Complete List of Books 16/12/2019 Page 1
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Declinazioni Dei Tòpoi Della Foresta in Le Morte Darthur Di Sir Thomas Malory
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Filologia Moderna Classe LM-14 Tesi di laurea Declinazioni dei tòpoi della foresta in Le Morte Darthur di Sir Thomas Malory Relatore Laureando Prof.ssa Alessandra Petrina Daniele Biffanti n° matr. 1039306 / LMFIM Anno Accademico 2014 / 2015 1 2 INDICE p. 3 PREMESSA p. 7 CAP. 1 – LA FORESTA TRA ETÀ ANTICA E MEDIOEVO 1.1 ORIGINE ED ETIMOLOGIA DEI TERMINI “SELVA”, “FORESTA” E “BOSCO” p. 9 1.2 LA SELVA IN ETÀ GRECO-ROMANA p. 13 1.3 CAMBIAMENTI NELL'ALTO MEDIOEVO p. 21 1.4 LA FORESTA NEL BASSO MEDIOEVO p. 27 1.5 UN CASO SPECIFICO: LA FORESTA NEL MEDIOEVO INGLESE p. 30 CAP. 2 – LA SELVA NELLA LETTERATURA ANTICA 2.1 LA SELVA E LA CITTÀ ANTICA: GILGAMESH E ROMOLO p. 35 2.2 IL RITRATTO DEL SELVAGGIO p. 43 2.3 LA CACCIA NEL BOSCO p. 47 2.4 LA SELVA COME LOCUS AMOENUS E LOCUS HORRIDUS: VIRGILIO E LUCANO p. 56 CAP. 3 – LA FORESTA NELLA LETTERATURA TARDOLATINA E ALTOMEDIEVALE 3.1 IL BOSCO DI GRENDEL IN BEOWULF p. 65 3.2 LA FORESTA COME DESERTUM: FORESTA E DESERTO BIBLICO p. 70 3.3 HYLE E SILVA: LA SELVA COME CAOS E MATERIA PRIMORDIALE p. 74 CAP. 4 – LA FORESTA NEI TESTI DEL BASSO MEDIOEVO 4.1 LA “SELVA OSCURA” E LA “SELVA ANTICA” NELLA DIVINA COMMEDIA p. 79 4.2 IL MOTIVO DELLA “CACCIA INFERNALE” NELLA LETTERATURA ITALIANA MEDIEVALE p. 84 4.3 NASCITA E SVILUPPO DEL CICLO ARTURIANO p. -
Martin Amis Appointed Professor of Creative Writing Features Letter from the President News
The free magazine for The University of Manchester 5 March 2007 Uni LifIessue 7 Volume 4 Martin Amis appointed Professor of Creative Writing Features Letter from the President News News Manchester’s students Martin Amis appointed most wanted page 3 Martin Amis, arguably the leading novelist of his generation, has been appointed Professor of Creative Writing at The University of Manchester. He will be in position in time for the launch of the Centre for New Writing, due to open in September. Amis will run postgraduate seminars at at Manchester has long been one of the best in the the Centre and will also participate in country, but the foundation of the Centre and the appointments of Martin Amis and Patricia Duncker Research four public events each year, including mean that we will continue to attract – and provide Village found near a two week summer school where a terrific apprenticeship for – talented new Stonehenge writers will teach MA students from the novelists, poets and critics. Martin and Patricia are UK and abroad. both writers who are interested in the broad swim page 7 of contemporary culture, so the Centre will be a He will be based in the School of Arts Histories and prominent platform for the best new creative and Cultures, also home to the leading literary theorist critical writing being produced in the UK.” When the new University of Manchester was We now face the major, unavoidable challenge of and critic, Professor Terry Eagleton. founded in October 2004, it was on the firm addressing these two deficits – one structural, -
From Alignment to Commitment: the Early Work of James Kelman
From Alignment to Commitment: The Early Work of James Kelman Terence Patrick Murphy James Kelman (© BBC, 2002) Abstract In Marxism and Literature (1977), Raymond Williams argues that writing is in an important sense always aligned. This sense of alignment, however, may be distinguished from a sense of chosen commitment,which is “conscious, active, and open.” Through a close analysis of the early work of the Scottish working-class writer James Kelman, this essay examines how an ideologically committed writer learned to refashion the dominant forms of novelistic discourse for his own political purposes. For Kelman, commitment in writing involves the recognition of the “distinction between dialogue and narrative as a summation of the political system.” This distinction was “simply another method of exclusion, of marginalizing and disenfranchising different peoples, cultures and communities,” Political commitment thus required Kelman to break successfully with the tradition of “‘working class authors’ who allowed ‘the voice’ of higher authority to control narrative, the place where the psychological drama occurred.” Copyright © 2007 by Terence Patrick Murphy and Cultural Logic, ISSN 1097-3087 Terence Patrick Murphy 2 . the relation between the language of the novelist — always in some measure an educated language, as it has to be if the full account is to be given, and the language of these newly described men and women — a familiar language, steeped in a place and in work; often different in profound as well as simple ways — and to the novelist consciously different — from the habits of education: the class, the method, the underlying sensibility. It isn’t only a matter of relating disparate idioms, though that technicality is how it often appears. -
