The Psychology of Shakespeare
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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers Dates: [18--]-1988 Extent: 620 boxes plus art, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Arrangement Due to size, this inventory has been divided into six separate units which can be accessed by clicking on the highlighted text below: Gloria Swanson Papers--Series descriptions and Series I. through Series II. Subseries A3. [Part I] Gloria Swanson Papers--Series II. Subseries A4 through Subseries F. [Part II] Gloria Swanson Papers--Series II. Subseries G. through Series III. [Part III] Gloria Swanson Papers--Series IV. through Series V. Subseries H. [Part IV] Gloria Swanson Papers--Series V. Subseries I. through Series VII. Subseries J. [Part V] [This page] Gloria Swanson Papers--Indices [Part VI] Swanson, Gloria, 1899-1983 Film Collection FI-041 Series V. Biographical/Personal Papers, ca. [18--]-1983, (continued) Subseries I. Friends and Associates, nd Photographs A-D box 401 folder 1-8 Dufty, William folder 9-12 E-F box 402 folder 1-2 Farmer, Michael folder 3 G-L folder 4-9 la Falaise, Henri de folder 10-13 M box 403 folder 1-2 Marshall, Herbert folder 3-4 N-Z folder 5-15 Subseries J. -
Gloria Swanson
Gloria Swanson Also Known As: Gloria May Josephine Svensson, Gloria Mae Swanson, Josephine Swenson, Mrs. Herbert Somborn, Mrs. Henri the Marquis de la Falaise de la Coudraye Lived: March 27, 1899 - April 4, 1983 Worked as: film actress, producer Worked In: United States by Julie Buck By the time Gloria Swanson started her own production company, she had already been part of the film industry for over a decade. Many actresses started their own production companies in the 1920s and ’30s in an effort to gain more artistic freedom and a bigger percentage of the profits. Rarely, however, were actresses involved in the day-to-day workings of such an arrangement. Directors, husbands, or studio heads usually handled details. Gloria Swanson, however, remains an exception as she handled the business side of her first company; she did it not for “artistic freedom” but, according to Swanson herself, in retaliation against Jesse Lasky (Swanson 261). Swanson had been a star since late 1919, when she signed a seven-year contract at Famous Players-Lasky in a series of films directed by Cecil B. DeMille. But by the mid-1920s, as Swanson admits in her autobiography, she was beginning to feel very unsatisfied at Famous Players-Lasky. Churning out four to six films a year was exhausting, and while Swanson was the most successful actress in America (save perhaps Mary Pickford), by the mid-1920s her films were famous more for her fabulous costumes than for her acting or the story line (273). In 1925 Swanson fought to make the film Madame Sans-Gêne. -
Women's Emancipation and Civil Society Organisations
Women’s emancipation and civil society and organisations emancipation Women’s “Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen noblis est sunt.” Pugnam mercurio, Quintus erat in atrium ego et meconduise. Africa’s urban population is growing rapidly, raising numerous environmental concerns. Urban areas are often linked to poverty, as well as power and wealth, and hazardous and unhealthy environments, as the pace of change stretches local resources. Yet there are a wide range of perspectives and possibilities for political analysis of these rapidly changing environments. WOMEN’S Written by a widely respected author, this important book will mark a major new step forward in the study of Africa’s urban environments. Using innovative EMANCIPATION research including fieldwork data, map