Probe De Concurs Anul Universitar 2021/2022

Total Page:16

File Type:pdf, Size:1020Kb

Probe De Concurs Anul Universitar 2021/2022 Probe de concurs Anul universitar 2021/2022 Licență IMAGINE DE FILM ȘI TV FILMOGRAFIE (URL) 1 „Citizen Kane” (1941): R. Orson Welles, Im. Greg Tolland ​ https://youtu.be/yKZoJeDjseo 2 „Pădurea spânzuraților" (1964): R. Liviu Ciulei, Im. Ovidiu Gologan ​ https://youtu.be/XrTA4A7hKlA 3 „Blow Up” (1964): R. Michelangelo Antonioni, Im. Carlo di Palma ​ https://youtu.be/TbmB4RLMf_4 4 „Il Conformista” (1970): R. Bernardo Bertolucci, Im. Vittorio Storaro ​ https://youtu.be/cDTwc8n07OA 5 „Nunta de piatră" (1972): R. Mircea Veroiu („Fefeleaga”) & Dan Pița („La o nuntă”), Im. Iosif Demian ​ https://youtu.be/SpXZBhnGcMU 6 „Barry Lyndon” (1975): R. Stanley Kubrick, Im. John Alcott ​ https://youtu.be/XjPSGuJskxM https://youtu.be/cwXa1n8jcNQ 7 „Days of Heaven" (1978) R.Terence Malick, Im. Nestor Almendros ​ https://youtu.be/yUYQkoPtweU https://youtu.be/EKqEu4Euss8 8 "Apocalipse now" (1979) R. Francis Ford Copolla, Im. Vittorio Storaro ​ https://www.youtube.com/results?search_query=apocalypse+now 9 „Blade Runner” (1982) R. Ridley Scott, Im. Jordan Cronenweth ​ https://youtu.be/eogpIG53Cis https://youtu.be/ccJJ0uxigVA https://youtu.be/NoAzpa1x7jU 10. „Legends of the fall” (1994) R. Edward Zwick, Im. John Tall ​ https://youtu.be/lAOHRFaRUYc 11 „Se7en" (1995) R. David Fincher, Im. Darius Khondji ​ https://youtu.be/znmZoVkCjpI https://youtu.be/1giVzxyoclE 12 „Fight Club” (1998) R. David Fincher, Im. Jeff Cronenweth ​ https://youtu.be/J2gLpbVx9LI 13 „The man who wasn”t there” (2001) R. Joel & Ethan Coen, Im. Roger Deakins ​ https://youtu.be/sR0wCC271s4 14 „Road to Perdition” (2002) Im. Sam Mendes, Im. Conrad Hall ​ https://www.youtube.com/results?search_query=road+to+perdition 15 „The Fall” (2006) R. Tarsem Singh, Im. Colin Watkinson ​ https://youtu.be/IwsYyRc9j4g https://youtu.be/FY4fJb9J9_I 16 „Hugo” (2011) R. Martin Scorsese Im. Robert Richardson ​ https://youtu.be/qjSNBP4P9RU https://youtu.be/TSnlLU5k9lU 17 „The War Horse” (2011) R. Stven Spielberg, Im. Janusz Kaminski ​ https://youtu.be/m3gA3llByAY https://youtu.be/m3gA3llByAY 18 „The Revenant” (2015) R. Alejandro Inarritu, Im. Emmanuel Lubezki ​ https://youtu.be/xeiM11EzLDo 19 „Jojo Rabbit” (2019) R. Taika Waititi, Im. Mihai Mălaimare Jr. ​ https://www.youtube.com/results?search_query=jojo+rabbit 20 „1917” (2019) R. Sam Mendes, Im. Roger Deakins ​ https://www.youtube.com/results?search_query=1917 .
