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Statuesque SMART-ARSEDNESS ABOUT THE PUBLIC SCULPTURES OF MANCHESTER BY DAVID DUNNICO DAVID DUNNICO www.dunni.co.uk 1 Statue of FRANK SIDEBOTTOM by Colin Spofforth, 2013, Stockport Road, Timperley, Altrincham, WA15 7UQ overleaf: ALBERT MEMORIAL & CHRISTMAS DECORATIONS, Albert Square, Manchester, M2 5DB 2 imortalised Big Frank & Little John In 2014, a statue of comedian Frank Sidebot- ANAMORPHIC MIRRORS tom was unveiled on Timperley High Street. [1989] Andrew Crompron, originally on Lower Byrom Some people had never heard of Frank Side- Street, re-sited in 2014 to bottom, the papier-mâché headed alter ego Oxford Road, M13 9GH of Chris Sievey (1955– 2010), some who had heard of him questioned if he should be immortalised, but enough of his fans thought so to raise the money to pay for it. Frank Sidebottom’s statue came exactly 175 years after the first portrait statue was un- veiled in Manchester. Chemist John Dalton (1766–1844) proved to be such a hit, there Much of what was unveiled with a flourish were more Dalton statues, a Daltonmural, a of civic pride is soon cast aside like – err… John Dalton Street, a university building and broken paving slabs. It’s a perennial ‘silly a (closed) restaurant to come. season’ newspaper story when modern art is mistaken for junk and thrown out by the cleaners. In Manchester it’s a story that’s been told too many times. Anamorphic Mirrors Just as Frank Sidebottom was being unveiled, The award winning 10-metre high ‘Totem’ by one of our Daltons went missing. ‘Anamor- Franta Belsky lasted a decade in the Arndale, JOHN DALTON [1885] by William Theed phic Mirrors’ is a stainless steel inverted cone only to be dismantled and discarded with- and sphere by Andrew Crompton. For many out telling its sculptor. Hubert Dalwood’s years it stood outside the Museum of Science ‘Icon’, disappeared from the Toastrack – the and Industry, surrounded by four paving now empty catering college in Fallowfield slabs into which were carved the distorted owned by Manchester University (Dalton’s images of local scientists including Dalton. old employer) and is now thought to have They were only recognisable when their been shoved in a skip. reflection was viewed in the mirrored sur- Redevelopment brings with it many op- face of the sculpture – hence “anamorphic”. portunities for cultural cleansing and a The slabs, which were created by Richard temptation to promise things to pol- and Jack Doyle, were discarded when the iticians and bank on them having sculpture was moved to the space in front of short memories. St. Peters House Church on Oxford Road. Without them it becomes essentially just an- other piece of stainless steel street furniture, along with the bins, benches and bike racks. The real Frank Sidebottom photographed in 2008 3 Next to the John Rylands Library (there’s a bust of John Dalton in their reading room), the offices of the Manchester Evening News used to stand. And outside them stood ‘Vigi- lance’ by Keith Godwin. It was taken down when Spiningfields was put up. In 1992, the newspaper had reported how a council sur- vey concluded, “a number of the city’s older memorials could not be readily located”. We are (vigilantly) still waiting for the develop- ers to keep their promise to re-site Vigilance. FRYDERYK CHOPIN MEMORIAL MONUMENT by Robert Sobocinski, 2011. Deansgate, M3 3WR Chopin Not all property developers are a chip off Whilst two Chopins is one too many, Man- the old block. Bruntwood helped double the chester just can’t get enough Daltons. The number of Chopin statues in the city. One Town Hall’s 1838 sculpture by Sir Francis has stood since 1973 in the Royal Northern Chantrey was cloned by William Theed and College of Music, commemorating Cho- unveiled in Piccadilly Gardens in 1855. It pin’s one and only gig in the city. His death sat with Victoria, Wellington, Peel and James the following year prevented an encore. The Watt (another of Theed’s) until 1966, when other was plonked on Deansgate almost op- it was replaced by an electricity sub station. posite Rylands Library in 2011. Apparent- It now lives outside the Science Faculty of ly Bruntwood’s Chairman overheard some Manchester Metropolitan University on people in a restaurant dreaming up the idea Chester Street. It wasn’t the only copy. An- and put his company’s money where his din- other was stuck on the side of a building ner went. Tellingly, the inscription on the on the corner of John Dalton Street and plinth, claims it was funded by public sub- Deansgate until 1933, when the risk of Sir scription. What is public and what is private Issac Newton’s Law of Gravity taking effect get confused when developers get involved. was deemed too