction;it's By BRIAN CHIN leaner, more direct structurally and more detailed texturally.It's (A weekly report on current and upcoming discotheque breakouts) a fine reintroduction to a great punchline: "Saturday night, we go III One unexpectedly impressive album leads a solid,iflight, week dancing." After a period of some months since its original appear- of releases: 7th Wonder's "Thunder," on Chocolate City, through ance on Disconet, Foxy's "Party Boys" is now commercially available Casablanca. Their "Do it With Your Body" was a regional breakout on TK disco disc. Los Angeles DJ Mike Lewis executed the three last summer, but this one could take them all the way, thanks in versions included on this pressing. His ten-minute mix enjoyed quite large part to the long arm of the Solar production team. Two cuts, a bit of play, mostly in gay locations, on the east and west coasts. "The Tilt"(6:01) and "Stop Before You Break My Heart" (5:56) Lewis tripled a three minute album cut with a long intro break were produced by Leon Sylvers Ill and Lakeside, respectively. Both and interesting vocal overdubs midtrack. Several of our good friends caught us off guard and bowled us over. "The Tilt" features familiar involved in the remix can be heard here; amid the sleazy synthe- Solar styling: hot handclaps over a chunky rhythm; sharp and groovysizer pulse, these "party noises" sound like snatches of conversation all the way through, with a great, penetrating synthesizer breakcaught in an intimate backroom. I'd have to say thatIprefer the and wind-up. Nice touches: screechy, strangled "ya-hoo!" 's anda break -less 5:18 length, though, simply because it's so much easier repeating "Egyptian" leitmotif. "Stop" is a longer shot dance -wise; to concentrate on-it's well to have the option, of course. Pressed but it's a personal favorite after two listenings: one of the subtlest, on disco disc inits album mix: Stephanie Mills' wonderful "Never most seductive productionsI've heardthisyear.Lakeside's Otis Knew Love Like this Before" (20th Century Fox), which we've been Stokes wrote; with creamy layers of harmony surrounding his lyrics, hearing, and swaying dreamily to, here in the city ever since the lines like, "whatever happened to the golden rule?" jump out andrelease of the "Sweet Sensation" album. In this second go -round, tug at the heart with the sweetness and vulnerability we loved in it's impossible not to notice how creatively Millsisable to play the early Supremes and Emotions sides.Listen especially for thewith the same line at the tag and give it a different reading every second vocal/handclap break-perfectly pulled off . . . This one's time. A single hit for sure; there should be an off-peak moment an impulsive tip from me. Also on "Thunder:" "I Enjoy Ya" (4:32), for itin the clubs. the current single and disco disc-just a bit brittle atfirst, but it AND NOW FOR SOMETHING COMPLETELY DIFFERENT: Now, comes together rhythmically by the first chorus; "Busy Man" (4:58) as an established dance -rock staple, Martha and the Muffins' "Metro high-uptempo, with interesting, muted colors from growling, bleep- Music"isavailable domestically on Dindisc/Virgin, through At- ing synthesizers. There could well be more here ballad -wise, butlantic. I'm not sure exactly why the opener, "Echo Beach," has the we rush this one in to tip the dance cuts. Search it out. Two other power over me thatitdoes, butit'sa fast favorite nonetheless. notable albums follow discodiscpreviews this week: George Perhaps it's the fact that the women vocal leads don't posture quite Benson's "Give Me the Night" (Qwest/WB) and Rick James' "Garden as smugly as many male new -wavers do; more to the point, there's of Love" (Gordy). Benson's single broke strongly nationwide thismuch that's genuinely witty and likeable in "Echo Beach" 's wan week and i5 now at the brink of the top ten; on the album are a description of an office worker's yearning for rest and beauty. We couple more laid-back but danceable selections, produced with also liked a now -generation version of the "Wooden Heart" theme, impeccable taste and style by Quincy Jones. Rod Temperton is the "Paint By Numbers Heart," and "Saigon." All but one cut is mid- major contributorofmaterial,andit'sclearlythe mass -appeal to-uptempo dance -oriented;highenergy,forsure.Detailsnext orientation of his lyrics that makes this album the strongest attack week on the newly released Elton Motello album, released hereon yet by Benson on the top forty. Deejays will want to check theJem's Passport label, and produced in Belgium by the production opener, "Love X Love" (4:43), done in alight R&B style with a group that gave us the Telex and Plastic Bertrand hits of the past lovely haze of harmony, and "Off Broadway" (5:23) a tough, classyyear. Island's release this month is particularly interesting and use- instrumental.Rick James' "Garden of Love," his fourth,isafast ful:itincludes Bob Marley and the Wailers' "Uprising" (see our Philly breakout this week. The single, "Big Time," running 6:27 on Album picks; our comments next week); on Mango, a newcom- the album and disco disc, seems a lot tighter and more orderlypilationof mid -sixties Jamaicansingleshas been issued,called than the long cuts on his second and third albums. As usual, James' "Club Ska 67." One track we'd like to point out immediately is superstar swagger is at the center of the whole thing: "I was born (Continued on page 21) Discotheque Hit Parade 1HE COPA/CHERRY GROVE, (Listings are in alphabetical order, by title) NEW WAVE LOUNGE/ FIRE ISLAND, N.Y. DJ JORGE MARTINEZ CELEBRATION/BOSTON BACKSTREET /ATLANTA FT. LAUDERDALE DJ: JOE IANTOSCA DJ: ANGELO SOLAR DJ: KIRK KELSEY EARTH CAN BE JUST LIKE HEAVEN/DO YOU WANNA BOOGIE, HUNH?-Two Tons 0' DYNAMITE-Stacy Lattisaw-Cotillion DYNAMITE-Stacy Lattisaw-Cotillion ANOTHER NAIL IN MY HEART/PULLING Fun-Fantasy/Honey FEEL LIKE DANCING-France Joli-Prelude FEEL LIKE DANCING/THE HEART TO BREAK MUSSELS (FROM THE SHELL)-Squeeze-A&M FEEL LIKE DANCING/THE HEART TO BREAK GIVE ME THE NIGHT-George Benson-WB THE HEART-France Joli-Prelude BACK OF MY HAND-Jags-Island THE HEART-France Joli-Prelude HE'S NOT SUCH A BAD GUY AFTER ALL- HE'S NOT SUCH A BAD GUY AFTER ALL- BOYS CRY/COULD THIS BE HEAVEN-Original GOD DON'T LIKE UGLY-Roberta Flack with Kid Creole & the Coconuts-Ze/Antilles Mirrors-Arista Donny Hathaway-Atlantic Kid Creole and the Coconuts-Ze/Antilles I WANNA TAKE YOU THERE (NOW)-Gino I AIN'T NEVER-Isaac Hayes-Polydor HELPLESS-Jackie Moore-Columbia CARS-Gary Numan-Atco Soccio-WB/RFC I WANNA TAKE YOU THERE (NOW)-Gino I LOVE YOU DANCER-Voyage-Marlin CLONES (WE'RE ALL) -Alice Cooper-WB I'LL CRY FOR YOU-Kumano-Prelude Soccio-WB/RFC I'LL CRY FOR YOU-Kumano-Prelude CLAMPDOWN/TRAIN IN VAIN-Clash-Epic I'M COMING OUT/UPSIDE DOWN-Diana I'M COMING OUT/UPSIDE DOWN-Diana I'M COMING OUT/UPSIDE DOWN-Diana DAMAGED GOODS/ESSENCE-Gang of Ross-Motown Four-WB LADY OF THE NIGHT-Ray Martinez and Ross-Motown Ross-Motown Friends-Imoorte 12 I'VE JUST BEGUN TO LOVE YOU-Dynasty- IN THE FOREST-Baby'O-Baby'0 FIVE GEARS IN REVERSE/CAN'T STAND UP NEVER KNEW LOVE LIKE THIS BEFORE- Solar PARTY BOYS-Foxy-TK FOR FALLING DOWN-Elvis Costello- Columbia Stephanie Mills -20th Century Fox IN THE FOREST-Baby'O-Baby'O QUE SERA MI VIDA-Gibson Brothers- PARTY BOYS-Foxy-TK LET'S GO ROUND AGAIN-Average White Mango LET'S SHAKE/INFECTED-Teenage Head- PARTY ON-Pure Energy-Prism Band-Arista Attic (Import Canada) SEARCHING/LOVER'S HOLIDAY-Change- LOVE DON'T MAKE IT RIGHT-Ashford and RED LIGHT/FAME-Irene Cara/Linda MYSTERY ACHIEVEMENT-Pretenders-Sire Clifford-RSO WB/RFC Simpson-WB OVER YOU/EIGHT MILES HIGH-Roxy SHAKE IT UP (DO THE BOOGAL001-Rod- LOVE SENSATION-Loleatta Holloway- SOUND OF THE CITY-David London- Music-Atco Prelude'. Gold Mind Casablanca S-BEAT-Gino Soccio-WB/RFC SHARKS ARE COOL, JETS ARE HOT-The QUE SERA MI VIDA-Gibson Brothers-Mango SEARCHING/LOVER'S HOLIDAY-Change- Quick-CBS (Import Canada) TEARS/MIRROR IN THE BATHROOM-English TAKE YOUR TIME (DO IT RIGHT)-S.O.S. WB/RFC Beat-Sire STRETCHIN' OUT/YOUR LOVE IS A LIFESAVER Band-Tabu TAKE YOUR TIME (DO IT RIGHT)-S.O.S. -Gayle Adams-Prelude THINK/GIMME SOME LOVIN'-Blues Bros. Band-Tabu WARM LEATHERETTE/LOVE IS THE DRUG- USE IT UP, WEAR IT OUT-Odyssey-RCA Soundtrack-Atlantic Grace Jones-Island WATSON BEASLEY-Watson Beasley-WB (LP) YOU-Delta 5-Rough Trade (Import UK) 20 RECORD WORLD AUGUST 2, 1980

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AUGUST 2, 1980 25 29 QUE SERA MI VIDA (IF YOU SHOULD GO) GIBSON AUG. JULY WKS: ON BROTHERS/Mango (12") MPLS 7783 3 2 26 CHART 26 16 EARTH CAN BE JUST LIKE HEAVEN/DO YOU WANNA 1 1 I'M COMING OUT/UPSIDE DOWN DIANA ROSS/Motown BOOGIE, HUNH?/I GOT THE FEELING TWO TONS (LP cut/12"*) M8 936 MI 7 O'FUN/Honey/Fantasy (12"*) F 9584 22 2 3 FEEL LIKE DANCING/THE HEART TO BREAK THE HEART 27 26 HELPLESS JACKIE MOORE/Columbia (12") 43 11293 3 FRANCE JOLI/Prelude (12"*) PRL 12179 8 17 3 5 RED LIGHT/FAME LINDA CLIFFORD/IRENE CARA ("FAME" 28 22 USE IT UP, WEAR IT OUT ODYSSEY/RCA (12") PD 11963 ORIGINALSOUNDTRACK)/RSO (12*) RX 13080 9 29 23 GIVE ME A BREAK RITCHIE FAMILY/Casablanca (12"*) 4 4 I WANNA TAKE YOU THERE (NOW)/RHYTHM OF THE NBLP 7223 10 WORLD GINO SOCCIO/Warner Bros./RFC 30 30JUST HOW SWEET IS YOUR LOVE RHYZE/Sam (12") S 12332 13 (12"*/LP cut) RFC 3430 7 31 32 TASTE OF BITTER LOVE GLADYS KNIGHT & THE PIPS/ 5 2 TAKE YOUR TIME (DO IT RIGHT) S.O.S. BAND/Tabu (12") Columbia (12"*) JC 36387 8 NJZ 36332 (CBS) 16 32 25 FOR THOSE WHO LIKE TO GROOVE/IT'S TIME TO PARTY 6 8 STRETCHIN' OUT/YOUR LOVE IS A LIFESAVER/PLAIN OUT NOW RAYDIO/Arista (12"*/LP cut) AL 9515 9 OF LUCK GAYLE ADAMS/Prelude (I2"*/LP cut) PRL 12178 11 33 REBELS ARE WE/REAL PEOPLE CHIC/Atlantic (12"*/LP cut) 7 13 I'VE JUST BEGUN TO LOVE YOU DYNASTY/Solar (12") YD SD 16016 1 12027 (RCA) 5 34 LET'S GO 'ROUND AGAIN AVERAGE WHITE BAND/Arista 8 9 PARTY ON PURE ENERGY/Prism (12") PDS 404 7 (LP cut) AL 9523 1 9 6 IN THE FOREST BABY'O/Baby'0 (12") BO 1000 15 35 33 DON'T STOP, KEEP MOVIN' POUSSEZ/Vanguard (12"*) 10 7 DYNAMITE/JUMP TO THE BEAT STACY LATTISAW/ VSD 79433 8 Cotillion (12"*/LP cut) SD 5219 (AM 12 36 27 KEEP SMILIN' CARRIE LUCAS/Solar (12") YD 12015 (RCA) 7 11 21 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB (I2"*) 37 37 SYMPATHY FOR THE DEVIL/SQUEEZE PLAY JIMMY HS 3453 4 MAELEN/Pavillion (12"*/LP cut) NJZ 36319 (CBS) 8 12 17 SHAKE IT UP (DO THE BOOGALOO) ROD/Prelude (12") 38 I JUST WANNA DANCE WITH YOU STARPOINT/Chocolate PRLD 601 5 City (12"*) 3208 (Casablanca) 1 13 11 SEARCHING/LOVER'S HOLIDAY CHANGE/Warner Bros./ 39 45 DO YOUR THANG/POP IT ONE WAY FEATURING AL RFC (12"*) RFC 3438 19 HUDSON/MCA (I2"*/LP cut) 5127 4

14 10 I AIN'T NEVER ISAAC HAYES/Polydor (12"*) PD 1 6269 9 40 31 I LOVE YOU DANCER/MUSIC, MUSIC/DO IT AGAIN 15 14 I'M READY KANO/Emergency (12") EMDS 6504 11 VOYAGE/Marlin (LP cuts) 2235 (TK) 12 16 18 THE BREAKS KURTIS BLOW/Mercury (12") MDS 4010 7 41 44 SUGAR FROSTED LOVER FLAKES/Magic Disc (12") MD 1980 4 17 34 LOVE SENSATION LOLEATTA HOLLOWAY/Gold Mind 42 BEYOND HERB ALPERT/A&M (12"*) SP 3717 1 (LP cut) GA 9506 (Salsoul) 3 43 35 BEHIND THE GROOVE/YOU'RE ALL THE BOOGIE I NEED 19 18 19 I LIKE (WHAT YOU'RE DOIN' TO ME) YOUNG AND TEENA MARIE/Gordy (12"*/LP cut) G7 992R1 (Motown) COMPANY/Brunswick (12") D 213 7 44 HEARTACHE 9 DELEGATION/Mercury (LP cut) SRM 13821 1 19 20 GET IT OFF CAMERON/Salsoul (LP cut) SA 8535 (RCA) 6 45 43 PARTY BOYS FOXY/Dash (Disconet 12" remix*) 30015 (TK) 10 20 12 WHAT'S ON MY MIND/DON'T LET YOUR CHANCE GO BYE 46 39 STARS IN YOUR EYES/GO FOR IT HERBIE HANCOCK/ WATSON BEASLEY/Warner Bros. (12"*) BSK 3445 12 Columbia (12"*) JC 36415 13 21 15 CAN'T BE LOVE (DO IT TO ME ANYWAY) PETER BROWN/ 47 47I'LL CRY FOR YOU/I HEARD IT/YOU GOT IT KUMANO/ Drive (12") 441(TK) 12 Prelude (LP cuts) PRL 12177 12

22 36 EMOTIONAL RESCUE/DANCE PART I ROLLING STONES/ 48 42 I'M O.K., YOU'RE O.K. AMERICAN GYPSY/Importe 12 (12") Rolling Stones (12"*/LP cut) COC 16015 (Atlantic) 2 MP 305 15 23 24 LOVE IS THE DRUG/BULLSHIT/WARM LEATHERETTE 49 48 GIVE UP THE FUNK (LET'S DANCE) B. T. EXPRESS/Columbia GRACE JONES/Island (12"*)ILPS 9592 (WB) (12"*) JC 36333 14 24 28 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/ 50 50 THE GROOVE RODNEY FRANKLIN/Columbia (12"*) JC Warner Bros.(12"*) 49269 3 36122 12 (* non-commercial 12", discontinued)

Arista Music Disco File (Continued from page 20) RCA Taps Carpin Delroy Wilson's "Dancing Mood," a cool, coolrock steady that Taps Ahlberg NEW YORK-Ed DeJoy,divi- Wi,son had turned into a hot, raging disco by the time we saw him LOS ANGELES - Billy Meshel, sionvicepresident,pop A&R, performitin New York early inthe seventies. The English Beat VP of the Arista Music Publishing RCA Records, has announced that on their debut album, have adapted the tense ska uptempo, fusing Group, has announced the ap- David Carpin has been appointed it with the spacey breakdown of the dub mix, allin the space of pointment of Jim Ahlberg to the less than five minutes in any given cut. As a result, their songs, avail- company's New York accounting A&R producer for the label. able for club play on Sire disco disc, have a rushing, varied quality department as royalty supervisor. Carpin, whose duties include that makes them especiallyinterestingtolistento. "Hands Off, He will report to Arnie Kaplan, di- career directionforartistscur- She's Mine" and "Tears of a Clown" even break into a hysterical rector of royalty accounting. rently on the roster and discover- DJ talkoverintheir dub portions-on thelatter,itsounds asif Ahlberg was formerly with Carl ing new talent,willreportto they've altered the title to "tears of a clone." Quite a bit of polish Fischer Music. DeJoy. He is based in New York. (note the harmony) and "Hands Off" and "Twist and Crawl" have been remixed to disco length. MCA Music Ups Millius Previously, Carpin headed his N.B.: Often, the records listedin new wave locations (see the own firm, Dancer Productions, in Discotheque Hit Parade) are imported or private label pressings notB NEW YORK-Leeds Levy, vice widely available. For those interested, we'd like to mention a few president, executive assistant to Washington, D.C. He began his major new waveretailoutlets:In New York,the Golden Disc, the president of MCA Music has music business career in 1976 as especially for mail order, and Bleecker Bob's; in Los Angeles, Rhino announced the appointment of an entertainment lawyer, moving Records and Tower Records in Hollywood; in San Francisco, Aquari- Mike Millius to the position of from there to artist management us Records. creative services, MCA Music. and production.

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Alphabetical Listing

Producer,Publisher, Licensee AUGUST 2, 1980 AGAINST THE WIND Szymczyk (Gear, LET'S GO 'ROUND AGAIN Foster (Average/ AUG. JULY ASCAP) 45 Ackee, ASCAP) 69 2 26 ALL NIGHT LONG Walsh (Wow & Flutter, LET MY LOVE OPEN THE DOOR Thomas 101 101 HALF MOON SILVER HOTEL/MCA/Scotti Bros. 41277 (Blair/Bellhop, BMI) ASCAP) 33 (Towser Tunes, BMI) 18 102 103 LATE AT NIGHT ENGLAND DAN SEALS/Atlantic 3674 (Pink Pig -First ALL OUT Of LOVE Porter (Arista/BRM, LITTLE JEANNIE Frank -John(Jodrell, ASCAP/Riva, PRS) 27 ASCAP) 11 Concourse/Van Hoy/Unichappell, BMI) ALL OVER THE WORLD Lynne (Jet/ LIVING AFTER MIDNIGHT Allom 103 104 FOR THOSE WHO LIKE TO GROOVE RAY PARKER, JR. & RAYDIO/Arista Unart,BMI) 47 (Arnakata/World Artist, BMI) .... 95 0522 (Raydiola, ASCAP) ASHES BY NOW Leon -Crowell(Jolly LOOKIN' FOR LOVE Boylan (Southern 104 - ON THE BEACH SOUTHSIDE JOHNNY & THE ASBURY JUKES/Mercury 76074 Cheeks,BMI) 61 Nights, ASCAP) 40 (Armando/Dangerous, ASCAP) BACKSTROKIN' Curtis -Thomas (Clita, LOVE THAT GOT AWAY Lehning (Warner- 105 - MAMA SEZ LOVE AFFAIR/RCR 421 (Solarium/Diode, ASCAP) BMI) 9 Tamerlane/EI Sueno, BMI) 51 106 107THIS TIME (I'M GIVING ALL I GOT) FRANCE JOLI/Prelude 8013 BEYOND Alpert-Badazz-Armer (Chappell, LOVE THE WORLD AWAY Butler (Southern ASCAP) 67 Nights, ASCAP) 10 (Cicada, PRO/Trumar, BMI) BONEY MORONIE Makar (Venice, BMI)..90 MAGIC Farrar (John Farrar, BMI) 2 107 106ALL THE WAY BRICK/Bang 9 4810 (CBS) (Web IV, BMI) BOULEVARD Browne-Ladanyi (Swallow MAKE A LITTLE MAGIC Hanna -Edwards 108 125 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/Warner Bros. 49269 Turn, ASCAP) 29 (DeBone-Aire/ViciousCircle,ASCAP).... 30 ASCAP) CALL ME Moroder (Ensign, BMI/Rare MIRAGE Douglas (Red Admiral/Eric Troyer, 109 127 I'VE JUST BEGUN TO LOVE YOU DYNASTY/Solar 12021 (RCA) (Spectrum Blue, ASCAP) 68 BMI) 91 VII/Mykinda, ASCAP) (CALL ME) WHEN THE SPIRIT MOVES YOU MISUNDERSTANDING Hentschel-Group 110 111 Friese-Greene-Mangold (Thomas Talent, (Hit Run/Pun, ASCAP) 9 REGRETS KENNY RANKIN/Atlantic 3663 (Intersong, ASCAP) ASCAP) 96 MORE LOVE Tobin (Jobete, ASCAP) 12 111 112 I DON'T NEED YOU HERMAN BROOD/Ariola-America 805 CARS Numan (Beggars Banquet/Andrew (Radmus, ASCAP) Heath, PRS) NO NIGHT SO LONG Buckingham (Irving, 42 BMI) 112 123 78 DOWN IN THE BOONDOCKS D.L. BYRON/Arista 0524 (Lowery, BMI) . COMING UP McCartney (MPL, ASCAP) 7 OLD FASHION LOVE Carmichael -Group 113 117 ROCK 'N ROLL SOLDIER POINT BLANK/MCA 41268 (Down 'n Dixie/ CRY JUST A LITTLE Davis-Seay (Web IV, (Jobete, ASCAP) 35 BMI) Irving, BMI) 100 ONE FINE DAY Hallman -King (Screen 114 116 LOVE MAKING MUSIC BARRY WHITE/Unlimited Gold 9 1418 (CBS) CUPID/I'VE LOVED YOU FOR A LONG Gems-EMI,BMI) 24 TIME (MEDLEY) Zager (Kags/Sumac, ONE IN A MILLION YOU Graham (Dandy Dittys/Me-Benish, ASCAP) BMI) 4 115 113 THE BLUE SIDE CRYSTAL GAYLE/Columbia (Irving/Medad,BMI) 31 1 11270 (Almo, ASCAP/ DARLIN' Jansen (Irving, BMI) 82 Irving, BMI) ONE MORE TIME FOR LOVE Peters DON'T ASK ME WHY Ramone (Impulsive/ (GoldenCornflake, BMI) 50 116 - IF YOU DON'T WANT MY LOVE J.D. SOUTHER/Columbia 1 11302 April, ASCAP) 55 ON THE REBOUND Ballard -Stanley (April/ (Ice Age, ASCAP) DON'T FALL IN LOVE WITH A DREAMER Russ Ballard, ASCAP) 73 Butler -Rogers (Appian/Almo/Quixotic, 117 119 JAM (LET'S TAKE IT TO THE STREETS) FIVE SPECIAL/ Elektra 46620 PLAY THE GAME Group (Beechwood/ ASCAP) 58 (Baby Dump/Greenstreet, ASCAP) Queen,BMI) 44 118 - SEARCHING CHANGE/Warner/RFC 49512 (Little Macho, ASCAP) DON'T MISUNDERSTAND ME Rossington- ROCK IT Greenberg (Rick's/Steve Green- Collins-Harwood (Moonpie,BMI) 75 berg, BMI) 119 110 CALLING ALL GIRLS HILLY MICHAELS/Warner Bros. 49273 DRIVIN' MY LIFE AWAY Malloy 86 (Chewable/Chappell, ASCAP) (DebDave/Briarpatch, BMI) 37 SAILING Omartian (Pop 'n' Roll, ASCAP) 16 120 108 STUPEFACTION GRAHAM PARKER/Arista 0532 (Carbert, BMI) EMOTIONAL RESCUE Glimmer Twins SAVE ME Wissert-Mason (Blackwood/ Bruiser, ASCAP) 76 121 115 ONLY THE LONELY LA FLAVOUR/Sweet City 7377 (Bema, ASCAP) (Colgems-EMI, ASCAP) 15 122 122 EMPIRE STRIKES BACK Monardo-Bongiovi- SHANDI Poncia (Group, ASCAP/Mad CALIFORNIA RADIO MARY BURNS/MCA 41260 (WB, ASCAP) Vincent, BMI) 49 Quinn (Fox Fanfare/Bantha, BMI) 17 123 105 DREAMS GRACE SLICK/RCA 12041 (Dream King, BMI) SHE'S OUT OF MY LIFE Jones (Fiddleback/ 124 126 NIGHT FLIGHT JUSTIN HAYWARD/Deram 401 (Mercury) (Jeff Wayne/ EVERYTHING WORKS IF YOU LET IT Marlin (Adult, BMI) 84 Kidada, BMI) 23 Red Rats, BMI) SHINING STAR Graham (Content, BMI) 5 FAME Gore (MGM, BMI) 34 125 129 I JUST WANNA DANCE WITH YOU STARPOINT/Chocolate City 3208 FIRST ... BE A WOMAN M -L -P Sebastian SHIVER AND SHAKE Clearmountain- (Casablanca) (Harrindur, BMI) (Seacoast, BMI) 83 Group (Cactus, ASCAP) 87 126 128 GIVE IT TO YOU RCR/Radio 712 (Backwoods/Sounds Good, BMI) FIRST TIME LOVE Baxter -Boylan (Bait SOMEONE THAT IUSED TO LOVE Masser 127 & Beer, ASCAP) 79 (Screen Gems -EMI, BMI/Prince Street/ - TURNING JAPANESE VAPORS/United Artists 1364 (Glenwood, ASCAP) Arista, ASCAP) 59 128 - HOW GLAD I AM JOYCE COBB/Cream 8040 (Screen Gems -EMI, BMI) FOOL FOR YOUR LOVING Birch (Sunburst-Whitesnake/Dump-Eaton, SPACE INVADERS Uncle Vic (Trumar, 129 130 TURN ON YOUR LIGHT IN TRANSIT/RCA 12045 (Green Barbis/ BMI) ASCAP) 88 97 White Buffalo/Ciarkwork/Pants Down/Dungaree, BMI) FREE ME Wayne (April/Russell Ballard, STAND BY ME Norman (Rightsong/ 130 1 3 1 (BABY) I CAN'T GET OVER LOSING YOU TTF/RSO/Curtom 1035 ASCAP) 57 Trio/ADT, BMI) 22 (Mayfield, BMI) FUNKYTOWN Greenberg (Rick's/Rightsong/ STEAL AWAY Banetta-Chudacoff(Big Ears/Chrome Steven Greenberg, BMI) 3 Willie/Gouda/Oozlefinch, 131 118 DON'T TAKE MY LOVE AWAY SWITCH/Gordy 7181 (Motown) (Jobete, ASCAP) 20 ASCAP) GAMES WITHOUT FRONTIERS Lillywhite (Chorine/Hidden, BMI)) 85 STRANGER IN MY HOME TOWN Outeda- Berman-Group (Riff Bros., ASCAP) 71 132 134 TOMMY, JUDY & ME ROB HEGEL/RCA 12009 (Don Kirshner/Blackwood, GIMME SOME LOVIN' Tischler (Island, BMI) BMI) TAKE A LITTLE RHYTHM Thomson -Kelly 52 (Rondor/Almo, ASCAP) GIVE ME THE NIGHT Jones (Rodsongs, 19 133 121 NEVER GIVIN' UP AL JARREAU/Warner Bros. 49234 (Al Jarreau/ ASCAP) TAKE YOUR TIME (DO IT RIGHT) PART I 26 Sigidi (Avante Garde, ASCAP/Interior/ Desperate, BMI( HE'S SO SHY Perry (ATV/Mann & Weill/ Sigidis, BMI) 6 134 124 LET THIS MOMENT BE FOREVER KWICK/EMI-America 8037 (Cessess, BMI) Braintree & Snow, BMI) 63 THAT LOVIN' YOU FEELIN' AGAIN Ahern HEY THERE LONELY GIRL Tobin 135 133 TAKING SOMEBODY WITH ME WHEN I FALL LARRY GATLIN/Columbia (Acuff -Rose, BMI) 93 (Famous, ASCAP) 64 1 11219 (Larry Gatlin, BMI( HONEY, HONEY Clarke (Sherlyn/ THE BREAKS (PART I) Ford (Neutral Gray/ 136 120 TELL ME TERENCE BOYLAN/Elektra 46631 (Steamed Clam, BMI) Lindseyanne, BMI) 98 Funkgroove, ASCAP) 89 137 138 HOT ROD HEARTS Chudacoff-Banetta THE ROSE Rothchild 8 WHERE DID WE GO WRONG FRANKIE VALLI/MCA/Curb 41 253 (Captain Crystal/Blackwood/Dar-Jan, (Irving/ Swanee Bravo!, BMI) BMI) 39 THE ROYAL MILE (SWEET DARLIN') 138 136 Murphey -Rafferty (Screen Gems -EMI, FUN AND GAMES CHUCK MANGIONE/A&M 2236 (Gates, BMI) HOW DOES IT FEEL TO BE BACK Hall - BMI) 65 Oates (Hot-Cha/Six Continents, BMI)... 66 139 - DIFFERENT KINDA DIFFERENT JOHNNY MATHIS/Columbia 111313 TIRED OF TOEIN' THE LINE Seiter-House I CAN'T LET GO Asher (Blackwood, BMI) 28 (Trio -Cheshire, BMI) (Jobete, ASCAP) IFI WERE YOU Fuller (Fullness/Black- 13 140 143 COMFORTABLY NUMB PINK FLOYD/Columbia 111311 (Pink Floyd, BMI) wood,BMI) 92 TULSA TIME Astley (Bibo, ASCAP) 36 141 145 SOLID ROCK BOB DYLAN/Columbia 1 I HEAR YOU NOW Vangelis (WB/ 11318 (Special Rider, ASCAP( SphericB.V., UNDER THE GUN Flicker (Tarantula, ASCAP) 94 ASCAP) 142 144 KING'S CALL PHILIP LYNOTT/Warner Bros. 49272 (Pippin The Friendly I'M ALIVE Lynne (Jet/Unart/Blackwood, 60 Ranger; Chappell, ASCAP) BMI) 41 UPSIDE DOWN Edwards -Rodgers (Chic, BMI) 54 143 141 THE PYRAMID SONG J.C. CUNNINGHAM/Scotti Brothers 519 (At!) I'M ALRIGHT (THEME FROM CADDY - SHACK) Loggins-Botnick (Milk Money, (FIcwering Stone/Lockhill-Selma, ASCAP) WALKS LIKE A LADY Workman-Elson ASCAP) 62 (Weed High Nightmare, BMI) 46 144 146 IN AMERICA Boylan (Hat Band, BMI) ROCKABILLY REBEL MATCHBOX/Sire 49217 (WB) (Magnet/World Song, 14 WHATEVER YOU DECIDE Holbrook- ASCAP) INTO THE NIGHT Maraz (Papa Jack, BMI)25 Kimmet (Fourth Floor, ASCAP) 70 IT'S STILL ROCK AND ROLL TO ME 145 147PERCOLATOR SPYRO GYRA/MCA 41 275 (Harlem/Crosseyed Bear, BMI( WHO'LL BE THE FOOL TONIGHT Lipuma Ramone (Impulsive/April, ASCAP) 1 (Buzz Feiten, BMI) 80 146 148 I'M GONNA LOVE YOU TONIGHT (IN MY DREAMS) JOHNNY DUNCAN/ JESSEMainieri (Quackenbush/Redeye, Columbia 111280 (Maplehill/Vogue, BMI) ASCAP) 77 WHY NOT ME Knoblock-Whitsett (Flowering Stone/United Artists, ASCAP/ 147 - ROLLER JUBILEE AL DI MEOLA/Columbia 1 JOJO Schnee (Scaggs/Almo, ASCAP/ 11303 (Bander-Log/Di Meola, Foster Frees/Irving,BMI) Whitsett Churchill, BMI) 38 ASCAP) 21 JUST CAN'T WAIT Justman (Center City, YEARS FROM NOW Haffkine (Roger Cook/ ASCAP) 81 148 - WHAT'S ANOTHER YEAR JOHNNY LOGAN/Columbia 1 1 1301 Cookhouse, BMI) 74 (Countless/Mogull, no licensee listed) LANDLORD Ashford -Simpson (Nick -O -Val, ASCAP) YOU BETTER RUN Olsen (Downtown, 48 ASCAP) 149 - YOUR BOY FRIEND'S GOT HIS EYE ON ME JANA JILLIO/Polydor 2086 LET ME LOVE YOU TONIGHT Ryan 72 (Intersong, ASCAP) (Kentucky Wonder, BMI/Pure Prairie YOU'LL ACCOMPANY ME Seger -Punch League, ASCAP) (Gear, ASCAP) 150 135 COULD THIS BE HEAVEN ORIGINAL MIRRORS/Arista 0509 (Warner 43 56 LET'S GET SERIOUS Wonder (Jobete/Black YOU'RE THE ONLY WOMAN (YOU & I) Bros., ASCAP) Bull, ASCAP) 53 Piro -Group (Rubicon,BMI) 32

22 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com ASLEEP AT THE WHEEL

LI' T,ANTH)NY A.SLEEP AT THE PP-IEEL MCA 513 CHUCK BROWN & THE SDK SkARCHEF S SO2-3734 DP - FRwAhli:E1

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SP 4822 A rainbow of musical style all captured 7on thefirstLASER -ETCHED graphic record Never/ available nother full colour first from M ecords and 1 Incl des T Y

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A& M ords, 1 All Rig Reserved RUE COLOURS TRUECOLOURSTRUECOLOURS TRUE COLOURS AmericanRadioHistory.Com Record World 11D6F (11111-S:

AUGUST 2, 1980 TITLE, ARTIST, Label Number, (Distributing Label`. 48 47 LANDLORD GLADYS KNIGHT & THE PIPS/Columbia 111239 11 AUG. JULY WKS. ON 2 26 CHART 49 49 SHANDI KISS/Casablanca 2282 7 50 51 ONE MORE TIME FOR LOVE BILLY PRESTON & SYREETA/ 1 1 IT'S STILL ROCK AND Tamla 54312 (Motown) 8 ROLL TO ME 51 53 LOVE THAT GOT AWAY FIREFALL/Atlantic 3670 6 BILLY JOEL 52 38 GIMME SOME LOVIN' BLUES BROTHERS/Atlantic 3666 10 Columbia 111276 11 53 50 LET'S GET SERIOUS JERMAINE JACKSON/Motown 1469 19

(4th Week) 69 UPSIDE DOWN' DIANA ROSS/Motown 1494 4

- DON'T ASK ME WHY BILLY JOEL/Columbia 1 11331 1

3 MAGIC OLIVIA NEWTON-JOHN/MCA 41247 11 70 YOU'LL ACCOMP'NY ME BOB SEGER/Capitol 4904 2 3 2 FUNKYTOWN LIPPS, INC./Casablanca 2233 19 62 FREE ME ROGER DALTREY/Polydor 2105 5 4 4 CUPID/I'VE LOVED YOU FOR A LONG TIME (MEDLEY) 58 54 DON'T FALL IN LOVE WITH A DREAMER KENNY ROGERS SPINNERS/Atlantic 3664 12 WITH KIM CARNES/United Artists 1345 19

5 5 SHINING STAR MANHATTANS/Columbia 1 11222 15 ECI 64 SOMEONE THAT I USED TO LOVE NATALIE COLE/ U 11 TAKE YOUR TIME (DO IT RIGHT) PART I THE S.O.S. BAND/ Capitol 4869 5 Tabu 9 5522 (CBS) 11 80 68 UNDER THE GUN POCO/MCA 41269 4 7 6 COMING UP PAUL McCARTNEY/Columbia 1 11263 15 61 55 ASHES BY NOW RODNEY CROWELL/Warner Bros. 49224 14 8 7 THE ROSE BETTE MIDLER/Atlantic 3656 19 73 I'M ALRIGHT (THEME FROM CADDYSHACK) KENNY El 12 MISUNDERSTANDING GENESIS/Atlantic 3662 12 LOGGINS/Columbia 1 11317 3 10 14 LOVE THE WORLD AWAY KENNY ROGERS/United Artists MI 75 HE'S 50 SHY POINTER SISTERS/Planet 47916 (Elektra/Asylum) 3 1359 8 71 HEY THERE LONELY GIRL ROBERT JOHN/EMI-America 8049 3 11 9 LITTLE JEANNIE ELTON JOHN/MCA 41236 14 65 67 THE ROYAL MILE (SWEET DARLIN'I GERRY RAFFERTY/ 13 MORE LOVE KIM CARNES/EMI-America 8045 10 United Artists 1366 3 13 8 TIRED OF TOEIN' THE LINE ROCKY BURNETTE/EMI-America C3I 74 HOW DOES IT FEEL TO BE BACK DARYL HALL & JOHN 8043 13 OATES/RCA 12048 3 14 10 IN AMERICA CHARLIE DANIELS BAND/Epic 9 50888 10 67 57 BEYOND HERB ALPERT/A&M 2246 7 EEI 22 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones 68 52 CALL ME BLONDIE/Chrysalis 2414 25 20001(At)) 5 69 60 LET'S GO 'ROUND AGAIN AVERAGE WHITE BAND/Arista 10:11 18 SAILING CHRISTOPHER CROSS/Warner Bros. 49507 8 0515 7 27 EMPIRE STRIKES BACK (MEDLEY) MECO/RSO 1038 8 70 77 WHATEVER YOU DECIDE RANDY VANWARMER/Bearsville 19 LET MY LOVE OPEN THE DOOR PETE TOWNSHEND/Atco 7217 8 49258 (WB) 3 21 TAKE A LITTLE RHYTHM ALI THOMSON/A&M 2243 9 Ei 78STRANGER IN MY HOME TOWN FOGHAT/Bearsville 20 16 STEAL AWAY ROBBIE DUPREE/Elektra 46621 17 49510 (WB) 3 82 YOU BETTER RUN PAT BENATAR/Chrysalis 2450 2 24 JOJO BOZ SCAGGS/Columbia 1 11281 8 73 72 ON THE REBOUND RUSS BALLARD/Epic 9 50883 25 STAND BY ME MICKEY GILLEY/Full Moon/Asylum 46640 12 7 84 23 15 SHE'S OUT OF MY LIFE MICHAEL JACKSON/Epic 9 50871 17 YEARS FROM NOW DR. HOOK/Capitol 4885 2 83 24 20 ONE FINE DAY CAROLE KING/Capitol 4864 12 DON'T MISUNDERSTAND ME ROSSINGTON COLLINS BAND/ MCA 41284 2 28 INTO THE NIGHT BENNY MARDONES/Polydor 2091 9 76 76 SAVE ME DAVE MASON/Columbia 111289 4 30 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB 49505 6 - JESSE CARLY SIMON/Warner Bros. 49518 1 35 ALL OUT OF LOVE AIR SUPPLY/Arista 0520 9 EU EEI 87 NO NIGHT SO LONG DIONNE WARWICK/Arista 0527 2 28 29 I CAN'T LET GO LINDA RONSTADT/Asylum 46654 6 11:1 - FIRST TIME LOVE LIVINGSTON TAYLOR/Epic 9 50894 1 33 BOULEVARD JACKSON BROWNE/Asylum 47003 5 D 80 88 WHO'LL BE THE FOOL TONIGHT LARSEN-FEITEN BAND/ 30 32 MAKE A LITTLE MAGIC DIRT BAND/United Artists 1356 8 Warner Bros. 49282 2 37 ONE IN A MILLION YOU LARRY GRAHAM/Warner Bros. Ell 81 81 JUST CAN'T WAIT J. GEILS BAND/EMI-America 8047 3 49221 7 DARLIN' YIPES1I/Millennium 11791 (RCA) 1 39 YOU'RE THE ONLY WOMAN (YOU & I) AMBROSIA/ W- D - FIRST ... BE A WOMAN LEONORE 0 MALLEY/Polydor 2055 1 Warner Bros. 49508 4 84 65 EVERYTHING WORKS IF YOU LET IT CHEAP TRICK/Epic 33 17 ALL NIGHT LONG JOE WALSH/Full Moon/Asylum 46639 12 9 50887 10 44FAME* IRENE CARA/RSO 1034 8 GAMES WITHOUT FRONTIERS PETER GABRIEL/Mercury 43 OLD -FASHION LOVE COMMODORES/Motown 1489 7 76063 1 40TULSA TIME ERIC CLAPTON AND HIS BAND/RSO 1039 8 - ROCK IT LIPPS, INC./Casablanca 2281 1 41 DRIVIN' MY LIFE AWAY EDDIE RABBITT/Elektra 46656 7 87 89 SHIVER AND SHAKE SILENCERS/Precision 9 9800 (CBS) 3 42 WHY NOT ME FRED KNOBLOCK/Scotti Brothers 518 (AtI) 6 - FOOL FOR YOUR LOVING WHITESNAKE/Mirage 3672(Atl) 1 45 HOT ROD HEARTS ROBBIE DUPREE/Elektra 47005 3 THE BREAKS (PART I) KURTIS BLOW/Mercury 566 2 40 48 LOOKIN' FOR LOVE JOHNNY LEE/Full Moon/Asylum 47004 4 D 99 90 91 BONEY MORONIE CHEEKS/Capitol 4883 6 41 26 I'M ALIVE ELO/MCA 41246 11 42 31 CARS GARY NUMAN/Atco 7211 24 91 95 MIRAGE ERIC TROYER/Chrysalis 2445 3 43 23 LET ME LOVE YOU TONIGHT PURE PRAIRIE LEAGUE/ 92 92 IFI WERE YOU TOBY BEAU/RCA 11964 5 Casablanca 2266 13 93 85 THAT LOVIN' YOU FEELIN' AGAIN ROY ORBISON & 44 46 PLAY THE GAME QUEEN/Elektra 46652 6 EMMYLOU HARRIS/Warner Bros. 49262 6 45 34 AGAINST THE WIND BOB SEGER/Capitol 4863 14 94 96 I HEAR YOU NOW JON & VANGELIS/Polydor 2089 2

46 36 WALKS LIKE A LADY JOURNEY/Columbia 1 11275 11 95 97 LIVING AFTER MIDNIGHT JUDAS PRIEST/Columbia 111308 4 96 98 (CALL ME) WHEN THE SPIRIT MOVES YOU TOUCH/Atco 7222 2 CHARTMAKER OF THE WEEK 97 - ALL OVER THE WORLD - SPACE INVADERS UNCLE VIC/Prelude 8015 1 98 94 HONEY, HONEY DAVID HUDSON/Alston 3750 (TK) ELO 4 99 100 BACKSTROKIN' FATBACK/Spring 3012 (Polydor) 2 MCA 41289 1

100 - CRY JUST A LITTLE PAUL DAVIS/Bang 9 4811 (CBS) 1

Denotes Powerhouse Pick.

