DOCSLIB.ORG

Theatre Any Tues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

rr -1---^ THIS SHOWS ADMISSION COUPON Children .10c m. and 30c Sundays—2 to 11 p. Adults .25c WILL ADMIT Week Days-7:15 to 11:15 p.m. (EXCEPT FRI. or SAT.) 2 Adults 1 --jj ■■ i- ■' ■ — 1 —r. t® RITZ Theatre Any Tues.. Wed, or Thurs, : •- : -?• -j —^ WEbster 3679 THIS H. A. TAYLOR, MGR. COUPON 24th A PATRICK AVE. L. KOVANDA, Ass t. Mgr and 30c WILL ADMIT _ _ ■ —'j ^ THEATRE 2 Adults to RITZ Theatre adm- fri- & SAT-—10c- »nd 15c irirv^EiTTAR'v Dnnr.fi a\m Any Tues, Wed, K CiwKU Am X X UtwvNo on Fri. or Sat. Coupons Necessary or Thurs. MONDAY TUESDAY — WEDNESDAY — THURSDAY FRIDAY, SATURDAY SUNDAY, THIS 9 Scott iu COUPON 4 PAUL ~MUNI 5 6—7—8 Margaret Sullavan, John Boles in Randolph “ONLY YESTERDAY” and 30c The World Man of the Forest WILL ADMIT 93 FEATURE PLAYERS IN THE CAST 2 Adults The man’s code: KISS AND FORGET! The woman’s code: LOVE AND Harry Carey, Noah Beery, Verna Hillie Changes to RITZ Thee.tre REMEMBER!—and never has that age old, ever-new theme been so Buster Crabbe nith Aline MacMahon, Mary Astor, as it is in this of human emotion! Any Tues, Wed, a breed of par- dramatically presented epic One man’s fight against Smok.ng Guns—blaze his defiance to or Thurs. his life asites and cheaters who wrung also ETHEL sensation ';he law that twists justice—Known and of blood WATERS, that Exhilerating and money from him in drops feared throughout the West for his broken among his dreams! of New York’s Hotest Club in— raw and and left him Night courage desperate deeds. THIS JOAN BLONDEL, GLENDA also also GEORGE ARLISS in FARRELL in “RUFUS JONES for PRESIDENT” COUPON “HAVANA WIDOWS” with AN ALL COLORED CAST— Sammy Davis. Dusty Fletcher, The “The King’s Vacation” and 30c Will Girls, Russell Jubilee with Guy Kibbee, Lyle Talbot_ Vodery Woodings Singers WILL ADMIT 2 Adults Bancroft 12 13—14—15 WILLIAM POWELL in 16 William 17 11 George Gargan to RITZ Theatre “The Kennel Murder Case9’ Headline Shooter Any Tues, Wed, or Thurs. BLOOD MONEY with MARY ASTOR, EUGENE PALLETTE. RALPH MORGAN, trances Dee, Ralph Bellamy, Jack La HOW CAN A GHOST COMMIT SUICIDE? How Can A Corpse Walk Rue Chick Chandler, Judith Frances Dee, Upstairs? How Can A Man Be Murdered Twice? Only one man on earth He had been through earthquakes, fires Anderson, Blossom Seeley could solve these amazing riddles-so Philo Vance returns to match his floods and revolutions. THIS ever made was wrung wits with the master criminal of all detective fiction! Every dollar he also TOM MIX in bail bond COUPON from somebody’s heart! The also CHARLES LAUGHTON in ! “RUSTLERS’ wide open for all the world ROUNDUP” and 30c graft ripped Tom and to see! Tony, Jr., in the fastest West- WILL ADMIT Life of VIII” ern ever “The Private Henry filmed, blending a sizzling in rodeo 2 Adults also HELEN TWELVETREES A King with six queens! You may have to wait another four hundred into a smashing dramatic story to RIT7 Theatre “MY to meet another lover like him—or see another picture like this! of knavery and heroism. WOMAN”_ Any i ms., Wed., Lionel in or Tours, 18 CLAUDE RAINS 19 20—21—22 Marie Dressier, Barrymore The Invisible Man Her Sweetheart Christopher Bean What a treat’s in store for now! Marie and Lionel in their greatest THIS Gloria Stuart, William Harrigan. Dud- you * roles score a triumph that will tug at your heartstrings. lev Digges, Una O’Connor, COUPON own You'll hardly believe—what your Talbot in d"> won’t see!—what your own ears also Pat O’Brien, Lyle eyes WILu ADjiii' will hear!—what your own sense tells what has been you is impossible—Yet “COLLEGE COACH” Aiinils the actually accomplished and put on with ANN DVORAK, and DICK POWELL to RTT7 'Th-afe most screen to give you the amazingly Here’s the lowdown on the touchdown racket—the real truth about cer- Any Tnes. ',r-d, of life! mystifying thrills your tain men who want to turn the gridiron into a gold mine—the “ringers” or Thurs. RICHARD DIX in also tramp athletes, hired thugs who are trying to change college playgrounds “ACE OF ACES” into hippodromes of sensation! THIS 26 March 1 James Charles 25 NEIL HAMILTON 27—28, Dunn, Buddy Rogers COUPON The Silk “TAKE A CHANCE” and 30c Express JUNE KNIGHT, LILLIAN ROTH. CLIFF EDWARDS, LILIAN BOND, WILL ADMIT Sheila Terry. Guy Kibbee, Arthur By- DOROTHY LEE, LONA ANDRE Jenkins 2 Adults ron, Dudley Digges, Allen Full of 100 Gorgeous Showgirls!—ROMANCE—sweetVhot! surprises! to RITZ Theatre The is filled with suspense, beautiful to see! STORY picture Revealed in songs beautiful to hear—by girls Any Tues., Wed., and thrills, based upon a melo- with the slants—-and the mystery A tangle of temperamental sweethearts wrong or a train Thars. dramatic plot to wreck carrying right chance—on love! of dollars worth of raw silk millions also HERBERT MARSHAL, MARY BOLAND, LIONEL ATWILL, to New York. The from Seattle princi- and M AY ROBSON'in ple players are all on the train, includ- THIS of the ing the murderers, the custodian “SOLITAIRE MAN” COUPON silk, guards and special detectives, as A in the skies! A well as three mysterious passengers Something new in melodramas! mystery gentleman and 30c at the of a whole continent, but falls for a and a tramp. Raffles who laughs police WILL ADMIT woman’s charms! also BARBARA STANWYCK in ALSO 2 Adults Heart” to RTTZ Theatre “Ever In My Any Tues.. Wed„ Ruth with Otto Kruger, Ralph Bellamy, Man of the Mountain’' or Thnrs. Donnelly in “Old __ r—«—m i—in i—an an mn r=an an rran rran rran rran rra i rpn ipn rpn rpn rpn (Pn rpn iPiUPn fPftlP(UPnjauPJ2nJEnJ5IUatJ51UEIU3U2[lJ5rLfc!|UaU3lJc “KEEPING UP WITH THE JONESES” |-----— ___Eddie’* Ear I. Out Of Step ( Believe me , c/ i Eddie — that's tm' way you're playing g\ rr — jm MO "TIMS !!! TWO fHEJONESES^PAGE 12 and 13-EM MATS DRYMAT PATTERN .
Recommended publications
  • Werewolf Trivia Quiz

