The Transformation of Traditional TV to Youtube with Social Media and Its Reflections in Turkey
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Public and Private Broadcast Media in Turkey: Developments and Controversies
Public and Private Broadcast Media in Turkey: Developments and Controversies Radio and television in Turkey constitute the focal point of technologic, legal, cultural, economic and political discussion. They are also considered as a power and supervision tool by those ones in the country who manage societies, political and commercial power groups and media researchers.1 Especially, TV has been viewed as the most effective tool of media in the Turkish land2. Such functions of broadcast media can serve as a channel for projecting the political views of the public.3 Over the past few years, the Turkish broadcast media has been at an extremely important position with respect to its influence on the society. Recently, an important increase is in question in the number of private radio and television organizations, where public broadcast has a long history in the nation. The swift increase in private radio-television organizations, live nested with political aims and economical purposes. Particularly, when effect of economic liberalization and globalization were experienced, the overt and covert influence of private radio-television broadcasting over democratization has been questioned by the whole society. It is simply because the present structures and objectives of private radio-television organizations are based on facilitating the works of media owners and use of their power over society. History of Turkish Broadcast Media The effect of broadcast media on the public intensifies as a result of developments in communication media and technologies, and whether these developments support democratic practices, whether the government puts pressure on broadcast media and whether broadcast media is a force for the good of the public are subjects wildly debated in Turkey. -
Performance, Television, and Social Media, THEATER 118AC, 2020* Four (4) Semester Credits Course Description
Performance, Television, and Social Media, THEATER 118AC, 2020* Four (4) semester credits Course Description This course examines the intersections of performance and media— specifically the media forms of television and social media in the U.S.— with a focus on how various types of difference are enacted, articulated, represented, and played on TV and social media platforms. We will study the many intersections of performance theory and television, which include the TV industry’s roots in New York theater, the unique modes of acting required by television roles, and the numerous ways that television audiences “perform” for one another in response to the media they consume, for example by writing stories based on their favorite shows and sharing them online. We will also study how contemporary social media platforms operate as performance spaces, in which all of the users are the “actors,” performing for one another. We will then discuss how issues pertaining to race/ethnicity, gender, and sexuality are depicted on television and discussed on social media. We will focus on representations of African Americans, indigenous peoples, Latinxs, Asian Americans, women, and LGBTQIA people. Students will be expected to apply the theoretical concepts and frameworks from performance studies (which they will learn in Modules 1 and 2) to the television texts and social media that they analyze. This course has been approved to fulfill the UC Berkeley American Cultures requirement. Prerequisites There are no prior course requirements. Course Objectives After successfully completing this course, you will be able to: ● Identify the core scholarly literature and key concepts and theories of performance studies, media studies, new media studies, critical race studies, and gender studies, particularly theories pertinent to the cultural forms of television and social media. -
Make a Mini Dance
OurStory: An American Story in Dance and Music Make a Mini Dance Parent Guide Read the “Directions” sheets for step-by-step instructions. SUMMARY In this activity children will watch two very short videos online, then create their own mini dances. WHY This activity will get children thinking about the ways their bodies move. They will think about how movements can represent shapes, such as letters in a word. TIME ■ 10–20 minutes RECOMMENDED AGE GROUP This activity will work best for children in kindergarten through 4th grade. GET READY ■ Read Ballet for Martha: Making Appalachian Spring together. Ballet for Martha tells the story of three artists who worked together to make a treasured work of American art. For tips on reading this book together, check out the Guided Reading Activity (http://americanhistory.si.edu/ourstory/pdf/dance/dance_reading.pdf). ■ Read the Step Back in Time sheets. YOU NEED ■ Directions sheets (attached) ■ Ballet for Martha book (optional) ■ Step Back in Time sheets (attached) ■ ThinkAbout sheet (attached) ■ Open space to move ■ Video camera (optional) ■ Computer with Internet and speakers/headphones More information at http://americanhistory.si.edu/ourstory/activities/dance/. OurStory: An American Story in Dance and Music Make a Mini Dance Directions, page 1 of 2 For adults and kids to follow together. 1. On May 11, 2011, the Internet search company Google celebrated Martha Graham’s birthday with a special “Google Doodle,” which spelled out G-o-o-g-l-e using a dancer’s movements. Take a look at the video (http://www.google.com/logos/2011/ graham.html). -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
In What Way Is the Rhetoric Used in Youtube Videos Altering the Perception of the LGBTQ+ Community for Both Its Members and Non-Members?
