Notre Dame Scholastic, Vol. 90, No. 01 -- 24 September 1948
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Werewolf Trivia Quiz
WEREWOLF TRIVIA QUIZ ( www.TriviaChamp.com ) 1> According to legend, which of these items do werewolves hate? a. Sage b. Basil c. Garlic d. Salt 2> What is the term used to describe when a person changes into a wolf? a. Lycanthropy b. Hycanthropy c. Alluranthropy d. Cynanthropy 3> The "Beast of Gevaudan" incident occurred in which nation? a. England b. Germany c. France d. America 4> What kind of bullet will kill a werewolf? a. Silver b. Copper c. Pewter d. Gold 5> What is the name of the Norse wolf god? a. Hei b. Odin c. Loki d. Fenrir 6> Which of these plants will repel a werewolf? a. Mistletoe b. Poinsettia c. Lily d. Orchid 7> In which of these movies did Michael J. Fox play a werewolf? a. Cursed b. Teen Wolf c. Bad Moon d. An American Werewolf in London 8> Which artist recorded the 1978 hit, "Werewolves in London"? a. Elvis Costello b. Warren Zevon c. Neil Diamond d. David Bowie 9> If chased by a werewolf, which tree would be the best to climb? a. Olive b. Popular c. Maple d. Ash 10> Released in 1941, who plays Lawrence Talbot in the werewolf cult classic "The Wolf Man"? a. Lon Chaney b. Bela Lugosi c. Ralph Bellamy d. Claude Rains 11> What kind of crop can protect you from a werewolf? a. Oats b. Wheat c. Rye d. Corn 12> What is the setting for the classic werewolf film "Dog Soldiers"? a. South Africa b. Peru c. Scotland d. Germany 13> Which of the following elements will provide an excellent defense against werewolves? a. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Mini-Bio: Abe Gibron
THE COFFIN CORNER: Vol. 16, No. 5 (1994) MINI-BIO: ABE GIBRON By Bob Carroll Round Abe Gibron was an outstanding guard with Cleveland's championship teams of the 1950s. At 5'11" and 250 pounds, he was unusually large and fast for a guard at the time, and is often cited as one of the three or four best at his position during the decade. Though gruff on the field, he was a strong family man, taking pride in his wife and three children. Abe was born September 22, 1925, in Michigan City, IN. After beginning at Valparaiso, he lettered two years at Purdue University. He was the first draft choice of the Buffalo Bills of the All-America Football Conference in a secret draft held on July 8, 1948 -- before his final season at Purdue. The AAFC hoped to get the jump on the rival National Football League in signing college seniors. In the 1949 NFL draft, he was selected on the sixth round by the New York Giants, but he signed with Buffalo and became an immediate starter with the Bills. But, when the AAFC merged with the NFL after the 1949 season, the players from defunct AAFC clubs like Buffalo were thrown into a general pool to be drafted by the remaining NFL teams. The Cleveland Browns had joined the NFL as part of the merger, and Cleveland Coach Paul Brown remembered Gibron "had the fastest and quickest charge I ever saw. He was very spirited and played at 250 pounds." He grabbed Gibron. The roly-poly Gibron became one of the Browns' "messenger guards," linemen who alternated in taking each play called by the coach into the quarterback. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
Late Letdown Leads to Loss
