Alma Mater Society Sues American Meteorological Society 'They Stole Our Acronym/' -Kristen Harvey (Vancouver, Reuters) Best Interests to Sue the AMS

Total Page:16

File Type:pdf, Size:1020Kb

Alma Mater Society Sues American Meteorological Society 'They Stole Our Acronym/' -Kristen Harvey (Vancouver, Reuters) Best Interests to Sue the AMS VOLUME SIXTEEN ISSUE THREE 8 OCTOBER 2002 "The trouble with being punctual is that nobody's there to appreciate it/ •Franklin P. Jones Alma Mater Society sues American Meteorological Society 'They stole our acronym/' -Kristen Harvey (Vancouver, Reuters) best interests to sue the AMS. senting themselves as being a student both lawsuits, and saw no reason not to hile in the midst of a lawsuit over "They were like a company that had like organization in Canada. pursue the second at this time." alleged violations of students money, and probably lawyers and stuff." "It may have resulted in some people The Alma Mater Society of Queen's Uni­ Wrights relating to the prevention explained Harvey. "Also, I was confused." standing outside in the rain instead of versity is also watching this lawsuit with of a Genocide Awareness Project display The next potential target was the Ameri­ attending class at the University of British great interest. being placed in the Student Union Build­ can Mathematical Society. The charge was Columbia," noted Harvey. "We want to see what kind of precedent is ing, the Alma Mater Society of UBC has that the society had deliberately chosen its "Though at UBC, it is pretty much the set," said Queens University AMS presi­ launched its own lawsuit against the name to have the same acronym as the same thing." clarified Seddon. dent Mike Lindsay. "We were established American Meteorological Society for Alma Mater Society. in 1858, and thus predate UBC's AMS by a fraudulent abuse of an acronym. The American Meteorological Society is "It was a deliberate attempt to trade on also being cited for fraudulent misrepre­ good margin. If they are able to beat the "When Gray ct al sued us over that GAP our good name. We had to drop the suit, sentation of the weather. American Meteorological Society then we thing, we thought, 'Hey, this suing stuff is should really be able to take them to the though, because they know calculus, and "I am seeking damages," claimed Harvey. pretty cool. We should do it too.'" said we were intimidated," Seddon interjected. cleaners. I mean, they are trying to take on a AMS president Kristen Harvey. "We could "I once had a picnic ruined because it completely different type of organization stand to make a fair chunk of cash. Would­ "Besides, we couldn't figure out when the rained even though the weather guy said it over an acronym, but they are the same type n't that be great?" society was founded. It would have been wouldn't." of organization as us, and they stole our embarrassing if we showed up to court After this questionable decision had been "If we can't get money for the acronym, whole name, not just three letters." only to find out that they had the acronym we can always fall back on this second made, the AMS had to find someone to When asked if Queens University AMS first." charge," continued Seddon. "I mean, who sue. intended to pursue legal action against Disillusioned for a time, the Alma Mater has ever heard of a weatherman being UBC AMS, Lindsay replied, "Money, "We figured that the most money was in Society stumbled upon the website for the right? It's a sure deal." trademark infringement, so we looked for money, money. Papa wants a new car." American Meteorological Society. When asked if the AMS shouldn't wait for someone who might have maliciously "Shit," commented Harvey on the possi­ "Here was a society, using our acronym, the resolution of one legal battle before stolen our good name and used it to mis­ bility of a third lawsuit. "Shit, shit, shit." represent themselves, thereby harming our having been founded in 1919. The Alma starting another, Seddon replied, "We were "Shit," added Seddon. reputation." said Director of Finance, Nick Mater Society's constitution was accepted hoping to distract other people from the Seddon. on October 15, 1915, four years before," GAP lawsuit by launching this one. Then it When reached for comment on what they continued Seddon. "We had our target." doesn't matter so much if we win or lose." thought of the Alma Mater Society's law­ After briefly contemplating a suit against In the official lawsuit, the Alma Mater suit, an American Meteorological Society AMS - Global Business and IT Consultants, "Shh, you weren't supposed to tell them Society of UBC alleges that the American that," interrupted Harvey. spokesman said, "Gap? We don't sell the AMS decided it wasn't in the AMS's clothes." Meteorological Society has been misrepre­ "Oh yeah, umm, we are very confident in Weather Cloudy Terrorism Feared (AP, UBC, Vancouver) about ten minutes late though, what's up fter yesterday's cloudy weather with that? I'll bet it's the terrorists. You during the Queen's visit to UBC, know, a terrorist took my parking spot the Asome observers are suggesting that other day. It was like he was trying to say, there may be a link to terrorism. 