The 59Th Annual Convention of the Midwest Modern Language Association
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P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Eonnagata Written and Performed by Sylvie Guillem, Robert Lepage, Russell Maliphant
© Érick Labbé Sadler’s Wells, London in association with Ex Machina & Sylvie Guillem Presents Eonnagata written and performed by Sylvie Guillem, Robert Lepage, Russell Maliphant Presented with the support of Rolex Career diplomat, part-time soldier and amateur spy, Charles de Beaumont, Chevalier d’Éon, was familiar with both honour and defeat, with glory as well as exile. Beyond the romance of his life, what stands out is his extraordinary audacity. Éon was probably the first spy to use cross-dressing in the pursuit of his duties. This earned him a variety of enemies, including Louis XVI, who forced him to wear a dress all the time. Eventually people no longer knew whether he was a man or a woman. The creators of Eonnagata asked the question differently. What if Charles de Beaumont was both man and woman? Midway between theatre and dance, Eonnagata pits the fan against the sword, the courtesan against the swordsman. But it also explores the embodying of one sex by the other in what is more an investigation of gender than of sexuality. The work draws on Onnagata, a Kabuki theatre technique that enables actors to represent women in a highly stylized fashion, shedding new light on the Chevalier d’Éon and revealing that his enigma is perhaps the mystery of human identity itself. The nonconformism of Charles de Beaumont quickly struck a chord with the creators of Eonnagata. Sylvie Guillem is a celebrated rebel of classical ballet who converted to contemporary dance. In the last few years she has dazzled audiences in London, Tokyo, Sydney and Paris with her grace, energy, precision and humour in shows such as Push and Sacred Monsters. -
Cloud Tectonics: a Footlight 2 Production
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-11-2019 Cloud Tectonics: A Footlight 2 Production Cal Kreiner Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Acting Commons Recommended Citation Kreiner, Cal, "Cloud Tectonics: A Footlight 2 Production" (2019). Honors Theses. 3077. https://scholarworks.wmich.edu/honors_theses/3077 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. CLOUD TECTONICS By: José Rivera A Footlight 2 Production DireCted By Cal Kreiner [DIRECTING BOOK] AUDITIONS, CASTING INFO, AND REHEARSAL SCHEDULE This section contains a copy of the notes from the audition process, along with a copy of the casting poster and rehearsal schedule Audition Notes C N C A N a u el n e ll m e i l b b st b s a e Inf in a o c r o a l n k E m m a D 1 un SEGUERO/CACTUS MONO M oll y lend me a tenor- adorable, she has grown so 2 H much as an actress Cl really good colored shirt, "ravaged" bring eye ay level up so we see your face…also grown so 3 C much as an actor Tr ev BOWL OF SOUP- don't start so far back only to or walk back in to the space, over blocked, let 4 N yourself be changed Sh ar Power lunch- I should steal yellow shirt, good ye piece, keep it but keep finding -
Elena Odriozola Elena Odriozola Index
Spanish Candidate for Hans Christian Andersen Award 2020 Elena Odriozola Elena Odriozola Index Introduction by: 1 Elena Odriozola It is often said that Elena Odriozola is a subtle, delicate illustrator. stay in our memory or our imagination is not what happens to That may be true, but this widespread statement says very little them but the way in which they look at the world. What Elena of the merits of this Basque artist and undoubtedly these qualities Odriozola brings to the text does not consist of transporting the do not constitute a suf!cient motive to nominate her for the Hans argument of the word into the picture. What this illustrator offers Christian Andersen Award. By contrast, we do believe there are other is her highly personal interpretation of the literary work. Thus, weighty reasons for which she would deserve this accolade. Firstly, the reader has the chance to read what the text says, to read what for her capacity to bring her own personal interpretation to a literary the image says and to !nd a third reading: their own. text, which is able to increase its meaning and signi!cance (even If we feel like spectators when we enter the books illustrated by when illustrating works as famous as Frankenstein, Cinderella Elena Odriozola, it is because she has been researching the dramatic or La Celestina). Secondly, for her successful and creative use of narrative genres from the past (such as paper theatre, panoramas, the possibilities of the illustrated book for several years. Above all she plays and experiments with the staging, she depicts the superposition of transparencies or the traditional Spanish aleluya, a series of pictures with captions arranged on a single page) when characters’ con"icts without succumbing to simpli!ed viewpoints appropriating literary works. -