analysis, place-name study, interviewing and fiction, the book explores environmentalism from a variety of perspectives, acknowledging the clash between Western planning mind-sets pursuing the goal AND CIVIL SOCIETY of sustainable development, and the lived realities of residents of often poor, informal settlements. The book will be valuable to advanced undergraduate and graduate-level courses in geography, urban studies, development studies, ORGANISATIONS environmental studies and African studies. Challenging or maintaining the status quo? GARTH MYERS is the Paul E. Raether Distinguished Professor of Urban Nakagawa Sachiko Onyx, Jenny Chris Lange, Christina Schwabenland, International Studies at Trinity College, Hartford, CT. -
042 Harvard Classics
THE HARVARD CLASSICS The Five-Foot Shelf of Books The Lady of Shalott By ./. W. Water house, R.A: THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME III From Tennyson to Whitman With Introductions and Notes Volume 42 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 BY P. F. COLLIER & SON Copyright, 1870 BY FIELDS, OSGOOD & Co. Copyright, 1898 BY BRET HARTE Copyright, 1882 BY DAVID MCKAY Copyright, 1884, 1891 BY MARY D. LANIER Published by CHARLES SCRIBNER'S SONS Copyright, 1883 BY THE MACMILLAN COMPANY Copyright, 1889 BY THE MACMILLAN COMPANY Copyright, 1893 BY THE MACMILLAN COMPANY Copyright, 1865, 1868 BY LONGMANS, GREEN & COMPANY Copyright, 1891 BY CASSELL & COMPANY Copyright, 1896 BY CHARLES SCRIBNER'S SONS MANUFACTURED IN U. S. A. CONTENTS ALFRED, LORD TENNYSON PA°* THE LADY OF SHALOTT 9*>7 SWEET AND LOW 972 TEARS, IDLE TEARS 972 BLOW, BUGLE, BLOW 973 HOME THEY BROUGHT HER WARRIOR DEAD 973 Now SLEEPS THE CRIMSON PETAL 974 O SWALLOW, SWALLOW 974 BREAK, BREAK, BREAK < • • 975 IN THE VALLEY OF CAUTERETZ 976 VIVIEN'S SONG 97^ ENID'S SONG 976 ULYSSES 977 LOCKSLEY HALL 979 MORTE D'ARTHUR 9^6 THE LOTOS-EATERS 993 You ASK ME, WHY 998 LOVE THOU THY LAND 999 SIR GALAHAD 1002 THE HIGHER PANTHEISM 1004 FLOWER IN THE CRANNIED WALL 1005 WAGES 1005 THE CHARGE OF THE LIGHT BRIGADE 1005 THE REVENGE 1007 RIZPAH 1011 To VIRGIL 1014 MAUD 1015 CROSSING THE BAR 1057 RICHARD MONCKTON MILNES, LORD HOUGHTON SONNET 1057 WILLIAM MAKEPEACE THACKERAY THE END OF THE PLAY 1058 CHARLES KINGSLEY AIRLY BEACON 1060 THE SANDS OF DEE 1061 959 960 CONTENTS CHARLES KINGSLEY (Continued) YOUNG AND OLD 1062 ODE TO THE NORTH-EAST WIND 1002 J. -
Psychotherapy As Care Work, Explored Through Socialist Feminist and Relational Perspectives
Smith ScholarWorks Theses, Dissertations, and Projects 2014 Who cares? : psychotherapy as care work, explored through socialist feminist and relational perspectives Sarah L. Beller Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Beller, Sarah L., "Who cares? : psychotherapy as care work, explored through socialist feminist and relational perspectives" (2014). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/753 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Sarah Beller Who Cares?: Psychotherapy as Care Work, Explored Through Socialist Feminist and Relational Perspectives ABSTRACT This project was undertaken to better understand psychotherapy within the broader historical concept of “care work.” The methodological approach involved using key concepts from feminist socialist theory and relational theory to explore what it means to consider psychotherapy as care work. The two theories helped flesh out some of the tensions between “care” and “work,” as well as illuminated the way that the line between the two might be seen as a false dichotomy. The project has implications for psychotherapists practicing within the United States system of the “White supremacist capitalist patriarchy” who want to engage in a co- created journey with their clients toward liberation. WHO CARES?: PSYCHOTHERAPY AS CARE WORK, EXPLORED THROUGH SOCIALIST FEMINIST AND RELATIONAL PERSPECTIVES A project based upon an independent investigation, submitted in partial fulfillment of the requirements for the degree of Master of Social Work. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