Recommended publications
  • Govt Scrambles to Contain Fallout of Canceled Subsidies
    SUBSCRIPTION MONDAY, JANUARY 5, 2015 RABI ALAWWAL 14, 1436 AH www.kuwaittimes.net Expatriates Rouhani Australian Valencia bristle over urges end PM makes beat Real hefty fines, to Iran’s unannounced 2-1 to end mistreatment3 isolation7 trip to Iraq8 22-win20 streak Govt scrambles to contain Min 08º Max 21º fallout of canceled subsidies High Tide 13:12 & 23:31 Low Tide No hike in petrol, power prices • Price-gouging companies penalized 06:44 & 18:18 40 PAGES NO: 16393 150 FILS By B Izzak conspiracy theories KUWAIT: Rising diesel and kerosene prices following the removal of subsidies on Jan 1 have become the Predictions main issue in the country after a subsequent wave of price hikes and bakery strikes. The government has vowed to clamp down on violators. Commerce and and reality Industry Minister Abdulmohsen Al-Mudej said the min- istry went into action yesterday, penalizing at least 70 companies and shutting down 15 restaurants that raised prices under the pretext of the increase in diesel prices. Speaking at a joint press conference with the minis- By Badrya Darwish ters of finance and oil, Mudej said the companies will be referred to the public prosecution for further legal action as he vowed to take action against all companies that raise their prices or charges. A decision by the government to lift the subsidies on [email protected] kerosene, diesel and aviation fuel came into effect on Jan 1 and lead to increases in the prices at some restau- rants, construction companies, Iranian bread bakeries, water tankers and others.
    [Show full text]
  • SKYPANEL New Accessories for the Family of LED Soft Lights
    NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible.
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Between Two Worlds: an Interview with Shirin Neshat
    Speechless, 1996. RC print. © 1996 Shirin Neshat. Photo by Larry Barns. Courtesy of Barbara Gladstone Gallery, New York City. Between Two Worlds: An Interview with Shirin Neshat Scott MacDonald A native of Qazvin, Iran, Shirin Neshat finished high school and attended college in the United States and once the Islamic Revolution had transformed Iran, decided to remain in this country. She now lives in New York City, where she is represented by the Barbara Gladstone Gallery. In the mid-1990s, Neshat became known for a series of large photographs, “Women of Allah,” which she designed, directed (not a trained photogra- pher, she hired Larry Barns, Kyong Park, and others to make her images), posed for, and decorated with poetry written in Farsi. The “Women of Allah” photographs provide a sustained rumination on the status and psyche of women in traditional Islamic cultures, using three primary elements: the black veil, modern weapons, and the written texts. In each photograph Neshat appears, dressed in black, sometimes covered completely, facing the camera, holding a weapon, usually a gun. The texts often appear to be part of the photographed imagery. The photographs are both intimate and confrontational. They reflect the repressed status of women in Iran and their power, as women and as Muslims. They depict Neshat herself as a woman caught between the freedom of expression evi- dent in the photographs and the complex demands of her Islamic heritage, in which Iranian women are expected to support and sustain a revolution Feminist Studies 30, no. 3 (Fall 2004). © 2004 by Feminist Studies, Inc.
