Gerard A. and Georgia B. Larson Theatre Collection
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Irving Room David Garrick (1717-1779) Nathaniel Dance-Holland (1735-1811) (After) Oil on Canvas BORGM 00609
Russell-Cotes Paintings – Irving Room Irving Room David Garrick (1717-1779) Nathaniel Dance-Holland (1735-1811) (after) Oil on canvas BORGM 00609 Landscape with a Cow by Water Joseph Jefferson (1829-1905) Oil on canvas BORGM 01151 Sir Henry Irving William Nicholson Print Irving is shown with a coat over his right arm and holding a hat in one hand. The print has been endorsed 'To My Old Friend Merton Russell Cotes from Henry Irving'. Sir Henry Irving, Study for ‘The Golden Jubilee Picture’, 1887 William Ewart Lockhard (1846-1900) Oil in canvas BORGM 01330 Russell-Cotes Paintings – Irving Room Sir Henry Irving in Various Roles, 1891 Frederick Barnard (1846-1896) Ink on paper RC1142.1 Sara Bernhardt (1824-1923), 1897 William Nicholson (1872-1949) Woodblock print on paper The image shows her wearing a long black coat/dress with a walking stick (or possibly an umbrella) in her right hand. Underneath the image in blue ink is written 'To Sir Merton Russell Cotes with the kind wishes of Sara Bernhardt'. :T8.8.2005.26 Miss Ellen Terry, Study for ‘The Golden Jubilee Picture’, 1887 William Ewart Lockhart (1846-1900) Oil on canvas BORGM 01329 Theatre Poster, 1895 A theatre poster from the Borough Theatre Stratford, dated September 6th, 1895. Sir Henry Irving played Mathias in The Bells and Corporal Brewster in A Story of Waterloo. :T23.11.2000.26 Russell-Cotes Paintings – Irving Room Henry Irving, All the World’s a Stage A print showing a profile portrait of Henry Irving entitled ‘Henry Irving with a central emblem of a globe on the frame with the wording ‘All The World’s A Stage’ :T8.8.2005.27 Casket This silver casket contains an illuminated scroll which was presented to Sir Henry Irving by his friends and admirers from Wolverhampton, in 1905. -
European Journal of American Studies, 5-4 | 2010 “Don’T Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A
European journal of American studies 5-4 | 2010 Special Issue: Film “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott Electronic version URL: https://journals.openedition.org/ejas/8751 DOI: 10.4000/ejas.8751 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Ian Scott, ““Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema”, European journal of American studies [Online], 5-4 | 2010, document 5, Online since 15 November 2010, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/8751 ; DOI: https://doi.org/10.4000/ejas.8751 This text was automatically generated on 8 July 2021. Creative Commons License “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A... 1 “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott 1 “Don't be frightened, dear – this – this – is Hollywood.” 2 Noël Coward recited these words of encouragement told to him by the actress Laura Hope-Crews on a Christmas visit to Hollywood in 1929. In typically acerbic fashion, he retrospectively judged his experiences in Los Angeles to be “unreal and inconclusive, almost as though they hadn't happened at all.” Coward described his festive jaunt through Hollywood’s social merry-go-round as like careering “through the side-shows of some gigantic pleasure park at breakneck speed” accompanied by “blue-ridged cardboard mountains, painted skies [and] elaborate grottoes peopled with several familiar figures.”1 3 Coward’s first visit persuaded him that California was not the place to settle and he for one only ever made fleeting visits to the movie colony, but the description he offered, and the delicious dismissal of Hollywood’s “fabricated” community, became common currency if one examines other British accounts of life on the west coast at this time. -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
S011630 Brettenham House Brochure V10.Indd
Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep. -
HISTORY of the CINEMA : 1895 - 1940 / Collection De Microfiches (MF 195)