'We're going to take all your parking spots, you filthy American dog,' and I'm not even "It's not like it is ever cloudy in London, American. I'm like Canadian." but when the Queen shows up here, sud­ denly there are clouds everywhere," said Officials in Washington are saying that it noted conspiracy theorist, Barney Glotz. is too early to tell if the cloudy weather was connected to terrorism, but they are "With all the terrorism going on in the launching an investigation to find out who world, I can't believe there is no connec­ knew that the terrorists had a weather con­ tion. I'll bet that it's Osama Hussein, or trol device and when they learned this Saddam bin Laden, or Al'Qaeda, or Al'- information. Jazzerra, or something. They now have a fiendish weather control device; I just "If there has been a failure of the Ameri­ know it. I'll bet they set off one of those can intelligence machine, we will find an nuclear weapons or something, and now appropriate scapegoat and publicly draw we're having a nuclear winter. I bet them and quarter him," said President Bush. Afghani-Iraqi's are in my basement right When asked for a comment, Canadian now." Security Intelligence Services said that they Others are not nearly so paranoid. would wait to see who the CIA told them to arrest. Then, they will send the RCMP to "Terrorists cannot possibly control the arrest that individual, and get Immigration weather," stated third year Arts student, Canada to hand him over to American Kenneth Farthing. "Some people just give Queen Declares the 432 "Jolly Good" authorities. They will then use every diplo­ them too much credit. The Queen was Prince Philip Chuckles Thrice matic method to get him released. Page Two THE FOUR THIRTY TWO 8 October 2002 Hand Waving Behaviour Baffles Class Frank Yang divided. Theories as to the purpose behind Nicholas Saim, second year engineering the mysterious activity are as diverse as student, disagrees. "You can tell from the they are numerous. Examples range from way he lectures that he knows engineers Dazed and Confused sign language for the short sighted, hear­ are taking the course. Since he knows ing impaired students, to a reflexive mus­ we're here, he's trying to make it easier for cle condition, to even more controversial us to understand him. You know, by show­ mere month after commencement ideas such as an elaborate personal insult ing his ideas as something we'd be familiar VOLUME SIXTEEN of the academic year, students in of the average class intelligence. At least with. Well, like points on a bridge and how Aprofessor Dutton McKray's philos­ one student claims she is confident the much stress they can tolerate; or in this ISSUE THREE ophy 120 class are already baffled by his actions are religiously significant. class, how much a philosopher's point lecturing habits. "I still think it is a dramatic reinterpreta- might 'weigh' in an argument. I feel like 8 OCTOBER 2002 Since the beginning of the course, profes­ tion of the medieval Christian mentality every time he makes an arc or a line with sor Mckray has regularly waved his hands and the tower of Babylon." commented his hands, I'm getting one step closer to fig­ uring out what he's talking about." Did Some Work and arms around in rapid, chaotic motion third year arts student Anne Weedon, "By during every lecture, much to the confu­ using only his hands to narrate the confu­ Many who are taking the course are also Benjamin Warrington sion of his students. sion that b afell the builders of the tower, perplexed by the lack of explanation found the432@hotmail. com Initially, a majority of students attributed while he speaks on in an unintelligible - in the reading material. "There's only half the waving motions to attempts at clarify­ and presumably unrelated - oration, [pro­ a page on hand waving in the entire ing the course notes. But after two weeks fessor McKray] is vividly contrasting the [textjbook," lamented fellow student Lee Sorta Helped of consistent hand waving with no notice­ further fall from paradise depicted in the Fu Cheng, "I don't know why he made me Fiend (Dan Anderson) able increase to student understanding of bible, to the more immediate tragedy of waste thirty bucks on that [useless book]." our inability to discover the so called 'true' the lecture material, this original hypothe­ Despite the rampant speculation, profes­ [email protected] meaning of any 'text'.