In What Way Is the Rhetoric Used in YouTube Videos Altering the Perception of the LGBTQ+ Community for Both Its Members and Non-Members? NATALIE MAURER Produced in Thomas Wright’s Spring 2018 ENC 1102 Introduction The LBGTQ community has become a much more prevalent part of today's society. Over the past several years, the LGBTQ community has been recognized more equally in comparison to other groups in society. June 2015 was a huge turning point for the community due to the legalization of same sex marriage. The legalization of same sex marriage in June 2015 had a great impact on the LBGTQ community, as well as non-members. With an increase in new media platforms like YouTube, content on the LGBTQ community has become more accessible and more prevalent than decades ago. LGBTQ media has been represented in movies, television shows, short videos, and even books. The exposure of LQBTQ characters in a popular 2000s sitcom called Will & Grace paved the way for LGBTQ representation in media. A study conducted by Edward Schiappa and others concluded that exposure to LGBTQ communities through TV helped educate Americans, therefore reducing sexual prejudice. Unfortunately, the way the LBGTQ community is portrayed through online media such as YouTube has an effect on LGBTQ members and non-members, and it has yet to be studied. Most “young people's experiences are affected by the present context characterized by the rapidly increasing prevalence of new (online) media” because of their exposure to several media outlets (McInroy and Craig 32). This gap has led to the research question does the LGBTQ representation on YouTube negatively or positively represent this community to its members, and in what way is the community impacted by this representation as well as non- members? One positive way the LGBTQ community was represented through media was on the popular TV show Will & Grace. -
Felix Baumgartner & Red Bull Media
Issue No. 14 MediaTainmentFINANCEd Appreciate the Value to Business MIPCube fever is back For Decision-Makers and StrategistsmentMT; @JayKayMed Creativity Brings The second edition of the Who Value Creativity an Expendables producer in WWII drama future-of-TV event heats up www.mediatainmentfinance.com Head to Cannes Facebook: MediaTainment Finance; during MIPTV 8-11 April 2013 Twitter: @Mediatain or Tune into www.mipcube.com nvestors spin new Carmaggedon … 3-14 quin romances e-books NEWS Toast & Jam goes sweet on film ; film: Print mediaNitin Sawhneytune into TV;in direct-to-disc Goldman Sachs history sells 50% of CSI page 15 tv: UK tax relief delayed; I Qatar fund 3D printer escalates revolutionises stake in Tiffany’s home building music: Time Warner; Harle games: Stephen King’s novel digital campaign stuck right in the middle of fashion: dia collaborations architecture: India backs theme-park tourism books/prints:Europe’s Illegal richest to retransmit soccerPhotographer players live broadcastin censorship lawsuit country has spawned some of the world’s ads/marketing: sport: page 26 page 34 copyright: investors are lining up for Sports, a share brand … and me Europe’s biggest economy is live entertainment: r jumped from the edge of space and became photography/art: have denounced it as “the FEATURES & REPORTS Don’t turn your nose GERMANY: just text and be key to the never-ending fiscal euro crisis; but this of America’s most respected TV channels; biggest media empires, and foreign s its country of origin, Qatar, fit in? … MIPCube Feature: FELIX The USBAUMGARTNER Administration is said to &page 39 RED BULL MEDIA HOUSE flew to new heights when skydiver Baumgartne the first human to break the speed of sound in free fall; ngfind devices out how might Red hold Bull more and Red than Bull Media House used new technology to give him wings - literally .. -
Globalization and Language: English in Turkey
