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The Pirandello Society of America BOARD of DIRECTORS Jana O
The Pirandello Society of America BOARD OF DIRECTORS Jana O’Keefe Bazzoni Stefano Boselli Janice Capuana Samantha Costanzo Burrier Mimi Gisolfi D’Aponte John Louis DiGaetani Mario Fratti Jane House Michael Subialka Kurt Taroff (Europe) Susan Tenneriello HONORARY BOARD Stefano Albertini Eric Bentley Robert Brustein Marvin Carlson Enzo Lauretta Maristella Lorch John Martello PSA The Journal of the Pirandello Society of America Susan Tenneriello, Senior Editor Michael Subialka, Editor Samantha Costanzo Burrier and Lisa Sarti, Assistant Editors Lisa Tagliaferri, Managing Editor EDITORIAL BOARD Angela Belli Daniela Bini John DiGaetani Antonio Illiano Umberto Mariani Olga Ragusa John Welle Stefano Boselli, Webmaster PSA The official publication of the Pirandello Society of America Subscriptions: Annual calendar year subscriptions/dues: $35 individual; $50 libraries; $15 students with copy of current ID. International memberships, add $10. Please see Membership form in this issue, or online: www.pirandellosocietyofamerica.org Make all checks payable to: The Pirandello Society of America/PSA c/o Casa Italiana Zerilli-Marimò 24 West 12th Street New York, NY 10011 All correspondence may be sent to the above address. Submissions: All manuscripts will be screened in a peer-review process by at least two readers. Submit with a separate cover sheet giving the author’s name and contact information. Omit self-identifying information in the body of the text and all headers and footers. Guidelines: Please use the current MLA Style Manual; use in-text references, minimal endnotes, works cited. Articles should generally be 10-20 pages in length; reviews, 2-3 pages. Please do not use automatic formatting. Send MSWord doc. -
Elenco Video Per Regista
Istituto Italiano di Cultura di San Francisco | Elenco Video per Regista Catalogo # Titolo Regista Anno Lingua Durata Colore Standard 2264 adio del passato 2088 Baggio vs Sivori 2007 Italiano 75' colore Pal Caravaggio Italiano w/ 2058 Versione English 130' PAL Cinematografica Subtitles Corto Maltese: 1783 Tropico del 2002 ITALIANO 80 min C PAL capricorno Giorgione da 2269 castelfranco sulle tracce del genio 2232 Il mare di salgari il re del liscio - 2262 storia di raoul casadei Il sangue e la rosa 2340 (cofanetto in tre Italiano PAL volumi). Italia - Opera multiple a NTCS 2028 2006 120' Color Unica- scelta PAL la faccia della 2265 terra l'altra voce della 2266 musica 1927 Lovers & Liars 1983 English 96' C NTSC l'uome che sconfisse il boogie - 2263 le avventure di secondo casadei Italiano con 2359 Magie dell'Italia Si. sottotitoli in inglese Narrazioni su 1793 Cristoforo 2004 italiano PAL Colombo italiano e 2247 Out of Ashes 2003 57' si inglese Pavarotti - The 2047 2005 NTSC Last Tenor 2046 Pavarotti Forever NTSC Spot Prix Italia e 2338 presentazione di Giovanna Milella Toto', Peppino e … 2053 1961 Italiano 87' Si PAL la dolce vita Italiano w/ Toto', Peppino e la 2059 1956 Italian 101' b&w PAL malafemmina subtitles Two films by Jacqueline Caux: "Out of 2378 Boundaries" and "Who says I have to dance in a theatre". italiano w/ Albanesi, 2126 Il bosco fuori 2006 english 85' color pal Gabriele subtitles Ma che ci faccio Amato, 2211 2006 italiano 93' color PAL qui! Francesco ITALIANA /W SUBT. AMELIO, 1691 LAMERICA 1994 ENGLISH. -
Caesar Must Die a Film by Paolo and Vittorio Taviani
CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI Grazia Volpi presents a production with STEMAL ENTERTAINMENT / LE TALEE / LA RIBALTA - CENTRO STUDI ENRICO MARIA SALERNO and with the collaboration of CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI (Cesare deve morire / Italy 2012 / Color & B&W / 76’) International press: Richard Lormand - FilmPressPlus www.FilmPressPlus.com At the Berlin Film Festival (Feb 9-19): +49-152-3801-7733 Tel: +33-9-7044-9865 - Skype: intlpress [email protected] World sales: Catia Rossi ph. +39 06 37498244 - fax +39 06 37516222 - mob. +39 335 6049456 [email protected] EFM Stand N°146 CAESARSY NOPMUSTSIS DIE The theater in Rome’s Rebibbia Prison. A performance of Shakespeare’s Julius Caesar has just ended amidst much applause. The lights dim on the actors and they become prisoners once again as they are accompanied back to their cells. SIX MONTHS EARLIER The warden and a theater director speak to the inmates about a new project, the staging of Julius Caesar in the prison. The first step is casting. The second step is exploration of the text. Shakespeare’s universal language helps the inmates-actors to identify with their characters. The path is long and full of anxiety, hope and play. These are the feelings accompanying the inmates at night in their prison cells after each day of rehearsal. Who is Giovanni who plays Caesar? Who is Salvatore-Brutus? For which crimes have they been sentenced to prison? The film does not hide this. The wonder and pride for the play do not always free the inmates from the exasperation of being incarcerated. -
Cezar Musi Umrzeć
przedstawia nowy film braci Tavianich CEZAR MUSI UMRZEĆ Reżyseria Paolo i Vittorio Taviani Włochy 2012, 76 min. Złoty Niedźwiedź na MFF w Berlinie 2012 Arcydzieło. W KINACH OD 18 STYCZNIA DYSTRYBUCJA AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 Dystrybucja – Anna Dziewulska e-mail: [email protected] PR & MARKETING METEORA FILMS sp. z o.o. Adres korespondencyjny: KINO PRAHA, ul. Jagiellońska 26, 03-719 Warszawa Media & PR – Małgorzata Borychowska e-mail: [email protected] tel. + 48 696 485 303 Marketing – Katarzyna Kobylińska e-mail: [email protected] tel. + 48 600 051 516 AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 www.aurorafilms.pl AURORA FILMS S.C. przedstawia produkcję Kaos Cinematografica we współpracy ze Stemal Entertainment, Le Talee, La Ribalta i Rai Cinema CEZAR MUSI UMRZEĆ Tytuł oryginalny: Cesare deve morire Twórcy filmu: Reżyseria Paolo i Vittorio Taviani Scenariusz Paolo i Vittorio Taviani we współpracy z Fabio Cavallim Reżyser scen teatralnych Fabio Cavalli Produkcja Grazia Volpi oraz Donatella Palermo i Agnese Fontana Zdjęcia Simone Zampagni Muzyka Giuliano Taviani, Carmelo Travia Dźwięk Benito Alchimede i Brando Mosca Montaż Roberto Perpignani Występują: Cosimo Rega Kasjusz Salvatore Striano Brutus Giovanni Arcuri Cezar Antonio Franca Marek Antoniusz Juan Dario Bonetti Decjusz Vittorio Parella Casca Rosario Majorana Metellus Vincenzo Gallo Lucjusz Francesco De Masi Treboniusz Gennaro Solito Cinna Francesco Carusone wieszcz Fabio Rozzuto Strato Maurilio Giaffreda Oktawiusz AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 www.aurorafilms.pl Nagrody / festiwale: 2012 – 17. -
Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni. -
20210514092607 Amarcorden
in collaborazione con: The main places linked to Fellini in Rimini Our location 12 31 Cimitero Monumentale Trento vialeTiberio 28 via Marecchia Matteotti viale Milano Venezia Torino 13 via Sinistra del Porto 27 Bologna Bastioni Settentrionali Genova Ravenna via Ducale via Destra del Porto Rimini Piacenza Firenze Ancona via Dario Campana Perugia Ferrara Circonvallazione Occidentale 1 Parma 26 Reggio Emilia viale Principe piazzale Modena via dei Mille dei via Amedeo Fellini Roma corso d’Augusto via Cavalieri via via L. Toninivia L. corso Giovanni XXIII Bari Bologna viale Valturio 14 Ravenna largo 11 piazza 19 21 Napoli Valturio Malatesta 15piazza piazza Cavour via GambalungaFerrari Forlì 3via Gambalunga Cesena via Cairoli 9 Cagliari Rimini via G. Bruno Catanzaro Repubblica di San Marino 2 7 20 22 Tintori lungomare Palermo via Sigismondo via Mentana Battisti Cesare piazzale i via Garibaldi