DOCSLIB.ORG

Worldwide Film Distributors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

comScore Worldwide Film Distributors ABBREVIATED NAME FULL NAME 518 518 Media 757 7-57 Releasing 1211 1211 Entertainment 2020 2020 Films @ENT At Entertainment @MOV @MOVIE JAPAN +me +me 01 DIST 01 Distribution 104 FLM 104 Films 11ARTS Eleven Arts 120D 120 Degree Films 13DIST Les Films 13 Distribution 1A FLM 1A Films 1CUT 1st Cut 1M60FILM 1meter60 Film 1MRFM 1 More Film 1ST INDP First Independent 1stRUN First Run 21ST 21st Century 21ST CENT Twenty First Century Films 24BD 24 Bilder 24FRMS 24 Frames 2Corzn Dos Corazones 2GN 2nd Generation 2MN Two Moon 2ND GEN Second Generation Films 2RIVES Les Films des Deux Rives 2SR 2 Silks Releasing 35MI 35 Milim Filmcilik 360 DEGREE 360 Degrees Film 3DE 3D Entertainment 3ETAGE Productions du 3e Etage 3L 3L 3MONDE La Médiathèque des Trois Mondes 3RD WINDOW Third Window Fims 3ROS 3Rosen 41Inc 41 Inc 42FILM 42film 45RDLC 45 RDLC 4DIGITAL 4Digital Media Ltd 4STFM Four Star Film 4TH 4th & Broadway 4TH DIG 4TH Digital Asia 5&2 Five & Two Pictures 50TH 50th Street 5PM Five Points Media 5STR Five Star Trading 5STRET Five Star Entertainment 6PCK Sixpack-Film 791C 791 Cine 7ARTS Seven Arts Distribution 7FLR The 7th Floor 7PP 7th Planet Prods 7TH ART Seventh Art Production 8X 8X Entertainment A B FILM A.B. Film Distributors A. LEONE Andrea Leone Films A3DIST A3 Distribution AA AA Films AAA Acteurs Auteurs Associés (AAA) AAAM Arts Alliance America AAC Alliance Atlantis Communications AAM Arts Alliance Media Aanna Aanna Films AARDMAN Aardman Animations AB&GO AB & GO ABBEY Abbey Home Entertainment ABCET ABC Entertainment ABCF ABC-Films ABFI Absinthe Films ABH Abhi Films ABKCO ABKCO Films ABLO Ablo ABR Abramorama Entertainment ABS ABS-CBN ABSOLUT Absolut media ACADRA ACADRA Distribution ACAF Acacia Films Acajou Acajou Films ACCDIS Accatone Distribution ACCTN Accatone ACD Academy ACE Ace Films ACHAB Achab Film AchimHae Achim Hae Nori ACM Access Motion Picture Group ACME ACME ACOMP A Company ACONTRA A contracorriente ACROB Acrobate Films ACT/TDT Actions Cinémas/Théâtre du Temple ACTAEON Actaeon Film Ltd. ACTCON action concept ACTEFM Acte Films ACTF Accent Films Activers Activers Entertainment ACTM Activator Marketing ACTN Action ACUD Acud ADDICT Addict Films ADEL B Adelaide Builders ADF After Dark Films ADF/FRE ADF/Freestyle ADG A.D.G. ADHOC Adhoc ADLBS Adlabs ADPT Adopt Films ADRFILM Adret Films ADRP ADR Distribution ADV ADV Films ADVENTURE Adventure Pictures ADVF Advanced Film ADVS AudioVisual ADVT Ad Vitam AEEG Ascot Elite EG AEGP Aqua Pinema AEM Avco Embassy Aero Aerofilms AF Alliance Films AFB AFB AFC AFC AFD Associated Film Distribution AFD-Q A-Film Quality AFDT AFD Theatrical AFG Aftab Group AFM AFM AFMD A-Film Dist AFMDFR AFMD AFMED AF-Media AFPL Associated Film Producers Ltd. AFPOY Art Films Oy AFRM AFFRM AFS Australian Film Syndicate AFW Allumination FilmWorks AG/SCN Angel Films / Scanbox AGORA Agora Films AHE Arthome Enterprises AHF Arthouse Films AHFC Apple and Honey AHT ArtHouse Traffic AHU Ahuja Films AIENT A.I. Entertainment AIGUA Aigua Films AINT American International Pictures AIP Alliance International Pictures AIPS A.I.P. Studios AIRE Aire Films AIRONE Airone Cinematograf. S.R.L. AITE Aiete-Ariane Films AJLFTT Anjou Lafayette AKET AK Ent. ALAMBIQUE Alambique ALAS Alas ALBA Albatros Film ALBFM Albany Films ALBPD Albarès Productions ALC Alcina Pictures ALCFM Alice Films