SOSYAL B L MLER Y l:2004 Cilt:2 Say :1 Celal Bayar Üniversitesi S.B.E MAN SA Globalization And Language: English In Turkey Yrd. Doç. Dr. Kezban Acar Celal Bayar Üniversitesi, Fen-Edebiyat Fakultesi, Tarih Bölümü, Manisa ÖZET Globalle me ve onun yerel kültürlere etkileri üzerinde çok farkl görü ler vard r. Bunlardan biri globalle meyi bat lla ma veya Amerikanla ma olarak tan mlar çünkü bat l güçler veya daha da spesifik anlamda Amerika Birle ik Devletleri dünyada ekonomisi, askerî yap s ve kültürü ile bask n olan tek dünya gücüdür [ve] globalle menin en çok bilinen görünür kültürel ifadeleri American- coca cola, McDonald s and CNN de bunu destekler niteliktedir.(Giddens. 2000, 33) Globalle menin di er bir kültürel ifadesi de ngilizcenin giderek yayg nla mas d r. Bu makale ngilizcenin Türkiye de yayg nla mas n inceler. ngilizcenin Türkiye de yay lma yollar bir anlamda global kültürün veya Amerikan kültürünün yay lma yollar na i aret eder. Anahtar Kelimeler:Globalle me, Türkiye, ngilizce, Amerikanla ma. Globalle me Ve Dil: Türkiye de ngilizce There are many different opinions on globalization and its effects on local cultures. One of them is that globalization is westernization or more specifically Americanization since western powers or the United States is now the sole superpower, with a dominant economic, cultural and military position in the global order [and] many of the most visible cultural expressions of globalization are American-coca cola, McDonald s and CNN. (Giddens, 2000, 33) In contrast to this view of globalization, many others consider globalization as a multi-way process. -
HOW to MAKE MONEY with Youtube Earn Cash, Market Yourself, Reach Your Customers, and Grow Your Business on the World’S Most Popular Video-Sharing Site
HOW TO MAKE MONEY WITH YouTube Earn Cash, Market Yourself, Reach Your Customers, and Grow Your Business on the World’s Most Popular Video-Sharing Site BRAD AND DEBRA SCHEPP New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney Toronto Copyright © 2009 by Brad and Debra Schepp. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the pub- lisher. ISBN: 978-0-07-162618-7 MHID: 0-07-162618-2 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-162136-6, MHID: 0-07-162136-9. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trade- mark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. To contact a representative please visit the Contact Us page at www.mhprofessional.com. How to Make Money with YouTube is no way authorized by, endorsed, or affiliated with YouTube or its sub- sidiaries. All references to YouTube and other trademarkedproperties are used in accordance with the Fair Use Doctrine and are not meant to imply that this book is a YouTube product for advertising or other com- mercial purposes. -
Download Artifact
Unintentional Dialogues on YouTube 1 Running Head: UNINTENTIONAL DIALOGUES ON YOUTUBE Unintentional Dialogues on YouTube RESEV 554: Semester Project Analysis Memo Laura Bestler Iowa State University December 15, 2008 Unintentional Dialogues on YouTube 2 Introduction The purpose of this video is to illustrate themes within the online user commentary reacting to Chris Crocker’s (2008) YouTube video titled, “Gay HATE on YouTube!” The central question of this study is how users intermittently engage about Lesbian Gay Bisexual Transgender Queer Questioning (LGTBQQ) topics represented on YouTube. The unintentional dialogues between users on YouTube™ are providing additional knowledge to what is happening within today’s society (Noblit, Flores, & Murillo, 2004). Online social networks are a natural place to employ post modern theory due to its playfulness, reflexivity, and the deconstruction of the cyber world (Noblit, Flores, & Murillo, 2004). The research findings demonstrate a connection between time and negative user reactions towards LGBTQQ topics. Why Online? An evolution of the online world has taken place to provide everyone the ability to create content. Social networks provided a way people to connect with friends, family and online social acquaintances. Similar to the offline world, user created content had begun to utilize hate language and expletives to describe people. These degrading interactions provided a catalyst for me to take action. This online social laboratory can be brought to light, deconstructed and transcended. Therefore, helping people understand their actions are broader than snippet commented online. These unintentional dialogues are broadcast around the world. The internet is an environment where people’s small gestures may become large, and it is a mirror or lens of the world around them (Popkin, 2008). -
Türkisch + Kurdisch + German 590 Channels