Humor, Characterization, Plot: the Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels
Humor, Characterization, Plot: The Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katrina M. Peterson, M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Clare Simmons, Adviser Leslie Tannenbaum Jill Galvan ABSTRACT Many late eighteenth- and nineteenth-century British novels utilize laughter as a social corrective, but this same laughter hides other messages about women‘s roles. As the genre‘s popularity widened, writers used novels to express opinions that would be eschewed in other, more established and serious genres. My dissertation argues that humor contributes to narrative meaning; as readers laugh at ―minor‖ characters, their laughter discourages specific behaviors, yet it also masks characters‘ important functions within narrative structure. Each chapter examines one type of humor—irony, parody, satire, and wit—along with a secondary female archetype: the matriarch, the old maid, the monster, and the mentor. Traditionally, the importance of laughter has been minimized, and the role of minor characters understudied. My project seeks to redress this imbalance through focusing on humor, secondary characterization, and plot. Chapter One, ―Irony and The Role of the Matriarch,‖ explores the humorous characterizations of Lady Maclaughlan and Miss Jenkyns within Susan Ferrier‘s Marriage (1818) and Elizabeth Gaskell‘s Cranford (1853). These novels share the following remarkable similarities: 1) they use characterization to unify unusually- structured novels; 2) they focus on humorous figures whose contributions to plot are masked by irony; 3) their matriarchal characters are absent for large portions of the stories; and 4) despite their absences, these figures‘ matriarchal power carries strong feminist implications. -
The Unsinkable Woman
UNSINKABLE WOMEN: STORIES AND SONGS FROM THE TITANIC Applause Series CURRICULUM GUIDE CIVIC CENTER OF GREATER DES MOINES April 9 - 12, 2012 UNSINKABLE WOMEN: STORIES AND SONGS FROM THE TITANIC Dear Teachers, GUIDE CONTENTS Thank you for joining us for the Applause Series presentation of Unsinkable Women: Stories and Songs from the Titanic. Few About the Civic Center tragedies in history have captured our collective imaginations as Page 3 that of the Titanic. 100 years later, the story of an “unsinkable” ship going down on its maiden voyage lives with us as a story of Going to the Theater and romance, hope, and the unfortunate price of human arrogance. Theater Etiquette This special one-woman play, written and performed by Deborah Page 4 Jean Templin, honors the remarkable women of the Titanic. Through her performance, Deborah Jean shines a light on the Civic Center Field Trip women’s individual stories, reminding us that — beneath the Information for Teachers myth and fantasy of the Titanic — at its heart is a story about the Page 5 people whose lives were forever altered by its sinking. About the Performance As you prepare your students for this Pages 6 experience, we hope that this study guide helps you connect the About the Artist performance to your classroom Page 8 curriculum in ways that you find valuable. In the following pages, you will Vocabulary find contextual information about the Page 8 performance and related subjects, as well as a variety of discussion questions About the Titanic and activities. Some pages are Pages 9-12 appropriate to reproduce for your students; others are designed more Titanic Timeline specifically with you, their teacher, in Pages 13-14 mind. -
Elliemae's Time on 'The Voice'