great. The wine must have flowed at some point It might be wondered why we get the stat- in the commissioning process, because a ues we do, and one might ask will we ever very unlike likeness of Chopin is joined by get one of Sir Howard Bernstein, marking his piano, his muse and for good measure, an his meteoric climb up the greasy pole from eagle and a battle. Hopefully this particular Junior Clerk to Council Chief Executive? dogs’ dinner will end with a big tip. 4 peace of stone There are about 15,000 public statues in Britain. Many are of the great and the good, some are great and many are not so good. Most probably inspire indifference, others more ire than awe, but all of these statues tell us more about the people who run our cities than the subjects they portray. Liberal Valhalla Manchester has a bad record of bad sculpture and of using statues to give passing whims a whiff of permanence. In the 19th Centu- ry, the city’s political leaders commissioned portrait busts of Gladstone, Cobden, John Bright and other heroes of free trade, cre- ating a “Liberal Valhalla” in the Town Hall’s sculpture gallery/coffee shop. Not everyone approved and there were “calls to banish the monstrosities in stone trousers – worthies who could not be named by many citizens”. Today, effigies of Council Leader Sir Rich- ard Leese or the retired but never retiring City CEO Sir Howard Bernstein, would more likely be put on a bonfire than a plinth, so politicians salve their vanities with stone shrines to their policies, and as the policies become empty promises, it’s fitting that the memorials are empty of worth. RICHARD COBDEN (+ Vendetta mask) is also commemorated with a full length statue in St Ann’s Square and in The Wool Exchange in Bradford Peace On Bonfire Night 1980, Manchester declared itself the world’s first nuclear free zone. Signs, plaques – there’s one in the sculpture gallery/ coffee shop – and eventually statues, heralded an absence of municipal atom bombs. 5 In 1985, a council ‘Sculpture For Peace’ com- This steel ring of 15 stylised birds is outside petition looked for an “easily understood and The People’s History Museum on Bridge durable statue”. Street, just by the plaque remembering the atomic bombing of Hiroshima. Meanwhile, From the forty-four entries ‘Messenger of the Councillors looked down from the Peace’ by Barbara Pearson was chosen. It Town Hall onto their new Peace Garden showed an all too rare female figure – cho- where two of the statues were sited. A com- sen because in the words of the sculptor, bination of shady aspect and bad drainage males were, “essentially belligerent”. – There had killed off the grass, recalling the mud of were some doves – which were soon sto- the Somme, only without the poppies. So it len. Probably by a bloke. The Chair of the is fitting that Edwin Lutyens’ War Memorial Planning Committee Councillor Arnold was moved and plonked on top of the site of Spencer, got all belligerent declaring, “It was the Peace Garden to help St Peter’s Square not the Council’s opinion that all men were become a bigger tram stop. The sugges- aggressive”. And showed remarkable re- tion of moving Collyhurst’s war memorial straint by not stating-the-bleeding obvious prompted the local Councillor (Pat Karney, and declaring that the statue looked rubbish. who is also City Centre Coordinator) to Twenty years earlier, one of his predecessors threaten to resign. Everyone in the city knew had described Manchester Airport’s memo- they could not get rid of Karney that easily. rial to rans-Atlantic flight pioneers Alcock and Brown, as looking like, “a bewitched, bewildered and bemused budgerigar”. Eliz- THE ASCENT OF MAN The Grass is Never Greener (1964) Elizabeth Frink abeth Frink’s sculpture is no longer on pub- Manchester Airport lic display. Over in Piccadilly Gardens, the grass wasn’t fairing any better. Here, the council put up a concrete wall, recalling the one the people of Sheep Berlin pulled down in 1989. Several trees did their best to soften it. One of these was dug Today’s City Fathers liked statues, so one of up in 2005 to make way for an 11-metre-tall the runners up – ‘Sheep’ by Ted Roocroft bronze and steel ‘Tree of Remembrance’ by – was put out to graze in Castlefield. And Wolfgang Heron. It commemorated civil- 1986 saw a new competition with a famil- ians killed in the Second World War. It was iar theme – ‘Struggle of Peace’. Philip Jack- unveiled on the anniversary of the end of son called his winning entry ‘Struggle For the war in Europe (VE Day), rather than the Peace and Freedom’ which seemed to fit the end of the War with Japan (VJ Day) in case brief right enough, but everything else was it reminded people of atom bombs, or the DOVES OF PEACE (1986) wrong.