    Werewolf Trivia Quiz

    WEREWOLF TRIVIA QUIZ ( www.TriviaChamp.com ) 1> According to legend, which of these items do werewolves hate? a. Sage b. Basil c. Garlic d. Salt 2> What is the term used to describe when a person changes into a wolf? a. Lycanthropy b. Hycanthropy c. Alluranthropy d. Cynanthropy 3> The "Beast of Gevaudan" incident occurred in which nation? a. England b. Germany c. France d. America 4> What kind of bullet will kill a werewolf? a. Silver b. Copper c. Pewter d. Gold 5> What is the name of the Norse wolf god? a. Hei b. Odin c. Loki d. Fenrir 6> Which of these plants will repel a werewolf? a. Mistletoe b. Poinsettia c. Lily d. Orchid 7> In which of these movies did Michael J. Fox play a werewolf? a. Cursed b. Teen Wolf c. Bad Moon d. An American Werewolf in London 8> Which artist recorded the 1978 hit, "Werewolves in London"? a. Elvis Costello b. Warren Zevon c. Neil Diamond d. David Bowie 9> If chased by a werewolf, which tree would be the best to climb? a. Olive b. Popular c. Maple d. Ash 10> Released in 1941, who plays Lawrence Talbot in the werewolf cult classic "The Wolf Man"? a. Lon Chaney b. Bela Lugosi c. Ralph Bellamy d. Claude Rains 11> What kind of crop can protect you from a werewolf? a. Oats b. Wheat c. Rye d. Corn 12> What is the setting for the classic werewolf film "Dog Soldiers"? a. South Africa b. Peru c. Scotland d. Germany 13> Which of the following elements will provide an excellent defense against werewolves? a.
  • 31 Days of Oscar® 2010 Schedule

