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20210514092607 Amarcorden
in collaborazione con: The main places linked to Fellini in Rimini Our location 12 31 Cimitero Monumentale Trento vialeTiberio 28 via Marecchia Matteotti viale Milano Venezia Torino 13 via Sinistra del Porto 27 Bologna Bastioni Settentrionali Genova Ravenna via Ducale via Destra del Porto Rimini Piacenza Firenze Ancona via Dario Campana Perugia Ferrara Circonvallazione Occidentale 1 Parma 26 Reggio Emilia viale Principe piazzale Modena via dei Mille dei via Amedeo Fellini Roma corso d’Augusto via Cavalieri via via L. Toninivia L. corso Giovanni XXIII Bari Bologna viale Valturio 14 Ravenna largo 11 piazza 19 21 Napoli Valturio Malatesta 15piazza piazza Cavour via GambalungaFerrari Forlì 3via Gambalunga Cesena via Cairoli 9 Cagliari Rimini via G. Bruno Catanzaro Repubblica di San Marino 2 7 20 22 Tintori lungomare Palermo via Sigismondo via Mentana Battisti Cesare piazzale i via Garibaldi via Saffi l a piazza Roma via n 5 o Tre Martiri 6 i 17 viaTempio Malatestiano d i via IV Novembre via Dante 23 r e 18 4 piazzale Covignano M via Clementini i Kennedy n o i t s a 16 B via Castelfidardo corso d’Augusto via Brighenti piazzale The main places linked to Fellini near Rimini 10 8 Gramsci via Roma Anfiteatro Arco e lungomare Murri lungomare l d’Augusto Bellaria a Bastioni Orientali n Igea Marina o Gambettola i viale Amerigo Vespucci Amerigo viale 33 d i r 25 e M e via S. Brancaleoni n o i z a l l a via Calatafimi Santarcangelo v n via XX Settembre o di Romagna c r piazza i 24 Ospedale 30Aeroporto viale Tripoli C Marvelli 32 Rimini via della Fiera viale Tripoli 29 Poggio Berni Rimini 18 Piazza Tre Martiri (formerly Piazza G. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
The Films of Federico Fellini
The Films of Federico Fellini Peter Bondanella Indiana University PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Peter Bondanella 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written perrnission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the Printing House, Cambridge Typeface Sabon 10/13.5 pt. System QuarkXpress® [mg] A catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Bondanella, Peter E., 1943– The films of Federico Fellini /Peter Bondanella. p. cm. – (Cambridge film classics) Includes bibliographical references and index. isbn 0 521 57325 4 – isbn 0 521 57573 7 (pb.) 1. Fellini, Federico – Criticism and interpretation. I. Title. II. Series. pn1998.3.f45 b665 2001 791.43´0233´092–dc21 2001035147 isbn 0 521 57325 4 hardback isbn 0 521 57573 7 paperback Contents List of Illustrations page xi Introduction 1 1 Federico Fellini: A Life in the Cinema 7 2 La strada: The Cinema of Poetry and the Road beyond Neorealism -
By Federico Fellini
by Federico Fellini أﻧﺎ ﻓﯿﻠﻠﯿﻨﻲ {Read Ebook {PDF EPUB All Federico Fellini's films – ranked! A gentle, episodic Fellini, with Roberto Benigni playing Ivo, a madcap character who travels far and wide across the Italian landscape on a romantic, fantastical quest to capture the moon. 19. Ginger and Fred (1986) This reunited two of Fellini’s great collaborators: his wife and great love Giulietta Masina and Marcello Mastroianni playing two cheesy old hoofers who do a Fred’n’Ginger tribute routine. Marcello Mastroianni and Giulietta Masina in Ginger and Fred. Photograph: Stella/Bibo Tv/Anthea/PEA/Kobal/Rex/Shutterstock. 18. Intervista (1987) A fantasy-fictional version of a documentary, as Fellini grants an interview to a Japanese camera crew and takes them round Cinecittà studios and the contents of his own mind and memories. 17. City of Women (1980) Some quaint softcore sensuality, perhaps, in this study of a man (Mastroianni) who, Dante-like, wakes up in the middle of his life and finds himself in a hotel in the middle of the woods that is overrun with desirable women. 16. Fellini Satyricon (1969) A movie with Fellini’s signature surrealism and episodic structure: a fever dream of imperial Rome, taken from Petronius. 15. Variety Lights (1950) Fellini’s debut movie, co-directed with Albert Lattuada, and with a real taste of the exuberance and theatricality still to come. A beautiful young woman joins a travelling troupe of entertainers. Masina has a tiny role as the girlfriend of one of the vaudevillians. Peppino Da Filippo and Giulietta Masina in Fellini’s first feature film, Variety Lights. -