Recommended publications
  • Fact Book Supplementary Financial Document for the First Quarter of the Year Ending March 31, 2016 FIELDS CORPORATION the Greatest Leisure for All People
    1st quarter (April 1, 2015 – June 30, 2015) FIELDS CORPORATION TheThe Greatest Greatest Leisure Leisure for All People for All People Fact Book Supplementary Financial Document for the First Quarter of the Year Ending March 31, 2016 FIELDS CORPORATION The Greatest Leisure for All People FIELDS CORPORATION TSE 1st: 2767 August 3, 2015 Copyright 2015 FIELDS CORPORATION All rights reserved. FIELDS CORPORATION Index The Greatest Leisure for All People 1. Highlights for the Q1 of the Year Ending March 31, 2016 6. Appendix III (Entertainment Market Data) Overview P. 4 (Consolidated) P/L Statement Status of IP Development P. 35 Market Scale of Content Business (Consolidated) B/S P. 5 P. 36 Market Scale of Digital Content Business (Consolidated) Cash Flow P. 6 Sales Amount of Comic Books and Comic Magazines P. 37 Market Scale of Animation Industry 2. Pachinko/Pachislot Machines Sales related Data Box-Office of Domestic Movie Theaters P. 38 Market Scale of Broadcasting Industry Players in the Pachinko/Pachislot Industry P. 8 Market Scale of Mobile Business Glossary of Fields’ Pachinko/Pachislot Machine Sales P. 39 Market Scale of Toys Business Model (PS Planning, Development and Sales) P. 9 History of Pachinko/Pachislot Machines 7. Corporate Information etc. Accounting Method of Pachinko/Pachislot machines Sales (Image) Business Flow and Accounting Method of Merchandising Rights P. 10 Corporate Profile Regarding Pachinko/Pachislot Planning and Development P. 41 Pachinko/Pachislot Machines’ Titles from 3.2014 to 3.2016 P. 11 Organization P. 42 History of Pachinko/Pachislot General Sales (2001.3-2010.3) P. 12 Our Tracks P.
    [Show full text]
  • Transparency Report 2017 1
    23.974Transparency mm Report 2017 2017 9 ______年 月 www.kpmg.com/jp/azsa © 2017 KPMG AZSA LLC, a limited liability audit corporation incorporated under the Japanese Certified Public Accountants Law and a member firm of the KPMG network of independent member firms affiliated with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. Transparency Report 2017 1 1. Message from the Local Senior Partner As a member of the KPMG network,KPMG AZSA LLC shares a common Purpose-to Inspire Confidence,Empower Change–with member firms around the globe.Based on this Purpose,we aim to establish the reliability of information through auditing and accounting services and support the change of companies and society towards sustainable growth. KPMG AZSA's system of quality control is in line with the KPMG Audit Quality Framework applicable to KPMG network firms globally.This Transparency Report 2017 explains our quality control system in performing audit,based on the framework,and the systems of quality control for each of the key drivers and KPMG network arrangements.We also published AZSA Quality 2017 in September 2017 to address mainly our recent efforts regarding quality control that serves as the basis for KPMG AZSA’s Audit Quality,governance structure and policies of human resource development. 2. Network arrangements As a member firm of KPMG International,KPMG AZSA LLC provides clients with a consistent set of professional services globally through a network in 155 countries.KPMG network arrangements,including legal structure,responsibilities and obligations of member firm are described more detail in the following sections of this report.