ALCINE Alcine Terran ALD Allied Artists ALDV Alberto Del Val Alestar Alestar Ltd. ALEX Alexandria Films ALFA Alfa ALFAF Films Alfa ALFAMA Alfama Films ALFAPICT Alfa Pictures ALFV Alfhaville ALFVIL Alfaville ALHA Aloha Releasing ALKAT Alokatu ALLIAN Les Films de l’Alliance ALLO Allfilm OÜ ALLSTARS All Stars International S.R.L. ALLY Ally Distribution ALM Almi ALMAFM Alma Films ALMATWINS Almatwins ALMD Alamode ALMDF Alameda Films ALNKR A-Line ALOU Les Films à Lou ALPHA Alpha Filmes ALPN Alpenrepublik ALR Alerion ALSC Alsace Ciné ALSTD Aloest Distribution ALTA Alta Films ALTFM Alternative Films ALTP Alternate Pictures ALTROFILM L'Altrofilm Prod. ALV Alive ALXART Alexart Films AMAFM AMA Films AMANDA Amanda AMAZN Amazonas AMB Ambar Distributors AMBER Amber Films AMCET AMC Ent. AMD Amadeus Pictures AMFD Artscope un label Memento Films Distribution AMG AMG Entertainment AMIFLM Amigos Film AMK Alpha Medienkontor AMLF AMLF AMO Amoon AMP ArtMattan Productions AMSTEL Amstelfilm AMTDA Amaranta AMUSE Amuse AMWP American World Pictures AMZ Amazonia ANAREIA Anareia ANCARA Ancara ANCHOR BAY Anchor Bay Ent UK Ltd ANCHR Anchor Bay Films AND Andora Pictures ANDE Andes Films ANG Angelika ANGL Angel Films ANGLFLL Angel Falls ANGLO INTL Anglo International ANGLUS At An Angle ANJM Anjani Movies ANNBX Annie Box ANPLX Aniplex ANT Anthem Pictures ANTENNA Antenna Entertainments ANTI Antidote Films ANU Anugraha Entertainment AONE A-One Entertainment AONEF AOneFilms Apatom Apatom Distribution APCSE Apocalypse APFV Apollo Filmverleih APIX A-Pix APLUS A Plus Cinema APMAN AP Manana APMYET Alpamayo Entertainment APO Apollo APOCALYPSE Apocalypse Flower APOLLO Apollo Digital Ent. Apolo Apolo APPLS Applause APPR Apparition APRT Art Port APS Apsara Enterprises APXENT Apex Ent. AQUELARRE Aquelarre AR Anywhere Road ARAB Arab Films ARABA Araba Films ARABFD Arabic Film Distribution ARANCIA Arancia Film S.R.L. ARBASH Arbash Distribuzione S.R.L. ARBIS Arbis ARC Arcangelo Entertainment ARCA Arcadia ARCE ARC Entertainment ARCHIBALD Archibald Film ARCHR Archer ARCTIA Arctia Film ARENA Arena ARF At Risk Films ARFR Artfree ARGKN Argument Kino ARGO Argo Pictures ARGT Argot Pictures ARGUS Argus Film ARHM Arthause Movies ARI Aria Entertainment ARIES Aries ARIMG Aries Images ARIZ Ariztical Entertainment ARKFM Arkéïon Films ARKL Arkles ARM ARM ARMADILLO Armadillo Pictures ARMD Aurum Distribution OÜ ARMFM Armor Films ARMG Armageddon ARMS Aramis Films ARN Arenaplex ARNS Arenas Entertainment ARP ARP Sélection ARR Arrival Pictures ARROW Arrow Films ARSE Arsenal ARS-IFV Arsenal-Institut Film & Video ART Artrution Productions ART EYE Artificial Eye Artcam Artcam ARTD Artédis ARTE Artecinema ARTF Art Films ARTFLM Artfilmes ARTH Arthaus ARTHS Arthaus Film ARTHSE Arthouse ARTIFM Arti Film ARTIS Artis Film Romania ARTISTI Artisti Associati S.R.L. ARTK Artkino ARTL Artistic License ARTM Art’Mell Distribution ArtRC Artists Releasing Corp ARTS Artisan Arts Saint-André Des Arts ARTSN Artisan Ent. ARTT Artistic ARV Artist View Ent. ARW Arrow Releasing Arwestud Arwestud Films ARXF Artworx Films ARY DIG Ary Digital AS@ED As2Edition ASA ASA Communications ASC Ascot ASCD ASC Distribution ASCFM Aascar Films ASFALTO Asfalto Films ASFK Asociácia slovenských filmových klubov ASH Shree Ashtavinayak Cinevision ASIAV Asia Video ASMIK Asmik Ace ASMO Asociatia Moebius ASP/MIR Aspiration/Miracle ASRL Astral Films ASRPDS Aurora/Paradise AST Astor Pictures ASTAIRE Astaire ASTFLM