    [Show full text]
  • 4 Colour Zonal.Eps
    Ingrid David Zucker Vilmos Zsigmond Bergman Marlon Gary Cooper Bruce Sharman Brando Russell Carpenter C B 5 Zakaria Aladui JJ Abrams Walter Bette Davis John Huneck Kacee DeMasi Allan Ekelund Brennan William Wyler Steven Soderbergh Jerry Zucker Robert Josph L. Mankiewicz Fred 6 Elia Kazan Norman Zemeckis Danny DeVito Tony Brownrigg Zinnemann Denise Patty Milos Forman Gay Gerald R. Molen Denis Holt Ridley Chris Colombus Minter Bonfilio Clint Robert Downey Sr. Scott 4 Darius Khondji Eastwood 5 John Toll Joseph Ruttenburg Lawrence Kasdan Barry Levinson Robert Richardson Jonathan Robert Surtees Robert De Niro George Templeton Latham Jane Whitney Houston Hartwell Ralph S. Haskell Janusz Barry Bernardi Louis M. Wiard Brown Wexler Kaminski Leon Shamroy Jane Fonda Walter Murch Freddie Francis Singleton Lucino Francis Ford Coppola Mann Ihnen Dustin Kevin Edgardo Jan Foster Hoffman Spacey Visconti Jay Roach Great Watkins Pabarno Guido Arthur Miller Leonardo Di Caprio 3 Ki-Duk Carlos Gerald R. Cerasuolo Kim Menendez 4 Molen Vivien Leigh Maggie Lee Katz Howard Stern Annie Ismail Merchant Elizabeth Symes Philip M. Smith Peter Jay-Z Lennox Daryl Kass Marco Oliveri James Stewart Goldfarb Kevin Smith Jackson Hsiao-hsien Hou John Bailey James P. Katherine Phil Rawlins Jan De Bont John Glen Jeff J.J. Authors Irving James Hogan Neil Young Berlin Erwin Ronald L. Hepburn Magic Johnson Ivory Ron Fricke Godschalk Schwary Richard A. Harris Tod Browning Abby Singer George Bam Margera Hans Stanley Kramer Dean Semler Stevens Zimmer Ron Shelton 200m Kazuo Hal Ashby Roger Michael Cary Grant Jon Landau Caine Miyagawa Irving G. Thalberg Daltrey Roger John Juan Clemente Halle Berry Jon De Bello Vangelis John Williams Douglas Trumbull 2 Elton John Moby Waters Carpenter 3 Propser Thelma Schoonmaker Conrad Hall Jack N.
    [Show full text]
  • Mise En Page 1
    mai 2012 La lettre n° 220 s o r B r e n r a W 2 1 0 2 © – n i a t n u o M r e t e P o t o h P - C S A , C F A l e n n o b l e D o n u r B r a p é i h p a r g o t o h p , n o t r u B m i T e d s w o d a h S k r a D s n a d p p e D y n n h o J Association Française des directeurs de FILMS AFC SUR LES ÉCRANS > p. 2 ACTIVITÉS AFC > p. 2, 3 la photographie Cinématographique FESTIVAL DE CANNES > p. 4 à 9 LE CNC > p. 10, 11 ÇÀ ET LÀ > p. 12, 13 Membre fondateur de la fédération européenne IMAGO NOSASSOCIÉS>p.14à16 PRESSE,LECTUREETINTERNET>p.18,19 [ activités AFC | festival de Cannes | çà et là | le CNC | films AFC | associés | presse | lecture | Internet ] Dernière minute A l'issue d'un vote qui a suivi l'assemblée générale du 17 mars 2012, la présidence de l'AFC est désormais assurée par trois coprésidents : Matthieu Poirot-Delpech, Michel Abramowicz et Rémy Chevrin. SUR LES ÉCRANS : Lors de sa toute dernière réunion, jeudi 3 mai, le conseil d'administration de l'AFC a procédé à l'élection du bureau Dark Shadows de Tim pour l'année en cours. Outre Michel Abramowicz et Rémy Burton, photographié par Chevrin, Richard Andry, Pierre-William Glenn, Jacques Bruno Delbonnel AFC, ASC Loiseleux et Philippe Van Leeuw ont été élus vice-présidents.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Sveučilište U Zagrebu Filozofski Fakultet Studij Antropologije