Iowa State Daily, December 2019 Iowa State Daily, 2019 12-3-2019 Iowa State Daily (December 3, 2019) Iowa State Daily Follow this and additional works at: https://lib.dr.iastate.edu/iowastatedaily_2019-12 Recommended Citation Iowa State Daily, "Iowa State Daily (December 3, 2019)" (2019). Iowa State Daily, December 2019. 10. https://lib.dr.iastate.edu/iowastatedaily_2019-12/10 This Book is brought to you for free and open access by the Iowa State Daily, 2019 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, December 2019 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An independent student newspaper serving Iowa State since 1890 44 30 12.03.2019 Vol. 220 No. 065 TUESDAY CAITLIN YAMADA/ IOWA STATE DAILY GPSS Vice President James Klimavicz speaks during their meeting Tuesday in the Sun Room of the Memorial Union. GPSS postpones constitution, by- law discussion BY JACOB.SMITH @iowastatedaily.com At its last meeting of the semester, the Graduate and Professional Student Senate (GPSS) postponed bills to ratify EllieMae’s a new constitution and adopt a new set of by-laws. The Senate began by accepting the Committee for Constitutional Revision’s nal report. “The sudden resignation of the GPSS Professional time on Advancement Grants (PAG) Chair on September 25th, 2019, ve days before the regularly scheduled GPSS meet- PHOTO COURTESY OF NBC ing, resulted in emergency meetings [...] to determine the EllieMae Millenkamp, senior in agricultural business and for- best way to proceed in this situation in compliance with mer contestant on season 17 of “The Voice.” Millenkamp was coached by Blake Shelton during her two rounds on the show. -
Copy of RFSC Comment Draft
5/3/2021 Dear Rocky Flats Stewardship Council, Today I’m speaking regarding the Rocky Mountain Greenway. It is very concerning to see how Boulder County and Boulder City Council have addressed this subject in recent months. Both have tried to rush the project through without allowing the public a voice at the meeting. Boulder City and County ignored more than 119 emails demanding a balanced study session. Also, we sent a sign on letter urging Boulder to withdraw, which was supported by 2 elected officials, 61 organizations, and 322 individuals. Boulder County gave only 3 days notice for their public hearing over an Easter holiday weekend. While they called it a “public hearing,” they denied the public a chance to speak, and only accepted emails. It is not a public hearing if people are denied their voice. Subsequently, the City of Boulder held no study session, no vote, and no public hearing. The Chief Policy Advisor to the City of Boulder, Carl Castillo, wrote in an email January 15th 2021, “the one thing we don’t want, however, is for this to become a public hearing item, which would mean a change in our approach as offering it merely as an update.” Evidently, the City of Boulder staff had planned to shut out public involvement for months. The staff updates to the City and County were one-sided, including mostly voices with a record of promoting the project. This is a severe injustice. There is clearly new information on this subject and well documented interest from the community for a thorough and balanced study. -
Created with Sketch. Evita Playbill
PREVIEWS NOVEMBER 14 – 17 | asolo rep NOVEMBER 18 – DECEMBER1718 30 asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DIGABRIELE PROUDLY PRESENTS LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED AND CHOREOGRAPHED BY JOSH RHODES Scenic Design Costume Design Lighting Design Sound Design Projection Design PAUL TATE DePOO III BRIAN C. HEMESATH PAUL MILLER WILL PICKENS ALEX BASCO KOCH Music Direction Hair/Wig & Make-up Design and Additional Arrangements Production Stage Manager Dramaturg New York Casting MICHELLE HART SINAI TABAK KELLY A. BORGIA* PAUL ADOLPHSEN FELICIA RUDOLPH, TARA RUBIN CASTING Associate Choreographer Associate Director Tango Choreography Assistant Stage Manager Assistant Music Director TRINA MILLS LEE WILKINS JUNIOR CERVILA CHET CRAFT* KEVIN WU Local Casting SOUND MIXER Associate Scenic Design Lighting Programmer Projection Programmer CELINE ROSENTHAL DAN AXE BRANDON McNEEL JACKSON MILLER DAVID TENNENT Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice Student Scenic Assistant Student Lighting Assistant DANA ANGELLIS AARON McEACHRAN KRISTOPHER KARCHER WILLIAM YANNI JOSEPH HODGE CO-PRODUCERS Anonymous • James A. and Maryann Armour • Larry and Joan Castellani • Tom and Ann Charters • Henny and Dennis Dirks • Bill Evans Sharon and Herman Frankel • Ron and Rita Greenbaum • Huisking Foundation • Ruth Kreindler • John and Elenor Maxheim • Ronni and George Minnig Audrey Robbins and Harry Leopold • Richard and Gail Rubin • Gail and Skip Sack • Bud and Betty Shapiro • The Tate Family Foundation, Inc. MAJOR SEASON SUPPORTERS Pat and Bob Baer • Beverly and Bob Bartner • David and Betty-Jean Bavar • Susan and Jim Buck Christine Buckley-Currie, in loving memory of John Currie• Don and Jo Ann Burhart • Carole Crosby, Ruby E. -