Astro Films ASTG Against Gravity ASTRO Astro ASVM AS Videomaker ATALANTE Les Films de l’Atalante ATALANTE F Atalante Film S.R.L. ATCAN AT9 CAN ATCHA Atocha Films ATECH ArtTech ATGRP ATgroup ATHF Athaus ATHO Athos Films ATLA Atlantis ATLA/MIN Atlantide/Minerva ATLANTICO Atlantico Films ATLC Atlantic ATLF Atalanta Filmes ATLS Atlas ATLTIC Atlantic Film ATNINE Atnine Film ATOLL Atoll ATOM ATOM ATOSSA Atossa Film ATP Atopia ATT Attitude Films AUD Aud AUDO Audio One AUDV Audiovisuals AUFM Aura Films AUM Aum Exhibitors AUR/ALL Aurum/Alliance AURA Aura Pictures AURORA Aurora AURUM Aurum AVA Avatar Films AVAEnt AVA Entertainment AVAF Avalanche Films AVALON Avalon Distribución AVALON F Avalon Films AVE Avenue AVEX Avex Asia AVF A.V. Films AVIARY Aviary Films Ltd AVIDEA Avidea AVJT AV Jet AVMP AVM Productions AVP American Vacation Production AVRC Avaricia AVV AV Visionen AVXE Avex Entertainment AWK Awakened Media AXE Axefilm AXIOM Axiom Films AYA Aya Pro AYNGARAN Ayngaran AZ/SH Aztec / Sharmill AZETACINEMA A Zeta Cinema AZFM Arizona Films AZGEM AZ Gems AZO American Zoetrope AZPT Azpeitia AZTA Azeta Film AZTC Aztec International AZTFM Azteca Films AZUR Azur Film B DOLPHIN Blue Dolphin B JGOWI Brits Jgowi B&W B&W Prods. B2P Block 2 B4U B4U Network B4UUS B4U US BABA Baba Digital BABAY Baba Yaga BABFM Babilla Films BAC Bac Films Bac FLM Bac Films BADI Baditri BADUR Badura BAEKD Baekdu-Daegan BAGD Bagheera Distribution BAL Bala Entertainment Ltd BALC Balcony Releasing BALIUS Balius BAM BAM BAN Banner Entertainment Bandai Bandai Visual BANDE La Bande Passante BANDH B&H BANDIT Bandit Films BANENT Bandai Entertainment BAR Barrister BARBICAN Barbican BARCINO Barcino BARD Bard BARIAN Barian Entertainment Ltd BARN Barnsteiner-Film BAROK Barok Film BARRCA Barraca BART Barton BARUNS Barunson BAS Bashesar Pictures BASILISK Basilisk Productions BASIS Basis BATEA Batea BAVAFLM Bavaria Film BAW Baweja Movies Pvt Ltd BAZCFM Bazuca Films BBANG Big Bang Films BBC BBC Enterprises BBC/WIN BBC/Winstone BBE BB Entertainment BBETUK Barbarian Entertainment Ltd BBQ BBQ-Distribution BCA BCA BCCNEER Buccaneer BD BD Cine BDF Blind Dog Films BDFX B.D.Fox Independent BDPRO BD Productions BDPSTF Budapest Film BEAUFLM Beaufilm BECK Becker Film Group BEE Bee Workhouse BEETURT Beeck Turtle BEHNEGAR Behnegar BELAR Bel Air Média BELGA Belga BELGE Belge BELLISSIMA Bellissima Films BENE Benelux Film Dist. BEP Blueeyes Productions BERG Bergfilm BEST Best Film BEV BEV Pictures BFBIO NF Biografer BFDT BF Distribution BFFEST British Film Festival BFI BFI BFLM b. film BFRD b. film radikal BFREE Beefree Production BGBGD Big Bang BHARAT Bharat Ent. BHCR Bharat Creations BHDVN BHD BHF Beech Hill Films BHKFT Best Hollywood KFT. BICD Bicéphale Distribution BIG Big Mouth Productions BIGB Big Beach Films BIGBMED Big Bang Media BIGP BIG Pictures BIGPICTURE Big Picture 2 Film BIGS Bigsales OU BIL Billings BIM BIM Distrib. S.R.L. BIO Bioscop BIOREX Bio Rex Distribution BIOT Bio-Tide Films BIRFM Bir Film BISR Bis Repetita BISTEL Bistel Films BIT Bita Films BIZI Bizibi BKLA Berkala Films BLAQOT Blaq Out BLDF Bildkraft BLDJ BLDJF BLINDER Blinder Films BLITZ Blitz BLJ Balaji BLK Blacktop BLK AUD Black Audio BLKWHT Black & White Studio BLLN Black Lion BLNC Blanco y Travieso BLO Blosssom BLOENT Blowtorch Entertainment BLPS Bill Plympton BLR Blue Rider Pictures BLTC Baltic Cinema BLUE FILM Blue Film S.R.L.
Recommended publications
  • H K a N D C U L T F I L M N E W S

