Literature to Urban Pupils As Well As for Stimulating Effective
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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
The Case for Reconnecting Southeast Washington DC
1 Reimagining DC 295 as a vital multi modal corridor: The Case for Reconnecting Southeast Washington DC Jonathan L. Bush A capstone thesis paper submitted to the Executive Director of the Urban & Regional Planning Program at Georgetown University’s School of Continuing Studies in partial fulfillment of the requirements for Masters of Professional Studies in Urban & Regional Planning. Faculty Advisor: Howard Ways, AICP Academic Advisor: Uwe S. Brandes, M.Arch © Copyright 2017 by Jonathan L. Bush All Rights Reserved 2 ABSTRACT Cities across the globe are making the case for highway removal. Highway removal provides alternative land uses, reconnects citizens and natural landscapes separated by the highway, creates mobility options, and serves as a health equity tool. This Capstone studies DC 295 in Washington, DC and examines the cases of San Francisco’s Embarcadero Freeway, Milwaukee’s Park East Freeway, New York City’s Sheridan Expressway and Seoul, South Korea’s Cheonggyecheon Highway. This study traces the history and the highway removal success using archival sources, news circulars, planning documents, and relevant academic research. This Capstone seeks to provide a platform in favor DC 295 highway removal. 3 KEYWORDS Anacostia, Anacostia Freeway, Anacostia River, DC 295, Highway Removal, I-295, Kenilworth Avenue, Neighborhood Planning, Southeast Washington DC, Transportation Planning, Urban Infrastructure RESEARCH QUESTIONS o How can Washington’s DC 295 infrastructure be modified to better serve local neighborhoods? o What opportunities -
Toni Braxton Announces North American Fall Tour
FOR IMMEDIATE RELEASE TONI BRAXTON ANNOUNCES NORTH AMERICAN FALL TOUR Detroit (August 8, 2016) – Seven-time GRAMMY Award-winning singer, songwriter and actress Toni Braxton announces her North American tour. Kicking off on Saturday, October 8 in Oakland, Braxton will tour more than 20 cities, ending with a show in Atlantic City, NJ on Saturday, November 12. Most recently, Braxton released “Love, Marriage & Divorce,” a duets album with Kenny “Babyface” Edmonds. The album took off behind “Hurt You,” the Urban AC #1 duet hit co-written by Toni Braxton & Babyface (with Daryl Simmons and Antonio Dixon), and produced by Babyface. The two also shared the win for Best R&B Album at the 2015 GRAMMY Awards. Today, with over 67 million in sales worldwide and seven GRAMMY Awards, Braxton is recognized as one of the most outstanding voices of this generation. Her distinctive sultry vocal blend of R&B, pop, jazz and gospel became an instantaneous international sensation when she came forth with her first solo recording in 1992. Braxton stormed the charts in the 90’s with the releases of “Toni Braxton” and “Secrets,” which spawned the hit singles and instant classics; “Another Sad Love Song,” “Breathe Again,” “You’re Makin’ Me High,” and “Unbreak My Heart.” Today, Braxton balances the demands of her career with the high priorities of family, health and public service as she raises her two sons Denim and Diezel. This year Toni was the Executive Producer of the highly-rated Lifetime movie “Unbreak My Heart” which was based on her memoir and she is the star of the WEtv hit reality series Braxton Family Values in its fifth season. -
The Lilac Cube
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-21-2004 The Lilac Cube Sean Murray University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Murray, Sean, "The Lilac Cube" (2004). University of New Orleans Theses and Dissertations. 77. https://scholarworks.uno.edu/td/77 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. THE LILAC CUBE A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Drama and Communications by Sean Murray B.A. Mount Allison University, 1996 May 2004 TABLE OF CONTENTS Chapter 1 1 Chapter 2 9 Chapter 3 18 Chapter 4 28 Chapter 5 41 Chapter 6 52 Chapter 7 62 Chapter 8 70 Chapter 9 78 Chapter 10 89 Chapter 11 100 Chapter 12 107 Chapter 13 115 Chapter 14 124 Chapter 15 133 Chapter 16 146 Chapter 17 154 Chapter 18 168 Chapter 19 177 Vita 183 ii The judge returned with my parents. -