    31 Days of Oscar® 2010 Schedule

    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy

  • Summer Classic Film Series, Now in Its 43Rd Year

    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No

    ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No

    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
  • February 2018 at BFI Southbank Events

    February 2018 at BFI Southbank Events

    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
  • European Journal of American Studies, 5-4 | 2010 “Don’T Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A

    European Journal of American Studies, 5-4 | 2010 “Don’T Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A

    European journal of American studies 5-4 | 2010 Special Issue: Film “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott Electronic version URL: https://journals.openedition.org/ejas/8751 DOI: 10.4000/ejas.8751 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Ian Scott, ““Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema”, European journal of American studies [Online], 5-4 | 2010, document 5, Online since 15 November 2010, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/8751 ; DOI: https://doi.org/10.4000/ejas.8751 This text was automatically generated on 8 July 2021. Creative Commons License “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A... 1 “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott 1 “Don't be frightened, dear – this – this – is Hollywood.” 2 Noël Coward recited these words of encouragement told to him by the actress Laura Hope-Crews on a Christmas visit to Hollywood in 1929. In typically acerbic fashion, he retrospectively judged his experiences in Los Angeles to be “unreal and inconclusive, almost as though they hadn't happened at all.” Coward described his festive jaunt through Hollywood’s social merry-go-round as like careering “through the side-shows of some gigantic pleasure park at breakneck speed” accompanied by “blue-ridged cardboard mountains, painted skies [and] elaborate grottoes peopled with several familiar figures.”1 3 Coward’s first visit persuaded him that California was not the place to settle and he for one only ever made fleeting visits to the movie colony, but the description he offered, and the delicious dismissal of Hollywood’s “fabricated” community, became common currency if one examines other British accounts of life on the west coast at this time.
  • Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical

    Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical

    Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904.
  • HISTORY of the CINEMA : 1895 - 1940 / Collection De Microfiches (MF 195)

    HISTORY of the CINEMA : 1895 - 1940 / Collection De Microfiches (MF 195)

    HISTORY OF THE CINEMA : 1895 - 1940 / Collection de microfiches (MF 195) Classement par auteur / collectivité AUTEUR TITRE EDITION Abramson, Ivan. Mother of truth : a story of romance and retribution based on the events [New York] : Graphic Literary Press,[c1929] of my own life. Academy of Motion Picture Arts and 1937 academy players directory bulletin. Special ed., 2nd printing, rev. Beverly Hills, Calif. : Sciences. Academy of Motion Picture Arts and Sciences, c1981. Academy of Motion Picture Arts and Motion picture sound engineering. New York : D. Van Nostrand Company, 1938. Sciences. Research Council. Academy of Motion Picture Arts and Report on television from the standpoint of the motion picture producing Hollywood : The Academy, 1936. Sciences. Research Council. industry. Academy of Motion Picture Arts and Screen achievements records bulletin. Reference list of productions. Reference list of productions 1934/38. Hollywood Sciences. :[The Academy, 1938?] Ackerman, Carl William, 1890- George Eastman / by Carl W. Ackerman ; with an introduction by Edwin London : Houghton Mifflin Co., 1930. R. A. Seligman. Adam, Thomas Ritchie, 1900- Motion pictures in adult education New York : American Association for Adult Education, 1940 Adeler, Edwin. Remember Fred Karno? : the life of a great showman London : John Long, 1939. Adler, Mortimer Jerome, 1902- Art and prudence : a study in practical philosophy New York ;Toronto : Longmans, Green and Company, 1937 Aguilar, Santiago. El genio del septimo arte : apologia de Charlot Madrid : Compania Ibero-Americana de Publicaciones, 1930. Albert, Katherine ed. How to be glamorous : expert advice from Joan Crawford, Cecil B. New York, c1936. DeMille, et al. BCUL Dorigny-Unithèque/ Cinespace/ps 1. Albert, Katherine.
  • 1947-05-02, [P ]