    [Show full text]
  • Sega Sammy Holdings Integrated Report 2019
    SEGA SAMMY HOLDINGS INTEGRATED REPORT 2019 Challenges & Initiatives Since fiscal year ended March 2018 (fiscal year 2018), the SEGA SAMMY Group has been advancing measures in accordance with the Road to 2020 medium-term management strategy. In fiscal year ended March 2019 (fiscal year 2019), the second year of the strategy, the Group recorded results below initial targets for the second consecutive fiscal year. As for fiscal year ending March 2020 (fiscal year 2020), the strategy’s final fiscal year, we do not expect to reach performance targets, which were an operating income margin of at least 15% and ROA of at least 5%. The aim of INTEGRATED REPORT 2019 is to explain to stakeholders the challenges that emerged while pursuing Road to 2020 and the initiatives we are taking in response. Rapidly and unwaveringly, we will implement initiatives to overcome challenges identified in light of feedback from shareholders, investors, and other stakeholders. INTEGRATED REPORT 2019 1 Introduction Cultural Inheritance Innovative DNA The headquarters of SEGA shortly after its foundation This was the birthplace of milestone innovations. Company credo: “Creation is Life” SEGA A Host of World and Industry Firsts Consistently Innovative In 1960, we brought to market the first made-in-Japan jukebox, SEGA 1000. After entering the home video game console market in the 1980s, The product name was based on an abbreviation of the company’s SEGA remained an innovator. Representative examples of this innova- name at the time: Service Games Japan. Moreover, this is the origin of tiveness include the first domestically produced handheld game the company name “SEGA.” terminal with a color liquid crystal display (LCD) and Dreamcast, which In 1966, the periscope game Periscope became a worldwide hit.
    [Show full text]
  • A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity
    PAUL ROQUET A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity L OOKING UP AT THE STARS does not demand much in the way of movement: the muscles in the back of the neck contract, the head lifts. But in this simple turn from the interpersonal realm of the Earth’s surface to the expansive spread of the night sky, subjectivity undergoes a quietly radical transformation. Social identity falls away as the human body gazes into the light and darkness of its own distant past. To turn to the stars is to locate the material substrate of the self within the vast expanse of the cosmos. In the 1985 adaptation of Miyazawa Kenji’s classic Japanese children’s tale Night on the Galactic Railroad by anime studio Group TAC, this turn to look up at the Milky Way comes to serve as an alternate horizon of self- discovery for a young boy who feels ostracized at school and has difficulty making friends. The film experiments with the emergent anime aesthetics of limited animation, sound, and character design, reworking these styles for a larger cultural turn away from social identities toward what I will call cosmic subjectivity, a form of self-understanding drawn not through social frames, but by reflecting the self against the backdrop of the larger galaxy. The film’s primary audience consisted of school-age children born in the 1970s, the first generation to come of age in Japan’s post-1960s con- sumer society. Many would have first encountered Miyazawa’s Night on the Galactic Railroad (Ginga tetsudo¯ no yoru; also known by the Esperanto title Neokto de la Galaksia Fervojo) as assigned reading in elementary school.