Quo Vadis La Prima Opera Transmediale
CONFERENZE 137 QUO VADIS LA PRIMA OPERA TRANSMEDIALE INDICE ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 137 QUO VADIS LA PRIMA OPERA TRANSMEDIALE Atti del convegno Roma 14-15 novembre 2016 a cura di ELISABETTA GAGETTI E MONIKA Woźniak ROMA 2017 Pubblicato da AccAdemiA PolAccA delle Scienze BiBliotecA e centro di Studi A romA vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Pubblicazione finanziata dall’Accademia Polacca delle Scienze con il supporto dell’Università di Wrocław nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia “Narodowy Program Rozwoju Humanistyki” Nr 0136/NPRH4/H2b/83/2016 Recensione: ANDREA CECCHERELLI Traduzioni: ALESSANDRA PINI (DALL’INGLESE) – TESTI DI M.WYKE, J. STUBBS, A. DYKMAN ELISABETTA GAGETTI (DALL’INGLESE) – TESTO DI M. M. WINKLER SALVATORE GRECO (DAL POLaccO) – TESTI DI E. SKwaRA, B. Szleszyński, R. SUCHOWIEJKO, M. BOKSZCZANIN, D. ŚWIERCzyńskA Progetto grafico: ANNA WawRZYNIAK MAOLONI Redazione tecnica: ELISABETTA GAGETTI Impaginazione e stampa: EDO – JAKUB ŁOŚ ISSN 0239-8605 ISBN 978-83-63305-41-3 © Accademia Polacca delle Scienze Biblioteca e Centro di Studi a Roma INDICE PIOTR SALWA PREMESSA 9 QUO VADIS E L'ANTICA ROMA ADAM ZIÓŁKOWSKI SIENKIEWICZ E LA TOPOGRAFIA DI ROMA ANTICA. IL MISTERO DELL’OSTRIANUM IN QUO VADIS 13 EWA SKWARA AMARE AL MODO DEI CLASSICI. ISPIRAZIONI ANTICHE PER LA RAPPRESENTAZIONE DELL’AMORE NEL QUO VADIS DI HENRYK SIENKIEWICZ 29 BARTŁOMIEJ SZLESZYŃSKI QUO VADIS: LE FOLLE E I DIVERTIMENTI. IL ROMANZO DI HENRYK SIENKIEWICZ COME TESTIMONIANZA SULLE MASSE E SUGLI SPETTACOLI PER LE MASSE 41 QUO VADIS IN ALTRI MEDIA RENATA SUCHOWIEJKO QUO VADIS DI JEAN NOUGUÈS E FELIKS NOWOWIEJSKI. -
German Jewish Refugees in the United States and Relationships to Germany, 1938-1988
UNIVERSITY OF CALIFORNIA, SAN DIEGO “Germany on Their Minds”? German Jewish Refugees in the United States and Relationships to Germany, 1938-1988 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Anne Clara Schenderlein Committee in charge: Professor Frank Biess, Co-Chair Professor Deborah Hertz, Co-Chair Professor Luis Alvarez Professor Hasia Diner Professor Amelia Glaser Professor Patrick H. Patterson 2014 Copyright Anne Clara Schenderlein, 2014 All rights reserved. The Dissertation of Anne Clara Schenderlein is approved, and it is acceptable in quality and form for publication on microfilm and electronically. _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Co-Chair _____________________________________________________________________ Co-Chair University of California, San Diego 2014 iii Dedication To my Mother and the Memory of my Father iv Table of Contents Signature Page ..................................................................................................................iii Dedication ..........................................................................................................................iv Table of Contents ...............................................................................................................v -
Steam Engine Time 5
Steam Engine T ime PRIEST’S ‘THE SEPARATION’ MEMOS FROM NORSTRILIA CENSORSHIP IN AUSTRALIA POLITICS AND SF Harry Hennessey Buerkett James Doig Paul Kincaid Gillian Polack Eric S. Raymond Milan Smiljkovic Janine Stinson Issue 5 September 2006 Steam Engine T ime 5 STEAM ENGINE TIME No. 5, September 2006 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from eFanzines.com or from either of our email addresses. Print edition available for The Usual (letters or substantial emails of comment, artistic contributions, articles, reviews, traded publications or review copies) or subscriptions (Australia: $40 for 5, cheques to ‘Gillespie & Cochrane Pty Ltd’; Overseas: $US30 or £15 for 5, or equivalent, airmail; please send folding money, not cheques). Printed by Copy Place, 415 Bourke Street, Melbourne VIC 3000. The print edition is made possible by a generous financial donation. Graphics Ditmar (Dick Jenssen) (front cover). Photographs Covers of various books and magazines discussed in this issue; plus photos of (p. 5) Christopher Priest, by Ian Maule; (p. 24) Roger Dard, supplied by Kim Huett; (p. 25) Roger Dard fanzine contributions, supplied by Kim Huett; (p. 32) Nigel Burwood, Martin Stone and Bill Blackbeard, by John Baxter; (p. 39) David Boutland. 3 EDITORIAL 1: 32 Letters of comment ‘Dream your dreams’: A meditation on Babylon 5 John Baxter Janine Stinson Rosaleen Love Steve Jeffery 4 EDITORIAL 2 E. B. Frohvet Bruce Gillespie Steve Sneyd Sydney J. -