    H K a N D C U L T F I L M N E W S

    More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
  • Cablelabs Studio Code List 05/01/2006

    Cablelabs Studio Code List 05/01/2006

    CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
  • Promoting Elite Culture by Pakistani Tv Channels ______

    Promoting Elite Culture by Pakistani Tv Channels ______

    PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS ___________________________________________________ _____ BY MUNHAM SHEHZAD REGISTRATION # 11020216227 PhD Centre for Media and Communication Studies University of Gujrat Session 2015-18 (Page 1 of 133) PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS A Thesis submitted in Partial Fulfilment of the Requirements for the Award of Degree of PhD In Mass Communications & Media By MUNHAM SHEHZAD REGISTRATION # 11020216227 Centre for Media & Communication Studies (Page 2 of 133) University of Gujrat Session 2015-18 ACKNOWLEDGEMENT I am very thankful to Almighty Allah for giving me strength and the opportunity to complete this research despite my arduous office work, and continuous personal obligations. I am grateful to Dr. Zahid Yousaf, Associate Professor /Chairperson, Centre for Media & Communication Studies, University of Gujrat as my Supervisor for his advice, constructive comments and support. I am thankful to Dr Malik Adnan, Assistant Professor, Department of Media Studies, Islamia University Bahawalpur as my Ex-Supervisor. I am also grateful to Prof. Dr. Farish Ullah, Dean, Faculty of Arts, whose deep knowledge about Television dramas helped and guided me to complete my study. I profoundly thankful to Dr. Arshad Ali, Mehmood Ahmad, Shamas Suleman, and Ehtesham Ali for extending their help and always pushed me to complete my thesis. I am thankful to my colleagues for their guidance and support in completion of this study. I am very grateful to my beloved Sister, Brothers and In-Laws for
  • Alma Mater Society Sues American Meteorological Society 'They Stole Our Acronym/' -Kristen Harvey (Vancouver, Reuters) Best Interests to Sue the AMS