PRODUCERS & PUBLISHERS ON PAGE 22

AmericanRadioHistory.Com All listings from key progressive stations around the country are in descending order except where other- /1 L.:A:7tAirptaL wise noted.

AUGUST 2, 1980 WPLR-FM/NEW HAVEN WMMR-FM /PHILADELPHIA ZETA 7-FM/ORLANDO FLASHMAKER McVICAR-Original Soundtrack -Polydor ADDS: ADDS: ADDS: NINE O'CLOCK (single)-Snips CADDYSHACK-Original HOW DOES IT FEEL TO BE BACK ARE HERE-Kings-Elektra -UA (import) Soundtrack-Col (single)-Hall & Oates-RCA FULL MOON-Charlie Daniels- PLAYING FOR KEEPS-Eddie FULL MOON-Charlie Daniels LOOKIN' FOR TROUBLE-Toronto Epic Money-Col -Epic -A&M McVICAR-Original Soundtrack READY AN' WILLING-Wh esnake McVICAR-Original Soundtrack PLAYING FOR KEEPS-Eddie -Polydor -Mirage -Polydor Money-Col PLAYING FOR KEEPS-Eddie Money PLAYING FOR KEEPS-Eddie READY AN' WILLING-Whitesnake -Col HEAVY ACTION: Money-Col -Mirage READY AN' WILLING-Whitesnake READY AN' WILLING-Whitesnake SCREAMING TARGETS-Jo Jo Zep -Mirage -Mirage & the Falcons-Col CHICAGO XIV-Chicago-Col HEAVY ACTION: SOLO IN SOHO-Phil Lynott-WB FULL MOON-Charlie Daniels EMOTIONAL RESCUE-Rolling UP-Le Roux-Capitol -Epic HEAVY ACTION: Stones-Rolling Stones McVICAR-Original Soundtrack HEAVY ACTION: McVICAR HOLD OUT-Jackson Browne- HOLD OUT-Jackson Browne- -Polydor Asylum Original Soundtrack Asylum EMOTIONAL RESCUE-Rolling KINGBEES-RSO EMOTIONAL RESCUE-Rolling ONE FOR THE ROAD-Kinks- Stones-Rolling Stones Polydor EMOTIONAL RESCUE-Rolling Stones-Rolling Stones Arista HOLD OUT-Jackson Browne- Stones --Rolling Stones THE GAME-Queen-Elektra PETER GABRIEL-Mercury Asylum PETER GABRIEL-Mercury LOVE IS A SACRIFICE-Southside EMPTY GLASS-Pete Townshend THE GAME-Queen-Elektra EMPTY GLASS-Pete Townshend Johnny & the Asbury Jukes -Atco MOST ADDED ANYTIME ANYPLACE ANYWHERE -Atco -Mercury DUKE-Genesis-Atlantic -Rossington Collins-MCA PRETENDERS-Sire ANYTIME ANYPLACE ANYWHERE - FEEL THE HEAT-Henry Paul- McVICAR-Original Soundtrack -Rossington Collins-MCA GO TO HEAVEN-Grateful Dead -Polydor (32) THE WALL-Pink Floyd-Col -Arista Atlantic UNDER THE GUN-Paco-MCA ONE FOR THE ROAD-Kinks- READY AN' WILLING- SPLENDIDO HOTEL-Al DiMeola ANYTIME ANYPLACE ANYWHERE Whitesnake-Mirage (29) -Col EMPTY GLASS-Pete Townshend -Rossington Collins-MCA Arista -Atco TOMCATTIN'-Blackfoot-Atco THE UP ESCALATOR-Graham FULL MOON-Charlie Daniels CULTOSAURUS ERECTUS-Blue THERE & BACK-Jeff Beck-Epic -Epic (26) Oyster Cult-Col Parker-Arista WBAB-FM/LONG ISLAND UNDER THE GUN-Poco-MCA PLAYING FOR KEEPS-Eddie THERE & BACK-Jeff Beck-Epic THE GAME-Queen-Elektra Money-Col (25) ADDS: CULTOSAURUS ERECTUS-Blue TIGHT SHOES-Foghat- Oyster Cult-Col ARE HERE-Kings-Elektra 111) CADDYSHACK-Original Bearsville ODR-FM /RALEIGH NEW CLEAR DAYS-Vapors- Soundtrack-Col UA (8) FULL MOON-Charlie Daniels ADDS: -Epic WSHE-FM/FT. LAUDERDALE CHICAGO XIV-Chicago-Col WORK-FM/ALBANY HOW DOES IT FEEL TO BE BACK McVICAR-Original Soundtrack )single)-Hall & Oates-RCA ADDS: 171 -Polydor ADDS: I HEAR YOU NOW (single)-Jon AFL1 3603-Dave Davies-RCA TERMS AND CONDITIONS- NEW CLEAR DAYS-Vapors-UA BELFAST GIGS-Horslips-Mercury Jay Ferguson-Capitol (6) & Vangelis-Polydor CONVICTED-Gus-Nemperor PLAYING FOR KEEPS-Eddie CURRENT EVENTS-Elektrics- McVICAR-Original Soundtrack Money-Col Capitol -Polydor FULL MOON-Charlie Daniels READY AN' WILLING-Whitesnake CHICAGO XIV-Chicago-Col -Epic PLAYING FOR KEEPS-Eddie LOOKIN' FOR TROUBLE-Toronto -Mirage DREAMER'S MATINEE-Don Money-Col WNEW-FM/NEW YORK SCOTT WILK & THE WALLS-WB -A&M Schlitz-Capitol McVICAR-Original Soundtrack ADDS: FULL MOON-Charlie Daniels HEAVY ACTION: -Polydor ARE HERE-Kings-Elektra HEAVY ACTION: -Epic READY AN' WILLING-Whitesnake McVICAR-Original Soundtrack EMOTIONAL RESCUE-Rolling COME SEE ABOUT ME-Tracy EMOTIONAL RESCUE-Rolling Stones-Rolling Stones -Mirage -Polydor SCOTT WILK & THE WALLS-WB Nelson-Flying Fish Stones-Rolling Stones NEW CLEAR DAYS-Vapors-UA EMPTY GLASS-Pete Townshend HOLD OUT-Jackson Browne UP-Le Roux-Capitol CONVICTED-Gus-Nemperor PLAYING FOR KEEPS-Eddie -Arco EXTENDED PLAY-SVT-4 15 -Asylum URBAN COWBOY-Original EMPTY GLASS-Pete Townshend Money-Col HEAVY ACTION: READY AN' WILLING-Whitesnake Soundtrack-Full Moon/ FULL MOON-Charlie Daniels- -Atco Asylum EMOTIONAL RESCUE-Rolling Epic THE GAME-Queen-Elektro -Mirage UPRISING-Bob Marley & the HOLD OUT-Jackson Browne- Stones-Rolling Stones McVICAR-Original Soundtrack HOLD OUT-Jackson Browne- DUKE-Genesis-Atlantic Wailers-Island Asylum -Polydor GLASS HOUSES-Billy Joel-Col THE UP ESCALATOR-Graham Asylum PLAYING FOR KEEPS-Eddie Parker-Arista THE GAME-Queen-Elektra URBAN COWBOY-Original HEAVY ACTION: LOVE IS A SACRIFICE-Southside Money --Col Soundtrack-Full Moon/Asylum ANYTIME ANYPLACE ANYWHERE READY AN' WILLING-Whitesnake EMOTIONAL RESCUE-Rolling Johnny & the Asbury Jukes -Rossington Collins-MCA BLUES BROTHERS-Original -Mercury -Mirage Soundtrack-Atlantic Stones-Rolling Stones EMPTY GLASS-Pete Townshend ME MYSELF I-Joan Armatrading ANYTIME ANYPLACE ANYWHERE -Atco SIREN-Ronnie Spector-Polish FOUND ALL THE PARTS-Cheap -Rossington Collins-MCA Trick-Epic/Nu-Disk -A&M DUKE-Genesis-Atlantic UPRISING-Bob Marley & the EMPTY GLASS-Pete Townshend DUKE-Genesis-Atlantic Wailers-Island PETER GABRIEL-Mercury SCREAM DREAM-Ted Nugent- -Atco ME MYSELF I-Joan Armatrading Epic PETER GABRIEL-Mercury -A&M ONE FOR THE ROAD-Kinks- HEAVY ACTION: UNDER THE GUN-Paco-MCA WAAF-FM/WORCESTER ONE FOR THE ROAD-Kinks--- Arista EMOTIONAL RESCUE-Rolling Arista HEAVEN AND HELL-Black Stones-Rolling Stones ADDS: CAREFUL-Motels-Capitol Sabbath-WB THE UP ESCALATOR-Graham CADDYSHACK-Original FEEL THE HEAT-Henry Paul- WYMX-FM/AUGUSTA TOMCATTIN'-Blackfoot-Atco Parker-Arista Soundtrack-Col Atlantic ADDS: CHIPMUNK PUNK-Chipmunks- THE GAME-Queen-Elektra THERE & BACK-Jeff Beck-Epic CHICAGO XIV-Chicago-Col Excelsior HOLD OUT-Jackson Browne- WMMS-FM/CLEVELAND LOVE IS A SACRIFICE-Southside FULL MOON-Charlie Daniels DEACON LITTLE-SLI Johnny & the Asbury Jukes Asylum ADDS: -Epic BLOTTO (EP)-Blotto FULL MOON-Charlie Daniels -Mercury HOW DOES IT FEEL TO BE BACK -Epic FULL MOON-Charlie Daniels EMPTY GLASS-Pete Townshend (single)-Hall & Oates-RCA McVICAR-Original Soundtrack -Epic -Atco MAKE A LITTLE MAGIC-Dirt -Polydor McVICAR-Original Soundtrack GLASS HOUSES-Billy Joel-Col Band-UA WIOQ-FM/PHILADELPHIA READY AN' WILLING-Whitesnake -Polydor McVICAR-Original Soundtrack ADDS: -Mirage PLAYING FOR KEEPS-Eddie HOW DOES IT FEEL TO BE BACK Money-Col (single)-Hall & Oates-RCA -Polydor MAN'S BEST FRIEND-Livingston TERMS AND CONDITIONS- READY AN' WILLING-Whitesnake Jay Ferguson-Capitol READY AN' WILLING-Whitesnake FLESH AND BLOOD-Roxy Music -Mirage -Atco -Mirage McVICAR-Original Soundtrack GO TO HEAVEN-Grateful Dead -Polydor HEAVY ACTION: HEAVY ACTION: HEAVY ACTION: -Arista ANYTIME ANYPLACE ANYWHERE DUKE-Genesis-Atlantic EMOTIONAL RESCUE-Rolling HEAVY ACTION: -Rossington Collins-MCA EMOTIONAL RESCUE-Rolling Stones-Rolling Stones HOLD OUT-Jackson Browne- TOMCATTIN'-Blackfoot-Atco Stones-Rolling Stones GLASS HOUSES-Billy Joel-Col -Asylum EMOTIONAL RESCUE-Rolling LOVE IS A SACRIFICE-Southside WLIR-FM/LONG ISLAND HOLD OUT-Jackson Browne- Johnny & the Asbury Jukes EMOTIONAL RESCUE-Rolling Stones-Rolling Stones -Mercury ADDS: Asylum Stones-Rolling Stones THE GAME-Queen-Elektra AMERICAN NOISE-Planet BROKEN HOME-Atlantic LOVE STINKS-J. Geils-EMI- GLASS HOUSES-Billy Joel-Col HOLD OUT-Jackson Browne- America THE LONG RUN-Eagles-Asylum Asylum HOLD OUT-Jackson Browne- I'M ALRIGHT (THEME FROM THE GAME-Queen-Elektra Asylum CADDYSHACK) (single)-Kenny AGAINST THE WIND-Bob Seger FEEL THE HEAT-Henry Paul- AGAINST THE WIND-Bob Seger Atlantic UNDER THE GUN-Poco-MCA Loggins-Col -Capitol FLESH AND BLOOD-Roxy Music DEFECTOR-Steve Hackett- -Capitol MAD LOVE-Linda Ronstadt- HEAVEN AND HELL-Black EMPTY GLASS-Pete Townshend Sabbath-WB -Atco Charisma (import) Asylum THE GAME-Queen-Elektra FULL MOON-Charlie Daniels -Atco 21 AT 33-Elton John-MCA EMPTY GLASS-Pete Townshend ROBIN LANE & THE CHARTBUSTERS -Atco -Epic DUKE-Genesis-Atlantic PLAYING FOR KEEPS-Eddie THE HARDER THEY COME (single) -WB ONE FOR THE ROAD-Kinks- Money-Col -Joe Jackson-A&M (import) THERE & BACK-Jeff Beck-Epic CHRISTOPHER CROSSI-WB Arista BLUES BROTHERS-Original INTERIOR-Keith Emerson- ANYTIME ANYPLACE ANYWHERE COME UPSTAIRS-Carly Simon CULTOSAURUS ERECTUS-Blue Soundtrack-Atlantic Barclay (import) -Rossington Collins-MCA -WB Oyster Cult-Col LOVE AFFAIR-Radio

AmericanRadioHistory.Com Alil listings from key progressive Record World iN stations around the country are in descending order except where other- wise noted.

AUGUST 2, 2, 1980 HEAVY ACTION: UNDER THE GUN-Poco-MCA DEPARTU RE-Journey-Col TERMS AND CONDITIONS-Jay TOP AIRPLAY EMOTIONAL RESCUE-Rolling HOLD OUT-Jackson Browne- BARNET DOGS-Russ Ballard- Ferguson-Capitol Stones-Rolling Stones Asylum Epic DUKE-Genesis-Atlantic PROGRESSIONS OF POWER- DUKE-Genesis-Atlantic HEAVY ACTION: EMPTY GLASS-Pete Townshend Triumph-RCA EMPTY GLASS-Pete Townshend EMOTIONAL RESCUE-Rolling -Atco URBAN COWBOY-Original -Atco Stones-Rolling Stones THE GAME-Queen-Elektra Soundtrack-Full Moon/Asylum URBAN COWBOY-Original THE GAME-Queen-Elektra HOLD OUT-Jackson Browne- McVICAR-Original Soundtrack Soundtrack-Full Moon/Asylum HOLD OUT-Jackson Browne- Asylum -Polydor EMOTIONAL RESCUE-Rolling Asylum AGAINST THE WIND-Bob Seger TOMMY TUTONE-Col Stones-Rolling Stones PRETENDERS-Sire -Capitol TOMCATTIN'-Blackfoot-Atco DUKE-Genesis-Atlantic JUST ONE NIGHT-Eric Clapton MAKE A LITTLE MAGIC-Dirt EMPTY GLASS-Pete Townshend -RSO KLOL-FM /HOUSTON Band-UA -Atco DANGER ZONE-Sammy Hagar ADDS: WOMEN AND CHILDREN FIRST- -Capitol Van Halen-WB UNDER THE GUN-Poco-MCA ARE HERE-Kings-Elektra AGAINST THE WIND-Bob Seger TIGHT SHOES-Foghat- KGB-FM/SAN DIEGO CHIPMUNK PUNK-Chipmunks- ADDS: -Capitol EMOTIONAL RESCUE Bearsville Excelsior ONE FOR THE ROAD-Kinks- DIRTY DEEDS DONE CHEAP- CADDYSHACK-Original Arista ROLLING STONES AC/DC-Atlantic (import) Soundtrack-Col HEAVEN AND HELL-Black Rolling Stones WKDF-FM /NASHVILLE McVICAR-Original Soundtrack FULL MOON-Charlie Daniels- Sabbath-WB ADOS: -Polydor Epic READY AN' WILLING-Whitesnake MAKE A LITTLE MAGIC-Dirt CONVI CTED-Gus-Nemperor -Mirage Band-UA FULL MOON-Charlie Daniels McVICAR-Original Soundtrack KMEL-FM/SAN FRANCISCO MOST AIRPLAY -Epic ADDS: HEAVY ACTION: -Polydor PLAYING FOR KEEPS-Eddie METAL RENDEZ-VOUS-Krokus EMOTIONAL RESCUE-Rolling CAREFUL-Motels-Capitol Money-Col EMOTIONAL RESCUE-Rolling -Ariola I'M ALRIGHT (THEME FROM 7 Stones-Rolling Stones (39) SCOTT WILK & THE WALLS-WB Stones-Rolling Stones NEVER RUN NEVER HIDE-Benny HOLD OUT-Jackson Browne- CADDYSHACK) (single)-Kenny EMPTY GLASS-Pete Townshend Mardones-Polydor Loggins-Col " Asylum (34) HEAVY ACTION: -Atco SNAKES & LADDERS-Gerry EMPTY GLASS-Pete McVICAR-Original Soundtrack ANYTIME ANYPLACE ANYWHERE EMOTIONAL RESCUE-Rolling Rafferty-UA -Polydor Townshend-Atco (32) -Rossington Collins-MCA TOMCATTIN'-Blackfoot-Atco THE GAME-Queen-Elektra Stones-Rolling Stones PLAYING FOR KEEPS-Eddie CULTOSAURUS ERECTUS-Blue UNDER THE GUN-Poco-MCA Money-Col (28) HOLD OUT-Jackson Browne- Oyster Cult-Col DUKE-Genesis-Atlantic (21) Asylum McVICAR-Original Soundtrack HEAVY ACTION: HEAVY ACTION: ANYTIME ANYPLACE URBAN COWBOY-Original -Polydor ANYWHERE-Rossington Soundtrack-Full Moon/Asylum ONE FOR THE ROAD-Kinks- HOLD OUT-Jackson Browne- FULL MOON-Charlie Daniels- THE GAME-Queen-Elektra Collins-MCA (16) HOLD OUT-Jackson Browne- Arista Asylum Epic ONE FOR THE ROAD-Kinks- Asylum THE GAME-Queen-Elektra XANADU-Original Soundtrack ANYTIME ANYPLACE ANYWHERE Arista (161 READY AN' WILLING-Whitesnake EMOTIONAL RESCUE-Rolling -MCA URBAN COWBOY-Original -Rossington Collins-MCA Stones-Rolling Stones THE GAME-Queen-Elektra -Mirage BLUES BROTHERS-Original 2 Soundtrack-Full Moon/ HOLD OUT-Jackson Browne- Soundtrack-Atlantic AGAINST THE WIND-Bob Seger TOMCATTIN'-Blackfoot-Atco Asylum (12) FREEDOM OF CHOICE-Devo-WB Asylum THE GAME-Queen-Elektra AGAINST THE WIND-Bob -Capitol BLUES BROTHERS-Original EMOTIONAL RESCUE-Rolling Seger-Capitol (11) TOMCATTIN'-Blackfoot-Atco Soundtrack-Atlantic Stones-Rolling Stones EMPTY GLASS-Pete Townshend UNDER THE GUN-Poco- EMPTY GLASS-Pete Townshend PLAYING FOR KEEPS-Eddie ; MCA (11) -Atco KFML-AM / DENVER -Atco Money-Col THERE & BACK-Jeff Beck-Epic ADDS: FULL MOON-Charlie Daniels- ONE FOR THE ROAD-Kinks- ENERGY TRANSFER-Heaters-Col Epic Arista FULL MOON-Charlie Daniels JUST ONE NIGHT-Eric Clapton FREE ME (single)-Roger Daltrey WXRT-FM /CHICAGO WQFM-FM/MILWAUKEE -Epic -RSO -Polydor ADDS: ADDS: McVICAR-Original Soundtrack GLASS HOUSES-Billy Joel-Col URBAN COWBOY-Original AFL1 3603-Dave Davies-RCA -Polydor McCARTNEY II-Paul McCartney Soundtrack-Full Moon/Asylum BELFAST GIGS-Horslips-Mercury -Col SAVED-Bob Dylan-Col CHICAGO XIV-Chicago-Col ARE HERE-Kings-Elektra PLAYING FOR KEEPS-Eddie FULL MOON-Charlie Daniels FULL MOON-Charlie Daniels Money-Col -Epic -Epic SPORTS CAR-Judie Tzuke- GOING DEAF FOR A LIVING- McVICAR-Original Soundtrack Rocket KSJO-FM/SAN JOSE KZEL-FM/EUGENE Fisher Z-EMI-America -Polydor ADDS: ADDS: H-Bob James-Tappan Zee PLAYING FOR KEEPS-Eddie HEAVY ACTION: ARE HERE-Kings-Elektra Money-Col ARE HERE-Kings-Elektra MANHATTAN UPDATE-Warren THE GAME'S UP-Sniff 'n the FULL MOON-Charlie Daniels- BELFAST GIGS-Horslips--Mercury Bernhardt-Arista QFM HOMETOWN ALBUM-QFM CURRENT EVENTS-Elektrics- READY AN' WILLING-Whitesnake Tears-Atlantic Epic McVICAR-Original Soundtrack EMOTIONAL RESCUE-Rolling McVICAR-Original Soundtrack Capitol -Polydor -Mirage Stones-Rolling Stones FULL MOON-Charlie Daniels- UNDER THE BOULEVARD LIGHTS- -Polydor PLAYING FOR KEEPS-Eddie MAKE A LITTLE MAGIC-Dirt Epic Chuck Francour-EMI-America NEW CLEAR DAYS-Vapors-UA Money-Col Band-UA PLAYING FOR KEEPS-Eddie McVICAR-Original Soundtrack SIREN-Ronnie Spector-Polish FLESH AND BLOOD-Roxy Music Money-Col -Polydor UPRISING-Bob Marley & the HEAVY ACTION: -Atco READY AN' WILLING-Whitesnake NEW CLEAR DAYS-Vapors-UA Wailers-Island READY AN' WILLING-Whitesnake EMOTIONAL RESCUE-Rolling MAGNIFICENT MADNESS-John -Mirage Klemmer-MCA -Mirage HEAVY ACTION: Stones-Rolling Stones HOLD OUT-Jackson Browne- HOLD OUT-Jackson Browne- TERMS AND CONDITIONS-Jay HEAVY ACTION: Ferguson-Capitol HOLD OUT-Jackson Browne- Asylum Asylum Asylum THE GAME-Queen-Elektra BLUES BROTHERS-Original THE GAME-Queen-Elektra UNDER THE BOULEVARD LIGHTS EMPTY GLASS-Pete Townshend EMOTIONAL RESCUE-Rolling EMPTY GLASS-Pete Townshend Soundtrack-Atlantic -Chuck Francour-EMI- Stones-Rolling Stones -Atco ROCK THERAPY-Colin Winski- -Arco America EMOTIONAL RESCUE-Rolling UPRISING-Bob Marley & the EMPTY GLASS-Pete Townshend ANYTIME ANYPLACE ANYWHERE Ta koma -Atco -Rossington Collins-MCA UNDER THE GUN-Poco-MCA Stones-Rolling Stones Wailers-Island FLESH AND BLOOD-Roxy Music DUKE-Genesis-Atlantic THERE & BACK-Jeff Beck-Epic ANIMAL MAGNETISM-Scorpions -Atco URBAN COWBOY-Original -Mercury HEAVY ACTION: INTERVIEW-Virgin Soundtrack-Full Moon/Asylum THE WALL-Pink Floyd-Col AGAINST THE WIND-Bob Seger EMOTIONAL RESCUE-Rolling WILLIE NILE-Arista ONE FOR THE ROAD-Kinks- KBPI-FM /DENVER Stones-Rolling Stones PETER GABRIEL-Mercury Arista -Capitol ADDS: FLESH AND BLOOD-Roxy Music CULTOSAURUS ERECTUS-Blue PRETENDERS-Sire TOMCATTIN'-Blackfoot-Atco Oyster Cult-Col ONE FOR THE ROAD-Kinks- ARE HERE-Kings-Elektra -Atco GLASS HOUSES-Billy Joel-Col ONE FOR THE ROAD-Kinks- UNDER THE GUN-Poco-MCt Arista CHICAGO XIV-Chicago-Col HUEY LEWIS & THE NEWS- Arista DUKE-Genesis-Atlantic FULL MOON-Charlie Daniels- Chrysalis Epic WOMEN AND CHILDREN FIRST- KIEW-FM/DALLAS Van Halen-WB HOLD OUT-Jackson Browne -- I'M ALRIGHT (THEME FROM Asylum ADDS: CADDYSHACK) (single)-Kenny HOLD OUT-Jackson Browne- KSHE-FM /ST. LOUIS Asylum THE GAME-Queen-Elektra ADDS: CONVICTED-Gus-Nemperor Loggins-Col THERE & BACK-Jeff Beck-Epic LOOKIN' FOR TROUBLE-Toronto PLAYING FOR KEEPS-Eddie EMPTY GLASS-Pete Townshend CHIPMUNK PUNK-Chipmunks -A&M Money-Col -Atco -Excelsior McVICAR-Original Soundtrack READY AN' WILLING-Whitesnake KWST-FM/LOS ANGELES SEAN TYLA'S JUST POPPED OUT- FULL MOON-Charlie Daniels -Polydor -Mirage ADDS: Sean Tyla-Polydor -Epic READY AN' WILLING-Whitesnake SIXTIES MAN (single)-Sweet- HUEY LEWIS & THE NEWS- ONE FOR THE ROAD-Kinks- McVICAR-Original Soundtrack -Mirage Capitol Arista -Polydor THE GAME-Queen-Elektra Chrysalis PLAYING FOR KEEPS-Eddie UP-Le Roux-Capitol MAKE A LITTLE MAGIC-Dirt HEAVY ACTION: Band-UA 40 Stations reporting this week. Money-Col In addition to those printed are: McVICAR-Original Soundtrack READY AN' WILLING-Whitesnake DUKE-Genesis-Atlantic HEAVY ACTION: -Mirage EMPTY GLASS-Pete Townshend -Polydor WBCN-FMWMJQ-FMY95 -FM SEEDS OF CHANGE-Kerry Livgren -Atco BLUES BROTHERS-Original PLAYING FOR KEEPS-Eddie WCOZ-FM WYDD-FM KNAC-FM -Kirshner EMOTIONAL RESCUE-Rolling Soundtrack-Atlantic Money-Col WBLM-FM WHFS-FM KZOK-FM TERMS AND CONDITIONS-Jay Stones-Rolling Stones HOLD OUT-Jackson Browne- READY AN' WILLING-Whitesnake WCMF-FM WKLS-FM KZAM-AM Ferguson-Capitol THE GAME-Queen-Elektra Asylum -Mirage WAQX-FMWABX-FM

AmericanRadioHistory.Com RedloWorld ARBs in from Several Cities NEW YORK - Advance statis- advances include: KBEA, 1.4 from Radio Replay tics fromArbitron's April/May 1.9; KBEQ, 4.6 from 6.5; KCKN, 0 1980 survey of the Minneapolis - 2.2 from 2.6; KCKN-FM, 4.0 from By PHIL DIMAURO St. Paul market shows WCCO re- 3.6; KCMO, 4.1 from 6.2; KEXS, Graham Parker have maining infirst place by an ex- .7 from .4; KJLA (formerly KAYQ) IN THE AIR: What do Fleetwood Mac and tremely wide margin, with a 22.5 in common? Rumors, of course (however youspellit),and the in- 3.8 from 3.6; KMBR. 8.1 from 9.3; share,nearly equaltoits22.4 little whispers have been drifting around NewYork of KMBZ, 10.8 from 8.9; KPRS, 6.8 substantial share forOctober/November, late, mainly in the vicinity of WHN, the city's countrystation. PD from5.8;KPRT,1.4 from 1.3; thatifKHJ, Los 1979. Other Minneapolis -St. Paul Ed Salamon has been the subject of supposition statistics representing average KSAS (formerlyKFIX),3.7 from Angeles, goes country, Salamon will relocate tothe other coast to unreported status; KUDL, 5.2 from he worked at WHN. quarter hour shares Monday to join general manager Neil Rockoff, with whom Sunday, 6 a.m. to midnight, for 3.5; KXTR, .9 from 1.3; KYYS, 10.2 Contacted by Radio Replay, a cheerful Salamonsimply asked, "Ru- also been called to persons 12 years and older in the from 12.7; and WHB, 8.6 from 6.0. mors? Which one?" The PD reported that he's metro survey area include: confirm or deny reports that he's going to KHTZ, LosAngeles, to re- Providence market advances where John Lund re- KDWB, 3.7 for April/May, from include WADK, 1.1from1.0; place Bobby Rich, or to New York's WNBC, 3.5 for October/November; cently left as PD (another of Salamon's former WHNcohorts, Dale WALE, remaining at 1.6; WBRU, said that because of KDWB-FM, 2.8 from 2.6; KEEY- 2.4 from 2.7; WBSM, 3.7 from 3.3; Pon, is now at NBC). Speaking frankly, Salamon FM, 4.3 from 7.1; KQRS, 1.2 from to make WEAN, 5.7 from 4.9; WGNG, 2.3 the close relationships involved, "these rumors would seem 1.3; KQRS-FM, 7.3 from8.7; sense ... there are a lot of thingsin the wind right now that are KRSI, 1.6 from .8; KRSI-FM (for- from 1.6; WHIM, 4.4 from 3.0; unresolved. But as I'm speaking now, I plan on staying here." To WHJY, 5.1 from 6.0; WJAR, 4.7 WCFL, Chi- merly KFMX), 1.3 from 1.1; KSTP, further cloud the issue, Salamon suggested that since 4.5 from 4.2; KSTP-FM, 9.5 from from 3.9; WLKW, 2.3 from 2.4; cago (owned by Mutual Broadcasting,which owns WHN) is also ru- WLKW-FM, 10.8 from 12.4; well end 10.4;KTCR-FM;1.8from1.6; mored to be switching to a country format, he might very WAYL-FM, 1.5 from 1.8; WAYL- WMYS, 3.8 from 3.1; WPJB, 9.4 up there. His most definitive statement was"A lot of maybes ... " FM, remained at 4.9; WCCO-FM, from 7.2; WPRO, 5.8 from 7.7; 4.4 from 4.9; WDGY; 7.1from WPRO-FM, 7.1from8.6;and MOVES: In a very active week, Jim Maddox wasnamed general WSAR, 1.9 from .8. leaving the same post at KMJQ 6.6; WLOL, 4.9 from 1.9; WMIN, manager of WBMX in Chicago, after Advances for Cincinatti include: in Houston several weeks back ... Gary Berkowitzhas left his posi- .7 from 1.2; and WWTC, 3.9 from of WPRO 2.6. WCIN, 4.3 from 3.2; WCKY, 8.0 tion as PD of WROR in Boston to become general manager from 11.1; WEBN, 9.7 from 9.1; AM and FM in Providence. It's a return home forthe former PD of Advances from the Kansas City market show WDAF moving into WKRC, 8.0 from 9.6; WKRQ, 10.7 WPRO-FM WIFI/Philadelphia's PD Steve Rivers (who was also na- from 11.8; WLQA, 3.1 from 5.0; tional program director for GCC) has exited that position toform a first place with a 12.0 share, up very slightly from 11.9 in Octo- WLW, 14.5 from 9.9; WNOP, 1.1 new New York/Philadelphia-basedpartnership with consultant Dean Landsman, Landsman -Rivers Radio Services. Rivers has signedWIFI, ber/November. Other Kansas City (Continued on page 37) WEFM and WHUE-AM and FM as clients ... Rob Sisco,PD, and Mark Fridges, MD of WPEZ in Pittsburgh will leave the station,probably around September 1, to make way for programming changesinsti- tuted by the new general manager of WPEZ and WWSW, Mike Har- vey, who will take the helm in steering thestation in a reportedly adult/contemporary direction ... Joel Denver is out at WBSB in Bal- timore ... Jay Quinn has taken over the 2AM-6AM airshift at WRQX- FM (Q107) in Washington, D.C... Charles Heiser has beenappointed vice president and general manager of KOAX/Dallas-Fort Worth.He comes from KYW inPhiladelphia, also a owned by Westinghouse Broadcasting ... Mike McVay has resigned as PD of WAKY/Louis- ville ... Pete Howard isthe new nationalsales manager for the syndicated program Earth News. He comes from CBS Records . . . Berger has been appointed promotion director of WKYS, in Wash- ington, D C Bob Bolton has resigned as operations manager/ program director of WKIX, Raleigh.Consequently, the 10,000 watt adult contemporary -formatted station is seeking an operations man- ager. General manager Tommy Walker asks that"resume, air check of station and programming philosophy of station" be sent tohim at WKIX, P.O. Box 12526, Raleigh, N.C. 27605 ...Thirsty Ear Produc- tions has appointed Keith Altomare national director of station re- lations. SMILE, YOU'RE SOPHISTICATED!: Sure you spend a lot of time listening to records on the radio, but how about all the music that fills up paid advertising time? A lot of thought and effort goes into those commercial jingles, according to David Lucas and Tom McFaul of Lucas/McFaul, the company that's produced jingles for Pepsi,AT&T

("Reach out . . .") Pan Am, GE and Meow Mix (yes, the singing cats). Radio people should be happy to learn that Lucas feels producing jingles for radio, as opposed to TV, is "more fun" from a musician's point of view. "There are fewer restrictions," he continued, "inhow the orchestrationis conceived. The mix is often more like the mix on a pop record . . . generally, the more adventuresome projects are done for radio." Asked about the psychological considerations that go into making "Looks like ice got another poor slob taken in by a (Continued on page 37) pyramid scam ..."