De Havilland Technical School, Salisbury Hall .46 W
Last updated 1 July 2021 ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| DeHAVILLAND DH.98 MOSQUITO ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| 98001 • Mk. I W4050 (prototype E-0234): built Salisbury Hall, ff Hatfield 25.11.40 De Havilland Technical School, Salisbury Hall .46 W. J. S. Baird, Hatfield .46/59 (stored Hatfield, later Panshanger, Hatfield, Chester, Hatfield: moved to Salisbury Hall 9.58) Mosquito Aircraft Museum/ De Havilland Aircraft Heritage Centre, Salisbury Hall, London Colney 5.59/20 (complete static rest. 01/03, remained on display, one Merlin rest. to running condition) _______________________________________________________________________________________ - PR Mk. IV DK310 forced landing due engine trouble, Berne-Belpmoos, Switzerland: interned 24.8.43 (to Swiss Army as E-42) HB-IMO Swissair AG: pilot training 1.1.45 (to Swiss AF as B-4) 7.8.45/53 wfu 9.4.53, scrapped 4.12.53 _______________________________________________________________________________________ - PR Mk. IV DZ411 G-AGFV British Overseas Airways Corp, Leuchars 12.42/45 forced landing due Fw190 attack, Stockholm 23.4.43 dam. take-off, Stockholm-Bromma 4.7.44 (returned to RAF as DZ411) 6.1.45 _______________________________________________________________________________________ -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Doktori Disszertáció
Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar DOKTORI DISSZERTÁCIÓ Székely Péter The Academic Novel in the Age of Postmodernity: The Anglo-American Metafictional Academic Novel Irodalomtudományi Doktori Iskola, A doktori Iskola vezetője: Dr. Kulcsár Szabó Ernő Modern Angol és Amerikai Irodalom Program, A program vezetője: Dr. Sarbu Aladár A bizottság tagjai és tudományos fokozatuk: Elnök: Dr. Kállay Géza PhD., dr. habil., egyetemi tanár Hivatalosan felkért bírálók: Dr. Fülöp Zsuzsanna CSc., egyetemi docens Dr. Sarbu Aladár DSc., egyetemi tanár Titkár: Dr. Farkas Ákos PhD., egyetemi docens További tagok: Dr. Bényei Tamás PhD. CSc., dr. habil., egyetemi docens Dr. Péteri Éva PhD., egyetemi adjunktus Dr. Takács Ferenc PhD., egyetemi docens Témavezető és tudományos fokozata: Dr. Dávidházi Péter DSc., dr. habil., egyetemi tanár Budapest, 2009 Contents INTRODUCTION ................................................................................................................................ 4 I. WHAT IS AN ACADEMIC NOVEL? .......................................................................................... 11 1.1. NOMENCLATURE ................................................................................................................................. 11 1.2. THE DIFFICULTIES OF DEFINING ACADEMIC FICTION ................................................................................ 12 1.2.1. THE STEREOTYPICAL NOTION OF THE ACADEMIC NOVEL ............................................................................ 12 1.2.2. -
George Sand, La Professionalització De L' Escriptor I El Socialisme Utopic
George Sand, la professionalització de l' escriptor i el socialisme utopic Miguel López Crespí Escriptor Rebut: 25 febrer 2007 Acceptat: 28 maig 2007 RESUM: George Sand, la professionalització de I'escriptor i el socialisme utopic L'autor fonamenta el seu estudi en els assaigs publicats per George Sand i fonamentalment en 1'abundant bibliografia produlda a Espanya després de la traducci6 d' Un hivern a Mallorca, mal acollit per part de la burgesia i l'aristocracia de 1'illa. En el moment de la seva estada a Mallorca, George Sand és 1'escriptora més famosa de Fran\(a. És sens dubte una professional de les lletres. 