    Alma Mater Society Sues American Meteorological Society 'They Stole Our Acronym/' -Kristen Harvey (Vancouver, Reuters) Best Interests to Sue the AMS

    VOLUME SIXTEEN ISSUE THREE 8 OCTOBER 2002 "The trouble with being punctual is that nobody's there to appreciate it/ •Franklin P. Jones Alma Mater Society sues American Meteorological Society 'They stole our acronym/' -Kristen Harvey (Vancouver, Reuters) best interests to sue the AMS. senting themselves as being a student both lawsuits, and saw no reason not to hile in the midst of a lawsuit over "They were like a company that had like organization in Canada. pursue the second at this time." alleged violations of students money, and probably lawyers and stuff." "It may have resulted in some people The Alma Mater Society of Queen's Uni­ Wrights relating to the prevention explained Harvey. "Also, I was confused." standing outside in the rain instead of versity is also watching this lawsuit with of a Genocide Awareness Project display The next potential target was the Ameri­ attending class at the University of British great interest. being placed in the Student Union Build­ can Mathematical Society. The charge was Columbia," noted Harvey. "We want to see what kind of precedent is ing, the Alma Mater Society of UBC has that the society had deliberately chosen its "Though at UBC, it is pretty much the set," said Queens University AMS presi­ launched its own lawsuit against the name to have the same acronym as the same thing." clarified Seddon. dent Mike Lindsay. "We were established American Meteorological Society for Alma Mater Society. in 1858, and thus predate UBC's AMS by a fraudulent abuse of an acronym. The American Meteorological Society is "It was a deliberate attempt to trade on also being cited for fraudulent misrepre­ good margin.
  • A Dangerous Method

    A Dangerous Method

    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
  • Power of the Korean Film Producer: Park Chung Hee’S Forgotten Film Cartel of the 1960S Golden Decade and Its Legacy

    Power of the Korean Film Producer: Park Chung Hee’S Forgotten Film Cartel of the 1960S Golden Decade and Its Legacy

    Volume 10 | Issue 52 | Number 3 | Article ID 3875 | Dec 24, 2012 The Asia-Pacific Journal | Japan Focus Power of the Korean Film Producer: Park Chung Hee’s Forgotten Film Cartel of the 1960s Golden Decade and its Legacy Brian Yecies, Ae-Gyung Shim An analysis of the tactics adopted by the industry reveals the ways in which producers Key words: Korean cinema, filmnegotiated policy demands and contributed to production, film policy, Park Chung Hee, an industry “boom” – the likes of which were Shin Sang-ok not seen again until the late 1990s. After censorship was eliminated in 1996, a new Power of the Producer breed of writer-directors created a canon of internationally provocative and visuallySince the early 1990s, Korean film producers stunning genre-bending hit films, and new and have been shaping the local film industry in a established producers infused unprecedented variety of ways that diverge from those venture capital into the local industry. Today, a followed in the past. A slew of savvy producers bevy of key producers, including vertically and large production companies have aimed to integrated Korean conglomerates, maintain produce domestic hits as well as films for and dominance over the film industry whilewith Hollywood, China, and beyond, thus 2 engaging in a variety of relatively near-leading the industry to scale new heights. They transparent domestic and internationaldiffer markedly from those producers and companies that, throughout the 1970s and expansion strategies. Backing hits at home as 1980s, were primarily focused on profiting well as collaborating with filmmakers in China from the importation, distribution and and Hollywood have become priorities.
  • Pdf (Accessed: 3 June, 2014) 17

    Pdf (Accessed: 3 June, 2014) 17

    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’.
  • Fact Book Supplementary Financial Document for the First Quarter of the Year Ending March 31, 2016 FIELDS CORPORATION the Greatest Leisure for All People

    Fact Book Supplementary Financial Document for the First Quarter of the Year Ending March 31, 2016 FIELDS CORPORATION the Greatest Leisure for All People