RECORD WORLD AUGUST 2, 1980 28

AmericanRadioHistory.Com Diakigg, (Continued from page 18) John Hartford: Depte: Yes. You'll see variations of the music that comes outof PIR. Something Old, New, Borrowed & Bluegrass The spectrum is wide already and it will continue towiden. The music that we create, the music that comes from PhillyInternational and II NEW YORK-John Hartford is ford's electric tapdancing, which, TSOP will be mass appeal music. There will be musicthat appeals to probably the only musician who as always, was well -received. (Be- the various segments of the music -buying public. It willtranscend the can get away with leading a New foretheshow,theaudience traditional R&B and pop record -buying public. Our effort is to broaden York audience in sing -along yo-cheered wildly when the roadie the number of people who buy our records. deling. As bizarre as it sounds, it brought out the amplified sound - RW: Specifically, is there an area such as fusion that youplan to was actually a nice touch to his board that Hartford dances on.) July 10 appearance at the Bottom get into? An interesting aspect of the Depte: No, I don't think you can label it as a specific area as much as Line. Although the performanceshow was the exclusion of "Gentle the music being universal inits concept and its presentation. came on the heels of the release On My Mind." Hartfordisstill RW: What else generally is going on here in the way of expansion? of "You And Me At Home," his hounded by the reputation of be- Depte: A lot of things. We are selecting quality acts ... latest album for Flying Fish, his ing the writer of the song, which, RW: Will there be more signings before the end of the year? set consisted of mostly older and after being a hit for Glen Camp- better-known tunes. bell in 1967, went on to become Depte: I think you will see more signings. We have never signed a lot of acts, we've always been veryselective. We will continue to One-man Band a pop standard recorded by over maintain and to enhance the success of our established artists.That Hartford's brand of music is a 300 artists.Itis to his credit that is always the top priority. All too often when successis he didn't feel obligated to include with us sort of one-man band application this particular per- obtained, a year or two later the artistis no longer successful.It's of progressive bluegrass. He suc-the song in been our desire to have success be consistent. The O'Jays have,for cessfully overcomes thelimita- formance. example, had nine gold and/or platinum albums. Every album thattions of the one-man show by Hartford closed the set with Teddy Pendergrass has had with us has been platinum plus. So our changing instruments as quickly "Orange Blossom Special" and growth will be through two vehicles; one by maintaining the suc- as his musical themes. The themes "Rollin' In My SweetBaby's cess of our established artists and two, bydeveloping new artists, and instruments in this particularArms," a coupleofbluegrass suchas McFadden and Whitehead, whosealbum was gold and performance ranged from songs standards. Hartford is, of course, whose debut single was platinum. Or the Jones Girls, whose debut on the fiddle about the Illinoisno stranger to bluegrass. How- album was near gold, and whose debut single was gold.It's that River toa song on the guitar ever, the uniqueness of his music kind of continued success coupled with developing new artists. We're about life in the city in and among isthedirectioninwhichhe building while at the same time keeping what we have hot. "Tall Buildings" to a banjo reggaechooses to take that bluegrass. RW: The role producers have played in your success has been a number. The latter, which was David Skinner large one. As more artists assume that role themselves, and as more definitely one of the high points producers become interested being artists, what are you doing to of the show, was a reggae sing - Joel Single Gold maintain a strong stable of producers? along dedicated to Bob Marley E NEW YORK-Columbia record- Depte: We've got what I consider to be one of,if not the finest entitled "Two Hits And The Jointing artistBilly Joel has had his production staffs in the record business today. It's been built slowly. Turn Brown." latest single,"It'sStillRock 'n' It's been built by maintaining a relationship with songwriters even The percussion for a majority of Roll To Me," certified gold by prior to them being involved in production. We work with them these songs was provided by Hart- the R.I.A.A. in their development until they reach the point when they are great producers. McFadden and Whitehead are a great production team, capable of producing the kind of music that has that mass market appeal. So we've got a great production staff. But at the same time we are building relationships with other producu3 who are, in some cases, outside of our organization so that our artists have the very best by way of production. Ashford and Simpson produced cuts on the Teddy Pendergrass album. That album also contains McFadden and Whitehead's production, and even Teddy's own production. RW: Is there any area that you think PIR has to attack more aggres- sively than it has in the past?

Depte: I think our formula is working. The course of action we have chosen-of course, there are always some things you like to change and modify, but on a whole the plan as laid out by Kenny Gamble and Leon Huff ten years ago when the company was formed has been working. The plan has been modified, updated and has continued to work. Every year has been bigger than the preceding year. We have never taken a step backwards. We have always stepped forward and we will continue to step forward. RW: One would think that at a time such as this, when a recession is underway, and when black people get hit hardest by a recession, that the ones that get affected the most would be the labels that rely on the black consumer. Depte: Ithink that itis to the contrary. Black people have exper- ienced their share of hard times a lot. Hard times are not a stranger to black people. We've learned to endure when times are rough. And that endurance means that we've built our lifestyles in such a vie way that, whether there's arecession or not, we buy our music. The record industry continues to sell.It was black music, jazz, that fh6Noes5roi kept the record industry alive during the Great Depression . . . RW: Is PIR a recession -proof company? Depte: I think we're as recession -proof as any company can be. arrangements Music is a part of life to black people. A very meaningful part of theho life. And as a result there's a loyalty that exists not by just blacks, but by whites who buy black music. They buy it because it's meaningful by-Thornasmi3onel and it aids in the living of life. That's one of the significant factors to 806 Pictures escalating black music sales even though times are hard. That's why there's a need to get black music more exposure; so that we can con- OnlverSat tinue this record business that is a livelihood for so many people. Black from Records. music can bring more profits and enhance the continuation of the fhanKs Atlantic and OPYRIGNE IWO UNIVERSALCITY STUDIOS INC ALLRIGHTS RESERVED record business.

RECORD WORLD AUGUST 2, 1980 29

AmericanRadioHistory.Com Record World chart L -La'2

AUGUST 2, 1980 By SOPHIA MIDAS

[ HE "FIORUCCI" RECORD STORE-A growing number of retailers AUG JULY WKS. ON 2 26 are diversifying their paraphernalia inventory because current litiga- CHART tion (The City of Parma versus Record Revolution) threatens to elimi- 1 1 MAGIC nate the sale of tobacco pipes, snuff accessories and other related OLIVIA NEWTON -JOHN items. Because such paraphernalia constitutes as much as 30 percent MCA 41247 11 of overall store profits for many retailers, the diversification of this (3rd Week) line of goods may compensate for the potential loss of these sales. Record Revolution's Peter Schliewen reports that his latest line of 4 MORE LOVE KIM CARNES/EMI-America 8045 10 "new wave paraphernalia" is reaping tremendous profits for his stores. 3 2 CUPID/I'VE LOVED YOU FOR A LONG TIME (MEDLEY) "Today's retailer has to be innovative," said Schliewen, "in order to SPINNERS/Atlantic 3664 12 stay in business and be successful during the ailing times of the indus- 7 STAND BY ME MICKEY GILLEY/Full Moon/Asylum 46640 10 try. Some of my hottest selling items are new wave jewelry, sunglasses, 5 5 LOVE THE WORLD AWAY KENNY ROGERS/ V-neck T-shirts and buttons. Kids seem to want to buy every button United Artists 1359 8 3 LITTLE JEANNIE ELTON JOHN/MCA 41236 14 that's available, old or new. My hottest selling T-shirts have barbed 7 6 THE ROSE BETTE MIDLER/Atlantic 3656 19 wire painted down the fronts of them. Ifeel as though we've become 12 ALL OUT OF LOVE AIR SUPPLY/Arista 0520 7 the 'Fiorucci' of record stores. Also selling well are chocolate chip cookies which are wrapped in paper with each end of the paper El 15 SAILING CHRISTOPHER CROSS/Warner Bros. 49507 7 10 10 IT'S STILL ROCK AND ROLL TO ME BILLY JOEL/Columbia twisted; they look like cigarettes. The demand for these cookies is so great that the manufacturer of these cookies is having difficulty 1 11276 10 11 11 TIRED OF TOEIN' THE LINE ROCKY BURNETTE/EMI- keeping up with retail demand. Paraphernalia manufacturers are just America 8043 11 as wary about the current litigation as we are, and they're rapidly di- M14 MAKE A LITTLE MAGIC DIRT BAND/United Artists 1356 7 versifying their product line to protect the viability of their company." 18 TAKE A LITTLE RHYTHM ALI THOMSON/A&M 2243 7 MORE ADVENTURES IN THE LAND OF MUSIC: Kemp Mill's Howard 14 8 ONE FINE DAY CAROLE KING/Capitol 4864 11 Appelbaum is currenly promoting Dynasty's latest album "Adventures 15 13 SHINING STAR MANHATTANS/Columbia 1 11222 11 In the Land of Music" with a dance contest. Co -sponsored by radio 16 9 LET ME LOVE YOU TONIGHT PURE PRAIRIE LEAGUE/ station OK 100 and Solar Records, the promotion entails renting out Casablanca 2266 11 a dance club in Washington, D.C. and giving Kemp Mill customers Ei 19 MISUNDERSTANDING GENESIS/Atlantic 3662 6 the opportunity to dance their hearts away. The best "dancing couple" 18 16 STEAL AWAY ROBBIE DUPREE/Elektra 46621 14 will win a trip to Los Angeles, all expenses paid, and will be able to El 24DOJO BOZ SCAGGS/Columbia 1 11281 7 visit a recording studio and watch a Solar artist record. The winning 25 DRIVIN' MY LIFE AWAY EDDIE RABBITT/Elektra 46656 6 dance couple will also be able to audition for the "Soul Train" show, 71 27WHY NOT ME FRED KNOBLOCK/Scotti Brothers 518 (Ail) 4 and may even get the chance of being interviewed on the show 22 17 I'M HAPPY JUST TO DANCE WITH YOU ANNE MURRAY/ if their dancing is exceptionally good. Schedule permitting, Dynasty Capitol 4878 7 will judge the dance contest. Kemp Mill also recently completed a 23 22 EMPIRE STRIKES BACK (MEDLEY) MECO/RSO 1038 7 Stacy Lattisaw promotion entitled "Let Me Be Your Angel." The pro- 32 LOOKIN' FOR LOVE JOHNNY LEE/Full Moon/Asylum 47004 2 motion made it possible for 20 children, who are between the ages 30 LOVE THAT GOT AWAY FIREFALL/Atlantic 3670 6 of 7-16 years old and who are enrolled in school, to attend summer 33 YOU'RE THE ONLY WOMAN (YOU & I) AMBROSIA/ camp for two weeks. "The focus of this promotion," said Appelbaum, Warner Bros. 49508 2 was to stress the importance of kids being in school, as well as to 27 26 THAT LOVIN' YOU FEELIN' AGAIN ROY ORBISON & promote Stacy's album." The promotion was co -sponsored by WHUR EMMYLOU HARRIS/Warner Bros. 49262 5 and Atlantic/Cotillion... According to advertising director Lee Cohen, En 35 SOMEONE THAT IUSED TO LOVE NATALIE COLE/Capitol the Licorice Pizza retail chain is involved with a "$20,000 Record & 4869 6 Tape Give -Away." Each of the 27 Licorice Pizza stores will entitle one El 39 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB 49505 2 customer to 100 free records or tapes of his choice. "The response 30 29 WHERE DID WE GO WRONG FRANKIE VALLI/MCA/Curb to this $20,000 promotion has been absolutely incredible," said Co- 41253 6 hen. "Our employees are all wearing $20,000 T-shirts, and that's 31 31 BEYOND HERB ALPERT/A&M 2246 5 definitely heightening customer excitement. Who wouldn't want 100 32 34 YEARS FROM NOW DR. HOOK/Capitol 4885 5 free records. ?" If Mt. St. Helens ever calms down, the Everybody's E3 41 INTO THE NIGHT BENNY MARDONES/Polydor 2091 3 retail outlet will offer some of its customers a flight around the vol- 44 HEY THERE LONELY GIRL ROBERT JOHN/EMI-America 8049 2 cano. The flight, whichisbeing co -sponsored by KGON, Capitol 35 37 I CAN'T LET GO LINDA RONSTADT/Asylum 46654 3 Records and Everybody's, will be promoting Sammy Hagar's album "Danger Zone." Everybody's also just completed a promotion which CHARTMAKER OF THE WEEK spotlighted the Kingbees' single "My Mistake." Customers were asked - HOT ROD HEARTS to write down their worst mistake, and the person who made the ROBBIE DUPREE most abominable mistake won 15 RSO records and dinner for two Elektra 47005 . . . Krokus' album "Metal Rendez-Vous" was recently highlighted at 1812 Overture's outlet when customers were given the opportunity 37 38 CRY JUST A LITTLE PAUL DAVIS/Bang 9 4811 (CBS) of venting their hostilities by demolishing a car. For the price of 97 42 FIRST TIME LOVE LIVINGSTON TAYLOR/Epic 9 50894 3 an 1812 Overture customer could take three whacks at the car. Profits -ONE IN A MILLION YOU LARRY GRAHAM/Warner Bros. went to a local charity. 49221 1 THE OLDIES ARE ALIVE AND WELL-After presenting a free concert 40 OLD -FASHION LOVE COMMODORES/Motown 1489 1 at Boston's Government Center to celebrate the city's 350th birthday, 41 21 SHE'S OUT OF MY LIFE MICHAEL JACKSON/Epic 9 50871 16 the Four Tops made an in-store appearance at Strawberries . . . Jan 42 43 DOC EARL KLUGH/United Artists 1355 6 and Dean recently visited the Record Bar in Jacksonville, North Caro- 43 28 ONE MORE TIME FOR LOVE BILLY PRESTON & SYREETA/ lina. The duo signed autographs for fans and were interviewed during Tamla 54312 (Motown) 7 a live remote by WIIZ radio. 44 20 AGAINST THE WIND BOB SEGER/Capitol 4863 14 45 48REGRETS KENNY RANKIN/Atlantic 3663 2 MOVERS: Ira Broden exits Alexanders to explore other ventures out 46 23 SHOULD'VE NEVER LET YOU GO NEIL SEDAKA & DARA of the music industry and is replaced by Harold Fein, former retail SEDAKA/Elektra 46615 17 product manager, MCA ... Fathers & Suns bids farewell to advertising 47 49 LET MY LOVE OPEN THE DOOR PETE TOWNSHEND/Atco director Jon Valant and marketing manager Steve Druley. . . Licorice 7217 2 Pizza announces: Steve Macon Lessinger has been promoted to buyer 48 NO NIGHT SO LONG DIONNE WARWICK/Arista 0527 1 manager from WEA buyer; Chris Doucette becomes singles buyer 49 40 IN AMERICA CHARLIE DANIELS BAND/Epic 9 50888 6 and replaces Cary Mansfield who goes to MCA; and Mike Brownis 50 45BIGGEST PART OF ME AMBROSIA/Warner Bros. 49225 18 appointed general merchandise buyer.

30 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Retail L Record World

A survey of NEW product sales listed alphabetically in the nation's leading retail outlets AUGUST 2, 1980

LOST IN LOVE-Air Supply- 1812 OVERTURE/ HOLD OUT-Jackson Browne- ALEXANDER'S/NEW YORK Asylum SALESMAKER OF THE WEEK Arista MILWAUKEE CAN'T STOP THE MUSIC-Village LET ME BE YOUR ANGEL-Stacy People-Casablanca NIGHTHAWKS-Mecury AFL1-3603-Dave Davies-RCA Lattisaw-Cotillion (Soundtrack) SATISFACTION GUARANTEED- BEYOND --Herb Alpert-A&M REAL PEOPLE-Chic-Atlantic Mark Murphy-Muse CHC EMOTIONAL RESCUE-Rolling FEEL THE HEAT-Henry Paul Band RHAPSODY & BLUES-Crusaders Stones-Rolling Stones THE GAME-Queen-Elektra -Atco MCA FAME-RSO (Soundtrack) JOY & PAIN-Maze featuring THE GAME-Queen-Asylum HEROES-Commodores-Motown RECORD REVOLUTION/ Frankie Beverly-Capitol XANADU-MCA (Soundtrack) HOLD OUT-Jackson Browne- PA. -DEL. LET ME BE YOUR ANGEL-Stacy Asylum ADVENTURES IN THE LAND OP Lattisaw-Cotillion SOUND WAREHOUSE/ MOUTH TO MOUTH-Lipps, Inc.- MUSIC-Dynasty-Solar LOVE APPROACH-Tom Browne- COLORADO Casablanca Arista/GRP CALLING-Noel Pointer-UA CAMERON-Salsoul REAL PEOPLE-Chic-Atlantic LOVE JONES-Johnny Guitar FULL MOON-Charlie Daniels Watson-DJM CHIPMUNK PUNK-Excelsior THE GAME-Queen-Elektra Band-Epic REAL PEOPLE SEDUCTION-James Last Band- DIANA-Diana Ross-Motown THERE AND BACK-Jeff Beck- GIVE ME THE NIGHT-George Polydor DON'T LOOK BACK-Natalie Cole CHIC Epic Benson-WB SPLASHDOWN-Breakwater- -Capitol Atlantic UNMASKED-Kiss-Casablanca JOY AND PAIN-Maze featuring FEEL THE HEAT-Henry Paul Band Frankie Beverly-Capitol Arista TERMS & CONDITIONS-Jay -Atco NEW CLEAR DAY-Vapors-UA SAM GOODY/EAST COAST Ferguson-Asylum ONE FOR THE ROAD-Kinks- ROOTS-Ramsey Lewis-Col Arista DUKE-Genesis-Atlantic TOP SALES UNDER THE GUN-Poco-MCA REAL PEOPLE-Chic-Atlantic EMOTIONAL RESCUE-Rolling LIEBERMAN/MINNEAPOLIS SUN OVER THE UNIVERSE-Sun REAL PEOPLE-Chic-Atlantic Stones-Rolling Stones WINNERS-I&M I JUST CAN'T STOP IT-English Capitol BEYOND-Herb Alpert-A&M EMPIRE STRIKES BACK-RSO XIV-Chicago-Col THIS TIME-Al Jarreau-WB UNDER THE GUN-Poco-MCA Beat-Sire (Soundtrack) MUSIC FOR PARTIES-Silicone UNDER THE GUN-Poco-MCA THE GAME-Queen-Elektra FAME-RSO (Soundtrack) NATL. RECORD MART/ Teens-Sire GLASS HOUSES-Billy Joel-Col MIDWEFT MUSIC MADNESS FROM THE KINETIC KID-Klark Kent- CIRCLES/ARIZONA HOLD OUT-Jackson Browne- AFL1-3603-Dave Davies-RCA Asylum Kryptone/I.R.S. CALLING-Noel Pointer-UA HANDLEMAN /NATIONAL FAME-RSO (Soundtrack) PARTY OF ONE-Tim Weisberg- ME MYSELF I-Joan Armatrading CONCERNED PARTY NUMBER ONE ANYTIME-ANYPLACE-ANYWHERE- -A&M FEEL THE HEAT-Henry Paul MCA -Captain Sky-TEC Rossington-Collins Band-MCA Band-Atco PETER GABRIEL-Mercury GARDEN OF LOVE-Rick James- DIANA-Diana Ross-Motown PETER GABRIEL-Mercury ME MYSELF I-Joan Armatrading REAL PEOPLE-Chic-Atlantic Gordy SOS-SOS Band-Tabu EMOTIONAL RESCUE-Rolling -A&M SATURDAY NITE SWEET-Garrett I TOUCHED A DREAM-Dells- Stones-Rolling Stones THE GAME-Queen-Elektro ONE IN A MILLION YOU-Larry Morris-MCA 20th Century -Fox MAGNIFICENT MADNESS-John FAME-RSO (Soundtrack) Graham-WB SOS-SOS Band-Tabu ROCK & ROLL ENFORCERS- Klemmer-Elektra HEROES-Commodores-Motown CUTLER'S/NEW HAVEN SPORTS CAR-Judie Tzuke-MCA Silencers-Precision METAL RENDEZ-VOUS-Krokus- HOLD OUT-Jackson Browne- CANDI STATON-WB RUSS BALLARD & THE BARNET UNDER THE GUN-Poco-MCA Ariola-America Asylum CAREFUL-Motels-Capitol DOGS-Epic NEW CLEAR DAYS-Vapors-UA ONE FOR THE ROAD-Kinks- EMOTIONAL RESCUE-Rolling SPECIAL THINGS-Pleasure- MUSICLAND/ST. LOUIS PARTY OF ONE-Tim Weisberg Arista Fantasy -MCA Stones-Rolling Stones BEYOND-Herb Alpert-A&M THE GAME-Queen-Elektra GLASS HOUSES-Billy UNDER THE GUN-Poco-MCA TERMS & CONDITIONS-Jay CHIPMUNK PUNK-Excelsior Ferguson-Capitol XANADU-MCA (Soundtrack) HOLD OUT-Jackson Browne- DANCING IN THE DRAGON'S JAW TWICE AS SWEET-Taste of Honey Asylum RECORD RENDEZVOUS/ -Bruce Cockburn-Millennium -Capitol JOY & PAIN-Maze featuring CLEVELAND KORVETTES/ NATIONAL Frankie Beverly-Capitol RONIN-Mercury ABOUT LOVE-Gladys Knight & REAL PEOPLE-Chic-Atlantic AFL1-3603-Dove Davies-RCA SHEET MUSIC-Barry White- TOWER/PHOENIX the Pips-Col SAVED-Bob Dylan-Col AMERICAN NOISE-Planet Unlimited Gold SKATT BROTHERS-Casablanca ANYTIME-ANYPLACE-ANYWHERE- BEYOND-Herb Alpert-A&M SON OF ROCK 'N' ROLL-Rocky CORRECT USE OF SOAP- Rossington-Col lins Band-MCA CHIPMUNK PUNK-Excelsior Burnette-EMI-America Magazine-Virgin SOMETHING TO BELIEVE IN- BEYOND-Herb Alpert-A&M LOVE APPROACH-Tom Browne- THE GAME-Queen-Elektra CRASHES-Record s-V irg in Curtis Mayfield-RSO DIANA-Diana Ross-Motown TALE OF THE TAPE-Billy Squ ier- Arista/GRP EMPIRE JAZZ-Ron Carter-RSO MAGNIFICENT MADNESS-John Capitol Klemmer-Elektra LOVE IS A SACRIFICE-Southside RECORD & TAPE IRON MAIDEN-Harvest UNDER THE GUN-Poco-MCA Johnny & the Asbury Jukes- NIGHT FLIGHT-Justin Hayward- LOVE AFFAIR-Radio WAITING FOR YOU-Brick-Bang Mercury COLLECTOR/BALTIMORE Deram ADVENTURES IN THE LAND OF NEVER RUN NEVER HIDE-Benny PARTY OF ONE-Tim Weisberg- LOVE TRIPPIN.-Spinners- Mardones-Polydor Atlantic MUSIC-Dynasty-Solar MCA BEYOND-Herb Alpert-A&M ROCK & ROLL ENFORCERS- TURTLES/ATLANTA REAL PEOPLE-Chic-Atlantic Silencers-Col REAL PEOPLE-Chic-Atlantic CAMERON-Salsoul ADVENTURES IN THE LAND OF ROBBIE DUPREE-Elektra THERE AND BACK-Jeff Beck- MUSIC-Dynasty-Solar SPORTS CAR-Judie Tzuke-MCA IRON MAIDEN-Harvest THERE & BACK-Jeff Beck-Epic Epic BEYOND-Herb Alpert-A&M UNDER THE GUN-Poco-MCA LOOKING FOR TROUBLE-Toronto UNMASKED-Kiss-Casablanca CHIPMUNK PUNK-Excelsior WHERE DID THE MONEY GO- -A&M Hoyt Axton-Jeremiah NO RESPECT-Rodney Dangerfield RECORD REVOLUTION/ DANGER ZONE-Sammy Hagar- PICKWICK /NATIONAL -Casablanca CLEVELAND Capitol REAL PEOPLE-Chic-Atlantic AFL1-3603-Dave Davies-RCA GARDEN OF LOVE-Rick James- LICORICE PIZZA/ ANYTIME-ANYPLACE-ANYWHERE- Gordy Rossington-Collins Band-MCA SEEDS OF CHANGE-Kerry Livgren GIVE ME THE NIGHT-George LOS ANGELES -Kirshner JOY & PAIN-Maze featuring BEYOND-Herb Alpert-A&M Benson-WB Frankie Beverly-Capitol BEYOND-Herb Alpert-A&M SPECIAL THINGS-Pleasure- HOLD OUT-Jackson Browne- NO RESPECT-Rodney CAMEOSIS-Cameo-Chocolat,' CHIPMUNK PUNK-Excelsior Fantasy Asylum Dangerfield-Casablanca City EMOTIONAL RESCUE-Rolling UNDER THE GUN-Poco-MCA LOVE AFFAIR-Radio REAL PEOPLE-Chic-Atlantic EMOTIONAL RESCUE-Rolling Stones-Rolling Stones MAGNIFICENT MADNESS- RENE & ANGELA-Capitol Stones-Rolling Stones HOLD OUT-Jackson Browne- KEMP MILL/WASH., D.C. John Klemmer-Elektra HEROES-Commodores-Motown Asylum ONE FOR THE ROAD-Kinks- UNDER THE GUN-Poco-MCA BEYOND-Herb Alpert-A&M HOLD OUT-Jackson Browne- HORIZON-Eddie Rabbitt-Elektra Arista Asylum CALLING-Noel Pointer-UA PARTY OF ONE-Tim Weisberg- MAKE A LITTLE MAGIC-Dirt Band SPEC'S MUSIC/FLORIDA ME MYSELF I-Joan Armatrading -UA 'BO-Gene Chandler -20th MCA -A&M Century Fox PLAYING FOR KEEPS-Eddie BEYOND-Herb Alpert-A&M MONSTER-Herbie Hancock-Col NO RESPECT-Rodney Dangerfield I TOUCHED A DREAM-Dells- -Casablanca Money-Col CAMEOSIS-Cameo-Chocolate ROMANCE DANCE-Kim Carnes- 20th Century Fox SCOTT WILK THE WALLS-WE THE GAME-Queen-Elektra City EMI-America JOY AND PAIN-Maze featuring UPRISING-Boo Marley & the CHRISTOPHER CROSS-WB THE GAME-Queen-Elektra XANADU-MCA (Soundtrack) Frankie Beverly-Capitol Wailers-Island UNDER THE GUN-Poco-MCA REAL PEOPLE-Chic-Atlantic H-Bob James-Col/Tappan Zee ONE IN A MILLION YOU-Larry SOUND UNLIMITED/ SUN OVER THE UNIVERSE-Sun- Capitol ROSE/CHICAGO Graham-WB EUCALYPTUS RECORDS/ NATIONAL THE GAME-Queen-Elektra PARTY OF ONE-Tim Weisberg- WEST & NORTHWEST BEYOND-Herb Alpert-A&M MCA CAMERON-Salsoul THUNDER -7th Wonder- CULTOSAURUS ERECTUS-Blue REAL PEOPLE-Chic-Atlantic AFL1-3603-Dave Davies-RCA CHIPMUNK PUNK-Excelsior Chocolate City Oyster Cult-Col ROCKS, PEBBLES & SAND-Stanley CHIPMUNK PUNK-Excelsior FAME-RSO (Soundtrack) TWICE AS SWEET-Taste of Honey EMOTIONAL RESCUE-Rolling FAME-RSO (Soundtrack) -Capitol Clark-Epic NIGHT FLIGHT-Justin Hayward- Stones-Rolling Stones SHEET MUSIC-Barry White- HEAVEN & HELL-Black Sabbath- FLESH AND BLOOD-Roxy Music- Deram Unlimited Gold WB RADIO 437/PHILADELPHIA Atco UNDER THE GUN-Poco-MCA HUEY LEWIS & THE NEWS- NO NIGHT SO LONG-Dionne GIVE ME THE NIGHT-George Chrysalis Warwick-Arista AFL1-3603-Dave Davies-RCA Benson-WB JOY & PAIN-Maze featuring PARTY OF ONE-Tim Weisberg- ANYTIME-ANYPLACE-ANYWHERE- HOLD OUT-Jackson Browne- TAPE CITY/NEW ORLEANS Frankie Beverly-Capitol MCA Rossington-Col lins Band-MCA Asylum LOVE JONES-Johnny Guitar AFLI-3603-Dave Davies-RCA REAL PEOPLE-Chic-Atlantic CALLING-Noel Pointer-UA REAL PEOPLE-Chic-Atlarftic Watson-DJM BEYOND-Herb Alpert-A&M SEEDS OF CHANGE-Kerry FAME-42SO (Soundtrack) SHEET MUSIC-Barry White- NEVER RUN NEVER HIDE-Benny Mardones-Polydor Livgren-Kirshner FULL MOON-Charlie Daniels Unlimited Gold EMOTIONAL RESCUE-Rolling THE GAME-Queen-Elektra Stones-Rolling Stones REAL PEOPLE-Chic-Atlantic TERMS & CONDITIONS-Jay Band-Epic FOUND ALL THE PARTS-Cheap TWICE AS SWEET-Taste of Honey Ferguson-Capitol GIVE ME THE NIGHT-George THERE AND BACK-Jeff Beck- Epic Trick-Epic 1101 -Capitol UNDER THE GUN-Poco-MCA Benson-WB

AmericanRadioHistory.Com World PRICE CODE: F - 6.98 G - 7.98 H - 8.98 I - 9.98 J - 11.98 K - 12.98 L - 13.98

AUGUST 2, 1980 TITLE, ARTIST, Label, Number, (Distributing Label) AUG. JULY WKS. ON CHARTMAKER OF THE WEEK 2 26 CHART

1 1 GLASS HOUSES 50 118 CHIPMUNK PUNK BILLY JOEL CHIPMUNKS Columbia FC 36384 Excelsior XLP 6008 (10th Week) 20 H 1 G

2 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones COC 52 KENNY KENNY ROGERS/United Artists LWAK 979 43 H 52 16015 (ATI) 3 H 53 DEPARTURE JOURNEY/Columbia FC 36339 20 H 53 49 3 URBAN COWBOY (ORIGINAL SOUNDTRACK) VARIOUS PRETENDERS/Sire SRK 6083 (WB) 27 G 1E2 54 55 DAMN THE TORPEDOES TOM PETTY AND THE ARTISTS/Full Moon/Asylum DP 90002 11 X 4 HEARTBREAKERS/Backstreet/MCA 5105 47 H HOLD OUT JACKSON BROWNE/Asylum 5E 511 3 H 55 47 THE GLOW OF LOVE CHANGE/Warner/RFC RFC 3438 12 G 5 AGAINST THE WIND BOB SEGER & THE SILVER BULLET 56 57 LOVE TRIPPIN' SPINNERS/Atlantic SD 19270 5 G BAND/Capitol SOO 12041 21 H 62 "H" BOB JAMES/Columbia/Tappan Zee JC 36422 4 G 7 BLUES BROTHERS (ORIGINAL SOUNDTRACK)/Atlantic SD 86 BEYOND HERB ALPERT/A&M SP 3717 2 H 16017 6 H 59 59 HEAVEN AND HELL BLACK SABBATH/Warner Bros. BSK 13 THE GAME QUEEN/Elektra 5E 513 3 H 3372 9 G 11 60 60 DIANA DIANA ROSS/Motown M8 936M1 8 H GO ALL THE WAY ISLEY BROTHERS/T-Neck FZ 36305 (CBS)16 H 61 48 9 9 HEROES COMMODORES/Motown M8 939M1 6 H LOVE STINKS J. GEILS BAND/EMI-America SOO 17016 26 H 62 63 10 10 S.O.S. S.O.S. BAND/Tabu NJZ 36332 (CBS) 6 G COME UPSTAIRS CARLY SIMON/Warner Bros. BSK 3443 4 G 119 UNDER THE GUN POCO/MCA 5132 11 8 OFF THE WALL MICHAEL JACKSON/Epic FE 35745 47 H 1 H 65 MUSIC MAN WAYLON JENNINGS/RCA AHL1 3602 12 12 STAR WARS/THE EMPIRE STRIKES BACK (ORIGINAL 7 G 65 67 IN THE HEAT OF THE NIGHT PAT BENATAR/Chrysalis CHR SOUNDTRACK)/RSO RS 2 4201 11 L 123637 G 18 CHRISTOPHER CR055/Warner Bros. BSK 3383 21 G 66 69 MAD LOVE LINDA RONSTADT/Asylum 5E 510 22 H 14 6 67 McCARTNEY II PAUL McCARTNEY/Columbia FC 36511 8 H 71 HOT BOX FATBACK/Spring SP1 6726 (Polydor) 14 G 68 54 15 14 EMPTY GLASS PETE TOWNSHEND/Atco SD 32 100 12 H DON'T LOOK BACK NATALIE COLE/Capitol ST 12079 8 G 69 70 TEN YEARS OF GOLD KENNY ROGERS/United Artists UA Ea 21 FAME (ORIGINAL SOUNDTRACK)/RSO RX 13080 5 H 17 19 ONE FOR THE ROAD KINKS/Arista A2L 8401 6 K LA 835 H 31 G 70 78 CULTOSAURUS ERECTUS BLUE OYSTER CULT/Columbia JC 18 20 MICKEY MOUSE DISCO/Disneyland/Vista 2504 19 19 16 36550 3 G JUST ONE NIGHT ERIC CLAPTON/RSO RS 2 4202 14 L 71 73 LOVE IS A SACRIFICE SOUTHSIDE JOHNNY & THE ASBURY 20 15 THE ROSE (ORIGINAL SOUNDTRACK)/Atlantic SD 16010 30 H JUKES/Mercury SRM 1 3836 5 G 72 72 21 22 MOUTH TO MOUTH LIPPS, INC./Casablanca NBLP 7197 18 G ROCKS, PEBBLES AND SAND STANLEY CLARKE/EpicJE 22 17 THE WALL PINK FLOYD/Columbia PC2 36183 32 L 36506 6 G 73 50 ME MYSELF I JOAN ARMATRADING/A&M SP 4809 31 9 G ANYTIME ANYPLACE ANYWHERE ROSSINGTON COLLINS 74 76 CATCHING THE SUN SPYRO GYRA/MCA 5108 19 BAND/MCA 5130 4 H H 75 56 ROBERTA FLACK FEATURING DONNY HATHAWAY/Atlantic 24 23 UNMASKED KISS/Casablanca NBLP 7225 7'H SD 16013 18 H 25 25 SAVED BOB DYLAN/Columbia FC 36553 1H 76 77 4 ONE EIGHTY AMBROSIA/Warner Bros. BSK3368 14 G 26 26THERE AND BACK JEFF BECK/Epic FE 35684 4 H 85 '80 GENE CHANDLER/20th Century Fox/Chi-Sound 27 27 LET'S GET SERIOUS JERMAINE JACKSON/Motown M7 T 605 (RCA) 2 G 78 79 928R1 17 G BRITISH STEEL JUDAS PRIEST/Columbia JC36443 9 G 28 24 79 64 GIDEON KENNY ROGERS/United Artists LOO 1035 16 1H FLESH AND BLOOD ROXY MUSIC/Atco SD32 102 5 H Ell 32 ONE IN A MILLION YOU LARRY GRAHAM/Warner Bros. 80 88 THE SON OF ROCK AND ROLL ROCKY BURNETTE/EMI- BSK 3447 5 G America SW 17033 2 G 81 66 30 29 DUKE GENESIS/Atlantic SD 16014 15 H TWO PLACES AT THE SAME TIME RAY PARKER,JR. AND 40 CAMEOSIS CAMEO/Chocolate City CCLP 2011 (Casablanca)12 G RAYDIO/Arista AL 9515 17 H 82 74 ROSES IN THE SNOW EMMYLOU HARRIS/Warner 32 28 WOMEN AND CHILDREN FIRST VAN HALEN/ Bros. BSK Warner Bros. HS 3415 16 H 3422 10 G 83 81 SPLENDIDO HOTEL AL DI MEOLA/Columbia 33 34 C2X 36270 4 J SCREAM DREAM TED NUGENT/Epic FE 36404 10 H 93 ROBBIE DUPREE / Elektra 6E 273 2 34 36 21 AT 33 ELTON JOHN/MCA 5121 10 H 85 G 82 ON THE RADIO-GREATEST HITS VOLUMESI & II DONNA 35 30 NAUGHTY CHAKA KHAN/Warner Bros. BSK 3385 7 G SUMMER/Casablanca NBLP 2 7191 38 L THIS TIME AL JARREAU/Warner Bros. BSK 3434 96 D 39 7 G Et] ADVENTURES IN THE LAND OF MUSICDYNASTY/Solar 37 37 MIDDLE MAN BOZ SCAGGS/Columbia FC 36106 16 H BXL1 3576 (RCA) 2 G 38 87 83 LIGHT UP THE NIGHT BROTHERS 33 CAN'T STOP THE MUSIC (ORIGINAL SOUNDTRACK) JOHNSON/A&M SP 3716 22 H 88 68 FOUND ALL THE PARTS CHEAP TRICK/Epic/Nu-Disk VILLAGE PEOPLE/Casablanca NBLP 7220 4 H E4 36453 5 X 89 90 LET ME BE YOUR ANGEL STACY 43 RHAPSODY AND BLUES CRUSADERS/MCA 5124 4 H LATTISAW/Cotillion SD 40 41 5219 (Atl) 4 G AFTER MIDNIGHT MANHATTANS/Columbia JC 36411 13 G 90 75 FIRIN' UP PURE PRAIRIE LEAGUE/Casablanca 58 NBLP 7212 8 G REAL PEOPLE CHIC/Atlantic SD 16016 2 H 100 ANIMAL MAGNETISM SCORPIONS/Mercury 42 44 SRM 13825 2 G ABOUT LOVE GLADYS KNIGHT & THE PIPS/Columbia JC 102 SPECIAL THINGS PLEASURE/Fantasy F 9600 1 G 36387 9 IG 87FREEDOM OF CHOICE DEVO/Warner 43 46 Bros. BSK 3435 9 G THE GAMBLER KENNY ROGERS/United Artists UA LA 934 H 82 G ai104 LOVE JONES JOHNNY GUITAR 44 WATSON/DJM DJM 31 45 THE LONG RUN EAGLES/Asylum 5E 508 41 H (Mercury) 1 G 45 35 95 80 TOMCATTIN' BLACKFOOT/Atco SD 32 101 6 H YOU AND ME ROCKIE ROBBINS/A&M SP 4805 7 G 46 42 96 92 PETER GABRIEL/Mercury SRM 1 3848 7 G STARDUST WILLIE NELSON/Columbia KC35305 26 G 97 97 61 XANADU (ORIGINAL SOUNDTRACK)/MCA 6100 VAN HALEN/Warner Bros. BSK 3075 6 G 121 3 I 48 51 107 BARRY WHITE'S SHEET MUSIC BARRY GREATEST HITS WAYLON JENNINGS/RCA AHL1 3378 63 G WHITE/Unlimited 49 38 Gold FZ 36208 (CBS) 1 H SWEET SENSATION STEPHANIE MILLS/20th Century Fox 99 95 THE CARS/Elektra 6E 135 103 G T 603 (RCA) 14 G 100 91 MONSTER HERBIE HANCOCK/Columbia JC36415 10

ALBUM CROSS REFERENCE ON PAGE 34

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Theodore& Alvin Simon. Enterprises. Featuring: 1958 1962,eagdasarial XLPIXLCIXLT-008 OUTRAGEOUS! So are sales. Call one of the following distributors for Chipmunk Punk: ALL SOUTH DISTRIBUTING ALTA DISTRIBUTING PIKS CORPORATION New Orleans, LA Phoenix, AZ Cleveland, OH (504) 568-0971 (602) 269-1411 (216) 696-3155 Salt Lake City, UT ALPHA DISTRIBUTING (801) E72-3800 SCHWARTZ BROTHERS New York, NY Washington, DC (212) 397-1920 MS DISTRIBUTING (202) 529-7200 Chicago, IL (312) 478-1133 PACIFIC RECORD SERVICE Seattle, WA PICKWICK DISTRIBUTION (206) 575-3110 Los Angeles, CA St. Lojis, MO Miami, FL (213) 875-3960 (314) 997-1800 (305) 685-7601 San Francisco, CA Minneapolis, MN Honolulu, HI (415) 697-6800 (612) 932-7595 (808) 521-1802 Dallas, TX Atlanta, GA (817) 261-2481 (404) 349-5200

(tLsior:' PE CORDS AND TAPES

Excelsior Records and Tapes, 7500 Excelsior Boulevard, Minneapolis, MN 55426 .Give the gift 1980. Pickwick International, Inc. Printed in U.S.A. of music.