via Saffi l a piazza Roma via n 5 o Tre Martiri 6 i 17 viaTempio Malatestiano d i via IV Novembre via Dante 23 r e 18 4 piazzale Covignano M via Clementini i Kennedy n o i t s a 16 B via Castelfidardo corso d’Augusto via Brighenti piazzale The main places linked to Fellini near Rimini 10 8 Gramsci via Roma Anfiteatro Arco e lungomare Murri lungomare l d’Augusto Bellaria a Bastioni Orientali n Igea Marina o Gambettola i viale Amerigo Vespucci Amerigo viale 33 d i r 25 e M e via S. Brancaleoni n o i z a l l a via Calatafimi Santarcangelo v n via XX Settembre o di Romagna c r piazza i 24 Ospedale 30Aeroporto viale Tripoli C Marvelli 32 Rimini via della Fiera viale Tripoli 29 Poggio Berni Rimini 18 Piazza Tre Martiri (formerly Piazza G. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
The Films of Federico Fellini
The Films of Federico Fellini Peter Bondanella Indiana University PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Peter Bondanella 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written perrnission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the Printing House, Cambridge Typeface Sabon 10/13.5 pt. System QuarkXpress® [mg] A catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Bondanella, Peter E., 1943– The films of Federico Fellini /Peter Bondanella. p. cm. – (Cambridge film classics) Includes bibliographical references and index. isbn 0 521 57325 4 – isbn 0 521 57573 7 (pb.) 1. Fellini, Federico – Criticism and interpretation. I. Title. II. Series. pn1998.3.f45 b665 2001 791.43´0233´092–dc21 2001035147 isbn 0 521 57325 4 hardback isbn 0 521 57573 7 paperback Contents List of Illustrations page xi Introduction 1 1 Federico Fellini: A Life in the Cinema 7 2 La strada: The Cinema of Poetry and the Road beyond Neorealism -
By Federico Fellini
by Federico Fellini أﻧﺎ ﻓﯿﻠﻠﯿﻨﻲ {Read Ebook {PDF EPUB All Federico Fellini's films – ranked! A gentle, episodic Fellini, with Roberto Benigni playing Ivo, a madcap character who travels far and wide across the Italian landscape on a romantic, fantastical quest to capture the moon. 19. Ginger and Fred (1986) This reunited two of Fellini’s great collaborators: his wife and great love Giulietta Masina and Marcello Mastroianni playing two cheesy old hoofers who do a Fred’n’Ginger tribute routine. Marcello Mastroianni and Giulietta Masina in Ginger and Fred. Photograph: Stella/Bibo Tv/Anthea/PEA/Kobal/Rex/Shutterstock. 18. Intervista (1987) A fantasy-fictional version of a documentary, as Fellini grants an interview to a Japanese camera crew and takes them round Cinecittà studios and the contents of his own mind and memories. 17. City of Women (1980) Some quaint softcore sensuality, perhaps, in this study of a man (Mastroianni) who, Dante-like, wakes up in the middle of his life and finds himself in a hotel in the middle of the woods that is overrun with desirable women. 16. Fellini Satyricon (1969) A movie with Fellini’s signature surrealism and episodic structure: a fever dream of imperial Rome, taken from Petronius. 15. Variety Lights (1950) Fellini’s debut movie, co-directed with Albert Lattuada, and with a real taste of the exuberance and theatricality still to come. A beautiful young woman joins a travelling troupe of entertainers. Masina has a tiny role as the girlfriend of one of the vaudevillians. Peppino Da Filippo and Giulietta Masina in Fellini’s first feature film, Variety Lights. -
Appendix 1: Short Introduction to Film Study