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • Cartoons Gerard Raiti Looks Into Why Some Cartoons Make Successful Live-Action Features While Others Don’T
    Table of Contents SEPTEMBER 2000 VOL.5 NO.6 4 Editor’s Notebook A success and a failure? 6 Letters: [email protected] FEATURE FILMS 8 A Conversation With The New Don Bluth After Titan A.E.’s quick demise at the box office and the even quicker demise of Fox’s state-of-the-art animation studio in Phoenix, Larry Lauria speaks with Don Bluth on his future and that of animation’s. 13 Summer’s Sleepers and Keepers Martin “Dr. Toon” Goodman analyzes the summer’s animated releases and relays what we can all learn from their successes and failures. 17 Anime Theatrical Features With the success of such features as Pokemon, are beleaguered U.S. majors going to look for 2000 more Japanese imports? Fred Patten explains the pros and cons by giving a glimpse inside the Japanese film scene. 21 Just the Right Amount of Cheese:The Secrets to Good Live-Action Adaptations of Cartoons Gerard Raiti looks into why some cartoons make successful live-action features while others don’t. Academy Award-winning producer Bruce Cohen helps out. 25 Indie Animated Features:Are They Possible? Amid Amidi discovers the world of producing theatrical-length animation without major studio backing and ponders if the positives outweigh the negatives… Education and Training 29 Pitching Perfect:A Word From Development Everyone knows a great pitch starts with a great series concept, but in addition to that what do executives like to see? Five top executives from major networks give us an idea of what makes them sit up and take notice… 34 Drawing Attention — How to Get Your Work Noticed Janet Ginsburg reveals the subtle timing of when an agent is needed and when an agent might hinder getting that job.
    [Show full text]
  • Discussion Points Discussion Points Overview of the SEGA SAMMY Group
    Discussion Points Discussion Points Overview of the SEGA SAMMY Group The SEGA SAMMY Group is a comprehensive entertainment corporate group created through the management integration of SEGA CORPORATION (currently SEGA Games Co., Ltd.) and Sammy Corporation, which have produced many industry-first and world-first products. Since its establishment in 1975, Our mission is continuing to create Sammy has lived up to its “Always moving experiences for customers Proactive, Always Pioneering” found- worldwide. With this in mind, we ing principle by creating pachislot and will roll out entertainment across a pachinko machines with industry- Date of Establishment: October 1, 2004 broad spectrum of areas. leading gameplay. Capital: ¥29.9 billion Total Shares Issued and Outstanding: 266,229,476 Number of Shareholders: 90,768 Number of Employees: 7,606 (consolidated) (as of March 31, 2016) The Group Management Philosophy By providing entertainment filled with dreams and excitement to people throughout the world, we will strive to enrich our society and culture. Pachislot CODE GEASS Pachinko CR Hokuto No Ken 6 maimai PiNK Sonic the Hedgehog Lelouch of the Rebellion R2 Tenshou Hyakuretsu ©SEGA ©SEGA ©SUNRISE/PROJECT GEASS ©Buronson & Tetsuo Hara/ Character Design NSP 1983,©NSP 2007 ©2006 CLAMP·ST Approved No.YTK-805 ©Sammy ©SUNRISE/PROJECT GEASS Character Design ©2006-2008 CLAMP·ST ©BANDAI NAMCO Entertainment Inc. ©Sammy The Group’s Structure The SEGA SAMMY Group offers a wide spectrum of entertainment. Its Pachislot and Pachinko Machine Business segment is centered on Sammy Corporation. Meanwhile, the SEGA Group’s digital game business is the core of the Entertainment Contents Business segment, which develops packaged game software and amusement machines, operates amusement centers, produces animation, and sells toys.
    [Show full text]
  • Anime's Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and The
    Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation
    [Show full text]
  • Anime's Atomic Legacy: Takashi Murakami, Miyazaki
    Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation
    [Show full text]
  • Soul of Anime
    the soul of anime experimental futures Technological Lives, Scientific Arts, Anthropological Voices A series edited by Michael M. J. Fischer and Joseph Dumit the soul of anime Collaborative Creativity and Japan’s Media Success Story ian condry Duke University Press Durham and London 2013 ∫ 2013 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by Jennifer Hill Typeset in Garamond Premier Pro by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Com- mons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. ‘‘Noncommercial’’ as defined in this license specifically excludes any sale of this work or any portion thereof for money, even if the sale does not result in a profit by the seller or if the sale is by a 501(c)(3) nonprofit or ngo. For Nick, Jackson, and Alec contents ix Note on Translations and Names 1 introduction * Who Makes Anime? 35 one * Collaborative Networks, Personal Futures 54 two * Characters and Worlds as Creative Platforms 85 three * Early Directions in Postwar Anime 112 four * When Anime Robots Became Real 135 five * Making a Cutting-Edge Anime Studio: The Value of the Gutter 161 six * Dark Energy: What Overseas Fans Reveal about the Copyright Wars 185 seven * Love Revolution: Otaku Fans in Japan 204 conclusion * Future Anime: Collaborative Creativity and Cultural Action 218 Acknowledgments 221 Notes 227 References 237 Index note on translations and names All interviews and sources in Japanese were translated by the author.