Türkisch + Kurdisch + German 590 Channels CNN Turk NTV Avrupa Planet Cocuk E2 Turk Shopping Turk Haberturk NTV Sport TV4 Turkey Mavi Karadeniz Med Nuce A Haber HD Sports Tv Eins Festival Kanal Tek Kurdistan S-Haber A Spor Travel Channel Turk Methab TV Knn News A Haber A Spor HD TGRT Belgesel Planet Turk Kurdsat Star Tv Turkiye FB Tv Yaban Tv Planet Mutfak Tishk TV Euro Star TGRT Kral TV Planet Pembe Rojhelat Fox Túrkye TGRT Haber Kral Pop Kanal C Speeda Kanal D Turkiye BRT 1 Köy Tv Maxi Tv Komala TV Euro D 365 Tv Power Turk Uzay Tv Newroz TV ATV Avrupa TRT 1 Nr 1 Turk MCJ Madiasa Shant TV ATV turkiye TRT Turk Gala Tv Yildiz Tv Gali Kurdistan ATV HD TRT Haber Viva Turkey Dost Tv Kanal 4 Kurd Show tv TRT Spor iMusic 1 Berat TV Korek TV Show Tv Turkey TRT Muzik Tatlises TV Sebil Tv Vin TV Show Turk HD TRT Belgesel Kanal T Irmak Tv NRT HD Samanyoulu Turkey TRT Cocuk Kanal S Ulusal Kanal Ronahi Kurdistan Samanyoulu TRT Avaz Tv 2000 Mmc Turk KurdMax TV8 TRT 6 EGE Tv Expo Channel Med Music TV8 Int TRT Diyanet Kon Tv HLT Flava Flash TV TRT HD Konya Tv Turk Hristiyan TV Bliss Bengu Turk TRT 1 HD Sivas SRT Kanal 5 Scuzz Cine5 Euro TRT Haber HD Turkmeneli Kanal 34 True Movies 1 Cine5 Turkiye Yamurack Tv Tek Rumeli TV Kanal 26 True Movies 2 Kanal 7 HD Cartoon Network Turkiye Ictimai TV Kanal 99 Tiny Pop Kanal 7 Avrupa Disney Turk Semerkend TV Avantaj tv Buz Muzik Tv2 Turk Karamel Semerkend HD Kanal B Tiny Pop +1 TV2 HD Kix Kids CCTV News GUNEYDOGU TV Pop Tv Halk Tv MinikaGo Gunaz Tv Dunya TV The Vault NTV Minika Cocuk CNBC-E Turk Sterk Tv PopGirl -
Martin Garrix Towel Boy Video March 23, 2015
MARTIN GARRIX PREMIERES VIDEO FOR “DON’T LOOK DOWN FEAT. USHER” NOW VIA YOUTUBE AS A FEATURED ARTIST ON THE 2015 YOUTUBE MUSIC AWARDS CLICK HERE OR IMAGE BELOW TO WATCH IT NOW! ! MARTIN GARRIX TO PERFORM AT ULTRA MUSIC FESTIVAL MARCH 28TH (New York- March 23, 2015) Martin Garrix, electronic dance music’s youngest and fastest rising superstar premieres the brand new video for his just-released single “Don’t Look Down” featuring Usher today on YouTube. The video premieres as a featured artist video on the 2015 YouTube Music Awards. CLICK HERE to watch the video for “Don’t Look Down” featuring Usher. The video was directed by Petros and stars model Natalia Bonifacci and actor AJ Knight, with a cameo by notable dancer Richie Greenfield. The video premieres today as part of the 2015 YouTube Music Awards (#YTMA) and playfully embodies the song’s uplifting “carpe diem” anthemic message of overcoming rejection and hardships, and living your life to the fullest. Martin Garrix was chosen as one of a select few artists to be honored at this year’s YouTube Music Awards. YouTube and Martin Garrix are celebrating with the premiere of the “Don’t Look Down” video today on YouTube. CLICK HERE to watch it. Garrix’s brand new single “Don’t Look Down” featuring Usher was released last week worldwide on Spinnin’ Records/RCA Records. Buy/Stream at iTunes/ Amazon/ Spotify/ Google Play. Be sure to check out Martin Garrix performing live at the Ultra Music Festival on Saturday, March 28th. Link to watch “Don’t Look Down” feat. -
Venture Capitalists at Work How Vcs Identify and Build Billion-Dollar Successes
Venture Capitalists at Work How VCs Identify and Build Billion-Dollar Successes Tarang Shah Sheetal Shah Venture Capitalists at Work Copyright © 2011 by Tarang Shah and Sheetal Shah All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, record- ing, or by any information storage or retrieval system, without the prior written permission of the copyright owner and the publisher. ISBN-13 (pbk): 978-1-4302-3837-9 ISBN-13 (electronic): 978-1-4302-3838-6 Trademarked names may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, we use the names only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringe- ment of the trademark. President and Publisher: Paul Manning Lead Editor: Jeff Olson Editorial Board: Steve Anglin, Mark Beckner, Ewan Buckingham, Gary Cornell, Morgan Ertel, Jonathan Gennick, Jonathan Hassell, Robert Hutchinson, Michelle Lowman, James Markham, Matthew Moodie, Jeff Olson, Jeffrey Pepper, Douglas Pundick, Ben Renow-Clarke, Dominic Shakeshaft, Gwenan Spearing, Matt Wade, Tom Welsh Coordinating Editor: Jessica Belanger Editorial Assistant: Rita Fernando Copy Editor: Kimberly Burton Compositor: Mary Sudul Indexer: SPi Global Cover Designer: Anna Ishschenko Distributed to the book trade worldwide by Springer-Verlag New York, Inc., 233 Spring Street, 6th Floor, New York, NY 10013. Phone 1-800-SPRINGER, fax 201-348- 4505, e-mail [email protected], or visit http://www.springeronline.com. For information on translations, please contact us by e-mail at [email protected], or visit http://www.apress.com.