    1947-05-02, [P ]

    Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic­ A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin­ Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene­ good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu­ On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con­ Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film.
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

    Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
  • FILM ESTIMATES Progressive Teachers Will Find Dependable Advice in These Estimates on Current Film Releases

    FILM ESTIMATES Progressive Teachers Will Find Dependable Advice in These Estimates on Current Film Releases

    116 THE VIRGINIA TEACHER [Volume 18, No. 5 FILM ESTIMATES Progressive teachers will find dependable advice in these estimates on current film releases. Recognizing that one man's meat may be another man's poison, the National Committee on Current Theatrical Films gives three ratings; A, for discriminating adults; Y, for youth; and C, for children. These estimates are printed by special arrangement with The Educational Screen, Chicago. Carnival in Flanders (La Kermesse Hero- to enrich murderous bully, their overlord in vice. ique) (French prod., English titles) Outstanding Decency thrillingly defeated throughout. Fine costume comedy brings to life imaginary episode example of expert screening of outrageous theme. in 17th Century Flanders. Wives heroically ig- (A) Dep. on taste (Y-C) Utterly unwholesome nore terror-stricken men, turn horror of Spanish Seventh Heaven (James Stewart, Simone Si- invasion into hilarity by feminine methods. Mer- mon) (Fox) Notable re-creation in sound of rily sophisticated masterpiece. famous silent of ten years ago, superior to it in (A) Excellent (Y) Doubtful (C) Beyond them dramatic vigor and pictorial technique if not in Clarence (Roscoe Karns, Eleanor Whitney, charm and sentimental appeal. More strength Eugene Pallette) (Para.) Good screening of than subtlety at times. Stewart's Chico excellent. Tarkington's whimsical story of hero, a timid (A) Excell. (Y) Mature bt. gd. (C) Beyond them and unknown genius, plopped into position with Top of the Town (Doris Nolan, Geo. Murphy) a hysterical family where he becomes invaluable. (Univ.) Frenzied noise, jazz, dance, "music" and Class B, but lively and amusing in action, dialog brainless hilarity in glorified cabaret where life is and character.
  • Notre Dame Scholastic, Vol. 90, No. 01 -- 24 September 1948

    Notre Dame Scholastic, Vol. 90, No. 01 -- 24 September 1948

    " " I .^' ^^ O -, - ^ / • - , to-,' , - • -If-' .1. *•!( - -• f , . f.\.C, P^^..^''' 3Y ' --^^. • .• ^- ,. ,- ca \2^^ -S' P t- r t ;• .. <>. 'c. • <-• c^ ^, /y . >c^ C ^/ / -<^'- .-aft- / •v>, / •-J • 'V . v/ ^). / / % S' r- X y -,y >XC . j.^ < ..,^t^-- 9V •" SS c — . • .^) !» r-!f- V'G _^ei s ,NC isrv ^o' r« .JASS ; 1 .,.-.-;.t .-•= CO».L -n^- •pc. ,1- . ••*• 1 V 7 .^•'• ,cT',ir<t FIN :E :-tOLC! \DM Jf.NAl'^'' >.AV> llHOl M A >J ^ ,r->=^ .^ss;c. You are Always a Guest Here Before You are a Customer "^ILBGRT'S 813 - 817 S. MICHIGAN STREET SOUTH BEND'S LARGEST STORE FOR MEN! The Scholasti How ean you go IN THE U.S. AIR FORCE? The ceiling's unlimited! Men who enter the Bear Reader: Air Force as Aviation Cadets become 2nd This cohitnn is supposed to be Letters Lieutenants within a year. From there on, they to the Editor^ but just for once let us con climb as for and as fast as their ability and run one from the Editor to the reader. the needs of the service permit. Under the Air We have a gripe. The people ^vho %vrite Force expansion program, there is plenty of letters to this column are grand people. They ao-e the finest people in the ivorld room for advancement. 2nd Lieutenants auto­ — they read the Scholastic. They lurite matically become 1st Lieutenants after three to us about a variety of things, mostly years of service; are eligible to become Cap­ gripes — some of them, very good and tains, Majors and Lieutenant Colonels after 7, others hornbly iveak.