AmericanRadioHistory.Com Record World Alburtis151'200

AUGUST 2, 1980 175 SOMEBODY'S WAITING ANNE MURRAY/Capitol SOO 12064 151 GREASE (ORIGINAL SOUNDTRACK)/ RSO RS 2 4002 176 EMPIRE JAZZ VARIOUS ARTISTS/RSO RS 1 3085 152 CAREFUL MOTELS/Capitol ST 12070 177 FRIDAY NIGHT BLUES JOHN 153 THEIR GREATEST HITS: 1971-1975 CONLEE/MCA 3246 EAGLES/Asylum 7E 1052 178 KINGBEES/RSO RS 1 3075 154 SPLASHDOWN BREAKWATER/Arista 179 ROBIN LANE & THE CHARTBUSTERS/ AUGUST 2, 1980 AB 4264 Warner Bros. BSK 3424 155 WAITING ON YOU BRICK/Bang 180 SEDUCTION JAMES LAST BAND/ AUG. JULY JZ 36262 (CBS) Polydor PD 16283 2 26 181I TOUCHED A DREAM DELLS/20th 156 WARM LEATHERETTE GRACE JONES/ Century Fox T 618 (RCA) 101 103 ONE WAY FEATURING AL HUDSON/MCA 5127 Island ILPS 9592 (WB) 182 CONCERNED PARTY #1 CAPTAIN 102 89 ONE BAD HABIT MICHAEL FRANKS/Warner Bros. BSK3427 1 5 7 ABOUT FACE FACE DANCER/Capitol SKY/TEC 1202 ST 12082 183 IRON MAIDEN/Harvest ST 12094 103 98 STRAIGHT AHEAD LARRY GATLIN/Columbia JC 36250 158 NO RESPECT RODNEY DANGERFIELD/ Casablanca NBLP 7229 184 ROCICK°13'Nit'°R1)OLLENFORCERS 104113 TONIGHT FRANCE JOLI/Prelude PRL 12179 159 SUN OVER THE UNIVERSE SUN/ SILENCERS/Precision NJZ 36529 114 ON THROUGH THE NIGHT DEF LEPPARD/Mercury SRM 13828 Capitol ST 12088 105 160 TERMS AND CONDITIONS JAY 185AN(NCIBES)(ORIGINALCAST ALBUM)/ 106 111 SAN ANTONIO ROSE WILLIE NELSON & RAY PRICE/Columbia FERGUSON/Capitol ST 12083 Columbia PS 34712 161 NATURAL INGREDIENTS RICHARD 186 EVITA (ORIGINAL SOUNDTRACK)/ JC 36476 TEE/Columbia/Tappan Zee JC MCA 2 11007 107 105 GOLD & PLATINUM LYNYRD SKYNYRD/MCA 2 11008 36380 187 THE LONGEST ROAD SEALS & 162 THE MUPPET MOVIE (ORIGINAL CROFTS/Warner Bros. BSK 3365 108 99 DARK SIDE OF THE MOON PINK FLOYD/Harvest SMAS 11163 SOUNDTRACK) THE MUPPETS/ 188 SLOWHAND ERIC CLAPTON/RSO (Capitol) Atlantic SD 16001 RS 13030 163 1980 8.T. EXPRESS/Columbia JC 189 THE ADVENTURES OF LUKE 109 101 TRILOGY: PAST, PRESENT & FUTURE FRANK SINATRA/ 36333 SKYWALKER/RSO RS 13081 Reprise 3FS 2300 (WB) 164 CALLING NOEL POINTER/United 190 DETENTE BRECKER BROTHERS/Arista Artists LT 1050 AB 4272 110 121 MAKE A LITTLE MAGIC DIRT BAND/United Artists LT 1042 165 MY HOME'S IN. ALABAMA 191 TAKE A LITTLE RHYTHM ALI ALABAMA/RCA AHL1 3644 THOMSON/A&M SP 4803 gm 123LOVE APPROACH TOM BROWNE/Arista/GRP GRP 5008 166 WHITE MUSIC CRACK THE SKY/ 192 TIGHT SHOES FOGHAT/Bearsville BOUNCE, ROCK, SKATE, ROLL VAUGHAN MASON AND Lifesong LS 8028 BHS 6999 MB) 112 115 167 BODY LANGUAGE PATTI AUSTIN/ 193 KITTYHAWK/EMI-America SW 17029 CREW/Brunswick BL 754221 CTI JZ 36503 (CBS) 194 THE CORRECT USE OF SOAP A DECADE OF ROCK AND ROLL 1970 TO 1980 REO 168 AFTER THE ROSES KENNY RANKIN/ MAGAZINE/Virgin VA 13144 (All) 113 108 Atlantic SD 19271 195 HAVE A GOOD TIME (BUT GET OUT SPEEDWAGON/Epic KE2 36444 169 BRONCO BILLY (ORIGINAL ALIVE) IRON CITY 106 PEARLS-SONGS OF GOFFIN AND KING CAROLE KING/ SOUNDTRACKI/Elektra 5E 512 HOUSEROCKERS/MCA 5111 114 170 NEVER RUN NEVER HIDE BENNY 196 BARNUM (ORIGINAL CAST ALBUM)/ Capitol SOO 12073 MARDONES/Polydor PD 16263 CBS Masterworks JS 36576 171 I JUST CAN'T STOP IT ENGLISH 197 LED ZEPPELIN IV/Atlantic SD 19129 EMI 125 LOST IN LOVE AIR SUPPLY/Arista AB 4268 BEAT/Sire SRK 6091 (WB) 198 NEW CLEAR DAYS VAPORS/United FEEL THE HEAT HENRY PAUL BAND/Atlantic SD 19273 172 UNLOCK THE FUNK LOCKSMITH/ Artists LT 1049 EED 126 Arista AB 4274 199 RENE & ANGELA/Capitol ST 1 2077 117 109 CRASH AND BURN PAT TRAVERS BAND/Polydor PD 16262 173 SHEILA AND B. DEVOTION/Carrere 200 THE RIGHT COMBINATION LINDA CAR 38 124 (At!) CLIFFORD/CURTIS MAYFIELD/ 118 110 PHOENIX DAN FOGELBERG/Full Moon/Epic FE 35634 174 SYREETA/Tamla T7 372R1 (Motown) Curtom/RSO RS 1 3084 THE UP ESCALATOR GRAHAM PARKER/Arista AL 9517 (The 151-200 chart indicates movement on newlas or older Ips whose sales have 119 84 shown renewed activity) E3 139 AFL1 3603 DAVE DAVIES/RCA AFL1 3603 121 112 POWER TEMPTATIONS/Gordy G8 994M1 (Motown) Alburn Cross fkaferencso 122 124 ROMANCE DANCE KIM CARNES/EMI-America SW 17030 AC/DC 143 CHAKA KHAN 35 AIR SUPPLY 115 CAROLE KING 114 123 128 INVISIBLE MAN'S BAND/Mango MLPS 9537 A TASTE OF HONEY 139 KINKS 17 HERB ALPERT 58 KISS 24 124 127 SOMETHING TO BELIEVE IN CURTIS MAYFIELD/Curtom/ AMBROSIA 76 JOHN KLEMMER 138 JOAN ARMATRADI NG 73 GLADYS KNIGHT & THE PIPS 42 RSO RS 1 3077 JEFF BECK 26 KROKUS 149 PAT BENATAR 65 PATTI LABELLE 140 CAMERON/Salsoul SA 8535 (RCA) BLACKFOOT 45 STACY LATT !SAW 89 EEC 135 59 BLACK SABBATH L I PPS, INC. 21 JOY AND PAIN MAZE FEATURING FRANKIE BEVERLY/ BLUE OYSTER CULT 70 JEFF LORBER 14S Et] BROTHERS JOHNSON 87 LYNYRD SKYNYRD 107 JACKSON BROWNE 4 Capitol ST 12087 111 MANHATTANS 40 TOM BROWNE 112 144 VAUGHAN MASON AND CREW FOR MEN ONLY MILLIE JACKSON/Spring SP 1 6727 (Polydor) PEABO BRYSON 124 127 94 80 CURTIS MAYFIELD ROCKY BURNETTE 126 CAMEO 31 MAZE 128 130 SKYLARKIN' GROVER WASHINGTON, JR./Motown M7 933R1 125 PAUL McCARTNEY 14 CAMERON 147 KIM CARNES 122 HAROLD MELVIN STEPHANIE MILLS 49 129 129 HIDEAWAY DAVID SANBORN/Warner Bros. BSK 3379 CARS 99 GENE CHANDLER 77 MICKEY MOUSE DISCO 18 130 117 STRANGER IN TOWN BOB SEGER & THE SILVER BULLET BAND/ CHANGE 55 WILLIE NELSON 96 CHEAP TRICK 88 WILLIE NELSON & RAY PRICE 106 Capitol SW 11698 CHIC 41 NIGHTHAWKS 136 CHIPMUNKS 50 TED NUGENT 33 131 116SPIRIT OF LOVE CON FUNK SHUN/Mercury SRM 1 3806 ERIC CLAPTON 19 ORIGINAL SOUNDTRACK: STANLEY CLARKE 72 BLUES BROS. 6 FLUSH THE FASHION ALICE COOPER/Warner Bros. BSK 3436 NATALIE COLE 68 CAN'T STOP THE MUSIC 38 132 120 COMMODORES 9 COAL MINER'S DAUGHTER 141 CON FUNK SHUN 131 EMPIRE STRIKES BACK 12 133 134 INFLATION STANLEY TURRENTINE/Elektra 6E 269 AL ICE COOPER 132 FAME 16 CHRISTOPHER CROSS 13 ROSE 20 134 137 HORIZON EDDIE RABBITT/Elektra 6E 276 CRUSADERS 39 URBAN COWBOY 3 DAVE DAVIES 120 XANADU 47

DEF LEPPARD 105 GRAHAM PARKER . 119 E3 - PARTY OF ONE TIM WEISBERG/MCA 5125 DEVO 93 RAY PARKER JR. & RAYDIO 81 THE NIGHTHAWKS/Mercury SRM 13833 DIRT BAND 110 LUCIANO PAVAROTTI 150 136 138 AL DI MEOLA 83 TOM PETTY 54 A BRAZILIAN LOVE AFFAIR GEORGE DUKE/Epic FE 36483 GEORGE DUKE 137 PINK FLOYD 22, 108 137 141 ROBBIE DUPREE 84 PLEASURE 92 BOB DYLAN 25 POCO 63 MAGNIFICENT MADNESS JOHN KLEMMER/Elektra 6E 284 DYNASTY 86 PRETENDERS 53 EAGLES 44 PURE PRAIRIE LEAGUE 90 OM - TWICE AS SWEET A TASTE OF HONEY/Capitol ST 12089 FATBACK 67 7 ROBERTA FLACK FEATURING DONNY EDDIE RABBITT 134 140 142 RELEASED PATTI LABELLE/Epic JE 36381 HATHAWAY 75 REO SPE EDWAGON 113 DAN FOGELBERG 118 ROCKIE ROBBINS 95 141 136 COAL MINER'S DAUGHTER (ORIGINAL SOUNDTRACK)/MCA RODNEY FRANKLIN 142 KENNY ROGERS 28, 43, 51, 69 MICHAEL FRANKS 102 ROLLING STONES 2 5107 PETER GABRIEL 46 LINDA RONSTADT 66 LARRY GATLIN 103 DIANA ROSS 8 142 140 YOU'LL NEVER KNOW RODNEY FRANKLIN/Columbia NJC 36122 J. GEI LS 61 ROSSINGTON COLLINS BAND 23 GENESIS 30 ROXY MUSIC 79 143 - HIGHWAY TO HELL AC/DC/Atlantic SD19244 LARRY GRAHAM 29 DAVID SANBORN 129

HERBIE HANCOCK 100 BOZ SCAGGS , 37 144 144 PARADISE PEABO BRYSON/Capitol SOO 12063 EMMYLOU HARRIS 82 SCORPIONS 91 ISAAC HAYES 146 BOB SEGER 5,130 145 150 WIZARD ISLAND JEFF LORBER FUSION/Arista AL 9516 JUSTIN HAYWARD 148 CARLY SIMON 62 HENRY PAUL BAND 116 FRANK SINATRA 109 146 143 AND ONCE AGAIN ISAAC HAYES/Polydor PD 1 6269 AL HUDSON 101 S.O.S. BAND 10 INVISIBLE MAN'S BAND 123 SOUTHSI DE JOHNNY 71 147 148 THE BLUE ALBUM HAROLD MELVIN & THE BLUE NOTES/ ISLET BROTHERS 60 SPINNERS 56 JERMAINE JACKSON 27 SPYRO GYRA 74 Source SOR 3197 (MCA) MICHAEL JACKSON 11 DONNA SUMMER 85 NIGHT FLIGHT JUSTIN HAYWARD/Deram DRL 1 4801 (Mercury) MILLIE JACKSON 127 TEMPTATIONS 121 148 149 BOB JAMES 57 PETE TOWNSHEND 15 METAL RENDEZ-VOUS KROKUS/Ariola-America OL 1502 AL JARREAU 36 PAT TRAVERS 117 149 145 WAYLON JENNINGS 48, 64 STANLEY TURRENTI NE 133 BILLY JOEL 1 VAN HAIEN .32, 97 (Arista) ELTON JOH 34 GROVER WASHINGTON, JR. 128 146 PAVAROTTI'S GREATEST HITS I.UCIANO PAVAROTTI/London FRANCE JOLIN 104 JOHNNY GUITAR WATSON 94 150 JOURNEY 52 TIM WEISBERG 135 PAV 2003-4 JUDAS PRIEST 78 BARRY WHITE 98

34 RECORD WORLD AUGUST 2, (980

AmericanRadioHistory.Com the quirks." Chandler sees one of his advantages as having been Record World, involved in every aspect of the music business. "Ifeel blessed and that the worldis out there for me to take L7-.LC.L-Lc,---.L.-LLL.LL'LC, it. And if I fall I never worry because a lot of people have fallen. I'llget up 50 timesif I have to.I'm planning now for recording "Rainbow '95!" Ed Berger has been appointed promotion director of WKYS in LC Washington, D.C. Rather than head for Germany as was scheduled, Joe Simon will spend the month of August working on an album for the newly formed Posse label. This is due to the terrific reaction to his current single "Baby, When Love IsIn Your Heart." Black Music Report (Continued on page 37) By KEN SMIKLE NI NEW YORK -It has been nineteen years since the Chicago -born Gene Chandler left the Army and recorded the hit, "Duke of Earl." After following it up with a number of other chartmakers, his status Black Oriented Album Chart received another burst in 1978 with "Get Down" and in 1979 with AUGUST 2, 1980 26. ADVENTURES IN THE LAND OF "When You're #1." He iscurrently enjoying one of his biggest 1.DIANA MUSIC successes with the simply titled LP, "80/' which is getting a lot of DIANA ROSS/Motown M8 936M1 DYNASTY/Solar BXL1 3576 (RCA) 2.S.O.S. 27.YOU AND ME attention through the cuts "Does She Have A Friend For Me" and S.O.S. BAND/Tabu NJZ 36332 (CBS) ROCKIE ROBBINS/A&M SP 4805 3.HEROES the third rendition of an early hit "Rainbow '80." He now divides COMMODORES/Motown M8 939M1 28.INVISIBLE MAN'S BAND Mango MLPS 9537 his time between the roles ofartist and record executive at the 4.CAMEOSIS CAMEO/Chocolate City CCLP 2011 29.CAMERON Chi -Sound label. (Casablanca) Salsoul SA 8535 (RCA) You can find many artists who have had up and down and up 5.ONE IN A MILLION YOU 30.ROBERTA FLACK FEATURING DONNY LARRY GRAHAM/Warner Bros. BSK 3447 again careers who harbor a touch of cynicism. But Chandler immedi- HATHAWAY 6.ABOUT LOVE Atlantic SD 16013 ately impresses anyone he meets as having nothing but a positive GLADYS KNIGHT & THE PIPS/Columbia attitude about the rigors of the music business. "This is a business JC 36387 31.OFF THE WALL 7.NAUGHTY MICHAEL JACKSON/Epic FE 35745 where you make it or break it.If you do nothing, you get nothing. CHAKA KHAN/Warner Bros. BSK 3385 32.SPIRIT OF LOVE CON FUNK SHUN/Mercury SRM 1 3806 I have total confidence and I'm very religious. J.C. and I sit down 8.HOT BOX and we work out everything. You have to study. I've got to work FATBACK/Spring SP 1 6726 (Polydor) 33.PARADISE 9.LET'S GET SERIOUS PEABO BRYSON/Capitol SOO 12063 hard. I've been out here 18 years, and when I came off the road JERMAINE JACKSON/Motown M7 928R1 34.BEYOND I went and produced hit records on other people in order to work. 10.THE GLOW OF LOVE HERB ALPERT/A&M SP 3717 CHANGE/Warner/RFC RFC 3438 35.BOUNCE, ROCK. SKATE, 'ROLL "There's been a lot of trial and error in the things that I have 11.THIS TIME VAUGHAN MASON AND CREW/ Brunswick BL 754211 done. 'Get Down' took off butit could have been a fluke. So I AL JARREAU/Warner Bros. BSK 3434 12.REAL PEOPLE 36.MOUTH TO MOUTH just knuckled down to what I had learned before 'Get Down' and CHIC/Atlantic SD 16016 LIPPS, INC./Casablanca NBLP 7197 afteritwith 'When You're #1' and what I already knew, putit 13.'80 37.WAITING ON YOU GENE CHANDLER/20th Century Fox/ BRICK/Bang JZ 36262 (CBS) all together and went to work. The third album looks like its going Chi -Sound T 605 (RCA) 38.JOY AND PAIN to be bigger than all of them. That's why Ifeel that I've got it now. 14.SWEET SENSATION MAZE FEATURING FRANKIE BEVERLY/ STEPHANIE MILLS/20th Century Fox Capitol ST 12087 I I keep my head into up-to-date trends and I know what to do. T 603 (RCA) 39.POWER watch a lot of things. I just feel good, like I've got the horse by the 15.AFTER MIDNIGHT TEMPTATIONS/Gordy G8 994M1 MANHATTANS/Columbia JC 36411 (Motown) tail. And I ain't Iettin' go." 16.LET ME BE YOUR ANGEL 40.THE BLUE ALBUM On the weekendsis when Chandler handles most of touring STACY LATTISAW/Cotillion SD 5219 HAROLD MELVIN & THE BLUE NOTES/ responsibilities,performingmostlyone-nightersat clubs. When (All) Source SOR 3197 (MCA) 17.GO ALL THE WAY 41.LADY T Monday morning comes, he's back at the offices of Chi -Sound where THE ISLEY BROTHERS/T-Neck FZ 36305 TEENA MARIE/Gordy G7 992R1 (Motown) he was just appointed vice president in charge of publishing. He (CBS) 42.ROCKS. PFBBIFC AND S"NI) is co-owner of the 18.RHAPSODY AND BLUES STANLEY CLARKE/Epic JE 36506 also heads his own publishing company and CRUSADERS/MCA 5124 43.SOMETHING TO BELIEVE IN Kelli Arts label. "Things have been going very well at Chi -Sound. 19.DON'T LOOK BACK CURTIS MAYFIELD/Curtom/RSO RS 1 Carl Davis is back with the Chi-Lites working on an album. We're NATALIE COLE/Capitol ST 12079 3077 20.TWO PLACES AT THE SAME TIME 44.TWICE AS SWEET doing Walter Jackson for Columbia. Mary Wells was just signed RAY PARKER, JR. AND RAYDIO/Arista A TASTE OF HONEY/Capitol ST 12089 byus, and we just finished the Dells' LP." He, CarlDavis and AL 9515 45.FOR MEN ONLY 21.LOVE TRIPPIN' MILLIE JACKSON/Spring SP 1 6727 Eugene Record expect this to be one of their best years ever. "I SPINNERS/Atlantic SD 19270 (Polydor) love the business side more than ripping and running on the road. 22.LOVE JONES 46.TWO JOHNNY GUITAR WATSON/DJM DJM G.Q./Arista AL 9511 "There are a lot of artists out there who can sing and so forth, 31 (Mercury) 47.LIGHT UP THE NIGHT but they haven't got their heads together.Ifthey did, with the 23.SPECIAL THINGS BROTHERS JOHNSON/A&M SP 3716 PLEASURE/Fantasy F 9600 48.AND ONCE AGAIN I first came along, voices thatI've heard that were here before 24.BARRY WHITE'S SHEET MUSIC ISAAC HAYES/Polydor PD 1 6269 why can't they come back like I did.I would think that their knowl- BARRY WHITE/Unlimited Gold FZ 49.SPLASHDOWN edge from before should bring them up to date and make them even 36208 (CBS) BREAKWATER/Arista AB 4264 25.ONE WAY FEATURING AL HUDSON 50.RELEASED stronger than the brand new artists. They know all the tricks,all MCA 5127 PATTI LABELLE/Epic JE 36381

PICKS OF THE WEEK ROUTES ADVENTURES IN THE LAND OF UNLOCK THE FUNK SOMETHING TO BELIEVE IN RAMSEY LEWIS-Columbia JC 36423 MUSIC LOCKSMTH-Arista AB 4274 CURTIS MAYFIELD-Curtom/RSO RS -1-3077 Lewis teams up DYNASTY -Solar BXL1-3576 (RCA) This six -man Still one of the with EWF's It just seems band displays like everything an excellent finest song- Larry Dunn and writers there is, Allen Toussaint, from this label degree of musi- Curtis works in who are this is cookin' and cianship as they this LP is no tackle a variety a light R&B album's co - setting for this producers and exception. "I've of musical album. There is principal writers. There is loads of Just Begun To styles. This title track lays down a nostalgic cover of his earlier hit, variety on these ten tunes, with Love You," the current climbing a catchy dance groove, while single, heads seven other strong other selections, like "Blackjack," "It's Alright." On the tune "Never musical assistance from Maurice Stop Loving Me" one can easily White, Ndugu Chancier and tracks of original material from will find a good deal of appeal this band. Moderate and up - with fusion fans. Of special note hear the style of his earlier suc- others. Leading tracks include cessful efforts. The track is a "High Point," an up -tempo cut tempo selections with production on this Harvey Mason produced by Leon Sylvers assure this album package is violinist John Blake's natural for airplay. Other potential good for dancing and listening, single cuts include the title track. and "Whisper Zone." A fusion and of a long shelf life backed by a work. Check out "Groove Town." R&B airplay winner. lengthy future of airplay.

35 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Record World Black OrientedSinew

AUGUST 2, 1980 TITLE, ARTIST, Label, Number, (Distributing Label) 36 39 BY YOUR SIDE CON FUNK SHUN/Mercury 76006 6 AUG. JULY WKS. ON 2 26 CHART 37 28 LIGHT UP THE NIGHT BROTHERS JOHNSON/A&M 2238 10 1 1 ONE IN A MILLION YOU 38 40 HEAVY ON PRIDE (LIGHT ON LOVE) SMOKEY ROBINSON/ LARRY GRAHAM Tamla 54313 (Motown) 6 39 Warner Bros. 49221 42 DO YOU REALLY LOVE ME RENE & ANGELA/Capitol 4851 6 13 47 YEARNIN' BURNIN' PLEASURE/Fantasy 893 6 (3rd Week) 46 I ENJOY YA 7TH WONDER/Chocolate City 3207 (Casablanca) 6 42 44 BEYOND HERB ALPERT/A&M 2246 5 3 THE BREAKS (PART I) KURTIS BLOW/Mercury 566 7 48 RESCUE ME A TASTE OF HONEY/Capitol 4888 131 2 TAKE YOUR TIME (DO IT RIGHT) PART I THE S.O.S. BAND/ 4 Tabu 9 5522 (CBS) 16 50 BIG TIME RICK JAMES/Gordy 7185 (Motown) 3 51 7 GIVE ME THE NIGHT GEORGE BENSON/Qwest/WB 49506 6 HEY LOVER CHOCOLATE MILK/RCA 12030 4 5 4 CUPID/I'VE LOVED YOU FOR A LONG TIME (MEDLEY) 58 LOVE MAKIN' MUSIC BARRY WHITE/Unlimited Gold 9 1418 SPINNERS/Atlantic 3664 11 (CBS) 3 6 5 LANDLORD GLADYS KNIGHT & THE PIPS/Columbia 11123916 w 52 WIDE RECEIVER (PART I) MICHAEL HENDERSON/Buddah 622 15 UPSIDE DOWN DIANA ROSS/Motown 1494 4 (Arista) 4 48 45 14 BACKSTROKIN' FATBACK/Spring 3012 (Po(ydor) 6 LET'S GO 'ROUND AGAIN AVERAGE WHITE BAND/Arista 9 9 DYNAMITE STACY LATTISAW/Cotillion 45015 (At!) 12 0515 5 61 10 12 OLD -FASHION LOVE COMMODORES/Motown 1489 6 ED SOUTHERN GIRL MAZE/Capitol 4891 2 11 6 SHINING STAR MANHATTANS/Columbia 111222 21 50 53 I LOVE THE WAY YOU LOVE PEABO BRYSON/Capitol 4887 5 12 8 WE'RE GOING OUT TONIGHT CAMEO/Chocolate City 3206 51 54 LOOKING FOR LOVE CANDI STATON/Warner Bros. 49240 4 (Casablanca) 14 57 MAKE IT FEEL GOOD ALFONZO SURRETT/MCA 41249 3 13 11 YOU AND ME ROCKIE ROBBINS/A&M 2213 14 59 BODY LANGUAGE PATTI AUSTIN/CTI 9 9600 (CBS) 3 14 10A LOVER'S HOLIDAY CHANGE/Warner/RFC 49208 16 15 13 SITTING IN THE PARK G.Q./Arista 0510 12 ED 65SHAKE YOUR PANTS CAMEO/Chocolate City 3210 (Casablanca) 2 21 CAN'T WE TRY TEDDY PENDERGRASS/Phila. Intl. 9 3107 55 56 LAST NIGHT AT DANCELAND RANDY CRAWFORD/ (CBS) 5 Warner Bros. 49276 4 23 REBELS ARE WE CHIC/Atlantic 3665 1E1 5 62 LOVE ME, LOVE ME NOW CURTIS MAYFIELD/RSO/Curtom 18 20 HERE WE GO AGAIN (PART I) ISLEY BROTHERS/T-Neck 103 1036 2 9 2291 (CBS) 8 El 63 MAGIC OF YOU (LIKE THE WAY) CAMERON/Salsoul 2124 22 JOJO BOZ SCAGGS/Columbia 1 11281 7 20 19 SOMEONE THAT I USED TO LOVE NATALIE COLE/Capitol (RCA) 3 64 YOU'RE SUPPOSED TO KEEP YOUR LOVE FOR ME 4869 10 ED 21 16 LET'S GET SERIOUS JERMAINE JACKSON/Motown 1469 20 JERMAINE JACKSON/Motown 1490 2 29 FOR THOSE WHO LIKE TO GROOVE RAY PARKER, JR. & D 66 SEARCHING CHANGE/Warner/RFC 49512 2 60 60 RAYDIO/Arista 0522 6 I'VE GOT MY SECOND WIND AL JOHNSON/Columbia 30 LOVE DON'T MAKE IT RIGHT ASHFORD & SIMPSON/ 1 1 1287 4 ED 61 43 LOVE JONES JOHNNY GUITAR WATSON/DJM 1304 (Mercury) 8 Warner Bros. 49269 4 24 17 SWEET SENSATION STEPHANIE MILLS/20th Century Fox m 68 HOUSE PARTY FRED WESLEY/RSO/Curtom 1037 2 2449 (RCA) 18 93 69 POP YOUR FINGERS ROSE ROYCE/Whitfield 49274 (WB) 2 EEI 34 I'VE JUST BEGUN TO LOVE YOU DYNASTY/Solar 12021 70 SHAKE IT UP (DO THE BOOGAL00) ROD/Prelude 8014 2 (RCA) 5 65 55 SPACE RANGER (MAJIC'S IN THE AIR) SUN/Capitol 4873 5 33 I JUST WANNA DANCE WITH YOU STARPOINT/ 66 67 IF YOU'RE LOOKING FOR A NIGHT OF FUN (LOOK PAST Chocolate City 3208 (Casablanca) 5 ME, I'M NOT THE ONE) LEON HAYWOOD/ 27 18 FUNKYTOWN LIPPS, INC./Casablanca 2233 20 20th Century Fox 2454 (RCA) 3 28 24 BACK TOGETHER AGAIN ROBERTA FLACK WITH DONNY HATHAWAY/Atlantic 3361 15 CHARTMAKER OF THE WEEK 29 25 DOES SHE HAVE A FRIEND? GENE CHANDLER/20th Century - GIRL OF MY DREAM Fox 2451 (RCA) 13 MANHATTANS 30 26JAM (LET'S TAKE IT TO THE STREETS) FIVE SPECIAL/Elektra Columbia 1 11321 46620 10 1 41 PAPILLON (AKA HOT BUTTERFLY) CHAKA KHAN/ 68 31 ALL-NIGHT THING INVISIBLE MAN'S BAND/Mango 103 Warner Bros. 49256 4 21 69 35 PARTY LIGHTS GAP BAND/Mercury 76062 8 49 GIRL, DON'T LET IT GET YOU DOWN THE O'JAYS/TSOP EE1 70 36 WE SUPPLY STANLEY CLARKE/Epic 9 50890 9 9 4790 (CBS) 2 71 37 I SHOULD BE YOUR LOVER HAROLD MELVIN & THE BLUE 33 32 FIGURES CAN'T CALCULATE WILLIAM DeVAUGHN/TEC 767 8 NOTES/Source 41231 (MCA) 11 38 (BABY) I CAN'T GET OVER LOSING YOU TTF/RSO/Curtom 72 71 SPACER SHEILA & B. DEVOTION/Carrere 7209 (At)) 11 1035 6 73 72STEAL AWAY ROBBIE DUPREE/Elektra 46621 6 74 35 27 GOTTA GET MY HANDS ON SOME MONEY FATBACK/ 73 NEVER GIVIN' UP AL JARREAU/Warner Bros. 49234 11 75 Spring 3008 (Polydor) 19 74 CLOUDS CHAKA KHAN/Warner Bros. 49216 15

Playing by Popular Demand 'IT'S ALL IN THE GAMr2102 the new single from ISAAC HAYES' album, "And Once AgainPD -1-6269 On Polydor Records and Tapes

POLYDOR INCORPORATED Give the gift A POLYGRAM COMPANY OntInhuntd hynnI9nam Ont..... Int of music. tc1980 Polyclor Inrorporateo

AmericanRadioHistory.Com AR Bs(Continued from page 28) Radio Replay from 1.3; WSAI, 3.9 from 3.0; WHOK-FM, 2.9 from 3.7; WLVQ, (Continued from page 28) WSAI-FM, 5.5 from 4.4; WUBE, 12.5 from 12.7; WMNI, 7.0 frommusic for commercials, Lucas stated a few general principles. "My 1.7 from 1.6; WUBE-FM, 5.8 from 6.1; WNCI 11.6 from 10.1; WRFD, first consideration is to work with a very high estimation of the lis- 5.4; and WVVEZ, 6.3 from 7.6. 1.6 from 2.7; WRMZ, 2.6 fromtener," he said. "The biggest mistake anybody can make is to say, Louisville advances include: 1.8;WTVN, 10.0from14.1; 'Well, these clowns don't know the difference anyway.' The 'great WAKY, 9.8 from 5.7; WAMZ, 8.8 WVKO, 3.2 from 2.5; WVKO, 3.2 unwashed' as they're sometimes called, is, as a group, a very soph- from 6.9; WAVE, 7.7 from 8.2; from 2.5; WVKO-FM, 2.9 from isticated unit. They always manage to put a finger on that which WFIA, 1.4 from 1.5; WHAS, 8.9 2.7; and WXGT, and 8.2 from 7.3. is good." McFaul added that the emotional content of the music is from 10.8; WINN, 5.9 from 8.0; Advances for Rochester, New most important -"Go for the goosebumps" is the rule of thumb. WKJJ, 4.5 from 4.7; WKJJ-FM; 7.8 York include: WBBF, 7.6 from 6.2; How do you make a successful sight gag like the Meow Mix sing- from 10.2; WLOU, 9.4 from 4.7; WCGR, 1.0 from .6; WCMF, 4.9ing cat work on the radio? The ad agency involved came up with WLRS, 5.7 from 10.1; WQHI, 3.7 from 3.7; WDKX, 4.3 from 1.1;the perfect solution: they had the cats call on the phone to chat from 4.7; WRKA (formerly WEZO, 12.8 from 22.6; WFLC, 1.0 about food with Murray the K. WNUU) 3.1 from 1.6; WTMT, 2.8 from .9; WHAM, 14.1 from 15.0; IT'S ONLY MAKE-BELIEVE: WMMR-FM, Philadelphia's Michael Pi- from 2.0; WVEZ, 10.7 from 12.9; WHFM, 6.0 from 6.8; WMJQ, 8.4 cozzi didn't think it was enough to broadcast his morning show live WXLN, 1.1 from .7; WXVW, 1.1 from 11.8; WNYR, 5.0 from 3.7; from the city's Bijou Cafe while offering milk and free Famous Amos from 1.2; and WZZX, 3.5 from 1.6 WPXN, 4.0 from 4.2; WPXY, 4.3 chocolate chip cookies to any listeners who showed up starting at Advance statistics for the Sacra- from 1.6; and WVOR, 7.4 from 6:00 a.m. Now he's over the border at Emerald City in Cherry Hill, mento market include: KAER, 2.4 9.0. New Jdrsey, feeding listeners a breakfast of flapjacks and bug juice from 1.5;KCTC, 5.3 from 3.6; In the Buffalo market, advances at the nominal price of 93C (for 93.3 on the FM dial). Audience par- KEWT, 10.7 from 10.8; KFBK, 4.0 include: WADV, 5.0 from3.6; ticipation was invited, and some lucky listeners even got to do the from5.4;KFIA,1.1from1.2; WBEN, 12.2 from 14.3; WBLK, weather. What next, Picozzi? ... Neatness counts: KMJK in Portland, KGMS, 2.7 from 4.8; KGNR, 6.1 5.4 from 5.6; WBEN-FM, 9.1 from Oregon recently sponsored an hourly giveaway of clean and green from 7.6;KHYL, 4.8 from 4.0; 7.7; WFXZ, (formerly WBUF), 1.4 T-shirts to demonstrate that the Pacific Northwest isstillclean & KPOP, 2.8 from 1.5;KPIP, 1.2 from 2.3; WGR, 9.0 from 11.0; green. We hear it rains a lot there, too -maybe they should throw from .9; KRAK remained at a 6.4; WGRQ, 6.7 from 3.6; WHLD, re- a wet T-shirt competition! (Just a little sour grapes from grey and KROY, 4.4 from 4.3; KROY-FM, mained at.6; WJJL, .4 from .9; grimy New York) ... Vic Garbarini, managing editor of Musician, 2.5 from 4.7; KSFM; 5.1 from 3.8; WJYE (formerly WBNY), 13.3 from Player and Listener magazine, recently taped an interview with Paul KWOD, 3.6 from 2.2; KXOA, 1.5 15.6;WKBW,9.2from10.9; McCartney, strictly as a record for his own written piece, but it turned from .5; KXOA-FM, 5.5 from 7.1; WPHD, 5.0 from 4.0; WUFO, 1.9out so well that Columbia Records has packaged it on disc and is and KZAP, 14.6 from 9.7. from 1.6; WWOL, 2.5 from 3.0; servicing itto over 2000 radio stations.It's being shipped incon- Columbusadvancesinclude: WWOR (formerly WWOL-FM), '1.8 tinuous form and on a special disc banded into segments, inviting WBBY, 1.1 from 1.2; WBNS, 6.4 from 1.3; WXRL, 1.2 from 1.3, creative programming with records for stations that see fit to use from 8.0; WBNS-FM, 10.7 from WYSL, 2.2 from 1.6; WHLD-FM, it. WNEW-FM in New York and WBCN-FM in Boston have reportedly 12.2; WCOL, 6.8 from 4.7; remained at .5. built elaborate shows around the interview, during which Paul speaks frankly about his relationships with the other ex -Beatles. Mangione Gets Gold Alimans To Arista (Continued from page 3) bum for Arista, "Reach For The "Rook"Goldflies - bass; and Sky," is scheduled for release this "Dangerous" Dan Toler -guitars. summer. The current lineup of The All- Budin Exits man Brothers Band is: Gregg All- man -keyboards, lead vocals; Leber -Krebs Dickey Betts -guitars,leadvo- III NEW YORK -Robin Budin, as- cals;"Jaimoe" Johanny Johan- sistantto Steve Leber, hasre- son -drums,percussion;Butch signed her position. She can be Trucks -drums, percussion; David reached at (212) 737-1848.