Rewriting Womanhood, Nancy Lagreca Explores the Subversive Refigurings of I T Womanhood in Three Novels by Women Writers: La Hija Del Bandido (1887) by I N
ANHOOD 1887–1903 greca OM a W G nancy l nancy Angel of the House in the Feminism, Subjectivity, and the Subjectivity, Feminism, Latin American Novel, PENN STATE ROMANCE STUDIES PENN STATE REWRITIN Feminism, Subjectivity, and the Angel of the lagreca REWRITING WOMANHOOD House in the Latin American Novel, 1887–1903 state penn press ting i (1903) wr e R (1887) by (1888) by Luz y sombra Blanca Sol La hija del bandido ms the value of three women novelists who wished novelists of three women ms the value aduate students, and the general reader, fir Nancy LaGreca explores the subversive refigurings of LaGreca explores the subversive Nancy f , ant Professor in the Department of Modern Languages, Department the in ant Professor t ea r tes, gr ssis vides ample historical context for understanding the key adua o pr isbn 978-0-271-03439-3 eca is A dergr 90000 e, and Linguistics at the University of Oklahoma. e, and Linguistics at the University tur ting Womanhood anhood i a cy LaGr Rewriting Womanhood wr om ter an oman as individual for a modern era. As such, it is an important contribu- 9 780271 034393 e Mercedes Cabello de Carbonera 1845 (Peru, –1909), and Refugio Barragán de Toscano (Mexico, 1846–1916), BarragánRefugio de Toscano W penn state romance studies romance series penn state university press state the pennsylvania pennsylvania university park, www.psupress.org by Ana Roqué (Puertoby Ana Roqué Rico, 1853 both –1933). were While these women by been largely overlooked have they and critiquedacclaimed in their day, contemporary mainstream criticism. -
Magic in the Moonlight
Sony Pictures Classics Presents in association with Gravier Productions, Inc. A Dippermouth Production in association with Perdido Productions & Ske-Dat-De-Dat Productions Magic in the Moonlight Written and Directed by Woody Allen East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street 110 S. Fairfax Ave, #310 Maya Anand 12th floor Los Angeles, CA 90036 550 Madison Ave New York, NY 10036 323-634-7001 tel New York, NY 10022 212-277-7555 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax MAGIC IN THE MOONLIGHT Starring (in alphabetical order) Aunt Vanessa EILEEN ATKINS Stanley COLIN FIRTH Mrs. Baker MARCIA GAY HARDEN Brice HAMISH LINKLATER Howard Burkan SIMON McBURNEY Sophie EMMA STONE Grace JACKI WEAVER Co-starring (in alphabetical order) Caroline ERICA LEERHSEN Olivia CATHERINE McCORMACK George JEREMY SHAMOS Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producers HELEN ROBIN RAPHAËL BENOLIEL Executive Producer RONALD L. CHEZ Co-Executive Producer JACK ROLLINS Director of Photography DARIUS KHONDJI A.S.C., A.F.C Production Designer ANNE SEIBEL, ADC Editor ALISA LEPSELTER A.C.E. Costume Design SONIA GRANDE Casting JULIET TAYLOR PATRICIA DICERTO 2 MAGIC IN THE MOONLIGHT Synopsis Set in the 1920s on the opulent Riviera in the south of France, Woody Allen’s MAGIC IN THE MOONLIGHT is a romantic comedy about a master magician (Colin Firth) trying to expose a psychic medium (Emma Stone) as a fake. -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME II OF II PRIOR DESIGNATED TESTIMONY Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS TABLE OF CONTENTS DESIGNATED PRIOR TESTIMONY From Docket Nos. 2008-2 CRB CD 2000-2003 (Phase II) and 2007-3 CRB CD 2004-2005 Tab Marsha E. Kessler, Written Direct Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 30, 2012) (admitted in that proceeding as MPAA Exhibit 358) ............................................ A Marsha E. Kessler, Written Rebuttal Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 15, 2013) (admitted in that proceeding as MPAA Exhibit 359) ............................................ B Marsha E. Kessler, Oral Testimony, Docket No. 2008-2 CRB CD 2000-2003 (Phase II), Transcript pp. 94-221(June 3, 2013) .................................................... C Paul B.