Monday, January2,2017 | Section 2 SPORTS BACK FOVIKINGS 38,RBEARS 10 MORE? Worst seasons in franchise history Year WL Pct. 1969 1 13 .071 Head coach: Jim Dooley 2016 3 13 .188 Head coach: John Fox 1973 3 11 .214 Head coach: Abe Gibron 1997 4 12 .250 Head coach: Dave Wannstedt 1998 4 12 .250 Head coach: Dave Wannstedt 2002 4 12 .250 Head coach: Dick Jauron Note: The NFL went to a 16-game schedule in 1978. By the numbers Turnovers by the 14 Bears over the last three games, including 10 interceptions and two fumbles by QB Matt Barkley. Rushing 1,313 yards by Jordan How- ard this season, breaking Matt Forte’s record of 1,238 set in 2008. Placement of the Bears in the 2017 NFL draft. 3 The Browns (1-15) hold the No. 1 overall pick. Winning per- .281 centage for Bears coach John Fox after two seasons, going 6-10 in 2015 and 3-13 in 2016. Ta keaways for the Bears, 11 breaking a single-season franchise low set last season (17). The Bears finished with eight interceptions and three fumbles recovered. NFL playoff pairings NFC wild card ■ No. 6 Lions (9-7) at No. 3 Sea- hawks (10-5-1), Saturday or Sunday, TBA ■ No. 5 Giants (11-5) at No. 4 Packers (10-6), Sat. or Sun., TBA First-round byes: No. 1 Cowboys (13-3), No. 2 Falcons (11-5). JOSE M. OSORIO/CHICAGO TRIBUNE Bears coach John Fox said after Sunday’s season-finale loss that he “never worried about job security” and is “not going to start now.” AFC wild card ■ No. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Theatre Any Tues
rr -1---^ THIS SHOWS ADMISSION COUPON Children .10c m. and 30c Sundays—2 to 11 p. Adults .25c WILL ADMIT Week Days-7:15 to 11:15 p.m. (EXCEPT FRI. or SAT.) 2 Adults 1 --jj ■■ i- ■' ■ — 1 —r. t® RITZ Theatre Any Tues.. Wed, or Thurs, : •- : -?• -j —^ WEbster 3679 THIS H. A. TAYLOR, MGR. COUPON 24th A PATRICK AVE. L. KOVANDA, Ass t. Mgr and 30c WILL ADMIT _ _ ■ —'j ^ THEATRE 2 Adults to RITZ Theatre adm- fri- & SAT-—10c- »nd 15c irirv^EiTTAR'v Dnnr.fi a\m Any Tues, Wed, K CiwKU Am X X UtwvNo on Fri. or Sat. Coupons Necessary or Thurs. MONDAY TUESDAY — WEDNESDAY — THURSDAY FRIDAY, SATURDAY SUNDAY, THIS 9 Scott iu COUPON 4 PAUL ~MUNI 5 6—7—8 Margaret Sullavan, John Boles in Randolph “ONLY YESTERDAY” and 30c The World Man of the Forest WILL ADMIT 93 FEATURE PLAYERS IN THE CAST 2 Adults The man’s code: KISS AND FORGET! The woman’s code: LOVE AND Harry Carey, Noah Beery, Verna Hillie Changes to RITZ Thee.tre REMEMBER!—and never has that age old, ever-new theme been so Buster Crabbe nith Aline MacMahon, Mary Astor, as it is in this of human emotion! Any Tues, Wed, a breed of par- dramatically presented epic One man’s fight against Smok.ng Guns—blaze his defiance to or Thurs. his life asites and cheaters who wrung also ETHEL sensation ';he law that twists justice—Known and of blood WATERS, that Exhilerating and money from him in drops feared throughout the West for his broken among his dreams! of New York’s Hotest Club in— raw and and left him Night courage desperate deeds. -
Remove Me from All Consideration for the Coaching Job at State College
REMOVE ME FROM ALL CONSIDERATION FOR THE COACHING JOB AT STATE COLLEGE. Jim Tatum fwfifi/j/"J‘f 797/ Jmnsfy 28, 199+ Mr. c. L. Bernhardt, City linger BowBem, Bottom Deu- Ont-Lg: Abmtthemaduotneomberymverektodenonahto newn- ideuconeermngtheotamwtootbul the month mototmtmehubeendwotedtothi problemond undone our very best to obtain a. qualified coach. We and-a.MW‘MW‘1' tour. mum} at though mrw‘mchm 0 Twmopprovalfrom the mate“. rem. thecapabmtieaormlommd mndovflmagooduoahereirvompotieut that“moat. Jim Totmn could not have developed a the m kindosrmpporb. ammumn, «:1» unbedustoswelloflflnyeuotromnow mwmumwwuflnw Very candidly We, a" . Chancellor \ iI..~uo . .v ALDERMEN: ' MACK L. LUPTON, WILLIAM l. GAusE , . MAY” . GUY L. HAMILTON ' ; C. L. BARNHARDr GUY E_ BOYD ' W CITY MANAGER HA . DURWOOD W. HANCOCK CITY CLERK-TREASURER" ':: Glitg of fish agent :Ncin giant, EN. (11. December 12. 