Chuck Mangione was presented with a gold record for his "Fun and Games" album following his opening night appearance at Los Angeles' Universal Amphitheatre. Pic- © The Jazz LP Chart tured at a reception held backstage, from left, are: Chuck Mangione; Gil Friesen, presi- AUGUST 2, 1980 16.DREAM COME TRUE dent, A&M Records; and Harold Childs, senior vice president of sales and promotion, 1.RHAPSODY AND BLUES EARL KLUGH/United Artists LT 1026 A&M Records. CRUSADERS/MCA 5124 17.PARTY OF ONE 2.THIS TIME TIM WEISBERG/MCA 5125 AL JARREAU/Warner Bros. BSK 3434 18.PRIME TIME 3."H" ROY AYERS/WAYNE HENDERSON/ Black Music Report BOB JAMES/Columbia/Tappan Zee JC Polydor PD 1 6276 (Continued from page 35) 36422 4.ROCKS, PEBBLES AND SAND 19.MAGNIFICENT MADNESS Outward Visions, Inc. a newly non-profit organization dedicated STANLEY CLARKE/Epic JE 36506 JOHN KLEMMER/Elektra 6E 284 5.SPLENDIDO HOTEL 20.DETENTE to fost6ring the growth of "contemporary creative music" will be AL DI MEOLA/Columbia C2X 36270 BRECKER BROTHERS/Arista AB 4272 holding a benefit concert on Aug. 8th at 8 p.m. at the Eisner -Lubin 6.CATCHING THE SUN 21.YOU'LL NEVER KNOW Auditorium on New York University. Appearing on the bill will be SPYRO GYRA/MCA 5108 RODNEY FRANKLIN/Columbia NJC 7.WIZARD ISLAND 36122 Lester Bowie, Sonny Fortune, Joseph Jarman, Leroy Jenkins, Oliver JEFF LORBER FUSION/Arista AL 9516 22.BODY LANGUAGE Lake and others. Admission is $8.00. For info call 473-1175. 8.A BRAZILIAN LOVE AFFAIR PATTI AUSTIN/CTI JZ 36503 (CBS) GEORGE DUKE/Epic FE 36483 23.CABLE'S VISION PhillyInternationalhasannouncedthree new appointments. 9.SKYLARKIN' GEORGE CABLES/Contemporary 14001 William Hicks assumes the role of local promotion manager. He GROVER WASHINGTON, JR./Motown 24.CALLING originally worked for the Philly-based TEC label. Valerie Hampton M7 933R1 NOEL POINTER/United Artists LT 1049 10.INFLATION 25.EMPIRE JAZZ has been named assistant to the national promotion director. Prior STANLEY TURRENTINE/ Elektra 6E 269 VARIOUS ARTISTS/RSO RS 1 3085 to this position she worked with WDAS radio, also in Philly. Terri 11.MONSTER 26.HIROSHIMA HERBIE HANCOCK/Columbia JC 36415 Arista AB 4252 Rossi, who has been at PIR for a year,is now the label's disco 12.BEYOND 27.NATURAL INGREDIENTS coordinator.Allthree reportdirectlyto Connie Johnson,PIR's HERB ALPERT/A&M SP 3717 RICHARD TEE/Columbia/Tappan Zee 13.LOVE APPROACH JC 36380 national director of promotions. TOM BROWNE/Arista/GRP GRP 5008 28.HORIZON Warner Bros. artist, Al Jarreau, has embarked on a 30 -date inter- 14.HIDEAWAY McCOY TYNER/Milestone M 9094 DAVID SANBORN/Warner Bros. BSK (Fantasy) national tour that will take him through the U.S., Europe and South 3379 29.TAP STEP America. His "Never Givin' Up" singleismounting airplayon 15.ONE BAD HABIT CHICK COREA/Warner Bros. BSK 3425 fusion, R&B and pop stations. MICHAEL FRANKS/Warner Bros. BSK 30.BARTZ 3427 GARY BARTZ/Arista AB 4263

RECORD WORLD AUGUST 2, 1980 37

AmericanRadioHistory.Com Jo Jo Zep's Budget Tour Tests New Promo Concept Songwriter Expo Set LOS ANGELES-Len Chandler By JEFFREY PEISCH fromWEBN-FM in Cincinnati. 000. Thisiscertainly nothing to NEW YORK-As limited tourM105 -FM (Cleveland), WFBQ-FM scoff at, but compared to lavishand John Braheny, producers of support and tight marketing bud- (Indianapolis), WZZX-FM (Louis-tour budgets of a few years ago,the Alternative Chorus Songwrit- ers Showcase, have announced gets are now accepted realities,ville), WYDD-FM (Pittsburgh), the amountis,as someone in- the task of exposing new artistsWKLS-FM (Atlanta),WYMX-FM volved in the tour said, "almostdetails of the 4th Annual Song- writer Expo to be held at Beverly isa constant challenge to artist (Augusta, Ga.) and WSHE-FM (Ft. nothing." Hills High, August 16-17. development and promotion Lauderdale)willalsoairthe "It's a given that the economy staffs. Faced with this challenge,show. is terrible now," said Rappaport. The event, in association with Columbia Records has sent Aus- The show at My Father's Place "You just can't do what you used Rob BrondellProductions,will tralian sextet Jo Jo Zep and the in Long Island was broadcast overto do with touring. But,if you feature panels, workshops, classes Falcons on a ten-day whirlwindWLIR-FM. The New Haven showhave an act that you really be- and boothstoprovide profes- tour of the states that could servewas taped by WRKI-FM for a fu- lievein, you can'tnot expose sionalandaspiringcomposers as a model for gaining maximum turebroadcast. KSAN-FMwillthat act, you can't stop tellingwith an overview exploring every exposure in minimum time on a broadcast the San Francisco con- people about it.It's not enough aspect of songwriting. restricted budget. cert from the Old Waldorf, and to just put a record out and say Representatives from numerous While Jo Jo Zep won't havethe New York show, at the Bot- it's good. Given the economics,areas of the recording industry much time for sightseeing dur- tom Line, was broadcast live overyou have to come up with differ-willparticipate withscheduled ing their tour they will be seen WNEW-FM. ent ideas and configurationsof guests, including Mike Chapman, orheard-throughlivebroad- The New York show was par- how you can do with less money founder of Dreamland Records castsin several cities-by close ticularly special. Because of travel what you used to do with a lot and producer of such artists as tofivemillionpeople by thearrangements an evening show more.It'sreally easy to take a the Knack, Blondie, Exile and Nick time they finish their trip in Los in New York had to be cancelled. couple hundred thousanddol- Gilder; award winning composer Angeles July 31. The tour is Jo Rather than ignore the city, Jo Jo lars, buy plane tickets and put a Jimmy Webb ("MacArthur Park," Jo Zep's first visit to the U.S. OneZep's American manager Michael band on the road; you just can't "By The Time I Get To Phoenix," etc.); lyricists Al Kasha and Molly of the most popular groups in Klenfner suggested that the band do that anymore. I really respect Australia, the group has had topplay during the day. A 12 noonthe guys inour artist develop-Ann Leikin;music industryat- tenhitsinEngland and Newconcert at the Bottom Line wasment department for making it torney Al Schlesinger; Academy Zealand. quickly arranged. WNEW-FM in- possible forthis group-andaward winning filmscorerBill By the time the group returnsvited 200 listeners to the showothers-to go on the road. MyConti ("Rocky," "An Unmarried others); to their home they will no doubtfor a lunch of six-foot long sand- jobisto promote albums, andWoman," among and need a few days for reorientation. wiches. The livebroadcast was it's sure a lot easier to promote reps from BMI (Broadcast Music, The ten-day American swingis advertised by airplanes with ban- a record when that group is out Inc.), ASCAP (American Society of only one part of a worldwideners that flew over New Yorktouring." Composers, Authors & Publish- tour that is taking the group to City's beaches. Althougheveryone involved ers) and SESAC. cities in each of the seven con- Other radio stations have co-in the Jo Jo Zep tour is quick to tinents. As a cost-cutting movesponsored, with Columbia, ticket praise each other, the tour seems E/A Names Peeples the band bought discount planegiveaways and contests for theto be a well-oiled team effort. tickets that allow unlimited travel JoJo Zep dates. Although theAndon was assisted byJock Editorial Manager in thirty days as long as the traveltour dates range from a night at McLean, director, artist develop- LOS ANGELES-Stephen Pee- continues in one direction. the tiny Madame Wong's in San ment for Columbia Records. The ples has been named editorial manager for Elektra/Asylum Rec- On the Radio Francisco to a slot on a "Day ongroup'smanagersoutsidethe the Green" concert at the Oak- U.S., Michael Gudinski and Mi-ords, according to Bryn Briden- IntheU.S.,JoJo Zep will land Coliseum, the dates are tied chael J. Roberts, were alsoin- thal,vice president/publicrela- travelin a jagged line from thetogether by their judicious usestrumental. in the tour. (Gudinski tions for E/A. eastcoasttothewest,never ofresources. The only moneyheads Mushroom Records, Jo Jo In his new post, Peeples is re- backtracking one single degreeColumbia is spending for the tour Zep's Australian label). And, ac-sponsible for allartist bios, fea- of longitude. is used to expand the audiencecording to Rappaport, local and tures,discographies,pressre- The tour started in New Haven oftheshows,mostly through regional Columbia promotion leases,the department's News - last week (21) and includes dates the broadcasts. For the completemen, have worked closely with beats newsletter, a house organ in New York, Long Island, Cin-tour, Columbia will spend $10,-radio stations in specific cities. and all other publicity tools. He is cinnati, Oakland, San Francisco, based at E/A's main office in Los andLos Angeles. Most of theRemembering Minnie Angeles and reports directly to dates willbe broadcast-either Bridenthal. live or at a later date by local Prior to joining E/A, Peeples radio stations. In explaining the held the same postat Capitol tour, Paul Rappaport, director of Records.He'dstartedthereas nationalalbumpromotionfor junior editorial copywriter in Oc- ColumbiaRecords said,"the tober 1977. whole campaign is tiedin very closely with radio." Sinceitsrelease eight weeks BMI Taps Mattis ago, Jo Jo Zep and the Falcons LOS ANGELES - Mary Mattis first U.S. LP ("Screaming Targets") has joined the staff of Broadcast has been added to over one hun- Music, Inc. and assumed duties dred stations. According to Arma as director,performingrights Andon, VP,artist development, west, in BMI's Hollywood office, for Columbia Records, the tour according to BMI VP Ron Anton. iscentered around the markets Mattis has held a number of that were particularlyreceptive music business positions since the to the album. Because of budget mid -sixties, when he headed the limitations and the restrictions of Willard Alexander Beverly Hills theplaneticketsthough,the office.He servedinexecutive tour won't hit every area where posts with Screen Gems -Colum- the album has done well. To re- bia; Robbins, Feist & Miller; as medy this,the group's Cincin- Dick Rudolph, husband of the late singer, and Stevie Wonder, one of her close friends, VP of creative affairs of April/ nati show will be broadcast over hold a plaque declaring Minnie Riperton Month at Los Angeles City Hall. Wonder Blackwood and as head of the a mini -network of eight stations appears on "Love Lives Forever," an all-star album of unreleased Riperton material. Co -produced by Rudolph, itis due for August release on Capitol Records. Shown from music publishing and royalty de- throughoutthemidwest and left are Rudolph; Wonder; Louise Foster, KJLH DJ; Ken Fritz, Riperton's manager; Reve partments of Segal & Goldman, south. The show willoriginate Gipson, publicist, black product, Capitol. the business management firm.

38 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Record World

Treasures from London Classical By SPEIGHT JENKINS NEW YORK-Amidst the swelt- one, or at least a very serious one, © Retail Report ering summer weather that has areflectionof an unsuccessful recently joinedthiscitytoits trip to Paris by the composer. But DVORAK: NEW WORLD SYMPHONY- AUGUST 2, 1980 brethreninthemidwest and for allits seriousness,it has an CLASSIC OF THE WEEK London Digital MOZART: SONGS-Ameling-Seraphim south, one of the few delights has elegance in which the feeling is PACHELBEL: KANON-Paillard-RCA been to hail again the Mostly Mo- clothed, and keeping this balance PAVAROTTI'S GREATEST HITS-London zart Festival, the annual summer is Miss de Larrocha's special art. PUCCINI: TOSCA-Freni, Pavarotti, Rescigno-London event at Avery Fisher Hall. Em- Bagatelles ploying some of the finest musical SAINT-SAENS: SYMPHONY NO. 3-Telarc The lighter Sonata in E -flat has STRAVINSKY: PETRUSHKA-Mehta-CBS artistsin the world, the Festival MasterSound plays six nights a week to capacity the joy felt in many pieces of the houses, with all tickets at $7, a re- period, but she brings fromit STREETSIDE/ST. LOUIS markably cheaper price than that something special that makes it Mozart. And the Bagatalles also BACH: COMPLETE CANTATAS, VOL. XXV of most concerts. This year the ser- -Harnoncourt-Telefunken ies began two weeks ago on Mon- have an unusual sound. Intended PAVAROTTI'S GREATEST HITS BEETHOVEN: VIOLIN CONCERTO-London as lighter than most of Beetho- Digital day and Wednesday with a concert London by James Galway withGerard ven's work, they are still, within BEETHOVEN: COMPLETE SYMPHONIES- their brevity, little dramas. Each is ..... DG Schwarzconductingandcon- BOLLING: PICNIC SUITE-CBS tinued with Schwarz conducting characterized differently and all BEST SELLERS OF THE WEEK* DVORAK: NEW WORLD SYMPHONY- are playedwithfinesseand inthe Friday -Saturday concerts, EPAVAROTTI'S GREATEST HITS-London London Digital charm. The disc is a tribute to her BEETHOVEN: VIOLIN CONCERTO- that time with Emanuel Ax as pi- PAVAROTTI'S GREATEST HITS-London and to the festival which her en- Chung, Kondrashin-London Digital WILD GEESE, OTHER SELECTIONS: CHINESE ano soloist and a young Chinese thusiastic support has done so BEETHOVEN: COMPLETE SYMPHONIES PIPA-Nonesuch named Cho Liang-Linasviolin -Bernstein-DG PUCCINI: LA BOHEME-Scotto, Kraus, much to make important. BOLLING: PICNIC SUITE-Rampal, Levine-Angel soloist. The quality of both con- Lagoya, Bolling-CBS CAROL ROSENBERGER: WATER MUSIC certs augured well for this sum- Kyung-Wha Chung DVORAK: NEW WORLD SYMPHONY IMPRESSIONISTS-Delos mer's festival. London at the same time has is- ; -Kondrashin-London Digital STRAUSS: El N HELDENLEBEN-Karalan- sued another instrumental record MAHLER: WAYFARER, RUECKERT DG Presence Alicia de Larrocha by Kyung-Wha Chung, aper- 1. SONGS-Stade, Davis-CBS Yet Mostly Mozarters this year SAINT-SAENS: SYMPHONY NO. 3- former whom I do not believe has ' Ormandy-Telarc JEFF'S CLASSICAL/TUCSON have to undergo a temporary loss. Alicia de Larrocha, the most suc- played at the Mostly Mozart but SHOSTAKOVICH: SYMPHONY NO. 5 BRUCKNER: SYMPHONY NO. 6-Solti- is frequently inrecital and con- -Bernstein-CBS/MasterSound London cessful and loyal of the star per- -i11111111111t111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111. MAHLER: SONGS-Stade-CBS formers regularly in attendance, certin this country. Thisis the MAHLER: SYMPHONY NO. 9-Tennstedt BeethovenViolinConcerto on KING KAROL/NEW YORK -Angel will not appear this summer. The Spanish pianist has been concert- Digital with Kyril Kondrashin con- BACH: BRANDENBURG CONCERTOS- PRESENTING LEONA MITCHELL-London ducting the Vienna Philharmonic. Schwarz-Angel Digital PAVATOTTI'S GREATEST HITS-London izing heavily in the last year and BOLLING: PICNIC SUITE-CBS ITZHAK PERLMAN: THE SPANISH ALBUM has opted to take off for a few There are many ways to play this ENRICO CARUSO: A LEGENDARY -Angel concerto,but Miss Chung has PERFORMER, VOLS. VIII, IX-RCA months and work on repertory, ITZHAK PERLMAN AND PINCHAS including the Second Concerto taken perhaps the most difficult DVORAK: NEW WORLD SYMPHONY- ZUKERMAN IN VIOLIN DUETS-Angel path. Beethoven plays more obvi- London Digital PRICE: PRIMA DONNA, VOL. V-RCA of Brahms. Though New Yorkers KING'S ROW-Gebhardt-RCA COMPLETE MUSIC OF CHARLES RUGGLES will miss Miss De Larrocha's in- ously and easily if the performer PRESENTING LEONA MITCHELL-London -Thomas-CBS leaps into his work with an at- MOSTLY MOZART, VOL. IV- evitablyenjoyableappearances VERDI: LUISA MILLER-Ricciarelli, with the orchestra and her solo tempt to show the passion and De Larrocha-London Domingo, Maazel-DG the virility. Miss Chung does just PAVAROTTI'S GREATEST HITS-London recital (both of which will resume PUCCINI: LA BOHEME-Scotto, Kraus, the opposite. She is cool, aristo- TOWER RECORDS/LOS ANGELES next summer), she has given us Levine-Angel and therestof the country a cratic and completely controlled. SAINT-SAENS: SYMPHONY NO. 3- BACH: COMPLETE CANTATAS, VOL. XXV significant present: her "Mostly And yet it works, and works real- Telarc -Harnoncourt-Telefunken ly wonderfully. Her playing is ex- BACH: BRANDENBURG CONCERTOS- Mozart," Volume Four on London J&R MUSIC WORLD/ NEW YORK Karajan-DG Records. As a great admirer of emplary, which is no surprise. Her command of the violin's technical BACH: COMPLETE CANTATAS, VOL. XXV BEETHOVEN: COMPLETE SYMPHONIES- Miss de Larrocha's art generally, DG problems has long been proved, -Harnoncourt-Telefunken I have to say this disc is excep- BEETHOVEN: COMPLETE SYMPHONIES- BRAHMS: DOUBLE CONCERTO-Perlman, with a wonderful bow control and Rostropovich-Angel tional. It contains two Mozart So- DG BRAHMS: PIANO TRIOS-Haydn Trio- natas-K. 282 in E -flat and K. 310 an attractive tone. But not a large BERLIOZ: SYMPHONIE FANTASTIOUE- tone. She makes no effort to make Mehta-London Digital Telefunken in A minor-and the Beethoven BOLLING: PICNIC SUITE-CBS MAYUZUMI: NIRVANA, MANDALA it any larger but keeps it sweet SYMPHONIES-Philips Bagatelles (Opus 33). BRAHMS: DOUBLE CONCERTO-Perlman, and within the outlinesof the Rostropovich-Angel PRESENTING LEONA MITCHELL-London Elegance ORFF: CARMINA BURANA-Angel mood she chose offers a startlingly INTRODUCING LEONA MITCHELL- Certaincharacteristicsareas brilliantreading. This is not London PAVAROTTI: 0 SOLE MIO-London PAVAROTTI'S GREATEST HITS-London COMPLETE MUSIC OF CARL RUGGLES- usual present: flawless fingering, purely classical Beethoven,itis PAVAROTTI: 0 SOLE MIO-London Thomas-CBS a warm, varicolored tone and an more than that. But itis classical LEONTYNE PRICE: PRIMA DONNA, VOL. V * Best Sellers are determined from the unusual mental command of the initsadherence to form and -RCA retaillistsofstoreslistedabove,plus material. But particularly in the A structure, with the strength of the SHOSTAKOVICH: SYMPHONY NO. 5- thoseofthefollowing:Korvettes/East minor Sonata of Mozart all these composer present in the rhythmic CBS MasterSound Coast, Sam Goody/ East Coast, Cutler's/ New Haven, Record & Tape Collectors/ good qualities seem more obvi- control and underlying, mysteri- LAURY'S/CHICAGO Baltimore, Record & Tape, Ltd./Washing- ous than usual. The Spanish pia- ous passion. She is well accom- BEETHOVEN: VIOLIN CONCERTO-London ton,D.C., RecordWorld/TSS/Northeast, nist has the capacity to turn a panied by Kondrashin, and the or- Digital Harmony House/Detroit,Rose Discount/ phrase, to illuminate a particular chestra plays as well as the Vien- BEETHOVEN: COMPLETE SYMPHONIES- Chicago, Radio Doctors/ Milwaukee, moment, even of familiar musk, na does when the repertoryis DG Sound Warehouse / Dallas,Tower Rec- BRAHMS: GERMAN. REQUIEM-Solti- ords / SanFrancisco,DiscountRecords / that remains in the ear as some- ideal and the musicians obviously London San Francisco and Tower Records/Seattle. thing new. This Sonata is a sad enjoy working with the soloist.

RECORD WORLD AUGUST 2, 1980 39

AmericanRadioHistory.Com L. Graham: a15 WABC, 6-2 WCAO, 2-1 WFBR, 1-1 WPGC, d19 WXLO, 3-1 WYRE, a KFI, d23 KHJ, a KEARTH, 26-23 KC101, 30-28 Y100, 29-20 96X.

jai? B.Joel: ahp WABC, e WBBF, a WXLO, a KFRC, on KSFX, d30 F105, a33 JB105, e Q107, a26 14Q. Strong11Iiimaak Early on R. John: a WYRE, on KFI, d28 KFRC, a KHJ, d30 KEARTH, product, rock Am.; R&B & discripaniWVAi 33-26 JB105, a30 KC101. influence, late & roll influence, on country hits,strong F. Knoblock: 25-24 WAXY, d30 WCAO, hb-29 WFBR, 29-27 strong sales influence from retail influence,MOR potential. WFIL, 27-22 WICC, on WKBW, a WTIC-FM, on KFI, a KHJ, both r&b, disco and country records. 18-15 KEARTH, 28-25 PRO -FM, 29-23 J9105, 27-24 KC101, 37.36 Y100, d28 14Q. Air Supply: 18-16 WCAO, 17-16 WFBR, 28-26 WFIL, d25 Air Supply: 31-21 WAYS, 22-16 WBBQ, d26 WERC, 29-26 WICC, 24-21 WKBW, e WNBC, a WPGC, a WRKO, 29-25 WHBQ, 27-16 WLAC, a WMC-FM, a WQXI,a WRJZ, a34 J.Lee: d29 WCAO, 28-24 WFBR, d28 WICC, on WKBW, e WXLO, e WYRE, a KHJ, 27-24 PRO -FM, a F105, 17-15 14Q. WSGA, 28-24KX-104,13-10 KXX-106,d37BJ-105,6.5 WNBC, d30 WPGC, d26 WTIC-FM, a WXLO, 29-26 WYRE, Q105, a Z93, 17-14 920, 14.11 94Q. d28KFI,23-19KEARTH, d28 F105, d30.16105,29-27 Ambrosia:d30WAXY, 25-23 WCAO, hb-27 WFBR, d29 KC101. WFIL, d26 WICC, 30-28 WIFI, d30 WKBW, e WNBC, 29-25 Ambrosia:27-26 WAKY, d38 WANS-FM, e WAYS, d28 WBBQ, 22-18 WBSR, d27 WCGQ, e WCIR,a WERC, a WTIC-FM,on WXLO, a WYRE, a KFI,onKFRC, 30.27 B.Mardones: e WAXY, d25 WBBF, 27-25 WCAO, 29-26 WFLB,e WGH, 34-30WGSV, 23-17 WHHY, d32 WISE, KEARTH, a KSFX,25-23 PRO -FM, a F105,a35JB105, WFBR, 27-25 WFIL, 29-24 WKBW, onKFI, on KFRC, a 30-28 KC101, e Q107, a37 Y100, on 14Q, a30 96X. d35 WIVY, d23 WLAC, 26-23 WLCY, 29-25 WNOX, 26-22 KHJ, on KEARTH, 13-11 PRO -FM, 27-23 F105, 19-13 JB105, WQXI, e WRFC, e WRJZ, 30-27 WSGA, 26-23 KX-104, 9-8 e 0107, 29-25 140. KXX-106, 31-28 BJ-105, e V100, d28 Q105,28-25 Z93, G. Benson: 24-14 WABC, 27-27 WAXY, 28-26 WCAO, 23-18 a 92Q, 12-9 94Q. WFBR, 30-28WFIL,29.23 WICC, 25-18 WKBW, 22-20 0. Newton -John: 12-10 WABC, 4-4 WCAO, 8-13 WFBR, 5-2 WNBC, 21-18 WPGC, 24-18 WRKO, 30-24 WTIC-FM, 26-20 WFIL,3-3 WKBW, 26-24 WNBC, 9.5 WPGC, 7-4 WRKO, WXLO, 24-19 WYRE, on KFI, d27 KFRC, 29-26 KHJ, 24-21 G. Benson: 20-17 WAYS, e WBBQ, 24-23 WBSR, e WCIR, 7-10 WXLO, 7-4 KFI,3-1 KFRC, 5-2 KHJ, 3-2 KEARTH, 4.3 KEARTH, 19-10 KSFX, hb-29 PRO -FM, a F105, 23-13 KC101, 22-14 WERC, d33 WFLB, 32-26 WGSV, d30 WHBQ, d27 KSFX, 11-8 PRO -FM, 10-8 F105, 5-5 J6105, 7.5 Q107, 9-4 31-30 Y100, on 140, d29 96X. WHHY, d37 WISE, 40-32 WIVY, d23 WKIX, e WLAC, d28 Y100, 3-2 14Q. WLCY, 24-20 WNOX, 25-21 WQXI, d29 WRFC, e WRJZ, a32 WSGA, eKX-104,19-13 KXX-106, 25-22 BJ-105, a V100, J. Browne: 26-25 WAXY, 24-20 WBBF, 23-20 WCAO, 21.17 L. O'Malley: a20 WABC, 27-26 WNBC, a WRKO, d27 WXLO, 22-20 Q105, 30.27 Z93, e 92Q. WICC, 16-4 WIFI, 27-22 WKBW, 29-29 WNBC, d26 WPGC, on KFI. 16-10 WTIC-FM, d30 WYRE, 22-18 KFI,d22 KHJ, 22-20 J. KEARTH,on KSFX,30-26PRO -FM, 22-18F105,26-21 Browne: 22-14 WANS-FM, 25-17 WBBQ, 23-20 WCGQ, JB105, d30 Q107, a Y100, e 96X. L. Ronstadt: 12-10 WAXY, 27-25 WFBR, 22-20 WFIL, 30-27 22-19 WCIR, 25-18 WERC, 32-29 WFLB, 23-22 WGH, e WICC,28-26 WKBW,14-12 WNBC,a15 WPGC,26-23 WGSV, 17-10 WHBQ, 27-22 WHHY, 28-19WISE,29-25 WRKO, 23-18 WTIC-FM, 17-12 WXLO, a22 WYRE, 21-17 WIVY, d24 WLAC, 15-9 WNOX, d21 WMC-FM, 29-26 WRFC, I. Cara: a17 WABC, a WCAO, a30 WFBR, a WFIL, a WICC, KFI, 20-18 KEARTH, on KSFX, 26-22 PRO -FM, 28-25 F105, 13-8 WPJZ,23-21 WSGA, 21-17KJ-100,30-19KX-104, d28 WKBW, 20-16 WNBC, d29 WPGC, 30-19 WRKO, a28 30-24 JB105, e Q107, 32-32 96X. d24 KXX-106, 21-18BJ-105,30-28 V100,27.21Q105, WXLO,11-7KFI, a KFRC, 14-7KHJ,4-3 KEARTH, e-28 12-5 Z93, e 92Q, 20-14 94Q. KSFX, hb-28 PRO -FM, 29-15 F105, 14-12 1B105. D. Ross: on WCAO, 24.20 WFBR, d27 WNBC, 23.14 WXLO, d24 WYRE, 25-11 KEARTH, e-30 KSFX, a34 JB105, a35 I.Cara: d29 WAYS, 30-24 WBBQ, e WBSR, e WCIR, 20-17 K.Carnes:28-31 WABC,10-8 WCAO, 12-6 WFBR, 10-7 Y100, a23 96X. WERC, 30-26 WFLB,21-21 WGH, 29-23WGSV, 30-26 WFIL, a WICC, 24-23 WIFI, 20-17 WKBW, 30-27 WNBC, WHHY, d35 WISE, e WKIX, 30-20 WLAC, 26-23 WNOX, a24 10-9 WPGC, 4-1 WRKO, 16-7 WXLO, e WYRE, 17-14 KFI, WMC-FM, 29-25 WQXI, a WRFC, d30 WRJZ, 26-23 WSGA, B. Scaggs: hp -49 WABC, 28-26 WAXY, 20-15 WBBF, 15-13 21-18 KFRC, 21-13 KHJ, 14-12 KEARTH, 13-12 KSFX, 7-6 d29 KX-104, e KXX-106, e BJ-105. PRO -FM, 7-3 F105, 7-4 JB105, 28-26 KC101, 29-26 Y100, WCAO, 18-12 WFBR, 20-17 WFIL, 15-12 WICC, 12-8 WIFI, 25-21 14Q, 27-16 96X. 18-15 WKBW, 14-12 WPGC, 17-13 WRKO, 18-15 WTIC-FM, d30 WXLO, 16-13 WYRE, 20-22 KFI,15-12 KFRC, 26-23 C.Cross:18-11 WAKY, 4-2 WANS-FM, 9.5WAYS,15-3 KEARTH, 10-5KSFX, 9-7 PRO -FM, 23-20F105,22-19 WBBQ, 10-7 WCGQ, 15-8 WCIR,1-1 WERC, 17-16 WFLB, N.Cole: d28 WCAO, 25-23 WFBR, on WFIL, d30 WICC, 1E3105, 10-10 KC101, 36-34 Y100, 22-18 14Q, e 96X. 22-19 WGH, 10-6 WGSV, 30-23 WHBQ, 27-25 WPGC, 9-7 WRKO, on WXLO, aKFI, on KHJ, 27-24 1-1 WHHY, 12-2 WISE, 14-10 WIVY, 22-18 WKIX, 17-10 WLAC, 15-8 WLCY, KEARTH, hb-30 PRO -FM, a31 JB105, on 14Q, e 96X. 11-8 WNOX, d20 WMC-FM, B. Seger:a WICC, a30 WIFI,d21 WRKO, a30 WTIC-FM, 1-1WQXI,6-3 WRFC,4-3 WRJZ, 21-13 WSGA, 16-13 KJ-100, 5-4 KX-104, 1-1 KXX-106, C. Cross: 31-34 WABC, 19-11 WAXY, 14-10 WBBF, 17-15 a WXLO, a WYRE, 17-19 KSFX, a PRO -FM, d29 F105, 32-25 11-7 BJ-105, 18-17 V100, 3-2 Q105, 1-1Z93, 27-21 92Q, WCAO, 21-14 WFBR, 23-15 WFIL, 10-4 WICC, 17-11 WIFI, JB105, a27 14Q, on 96X. 1-1 94Q. 15-8 WKBW, 15-14 WNBC, 25-21 WPGC,18-11 WRKO, 19-11 WTIC-FM, 22-16 WXLO, 22-16 WYRE, d26 KFI, a28 C. Simon: a WAXY, a WFBR, a WICC, a28 WRKO, a WXLO, KHJ,d28KEARTH, 23-20 PRO -FM,26-21F105,20-16 a PRO -FM. R. Dupree: a29 WAKY, 25-18 WANS-FM, e WAYS, e WBBQ, JB105,8-4KC101, d28 Q107,12-12Y100,10-514Q, e WCIR, d28 WHBQ, d20 WHHY, e WISE, d36 WIVY, a25 4-2 96X. S.O.S.: 3-4 WABC, 25-19 WBBF, 26-24 WCAO, 6-3 WFBR, WLAC, d29 WNOX, a25 WMC-FM, 19-13 WQXI, d30 WRFC, 13-11WFIL, 18-14 WICC,5-1 WKBW, 8-7WNBC, 5-3 a WRJZ, 29-26 WSGA, d28 KX-104, d25 KXX-106, 38-34 R. Dupree: d22 WBBF, 24-21 WCAO, a WFBR, on WFIL, WPGC, 5-2 WTIC-FM,4-3 WXLO, 15-6 WYRE, 13-11KFI, BJ-105, a V100, 20-17 Z93, d29 92Q, 17-13 941 on WICC, on WKBW, e WNBC, 30-28 WPGC, a27 WTIC-FM, 8-5 KFRC, 2-4 KHJ, 6-6 KEARTH, 1-1 KSFX, 21-16 PRO -FM, 25-21 WYRE, aKFI, d29 KFRC, d29 KEARTH, 7-9 KSFX, 10-7 JB105, 5-2 KC101, 1-1 Y100, 23-16 14Q, 1-1 96X. E.L.O.: e WANS-FM, a WBBQ, a WCIR, a WERC, a WFLB, a29 KC101, a35 96X. e WGSV, e WISE, a WIVY, e WLAC, a WNOX, 33-30 WSGA, R.Stones: 16-13 WABC,18-16 WAXY,19-13WBBF, a eKJ-100, d30 KX-104, e KXX-106, a40 BJ-105, e V100, E.L.O.:a WFBR, aWFIL, d29 WICC,a WIFI,a WKBW, WCAO, 16-10 WICC, 13-1WIFI, on WKBW, 19-17 WNBC, d29 Q105, d30 Z93, 30-27 94Q. 26-24 WPGC, a29 WTIC-FM, a29 WYRE, aKFI,a KFRC, 16-6 WPGC,10-5 WRKO, 22-16 WTIC-FM, 21-23 WXLO, on KEARTH, on KSFX,a PRO -FM, a32 JB105, e Q107, 19-8 WYRE, 9-3 KFI, 13-8 KFRC, 16-10 KHJ, 10-7 KEARTH, M.Gilley:5-4 30-24 14Q, a27 96X. 3-2 KSFX, 16-13 PRO -FM,11-7 F105, 17-10 JB105,16.7 WAYS,27-27 WBBQ,11-8 WHBQ,11-6 KC101, 17-9 0107, 27-24 Y100, 17-12 96X. WLAC, 23-16 WMC-FM, 9-8 WSGA, 23-17 KX-104,16-11 Genesis: a39 WABC, 8-6 WCAO, 4-4 WFBR, 11-8 WFIL, 1-3 KXX-106, d30 V100, 28-26 Q105, 18-15 92Q.

WIFI, 4-5 WKBW, a30 WNBC, 12-11 WPGC, 25-15 WXLO, A.Thompson: a41WABC, a WAXY,12-10 WCAO,13-9 d27 KFI,17-13 KFRC, 25-19 KHJ, 21-14 KEARTH, 18-14 WFBR, 21-19 WFIL, 19-13 WIFI, 26-25 WKBW, 24-20 WPGC, L.Graham:d34 WANS-FM,19-10 WAYS,28-21 WBBQ, KSFX, 6-9 PRO -FM, 16-14 F105, 13-11 JB105, 24-11 Q107, 23-20 WRKO, on WXLO, 25-21 KFI, 22-19 PRO -FM, 21-19 21-16 WBSR, a WCIR,18-10 WERC, d32 WFLB, 15-10 35-32 Y100, 16-10 140. F105, 34-27 JB105, e 0107, 33-29 Y100. WGH, d31 WGSV, 1-2 WHBQ, a WHHY, e WISE, 3-2 WKIX,

Robbie Dupree, ELO, Bob Seger Irene Cara

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23-14 WLAC, d26 WLCY, d30 WNOX, d15 WMC-FM, 18-10 on WPEZ, aWSKS-FM, 26-25 WZUU, d30 WZZP, 16-8 WQXI, e WRFC, 3-1 WSGA, 17-9 KX-104, a KXX-106, 29-23 KBEQ, a23 KXOK, a32 Q102, a25 92X. Q105, 27-21 Z93, e 92Q, 24-20 94Q. 1.Browne: d26 CKLW, 24-15 WDRQ, 20-15 WEFM, 23-23 B. Joel: a40 WIVY, d23 WMC-FM, 32-29 WSGA, a KX-104, WFFM, 23-21WGCL,d25WOKY,20-17WPEZ, 23-20 d27 Q105. WSKS-FM, 12-8 WZUU,24-22 WZZP,3-1KBEQ,25-22 KSLQ, 20-16 Q102, 19-16 92X, 16-11 96KX. F. Knoblock: 23-18 WAKY, e WANS-FM, e WAYS, e WBBQ, R&B and I. Cara: d23 CKLW, 28-18 WDRQ, a28 WZUU, on WZZP, on 23-20 WBSR, 25-23 WCGQ, d29 WCIR, 24-20 WERC, e KSLQ. country influ- WFLB, 16-9 WGSV, e WHBQ, 36.27 WISE, d39 WIVY, e WKIX, d27 WLCY, a WMC-FM, 13-7 WQXI, e WRFC, d29 ences, will test records C. Cross:7-4 WDRQ,22-21WEFM, 1813 WFFM,6-5 WRJZ, 27-24 WSGA, d27 KX-104, 21-14 KXX-106, e BJ-105, WGCL, 11-10 WHB, 8-6 WNDE, 13-11 WOKY, 30-27 WPEZ, early. Good retail coverage. e Q105, 26-23 Z93, d30 920, 22-17 94Q. 15-11 WSKS-FM, 10-6 WZUU, 8-5 WZZP, a17 KBEQ, 16-4 KSLQ, 21-12 KXOK, 18.14 Q102, 14-6 92X, a31 96KX. Air Supply: 29-24 WQUE, 34-30 WTIX, d30 KFMK, on KGB, 1. Lee:20-14 WAKY,29-23 WANS-FM, 27-20 WAYS, e 18-16KILT,a30 KNOE-FM, 25.22 KRBE,onKTSA,on WBBQ, 18-10 WBSR, a WCGQ, e WCIR, 29-21 WERC, 19-14 R. Dupree:29-27 WDRQ, 24-20 WFFM, on WGCL, d30 KUHL, 18-13 6100. WFLB, 14-12 WGH, 26-22 WGSV, 26-22 WHBQ, d28 WHHY, WOKY, a WPEZ, a29 WZUU, on KSLQ, 28-22 96KX. 34-26 WISE, 23-19 WKIX, d22 WLAC, 18-11 WLCY, 17-15 Ambrosia: on WQUE, a WTIX, a29 KGB, 35-32 KILT, 18.15 KRBE, on KTSA, 27.22 KUHL, 20-16 B100, d30 B97. WNOX, a WMC-FM, 9-2 WQXI, d23 WRFC, 21-12 WRJZ, 15-7 1. Lee: 25-20 CKLW, d20 WDRQ, 26-22 WFFM, 2516 WHB, WSGA, d30KJ-100,29-26 KX-104, d28 KXX-106,18-10 a21 WNDE, a WOKY, 28-27 WZUU, 22-15KSLQ,a25 I.Cara:a WQUE, 26-22 WTIX, 15-15 KGB, on KNOE-FM, Z93, 28-24 92Q, 6-3 940. KXOK. d29 KRBE, a B97.