    [Show full text]
  • SWOT Analysis) Risks Related to Growth Strategies P.40 and Countermeasures P.64
    IT’S NOT ENOUGH!! ANNUAL REPORT 2012 SEGA SAMMY HOLDINGS THE FACTS For those less familiar with the SEGA SAMMY Group, beginning by reading this section is advisable. It includes basic information on the business lines of the Group and the business conditions it faces. SEGA SAMMY HOLDINGS THE FACTS Our Communication Tools To enhance communication with shareholders, investors, and a wide range of stakeholders, the SEGA SAMMY Group continually expands and improves its communication tools. Investors The SEGA SAMMY Group’s Annual Report 2012 In Annual Report 2012, as well as reporting on the Group’s business results for fi scal 2012, we have sought to further understanding of our growth strategies going forward. To this end, compared with the insights IT’S NOT offered through disclosure pursuant to laws and listing regulations, we provide additional information that ENOUGH!! ANNUAL REPORT 2012 presents the Group in a different light. Furthermore, to assist the understanding of as many readers as SEGA SAMMY HOLDINGS possible, we have prepared “TTHEHE FACTS,” which mainly comprises basic information. Online Annual Report 2012 An HTML version of Annual Report 2012 is available on the investor relations page of the SEGA SAMMY HOLDINGS web site. http://www.segasammy.co.jp/english/ir/ar2012/ IR Web Site Page On the IR page of the SEGA SAMMY HOLDINGS web site, we post comprehensive, reliable information for shareholders and investors promptly. This includes timely disclosures as well as fi nancial settlement fi gures in Excel format. IR page of the SEGA SAMMY HOLDINGS web site http://www.segasammy.co.jp/english/ir/ Individual Investors Web Site Page for Individual Investors A dedicated web site page, “For Individual Investors,” and other pages provide an easy-to-follow intro- duction to the Group’s business lines.
    [Show full text]
  • Themes of ESG and Sdgs Initiatives
    Continuing the Moving Experience Creation Cycle (ESG) Themes of ESG and SDGs Initiatives Customers Society With reference to environmental, social, and governance (ESG) factors and the Sustainable Development Goals (SDGs), the Products and Financial SEGA SAMMY Group has identified important issues and endeavors Services Foundations to highten awareness of whole Group companies and takes mea- sures to address them. Human Resources and In accordance with our mission of continuing to create moving Organizational Capital experiences, we will generate economic and social value simultaneously, thereby enhancing our corporate value. Human Resources and Organizational Capital Enhancement of Job Satisfaction and Diversity and RelatedSDGs SDGsActivity Elimination of Inequality Viewing human capital as one of our advantages, we are focusing on job satisfaction and diversity enhance- ment. For example, we have consolidated head office functions to reform work styles and create employee- friendly workplaces. Products and Customers Society Services Countermeasures to Addiction RelatedSDGs Activity SDG We understand that we have a responsibility to take measures to tackle and prevent addiction. The types of addiction associated with our businesses include “gaming disorder,” which is an addiction to video games that seriously affects health; addiction to playing pachinko and pachislot machines; and gambling addiction, which is strongly related to the IR business. Products and Customers Society Services Environmental Preservation and RelatedSDGs Activity
    [Show full text]