1953 Dr. Carey H. Bastian, Chancellor North Carolina State College Raleigh, North Carolina Dear Carey: I certainly enjoyed the Opportunity of talking with you a few minutes the other night while in Raleigh and I hope that sometime soon, Daisy and I will have the oppor— tunity of visiting with you and Neita. There has been a great deal of discussion and some reading in the papers in regard to the football coach situation at State College. As you know for many years I have been in- terested in the athletic program at the college as well as the other phases of State College. I have discussed with mamr Alum- ni in this area of our football coach situation. Everywhere I hear the same comment, "Lets get a name football coach or get out of football". -
THE COFFIN CORNER: Vol. 24, No. 1 (2002) JIM RAY SMITH
THE COFFIN CORNER: Vol. 24, No. 1 (2002) JIM RAY SMITH By Andy Piascik Among the traditions of the Cleveland Browns is one of great offensive linemen. This is not surprising for a franchise that has 4 running backs in the Pro Football Hall of Fame; the two go together. Among the great blockers who were integral parts of the Cleveland offense during their championship years of the 1940's, 50's and 60's are Frank Gatski, Lou Groza, Abe Gibron, Mike McCormack, Gene Hickerson, and Dick Schafrath. Each made all-pro and all were regular selections for the Pro Bowl. Gatski, Groza, and McCormack are in the Hall of Fame while Hickerson is considered by many to be the best offensive lineman not in the Hall of Fame. But perhaps the best of all of the Cleveland linemen was guard Jim Ray Smith. A four sports star in high school, Smith was a two-time All-American tackle at Baylor in 1954 and 1955. He was selected as a future in the seventh round by the Browns in the 1954 draft but did not join the team until halfway through the 1956 season because of a hitch in the army. During that season, Smith played as a 220 pound defensive end. The following year, Paul Brown switched him to offense and he became one of the team’s messenger guards. A track star in high school, Smith routinely finished in a dead heat with Ray Renfro behind only Bobby Mitchell and Jim Brown in sprints during Cleveland practices. -
When the Nfl Had Character
THE COFFIN CORNER: Vol. 16, No. 1 (1995) WHEN THE NFL HAD CHARACTER By Stanley Grosshandler Two generations of football fans have grown up since the 1953 season, part of the decade called "The Golden Age of the NFL." Younger fans today may find it surprising to learn that the NFL was losing star players back then to the draft (remember the draft?) and to the Canadian Football League. The Korean Conflict had siphoned several top men into the service, including Cleveland tackle Bob Gain, the Cardinals great Ollie Matson, and San Francisco's versatile tackle Bob Toneff. Meanwhile, the Canadian Football League made some inroads by luring a handful north of the border. Among the emmigrants were Cleveland's star end Mac Speedie, the Giants' center-tackle Tex Coulter and defensive end Ray Poole, San Francisco defensive back Jim Cason, and an Eagle receiver named Bud Grant who would return a dozen years later as a coach. Although these and several other well-known players missed the 1953 season, the league still continued to grow in popularity -- due in part to the individual aura that made each team special. Teams then had a their own particular character and each had an identifiable leader. They were not the plastic, look-alike teams who strive today for parity (another name for mediocracy) and play for the field goal. Reviewing those rosters of forty years ago can still produce chills among some "veteran" fans. The Cleveland Browns had the confidence and composure of their coach Paul Brown. They did not have to be told they were winners. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.