K.Loggins: a30 WAKY, e WANS-FM, d30 WCGQ, e WCIR, K.Loggins:a WDRQ, d30 WEFM, on WFFM, d29 WGCL, Commodores: 18-17 WQUE, 1513 WTIX, 6-4 KFMK, 14.4 a WERC, e WGH, e WISE, e WLAC, d26 WQXI, a KX-104, a WZZP, 11-6 KBEQ, 22-16 96KX. KILT, 15-13 KRBE, a KTSA. a KXX-106, a28 94Q. C.Cross: 21-15 WQUE, 22-16 WTIX, 23-20 KFMK, 27-19 Rolling Stones: 9-6 CKLW, 9-9 WDRQ, 18-12 WEFM, 12-6 KGB, 20-18 KILT, 16-10 KNOE-FM, 19.16 KRBE, 5-1 KROY- B. Mardones: 16.11 WAYS, 21-15 WBBQ, a WHBQ, 12-9 WGCL, 24-11 WLS, d22 WOKY, 24-21 WPEZ, 16-13 WSKS-FM, FM, 19-15 KTSA,1-1 KUHL, 14-11 6100, d29 B97. WLAC, d19 WMC-FM,8-8 WQXI, 22-19 WSGA, 15-14 a KSLQ, 13-6 Q102, 17-7 92X, 26-26 96KX. KX-104, 3-2 KXX-106, a39 BJ-105, e Q105, 25-22 Z93, DirtBand: 28-27 WQUE, 36-36 WTIX, on KFMK, 25-23 20-17 92Q, 3-2 94Q. KILT,on KRBE,18-14 KROY-FM, on KTSA,12-5 KUHL, C. Simon: a WDRQ, 30.27 WFFM, a WOKY, a WPEZ. a29 B100. Rolling Stones: 21-15 WAKY, 2-1 WANS-FM, 19-5 WBBQ, 14- R. Dupree: a WQUE, a WTIX, a KFMK, 33-31 KILT, 23-18 11 WCGQ,21-17 WCIR, 14-7 WERC, 26-21 WFLB, 11-9 WGH, KRBE, 26.22 KROY-FM, on KUHL, on B97. 25-19 WGSV, 8-4 WHBQ, 17-11 WHHY, 24-8 WISE, 19-16 WIVY, 16-15WKIX,21-15WLAC,21-17WNOX, 21-12 1. Lee: 22-19 WQUE, 6.5 WTIX, 16-2 KFMK, 1-1 KILT, 10-6 WMC-FM, 19-10 WPFC, 25-19 WRJZ,13-6 WSGA,19-12 N-0 KRBE, a30 6100, 18-12 697. KJ-100,16-2 KX-104, 10-7 KXX-106, 23-19 BJ-105, 26-22 V100, 25.13 Q105, 11-3 Z93, d23 92Q, 15-10 94Q. Rolling Stones: 19-18 WQUE, 7-4 WTIX, 2012 KGB, 23-16 KNOE-FM, 11-9 KRBE, 9-5KROY-FM, d29 KTSA, 16-9 KUHL, 19-13 B97. D. Ross: a29 WANS-FM, a30 WAYS, a WBSR, 33-24 WFLB, Pop sounding d24 WGH, a WGSV, e WHBQ, 39-30 WIVY, 24-17 WKIX, records, late on D. Ross: d26 WQUE, d25 WTIX, 29-25 KFMK, a26 KGB, 20-15 WQXI, a WRFC, a33 WSGA, a KX-104, a 61-105, a37 KILT, on KNOE-FM, 28-20 KRBE, a KUHL, d26 B97. a26 Z93. R&B crossovers, consider country crossovers, react to influence of C. Simon: a31 WAKY, a WBBQ, a WBSR, a WCGQ, a WGH, racks and juke boxes. a WGSV, a WISE, a WLCY, a WNOX, a WRJZ, a KX-104. Air Supply: a28 WEAQ, e WGUY, d22 WJBQ, a WSPT, 17-14 B. Seger: e WANS-FM, d25 WAYS, d32 WBSR, a WCGQ, KDWB, 18-13 KGW, 23-19 KJR,d22 KKLS,11-4 KMJK, e WCIR, d30 WERC, a WFLB, a WGSV, e WHHY, e WISE, 16-13 KS95-FM. a WIVY, d29 WQXI, a WRFC, 31-28 WSGA, d28 KJ-100, a KX-104,a KXX-106, 40-36 6.1-105,a V100, a30 Q105, Ambrosia:a27 WEAQ, d26 WGUY, 23-13 WJBQ, a27 Racked a 92Q. WOW, d27 WSPT, d26 KCPX, 28-24 KGW, 29-28 KJR, area, reacts 25-19 KKLS, e KKOA, 34-31 KLEO, e KMJK, d20 KS95-FM. to strong R&B/disco

1. Browne:19-17 WEAQ,29-21 WGUY,a WOW, 23-19 product, strong MOR influences WSPT, 25-20 KMJK, 19-15 KKLS, 24-19 KKOA, 30-27 KLEO. Air Supply: 30-29 KIMN, d37 KNUS, d29 KOFM, a KOPA. I.Cara: d27 WGUY, a WJBQ, a WOW, 21-12 KCPX, 27-24 Ambrosia: d28 KIMN, 6-4 KNUS, d30 KOFM, d29 KOPA, KJR, d35 KMJK. 13-11 KZZP, 2-1 Z97. Much C. Cross: 11-8 WEAQ, 4-3 WGUY, 18-15 WJBQ, d10 WOW, G. Benson: a KIMN, a40 KNUS, 29-26 KOPA. exposure 13-6 WSPT, 9-5 KCPX, 15-13 KDWB, 9-5 KGW, 5-4 KJR, 28-24 KKLS, 21-18 KKOA, 18-15 KLEO, 16-6 KMJK, 10-7 1. Browne: 24-20 KIMN, 39-28 KNUS, 28-23 KOFM, 14-10 for rock & roll, KS95-FM. KOPA, 27-25 KUPD, 23-18 KZZP, 24-23 Z97. R&B/disco crossovers C. Cross: 11-5 KIMN, d36 KNUS, 24-16 KOFM, 10-6 KOPA, active. Late on country product E.L.O.: a30 WEAQ, a WGUY, d23 WJBQ, a KCPX, a KMJK. 1-1 KZZP, 17-16 Z97.

E.Rabbitt: a WGUY, a23 KDWB, 29-26 KGW, a34 KLEO, R. Dupree: d30 KIMN, e KNUS, e KOPA, 19-14 KZZP. d34 KMJK, a KS95-FM. Air Supply: a15 CKLW, a WDRQ, d28 WFFM, d22 WGCL, E.L.O.: a KIMN, a KNUS, d25 KOPA. 22-21 WHB, 15-6 WOKY, on WPEZ, d30 WSKS-FM, 10-8 Rolling Stones: 15-15 WEAQ, 26-12 WGUY, a WOW, 20-15 M.Gilley: 29-27 KIMN, 5-1 KNUS, 8-5 KOPA, 18.13 Z97. WZZP, on KSLQ, 26-18 KXOK, a24 92X. WSPT, 10-7 KCPX, d25 KGW, 12-9 KJR, 18-14 KKLS, 19-11 KKOA, 27-24 KLEO, 21-13 KMJK. Pointer Sisters: a KNUS, a KOPA. Ambrosia: a25CKLW, d29 WDRQ, a28 WEFM,28-25 Rolling Stones: 27-25 KIMN, 34-29 KNUS, 21-13 KOFM, WFFM, d30 WGCL, 24-23 WHB, 19-16 WNDE, 30-28 WOKY, B. Seger: a WSPT, a KCPX, a KMJK, a KS95-FM. 28-17 KOPA, 17-7 KUPD, 21-17 KZZP, 25-24 Z97.

Commodores, Larry Graham, Robbie Dupree None Boz Scaggs ("Look What ... ") Diana Ross WPEZ, WPGC, KILT, Q107, 99KX

AmericanRadioHistory.Com _IL

Record World L -L Z LLL LLtd. Canadian Platinum For Toto England By VAL FALLOON

LONDON-The Performing Rights Tribunal has finally reached a conclusion. The seven -month, million pound hearing was brought about by the Association of Independent Radio Contractors (AIRC) seeking a reduction in needletime payments. The move was strongly opposed by Public Performance Ltd. (PPL), the needletime collection body representing the record companies. The new royalty calcula- tions-which may be appealed by AIRC-will be based on a sliding scale according to "age" and advertising revenue. This means broadly that the top indie, Capital, will have to pay almost a quarter of a million more per annum, while the new stations pay proportionately Columbia recording artists Toto recently concluded their 1980 Hydra World Tour at Vancouver's Queen Elizabeth Theatre. CBS representatives feted the group backstage lower percentages than before. Capital's figure, which may top a with platinum plaques for the "Hydra" LP. Pictured from left: Peter Jensen, Juanita million, is said to be higher than the BBC's contribution for all four Campbell of CBS; Toto's Steve Porcaro, Kim Parton, Don Gunter and Frank Gigliotti, of its radio networks. The tribunal ruling settles the argument about CBS; Tote's David Paich (with plaque); Tote's David Hungate; Don Grant of CBS; and the benefit to record companies of airplay: the PPL claims this is Jeffrey Porcaro of Tote. negligible and that stations need music to attract audiences. The PPL has always maintained that airplay barely affects overall sales. The added significance of the tribunal's ruling is that the BBC-which was not involved in this action-now appears to have a poor case Germany for its own planned bid to have its airplay costs reduced. The BBC's needletime agreement is due for renegotiation next year. By JIM SAMPSON MUNICH-Was the German music industry "caught sleeping" while REPLANTING: The Decca factory has now been sold to a company the audiophone market boomed? That's the charge made by Klaus called London Print and Design, which immediately advertised the Heiligenstuehler, 33, founder of Jeton Records, a small new indie factory for international use. The pressing plant, say its new owners, audiophone producer. He believes the majors passed up potential is available for immediate installation "anywhere in the world." The profitsinthisspecialized fieldinlieu of maximum turnover and matrix unit can be set up in one territory and service others, with revenues. But he admits that German audiophiles were slow to accept a capacity of up to fourteen million discs per annum, the owners say high -price digital, direct -cut and half -speed discs, and that Jeton owes . . . Still no news of the RCA/PRT board, but Michael Levy heavily much of its success to foreign interest in its product, which features tipped as the man selected to head the joint venture. Nothing can Alexis Korner, Chris Barber and Ray Brown among others. To assure be confirmed until the board has met but itis understood that the quality, Heiligenstuehler limits production of his direct -cut releases to deal involves the purchase by the new company of Levy's Magnet 15,000 discs: several Jeton recordings have sold out. Records . . . As the musicians' union strike grinds on, record com- An RW survey of major German record companies revealed mixed panies are cutting back on promo films, claiming that there are not interest in audiophone recordings. Teldec, which presses discs for enough outlets for them. Incidentally, BBC TV's "Top Of The Pops," several U.S. and European audiophile companies, is the clear leader, absent from the screen because of the strike, has apparently had mini- listing over 180 digital and 70 direct -to -disc items inits regular and mal effects on disc sales. import catalogues, including locally -produced pop (boogie pianist MUSICAL MOVIES STILL A FAVORITE FOR SELLING LPS:Both Axel Zwinenberger) and classical (organist Elisabeth Ullman) discs. At RSO ("Fame") & A&M ("Breaking Glass") pushing the soundtracks Bellaphon's Import Dienst in Frankfurt, Winfried Merkler has a grow- heavily. "Fame" opened Wednesday (23) and "Breaking Glass," the ing audiophile section which features JVC albums from Japan. Follow- U.K.-produced punk movie opens this week ... Novel idea from Jan ing the heady sales of Andre Previn's Debussy premiere, EMI Electrola Olofsson's Young Blood Records-a tie with employment agency this month added seven digitals from the U.S. and U.K. to its regular KellyGirl whereby the agency's ads appear on disc sleeves and catalogue. EMI's ASD import service boasts a wide assortment ofYoung Blood product is promoted to the agency's "Temps" intern- digital, direct -cut and half -speed product. The firm's first domestic ally. The first "Draw" is aRod Stewart oldie from his Python Lee digital productions, in the pop field, are in preparation. Jorgen LarsenJackson days, "Broken Dreams" . . . At EMI Records, new MD of CBS, like many other managing directors, thinks the digital processCliff Busby will also take on responsibility for all distribution and "goes unnoticed by all but a small number of hi-fi oriented consum-stock control. Roger Shenton, formerly director of manufacturing and ers." Thus, there will be no major CBS Mastersound campaign indistribution has left the company . . . With Intersong International Germany, although Larsen has started a half -speed marketing test and chief Ron Solleveld returning to the U.S. company, Hein Van Der has issued several albums (ELO, Styx, Billy Joel, Journey) on chrome Ree, formerly Chappel International repertoire coordinator, takes over dioxide cassettes. WEA's Siggi Loch issued the first major -company Solleveld's seat as general manager, based in London . . . Peter Ende direct -cut album in Germany (Joachim Kuehn's "Charisma" in 1977),has been named managing director of Francis Day and Hunter, Ham- but has since decided against any further direct -cut releases. A new burg, where he was previously with Intersong. Present MD Gerard Kuehn digital album is planned, however, and the digital argumentMuller will move to another EMI position in October . . . Peter Ro- has helped sales of recent Ry Cooder and Gordon Lightfoot sets. binson, CBS marketing director, becomes international director . . . Intercord MD Herbert Kollisch, who is planning new Karl Muen- And will CBS be the next major to abandon RRP in the U.K.? . . . chinger digital recordings in Stuttgart, predicts that any digital break- Virgin band Ruts too shocked by death last week oflead singer through in the marketplace must wait until digital playback systems Michael Owen to make any announcement on the band's future. become widely available, perhaps infive years. Phonogram alsois Bain Back: Roger Bain, formerly Phonogram A&R director, has waiting for the advanced digital hardware (which is expected in a launched his own label Cygnet in association with Blue Chip Music. couple of years from parent Philips), but now offers digital and direct -Ali product will be released through Blue. Chip companies world- cut through its import service. DC/Polydor's MD Ossi Drechsler re-wide P & D in the U.K. to be announced: ditto for new label Nep- ports the least interest in audiophile recordings of any major company.tune, set up by former DJM exec Nick Underwood. Neptune has He has only a couple of licensed Pablo digitals and no productionsigned Melanie Harrold (formerly with DJM) and another local band

plans, although there have been rumors of Herbert von Karajan digital . . . Ian Miles' Warwick label spreading its wings with a new deal sessions. Dr. Joachim Kiener of Ariola is particularly optimistic aboutfor Australia with Phonart, Sydney -based company set up by Les half -speed mastering for improved sound in the future. Ariola is not+lodge, former EMI international manager in the. U.K. First product courting audiophile customers at the moment, but plans classicalwill be country compilations. Phonart specialises in marketing TV digital recordings sometime soon. (Continued on page 43)

42 RECORD WORLD AUGUST 2,7 980

AmericanRadioHistory.Com Bronze Revamps Intl. Representation By VAL FALLOON England's Top 25 LONDON - U.K. independent bel commitment for a number of label Bronzeisrepromotingits years may not be so attractive in product internationally, prompt- view of the recession there. ed by the current renegotiation Several Artists Available Singles of all licensing deals outside the Bronze, whosetopinterna- U.S. The label's deal here with tional artists are Manfred Mann's 1 XANADU OLIVIA & ELO/Jet EMIexpiresinSeptember but Earth Band, Uriah Heepand most otherterritory deals have Hawkwind, will have the follow- 2 USE IT UP WEAR IT OUT ODYSSEY/RCA beenrenewed.Exceptionsare ing acts on offer,allof whom 3 JUMP TO THE BEAT STACY LATTISAW/Atlantic SouthAmerica,where Bronze have hadchart successinthe 4 CUPID DETROIT SPINNERS/Atlantic moves toAriola, andJapan, U.K. and various European terri- where a newdeal hasbeen tories: Motorhead (a heavy metal 5 BABOOSHKA KATE BUSH/EMI signed with Victor. band), Girlschool (an all girl rock 6 COULD YOU BE LOVED BOB MARLEY/Island Looking to U.S. outfit), Sally Oldfield and Hawk - MORE THAN I CAN SAY LEO SAYER/Chrysalis The U.S., where thelabelis wind. The latter are now avail- 7 now without representation, will able again for the U.S. where they 8 MY WAY OF THINKING UB 40/Graduate firsttargetfortheex- werepreviously with United Art - be the 9 LOVE WILL TEAR US APART JOY DIVISION/Factory ploitation of stable artists. Inter- ists. national director Lilian Bron will Bronze,part of the Bron or- 10 WATERFALLS PAUL McCARTNEY/Parlophone beintheStatesthisfallwith ganization(whoseactivitiesin- 11 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones product on offer either individu- clude publishing, recording stu- 12 TO BE OR NOT TO BE B. A. ROBERTSON/Asylum ally or as apackage. This new dios,aviationandelectronics) approach is seen as an indication will also be looking to renegoti- 13 THERE THERE MY DEAR DEXY'S MIDNIGHT RUNNERS/Parlophone thatwhilethe Americans cur- atecertainpublishing contracts 14 FUNKYTOWN LIPPS, INC./Casablanca rently favor British acts, totalla - this year. 15 UPSIDE DOWN DIANA ROSS/Motown 16 CRYING DON McLEAN/EMI Making Trax 17 EVERYBODY'S GOT TO LEARN SOMETIME KORGIS/Rialto 18 ME MYSELF I JOAN ARMATRADING/A&M 19 A LOVER'S HOLIDAY CHANGE/WEA 20 COMPUTER GAMES YELLOW MAGIC ORCHESTRA/A&M 21 STRANGERS IN THE NIGHT SAXON/Carrere 22 LET'S HANG ON DARTS/Magnet 23SLEEPWALK ULTRAVOX/Chrysalis 24 SIMON TEMPLER SPLODGENESS ABOUNDS/Deram 25 WEDNESDAY WEEK UNDERTONES/Sire

Albums

1 THE GAME QUEEN/EMI

A8M's Squeeze defines "Argybargy" (the title of their new album) as a gleeful crowd- 2 DEEPEST PURPLE DEEP PURPLE/Harvest ing together of people. Seen here argybargy-ing with the staff of Wax Trax Records are (left to right): John Bentley, Squeeze; Gilson Lavis, Squeeze; Glen Tilbrook, Squeeze; 3 EMOTIONAL RESCUE ROLLING STONES/Rolling Stones JoolsHolland, Squeeze; Chris Eifford, Squeeze; Carol Blank, Wax Trax; Jim Nash, manager, Wax Trax; and Rich Girod, A&M Records. 4 XANADU SOUNDTRACK/Jet 5 ME MYSELF I JOAN ARMATRADING/A&M House of Lords Ruling on Songs 6 FLESH & BLOOD ROXY MUSIC/Polydor (Continued from page 3) 7 LIVE AT LAST BLACK SABBATH/Nems "Until another case, relating to vacationinItaly,toldRecord 8 KING OF THE ROAD BOXCAR WILLIE/Warwick the work 'Zing Went the Strings World, "I am absolutely thrilled. 9 UPRISING BOB MARLEY/Island Of My Heart' (a decision made in After eight years of tough fight- favor of the music publishers) is ing,thisrulingwill now mean 10 VIENNA ULTRAVOX/Chrysalis finally decided,itisdifficultto enormous benefit to the estates 11 OFF THE WALL MICHAEL JACKSON/Epic tell what the repercussions, both of the Redwood songwriters." 12 PETER GABRIEL PETER GABRIEL/Charisma financial and practical, will be for Other ramifications of the law the music publishing industry." lords'decision,for example as 13 CULTOSAURUS ERECTUS BLUE OYSTER CULT/CBS A delighted Freddie Beinstock, applying to operas, will now have 14 McCARTNEY II PAUL McCARTNEY/Parlophone who departed immediately for a to be worked out. 15 I JUST CAN'T STOP IT THE BEAT/Go Feet 16 SEARCHING FOR THE YOUNG REBELS DEXY'S MIDNIGHT RUNNERS/ England (Continued from page 42) Parlophone 17 REGGATTA DE BLANC POLICE/A&M New British Signings: Logo pens London outfit Public Skool. . . 18 SKY 2 SKY/Ariola Midlands band Chevy signs to the Avatar label and PRT inks Cheap 19 HOT WAX VARIOUS/K-Tel Thrills for the Precision label . . . Brian Oliver and Bruce Welch's 20 READY AN' WILLING WHITESNAKE/UA Neon Music publishing has already shown itselt as adept at A&R 21 DIANA DIANA ROSS/Motown with various heavy metal band deals. Now Neon is setting up a mar- 22 CLOSER JOY DIVISION/Factory keting and communications company to exploit itsroster and out- 23 SAVED BOB DYLAN/CBS side talent where required. But Oliver stresses that the company is 24 DUKE GENESIS/Charisma not giving up publishing. Neon claims cutbacks in major record com- 25 ROCK & ROLL SWINDLE (SOUNDTRACK)/Virgin panies will mean more work piecemealed out to indiesin future, hence the expansion of his services. (Courtesy: Record Business)

RECORD WORLD AUGUST 2, 1980 43

AmericanRadioHistory.Com i 1...: Record World iL r L..-. '`---7..._...... L_L Ll/--1_.'II.LC:=L-1_-- 7LL Record World en Espairia By JAVIER ALONSO Desde Nuestro Rincon Desde hace 9 aliosse viene trano, curioso e interesante. Este concediendoel"Long Play de grupo malagueno es una revela- Internacional Oro," premio que otorga un gru- ciOn, tanto en formas como en po de destacados comentaristas maneras. By TOMAS FUNDORA musicales al interprete, composi- El mexicano Juan Gabriel hizo tor o arreglista que se haya desta- su primer debut en Florida Park y (This column appears first in Spanish, then in English) ado mas en la masica espanola. gusto muchisimo; canto sus gran - Firmaron un muy interesante acuerdo las em- Este premio se concede cada tres des exitos y el Oblico quedO sa- presas televisivas Red Globo de Television de Bra- meses. En este mes de julio y en tisfecho. Rocio Durcal canto en sil y ATC (Argentina Televisora Color-Canal 7) de el Club de Tenis de La Moraleja primer lugar y estuvo bien. En Argentina, por el cual ATC lanzara y promovera (Madrid), el Jurado alli reunido cuanto a Juan Gabriel podemos anual mente cuatro albumes de artistas brasilerios, concedio el "Long Play de Oro" decir que tuvo su noche triunfal producidos por Sigla/Som Livre, Ia grabadora afili- a Miguel Rios, en segundo lugar aqui en Madrid. ada a Globo, en tanto que esta hard lo mismo con qued6 Tequila y en tercer lugar Quien puede haber olvidado otros tantos "long playings" producidos por ATC Julio Iglesias. a Peret y sus rumbas? Creemos con artistas argentinos. El fenomeno de ATC en Con motivo de la grabacion del que nadie; Ia noticia nos agrada Argentina ha resultado en extremo exitoso, al Ian- programa "Aplauso," el director ya que Peret ha firmado contrato zar sus propias producciones al mercado, contando con su propia del mismo, entrego a Tequila el con discos Belter y pronto tendre- promoci6n television, que generalmente resulta muy costosa para las disco de Platino omologado por mos de nuevo sus canciones. empresas discograficas en general y, no para las empresas televisivas la Sociedad General de Autores La mUsica mexicana ha experi- que siempre encuentran un modo de hacer operantes los costos den- por haber vendido mas de 150.- mentado un fuerte crecimiento tro de su propio medio. El fenomeno no es nada nuevo y comienza a 000 copias de suLP "Tequila popular en Espana. Rocio Jurado, tomar forma y cuerpo agresivamente, ante la industria discografica, rock&roll." Es de resaltar el gran consuLP "Canto a Mexico," tanto en Argentina con ATC, como con Globo en Brasil y Televisaen suceso de Tequila dentro de la confirma de manera definitiva la Mexico. Sin lugar a dudas, la discografia en pleno, tendraque consi- mUsica espariola, que ha hecho preponderancia que este estilo ha derar it fuertemente a la promocion por television,ya que la radio posible que en Ia primera semana adquirido entre nuestro pUblico va tomando en casi todas partes las mismas caracteristicas prohibitivas de salida a yenta de su tercer lar- yellatinoamericano. "Canto a tambien. En Estados Unidos, donde las operaciones ga duraci6n: "Viva Tequila," ya Mexico" es una recopilaciOn de promocionales de empresas discograficas y tele- hayan logrado el disco de oro que dieztemasdeairemejicano, visivasse mantienen alejadas de todo negocio aunque uno el super - relacionada con el Ianzamiento o promocion de 'Ininteligible' popular "Si amanece" de Manuel discos, de modo directo indirecto, no ya por "mo- Estando, como esta, tan de mo- Alejandro. Rocio Jurado, esta de- tus propio," sino por leyes especificas, establecidas da elrock andaluz, parecia in- mostrando fehacientemente que por el FCC, por las cuales, estas no pueden com- concebible que en pleno 1977 se a su voz no hay nada que se le petir abiertamente con laindustria discografica. formara un grupo en un cortijo resista: flamenco, canci6n espa- A la larga, en cada uno de los paises, en los cuales rancheras, malagueno y sus cornponentes no nola,mUsica pop y Nestor N. Selasco se esta usando de esta practica de competencia buscaran sus propias raices en su han sido ya dominadas por esta desleal de origen, se veran reguladas las actividades de las empresas trabajo. El rock de Tabletom, y su excepcional mujer. televisivas y radiales. Es injusto y de falta de etica profesional, dirigir parte de jazz, tienen una escuela En su reciente fase interpreta- promocionalmente las grabaciones de artistas Ian- andaluza tan genuina y evidente tiva, Marisol desarrolla una per- zados por empresas discograficas propiedad o como la Giralda. Y esta escuela sonalidad musical terrible y con manejadas con caracteristicas "titeres." Teniendo se hace patente en las dos caras gran valor artistico. Ahi la tene- en la mano vehiculos tan fuertes, aquellos que del primer single de este grupo,mos de nuevo con un single ti- compiten limpiamente y que no tienen estaciones "Ininteligible" y "Tipos duros." tulado "La trenza," en el acorn- de radio o televisiOn, se las yen siempre muy mal. En este single han jugado a man- pariamiento instrumental cuenta Televisa esta lanzando discretamente sus grabaci- tener las estructuras del rock an- con mUsicos como Eduardo Gra- ones propias u obtenidas a traves de contratos de daluz y a vestirlas con partes jazz- cia, Pepe Sanchez, Tito Duarte, terceros (que no les queda otro remedio) por los isticas, que unas veces son obteni- Manolo Gas etc., todos ellos au- Hector Lavoe cuales, obtienen los derechos para lanzarlas en das gracias al saxo y otras medi- tores. Marisol, se esta recuperan- Estados Unidos. Una vez que el proceso sea denunciado al F.C.C. por ante la flauta. El donjunto es ex- do del largo silencio. algun interesado, el asunto tendra repercusiones. Es dificil que Ia industriale haga frente valientemente, en cada pals en particular, a las actividades discograficas de Latin American las poderosas empresas televisivas, pero al final, cuando el "agua Ilega al cuello" no queda otro remedio. Es un proceso ineludible e inevitable. Album Picks i0jo al tiempo! GRACIAS POR LA MUSICA En charla telefonica con Ron Chaimowitz de ABBA-CBS DAL 40301 CBS Discos de Coral Gables, me confirmo las fir- En produccion y con arreglos de Ander- mas como artistas exclusivos CBS de Yolandita ssony Ulvaeus, Abba esta vendiendo Cheo Feliciano Monge y Johanna Rosaly de Puerto Rico, la gran fuerte esta nueva grabacion en Espanol posibilidad de la firma de Danny Rivera y del acuerdo previo, ya es- con liricos de Buddy & Mary McCluskey. tablecido con Jose Luis Rodriguez (falta firmar el contrato final) para Gran repertorio con brillante potencial de tenerlo como artista exclusivo. CBS tendra que esperar un ano para yentas. "Fernando," "Gracias por Ia mir- lanzar Ia primera grabacion en su sello, de Jose Luis, o en su defecto, sica," "Dame! Dame! Dame," "Chiqui- comprar de La Discoteca (TH) los derechos de la que tienen en cartera. tita" y "Estoy soriando." De todas maneras, siempre se considera a Manuel Alejandro como su productor. Produced by Andersson and Ulvaeus, Abba is selling big with this new package containing most of their top tunes in Spanish, with lyrics Mi felicitaciOn a Nestor N. Selasco por el "30 Aniversario" de su by Buddy & Mary McCluskey, "Chiquitita," "Fernando," "Hasta ma - Music Hall de Argentina, una de las grandes empresas discograficas liana," more. (Continued on page 46) (Continued on page 45)

44 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com LATIN AMERICAN HIT PARADE vowisiidaa

Miami Tacoma Tucson Redlands, Cal. By FM 92 (BETTY PINO) By KTOY-FM (MARIO BRIONES) By KXEW (RAUL AGUIRRE) By KCAL (FABIO RODRIGUEZ) 1.HEY 1.SACRIFICIO 1.HEY 1.LUCHA VILLA AMIGA JULIO IGLESIAS LOS SOLITARIOS-Peerless JULIO IGLESIAS LUCHA VILLA-Musart 2.PAVO REAL 2.LAS TRES TUMBAS 2.ENSENAME A OLVIDAR 2.EL GORRION Y YO JOSE LUIS FEDERICO VILLA-Arcano RAMON AYALA MANOELLA TORRES-CBS 3.NO ME COMPRENDO 3.SECRETO 3.EL NOA NOA 3.ANGEL DE MIS ANHELOS RAPHAEL NACHO ORTIZ-Falcon JUAN GABRIEL MEMO LUGO Y LOS LOBOS DEL NORTE- Fame 4.HE VENIDO A PEDIRTE PERDON 4.ME RECORDARAS 4.ELLA ES ASI JUAN GABRIEL FEBRERO LOCO -Del Norte JOSE JOSE 4.HE VENIDO A PEDIRTE PERDON, JUAN GABRIEL-Pronto 5. ESTA SED QUE TENGO 5.EL SURENO 5.LA RUEDA ROCIO JURADO FELIPE GRACIANO-Olympico SUNNY OZUNA 5.TUS OJOS CASTANOS NELSON NED-Alhambra 6.SI DE AMOR YA NO SE MUERE 6.POR EL AMOR QUE TENGO 6.COMO YO TE AMO FAUSTO REY MAGDALENA-Arcano RAPHAEL 6.CREI DAVID SALAZAR-Musart 7.QUE MAL AMADA ESTAS 7.SOLO CON LA SOLEDAD 7.QUE NO NELSON NED IAN SIMMONS-Profono SAMUEL 7.APRENDIENDO A VIVIR RIGO TOVAR-Melody 8.EL TAPATIO 8.LIGADOS 8.TE AMARE DE MIL MANERAS 8.PERDONA CARINO DYANGO BETTY MISSIEGO-Alhambra VICENTE FERNANDEZ LA AMISTAD-Lado A 9.INOCENTE POBRE AMIGA 9.LA CULPA HA SIDO MIA 9.INOCENTE POBRE AMIGA 9.NUESTRO AMOR LUPITA D'ALESSIO CAMILO SESTO-Pronto LUCHA VILLA PUNTO QUATRO-OB 10.ENAMORATE DE MI 10.SOLAMENTE UN 8E50 10.DILE A TU NUEVO AMOR 10.LLORO MI CORAZON CAMILO SESTO TIERRA TEJANA-T.H. NELSON NED LOS GATOS NEGROS-Melody Ventas (Sales) New York San Francisco Los Angeles Puerto Rico 1. HE VENIDO A PEDIRTE PERDON 1.HE VENIDO A PEDIRTE PERDON 1.ATREVETE 1. DESAHOGO JOSE LUIS-T.H. ROBERTO CARLOS-CBS JUAN GABRIEL-Pronto JUAN GABRIEL-Pronto 2. HEY 2.INOCENTE POBRE AMIGA 2.TE QUIERO DE VERDAD 2. HEY BASILIO-Karen JULIO IGLESIAS-CBS JULIO IGLESIAS-CBS LUPITA D'ALESSIO-Orfeon 3.EL GORRION Y YO 3.HEY 3.HEY 3. TE QUIERO DE VERDAD JULIO IGLESIAS-CBS BASILIO-Karen MANOELLA TORRES-CBS JULIO IGLESIAS-CBS 4. COMO YO TE AMO 4.PAVO REAL 4.SI ME DEJAS AHORA 4. SENORA JOSE JOSE -Pronto ROCIO JURADO-Arcano RAPHAEL-Alhambra JOSE LUIS-T.H. 5.EL FAROLITO 5.COMO YO TE AMO 5.EL BARRIGON 5. DILE A TU NUEVO AMOR WILFRIDO VARGAS-Karen NELSON NED-Alhambra EL GARRAFON Y SUS CINCO MONEDAS RAPHAEL-Alhambra -LAD 6.EL GORRION Y YO 6.DESAHOGO 6. BRUJERIA ROBERTO CARLOS-CBS EL GRAN COMBO -Combo 6. ADIOS Y BIENVENIDA MANOELLA TORRES-CBS 7. YO QUISIERA BEATRIZ ADRIANA-Peerless 7.EL FAROLITO 7.NI LLANTO NI VELORIO OSCAR D'LEON-T.H. 7. TUS OJOS CASTANOS EL GARRAFON Y SUS CINCO MONEDAS JOHNNY VENTURA-Combo NELSON NED-Alhambra -LAD 8. MENEAME LA CUNA 8.MI MANERA DE AMAR 8. LAS CALENAS 8.SENORA FANIA ALL STARS-Fania NELSON NED-WS Latino PASTOR LOPEZ-Orfeon ROCIO JURADO-Arcano 9. COMO YO TE AMO 9. BRUJERIA 9.TUS OJOS CASTANOS 9.YO QUISIERA RAPHAEL-Alhambra EL GRAN COMBO -Combo NELSON NED-Alhambra OSCAR D'LEON-T.H. 10. VAS POR AHI 10. ME LLAMAN EL ASESINO 10.MAS DE LO QUE MERECIAS 10.SI DECIDES VOLVER SONORA PONCENA-Inca LOS POTROS-Peerless LOS HUMILDES-Fama HENRY SALVAT-LAD Nuestro Rincon (Continued from page 44)

argentinas . . Presentaran R. Mercado y Ray Aviles su espectaculo Ron Chaimowitz, from Discos CBS in Coral Gables, Fla., has con- anual "New York Salsa Festival" los dias 30 y 31 de Agosto. Se pre- firmed the signing of Yolandita Monge and Johanna Rosaly from sentaran en el Concierto del Domingo, Celia Cruz, Gran Combo, Wil- Puerto Rico, the possible signing of Danny Rivera and the agreement frido Vargas, Pete "El Conde" Rodriguez, Conjunto Clasico, Hector already established between CBS and Jose Luis Rodriguez. CBS will Lavoe y Cheo Feliciano. El concierto del domingo presentard a Celia have to wait a year in order to release Jose Luis' first LP on the label, Cruz, Willie Colon, Johnny Ventura, Sonora Poncena, Luis "Perico" or obtain the rights from La Discoteca (T.H.). Anyhow, Manuel Ale- Ortiz Ismael Rivera e Ismael Miranda. Como siempre, el espectaculo jandro is being considered as Jose Luis' producer. se presentard en el Madison Square Garden de Nueva York . . . Y My congratulations to Nestor N. Selasco for the 30th anniversary ahora iHasta la proximal of Music Hall, one of the important record labels in Argentina. . . Ralph Mercado and Ray Aviles will present their annual spectacular Red Globo de Television in Brazil and ATC (Argentina Televisora "New York Salsa Festival" August 30th and 31st at Madison Square Color -Canal 7) in Argentina signed an agreement by which ATC will Garden with performances by Celia Cruz, El Gran Combo, Wilfrido release and promote annually four LPs by Brazilian artists produced Vargas, Pete "El Conde" Rodriguez, Conjunto Clasico, Hector Lavoe, by Sigla/Som Livre, the recording company affiliated to Globo; Red Cheo Feliciano, Willie Colon, Johnny Ventura, Sonora Ponceria, Luis Globo will do the same with ATC. ATC's progress in Argentina has "Perico" Ortiz, Ismael Rivera, and Ismael Miranda. been great because of the release of their own productions and at the same time the promotion of them via their own TV station, which in general is expensive for record companies. This promotional system is c Radio Action not a new one and is starting to take shape in the international record markets, such as ATC in Argentina, Globo in Brazil and Televisa in Mexico. Undoubtedly, the record industry will have to consider pro- Most Added Latin Record motingitsproduct via TV, considering thatitisalso, more or (Tema mas programado) less, confronting the same problems with radio. In the United States (International) (Regional) radio or television networks stay away from any kind of business or. related with the release or promotion of records, because of specific "He Venido A Pedirte PerdOn" * "Inocente Pobre Amiga" * laws established by the FCC by which they can not openly complete (Juan Gabriel) (Juan Gabriel)

with the record industry. Not far from now, in each of the countries in which this system is being used, all activities from TV or radio in- JUAN GABRIEL LUPITA D'ALESSIO

dustries will be regulated when time comes. Televisa in Mexico is re- Ariola- Pronto Odeon

leasing its own recordings or obtaining them through third parties * Third Time - Tercera Vez * Second Time - Segundo Vez which later get the rights to release them in the States.