Appendix 1: Short Introduction to Film Study
Appendix 1: Short Introduction to Film Study The next few pages offer an alphabetical list of topics often used in the critical evaluation of film with sample questions to aid in the critical discussion.1 Acting/Actors/Stars The cinema has long been driven by the visual appeal of its actors. Acting styles have changed since the silent days from the pantomime of the dive to the preference for nonpro- fessionals in the neorealist period to the present close connection between television, new media, and film. Silent-era actors in particular were universally popular because of the lack of linguistic barriers in their performances. Over the decades the personas of certain actors has even become identified with national, cultural, and class identities as well as with the style of living and attitudes in various time periods. In Italy, actors such as Alberto Sordi and Marcello Mastroianni were widely identified with the basic character traits of the Italian populace as were female stars such as Sophia Loren, Monica Vitti, or Anna Magnani. What type of acting style is used (nonprofessionals, method acting, theatrical, star persona)? Audience Film industries, including Italy, have periodically changed the type of films they produce in response to changes in target audiences. In the United States for example, Hollywood film production was targeted toward a female audience until the 1960s when the target audience became increasingly younger and male. In Italy, production in the 1960s and 1970s and thereafter introduced entertainment (art cinema, erotically charged cinema) not available on television because of censorship codes. What was the intended audience of the film? How was the film received when released? How has the film aged? Camera techniques Film theorists such as Christian Metz and Pier Paolo Pasolini wrote of the ability of shot selection to provide a language for film.2 The image on the screen has been filmed through the eye of a camera, which approaches its subject from certain angles and movements. -
Gino Moliterno
HISTORICAL DICTIONARY OF ITALIAN Cinema GINO MOLITERNO Historical Dictionaries of Literature and the Arts Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keat- ing, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardi- son Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 25. Horror Cinema, by Peter Hutchings, 2008. 26. Westerns in Cinema, by Paul Varner, 2008. -
Elenco Video Per Titolo
Istituto Italiano di Cultura di San Francisco | Elenco Video per Titolo Catalogo # Titolo Regista Anno Lingua Durata Colore Standard English, Bertolucci, 1978 1900 (Novecento) 1977 Italian, 315' C Bernardo French NTSC English, Bertolucci, 1979 1900 (Novecento) 1977 Italian, 315' C NTSC Bernardo French 1974-2004, 30 Berti, 2137 2007 Italiano color pal anni di utopia Giovanna 8 1/2 (otto e Fellini, Italian 1951 1963 138' B/W NTSC mezzo) Federico w/subtitles Casadei, 2279 80 Casadei 2009 Italiano 120 min colore pal Live Italian w/ De Sica, 1750 A Brief Vacation 1973 English 112' Colore NTSC Vittorio subtitles italiano w/ Comencini, 2122 A casa nostra 2007 italian 87' color pal Francesco subtitles Italian C AND 1868 A kind ofCipri', cinico Daniele e Maresco, 2000Franco PAL w/subtitles B/W Spanish, A Lucky Day (Un Gugliotta, 1997 2002 Italian, 94' C, B&W NTSC Dia de Suerte) Sandra w/subtitles Italiano Abbasso la Righelli, 2169 1946 w/English 79' b&w pal ricchezza! Gennaro subtitles Accattone (The Pasolini, Italian 1988 1961 116' B&W NTSC Scrounger) Pier Paolo w/subtitles Accattone (The Pasolini, Italian 2006 1961 116' B&W NTSC Scrounger) Pier Paolo w/subtitles 2264 adio del passato Agamennone Montemur 2277 1968 Italiano 115 min BN pal Vittorio Alfieri ri, Davide Agata e la Soldini, 1804 2004 Italiano 118 min c Pal tempesta Silvio Agata e la Soldini, 1892 2004 Italiano 118 min col PAL Tempesta Silvio Agente Bisceglia, 2204 2007 italian 92' color PAL matrimoniale Christian Compagnia Marionetti 2312 Aida 2007 Italiano 85 min colore pal stica Carlo Colla e Figli ITALIAN AIDA DEGLI MANULI, W/ 1562 2001 75' colore PAL ALBERI GUIDO ITALIAN SUBT.