Appendix 1: Short Introduction to Film Study The next few pages offer an alphabetical list of topics often used in the critical evaluation of film with sample questions to aid in the critical discussion.1 Acting/Actors/Stars The cinema has long been driven by the visual appeal of its actors. Acting styles have changed since the silent days from the pantomime of the dive to the preference for nonpro- fessionals in the neorealist period to the present close connection between television, new media, and film. Silent-era actors in particular were universally popular because of the lack of linguistic barriers in their performances. Over the decades the personas of certain actors has even become identified with national, cultural, and class identities as well as with the style of living and attitudes in various time periods. In Italy, actors such as Alberto Sordi and Marcello Mastroianni were widely identified with the basic character traits of the Italian populace as were female stars such as Sophia Loren, Monica Vitti, or Anna Magnani. What type of acting style is used (nonprofessionals, method acting, theatrical, star persona)? Audience Film industries, including Italy, have periodically changed the type of films they produce in response to changes in target audiences. In the United States for example, Hollywood film production was targeted toward a female audience until the 1960s when the target audience became increasingly younger and male. In Italy, production in the 1960s and 1970s and thereafter introduced entertainment (art cinema, erotically charged cinema) not available on television because of censorship codes. What was the intended audience of the film? How was the film received when released? How has the film aged? Camera techniques Film theorists such as Christian Metz and Pier Paolo Pasolini wrote of the ability of shot selection to provide a language for film.2 The image on the screen has been filmed through the eye of a camera, which approaches its subject from certain angles and movements. -
A Private Affair Una Questione Privata 戰火虹天
Italy/France 意大利／法國 | 2017 | Italian DCP | Color | 84min Director Paolo Taviani Original Author Beppe Fenoglio Scriptwriter Paolo Taviani, Vittorio Taviani Cinematographer Simone Zampagni Editor Roberto Perpignani Art Director Emita Frigato Music Giuliano Taviani, Carmelo Travia Sound Gianfranco Tortora Cast Luca Marinelli, Valentina Bellè, Lorenzo Richelmy Producer Donatella Palermo, Ermanno Olmi, Elisabetta Olmi, Serge Lalou, Eric Lagesse Production Stemal Entertainment, Ipotesi Cinema, Rai Cinema, Les Films d'ici, Sampek Productions World Sales Pyramide International Rainbow - A Private Affair Una questione privata 戰火虹天 Today, in our time of ambivalence, the time of a war that we do [導演／編劇的話] not fight, Fenoglio deeply impressed us with his novel A Private 今天，在我們這個矛盾的時代，在我們毋須戰鬥的戰爭 Affair: the crazy love and jealousy of Milton, the protagonist, who 時代，費諾里奧的小說《一件私事》深深打動我們：主 knows only half and wants to know it all. We started from here to 角密爾頓的瘋狂愛慕與妒忌。密爾頓只知道事情的一 evoke, in a long, obsessive development, a drama that wanted to 半，他想知道全部。我們從這裏開展既個人且私密的戲 be personal, private: a drama about an innocent love that is also 劇：關於天真的愛，同時帶着罪咎，因為在內戰的殘酷 guilty, because during the brutal days of the Civil War the fate of 歲月裏，每個人的命運，都必定與集體的命運緊扣。 every single person must blend with the fate of the Community. [簡介] Paolo and Vittorio Taviani 熱血青年密爾頓正值美好年華，迷上了謎一樣的伏麗 Love, war and dire choices – as they only can be evoked by the 雅。她卻只喜歡他的思想，反而暗暗被他好友佐治奧吸 masterful Taviani brothers in their sixth decade of filmmaking. 引。大戰當前，已容不下三人的夏日青春舞曲。兩個男 Returning to scenarios of their childhood in World War II Italy, they 生加入反法西斯游擊隊，霧鎖深山艱苦作戰。佐治奧被 explore the hopes and tensions of three young lovers – Milton, Fulvia 敵軍俘虜，密爾頓奉命營救，卻得知好友已贏得伊人芳 and Giorgio – in an idyllic prewar period. -
Gino Moliterno
HISTORICAL DICTIONARY OF ITALIAN Cinema GINO MOLITERNO Historical Dictionaries of Literature and the Arts Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keat- ing, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardi- son Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 25. Horror Cinema, by Peter Hutchings, 2008. 26. Westerns in Cinema, by Paul Varner, 2008.