The Compleat of Tex Avery
The Compleat of Tex Avery Title 邦題 Publish Compleat LD DVD S.C. Blitz Wolf うそつき狼 1942 1 2-1 4-4 The Early Bird Dood It のろまな早起き鳥 1942 2 Dumb-Hounded つかまるのはごめん 1943 3 2-2 1 Red Hot Riding Hood おかしな赤頭巾 1943 4 1-9 2-1 Who Killed Who? ある殺人 1943 5 1-4 1-4 One Ham’s Family 子豚のクリスマス 1943 6 1-10 2-2 What’s Buzzin’ Buzzard? 腹ペコハゲタカ 1943 7 4-6 Screwball Squirrel 人の悪いリス 1944 8 2-5 Batty Baseball とんだ野球試合 1944 9 3-5 Happy-Go-Nutty リスの刑務所破り 1944 10 1-11 2-3 Big Heel-Watha インディアンのお婿さん 1944 11 1-15 2-7 The Screwy Truant さぼり屋リス 1945 12 2-3 3-1 The Shooting of Dan McGoo アラスカの拳銃使い 1945 13 3 Jerky Turkey ずる賢い七面鳥 1945 14 Swing Shift Cinderella 狼とシンデレラ 1945 15 1-1 1-1 Wild and Wolfy ドルーピー 西部の早射ち 1945 16 1-13 2 2-5 Lonesome Lenny 僕はさみしいんだ 1946 17 The Hick Chick いじわるニワトリ 1946 18 Northwest Hounded Police 迷探偵ドルーピーの大追跡 1946 19 1-16 4 2-8 Henpecked Hoboes デカ吉チビ助のニワトリ狩り 1946 20 Hound Hunters デカ吉チビ助の野良犬狩り 1947 21 3-4 Red Hot Rangers デカ吉チビ助の消防士 1947 22 Uncle Tom’s Cabana うそつきトム 1947 23 Slap Happy Lion 腰抜けライオン 1947 24 1-12 2-4 King Size Canary 太りっこ競争 1947 25 2-4 What Price Fleadom ピョン助の家出 1948 26 2-6 4-1 Little Tinker スカンク君の悩み 1948 27 1-7 1-7 Lucky Ducky ウルトラ子鴨 1948 28 1-2 2-7 1-2 Half-Pint Pygmy デカ吉チビ助のこびと狩り 1948 29 The Cat That Hated People 月へ行った猫 1948 30 1-5 1-5 Bad Luck Blackie 呪いの黒猫 1949 31 1-8 1-8 Senor Droopy チャンピオン誕生 1949 32 5 The House of Tomorrow こんなお家は 1949 33 2-13 3-2 Doggone Tired ねむいウサギ狩り 1949 34 2-9 Wags To Riches 財産をねらえ 1949 35 2-10 Little Rural Riding Hood 田舎狼と都会狼 1949 36 2-8 Out-Foxed いかさま狐狩り 1949 37 6 The Counterfeit Cat 腹ペコ野良猫 1949 38 2-11 4-3 Ventriloquist Cat 腹話術は楽し 1950 39 1-14 2-6 The Cuckoo Clock 恐怖よさらば 1950 40 2-12 4-5 The Compleat of Tex Avery Title 邦題 Publish Compleat LD DVD S.C. -
Read Excerpt
ROARING BROOK PRESS . NEW YORK 121-76898_ch00_6P.indd 3 02/14/19 10:08 am Copyright © 2019 by Harriet Reuter Hapgood Published by Roaring Brook Press Roaring Brook Press is a division of Holtzbrinck Publishing Holdings Limited Partnership 175 Fifth Ave nue, New York, NY 10010 fiercereads . com All rights reserved Library of Congress Control Number: 2018955863 ISBN: 978-1-62672-375-7 Our books may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at (800) 221-7945 ext. 5442 or by e mail at MacmillanSpecialMarkets@macmillan . com. First edition, 2019 Book design by Elizabeth H. Clark Printed in the United States of Amer i ca 1 3 5 7 9 10 8 6 4 2 121-76898_ch00_6P.indd 4 02/14/19 10:08 am There’s no such thing as true black. This is one of the very first art lessons. Squeezing black ready- made from a tube makes a painting look artificial, so instead, you mix the three primary hues: red, yellow, and blue. Because even the darkest shadow or deepest sorrow has a glimmer of color at its heart. But I know there’s another kind of black. I see it when I close my eyes, and become a paint palette. This black is a bottomless ocean of dark. I dip my fin gers in it, smear it across a canvas. Use a paintbrush and flick my fin ger over the bristles, splattering tiny constellations onto the paper. Each small, lonely speck the color of sadness. -
Cartoons— Not Just for Kids