RECORD WORLD AUGUST 2, 1980 45

AmericanRadioHistory.Com Me COaSt(Continued from page 19) CBS Intl., A&M Set Latin Pact the Orange County -based Hornets Attack Victor Mature, however, whose entire line-up reportedly lined up to be among the first to register. But then with a membership nurtured by the good lifein El Monte and Torrance, we're hardly surprised. HOT NEW PROD: Get ready for a new sampler from Ambition Records, an indie label based in Washington, D.C. Called "Declara- tion of Independents" (clever, eh?),it includes tracks by performers hailing from all over the country: Robin Lane and the Chartbusters (Boston), the fabulous Bubba Lou and the Highballs (they're from San Francisco, and their track on this LP, "Love All Over the Place," has been picked up by Stiff in the U.K.), SVT (also S.F., and led by former Jefferson Airplane/Hot Tuna bassist Jack Casady), Jim Wun- derle (he's from Springfield, Mo., and licensed to Ambition by-get ready-Ayatollah Records), D. Clinton Thompson (also Springfield), Pylon (Athens, Georgia), Kevin Dunn (Atlanta), Luxury (Des Moines), Razz (D.C.), Tex Rubinowitz (D.C.), Root Boy Slim (D.C. yet again), The News (Rock Springs, Wyo.) and the ever -popular Ragnar Kvaran (from Ann Arbor, Michigan and described as "50s doo-wop meets Bob Dylan meets the Clash"). For more info, write to Cross -Country, Allen Davis, president, CBS Records International, and GilFriesen,president, A&M P.O. Box 3584, Washington 20007 .. . Falk about hot prod: we loved Records, have jointly announced a new three-year licensing agreement between CBS the photo caption in the English trade magazine Record Business and A&M for A&M Records productinallterritoriesofLatin America. The new telling us how a band called the Lazers were signed to Big Bear affiliation covers the entire continent of South America, allof Central America, and Mexico. Pictured at the signing ceremony are (from left): Jack Losman, vice president, Records. We don't know how much it had to do with their getting Jerry Moss, chairman, A&M Records; Allen Davis, president CBS Records International; signed, but Lazers vocalist Carol Decker, the caption says, "boasts and Gil Friesen, president, A&M Records. 'the most beautiful bum in the business' " . . . The entire west coast division of the Dreamland Records clan was on hand when Shandi played the Whisky a couple of weeks ago, including label chief Latin American Album Picks Nicky Chinn, producers Mike Chapman and Peter Coleman and (Continued from page 44) Dreamland artists Suzy Quatro, Holly Penfield and Michael Des- CAMARADA Barres. Didn't help Shandi escape a simply devastating review in the L.A. Times, however. CHARLES AZNAVOUR-DRG SL 9501 FOLKS: Ben Edmonds, who used to writethis column, hasre- Nueva production del talentoso composi- turned to the U.S. after several years of self-imposed exile as an tor y cantante frances, Charles Aznavour A&R man in England. He'll be joining the A&R staff (west coast) of en la cual se lucen los arreglos de Ch.

UA/EMI Records . . . Barnes and Barnes, who were responsible for Calello, P. Lee y A. Franck y, por supuesto, 1979's most bizarre noveltry item, "Fish Heads" ("eat 'em up, yum," Aznavour a plenitud. "Idiota, yo to qui- the lyrics went), have been signed by Rhino Records. Their debut ero" (Aznavour-Garvarentz-Marco-Cante- album will be called "Voobaha," said to be the standard form of lis), "To" (Aznavour-Kretzner-Merida), greeting in their native Lumania . . . Alto saxophonist Lanny Morgan "Habra un despertar" (Aznavour-Garva- (called "the most eloquent Bird -watcher since Sonny Criss" by one rentz-Merida) y otras. critic) will play Gilberto's in Cucamonga, Calif. on August 3 at 4 p.m. New package by talented French composer and singer Charles Az- navour, rendered in Spanish. Superb performances of "Ciao amor Polydor Signs Massey ciao" (Aznavour-Garvarentz-Merida), "Al dormir junto a ti" (Aznavour- Marco-Cantelis) and "Que vivi" (Aznavour-Merida).

LOS DOS IGUALES JOSE ALFREDO Y JOSE ANGEL-RCA CAMS 1021 Con arreglos y direcci6n de Fernando Z. Maldonado y con el Mariachi Vargas de Tecalitlan y Mariachi Tenochtitlan, el gran compositor e interprete Jose A. Espinoza "Ferrusquilla" ofrece paginas de su inspi- raci6n y del grande de Mexico, Jose Al- fredo Jimenez. "Los dos Iguales" (Jimenez- Polydor Records has inked televisionsingingstar Wayne Massey to an exclusive Ferrusquilla), "Que bueno que pudimos" recording contract,it was announced by Fred Haayen, president of the label. The first (Ferruquilla-L.M.) y "Una cruz en el cielo" release under the agreement will be a single, "One Life To Live," the theme from the (L.M.-J.A. Jimenez). TV show of the same name on which Massey isfeatured as country -rock superstar Johnny Drummond. Produced by Joel Diamond and arranged by Bill Justus, "One Life II With arrangements and direction by Fernando A. Maldonado and To Live"isslated for release this week. On hand tohelp mark the signing, were, backed by mariachis Tecalitlan and Tenochtitlan, talented composer above, from left: Eileen Garrish, director,legal and business affairs, Polydor Records; and singer Jose A. Espinoza "Ferrusquilla" offers a superb package of Fred Haayen, president, Polydor Records; Wayne Massey; Dick Kline, executive vice president, PolyGram RecordsEast;RandyRoberts,nationalsinglessales manager, Jose A. Jimenez and his own tunes. "Silencio corazon" (J.A. Jimenez- PolyGram Records East;BillCataldo, national promotiondirector, PolyGram Records Ferrusquilla), "La verdad de la verdad" (J.A. Jimenez-Ferrusquilla) and East;StuFine,director of eastcoast A&R, PolydorRecords; and Jerry Jaffe, vice "Cancion divina" (L. M.-Ferrusquilla). president, artist development, PolyGram Records East. Seated, from left: Harry Anger, senior vice president, product development, Polydor Records; Joel Diamond, Massey's LA CIUDAD producer; and Jim Collins, vice president, promotion, PolyGram Records East. RAFAEL BUENDIA-Musart 10791 Ken Cayre, executive VP of Sal - AGAC August ASKAPRO soul Records on August 7; Paul Con el Mariachi Oro y Plata de Jose Cha- vez, Rafael Buendia luce sus habilidades NEW YORK-AGAC (American Tannen, VP of Screen Gems Pub- en un muy comercial repertorio de ran- lishing, along with Holly Greene, Guild of Authors and Composers) cheras, entre las cuales se destacan "La recentlyannounceditsAugust professional manager of Screen Gems Publishing on August 21; Ciudad" (Buendia), "Que vivan los petro- schedule of appearances forits maldito" and Warren Schatz, senior VP of leros"(Buendia),"Eltesoro ASKAPROseries. The regular (Buendia) y "Me hates bien" (Buendia). Thursday noon rap sessions are Ariola America Records on Aug- open to all songwriters and held ust28. A phone reservation is With Mariachi Oro y Plata de Jose Chavez, Rafael Buendia offers a at AGAC's New York headquar- required due tolimited space. very commercial package of rancheras, such as "No me alcanza" ters, 40 West 57 Street, Suite 410. Contact Sheila Davis at 757-8833 (Buendia), "Mi amigo el borracho" (Bundia) and "Mi bella Elena" Those scheduled to appear are: to participate. (Buendia).

46 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Denny Rosencrantz (Continued from page 3) Vets Dominate Charts (Continued from page 3) signings and stances where a top promotion MCA's more compact talent ros- to examine both counting for veteranartists'ef- executiveexertedstronginflu- ter as a major factor behind his producer choices even more forts during comparable periods ence overroster development,ability to wear two departmental closely than before. in 1977, 1978 and 1979. Other but his current niche as the prin- stripes at the same time. "We're As aresult, Rosencrantz sees sales quarters during the period cipal for both areasisbelieved not signing as many acts as we no problems with the increased reviewed showed this sector dip- were at one point," he explains. array of responsibilities-and be- to be the only formal such com- ping to 42 of the top 100, asit "If you have too many acts, there lieves the trade's current econ- bination.According toRosen- did during the firstquarterof crantz, that combination is work- won't be enough money to bring omy argues that such multi -func- in the ones you really need to de- tion posts may be more common 1980. i ng. Focusing on the top 30 album "With myown promotion liver; now we're able to properly in the future. "Nowadays," he re- support a project from its incep- marks, "if you're not doing more entries, where the greatestvol- background, and being at a isindicated, the tion, instead of releasing some- than just one job, or at least cov- ume of sales small, tight -knit company opera- sustainedconservatismofthe tion like this, the added support thing, waiting two months to see ering more than that single base, if it'll happen, and then dropping I'm not sure you've really got a market becomes more apparent. of Bob Siner and MCA's corpo- Eight of the top 10, for example, itifit doesn't." job-the need to be flexibleis rate officers has enabled me to are works by seasoned artists like cover both areas," explains Ro- Absorption of acts from the too great." One final area that is making BillyJoel,TheRollingStones, sencrantz, who adds that he ac-ABC Records fold, purchased in Jackson Browne, Bob Seger, Di- quired additional responsibilities 1978, and the MCA -financed In- that overlap practicalis MCA's bullishstance on movie/music ana Ross and the Commodores, for MCA's promotionstaffin finity Records, folded in last year, along with relative "newcomers" January when that sector began have further curtailed new sign- ties, a trend Rosencrantz feels has made top corporate brass more Queen (whosefirstLP was re- reporting to him. ings, he adds. "Those acquisitions leased in 1973) and the "Urban will prove, in time, to have been aware and more supportive of its Apartfrom label president recordindustryactivities."The Cowboy" soundtrack, a package Siner, he stresses the emergence very astute moves for us: the to- tal roster is smaller, yet we've be- corporate involvement has led to dominated by established acts. of Gene Froelich, now principal a terrific liaison with our division A slight increase in the num- laison between MCA's music di- come more of a diversified record company than we've ever been." that might not have been thereber of even older acts - many vision and the corporation's re- Such ABC inheritances as Bar- before," he notes, "and 'Xanadu' boasting over adecade of board as a major factor in mak- bara Mandrell, Don Williams, Al is clearly evidence of this." That cording - is also evident, attest- ing the promotion/A&R connec- Hudson,Rufus, The Crusaders, forthcoming film musical, team- ing both to the durability of the tion feasible. With their approval, Steely Dan and Poco have already ing Electric Light Orchestra andadult market and a summer re- Rosencrantz says he's been able enhanced MCA's spread of pop, Olivia Newton -John onrecord, lease schedule that has empha- to streamline the label's promo- rock, country and black acts, ac- and Gene Kelly on screen, mir- sized proven hitmakers. 20 of the tion staff and speed up national cording to Rosencrantz, allowing rors music industry savvy as much top 30 items represent veteran communications, with both proc- the company to pursue "an ex- as box office acumen, he feels. artists, while among the remain- esses aided by MCA's more con- tremely selective new talent pol- der are such putative veterans as servative roster size and signing icy." He also asserts that most top CAM Interests Larry Graham, Jermaine Jackson stance. managers, attorneys and agents and even Mickey Mouse. "With this group of people." are themselves far more conser- To Benedetto The constancy of this domina- says Rosencrantz ofhis current vativein making referrals, con- (Continued from page 3) tionby older acts also findsa promotion team, "we've sort ofcluding, "There's no crap being and Benedetto is chairman of the number of artists,already well wiped out thelocal promotion brought to us anymore." board and chief executive officer establishedatmid -decade,re- concept asithad existed here With a recent roster trimming of both companies. curring in the top 100. and elsewhere." Central to that complete, and MCA's firsttwo Includedin the properties of On the singles side, where new shift, he adds, was the addition quarters showing animproved Camerica and Camex are a cata- artists and trends generally find of Bud Hart as director of field market position and better finan- logueof7000 motionpicture morerapidacceptance,estab- operations, assigned the task of cial performance, Rosencrantz scores, among them several Acad- lished talent stillaccounts for a overseeing MCA's regionalreps notesthat he's stillactively emy Award winners, and cata- majority,averaging over 50of and channeling the dialogue be- screening new acts, including the logue of U.S. and foreign contem- thetop100items in recent tween them and MCA's home label's most recent signing, The porary acts and copyrights. Theweeks, again consistent with,if office staff. Rings, a Boston -basedgroup. operations of Camerica willin- notgreaterthan,chartshares 'We now have 19regional Here, too, he says the overlap be- clude various divisions, including seen in the past three years. promotion people," says Rosen-tween promotion and A&R has the newly -formed Camerica Rec- With the rise of country and crantz "and each takes on more been mostly beneficial, for apart ords International, Camerica Print adult contemporary radio formats responsibility, for a larger area, from having field staffers in place Operation, Camerica Productions, buttressing theirposition, many than under the older breakdown to report on any up and coming Camerica Book Publishing,Ca- of theseacts show no signof between local and then regional local acts, Rosencrantz agrees his merica Film and Video Product- diminished marketability. That people." Under the earlier twin duties have encouraged him tions. statusquofurtheroffsetsthe scheme, the transfer from local once common assertion that to regional to national staffs "had rock -influenced pop would sel- slowed down communications Houserockers Play Central Park dom sustain artists for more than instead of expediting them." a few years of prime chart activ- Rosencrantz has retained spe- ity. cialpromotionareas,however, with key staffers here assigned to IRS Names Plen different format targets. Thus Bob Osborn and Beth Rosengard su- Promo Director pervisenational album promo- LOS ANGELES - Jay Boberg, tion; Margo Knesz oversees sin- vicepresidentoftheInterna- glespromotion;NeilMcIntyre, tional Record Syndicate, has an- based in New York, coordinates nounced the appointmentof promotion for the eastern U.S.; Michael Plen to the post of na- Jan Barnes directs MCA's black tional director of promotion. music promotion,via her own Plen comes to IRS from A&M eight -member regional staff; and Records, where hc. held the post LoreneMendelhandlestrade MCA Records artists Iron City Houserockers recently made their debut New York City of regional promotion man for promotion. appearance at Central Park. Pictured backstage after the show, from left:(standing) theBuffalo/UpstateNew York Apart from his own years as a Mark Reisman and Eddie Britt, band; Barry Goodman, MCA promotion; Stan Snyder, area. promotion man for Mercury Rec- Cleveland International; Gil Snyder, band; Ray D'Ariano, VP/GM, MCA; Joe Grushecky and Art Nardini, band; (kneeling) Neil McIntyre, associate national promotion director, Plen is currently located in the ords, Rosencrantz underlines MCA; Ned E. Rankin, band. IRS offices in New York.

RECORD WORLD AUGUST 2, 1980 47

AmericanRadioHistory.Com Record World

Eighth Gospel Radio Seminar Is Best Yet By MARGIEBARNETT Gospel Time

DALLAS - Each year the Na- "Challenging the 80's," the key- tional Gospel Radio Seminar in- By MARGIE BARNETT note address delivered by Mike An unconfirmed rumor says the ABC's publishing division is looking creases in the importance and re- Sears, owner of WAEC, Atlanta, to sell Word, Inc. ... It looks as though the 12th Dove Awards show, levance of topics discussed, at- spotlighted many of the problems sponsored by the Gospel Music Association, will be televised. The tendance, and overall aid and bet- plaguing gospel radio and offered terment of gospel radio. The 8th annual March event is to be a two-hour prime -time special produced a few timely suggestions. Sears by Cates/Hagan Inc. More details from the GMA are forthcoming . annual seminar held at the Dun - said gospel radio has got to get New Life artist Merrill Womach has opened the 1250 square foot Wo- feyHotelhereJuly17-20in- into the mainstream of American mach Recording Studio in Spokane, Wash., a 24 -track, fully automated creased the broadcasting potential life and media. It must tune in to for the 114 participants and the listeners spiritual and entertain- audio studio featuring an MCA 24/16 track recorder with Autolocator III WLIX and Hofstra University are bringing Don Francisco to Long industry. ment needs, complement local Island for a concert Aug. 7. Following the seminar theme, churches, and become aware of (Continued on page 49) the changing world outside gospel, looking at the what, how Sparrow Expands into and why of secular radio's actions andfittingthem togospel's Contemporary & Inspirational Video, Latin Markets needs. LOS ANGELES - Sparrow Rec- Sears encouragedstationsto ords president Billy Ray Hearn has seek revenues beyond block pro- Gospel announced the formation of Spar- grams, warning not to "risk audi- AUGUST 2, 1980 21 27 AMY GRANT row Productions, a Christian mo- ences for a false sense of econo- AUG. JULY Myrrh MSB 6586 (Word) tion picture, television and video- mic security which at best may be 2 19 22 24 HEED THE CALL 1 6 FOR THE BEST IMPERIALS/DaySpring DST 4011 tape production and distribution temporary." He stated that gospel B.J. THOMAS/MCA/Songbird (Word) division, and Sparrow Espanol, a radio has isolated itself from the 3231 23 16 I'LL BE THINKING OF YOU new label for Spanish language 2 10 NEVER ALONE ANDRAE CROUCH/Light LS consuming public, fostering a mis- AMY GRANT/Myrrh MSB 6645 5763 (Word) product headed by Kenneth Pen- understanding of what itis and (Word) 24 29 WINDBORNE nell. BOB & JOY CULL/Chalice CRT does among those who listen and 3 1 ONE MORE SONG FOR YOU IMPERIALS/DaySpring DST 4015 1030 Hearn noted that the "talents those who buy it. Because gospel (Word) 25 19 ALL THAT MATTERS of many of the ministries we serve radio's limited finances do not at- 4 5 THE SKY IS FALLING DALLAS HOLM & PRAISE/ RANDY STONEHILL/Solid Rock Greentree R 3558 (Great lend themselves to many media, tractprofessionalpeople, Sears Circle) and the need for more creative 2005 (Word) challenged gospel radio to take 5 8 THE PAINTER 26 21 COME TO THE QUIET outlets for these talents has longthe future inits own hands and JOHN MICHAEL TALBOT & JOHN MICHAEL TALBOT/ TERRY TALBOT/Sparrow SPR Birdwing BWR 2019 been evident." Sparrow Produc- train and develop its own talent. 1037 (Sparrow) tions'debut featureisthein- In terms of commercial sales, 6 2 IN HIS TIME, PRAISE IV 27 14 THE BUILDER house project, "Barry McGuire, In- Sears advocated selling the con- MARANATHA SINGERS/ MICHAEL & STORMIE Maranatha MM0064 (Word) OMARTIAN/Myrrh MSB 6636 side Out." Other projects are in (Word) cept of gospel radio (an undupli- 7 3 MY FATHER'S EYES thepre -productionphase,and cated market) rather than ARB rat- AMY GRANT/Myrrh MSB 6625 28 - LIVE (Word) ANDRUS/BLACKWOOD & CO./ Hearn expects Sparrow's distribu- ings, which are usually nonexis- Greentree R 3570 (Great 8 4 YOU GAVE ME LOVE Circle) tionfacilitiestoattract outside tent. Sears called on the Gospel B.J. THOMAS/Myrrh MSB 6633 at- (Word) 29 26 HOLD ON TIGHT film producers. Sparrow will Music Association, sponsor of the SWEET COMFORT BAND/Light tend the Christian Film Distribu- seminar, to begin a radio organi- 9 7 ROAR OF LOVE LS 5762 (Word) 2ND CHAPTER OF ACTS/ tors convention in Dallas. zation run by broadcasters under Sparrow SPR 1033 30 30 PRAISE III MARANATHA SINGERS/ The debut Sparrow Espanol al- itsauspices,aregular research 10 15 MUSIC MACHINE Maranatha MM0048 (Word) bum will be by producer/artist panel to supply pertinent market- CANDLE/Birdwing BWR 2004 (Sparrow) 31 38 TRAMAINE Pennell, who records under the ing information to gospel radio, 11 9 NEVER THE SAME TRAMAINE HAWKINS-Light LS name Kent LeRoy and has received and a marketing task force de- EVIE TORNQUIST/Word WSB 5760 (Word) critical acclaim in several Spanish- signed to sell the general idea of 8806 32 34 TOWARD ETERNITY 12 18 SAVED MATTHEW WARD/Sparrow SPR speaking countries. (Continued on page 49) BOB DYLAN/Columbia FC 1014 36553 (CBS) 33 33 HAPPY MAN 13 12 DALLAS HOLM AND PRAISE B.J. THOMAS/Myrrh MSB 6593 Hinsons Feted LIVE (Word) Greentree R 3441 (Great Circle) 34 36 ONE STEP CLOSER 14 17 WITH MY SONG SCOTT WESLEY BROWN/ DEBBY BOONE/Lamb & Lion Sparrow SPR 1029 LL 1046 (Word) 35 31 THE MISFIT 15 11 FORGIVEN ERICK NELSON & MICHELE DON FRANCISCO-NewPax NP PILLAR/A&S MM0057 (Word) 33042 (Word) 36 37 SIR OLIVER'S SONG 16 13 GOT TO TELL SOMEBODY CANDLE/Birdwing BWR 2017 DON FRANCISCO-NewPax NP (Sparrow) 33071 (Word) 37 39 GENTLE MOMENTS 17 20 THE VERY BEST OF THE VERY EVIE TORNQUIST/Word WSB BEST FOR KIDS 8714 BILL GAITHER TRIO/Word WSB 8835 38 35 THE LORD'S SUPPER JOHN MICHAEL TALBOT/ 18 23 SLOW TRAIN COMING Birdwing BWR 2013 BOB DYLAN/Columbia FC 36120 (Sparrow) (CBS) 39 32 RAINBOW'S END 19 25 BULLFROGS AND BUTTERFLIES RESURRECTION BAND/Star CANDLE/Birdwing BWR 2010 Song SSR 0015 Nelson Parkerson, Jr., president of Calvary/Lifestream Records, recently hosted a recep- (Sparrow) 40 28 A PORTRAIT OF US ALL tion celebrating the Hinson's new album release "Song Vineyard." Pictured from left 20 22 NO COMPROMISE FARRELL & FARRELL/NewPax are: Larry Hinson; Parkerson; Ronny Hinson; Yvonne Hinson; Ron Drake, label executive KEITH GREEN/Sparrow SPR NP 33076 (Word) director; Ken Hinson; and Rex Bledsoe, advertising director for the album project. 1024

48 RECORD WORLD AUGUST 2, 7980

AmericanRadioHistory.Com ERH Purchases Daniels Series NEW YORK-ERH Sales, headed 221West 57thSt.,zip10019, Gospel Album Picks by Lee Halpern, has purchased phone (212) 581-2424. Label the John Daniels Gospel Series roster includes the Angelic Choir, TELL IT from Tomato Music Ltd. John Da- theWilliamsBrothers,Mattie MILDRED CLARK & THE MELODY-AIRES-Savoy niels has been appointed execu- Moss Clark, COGIC International SL 14571 (Arista) tive vice president of ERH's newly Mass Choir,Benny Cummings Clark demonstrates here the talent that formedsubsidiary label New and Kings Temple, St. Louis Gos- has made her one of gospel's top female Birth Records, of which Halpern pelettes, Johnson Ensemble, Bet- vocalists. "I'm Satisfied," "I'm Gonna Tell is president. tyNelson,Tabernacle Echoes, Everybody" and "Nothing's Gonna Stop New Birthisrepackaging the BarrettSisters,Timothy Wright Me" are highlights. entire catalogue and has sched- Concert Choir, Gospelares, Bible - uled six new albums for release way Radio Choir, Gospel Clefts, this month. Operating with a staff Janet Lynn Skinner, Sons of the of 15, label offices are located at Birds, and Carolyn Johnson. H r \ ) IT TOOK A LONG TIME TO GET TO YOU ED RAETZLOFF-NewPax NP 33078 (Word) Gospel Time (Continued from page 48) Utilizing straight rock'n'roll, country song- "I RODE THE BULL": Rumor has it that two gospel record executives writer EdRaetzloff shows offhis vocal are leaving the industry to take up the rodeo circuit. They will call abilities with style. "Everyman," "Praise themselves Bronco Billy and Cowboy Mike. Ride on! Him" and "I've Been Down That Road, The East Coast Gospel Music Association in Winchester, Virginia, Too" are favorites. under the direction of Jim McCoy, has started to promote gospel mu- sic in the mid -Atlantic and east coast regions. They can be reached by writing Box 574, zip 22601. A PRAYING SPIRIT JAMES CLEVELAND & THE VOICES OF CORNERSTONE-Savoy SGL 7046 (Arista) e Soul & Spiritual The Voices of Cornerstone prove an excel- lent vocal complement for Cleveland in Gospel thisdouble package."JustTry God," AUGUST 2, 1980 20 15 IF YOU CAN MOVE "Don't Be Afraid," "Forgive Them" and AUG. JULY YOURSELF, THEN GOD "You Must be Born Again" are prime. 2 19 CAN HAVE HIS WAY DONALD VAILS CHORALEERS/ 1 1 AIN'T NO STOPPING US NOW Savoy SGL 7039 (Arista) WILLIE NEAL JOHNSON & THE 21 25 YOUR LIFE IS NOT BEYOND GOSPEL KEYNOTES/Nashboro REPAIR SONG VINEYARD 27217 REV. RICHARD WHITE & SOUTHERN CALIFORNIA THE HINSONS-Life Stream 3005 (Calvary) 2 2 I'LL BE THINKNG OF YOU COMMUNITY CHOIR/Savoy ANDRAE CROUCH/Light LS SL 14563 (Arista) Branching out with a new musical direc- 5763 (Word) 22 31 YOU CAN'T WASH THE tion, the Hinsons have successfully blend- 3 4 IT'S A NEW DAY BLOOD OFF YOUR HANDS JAMES CLEVELAND & THE C. L. FRANKLIN/Jewel 0153 edtraditionalsoutherngospel with a SOUTHERN CALIFORNIA COMMUNITY CHOIR/Savoy 23 17 I NEED YOU generous dose of MOR and country. Top SGL 7035 (Arista) ISAAC DOUGLAS/Creed 3097 (Nashboro) cuts are "Come On Back," "Shinin' In," 4 3 PLEASE BE PATIENT WITH ME 24 23 MORE THAN ALIVE "It AllStill Amazes Me" and "Until The ALBERTINA WALKER/Savoy SLIM & THE SUPREME ANGELS/ World Can't Tell Us Apart." SL 14527 (Arista) Nashboro 7209 5 5 LOVE ALIVE II 25 29 PRAISE BELONGS TO GOD WALTER HAWKINS & THE LOVE ELBERTINA "TWINKIE" CLARK/ CENTER CHOIR/Light LS Soundof Gospel 091 5735 (Word) 26 21 YOU OUGHT TO TAKE TIME Gospel Radio Seminar 6 6 TRAMAINE TRAMAINE HAWKINS/Light LS OUT TO PRAISE THE LORD (Continued from page 49) 5760 (Word) REV. CLAY EVANS AND THE SHIP/Jewel 0150 gospel radio to advertisers. paneled by Mike Cowart, Benson 7 7 AT THE MEETING 27 32 Sessions over the next three ERNEST FRANKLIN/Jewel 0151 TOGETHER 34 YEARS Co.; Stan Moser, Word, Inc.; Billy ANGELIC GOSPEL SINGERS/ days focused on sales panel dis- 8 12 CHANGING TIMES Nashboro 7207 Ray Hearn, Sparrow Records; Bob MIGHTY CLOUDS OF JOY/City 28 24 cussions featuring Joe Battaglia, Lights/Epic JE 35971 (CBS) IN GOD'S OWN TIME, MY MacKenzie, Paragon Assoc.; and 9 8 WE'LL LAY DOWN OUR LIVES CHANGE WILL COME WWDJ, Hackensack, N.J., WZZD, PhilBrower,ZondervanCorp. JAMES CLEVELAND & THE FOR THE LORD TRIBORO MASS CHOIR/ Philadelphia,andWLIX, Long Thislastsession sparkedlively JULIUS CHEEKS & THE YOUNG Savoy SL 14525 (Arista) Island;Dennis Worden, KCFO, crossfire as stations aired com- ADULT CHOIR/Savoy SGL 29 34 WHAT IS THIS 7040 (Arista) HIGHWAY QC'S/Savoy SL Tulsa;Bill Walters, KXYZ, Hous- plaints and queried the compa- 10 10 HEAVEN 14058 (Arista) ton; and Sears, and discussions of nies. GENOBIA JETER/Savoy SL 30 35 14547 (Arista) UNIVERSAL LOVE BILLY PRESTON/Myrrh MSB communication,on -airpromo- Aneveningbanquetenter- 11 14 JESUS WILL NEVER SAY NO 6607 (Word) tion, format construction, music tained with a new showcase fea- FLORIDA MASS CHOIR/Savoy 31 30 SGL 7045 (Arista) FIRST CLASS GOSPEL programming and WILLIAMS BROTHERS/Tomato production turingRickFoster(Bread'N' 12 18 SHOW ME THE WAY TOM 7036G with panelists John Young, Z93, Honey),MickiFuhrman (Day - WILLIE BANKS & THE 32 37 OH LORD, YOU SAID SO MESSENGERS/HSE 1532 Atlanta;GaryMcCartie,Light/ Spring), REV. CLEOPHUS ROBINSON & Kristle Murden(Light), 13 19 TRY JESUS THE ST. LOUIS COMMUNITY Lexicon; Larry Alford, KXYZ, James Ward (Lamb & Lion) and TROY RAMEY & THE SOUL CHOIR/Savoy SL 14532 SEARCHERS/Nashboro 7213 (Arista) Houston; JohnRivers,Z97,Ft. Wayne Watson (Milk & Honey). A 14 13 IT STARTED AT HOME 33 28 DR. JESUS Worth; Craig Hodgson, Christian Zondervan - sponsored luncheon JACKSON SOUTHERNAIRES/ SWANEE QUINTET/Creed 3088 Malaco 4366 (Nashboro) Broadcasting Network; and David featured a short performance by 15 11 VICTORY SHALL BE MINE 34 38 BECAUSE HE LIVES Benware & Assoc. Triangleartist Cynthia Clawson. JAMES CLEVELAND & THE INTERNATIONAL MASS CHOIR/ Other session topics included SALEM INSPIRATIONAL Tomato TOM 2 9005G Broadcaster of the Year awards CHOIR/Savoy SL 14541 35 36 a presentation of the Gallup -con- went to WSOR,Ft. (Arista) THE FOUNTAIN OF LIFE JOY Myers, for 16 16 SINCE I MET JESUS CHOIR ducted "Profile of the Christiansmall market; WLYT, Albequer- TOMMY ELLISON & THE FIVE Gospel Roots 5034 (TK) Marketplace" sponsored by the que, medium market; and KPBC, SINGING STARS/Nashboro 36 37 I'VE BEEN TOUCHED 7224 JOHNSON ENSEMBLE/Tomato American Research Corp.; "Build- Dallas, large market. Tied to the 17 9 LORD, LET ME BE AN TOM 7027G ing An Image" by Courtland New- beginning of the Christian Book- INSTRUMENT 37 39 STAYIN' STRONG ton, owner of a PR firm; sales by JAMES CLEVELAND & THE BRIGHT STARS/Nashboro 7221 sellersAssociationconvention, CHARLES FOLD SINGERS, 38 40 LIFE IS FRAGILE ... HANDLE Jerry Gardener of the Radio Ad- seminar registrants were treated Vol. IV/Savoy SGL 7038 WITH PRAYER (Arista) vertising Bureau; a talk from pro- to a Word -sponsored concert pro- MYRNA SUMMERS/Savoy 18 22 SAVE THE LOST SL 14509 (Arista) moter Rodney Snell of Sonshineduced by Michael Omartian fea- GOSPEL MUSIC WORKSHOP MASS CHOIR/Savoy SGL 39 33 DON'T FORGET TO PRAY Concerts emphasizing the need turing Amy Grant (Myrrh), David 7043 (Arista) VOILINAIRES/Jewel 0152 for radio and concert promoters Meece (Myrrh) and the Imperials 19 26 AMAZING GRACE 40 20 LEGENDARY GENTLEMEN to work together, and a discussion ARETHA FRANKLIN/Atlantic JACKSON SOUTHERNAIRES/ (Dayspring), and a trip to the CBA SD 2906 Malaco 4362 on the state of the music industry exhibit area.

RECORD WORLD AUGUST 2, 1980 49

AmericanRadioHistory.Com Cane 'Popeye: Shogunr CRT Hearings (Continued from page 6) (Continued from page 3) eye" film. "I feel, from what I've are all crucial aspects that should excess of inflation." disclosure of confidential ques- seen and heard of 'Popeye' that befinalizedinthenextfew TheRIAA witnessalsoput tionnaires used to prepare such ithas a quality and uniqueness weeks." downtheso-called"historical studies,"the responsebegan. that I've never seen in a motion With the high recognition fac-effective rate" put forth by NMPA "Because many companies prop- picture," Cane remarked. "Nils- torthatnaturallyaccompanies and AGAC. "It seems to me the erly assumethat theywillbe son, who's developed into morethe name Popeye and its world- rateis varied," Kizer said indi- competitivelydamaged by the or less of a cult hero among rock widelongevity as a popular rect testimony. "It is just a share release of such information, the afficionados, has written a trulycomic strip, Cane envisions the and the share has varied all over resultundoubtedlywould be marvelousscorewith several film and soundtrack to reach rec- the map because of changes in al- that the Tribunal would not be great commercial rock songs and ord -breaking sales figures. "Pop - bum prices." provided with the economic evi- a few potential standards. There eye is as big in Hoboken as itis The fifthconclusion by Kizerdence required for its delibera- are 11 songs in the film, all vo- in Japan and this filmisstrictly wasthat a rate increase,if tions.AGAC'scontention,the cals by the original cast and we'd a high class musical with several passed, would "cause a very size- RIAA response added, "That no like some single cover record-songs that I'm going to work my able impact on the consumer, as economic informationisprefer- ings released for radio by No-butt off on . . . People are go- well as record companies," able to the best that can be pro- vember." ing to be terribly curious about showing from his datathatan vided is frivolous." While Nilsson is in the studiothis movie and worldwide, this increase in the mechanicals, (AGAC,it should be pointed producingthesoundtrack,his will probably give some of the along with other variables, would out, does not consider the RIAA/ first album in several years and recent big -sellers a run for their upset thehistoric profit of dis- CRI data "that best can be pro- firstscoresincethe animated money." tributors and retailers, who vided.") "The Point," Paramountis busy The recent success of sound-would then put pressure on the Askedby RW ifthe AGAC negotiating for the highly con- tracks and Cane's experience atcompanies to raise list price." motion to strike the study from tested record deal with several Famous make his projections Finally, Kizer told the Tribunal the record had been considered, labels. "It's a matter of the studio sound right on the money. "Mu-that "bargaining with songwriters Commissioner Clarence L. James heads deciding whoismaking sic publishing is creative but it'swillnotmitigate the impact of responded by saying that the CRT the best offer, not just in terms also selling," he thoughtfully a rate increase to any great ex- had not yet made a decision on of money, because that's a very added while the rows of gold andtent," and spent alot of time that motion. smallpartofit,"commented platinum records that line his of-with data supporting this conclu- Itisa decision, that wereit Cane. "The promotional aspects, fice walls silently yet undeniablysion included in the CRI report acted on by the CRT, would singles deals and overseas rights lent emphasis to his point. of April 7th, such as "95 percent surelybringthisalready slow - of the first line LP releases were moving proceedingtoa com- Freeway Traffic paid a twoandthree-quarter plete stop. cents (rate)" and the same with "Best Of" albums, an area where CRI "might have expected a dis- Judas Priest count." (Continued from page 4) During this past week's testi- District Court, Southern District, mony, the CRT did not move on in New York City on July 15, the motion the previous week by banning allunauthorized manu- AGAC and NSAI to "strike from facture, distribution and sale, and the record" the RIAA/CRI study ordering seizure of all such un- because it had not brought forth authorized T-shirts, jerseys, post- adequate "impact data," especi- ers,photos, caps,and other ally the individual responses to merchandise bearing the name, questionnaires. (RW, July 26). trademark, tradename, logo, like- The RIAA, however, submitted ness or record jacket replica of a response to the Tribunal which Judas Priest. A permanent injunc- endeavored to place the shoe on tion is expected within weeks. The Temptations recently visited Freeway Recordsinconjunction with Black Music theotherlegalfoot."AGAC The preliminary injunction, is- Month Celebration. Pictured from left: Dennis Edwards, Otis Williams, Richard Street, sued by Federal Judge R.W. Glenn Leonard and Melvin Franklin. seeks a general rule that industry- wide studies may not be intro- Sweet, followed a similar nation- ducedto the Tribunal without wide temporary restraining order New York, N.Y. issued July 3 by Federal Judge (Continued from page 12) Thomas Griesa which was suc- your address and phone number with your entry. GEC Names Hart cessfully enforced at Judas Priest JOCKEY SHORTS: Bill Lowery Productions has completed nego- NEW YORK - The General engagements, including New tiations for a production deal with Paul Drew's Real World Records. Entertainment Corporation, man- York's Palladium Theater, in the Real World's first release is a single by Sammy Johns entitled "Falling ufacturersof "Magnetic Gold" interim. The injunction and tem- for You," set for rush -release at the end of this week. Drew's label pre-recordedcassettes,has ap- porary restraining order are be- will be distributed by Atlantic . . . those of you who have been pointed Glen Hart vice president lieved to be the firstissued in anxiously awaiting some new Willie Nelson songs should be delighted of marketing and operations and such cases with both nationwide to know that the soundtrack to "Honeysuckle Rose" not only con- Bill Bell vice president of A&R. scope and summary seizure tains the three new songs Nelson sings in the film but also includes Prior to joining GEC, Hart was authority. Previously, other per- two others that were cut out of the final print, namely "I Guess I've presidentof AllisonIndustries, formers have triedto fendoff Come To Live Here in Your Eyes" and "If You Want Me To I Will" which includes Allison Audio. the bootleggers on a piecemeal . . . Willy DeVille's "LeChat Blue" is officially set for release here basis with separate local restrain- by Capitol on August 11. DeVille is now inParis writing songs for ing orders at each city on a con- his first Atlantic LP, which he will begin recording when he returnsRichey Reorganizes cert tour. to New York in three weeks .. . the Earth, Wind & Firehorn section NASHVILLE-The Richey House Great Southern Company Pres- is now recording with a new group, Funky Men, which is being co - Recording Studio has announced identIraSokoloff,saidthata produced by James Brown and Rick Stevens ... Philadelphia's Starr a studioreorganizationwhich squad of Federalmarshals and Recording Inc. has named Carl Paruolo chief engineer and studio includes the addition of new staff local policewill"eliminate" manager of the 24 -track facility. Paruolo was formerly chief engineer and new rates. Owner Paul Richey bootleggers from areas surround- at Sigma Sound studies in Philly . at UniversalRecording in Chica- has announced the addition of ing the concert halls before all go: the Manhattans, with Leo Graham producing; the original Chi- engineer Steve Ham and secretary future shows by serving the in- Lites (including Eugene Record) with Carl Davis at the board. Davis is Cindy Finch. John Paule remains junction and seizing theillicit also producing a new LP for the Impressions. as studio manager. wares.