THE POEMS of ARTHUR CONAN DOYLE Murray's Fiction Library
9) A^Y THE POEMS OF ARTHUR CONAN DOYLE Murray's Fiction Library ANSTEY, F. DIVER, MAUD A FALLEN IDOL | VICE VERSA UNCONQUERED ATHERTON, GERTRUDE STRANGE ROADS PERCH OF THE DEVIL THE STRONG HOURS BLACK OXEN LONELY FURROW THE CRYSTAL CUP SIEGE PERILOUS CASTLE, A. & E. HAGGARD, RIDER THE GRIP OF LIFE MOON OF ISRAEL I JESS LOVE GILDS THE SCENE QUEEN SHEBA'S RING HARKER, L. ALLEN HOPE, ANTHONY INTRUSIONS OF PEGGY ALLEGRA | HILDA WARE ROMANCE of the NURSERY TRISTRAM OF BLENT THE BRIDGE ACROSS MASON, A. E. W. MISS ESPERANCE AND THE BROKEN ROAD MR. WYCHERLY THE FOUR FEATHERS MR. WYCHERLY'S WARDS THE TRUANTS FFOLLIOTS OF REDMARLEY MURRAY, SINCLAIR THE BROKEN BOW JOHN FRENSHAM, K.C HORNUNG, E. W. NORRIS, KATHLEEN RAFFLES THE BELOVED WOMAN MR. JUSTICE RAFFLES STORY OF JULIA PAGE MACKENNA, R. W. THE HEART OF RACHEL FLOWER O' THE HEATHER MARTIE THE UNCONQUERED BRACKEN and THISTLEDOWN ROSE OF THE WORLD THROUGH FLOOD AND FIRE JOSSELYN'S WIFE McLAREN, AIVIY HARRIET AND THE PIPER BAWBEE JOCK LITTLE SHIPS STRATTON-PORTER, GENE THE BLACK FLEMINGS FRECKLES LADDIE PANTER-DOWNES, MOLLIE MICHAEL O'HALLORANJ THE SHORELESS SEA A DAUGHTER OF THE LAND PHILLPOTTS, EDEN HER FATHER'S DAUGHTER THE THIEF OF VIRTUE THE WHITE FLAG WIDECOMBE FAIR WEYMAN, STANLEY J. VACHELL, HORACE A. THE NEW RECTOR BROTHERS I QUINNEYS' UNDER THE RED ROBE LOOT THE HILL THE GREAT HOUSE FISHPINGLEj BUNCH GRASS OVINGTON'S BANK BLINDS DOWN I HER SON QUEEN'S FOLLY QUINNEY'S ADVENTURES WREN, P. C. TRIUMPH OF TIM THE WAGES OF VIRTUE JOHN VERNEY STEPSONS OF FRANCE MERRIMAN, HENRY SETON DOYLE, A. -
The Wages of Virtue
The Wages of Virtue By P. C. Wren THE WAGES OF VIRTUE CHAPTER I SOAP AND SIR MONTAGUE MERLINE Sir Montague Merline, second-class private soldier of the First Battalion of the Foreign Legion of France, paused to straighten his back, to pass his bronzed forearm across his white forehead, and to put his scrap of soap into his mouth- -the only safe receptacle for the precious morsel, the tiny cake issued once a month by Madame La République to the Legionary for all his washing purposes. When one's income is precisely one halfpenny a day (paid when it has totalled up to the sum of twopence halfpenny), one does not waste much, nor risk the loss of valuable property; and to lay a piece of soap upon the concrete of Le Cercle d'Enfer reservoir, is not so much to risk the loss of it as to lose it, when one is surrounded by gentlemen of the Foreign Legion. Let me not be misunderstood, nor supposed to be casting aspersions upon the said gentlemen, but their need for soap is urgent, their income is one halfpenny a day, and soap is of the things with which one may "decorate oneself" without contravening the law of the Legion. To steal is to steal, mark you (and to deserve, and probably to get, a bayonet through the offending hand, pinning it to the bench or table), but to borrow certain specified articles permanently and without permission is merely, in the curious slang of the Legion, "to decorate oneself." Contrary to what the uninitiated might suppose, Le Cercle d'Enfer--the Circle of Hell--is not a dry, but a very wet place, it being, in point of fact, the lavabo where the Legionaries of the French Foreign Legion stationed in Algeria at Sidi-bel-Abbès, daily wash their white fatigue uniforms and occasionally their underclothing. -