Cartoons— Not just for kids. Part I 1. Chuck Jones later named this previously unnamed frog what? 2. In the 1990s the frog became the mascot for which television network? 3. What was Elmer Fudd’s original name? 4. What is the name of the opera that “Kill the Wabbit” came from? 5. Name a Looney Tunes animal cartoon character that wears pants: 6. What is the name of Pepe le Pew’s Girlfriend? 7. Name 3 Looney Tune Characters with speech impediments 8. Name the influential animator who had a hand in creating all of these characters: Bugs Bunny, Daffy Duck, Screwy Squirrel, and Droopy 9. Name the Tiny Tunes character based on the Tazmanian Devil 10. In what century does Duck Dodgers take place? 11. What is Dot’s full first name? 12. What kind of contracts do the animaniacs have? 13. What company do all of the above characters come from? Requiem for the Blue Civic – Jan. 2014 Cartoons 1 Part II 14. Name one of Darkwing Duck’s Catch phrases: 15. Name the three characters in “Tailspin” that also appear in “the Jungle book” (though the universes are apparently separate and unrelated) 16. Who is this? 17. Fill in these blanks: “ Life is like a ____________here in _____________ Race cars, lasers, aeroplanes ‐ it's a _______blur You might ______ a _____ or rewrite______ ________! __‐__!” 18. What was the name of Doug Funnie’s dog? 19. Whose catchphrase is: “So what’s the sitch”? 20. What kind of an animal is Ron Stoppable’s pet, Rufus? 21. -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13. -
Uma Opção Para O Criador Cast
SÃO PAULO• MARÇO/ABRIL/1984 •ANO )(XIV a• a internacional de Cidade Jardim • atos: uma opção para o criador Cast. 1971 , por: Vaguely Noble-Mock Orange, por Dedicate-Alablue, por Blue Larkspur. Coppa d'Oro di Milano, Gr.I-3000m, GP di Milano, Gr .I-2400m (para Star Appeal) e Prix Foy , Gr.III-2400m (para Allez France). 8 terceiros, inclusive: Prêmio Presidente della Republica, Gr.l-2000m, GP di Milano. Gr.l-2400m , GP dei Jockey Club e • Coppa d'Oro, Gr.l-2 400m , Grand Prix de Deauville, Gr.Il-2700m (para Ashmore e Diagramatic), Prix Maurice de Nieuil, Gr.Il-2500 m e Prix Gontaut-Biron, Gr.Ill-2000m V AGUEL Y NOBLE, grande ganhador clássico, é um dos mais destacados reprodutores da atualidade. Pai de inúmeros "stakes winners", incluindo ganhadores de provas de Grupo I na Inglaterra, França, Itália, Irlanda, Alemanha e Estados Unidos. MOCK ORANGE, mãe de 8 ganhadores, sendo 3 ganhadorf's clássicos (Provas de Grupo I, II e III , na Inglaterra, França, Itália e Estados Unidos) é avó, também, de ganhadores clássicos (Provas de Grupo I, na Inglaterra e Estados Unidos), inclusive George Navonod (US$ 350.820, dos 2 aos 4 anos). MOCK ORANGE é irmã materna de ALANESIAN (Best Sprinter da geração USA de 1954), mãe de 8 famosos ~ ganhadores, inc. BOLDNESIAN (Derby Win ner, Classic Sirt>. avô paterno do Tríplice Coroado SEATLE SLEW - J 4 vitórias, US$ 1.208, 726 em 17 corridas) e avó de REVlDERE (8 vitórias. Ganhador de 8 corridas, na Inglaterra, França e Itália, inclusive o US$ 330.0 19, em 11 corridas), elei ta a Melhor Potranca de 3 anu: Prêmio Roma, Gr.I-2800m duas vezes (u ma das quais empatado dos USA, em 1976. -
2008 File1lined.Vp
Hip No. Consigned by Hall Brothers Hip No. 976 UNNAMED (TB) 976 April 12, 2006 Dark Bay or Brown Colt Danzig .....................Northern Dancer Pas De Nom Belong To Me .......... Belonging ..................Exclusive Native UNNAMED (TB) Straight Deal Not For Love ...............Mr. Prospector Quppy................. Dance Number Chestnut Angel .............Horatius Sound Action By BELONG TO ME (1989). Stakes winner of 7 races at 2 and 3, $261,166, Boojum H. G3. Sire of 743 starters, 51 stakes winners, 526 winners, earning $44,515,356, JACK SULLIVAN (to 6, 2007, $1,062,862, Sakhee Sheikh Maktoum bin Rashid Al Maktoum Challenge [R]ound 2 G3), EBONY BREEZE ($1,039,922, Azalea Breeders Cup S. G3), OCEAN DRIVE ($803,986), JERSEY GIRL (9 wins, $571,136). Sire of the dams of stakes winners CIRCULAR QUAY ($1,177,434), WAYTOTHELEFT ($262,391). 1st dam: Quppy (1998), by Not For Love. 13 wins, 3 to 6, $356,861, 3rd Cordially S. [R]. This is her first foal. 2nd dam: Chestnut Angel, by Horatius. 4 wins, 2 to 4, $104,877, 2nd Twixt S. [R], Searching S., 3rd Bold Queen S. Dam of 6 foals, 3 to race, 2 winners, Quppy (f. by Not For Love). Stakes placed, see above. Hearts Of Fire (f. by Allens Prospect). 5 wins, 2 to 5, $66,400. 3rd dam: SOUND ACTION, by Resound. 12 wins, 3 to 5, $103,666. Dam of 10 foals, 8 to race, 7 winners, Chestnut Angel. Stakes placed, see above. Swift Action. 4 wins at 3, $71,305. Run For Charity. 12 wins, 3 to 8, $46,104. -