50 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com World

ASCAP To Host Elektra Issues CMA Announces DJ Finalists Williams Discs NASHVILLE-The Country Mu- The CMA sent its first ballot to Country Workshop NASHVILLE-In a promotional sic Association has announced the over 5000 of its members in April. finalistsforitsDJof the Year Each member was allowed to no- effortaimed atvariousradio NASHVILLE-Hal David, presi- Award, based on returns from a minate three persons in each mar- formats, Elektra Records is dent of the American Society of secondCMA-sponsoredballot, ket category. Each DJ receiving at issuing twoHank WilliamsJr. Composers, Authors and Publi- tabulated by the certified public least five nominations was placed shers, has announced that AS- songsinthreeformats:a 12 - accounting firm of Deloitte, Has- on a second ballot, which was CAP's first Country Songwriters' inch single, a seven-inch single sent to CMA members in the ra- for jukebox operators, and a new kins and Sells. Workshop will begin Sept. 9 in The finalists are: dio/TV and DJ categories. The Nashville under the leadership of single release. Large Market (over 500,000)- above finalists were chosen from Buzz Cason, Jerry Foster, and Bill From Williams' current album, Billy Cole, KYNN, Omaha; Coun- the second ballot. Rice. The country workshop is an "Habits Old And New," Elektra try Joe Flynt, KSOP, Salt Lake City; Each finalist must submit an air - offshoot of the ongoing series of is shipping a 12 -inch disc of "If Davie Lee, WIL, St. Louis; Chuck check tape to the CMA. An anony- ASCAP songwritingworkshops You Don't Like Hank Williams" Morgan, WSM, Nashville;Larry mous panel of broadcast industry held in New York. on both sides to AOR and pop - Scott,KRLD, Dallas;and Chris leaders willevaluate the tapes. Sponsored by the ASCAP Foun- oriented radio stations, with one Taylor, KYNN, Omaha. Winners in each category will be dation, the country workshop will side of the disc being a "bleep- MediumMarket (50,000to announced Oct. 13 on the CMA meet Tuesdays from 7-9 p.m. at ed" edition. In a release just for 500,000)-LonnieBell,Billings, awards show, to be broadcast live the society's Nashville building,jukebox play, the labelisship- Mont.; Bob Cole, KOKE, Austin, over CBS -TV. Two MusicSquareWest. The ping"If You Don't Like Hank Texas; Jarret Day, KSO, Des Moi- workshopisdesigned toallow Williams"and"Outlaw Wom- nes; Buddy Ray, WWVA, Wheel= 'Moe and Joe's' established composers to evaluate en," a trackfromWilliams' ing, W. Va.; and Don Walton, the songefforts ofaspiring second Elektra album, "Whiskey KFDI, Wichita, Kan. Bowing in Houston writers. Bent And Hell Bound." Small Market (under 50,000)- Cason is a writer, publisher, re- By AL CUNNIFF The thirdreleasewillbe a Jimmy Cole, KTIB, Thibodaux, La.; cording artist, and owner of the HOUSTON - "Moe and Joe's new single, "Old Habits," taken Norman Johnson, KGRI, Hender- Honky Tonk," a nightclubin Creative Workshop studio. Vet- fromthe newalbum,which son, Texas; Tom Reeder, WKCW, eran country songwritersFoster north Houston which will feature follows "Kaw-Liga," Williams' Warrenton,Va.;LeeShannon, the name and talents of CBS ar- and Rice are also producers and most recent single, which reach- WCCF, Punta Gorda,Fla.;and artistsindividually. Guest pane- tists Moe Bandy and Joe Stampley, ed number 12 on Record Cindy Welch, WATM, Atmore, is set to open for business Aug. 6, lists at the ASCAP workshops will World's Country Singles chart. Ala. include representatives fromall with a "grand opening" set for phases of country music, includ- Aug.27,accordingtogeneral ing writing, publishing, arrange- Elektra Signs Charlie Rich managerandco-ownerBruce ment,performance,and A&R. Eckberg. Panelists will field questions and Eckberg saidtheclubwill analyze participants' material. cover 13,000 square feet, and will The ASCAP workshop are free seat about 1,000people. The and open to all songwriters, but decorwill be"western,"and attendance will be limited. Writers there will be live country music interestedinapplyingforthe every night. Bandy and Stampley country workshop should send a will appear together and as solo resume and cassette tape contain- acts at various times during the ing two original songs which they year. feel represent their talent to AS - Eckberg said a partnership owns CAP Country Workshop, Two Mu- theclub, andthat Bandy and sic Square West, Nashville, Tenn. Stampley have "afinancialar- 37203. Deadline for entries is Aug. rangement" with the club in re- 21, 1980. turn for use of their names. "We want toappealtothemixed Lavender Ups Haas drink crowd, more than the beer drinkers,"EckbergtoldRecord NASHVILLE - Shorty Lavender World. He said the club is located has announced the promotion of Elektra Records has announced the signing of Charlie Rich f o an exclusive pact.Pictured in a "fast growing, middle to up- Denise Haas tooffice manage from left are Charlie Rich; Florence Semon, Rich's personal manager; and Jimmy Bowen, per -middle class" suburb of Hou- Lavender Talent oftheShorty Elektra/Asylum's vice president, Nashville. A new Rich album, produced by Jim Ed (Continued on page 53) Agency. Norman, .s due out in October. PICKS OF THE WEEK IAA TAMMY WYNETTE, "STARTING OVER" CONHUNLEY, "THEY NEVER LOST YOU" THE CHARLIEDANIELSBAND, -a (prod.: Billy Sherrill) (writer" (prod.: Tom Collins) (writers: D. "FULL MOON." Daniels and band CL. 0 McDill) (Hall -Clement, BMI) Wills, C. Quillen) (Chess, AS -co paint vivid scenes and characters Oa, z (3:07). The teaming of Tam- LLI CAP) (2:34). Hunley is one of for use in this high-energy collec- my's plaintive vocal and Mc -- the most soulful country vocal-ts tion of country, blues, and rock Dill's pen proves irresistable, to ists on the scene today, and he influenced tunes, most of which as Wynette delivers a melan- adds his specialflair to this are co -written by the CDB, includ- cholyballad guaranteedto ballad that says "they"riy ing the smash "In America" and strike a common chord with broken hearts heal, but "they" "South Sea Song.- Epic FE 36571. many who have had to "start never lost you. Warner Bros. over." Epic 9-50915. 49528.

SI RECORD WORLD AUGUST2, 1900

AmericanRadioHistory.Com CBS Restructures Nashville Art Department NASHVILLE - RickBlackburn, sooner now." Country Hotline vice president and general man- Team said her departmentis ager, CBS Records Nashville, has working on "up to 20 albums at By MARIE RATLIFF announced a restructuringof any given time," with projects in Willie Nelson & Ray Price-- "Faded Love" CBS'sNashvilleartdepartment various stages, such astypeset- that includes the promotion ofting, photography, layout, or de- Darrell McCall -- "Long Line of Empties" Virginia Team to senior art direc-sign. Team and her coworkers are Roy Clark -- "For Love's Own Sake" tor and more centralized controlcurrently working on the art for of graphic production. new albums by Lynn Anderson, B. J. Wright -- "Lost Love Affair" Lacy J. Dalton, "We now oversee all color sep- CrystalGayle, Adding another to his long line of aration work hereinNashville, Johnny Rodriguez, Slim Whitman, duet partners, Willie Nelson teams usingalocalcompany," Team Freddie Fender, and other CBS told Record World. "We used to acts.Team said CBSNashville with Ray Price on the classic "Faded bring art to the separation stage, generates "about60" album Love." It's already playing at WPLO, projects each year, plus greatest thensendeverythingto New WSLC, WBAM, KKYX, WIVK, WPNX, WCXI, York for the actual separations. hits packages and other special We feelthishas resultedin a offerings. KNIX, WEEP, WMZQ, KCKC, KSO, WGTO, vast improvement in the quality The CBS art department uses WTSO, WJQS, KSOP, KFDI, WXCL,KSSS, of the finished album cover." local photographers Larry Dixon KBUC. and Clark Thomas frequently, as Team, who saidthegraphic 'Acosta LaCosta is back on the scene with changes have taken place gradu- well as LosAngelesphotog- ally over recent months, also an- raphers NormanSeeff,Beverly a strong entry in "It Was Time," added at WSM, Parker, nounced the promotion ofBill andDick Zimmerman,KTTS, KXLR, KHEY, KSOP, KRMD, KFDI, WJQS, KCKC. Johnson to artist director. Cheryl and New York -based Frank Laffitte and Brian Hagiwara. Donna Fargo makes progress with "Land of Cotton" Schmidt is production coordinator at WTMT, WPNX, WFAI, WSLC, KEBC, KRMD, WBAM, KSSS, for the CBS Nashville art depart- ment. Team said her departmentOvation Inks Rushing KSOP, KV00, WGTO, KFDI, WDEN. hires mechanical artist Jeff Morris CHICAGO - Ovation Records B.J. Wright is moving at KYNN, WKKN, WSLC, WFAI, on a contract basis, and uses the has announced signing Nashville - KKYX, WTMT, WPNX, KFDI, KRMD, KEBC, KVOO, KSOP, KSO. Nashville Electrographics Service based songwriter Jim Rushing to for all engraving. a long-term recording contract. Connie Cato is getting some action "We have total control over all The pact will result in the first on "You Better Hurry Home (Some- facets of art production now, and recordings as an artist for Rushing, thin's Burnin')" at WGTO, KSOP, this has also resulted in speedingwhose single, "Dixie Dirt," is due KRMD, KFDI, WIVK, WDEN, KIKK, WFAI, the process up a bit, too," Team for early August release. An album said."We probablyhave the produced by Robert John Jones WIRK, WTMT, KVOO. Glen Barber has finished project ready a few days is slated for fall release. play on "First Love Feelings" at KFDI, KKYX, KLLL, KWMT, KVOO, KRMD, ! LL1 1-t_ t_ WPNX. Connie Cato Super Strong: Johnny Lee, Oak ©Ridge Boys., Dolly Parton, Razzy Bailey., Gene By AL CUNNIFF Watson, Moe Bandyl. Cates/Hagan Inc. reports three major country music TV offerings in various production stages at present: "Fifty Years of Country Mu- Roy Clark adds believers in "For Love's Own sic" has been edited down to a two-hour version and will be re- Sake" at KNIX, WFAI, WSM, KRAK, KMPS, WQIK, KBUC, broadcast Sept. 11. The show, which originally aired January of 1978, KEBC, KKYX, KVOO, KRMD, WMNI, KFDI. will still include original co -hosts Glen Campbell, Dolly Parton, and Wayne Armstrong's "Hot Sunday Morning" is an Roy Clark. Then the "Johnny Cash Christmas Special" will tape the week of Oct. 19 at the Opryhouse for CBS -TV. And thirdly, an ori- early add at KSO, KFDI, WXCL, WBAM, WUNI, WIVK, ginal musical, "Country Comes Home," will be performed and tapedWPNX. Joe Sun is moving with "Bombed, Boozed and during the first quarter of 1981 at the Opryhouse. Busted" at WIVK, KKYX, KSOP, WBAM, KBUC, WTSO, Charlie Rich has just signed with Elektra Records. By coincidence, Charlie's last number one song was on the Elektra label:"I Wake WGTO. You Up When IGet Home," pulled from the "Every Which Way But SURE SHOTS Loose" soundtrack. Speaking of Elektra/Asylum, those labels' coun- Tammy Wynette -- "Starting Over" try division is what you might call hot on the pop charts, with three singles climbing Record World's Singles listing: "Stand By Me," by Willie Nelson & Ray Price -- "Faded Love" Mickey Gilley;"Drivin' My Life Away," byEddie Rabbitt;and "Lookin' for Love," by Johnny Lee. LEFT FIELDERS Tower Books of New York will publish "Remembering Patsy: The Anthony, Russell & Lee -- "Yours Ain't As Untold Story," a biography of Patsy Cline, in March of 1981. Ellis Pretty As Mine" Nassour is the author . . . RCA artists Razzy Bailey and Alabama have been on a label -sponsored showcase tour of Denver, Phoenix, Con Hunley -- "They Never Lost You" and Los Angeles . . . Don't forget the open forum meeting of the Larry G. Hudson -- "I'm Still In Love With You" Nashville Music Association, Thursday (31) at Nashville's Cactus Jack's, Parkview Towers, 5 p.m. AREA ACTION The Miller Brewing Co. has resigned the Bellamy Brothers to an George Hamilton IV -- "Catfish Bates" (KFDI, agreement to tape more Lite beer commercials . . . Warner -Curb artist Stephanie Winslow will appear with Ray Price, Bobby Bare and KWMT) Johnny Paycheck as a support artist in major market venues . . . Di- purzz -- "Cowboy Stomp" (WCMS, WPNX, KSOP, mension artist Eddy Raven raised money for Boys Country in a re- WDEN) cent benefit at the Astro Hall in Houston. Tail Pony Productions, Inc. has completed production on a Home Narvel Felts -- "Love The One You're With" Box Office music special starring Glen Campbell and Tanya Tucker. (KVOO, WDEN) The one -hour show was filmed live at Harrah's in Reno, Nev. . . . Curtis Potter -- "Undo The Right" (KEBC, KVOO, ASCAP has signed U. of Tenn. head football coach Johnny Majors (Continued on page 54) KFDI, KBUC)

52 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com Country Country CAlbum Picks Single Picks 10TH ANNIVERSARY COUNTRY SONG OF THE WEEK THE STATLER BROTHERS-Mercury SRMI -5027 WILLIE NELSON AND RAY PRICE-Columbia 1-11329 This vocal quartetisatits best in cele- FADED LOVE (prod.: Willie Nelson) (writers: B. Wills, J. Wills) brating one decade withthe Mercury (Rightsong, BMI) (3:48) label.Especially good are such cuts as These two pros handle this classic song in an easy, confident man- "Don't Forget Yourself," "Nobody's Darl- ner, highlighting the tune's swing feeling. This is taken from Willie in' But Mine," and "Charlotte's Web." and Ray's duet LP.

CHARLY McCLAIN-Epic 9-50916 WOMEN GET LONELY (prod.: Larry Rogers) (writers: L. Rogers, R. C. Bannon) SUSIE (Warner -Tamerlane -Bill Black/Partnership, ASCAP) (2:46) SUSIE ALLANSON-United Artists/Curb LT -1059 Make-believe lovers can't warm the covers, Charly tells us, to a strong Susie has found a producer and material backing punctuated by bass drum and bass guitar and a full, danceable well suited to her vocal style. These songs rhythm. are solidly in the contemporary country vein, with standouts being "WhileI Was TOM T. HALL-RCA JB-12066 Makin' Love to You," "Something Dif- BACK WHEN GAS WAS 30 CENTS A GALLON (prod.: Tom T. Hall & Roy Dea) ferent," and "Home Again." (writer: T. T. Hall) (Hallnote, BMI) (3:55) Hall blends nostalgia with a pure country sound for great effect in this cut from his "Soldier of Fortune" album. CACTUS AND A ROSE JIM SEAL-NSD 55 GARY STEWART-RCA AHLI -3627 SHE LOVES MY TROUBLES AWAY (prod.: Byron Hill) (writers: M. D. Barnes, Stewart mixes southern rock and country R. Anthony) (Screen Gems -EMI, BMI/Welbeck, ASCAP) (2:52) in a collection of material that should ap- Seal's smooth vocal, some nice harmony, and clear production en- peal to his fans. The best cuts here are hance this laid-back tune about the woman who erases her man's wor- "Staring Each Other Down," "Okeecho- ries. bee Purple," and the title track. DAVE ROWLAND & SUGAR-RCA JB-12063 A LOVE SONG (prod.: Jerry Bradley & Dave Rowland) (writer: J. Crutchfield) (Duchess/Red Angus, BMI) (2:45) The message is basic and the sound is pure and simple on this slow, LONG TIME GONE harmonic offering from this hit trio. JOHN STARLING-Sugar Hill 3714 This package, which showcases fine coun- B. J. WRIGHT-Soundwaves 4610 try/folk material, was years in the emerg- LOST LOVE AFFAIR (prod.: Joe Gibson) (writers: B. J. Wright, B. Spurlock) ence. Talents such as Emmylou Harris, (Hitkit, BMI) (2:36) Lowell George, and Paul Craft are fea- Wright's evocative vocal fitsin well with the easy tempo and fine tured onsolidtunessuchas"White fiddle work on this teary -eyed, true-blue country ballad.

I Needed," the title Line," "Last Thing ROY ROGERS AND THE SONS OF THE PIONEERS-MCA 41294 track, and other songs. RIDE CONCRETE COWBOY, RIDE (prod.: Snuff Garrett) (writers: C. Crofford, J. Durrill, S. Garrett) (Peso/Duchess, BMI) (2:55) (Continued from page 51) Rogers reunites with the Sons of the Pioneers and captures some of 'Moe andand Joe's' the group's original flavor in this song from the "Smokey and the ston. maker, and I think the club will Bandit 2" soundtrack. Stampley told Record World he reflect that." The artist said there has high hopes for the club that are plans to open a second "Moe CHET ATKINS-RCA PB-12064 bears his name. "I'm basically aand Joe's" in Shreveport, La.in I CAN HEAR KENTUCKY CALLING ME (prod.: Ray Stevens) (writers: B. Bryant, honky tonk, belly-rubbin'music Marchof 1981. F. Bryant) (House of Bryant, BMI) (4:11) Chet's light vocal and some heavy pickin' present this composition well. It's a plucky, upbeat tribute to Kentucky by a veteran hitwriting Grin & Bare It duo. LARRY G. HUDSON-Mercury 57029 I'M STILL IN LOVE WITH YOU (prod.: Mike Greene & Skip Lane) (writers: B. Hill, C. Rains) (ATV, BMI/Welbeck, ASCAP) (2:38) Hudson's followup to his previous chart success is a bright, melodic testimony to the fact that this is a woman he just can't get out of his heart. BOBBIE ROBERTSON AND ROY EDWARDS-Bolivia 1921 LET IT BE ME (prod.: Benny Kinnerson) (writers: M. Curtis, G. Becaud, P. DeLanoe) (MCA, ASCAP) (3:00) This male -female vocal duet lends a country flavor to a great song. FARON YOUNG-MCA 41292 TEARJOINT (prod.: Ron Chancey) (writers: D. Penn, D. Fritts) (Dann Penn, BMI) (2:45) It's not a beer joint, it's a tear joint, Faron tells us in this clever twist on a familiar country song theme. CHUCK HOWARD-Warner/Curb 49509 Columbia artist Bobby Bare (second from left) takes time out from recording at Nash- I'VE COME BACK (TO SAY I LOVE YOU ONE MORE TIME) (prod.: Chuck ville's Soundshop studio to chat with Robert Zemeckis (left), director of the recently - Howard) (writer: C. Howard) (Jeffrey's Rainbow, BMI) (3:32) released Steven Spielberg film, "Used Cars," record producer BillRice, and Murray Howard's gritty vocal is well suited to this unusual tune, which is part Deutch, music coordinator for the film and a consultant for Columbia Pictures. Bare cut the title song for the film, which stars Kurt Russell. love song, part inspirational song.

RECORD WORLD AUGUST 2, 1980 53

AmericanRadioHistory.Com Record LWodd/- Ulla1Lf//2111baliVIS

TITLE, ARTIST, Label, Number, (Diotributing Label) AUGUST 2,1980 AUG. JULY WKS. ON En 52 DOUBLE TROUBLE GEORGE JONES & JOHNNY PAYCHECK/ 2 26 CHART Epic JE 35783 3 38 38 1 1 URBAN COWBOY WHERE DID THE MONEY GO HOYT AXTON/Jeremiah JH 5001 3 39 42 LACY J. DALTON/Columbia JC 36322 (ORIGINAL SOUNDTRACK) 18 40 57 DALLAS FLOYD CRAMER/RCA AHL1 3613 11 Full Moon/Asylum 41 43JUST GOOD OL' BOYS MOE BANDY & JOE STAMPLEY/ DP 90002 Columbia JC 36202 42 42 41 THE BEST OF THE STATLER BROTHERS RIDES AGAIN, (4th Week) 12 VOL. II/Mercury SRM 15024 28 43 40 DOLLY, DOLLY, DOLLY DOLLY PARTON/RCA AHL1 3546 14 2 2 GIDEON KENNY ROGERS/United Artists LOO 1035 16 44 47 BEST OF THE STATLER BROTHERS/Mercury SRM 11037 234 3 4 GREATEST HITS WAYLON JENNINGS/RCA AHL1 3378 65 al 64 THE CHAMP MOE BANDY/Columbia JC 36487 6 4 5 MUSIC MAN WAYLON JENNINGS/RCA AHLI 3602 9 46 44 THE BEST OF DON WILLIAMS, VOL. II/MCA 3096 62 5 3 THE GAMBLER KENNY ROGERS/United Artists LA 834 H 85 47 35 VOLUNTEER JAM VI HOSTED BY CHARLIE DANIELS BAND/ 6 7 ROSES IN THE SNOW EMMYLOU HARRIS/Warner Bros. Epic KE2 36438 6 BSK 3422 11 48 46HANK WILLIAMS, SR. 24 GREATEST HITS/MGM SE 4755 7 6 SAN ANTONIO ROSE WILLIE NELSON & RAY PRICE/ 9 49 50 FAMILY TRADITION HANK WILLIAMS, JR./Elektra/Curb Columbia JC 36476 7 6E 194 62 O 11 HABITS OLD AND NEW HANK WILLIAMS, JR./Elektra/ 50 49 WAYLON & WILLIE WAYLON JENNINGS & WILLIE NELSON/ Curb 6E 278 8 RCA AFL1 2686121 13 HORIZON EDDIE RABBITT/Elektra 6E 276 4 51 48 YOUR BODY IS AN OUTLAW MEL TILLIS/Elektra 6E 271 9 10 8 KENNY KENNY ROGERS/United Artists LWAK 979 46 52 39 SHRINER'S CONVENTION RAY STEVENS/RCA AHL1 3574 22 Eli 29 THERE'S A LITTLE BIT OF HANK IN ME CHARLEY PRIDE/ 53 53 WILLIE NELSON SINGS KRISTOFFERSON/Columbia JC 3618837 RCA AHLI 3548 22 54 54 BLUE KENTUCKY GIRL EMMYLOU HARRIS/Warner Bros. 12 14 COAL MINER'S DAUGHTER (ORIGINAL SOUNDTRACK)/ BSK 3318 64 MCA 5107 19 55 45 BEST OF BARBARA MANDRELL/MCA AY 1119 77 13 12 STARDUST WILLIE NELSON/Columbia KC 35305 116 56 61 THE BEST OF JERRY JEFF WALKER/MCA 5728 5 14 9 TEN YEARS OF GOLD KENNY ROGERS/United Artists 57 66 THE WAY I AM MERLE HAGGARD/MCA 3229 15 LA 835 H 58 56 Y'ALL COME BACK SALOON OAK RIDGE BOYS/MCA DO 15 15 BRONCO BILLY (ORIGINAL SOUNDTRACK)/Elektra 5E 512 2993146 16 10 STRAIGHT AHEAD LARRY GATLIN & THE GATLIN BROTHERS 59 51 DOWN & DIRTY BOBBY BARE/Columbia JC 36323 24 BAND/Columbia KC 36250 42 60 58 I'LL ALWAYS LOVE YOU ANNE MURRAY/Capitol SOO 1201239 17 16 GREATEST HITS LARRY GATLIN & THE GATLIN BROTHERS 61 55 LORETTA LORETTA LYNN/MCA 3217 19 BAND/Columbia JC 36488 70 62 63 A RUSTY OLD HALO HOYT AXTON/Jeremiah JG 5000 53 El 30MY HOME'S IN ALABAMA ALABAMA/RCA AHL1 3644 8 19 20MILSAP MAGIC RONNIE MILSAP/RCA AHL1 3563 18 CHARTMAKER OF THE WEEK Hi25 FRIDAY NIGHT BLUES JOHN CONLEE/MCA 3246 5 37 THAT'S ALL THAT MATTERS TO ME MICKEY GILLEY/ Epic JE 36492 5 - CACTUS AND A ROSE 22 18 WILLIE AND FAMILY LIVE WILLIE NELSON/Columbia KC 34326 87 GARY STEWART 23 17 IT'S HARD TO BE HUMBLE MAC DAVIS/Casablanca NBLP RCA AHL1 3627 7207 18 1 24 22 ELECTRIC HORSEMAN FEATURING WILLIE NELSON/ Columbia JS 36327 29 25 23 LET'S KEEP IT THAT WAY ANNE MURRAY/Capitol ST 11743 128 64 68 ONE FOR THE ROAD WILLIE NELSON & LEON RUSSELL/ 26 26 MILLION MILE REFLECTIONS CHARLIE DANIELS BAND/ Columbia KC 36064 58 Epic KE 35751 64 65 60 LOVELINE EDDIE RABBITT/Elektra 6E 181 61 27 21 TOGETHER OAK RIDGE BOYS/MCA 3220 22 66 75 ASK ME TO DANCE CRISTY LANE/United Artists LT 1023 11 28 19 SOMEBODY'S WAITING ANNE MURRAY/Capitol SOO 12064 13 67 -FAVORITES CRYSTAL GAYLE/United Artists 100 1034 14 29 27 CLASSIC CRYSTAL CRYSTAL GAYLE/United Artists LOO 982 39 68 59 PORTRAIT DON WILLIAMS/MCA 3192 37 30 24 THE OAK RIDGE BOYS HAVE ARRIVED/MCA AY 1135 69 69 74 NEW YORK WINE, TENNESSEE SHINE DAVE ROWLAND & 31 31 WHISKEY BENT AND HELL BOUND HANK WILLIAMS, JR./ SUGAR/RCA AHL1 3623 7 Elektra/Curb 6E 237 37 70 70 SPECIAL DELIVERY DOTTIE WEST/United Artists LT 1000 33 32 34 MISS THE MISSISSIPPI CRYSTAL GAYLE/Columbia JC 3620344 71 71 SOLDIER OF FORTUNE TOM T. HALL/RCA AHL1 3685 2 33 33 BEST OF EDDIE RABBITT/Elektra 6E 235 38 72 62 I'VE GOT SOMETHING TO SAY DAVID ALLAN COE/ 34 36 CLASSICS KENNY ROGERS & DOTTIE WEST/United Artists Columbia JC 36489 5 LA 946 H 68 73 73 LEDBETTER OLYMPICS JERRY CLOWER/MCA 3247 2 35 28 HEART & SOUL CONWAY TWITTY/MCA 3210 22 74 69 AFTER HOURS JOE STAMPLEY/Epic JE 36484 6 36 32 AUTOGRAPH JOHN DENVER/RCA AHL1 3449 22 75 67 ONLY LONELY SOMETIMES TAMMY WYNETTE/Epic JE 364856

Nashville Report(Continued from page 52) as a writer. Majors recently co-authored "My Blood Runneth Orange TV APPEARANCES: MCA artist Barbara Mandrel! makes her second

. . . for Tennessee" wig'-\TV Music's Byron Hill Dimension Records appearance on "The Tonight Show" Aug. 6 . . . John Conlee makes has signed Merle i...6gard's son Marty, and the first single from this his first appearance on the "Mike Douglas Show" the following night contract is "Music, Red Wine, and Honky Tonk Angels." . . . And still another MCA act, Tanya Tucker,is on the "Midnight

Speaking of Merle (see how things tie together in this column?), Special" Aug. 1 . . . Roy Clark (you guessed it-MCA) is on "The he and Mel Tillis will perform Aug. 28 at the Grand Ole Opry House Tonight Show" Aug 7 . . . Cajun artist Jimmy C. Newman recently in a benefit for the Hank Snow International Foundation for the Pre- taped "That Nashville Music" with Porter Wagoner and David Allan vention of Child Abuse . . . Stella Parton was recently nonored with Coe . . . Elektra artist Eddie Rabbitt may be seen on the "Mike a lifetime membership in the Jimmie Rodgers Memorial Foundation Douglas Show" Aug. 14. Eddie has also been offered a guest role on

. . . Tree International publishing executive Buddy Killen has been "Charlie's Angels," and will be seen on the "John Davidson Show" named to the Trust Board of the Commerce Union Bank here. Killen Aug. 25. is also chairman of the board of Soundshop Studios, a co-owner of STUDIO NOTES: Epic artist Charly McClain is finishing her fourth

Nashville's new Stockyard restaurant, and is on the board of MFGalbum in Memphis with producer Larry Rogers . . . Jerry Reed re- Oil Co., of Midland, Texas. cently completed his next RCA album, -Texas Bound and Flyin'," at Did you see the full -page spread "Time" magazine did July 14 on the Sound Emporium, where UA artist Billie Jo Spears was also at CBS artist Lacy J. Dalton? work on an album of country standards with producer Larry Butler.

54 RECORD WORLD AUGUST 2, 1980

AmericanRadioHistory.Com 4

AUGUST 2. 1980

TITLE, ARTIST, Label, Number 54 THE BEDROOM JIM ED BROWN & HELEN CORNELIUS/ AUG. JULY WKS. ON 2 26 cHAIT RCA 12037 4 2DANCIN' COWBOYS 50 55 MY GUY MARGO SMITH/Warner Bros. 49250 3 51 8 YOU WIN AGAIN CHARLEY PRIDE/RCA 12002 13 BELLAMY BROTHERS Eg63 LOVE IS ALL AROUND SONNY CURTIS/Elektra 46663 3 Warner/Curb 49241 11 60 BRING IT ON HOME BIG AL DOWNING/Warner Bros. 49270 4 54 57 DON'T PROMISE ME ANYTHING (DO IT) BRENDA LEE/MCA 7 STAND BY ME MICKEY GILLEY/Full Moon/Asylum 40640 10 41270 4 5 TENNESSEE RIVER ALABAMA/RCA 12018 10 55 26 NAKED IN THE RAIN LORETTA LYNN/MCA 41250 9 4 1 BAR ROOM BUDDIES MERLE HAGGARD & CLINT ra 77 DO YOU WANNA GO TO HEAVEN T. G. SHEPPARD/ EASTWOOD/Elektra 46634 12 Warner/Curb 49515 2 5 3 TRUE LOVE WAYS MICKEY GILLEY/Epic 9 50876 13 ED 68 FREE TO BE LONELY AGAIN DEBBY BOONE/Warner/Curb 12 DRIVIN' MY LIFE AWAY EDDIE RABBITT/Elektra 46656 7 49281 2

9 WAYFARIN' STRANGER EMMYLOU HARRIS/Warner Bros. 58 25 TAKE ME, TAKE ME ROSANNE CASH/Columbia 1 11268 10 49239 10 59 31 HERE COMES THAT FEELING AGAIN DON KING/Epic 9 50877 11 10 SAVE YOUR HEART FOR ME JACKY WARD/Mercury 57022 11 a 89 LOVING UP A STORM RAZZY BAILEY/RCA 12062 2 6 CLYDE WAYLON JENNINGS/RCA 12007 10 88 RAISIN' CANE IN TEXAS GENE WATSON/Capitol 4898 2 10 15 COWBOYS AND CLOWNS/MISERY LOVES COMPANY 90 YESTERDAY ONCE MORE MOE BANDY/Columbia 111305 2 RONNIE MILSAP/RCA 12006 7 41 65 THE FRIENDLY FAMILY INN JERRY REED/RCA 12034 4 11 11 IN AMERICA CHARLIE DANIELS BAND/Epic 9 50888 9 al 86 PUT IT OFF UNTIL TOMORROW/GONE AWAY KENDALLS/ 163 LOVE THE WORLD AWAY KENNY ROGERS/United Artists 1359 6 Ovation 1154 2 1 LEAVIN'S FOR UNBELIEVERS DOTTIE WEST/United Artists co 73 IF THERE WERE NO MEMORIES JOHN ANDERSON/ 1352 9 Warner Bros. 49275 2 187 CRACKERS BARBARA MANDRELL/MCA 41263 7 66 67 LOVE GOES TO HELL WHEN IT DIES WAYNE KEMP/ 1 WE'RE NUMBER ONE LARRY GATLIN & THE GATLIN Mercury 55479 5 BROTHERS BAND/Columbia 111282 8 67 33 THE BLUE SIDE CRYSTAL GAYLE/Columbia 111270 13 19 (YOU LIFT ME) UP TO HEAVEN REBA McENTIRE/Mercury 68 44 SEA CRUISE BILLY "CRASH" CRADDOCK/Capitol 4875 8 57025 8 MI 79 HEART MENDER CRYSTAL GAYLE/United Artists 1362 3 20 SURE THING FREDDIE HART/Sunbird 7550 9 70 74MAY I BORROW SOME SUGAR FROM YOU JOHN WESLEY 111 22 OVER LEON EVERETTE/Orlando 107 10 RYLES/MCA 41278 3 23 I'VE NEVER SEEN THE LIKES OF YOU CONWAY TWITTY/ 71 61 LONG DROP ROY HEAD/Elektra 46653 6 72 49 FRIDAY NIGHT BLUES JOHN CONLEE/MCA 41233 14 MCA 41271 6 73 75 ONE MAN'S TRASH (IS ANOTHER MAN'S TREASURE) 20 14 IT'S OVER REX ALLEN, JR./Warner Bros. 49128 11 MARTY ROBBINS/Columbia 1 11291 5 24 THAT LOVIN' YOU FEELIN' AGAIN ROY ORBISON & 85 WORKIN' MY WAY TO YOUR HEART DICKEY LEE/Mercury EMMYLOU HARRIS/Warner Bros. 49262 7 57027 2 22 21 I'M GONNA LOVE YOU TONIGHT (IN MY DREAMS) 75 59 KAW-LIGA HANK WILLIAMS, JR./Elektra/Curb 46636 12 JOHNNY DUNCAN/Columbia 111280 9 76 83 MOONLIGHT AND MAGNOLIA BUCK OWENS/Warner Bros. 27 MAKING PLANS PORTER WAGONER & DOLLY PARTON/ 49278 3 RCA 11983 7 28 MISERY AND GIN MERLE HAGGARD/MCA 41255 5 CHARTMAKER OF THE WEEK 25 4 IT'S TRUE LOVE CONWAY TWITTY & LORETTA LYNN/MCA - WHEN 41232 13 Eli SLIM WHITMAN 40 LOOKIN' FOR LOVE JOHNNY LEE/Full Moon/Asylum 470043 Cleve. Intl./Epic 9 50912 1 34 I'M HAPPY JUST TO DANCE WITH YOU ANNE MURRAY/ Capitol 4878 6 78 62 MIDNIGHT RIDER WILLIE NELSON/Columbia 111257 14 28 29 WHAT GOOD IS A HEART DEAN DILLON/RCA 12003 10 79 64HE STOPPED LOVING HER TODAY GEORGE JONES/Epic 29 30 A HEART'S BEEN BROKEN DANNY WOOD/RCA 11968 7 9 50867 17 30 32 WHEN YOU'RE UGLY LIKE US (YOU JUST NATURALLY GOT 96THE LAST FAREWELL MIKI MORI/NSD 49 2 TO BE COOL) GEORGE JONES & JOHNNY PAYCHECK/ E 66 GET A LITTLE DIRT ON YOUR HANDS DAVID ALLAN COE & Epic 9 50891 7 BILL ANDERSON/Columbia 1 11277 8 36 THAT'S WHAT IGET FOR LOVING YOU EDDY ARNOLD/ 82 82 LET ME BE THE ONE BILLY WALKER & BARBARA FAIRCHILD/ RCA 12039 6 Paid 102 4 38 CHARLOTTE'S WEB STATLER BROTHERS/Mercury 57031 4 83 87 TEXAS TEA ORION/Sun 1153 4 37 GOOD LOVIN' MAN GAIL DAVIES/Warner Bros. 49263 6 84 84 THE BOOK OF YOU AND ME PAM ROSE/Epic 9 50906 3 35 YOU'VE GOT THOSE EYES EDDY RAVEN/Dimension 1007 9 85 81 BEGGIN' FOR MERCY LOUISE MANDRELL/Epic 9 50896 56 HEART OF MINE OAK RIDGE BOYS/MCA 41280 3 86 72 ONE DAY AT A TIME CRISTY LANE/United Artists 1342 19 87 80 HOW FAR DO YOU WANT TO GO RONNIE McDOWELL/ 42 LET'S KEEP IT THAT WAY MAC DAVIS/Casablanca 2286 5 Epic 9 50895 6 58 OLD FLAMES CAN'T HOLD A CANDLE TO YOU DOLLY 88 69 CACTUS AND A ROSE GARY STEWART/RCA 11960 8 PARTON/RCA 12040 3 89 93 MAKE A LITTLE MAGIC DIRT BAND/United Artists 1356 3 39 TRY IT ON STEPHANIE WINSLOW/Warner/Curb 49257 7 90 95 THERE'LL BE NO TEARDROPS TONIGHT VASSAR CLEMENTS/ 43 IT'S TOO LATE JEANNE PRUETT/IBC 00010 6 Flying Fish 4004 2 41 NATURAL ATTRACTION BILLIE JO SPEARS/United Artists 91 91 THERE'S NOBODY LIKE YOU KIN VASSY/United Artists 1368 6 1358 7 92 99IT DON'T GET BETTER THAN THIS SHEILA ANDREWS/ 45 THE LAST COWBOY SONG ED BRUCE/MCA 41273 5 Ovation 1146 2 93 78 LOSING KIND OF LOVE LACY J. DALTON/Columbia 1 1125315 51 HE'S OUT OF MY LIFE JOHNNY DUNCAN & JANIE FRICKE/ 94 70YOUR BODY IS AN OUTLAW MEL TILLIS/Elektra 46628 15 Columbia 1 11312 4 95 71 WE'RE BACK IN LOVE AGAIN JOHNNY RUSSELL/Mercury THANK YOU, EVER LOVIN' KENNY DALE/Capitol 4882 6 48 57026 50 EVEN COWGIRLS GET THE BLUES LYNN ANDERSON/ 96 97ROLLIN' IN YOUR SWEET SUNSHINE HANK THOMPSON/ ES 11296 5 Columbia 1 MCA 41274 S. 45 46 HAVEN'T I LOVED YOU SOMEWHERE BEFORE 97 76JUST GIVE ME WHAT YOU THINK IS FAIR REX GOSDIN & JOE STAMPLEY/Epic 9 50893 6 TOMMY JENNINGS/Sabre 4520 10 52 HELLO DADDY, GOOD MORNING DARLING MEL McDANIEL/ 98 - CHEATIN' FIRE RAYBURN ANTHONY/Mercury 57024 Capitol 4886 5 99 92 COWBOYS ARE COMMON AS SIN MAX D. BARNES/ 47 47SUE TOMMY OVERSTREET/Elektra 46658 6 Ovation 1149 4 53 THE EASY PART'S OVER STEVE WARINER/RCA 12029 5 100 94 WHO SHOT J. R.? GARY BURBANK/Ovation 1150 4

AmericanRadioHistory.Com hill"If George had never sung a note in his life. his guitar could have clone his singing for Ind nn-rtainly no one thought there 'yt.1 ig lacking. But sing did Id on this record he shows that he is light years beyond being a guitar player who also sings. For me, that artistic growth is what it's all about:'

-Quincy Jones GEORGE BENSON GIVE ME THE NIGHT

Includes the single "Give Me The Night" Produced by Ou ncy Jones for fluincy Jones Productions, Inc. On Warner Bros. Records & Tapes.

A Warner Commumveions Company CD Ken Frttz Manauement. Ken Fritz/Oennis Turner

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