HISTORY OF THE CINEMA : 1895 - 1940 / Collection de microfiches (MF 195) Classement par auteur / collectivité AUTEUR TITRE EDITION Abramson, Ivan. Mother of truth : a story of romance and retribution based on the events [New York] : Graphic Literary Press,[c1929] of my own life. Academy of Motion Picture Arts and 1937 academy players directory bulletin. Special ed., 2nd printing, rev. Beverly Hills, Calif. : Sciences. Academy of Motion Picture Arts and Sciences, c1981. Academy of Motion Picture Arts and Motion picture sound engineering. New York : D. Van Nostrand Company, 1938. Sciences. Research Council. Academy of Motion Picture Arts and Report on television from the standpoint of the motion picture producing Hollywood : The Academy, 1936. Sciences. Research Council. industry. Academy of Motion Picture Arts and Screen achievements records bulletin. Reference list of productions. Reference list of productions 1934/38. Hollywood Sciences. :[The Academy, 1938?] Ackerman, Carl William, 1890- George Eastman / by Carl W. Ackerman ; with an introduction by Edwin London : Houghton Mifflin Co., 1930. R. A. Seligman. Adam, Thomas Ritchie, 1900- Motion pictures in adult education New York : American Association for Adult Education, 1940 Adeler, Edwin. Remember Fred Karno? : the life of a great showman London : John Long, 1939. Adler, Mortimer Jerome, 1902- Art and prudence : a study in practical philosophy New York ;Toronto : Longmans, Green and Company, 1937 Aguilar, Santiago. El genio del septimo arte : apologia de Charlot Madrid : Compania Ibero-Americana de Publicaciones, 1930. Albert, Katherine ed. How to be glamorous : expert advice from Joan Crawford, Cecil B. New York, c1936. DeMille, et al. BCUL Dorigny-Unithèque/ Cinespace/ps 1. Albert, Katherine. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
1947-05-02, [P ]
Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film. -
Copley Theatre the Doctor's Dilemma Program
fepgrfrmf Playgoers A Magazine of P/ays> Players , —and a Program Sjeitrg IJiagera ®f)f (Eopleg S^ralrr 3|enrp 3Tciuett diapers (Arranged Alphabetically) E. E. Clive: In England with Charles Frohman, Arthur Bourchier, Drury Lane Theatre. Leonard Craske: In England with Ellen Terry and Martin Harvey, and in America with Annie Russell. Mary Hamilton: In England with Granville Barker, Court Theatre, Vedrenne & Barker. Owen T. Hewitt: With Henry Jewett Players, Boston. Nicholas Joy: In England with Lewis Waller and H. B. Irving. Noel Leslie: In England with Lewis Waller, Seymour Hicks, Fred Terry, Julia Neilson and Cyril Maude. Cameron Matthews: In England with Granville Barker; in America with Mrs. Patrick Campbell. Jessamine Newcombe: In England with Sir Herbert Tree and Oscar Asche. / Fred W. Permain: In England with Sir Johnstone Forbes- Robertson, Sir John Hare and Sir Charles Wyndham. William Podmore: In England with Miss Horniman’s Man- chester Players and Granville Barker. Phyllis Relph: In England with Granville Barker, Miss Horniman and Sir Frank R. Benson. Leile Repton: In England with ;Mrs. Patrick Campbell, Sir George Alexander and Mrs. Langtry. Viola Roach: In England with Sir Frank R. Benson, Sir Herbert Tree and Miss Horniman. H. Conway Wingfield: In England with Sir George Alexander, Arthur Bourchier and Sir Charles Wyndham. ^enrp Setoett, ^Director St. Valentine’s Night at Oflje fomsurick On Valentine’s Night dinner and •f supper in the Egyptian Room will be served a la carte. V Special attractions and appropriate souvenirs for this occasion. N Dancing from 6.30 P. M. M until 1 A. -
Latest News and Opera Glass Top 5 Autumn 2014
Latest News and Opera Glass Top 5 Autumn 2014 Chocolicious Delivery Our Quarter 3 TOP 5…. Last quarters top 5 with their hampers Word has got around, the competition is heating up, theatre’s are going that extra mile to make it in to the London Opera Glass Top 5. So without further ado, Apollo Victoria Theatre it gives me great pleasure to announce quarter three’s TOP 5. “Loving the chocolate hamper, great result! Playhouse Theatre, London But do I really have to share it?”. Edinburgh Playhouse Theatre - Pippa Campbell Adelphi Theatre Aldwych Theatre Her Majesty’s Theatre Adelphi Theatre Winning theatres are based on Front of House teams who regularly replaced lost “Thank you London or missing glasses in between our frequent service visits. Each winning theatre Opera Glass will be receiving a goodie hamper in the next few weeks. Company for this delicious hamper, next time we WILL be number 1!”. From Red to Yellow - Conia Martin-Slijkhuis For one night only, the opera glasses at the Cambridge Theatre London, are turning from red to yellow in aid of the BBC’s Children in Need Appeal. Cambridge Theatre “Extremely happy On the 4th of November, BBC Radio 2’s Sir Terry to receive this on behalf of our Theatre Wogan, will be hosting a gala performance of Manager Chris Matilda. This one off charity show aims to raise as Green”. much money as possible for disadvantaged children - Russell White and young people across the UK. To show our support we will be donating limited edition yellow opera glasses Her Majesty’s Theatre to the theatre.