SCATMANDU’S 17 Yearlings Averaged $45,665 at Keeneland September, Fasig-Tipton July & OBS August
ROSADO TAKES G2 SANKEI SHO...P2 HEADLINE NEWS For information about TDN, DELIVERED EACH NIGHT call 732-747-8060. BY FAX AND INTERNET www.thoroughbreddailynews.com TUESDAY, SEPTEMBER 24, 2002 KAZZIA ON FIRE N E W S Kazzia (Ger) (Zinaad {GB}) worked impressively at P P Newmarket yesterday morning ahead of Saturday’s GI Flower Bowl Invitational at WAR EMBLEM WORKS Belmont Park. Partnered by Ted War Emblem (Our Emblem) breezed five furlongs in Durcan, Godolphin’s G1 1000 1:01 3/5 Monday on the Santa Anita main track in Guineas and G1 Epsom Oaks preparation for his next, and final start, in the GI Breed- winner worked with stable ers’ Cup Classic set for Arlington Park Oct. 26. “We companion Naheef (Ire) (Marju went early with him, at 6:30 [a.m.],” said trainer Bob {Ire}) over seven furlongs of Baffert. “The way the weather has been [hot, dry], it is better to work early in the morning when there’s more the Round Gallop as she com- moisture in the track.” The winner of the GI Kentucky pleted her preparation. Racing Derby and GI Preakness S. was nominated to the GII Kazzia Manager Simon Crisford said of Goodwood Breeders’ Cup H. Oct. 6, but those plans Julian Herbert/Getty Images the filly, who left for the United were abandoned after the colt was sold for $17 million States yesterday evening, “The to Katsumi and Teruya Yoshida to stand stud in Japan filly worked really well this morning and we are in 2003. pleased with her.” NAYEF READY FOR AUTUMN TESTS INDIAN CHARLIE TO AIRDRIE Trainer Marcus Tregoning yesterday confirmed Nayef Indian Charlie (In Excess {Ire}--Soviet Sojourn, by (Gulch) on course for either the G1 Prix de l’Arc de Leo Castelli) has been moved to Mr. -
1 Iconology in Animation: Figurative Icons in Tex Avery's Symphony In
Iconology in Animation: Figurative Icons in Tex Avery’s Symphony in Slang Nikos Kontos The current fascination with popular culture has generated numerous investigations focusing on a wide variety of subject matter deriving primarily from the mass media. In most cases they venture upon capturing its particular effects on the social practices of various target-audiences in our present era: effects that namely induce enjoyment and amusement within a life-world of frenetic consumerism verging upon the ‘hyper-real’. Popular culture has become a shibboleth, especially for those who are absorbed in demarcating post-modernity: its ubiquity hailed as a socially desirable manifestation of the mass-circulated ‘taste cultures’ and ‘taste publics’ – along with their ‘colonizing’ representations and stylizations – found in our post-industrial society. Hence, the large quantity of studies available tends to amplify on the pervasive theme of the postmodern condition with an emphasis on pastiche and/or parody. However, before the issue of post-modernity became an agenda-setting trend, semioticians had been in the forefront in joining the ranks of scholars who began to take seriously the mass-produced artifacts of popular culture and to offer their expertise in unraveling the immanent meanings of the sign systems ensconced within those productions. Since Roland Barthes’ and Umberto Eco’s critically acclaimed forays into the various genres of popular culture during the late 50’s and early 60’s, many semiotic scholars - following their lead - have attempted to extract from these mass art-forms meaningful insights concerning the semiotic significance portrayed in them. Many of these genres such as comics, detective/spy novels, science fiction, blockbuster films, etc., have been closely scrutinized and analyzed from an array of critical vantage points covering aspects that range, for example, from formal text-elements of the particular genre to its ideological ramifications in a socio-historical context.