    1st quarter (April 1, 2015 – June 30, 2015) FIELDS CORPORATION TheThe Greatest Greatest Leisure Leisure for All People for All People Fact Book Supplementary Financial Document for the First Quarter of the Year Ending March 31, 2016 FIELDS CORPORATION The Greatest Leisure for All People FIELDS CORPORATION TSE 1st: 2767 August 3, 2015 Copyright 2015 FIELDS CORPORATION All rights reserved. FIELDS CORPORATION Index The Greatest Leisure for All People 1. Highlights for the Q1 of the Year Ending March 31, 2016 6. Appendix III (Entertainment Market Data) Overview P. 4 (Consolidated) P/L Statement Status of IP Development P. 35 Market Scale of Content Business (Consolidated) B/S P. 5 P. 36 Market Scale of Digital Content Business (Consolidated) Cash Flow P. 6 Sales Amount of Comic Books and Comic Magazines P. 37 Market Scale of Animation Industry 2. Pachinko/Pachislot Machines Sales related Data Box-Office of Domestic Movie Theaters P. 38 Market Scale of Broadcasting Industry Players in the Pachinko/Pachislot Industry P. 8 Market Scale of Mobile Business Glossary of Fields’ Pachinko/Pachislot Machine Sales P. 39 Market Scale of Toys Business Model (PS Planning, Development and Sales) P. 9 History of Pachinko/Pachislot Machines 7. Corporate Information etc. Accounting Method of Pachinko/Pachislot machines Sales (Image) Business Flow and Accounting Method of Merchandising Rights P. 10 Corporate Profile Regarding Pachinko/Pachislot Planning and Development P. 41 Pachinko/Pachislot Machines’ Titles from 3.2014 to 3.2016 P. 11 Organization P. 42 History of Pachinko/Pachislot General Sales (2001.3-2010.3) P. 12 Our Tracks P.
  • ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

    ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

    ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship
  • Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|

    Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|

    stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD
  • Nominees & Winners for the 86Th Oscars (Feb 2014)

    Nominees & Winners for the 86Th Oscars (Feb 2014)

    Nominees & Winners for the 86th Oscars® (Feb 2014) The Act of Killing Final Cut for Real Production (Drafthouse Films) • Documentary Feature All Is Lost Black Bear Pictures, Treehouse Pictures, FilmNation Entertainment, Sudden Storm Entertainment, Before The Door/Washington Square Films Production (Lionsgate & Roadside Attractions) • Sound Editing American Hustle Columbia Pictures and Annapurna Pictures Production (Sony Pictures Releasing) • Christian Bale - Actor in a Leading Role • Bradley Cooper - Actor in a Supporting Role • Amy Adams - Actress in a Leading Role • Jennifer Lawrence - Actress in a Supporting Role • Costume Design • Directing • Film Editing • Best Picture • Production Design • Original Screenplay Aquel No Era Yo (That Wasn't Me) Producciones Africanauan Production (FREAK Independent Film Agency) • Live Action Short Film August: Osage County Weinstein Company/Jean Doumanian Productions/Smokehouse Pictures/Battle Mountain Films/Yucaipa Films Production (The Weinstein Company) • Meryl Streep - Actress in a Leading Role • Julia Roberts - Actress in a Supporting Role Avant Que De Tout Perdre (Just before Losing Everything) KG Production • Live Action Short Film Before Midnight Faliro House Production (Sony Pictures Classics) • Adapted Screenplay Blue Jasmine Perdido Production (Sony Pictures Classics) • Cate Blanchett - Actress in a Leading Role • Sally Hawkins - Actress in a Supporting Role • Original Screenplay The Book Thief Fox 2000 Pictures Production (20th Century Fox) • Original Score The Broken Circle Breakdown Menuet
  • The Next Growth Strategy for Hallyu 79

    The Next Growth Strategy for Hallyu 79

    Lee & Kim / The Next Growth Strategy for Hallyu 79 THE NEXT GROWTH STRATEGY FOR HALLYU A Comparative Analysis of Global Entertainment Firms Yeon W. Lee Seoul School of Integrated Science and Technology [email protected] Kyuchan Kim Korea Culture and Tourism Institute [email protected] Abstract Previous policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). his is important because LEs have an overarching and fundamentally diferentiated role in increasing the size of industry through their expansive value-creating activities and diversiied business areas. his study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversiication and the modiied value chain framework for the ilm industry. By conducting a comparative analysis of the global entertainment irms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of diferent size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of irms where the value activities of LEs serve as the platform for convergence.