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repozitorij Filozofskog fakulteta u Zagrebu' at University of Zagreb Sveučilište u Zagrebu Filozofski fakultet Studij antropologije Diplomski rad SIMBOLIČKI ASPEKTI ARHITEKTURE NA FILMU: ŢANR ANTIUTOPIJSKE ZNANSTVENE FANTASTIKE Mateja Kuka Mentor: dr. sc. Igor Toš Zagreb, srpanj 2015. TEMELJNA DOKUMENTACIJSKA KARTICA Sveučilište u Zagrebu Filozofski fakultet Katedra za antropologiju Diplomski studij Diplomski rad SIMBOLIČKI ASPEKTI ARHITEKTURE NA FILMU: ŢANR ANTIUTOPIJSKE ZNANSTVENE FANTASTIKE Mateja Kuka SAŢETAK Ovim radom pokušat će se prezentirati problem prikazivanja arhitekture i prostora na filmu. Bit će razmotren odnos arhitekture na filmu i arhitekture ţivljenog, stvarnog svijeta, pri čemu će se konzultirati neke teorije o prostornim problematikama postmoderniteta. Ograničenje je postavljeno na ţanr antiutopijske znanstvene fantastike zbog njegove konceptualne sloţenosti i vizualne atraktivnosti – razvijena ţanrovska ikonologija koja ţanr antiutopijske znanstvene fantastike čini zahvalnim objektom analize i interpretacije. Tema ovoga rada kao hibridna sfera interesa traţi metodologiju u kojoj će podjednako biti zastupljeni i teorijski i praktičan pristup. Teorijsko pristupanje temi izvršit će se iščitavanjem dostupne literature iz područja antropologije arhitekture, filmologije i vizualne kulture kako bi se ustanovio odnos arhitektura – medij – iskustvo – doţivljaj. Praktični pristup odnosi se na analizu vizualnog sadrţaja, tj. na način kako su vizije arhitekture i prostora na filmu konstruirane i artikulirane. Bit će ponuĎena objašnjenja nekih od temeljnih načela prostornih ureĎenja tih filmova Rad je pohranjen u Knjiţnici Filozofskog fakulteta u Zagrebu: Rad sadrţi: 61 stranicu. Izvornik je na hrvatskom jeziku. Ključne riječi: arhitektura, antiutopija, postmoderni prostori, film, znanstvena fantastika Mentor: dr. sc. Igor Toš Datum obrane: 24.
    [Show full text]
  • The Ambivalent Identity of Wong Kar-Wai's Cinema
    Université de Montréal The ambivalent identity of Wong Kar-wai’s cinema par Ludmila Moreira Macedo de Carvalho Département de Littérature Comparée Faculté des Arts et des Sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Ph.D. en Littérature option Littérature et cinéma Juin 2009 Copyright Ludmila Moreira Macedo de Carvalho, 2009 Université de Montréal Faculté des Arts et des Sciences Cette thèse intitulée The ambivalent identity of Wong Kar-wai’s cinema présentée par : Ludmila Moreira Macedo de Carvalho a été évaluée par un jury composé des personnes suivantes : Savoy, Eric Président-rapporteur Lu, Tonglin Directrice de recherche Vigo, Julian Membre du jury Liu, Kang Examinateur externe Garneau, Michèle Représentante du doyen de Faculté ii Sommaire Ayant réalisé neuf longs-métrages entre 1988 et 2007, aussi que plusieurs campagnes publicitaires, vidéo-clips, courts-métrages et projets collectifs, Wong Kar- wai est un des réalisateurs contemporains les plus importants actuellement. Issu de l'industrie cinématographique fortement commerciale de Hong Kong, Wong est parvenu à attirer l'attention du circuit international des festivals de cinéma avec son style visuel unique et son récit fragmenté. Considéré par plusieurs critiques comme le poète de la recherche d’identité de Hong Kong après 1997, Wong Kar-wai défie toutes les tentatives de catégorisation. L’étude qui se poursuivit ici a donc pour objet essentiel de fournir une analyse attentive et complète de son oeuvre, tout en se concentrant sur les traits stylistiques qui donnent à ses films une unité. Ces caractéristiques correspondent à une certaine façon de raconter des histoires, de composer des personnages et des récits, de manipuler le temps et d'utiliser des ressources techniques de sorte que ses films offrent une identité cohérente.