1 aixo, dos segles més tard, resta encara difícil de concebre a l'illa. George Sand va adquirir ben aviat aquest estatut d'escriptora professional, gairebé des del moment en que arriba a París, el 1830. L'altra vessant de la vida de George Sand és el seu compromís amb el socialisme utopic. Tot aixo produí un xoc en la societat tancada de l'illa de Mallorca. EIs crítics espanyols ho testimonien. Sand, després de la seva estada a Mallorca, va mantenir el seu compromís polític i fins i tot el va desenvolupar. MOTs CLAU: Professi6, socialisme utopic, Mallorca, recepci6, compromís. RÉSUMÉ: George Sand, la professionnalisation de I'écrivain et le socialisme utopique L'auteur fonde son étude sur les essais publiés sur George Sand et surtout sur l'abondante bibliographie produite en Espagne apres la traduction d' Un hiver aMajorque, mal accueilli par la bourgeoisie et l' aristocratie de l'ile. Lors de son séjour a Majorque, George Sand est l'écrivaine la plus connue de la France. -
Class, Gender, and Identity in Contemporary Scottish Literature
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra anglistiky a amerikanistiky Jan Horáček James Kelman: Class, Gender, and Identity in Contemporary Scottish Literature Diplomová práce Anglická filologie – Historie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2012 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně a uvedl úplný seznam citované a použité literatury. V Olomouci dne 11. května 2012 ………………………………… James Kelman: Class, Gender, and Identity in Contemporary Scottish Literature iii 1 Contents Acknowledgements . v Introduction. 1 I Kelman and Capitalism . 5 1. ‘When skint I am a hulk’: Unemployment and Poverty-Stricken Freedom . 7 2. ‘these capitalist fuckers’: The Breakdown of Welfare . 10 3. ‘On the margins of the traditional working-class life’: Past and Present . 12 4. Stealing and Reading: New Perspectives on Workerism. 15 5. ‘wealthy fuckers and rich cunts’: Class War and Beyond . 18 6. ‘Places where humans might perish forever’: Victims and Casualties . 21 II Kelman and Working-Class Community . 25 7. ‘When men expect women to stop work’: Challenging Masculinity . 25 8. Emasculated Men and Empowered Women . 29 9. ‘Middle-Class Wankers’: From Ambivalence to Estrangement . 32 10. The Collapse of Workers’ Solidarity . 34 III Kafka on the Clyde . 38 11. ‘Wee horrors’: Authentic Stories and Abnormal Events . 38 12. Concrete Facts and Genre Fiction . 41 13. Lack and Becoming: Changing Kelman? . 44 IV Kelman and Demotic Language . 48 14. Unity of Language: The Clash Between English and Scots Vernacular . 49 15. ‘ah jist open ma mooth and oot it comes’: Language of the Gutter . 53 16. Abrogation: Resisting Power and Cultural Marginalization . 56 17. ‘enerfuckinggetic’: Language Play and Innovation . -
The Revival of the Satiric Spirit in Contemporary British Fiction1
The Revival of the Satiric Spirit in Contemporary British Fiction1 Luis Alberto Lázaro Lafuente University of Alcalá Satiric novels have traditionally been regarded as a minor form by many critics and scholars. Aristotle had already referred to the satirists as "the more trivial" poets who wrote about the actions of meaner~persons, in stark contrast to the "more serious-minded" epic poets who represented noble actions and the lives of noble people (1965: 35-36). This attitude has persisted throughout many centuries in the history of English literature. Even though satire enjoyed its golden age in the seventeenth and eighteenth centuries, especially with the poetry of such distinguished writers as Dryden or Pope, satiric compositions in prose did not really achieve the same high position2• When with time the novel became a well• established genre, it was mainly naturalistic fiction and psychological stories that commonly attained a prominent status among the literary critics, whereas the comic and satiric novel, with a few exceptions, was relegated to a status of popular prose on the fringe of the canon, or even outside it. Indeed, in the twentieth century, several prestigious authors have offered a rather gloomy picture of the state of novelistic satire. Robert C. Elliott, for instance, said in 1960 that the great literary figures of this century were not "preeminently satirists" (1970: 223); and Patricia Meyer Spacks, in her artide "Some Reflections on Satire" first published in 1968, even stated that satiric novel s by authors such I Some ideas oí this paper have already appeared in my essay "El espíritu satírico en la novela británica contemporánea: Menipo redivivo", included in the volume edited by Fernando Galván Már• genes y centros en la literatura británica actual.