Vintage Movie Posters Featuring the Ira Resnick Collection Monday November 20,2017 New York
PRESENTS ... VINTAGE MOVIE POSTERS FEATURING THE IRA RESNICK COLLECTION Monday November 20,2017 New York TCM PRESENTS... VINTAGE MOVIE POSTERS FEATURING THE IRA RESNICK COLLECTION Monday November 20, 2017 at 1pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Dr. Catherine Williamson Front cover: Lot 290 New York, New York 10022 +1 (212) 644 9009 fax Vice President, Director Inside front cover: Lot 153 bonhams.com Entertainment Memorabilia Session page 1: Lot 337 To bid via the internet please visit +1 (323) 436 5442 Inside back cover: Lot 258 PREVIEW www.bonhams.com/24309 [email protected] Back cover: Lot 127 Los Angeles Friday, November 3, 10am to 5pm Please note that telephone bids Claire Tole-Moir Saturday, November 4, 12pm to 5pm must be submitted no later than Specialist Sunday, November 5, 12pm to 5pm 4pm on the day prior to the London auction. New bidders must also +44 020 7393 3984 New York provide proof of identity and [email protected] Friday, November 17, 10am to 5pm address when submitting bids. Saturday, November 18, 12pm to 5pm Dana Hawkes Sunday, November 19, 12pm to 5pm Please contact Client Services Consultant Monday, November 20, 10am to 1pm with any bidding inquiries. +1 (978) 283 1518 [email protected] SALE NUMBER: 24309 Please see pages 140 to 143 Lots 1 - 393 for bidder information including Caren Roberts-Frenzel Conditions of Sale, after-sale Cataloguer/Administrator CATALOG: $35 collection and shipment. Entertainment Memorabilia +1 (323) 436 5409 [email protected] Automated Results Service +1 (800) 223 2854 Bonhams would like to thank Wallace and Hodgson (www.wallace-hodgson.com) for their assistance with this sale. -
SUNSET BOULEVARD (1950) Paramount, 110 Minutes June 1906) Wrote More Than 60 Screenplays and Directed 24
October 9, 2001 (IV:6) BILLY WILDER (Samuel Wilder, Sucha, Austria-Hungary, 22 SUNSET BOULEVARD (1950) Paramount, 110 minutes June 1906) wrote more than 60 screenplays and directed 24. Some of the films he wrote and directed are Irma a Douce 1963, The Apartment 1960, Some Like it Hot 1959, National Film Registry 1989. Academy Awards for Art Direction/Set The Spirit of St. Louis 1957, Witness for the Prosecution Direction (Black and White), Music, Writing (story and screenplay). 1957, The Seven Year Itch 1955, The Lost Weekend (1945), Nominations for Best Actor (Holden), Supporting Actor (von Stroheim), Double Indemnity 1944. He was nominated for 21 Oscars Actress (Swanson), Supporting Actress (Olson), Cinematography, and won 7 of them, as well as the Academy’s Irving G. Director, Film Editing, Picture. Thalberg Memorial Award (1988), the American Film Institute’s Life Achievement Award (1986), and nearly William Holden...Joe Gillis every other international major award given to directors. Gloria Swanson...Norma Desmond For more on him visit Erich von Stroheim...Max Von Mayerling www.geocities.com/hollywood/cinema/1012/wilder.html Nancy Olson...Betty Schaefer Fred Clark ...Sheldrake CHARLES BRACKETT (26 November 1892, Saratoga Lloyd Gough...Morino Springs, New York—9 March 1969) produced and co- Jack Webb...Artie Green wrote several classic films, many of them for and with Franklyn Farnum...Undertaker Wilder. He was, for example, producer and one of the Larry J. Blake...First Finance Man writers of Titanic 1953, Niagara 1953, A Foreign Affair Charles Dayton ...Second Finance Man 1948, The Lost Weekend 1945, and Ninotchka 1939.