    [Show full text]
  • J a N U a R Y 2 0 1 2 $5.95Canada $6.95
    JANUARY 2012 $5.95Canada $6.95 ! ® LitepanelsiL te slenap ® [email protected]@ofni moc.slena • www.litepanels.comapetil.www moc.slena A Vitec Group branddnarbpuorGcetiVA JANUARY 2012 VOL. 93 NO. 1 The International Journal of Motion Imaging On Our Cover: Computer hacker Lisbeth Salander (Rooney Mara) unearths sinister secrets in The Girl with the Dragon Tattoo, shot by Jeff Cronenweth, ASC. (Photo by Jean-Baptiste Mondino, courtesy of Columbia Pictures.) FEATURES 32 Cold Case Jeff Cronenweth, ASC and David Fincher investigate a compelling mystery for The Girl with the Dragon Tattoo 48 Animal Instincts Janusz Kaminski saddles up with Steven Spielberg on the World War I drama War Horse 48 62 Lord of War Barry Ackroyd, BSC provides stalwart support for Coriolanus director and star Ralph Fiennes 74 Go with the Flow AC’s technical editor outlines the challenges posed by digital workflows 62 DEPARTMENTS 8 Editor’s Note 10 President’s Desk 12 Short Takes: String Theory 20 Production Slate: The Descendants • ASC Awards Preview • HPA Awards 88 New Products & Services 98 International Marketplace 99 Classified Ads 100 Ad Index 102 Clubhouse News 104 ASC Close-Up: Rodrigo Prieto — VISIT WWW.THEASC.COM TO ENJOY THESE WEB EXCLUSIVES — DVD Playback: Le Beau Serge/Les Cousins • The Island of Lost Souls • Little Big Man January 2012 Vol. 93, No. 1 The International Journal ofMotion Imaging Visit us online at www.theasc.com ———————————————————————————————————— PUBLISHER Martha Winterhalter ———————————————————————————————————— EDITORIAL EXECUTIVE EDITOR Stephen Pizzello SENIOR EDITOR Rachael K. Bosley ASSOCIATE EDITOR Jon D. Witmer TECHNICAL EDITOR Christopher Probst CONTRIBUTING WRITERS Stephanie Argy, Benjamin B, Douglas Bankston, Robert S.
    [Show full text]
  • 28Th Leeds International Film Festival Presents Leeds Free Cinema Week Experience Cinema in New Ways for Free at Liff 28 from 7 - 13 November
    LIFF28th 28 Leeds International Film Festival CONGRATULATIONS TO THE LEEDS INTERNATIONAL FILM FESTIVAL IN YOUR 28TH YEAR The BFI is proud to partner with Screen Yorkshire in a fantastic year for filmmaking in the region INCLUDING ‘71 GET SANTA SCREENING AT LIFF28 X + Y CATCH ME DADDY & LIFF28 OPENING NIGHT FILM TESTAMENT OF YOUTH Image: (2014) Testament of Youth James Kent Dir. bfi.org.uk/FilmFund Film Fund Ad LIFF 210x260 2014-10_FINAL 3.indd 1 27/10/2014 11:06 WELCOME From its beginnings at the wonderful, century-old Hyde Park Leeds International Film Festival is a celebration of both Picture House to its status now as a major national film event, film culture and Leeds itself, with this year more than 250 CONGRATULATIONS Leeds International Film Festival has always aimed to bring screenings, events and exhibitions hosted in 16 unique a unique and outstanding selection of global film culture locations across the city. Our venues for LIFF28 include the TO THE LEEDS INTERNATIONAL to the city for everyone to experience. This achievement main hub of Leeds Town Hall, the historic cinemas Hyde is not possible without collaborations and this year we’ve Park Picture House and Cottage Road, other city landmarks FILM FESTIVAL IN YOUR 28TH YEAR assembled our largest ever line-up of partners. From our like City Varieties, The Tetley, Left Bank, and Royal Armouries, long-term major funders the European Union and the British Vue Cinemas at The Light and the Everyman Leeds, in their Film Institute to exciting new additions among our supporting recently-completed Screen 4, and Chapel FM, the new arts The BFI is proud to partner with Screen Yorkshire organisations, including Game Republic, Infiniti, and Trinity centre for East Leeds.
    [Show full text]